South Coast Prime Times - September/October 2021

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Stuffed on stuffing By Deborah Allard Dion

GOOD TIMES

BUSINESS BUZZ

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Making waves by Steven Froias

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Locally roasted coffee, gourmet crepes made to order, baked goods & much more.

The squeeze on squash by Brian J. Lowney

ON MY MIND

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Fall drops by Paul Kandarian

ON THE COVER Everything ready for takeout. Lots of outside seating!

279 Water Street, Warren, RI 401.245.7071

Thanksgiving is the quintessential New Artists struggle during their lifetime to survive England tradition, and is an opportunity Handcrafted Jewelry financially, to gaintorecognition, and role to leave a recognize the important farms and by Emily Hirsch & Artisan Gallery farmers play in our community. Learn how meaningful and long-lived legacy.

26 Franklin Street, Newport

When an artist dies, 401-619-5639 • EmilyHirsch@hotmail.com they leave behind not facebook.com/athaliaofnewport

Ron Fortier

only personal and real property, but also the November 2020 | The South Coastremainder Insider of their body of work that can span decades. Generally, it is left up to the artist’s family to preserve their work and legacy after their death. Depending on the success of the deceased artist during their lifetime,

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OPEN FOR

FUNCTIONS

“People like me have been acquiring artist estates and selling them for a long time” - Richard Connor

GET MORE EYES ON YOUR BUSINESS

YOUR AD HERE Call Mari at (508) 916-0374

Online, print, & email advertising

coastalmags.com the south coast

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their artwork and pretty much anything associated with their art practice – letters, papers, documents, and more – can have

Insider S ou th C oast P r ime T imes

Gnarly Vines Farm (gnarlyvinesfarm.com) varying value. Sometimes an artist’s body has found its place in the South Coast on of work is not recognized until their page 12. Photo by Meredith Brower. death, partially since their death was the event that finally created the interest they were seeing throughout their lives and careers. The myths of an artist’s work greatly increasing after their passing persists as does the myth of their solitary struggle in their garrets. But what about the struggles of their survivors? How do they go about assessing the worth of their dearly departed artist’s estate? The most important part of the estate is the work itself – large quantities of it.

S ep tember /O c tober 2021

An artist who enjoyed the freedom of financial independence because of a successful career may leave their heirs instructions on how to manage their estate. But what of those who do not? I spoke to several experts in this area


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