Chikako Morishita
Soot (2013) for piano
Chikako Morishita
Soot(2013) for piano
Written for Mark Knoop Premiered by Mark Knoop, 5 December 2013, The University of Huddersfield, UK
Duration: approx. 4 minutes
Noteg for perfor:mance Accidental applies onfy to the note it inmediately precedes. Natuxal sign has been added, however, to facilitate reading. IAccidentall Notes for performance phrasing and nultilayered of naterial] of attack, dlmamic bet*een thehave strata ofadded, has to reading. be carefully ltluttiplicityAccidentals [Accidental] applyDifferentiation only to the notes they immediately precede. Natural signs been however,textures to facilitate
nade.
is ignore used. the presence of material is not permissible (even if it is not playable). Differentiation of attack, phrasing lPedalj OnIy sustain [Superabundance of material] To pedal
Noteg for perfor:mance
and dynamic between lines should be carefully made.
IAccidentall Accidental applies onfy to the note it inmediately precedes. Natuxal sign has been added, however, to facilitate reading.
STMBOI.S [Pedal] The work uses sustain pedal only.
ltluttiplicity
I I
of naterial] Differentiation of attack, phrasing
lPedalj OnIy sustain pedal is used.
------=- ------
SYMBOLS STMBOI.S
A
Cluster: the top note should be Cluster (normal)
enhanced
A
cluster armtop note should be Cluster:bv the Cluster: the top note should be
enhanced enhanced
a
Ia O E
------=- ------
Pedal Pedal orr off
cluster bv
arm
I O E
Drunken/ irregular rhythm Drunken/ Pedal orr irregular rhythm
Drunken/ irregular rhythm
and dlmamic bet*een
the strata of nultilayered textures has to be carefully
nade.
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