A Collection of Graduates’ Work from the College of Creative Arts
1
2
3
4
07
08
PRO VICE-CHANCELLOR
COLLEGE OF CREATIVE ARTS STAFF
28
112
10 POSTGRADUATE STUDIES
202
INSTITUTE OF DESIGN FOR INDUSTRY & ENVIRONMENT
INSTITUTE OF COMMUNICATION DESIGN
SCHOOL OF FINE ARTS
30
Industrial Design
114 Advertising
213 Photography Awards
40
Fashion Design
130 Digital Media
214 Fine Arts
80
Textile Design
150 Graphic Design
98
Spatial Design
188 Illustration
107 IDIE Awards
204 Photography
198 ICD Awards
226 258 268 AUCKLAND SCHOOL OF DESIGN 228 Industrial Design 230 Transport Design 238 Graphic Design 257 Design Awards
HALL OF FAME 2011
STUDENT INDEX
MASSEY SCHOLAR 2011 The Massey Scholarship is awarded by the University to the top 5% of students completing an undergraduate degree, with the aim of encouraging graduates to undertake postgraduate study.
5
6
ASSOCIATE PROFESSOR CLAIRE ROBINSON Pro Vice-Chancellor
It is my great pleasure to introduce you to our annual publication showcasing the work of our fine arts and design degree graduates. Please take your time to look through this book and marvel at the exceptional creative talent displayed on its pages. New Zealand is a small country and if we want people to buy our goods and services, read our books and watch our movies, if we want people to visit and come here to work, if we want to contribute to resolving the world’s problems, we cannot afford to be average at what we do. We have to be exceptional to be noticed. And the difference between being average and being exceptional lies in our creativity. It lies in our cognitive flexibility, inventiveness, design thinking and non-routine approaches to messy problems. As Steven Tepper and George Kuh wrote recently in the Chronicle of Higher Education, creativity is not a mysterious quality.
It is cultivated through rigorous training and by deliberately practicing certain core abilities and skills over an extended time. That is what we do here in the Massey University College of Creative Arts. That is what we have done for 125 years through the Wellington Schools of Art and Design. In 2011, to celebrate our 125th anniversary, we commissioned the exhibition OldSchool NewSchool, showcasing the work of staff and students over the past 125 years. Importantly, even though we were looking back, all of the products and images on display were designed by people ahead of their time, looking forward to the future. Massey University, as the engine of the new New Zealand is in the business of creating futures. As I write this, I have just heard that Massey University has been awarded 12th position in the international Red Dot ranking for design concept. This ranking recognises Massey as one of the top Universities in the Asia Pacific region to continuously and progressively produce cutting edge and forward thinking projects. The Red Dot ranking honours organisations at the forefront of design excellence and innovation. Massey is the only design school in New Zealand or Australia to be recognised in these awards. This is a significant achievement of which the staff and students of the College of Creative Arts can be immensely proud. On behalf of the staff of the College of Creative Arts I wish our graduating students of 2011 all the very best as they take their creativity to the world. 7
STAFF 2012 College of Creative Arts
The School of Fine arts
The wellington School of design
Fine Arts Photography
Institute of Communication Design
The College of Creative Arts
The Auckland School of design
8
Institute of Design for Industry & Environment
The School of Visual & material culture
Our permanent staff include: Karen Adams Rodney Adank Catherine Bagnall Kingsley Baird Wayne Barrar Alan Batson Vince Beckett Mike Begley Chris Bennewith Amanda Bill Tracey Blair Mark Bradford Anna Brown Caroline Campbell Morris Campbell Brooke Cheeseright Lynne Ciochetto
Matt Clapham John Clemens Robyn Conner David Cross Deb Cumming Karen Curley Angus Donaldson Robertina Downes Emma Febvre-Richards Julie Fitzgerald Stuart Foster Heather Galbraith Bryce Galloway Lyn Garrett Jenny Gillam Dorita Hannah Eugene Hansen
Teresa Hartley Sadie Hawker Sandra Heffernan Ross Hemera Michael Heynes Hinemoa Hilliard Gray Hodgkinson Bronwyn Holloway-Smith Keir Husson Mary-Ellen Imlach Christopher Jackson Lee Jensen Karl Kane Ilka Kapica Nick Kapica Charmaine Kasselman Klaus Kremer
Bronwyn Labrum Vincent Lardeux Tim Larkin Maddie Leach Esther Low Hemi Macgregor Tanya Marriott Fay McAlpine Michael McAuley Sue McLaren Natalie McLeod Caroline McQuarrie Holly McQuillan Peter Miles Jason Mitchell Helen Mitchell Azhar Mohamed
Marcus Moore Sally Morgan Georgiana Morison Simon Morris Tulia Moss Lisa Munnelly Lilian Mutsaers Drew Naika Jacqui Naismith Wendy Neale Oliver Neuland Antony Nevin Anne Noble Annette O’Sullivan Tony Parker Roy Parkhurst Tim Parkin
Durgesh Patel Martin Patrick Jessica Payne Anthony Pelosi Sue Prescott Donald Preston Julieanna Preston Kura Puke Richard Reddaway Maureen Revell Euan Robertson Claire Robinson Max Schleser Erika Sefton Erdem Selek Ann Shelton Matthijs Siljee
Amy Sio-Atoa Rebecca Sinclair Hugh Slaven Steven Smith Lynley Snelling Rebecca Steedman Carol Stevenson Helen Sunderland Brandon Syme Joyce Tam Christine Teiannang Uli Thie Patricia Thomas Eric Thompson Andrew Tobin Jeannette Troon Sam Trubridge
Tim Turnidge Heike Ulrich Karin Van Roosmalen Krystal Waine Shaun Waugh Nina Weaver Janet Webster Tracey Wellington Tony Whincup Lee Whiterod Jennifer Whitty Jane Wilcox Sian Wright Amanda Yates
9
10
PROFESSOR SALLY J MORGAN Director Postgraduate Studies
The postgraduate possibilities offered through art and design at the College of Creative Arts enable our students to experience an extraordinary opportunity for in-depth research in their chosen disciplines.
The postgraduate experience builds upon the skills acquired at undergraduate level and leads to a consolidation in theory and practice that expands the horizon of possibilities. In the pursuit of postgraduate projects in design, fine arts and visual and material culture, candidates will have challenged the expected and explored the unexpected. Their work will have involved questioning, investigation, experimentation, self reflection, and the articulation of creative responses to research questions.
Postgraduate students are expected, with the rigorous supervision of experts, to research their ideas with reference to related texts, theories and practices.
The outcomes represented here encompass visual, aural and tactile artefacts and systems resulting from this enquiry, along with supporting documentation. It provides a fascinating glimpse into the range of research possible in the creative arts. We congratulate our candidates on their achievement and wish them success for their creative futures.
11
01.
01. KRISTINE BROOKS
Master of Design
OUT, 2, 3: Performing Pattern Textiles, marching. Marching, textiles. Textiles, marching. Marching textiles. Both a professional textile designer and a competitive marching girl, these two aspects of my life have sometimes been in conflict, competing fiercely for both my time and attention. This Master of Design project experimented with what would happen if these two separate realms were brought together‌ Textiles meet marching, marching meet textiles. In the exciting work that ensues patterns leap from the fabric, architecture is choreographed into marching drills, the boundaries of textile design and marching are explored, tested and ultimately broken. brooksk09@gmail.com 021 039 5389 12
02. ANNA BROWN
Master of Design
The Endless Book The Endless Book explores of the form (and future) of the book through an investigation of the affordances of social media. This presentation/book work seeks to visualise contemporary approaches to online communication, in particular social media, and explore those actions associated with it – time, locality, endlessness – in a experimental and performative process mediated via the form of a book. The Endless Book is a designed framework that relies on sociability and tangible interaction to bring meaning to the work – the way you interact with it is part of how you experience it.
13
02.
03.
03. BRIGID BURNHAM
Master of Design
Make a Move: A multi-sensory, movement coordinated furnishing support system for children with ADHD The way in which we learn varies amongst individuals; ADHD students are no exception. The focus of this research was to develop a new type of furnishing for use by ADHD students which allows for diverse forms of movement, interaction and sensory stimulation. My aim was to understand the context of the classroom environment through the eyes of the ADHDer; to bridge the gap between ADHDers’ learning experiences and the classroom environment. By exploring the ineffectiveness of standard classroom furnishings through a particular design process, a new furnishing that engages those with ADHD was developed.
14
04. EMILY DAVIDSON
Master of Fine Art
The Tyranny of Fascination secretive.squirrel@gmail.com
15
05.
16
06.
05. MATTHEW FANNING
Master of Design
Entertaining the Object: An investigation into human-object relations This research explores how we, as humans, interact with objects. It poses a question: is our relationship to objects based purely around subservience or is it more complicated? How do we make sense of objects when their practical functions become muted and their features begin to form characters? Through a process of documenting my interactions with existing objects and exaggerating them through photography, I sought to better understand the objects that inhabit our lives.
06. JAMES FINDLATER
Master of Design
In it for the Money In it for the Money explored how complex sociopolitical events can be communicated visually using sequential art narratives. The project took as its case study the origins of the global financial crisis of 2008, attempting to forge a cohesive spatial network from the disparate and occasionally contradictory perspectives on that event. The result was a sprawling ‘confection’, where what used to be called ‘the facts’ have had to make room for humour, visual puns and pure conjecture.
matthewtfanning@gmail.com
17
07.
07. SANDY GIBBS
Master of Fine Art
God is Back – Pass the Plate This thesis project explored relationships between capitalism and religion, utilising the site of Futuna Chapel in Karori as an entry point for these investigations. More specifically, it examined how ideas of economic and religious colonisation have contributed toward the creation of dislocated and heterotopian spaces. sandygibbs@xtra.co.nz
18
08.
08. LAURA HAUGHAN
Master of Design
Capital Letters: Revealing Wellington’s Urban History Through Typographic Remnants. Capital Letters examines the role that typographic remnants play in the authentication of local places and highlights their importance as a form of visual cultural history. This project investigates a method of looking at urban typography as a way of understanding the character of space and its past/narrative. It uses typographic remnants as a marker of time and space to express and accentuate a sense of place and reveal changes in Wellington’s cityscape. This allows an alternative way of discovering the city: through lettering and type. laura@capitalletters.org.nz 19
09.
09. KRISTY JOHNSTONE
Master of Design
Colours of the High Country: Exploring Place Through Colour Colour and place have been reconnected in a textile exploration of New Zealand sheep farms. Through the process of natural dye, colour has been extracted from vegetation physically gathered at four individual merino stations and used to dye wool. Different geographical aspects of each station, including the soil, climate and altitude, influenced the hues obtained. The colours produced are inherently connected back to their place of origin in the high country, with a colour palette unique to each station. Through this physical process authentic colour has been created adding to stories of New Zealand wool linking back to the farm gate. johnstonekristy@gmail.com 027 424 3313 20
10. ROSEMARY MORTIMER
Master of Design
Rising Up - Running Out, An Exploration of Oil My research project was a narrative of my experiences as I tread quietly (even sneakily), through a political and ecological minefield. It explored the forces and voices of oil, through a process of making art. My fossil fuelled journeys informed my material activations, of the forces of formation, extraction, consumption and depletion. Seeping (and rising) through the work are the voices of political, ecological and economic imperatives for reduction. rosemary.mortimer@paradise.net.nz 027 236 7343
21
11. GARY PETERS
Master of Fine Art
Engine Room Remix I create systematic geometric abstract wall drawings derived from choose your own adventure games. The generated forms are deployed in response to the site and engage with architectural space, qualities of light, colour, time, memory and repetition. hello@garypeters.info www.garypeters.info
22
12.
12. THOMAS MCQUILLAN
Master of Fine Art
The Sum of Things “Any artistic expression is in some way critical while at the same time memorialising the culture that surrounds it” Tim Davis. thomas.mcquillan@gmail.com
23
13.
13. XIANG QIAN (STEVEN)
Master of Design
Neo-Haipai: A Typographic Representation of Shanghai. This research investigated how the essence of a physical location can be communicated through the medium of typography and other figurative language. It developed through an exploration of the typographic representation of the Chinese city of Shanghai and draws upon Shanghai’s history and cultural values. This study transformed that analysis into a distinctive letterform and then compounded it with patterns and colours to illustrate the city through typographic expression. This project was realised entirely with type, colour, texture, shape and abstract images. stevenqian2006@gmail.com 021 127 3048 24
14.
14. LORNA SMITH
Master of Design
The Bath Room The contemporary domestic bathroom is a place where function and ritual coincide with body and mass-produced industrial products, but, what about the bathroom as a whole? The bathroom has become a place to perform certain rituals, rather than a room to occupy one’s rituals. My personal experiences of the standardised domestic bathroom became the motivation to test the boundaries, forms, aesthetics and functions of what is commonly understood to be a bathroom. This design-led research project addressed the redesign of a standardised domestic bathroom where I used my own body and domestic rituals to investigate the potential for a bathroom design that is tailor-fit to its user. lorna.rm.smith@gmail.com 027 844 4342
25
15. AIHUA WEI
Master of Design
‘Mao’ & Me As a fashion designer/artist, my project investigates the relationship between Chairman Mao’s jacket and being a Chinese migrant. I was awakened to the impact that the jacket has had on my life, education, family, surroundings, thinking, and behaviour and had a sense that I have always been wearing this jacket invisibly. My identity had been shaped with Chairman Mao’s ‘one people, one voice, and one nation’ ideology. Through working with the jacket and learning about the practice of deconstruction, I came to understand that the jacket is not something to get rid of, but something to question, inquire of, to discover new possibilities. elva_wei@hotmail.com 029 777 9575
26
16.
16. LEE WHITEROD
Master of Design
Move hands like clouds My Master of Design project, Move hands like clouds explores the connections between social sustainability, design, somaesthetics and Taoist Tai Chi. The designed outcome, a film, expresses the inclusive design of Taoist Tai Chi, its group activity within a community and its priority of focus on the internal origins and stance of its practice. It uses LED light drawings to trace the movements of multiple practitioners. It is an experience design response to the belief that we engage with the world and our place in it through an integrated mind, body and spirit – all the senses – the rational and the intuitive. This stance is shared by the philosophies that underpin social sustainability, somaesthetics, Taoist Tai Chi, and design for sustainability. Mindful attitudes and behaviours with a focus on the well-being of the individual and the community are integral to these disciplines and to my film.
17. EMILY CLARK
PhD, Visual & Material Culture
“‘Only the Darkness Knows Who I Am’: Discourses on x-rays in the shadow clinic and how visualizing shadows contributes to the possibilities of aesthetic empathy in the perception of the body in x-ray.” My thesis is that images are powerful and demanding and the perspective of medical imaging technologies works to change our perception of ourselves as well as our understanding of the world. My research examines how we use x-ray images on the World Wide Web and particularly concentrates on the engagement of an aesthetic visual empathy in this world of what she identifies as the “Shadow Clinic”. My concentration is on the nature of shadows, both metaphorical and literal, to understand how visual empathy can be employed through the clinical practice of imaging the body and human looking.
To view Move hands like clouds go to: Vimeo.com/user10217833/move-hands-like-clouds 27
INSTITUTE OF DESIGN FOR
28
RODNEY ADANK Head of Institute
Designing for industry is all about designing a sustainable, flourishing future. This has been beautifully demonstrated by the work of our 2011 graduates. Their work is a testament to their engagement with creative practice: producing connectedness and meaning in relation to issues such as community and sustainability that we face today, and will face in the future. The design disciplines of Fashion, Industrial, Spatial and Textiles form the Institute of Design for Industry and Environment. Common to these disciplines is the ability to manipulate and transform materials into desirable and valued artefacts, materials, places and spaces.
Through design thinking and a creative approach our graduates will design with materials and processes yet to be invented, and for end-users and markets yet to be defined. These young men and women will toil, struggle, invent, conceptualise, develop and realise new beneficial: products, apparel, fashions, environments and means of interacting with the world. Congratulations to the students and staff of the Institute for the achievements of 2011. Our staff are part of a tradition of commitment and inspiration in design education, that has challenged, shaped and supported the development of design talent in our students. Having completed their studies, these talented young graduates will shape and define the look and feel of daily life for future generations. As Massey alumni they go on to join a prestigious group of award-winning international designers who have changed the way we live our lives and interact with the world: designers like Mark Elmore, Collette Dinnigan and Danny Coster. Our good wishes accompany them as they embark upon their careers and make their contribution through design.
29
INDUSTRIAL DESIGN 01.
01. TOM CONWAY
02. ANDRE HELLER
The Gecko
Waterline Marine 470
The Gecko is a long reach, battery-powered pruning saw for the DIY market. It addresses key issues relating to movement, maintenance, storage and ease of use.
Waterline Marine spearfishing watercraft simultaneously integrates the ease of entry and exit with appropriate equipment storage, making the process of spearfishing easier and more enjoyable.
thomasconway.mail@gmail.com 027 757 8560
30
andre_heller_89@msn.com 027 635 8542
02.
31
03.
32
03. ALEX FRASER SwiftySue A transfer chair designed specifically to function in a hospital environment, focusing on providing a positive, humane experience for the user. alex.k.fraser@gmail.com
33
04. 05.
04. JACOB HOWAN
05. ALICE JOHNSTON
06. NICK GRAHAM
Addressing Poverty in New Zealand Society
cREate
The Backyak
Re-create helps to build a creative and sustainable office environment. Waste paper is mulched, moulded and creatively built into useful containers and shelves for the business.
The Backyak is a harness designed to assist high altitude climbers and trekkers when effected by altitude sickness.
This product addresses the issue of mould growth in homes in a low tech, low cost manner. jshowan@gmail.com 021 711 825 Twitter: @JSHowan
34
alice.s.johnston@gmail.com 027 314 6492 alicejohnston.co.nz
n.graham.design@gmail.com
06.
35
07.
07. GORDON ROBINSON
36
Nga Puhi & Nga-ti Whakaue
08. ANTONY SNODGRASS
The Outcast
The Guru Pivotal
The Outcast fly fishing watercraft is a collapsible frame pontoon craft with a sliding seat. It focuses on enhancing the experience of fishing through its portability.
The Guru Pivotal is a Search and Rescue vest for rescuers involved in swift water, surf lifesaving and off-shore rescue (helicopters and boats).
gk.robinson09@gmail.com 027 495 9513
antony@customcutgraphics.co.nz 027 350 7485
08.
37
09.
09. EDWARD WOODHAM Matronics X1 This Midi control surface mat and audio recorder encourages learning through collaboration by being portable, having touch gesture navigation and audio file processing. edwardwoodham@gmail.com 027 256 7211 / 03 981 2481
38
10.
11.
10. THORLEY ROBBINS
11. YUAN ZHANG
The Coolstore
PW
The Coolstore is a pullout refrigerator that improves usability, and energy consumption in the contemporary kitchen.
The PW is an outdoor car cleaning/washing unit for situations where access to water is difficult. It includes storage for standard cleaning equipment.
thorleyrobbins@gmail.com 027 660 9305 www.thorleyrobbins.com
the_lord_of_thebes@hotmail.com
39
FASHION DESIGN 01.
01. SARA-LEE ARMSTRONG Treasured Swathed in a crisp sea breeze this collection is inspired by the New Zealand seascape in spring.
02. ROANNA BELL That Charming Man This collection aims to celebrate the character of dandies, and the importance they place on looking one’s best. Merging streetwear aesthetics and more classic tailored shapes, it includes contemporary smoking jackets, jean-styled trousers and sheer-silk inserts in shirts.
03. JESS BEACHEN The Manitou Warrior – Fall 2012 jessbeachen@live.com 027 277 6279 www.jessicaflora.com 02.
40
03.
41
04.
42
05.
06.
04. STEPHANIE BELLAMY
05. SOUMYA BHAMIDIPATI
06. SOPHIE BURROWES
Origins
Blighted Beauty
Nothing Is Original
soumya.bhamidipati@gmail.com 027 781 3023
sophie.burrowes@gmail.com 027 345 5849
Origins is a collection inspired by a serene combination of scientific theory and religious belief, creating a unique beauty and a reflection of a new world with endless possibilities.
43
07.
07. NICOLA COOPER Thrifty Lady A nostalgic summer collection recreating the charming style and atmosphere of the classic Kiwi bach. nicola.cooper@windowslive.com 027 632 2158
08. GRACE CRYER Paradise Circus This collection is inspired by a hybrid of both early 1900s burlesque stage wear and 1980s over-embellished, high glitz garments. It hints at the past, but still feels contemporary and ultimately wearable. Each look is intended to exude female power but also to evoke a futuristic feeling, using contrasting colour palettes to illustrate the opposing allure of the femme fatale: sweet and innocent vs. evil and forbidden. grace.frances.cryer@gmail.com 021 022 46308
44
08.
45
09. HEEJU CHO Liberation of Minds Liberation of Minds is a collection inspired by both the Minimalist and Surrealist movements, combined with my fascination with the relationships between dreams and realities. heejucho88@gmail.com 021 186 2032
46
47
10.
48
11.
10. TESSA CUMMING
11. MORGAN EMILY DAVISON
The Search for Self
Leap of Faith
This collection is about the collaboration of society and its prescribed rules, and the choice of the individual.
Innovative inspiration formed into a contemporary collection combining fashion, gaming and history. morganedavison@hotmail.co.nz
tessa.cumming@gmail.com
49
12. MELANIE DAWSON Nga-ti Porou, Nga Puhi Destined to Decay This collection illustrates the transient nature of all things, drawing inspiration from dilapidated old homes, and promotes an appreciation of the inevitable. m.v.a.dawson@gmail.com 027 632 3096 50
51
13. NICOLE FORD The Runaways The Runaways were a revolutionary teenage girl’s rock band in the seventies, at a time when men dominated the rock and roll industry. nickers03@hotmail.com
13.
14. CANDICE FULTON
14.
Miss Flora candice.n.fulton@gmail.com 027 556 7600
15. BLAIR HETET We Come From Dust A trans-seasonal menswear collection inspired by Wabi Sabi, the Japanese world view on the acceptance of transience, and the imperfections within our natural surroundings.
52
15.
53
16. EMMA FALVEY Homemade Horsepower Homemade Horsepower is a menswear collection that embraces the pace and muscle of the car and energy felt when in control of a vicious vehicle. em@falveydesign.com 027 323 4546 www.efalvey.info
55
17.
56
18.
17. JESSICA HENLEY Workmanship of Progress. The battle between urban modernity and socialist utopia caused by the manifested tension surrounding industrialisation is visually articulated, surrounding the body in a balancing act as one seeks dominance. henleyjess@hotmail.com 027 465 6017
18. LAUREN HESLOP Light of the Morning A contemporary lingerie collection using geometric shapes and panels, made with silks hand-dyed with strawberries and boysenberries. laurenjaneheslop@hotmail.com
57
19. ELLE HOPPER Intrepid Borrower elle@hoppergroup.co.nz 021 0240 2096 19.
20. EMILY IRSCHICK
20. Noir Noir takes a modern look at the classic all black dress worn by women of all ages, and uses contrasting textures of faux fur, faux leather and sheer polyester in a monotone colour palette to create a new type of sophistication. emily.irschick@gmail.com 027 332 2342
21. (ANDIE) YE JI Muted Cries Inspired by Japanese courtesans who lived in captivity in 17th Century Tokyo red-light district Yoshiwara, Muted Cries wishes to articulate their silent struggles against the candy coated bars of Yoshiwara from a contemporary and personal point of view. a.yeji@hotmail.com 022 120 9813 LinkedIn: Andie Ye, Ji
58
21.
59
22.
60
23.
24.
22. SUSAN LENIHAN
24. YULIANA KRYLOVA
Human Behaviour
In the Hours of Darkness
When one loses the ability to differentiate between dreaming and waking life, the line between reality and fantasy is blurred.
This collection aims to empower women, giving them strength and power to overcome any situation.
suu.lenihan@gmail.com 027 341 2301
yuliakrylova@hotmail.com 027 823 2612
23. MADELEINE LAWSON A Tale of Two by The Company We Keep maddie-lawson@hotmail.com 027 426 2446
61
25.
62
25. JULIA LYNCH
26. HILARY ELLEN MARTIN
Together Apart
The Struggle
A final year collection of alternative bridalwear for the urban contemporary.
A commercial, wearable, womenswear collection inspired by the 2011 Rugby World Cup.
julianotapplicable@gmail.com 021 11 99 263
hilary.e.m@gmail.com +64 27 725 6309 www.hemdesign.co.nz
26.
63
27. REBECCA MAXWELL The Moroccan Lantern Infinite in their beauty, individually unique, they are perforated metal masterpieces that can cast spectacular shadows of amazing geometric and vegetal patterns. They create an exotic romantic feeling and hours of lucent dreaming. becc_maxwell_18@hotmail.com www.maxwellr.com
64
65
28.
66
28. ANISHA MASTERS Reborn - The Awakening of a New Generation This collection explores the worlds of Indian and Western design and how they collaborate to form a new generation of fashion. anisha.masters@yahoo.co.nz anishamastersdeisgn.com/abt.html
29.
29. CLAIRE MCGOVERN
30.
Squared claire.am@hotmail.com 027 328 6788
30. LUKA MUES Handed Down luka.mues@gmail.com +64 27 737 9498
67
68
31. SAMANTHA CLARE MURRAY Sweet Suspension 2012 Fiberform, moulding wearable forms from liquid. sammy.clare@gmail.com samanthaclare.com
69
32.
70
33.
34.
32. NICOLA PAVERD
33. SARAH PONINGHOUSE
34. MONIQUE SCRIVENER
Beautiful Distortion
New Perspectives Winter 2011
We’ll Say You Were Never Here
sarahponinghouse@gmail.com
mon_scrivener@hotmail.com +64 27 332 3422
Re-creating the worn out aesthetics of garments, representing extremes of poverty, contrasting the extravagant and exaggerated forms which break the boundaries of fashion. nicola.paverd@gmail.com 027 428 4952
71
35. LAUREN SAGE
36. LOREN SHIELDS
Escultura
Riviera
laurenrachelsage@gmail.com +64 22 569 3223
Discover an exclusive women’s resort wear collection destined for France. Slip into luxurious outfits created especially for activities enjoyed along the French Riviera. loren_shields@windowslive.com 027 373 9500 / 03 731 1132
72
35.
36.
73
74
37. JUDY KHEE SEO Let it flow. Let it live. Encapsulating the unseen conflict between our exterior and interior lives, this collection encourages the wearer to interact with both the exterior world and the interior self to find what it truly means to be someone who values fashion. kheeseo89@gmail.com judy890910@hotmail.com www.khee-judyseo.blogspot.com
75
38.
76
39. 40.
38. GRACE SUTHERLAND Gilt graciemillicent@gmail.com 027 353 6296
39. FOI SEASO NEUW Skin A/W 2012 foiseaso@gmail.com
40. JACQUE SHAW Femme Fatale info@jacqueshaw.com +64 27 357 0726 jacqueshaw.com 41.
41. ELYSE WALKER A Fleeting Scene Fashioned amid wrecked bodies the collection A Fleeting Scene is a melancholic observation into the insular world of ballet. elysewalker@hotmail.com 027 311 0083
77
42. MELISSA WALMSLEY A Garden in Every Childhood “There is a garden in every childhood, a place where colours are brighter, the air softer, and the morning more fragrant than ever again.� Elizabeth Lawrence m_k_walmsley@hotmail.com 027 358 7848
78
79
TEXTILE DESIGN 01.
80
02.
01. JESS ANDERSON
02. TONI BAYLIS
A Far Away Garden, where blue mushrooms tower over purple trees. A collection of hand-dyed and embroidered textiles for fashion.
Crystalised
jessanderson18@hotmail.com
toni_baylis@hotmail.com +64 27 738 5323 www.tonibaylis.com
A collection of pretty and fresh textiles for the out going and fun-loving individual.
03.
03. MEREDITH BARLEY Bedazzled and Deceived The inspiration for this collection was the deception found in nature, whereby certain characteristics are used to hide, warn or ambush predators. meredith_barley@hotmail.co.uk +64 27 335 7061
04.
82
05.
04. MAXIM BUTLER Aphrodesia Aphrodesia is a collection of digitally printed sheers, designed to activate and costume a ceremonial performance; both celebrating and appeasing Aphrodite Urania. mastermaxbutler@gmail.com +64 27 315 4268
05. SHANNON BUTSON Bring to Light A textile collection intended for high-end women’s wear. Inspired by fragments of broken rock, exposing new unseen textures and colour. shannon_butson@windowslive.com 021 123 8117 www.sbutson.com 83
06.
84
06. ANNA LOUISE BOURGEOIS A contemporary natural New Zealand children’s collection. Hand-dyed and screen printed on merino wool using dyes sourced from a selection of New Zealand native plants. For the sustainable and eco conscious.
07. 08.
annalouisetextiles@gmail.com 027 465 9239 www.annalouisebourgeois.com
07. KATIE COOKSON
Te Arawa
Perfectionism as a Tool This is a collection of woven textiles for interiors inspired by my perfectionist personality type. katiecookson@gmail.com 021 0236 0268 www.katiecookson.com
08. ALEXANDRA THERESE DEVINE Manmade Landscapes A collection inspired by the ruptured fissures and broken bleeding walls of manufactured landscapes created by man and nature’s processes on the land. devine.alexandra@gmail.com 027 341 5260 www.atdevine.com
85
09.
86
10.
09. STACEY ELLIS
10. ELOISE EVANS
Observe, Perceive, Discover
Material Memory
An interior textile collection inspired by naturally formed objects. These objects have been revived, their natural identity emphasised through screenprint, sublimat print and laser etching.
An investigation into the personal narratives and oral histories contained within family heirlooms. eloise_vns@yahoo.co.nz
staceyellis@hotmail.co.nz
87
11.
11. ARNA HORN
12. ZOĂ‹ LENIHAN-GEELS
Hidden Nature - an interior textile design collection.
Erode
An elegant, soft, and sophisticated collection, intended for the high-end home that wants to bring nature indoors. arna.horn@gmail.com 027 528 9458
88
A textile collection for bodywear. zlenihangeels@gmail.com
12.
89
90
13. GRETA MENZIES Alter(ed) Egos: A re-imagining of form. greta.menzies@gmail.com www.iselgretajane.com
91
14.
92
14. MICHELLE MACKY Surface Chemistry Surface Chemistry captures the meeting point of fluid movement and containment. Metallic iridescent colours and random, uncontrolled movement contained in a weave structure. macky.michelle@gmail.com www.michellemaky.com
15. JESSICA MCLELLAN Deciduous Body Parts: A Living Topography
15. 16.
A materially responsive investigation into the connections between interior forces, surface appearances and external assaults on the human body. jessica_mclellan@hotmail.com
16. SOPHIE MARIE CLAIRE MUIR Of Youth & Yesteryear A collection of digitally printed, and lasercut textiles based on childhood memories, visualised by responding to photographs, or re-experiencing memories. sophiemarieclairemuir@gmail.com
93
17. 18.
17. BRITTANY O’HARA
18. SONYA ELSPETH WITHERS
Our Imago
Connecting to Siapo
Our Imago challenges the viewer to reassess their perceptions of menstruation.
Adaptations from Tapa to Textile design processes. sonya.elspeth.withers@gmail.com
brit@brittanyohara.com 027 304 0204 www.brittanyohara.com 94
19.
19. SOPHIE RZEPECKY Presence in Absence sophrz@gmail.com
95
20.
96
20. STACEY WONG
21. RACHAEL WOOFF
Rapid Urbanisation: the new aesthetic
Milieu
Rapid Urbanisation and Lost Homes is a printed and laser cut textile collection that explores the effects of rapid urbanisation in China.
Milieu is an interiors collection that conveys ideas and information that have been discovered and reinterpreted from addressing site.
staceycolleena@gmail.com +64 27 330 1747 staceycolleena.com
rachwooff@hotmail.com 021 183 5016
21.
97
SPATIAL DESIGN
01. CLAIRE ARBUCKLE Urban Secrets Urban Secrets is a design proposal which fosters dialogue between Wellington’s entertainment, art, cultural and economic sectors.
98
99
02.
02. PETREECE EVES
03. EMMA JEPSON
Building as Lens
Toward embodied experience
A translation process from a photographic landscape to architectural building.
Seeking to amplify one’s sense of being embodied in the experience of dressing, exhibition spaces are arranged in an immersive-based sequence.
petreece_eves@hotmail.com 027 635 0281
100
jepsonemma0@gmail.com 021 131 1507 emmajepson.tumblr.com
03.
101
04. SOPHIE NORRIS Bodies – Chairs and the City Bodies – Chairs and the City employs the term prosthesis as a key device in setting forth a process of co-construction between bodies and exploratory furniture pieces. sophiejnorris@hotmail.com 027 426 2468
103
05.
104
06.
05. COURTNEY NORMAN
06. FIONA PRIEST
Shapes of Light
Music + Architecture
Lighting installations that transform space, illuminating specific details, allowing the passerby to experience the dynamic encounter and reflect on their spatial position.
Music + Architecture aims to promote the body as an active instrumentalist within the everyday, using these incidental and considered sounds to compose a purposeful/more concentrated listening environment.
courtneynorman.nz@gmail.com 027 500 8900 www.courtneynorman.co.nz
priest.fiona@gmail.com
105
07. EMILIE WILLIAMS Activating the View – Wellington Waterfront Visitors’ Pavilion Reusing existing architecture to design an experiential environment that physically and visually activates the viewer. e.jwilliams@hotmail.com 027 321 6424
106
AWARDS INDUSTRIAL DESIGN
Kate CameronMcDonald Winner, Zonta Award 2011
Christopher Dwan
Harriet Hone
Rachel Moller
Selected to Exhibit, Milan Design Show 2012
Silver, DINZ Best Award 2011
Bronze, DINZ Best Award 2011
Silver, DINZ Best Award 2011
Carey Prebble
Zachary Robinson
Riley Sanders
Stuart Smith
Runner Up, Zonta Award 2011
Silver, DINZ Best Award 2011
Silver, DINZ Best Award 2011
Bronze, DINZ Best Award 2011 Finalist, James Dyson Product Design Award
James van Oosten
Alastair Warren
Lucas Wotawa
Steven Wyeth
Bronze, DINZ Best Award 2011
Bronze, DINZ Best Award 2011
Bronze, DINZ Best Award 2011
Gold, DINZ Best Award 2011
107
AWARDS FASHION DESIGN
108
Emma Flavery
Jessica Henley
Lisa Holmes
Marie Kelly
Winner, The Business Award presented by Bird Island
Winner, Knifekut Award for Achievement & Dedication
Commended (Fashion Design), ASDA - Australasian Student Design Awards
Mittelmoda Prize, iD International Emerging Designers Award
Julia Lynch
Hilary Martin
Lucy McIntosh
Luka Mues
Winner, Hawes & Freer Award for Tailoring
Highly Commended, The Business Award presented by Bird Island
Finalist, iD International Emerging Designers Award
Winner, Rembrandt Suits Ltd Award for Excellence
Samantha Murray
Katinka Muijlwijk
Greer Osborne
Nicola Paverd
Winner, Kirkcaldie and Stains Award for Creativity & Innovation
Winner, Zonta Award 2011
Winner, Merino Gold Fashion Competition
Winner, John Rainger Vilene Award for Best Use of Product
Finalist, iD International Emerging Designers Award
Lauren Sage
Judy Seo
Jacqueline Shaw
Aihua Wei
Winner, Carlson Award for Commercial Design
Highly Commended, Purfex Award for Design
Winner, Knifekut Award for Achievement & Dedication
Runner Up, Zonta Award 2011
Kerry Wong
Andie Ye
Award of Excellence, Hokonui Fashion Awards
Winner, Purfex Award for Design
Finalist, iD International Emerging Designers Award
TEXTILE DESIGN
Meredith Barley
Anna Bourgeois
Shannon Butson
KATIE Cookson
Winner, Booker Spalding Excellence in Textiles for Fashion Award
Winner, Couleurs de Plantes Excellence in Natural Dyeing Award
Winner, Blue Print Imaging Excellence in Textile Print Award
1st (Textile Design), ASDA - Australasian Student Design Awards Winner, DEA Yarns Award
AWARDS TEXTILE DESIGN CONTINUED...
Erin Cretney
Stacey Ellis
Arna Horn
kristy Johnstone
Selected to Exhibit, Best In Show
Scholarship, Woolyarns Limited Jim Wood Master of Design [Wool]
Winner, Huntech Most Innovative Digital Design Award
Selected to Exhibit, Best In Show
Winner, Blue Print Imaging Excellence in Textile Print Award
Winner, Resene Drawing Award
Michelle Macky
GretA Menzies
Kelly Olatunji
Sophie RzEpecky
Winner, Textile Design Outstanding Progress Award
Winner, Athfield Architects Outstanding Achievement in Textile Design Award
Textiles Winner & Supreme Winner, Zonta Award 2011
3rd (Textile Design), ASDA - Australasian Student Design Awards
Micheala Snowden Commended (Textile Design), ASDA - Australasian Student Design Awards 110
Runner Up, Zonta Award 2011
Winner, Athfield Architects Outstanding Achievement in Textile Design Award
SPATIAL DESIGN
Sarah Burrell
Ian Hammond
Anna Hill
Ana McGowan
Finalist (Postgraduate Section), PQ11 - Prague Quadrennial of Performance Design and Space
Finalist (Postgraduate Section), PQ11 - Prague Quadrennial of Performance Design and Space
Winner, Zonta Award 2011
Winner (Theatre Architecture Section), PQ11 - Prague Quadrennial of Performance Design and Space
Courtney Norman
Emma Ransley
Sinead Satherley
Lauren Skogstad
Bronze, DINZ Best Award 2011
Finalist (Extreme Costume Section), PQ11 - Prague Quadrennial of Performance Design and Space
Runner Up, Zonta Award 2011
Finalist (Extreme Costume Section), PQ11 - Prague Quadrennial of Performance Design and Space
marie swanson
Mercia Tawhiri-Kerr
Bronze, DINZ Best Award 2011
1st (Exhibition and Display Design), ASDA - Australasian Student Design Awards 111
INSTITUTE OF
112
ANDREW TOBIN (Acting) Head of Institute
It is my great pleasure to present the visual communication design graduates for 2011.
foremost designers at the 2011 Best Awards took out well over half of the finalist places in the graphic and interactive sections, and won an unprecedented five out of six Gold Awards nationally.
This year was a very auspicious one for the College of Creative Arts as we celebrated the 125th anniversary of the Wellington School of Design’s establishment in 1886. The graduates and work you see on the following pages are testament to the continuing tradition of design excellence, and to the restless spirit of questioning, play and innovation that makes designed communications provocative, engaging and persuasive.
The International Society of Typographic Designers also conferred membership on eight students studying the BDes (Hons) programme in visual communication design (one with Distinction, two with Merit). Along the way, the Society also gave a commendation to ICD typography lecturers Annette O’Sullivan, Fay McAlpine and Donald Preston for the highest ratio of membership conferments to actual entries in Australasia.
Our academic staff is unanimous that 2011 was ‘a good vintage’. The calibre of these young designers didn’t go unnoticed in the wider design community. Those who bravely submitted their design work for peer review by a selection of the country’s
Additionally, one enterprising advertising student won accolades from both the Crowbar (Singapore) and Core77 (New York) awards. ICD staff are proud that we are furthering the venerable tradition that started with the first art and design programme in New Zealand, way back in 1886. To this year’s graduating designers – congratulations! Back yourselves. Take risks. And stay in touch.
113
ADVERTISING 01.
01. CHRISTOFFER APPELROS & HANNAH MEADS
02. ALEX DOWNEY
The New Zealand Traveller
Ministry of Health campaign that shows how senses make experiences more enjoyable, to get people outside and offline.
Freedom Camping and Kodak Disposable Cameras chrisappelros@hotmail.com +64 27 303 4955 hannahmeads@gmail.com +64 27 313 1252
114
Life’s More Fun Offline
alexmdowney@gmail.com 027 636 7053 www.alexmdowney.com
02.
03.
116
03. SHANNON BELL Nga-puhi, Ngati Porou
Breathe Happy Thoughts When stressed we drive faster, erratically and aggressively. My project promotes a hypothetical Ambi Pur aromatherapy car air freshener to calm drivers. shannonbell18@gmail.com 021 157 9766
04. MAX BUSBY
04. 05.
05. CECE CHU Our wine, enjoyed their way This campaign establishes New Zealand wines as the new wine for the new generation of wine drinkers in China. cece_chu@hotmail.com 021 037 0790
117
06.
07.
06. CHELSEA DOWLING
07. MEGAN DUDLEY
08. DAVEN WEN HUEY LIM
Become more than ‘just’ a farmer.
Bunnings D.I.Y classes
Lee Kum Kee, the original stir-fry oyster sauce. It’s so authentic that it will make you feel Chinese.
chelsea.dowling@hotmail.com 027 320 2239
Society judges people based on their mistakes. Bunnings D.I.Y classes give people the opportunity to make fewer mistakes in order to learn how to get it right. megan_joy_dudley@hotmail.com
118
davenlim@gmail.com
08.
119
09.
09. JEMMA GRATTAN
10. SCOTT CONRAD KELLY
Tihoi Venture School
2011 New Zealand Election Green Party Campaign
jemmagrattan00@gmail.com 027 333 4774
The communication is driven around the need for the Green Party to be viewed as a reliable, smart and forward thinking mainstream political party. scott.conrad.kelly@gmail.com 027 320 4785
120
10.
121
122
11. CHARLOTTE LANG The Nice Project A campaign to promote Random Act of Kindness Day in New Zealand. Because it’s nice to be nice. charlotte.lang@hotmail.com www.elizabethcharlottes.com Twitter: @charlottelang_ 123
12. 13.
14.
12. MEGAN RAYNOR
13. ANNE RUSSELL
Manners on Public Transport
E-waste Revolution
Manners are a social construct based on courtesy and respect. As personal space is limited on public transport it is important that they are used. raynormegan@gmail.com 021 262 7557 124
annerussell_08@hotmail.com +64 21 296 8705 www.annevindriis.com
14. ADRIENNE MEYNELL Dreams are more than what they appear. This copy campaign will persuade people to start thinking about dreams as potential creations for Beds R Us. adriennemeynell@gmail.com
125
15.
126
16.
15. CHELSEA SIETSES
16. ANDREW SMITH
Resene Test Pot Paints: Think Big. Start Small.
Read Into Fine Print
Encouraging and showing the joys of spontaneity through paint.
An exploration into visual rhetoric. andrew.smith981@gmail.com 027 748 6634
chelsea.sietses@gmail.com 027 721 6946
127
17. 18.
128
17. SOPHIE TRICKER
18. KRISTI TUNGATT
19. MATT WOODS
Massey Good Flats
Experience Upper Hutt
The French Film Festival
The Massey Good Flats survival kit helps students survive those first year flatting experiences at Massey accommodation.
This campaign is all about reviving Upper Hutt City and encouraging people to discover what it has to offer.
A French Film Festival context expects a certain social etiquette. “Don’t stand out as first-time festival rookie.”
sophiectricker@gmail.com 027 505 0889
k.tungatt@hotmail.co.nz 027 351 3237
woodsmatt25@gmail.com 027 337 6325
19. 129
DIGITAL MEDIA
01.
01. GEOFF AICKIN
02. MARCUS BROWN
The Sabnean Rebellion
Who is Thomas Revell?
pcwizz2@hotmail.com, g.aickin@gmail.com 027 414 8182
To make a film character a part of history, I fabricated the fictional Thomas Revell into a recently unearthed 1960s inventor through a digital campaign. hello@marcusb.co.nz +64 27 416 8590 www.marcusb.co.nz Twitter: @marcusbgraphic
130
02.
131
03.
132
04.
03. LEWIS BRILL
04. EMMA GALLAGHER
The Fallen Few
Orangge: A Game to Help You Prevent OOS
Promoting modes of healthy media for New Zealand adolescents, through the reinterpretation of Greek mythology within a modern context. lewis_brill@yahoo.co.nz 021 051 8276
& ALEX SHALITA
gallagher.emma@yahoo.co.nz 021 639 770 shalita.alex@gmail.com 022 631 7384
133
134
05. MICHAEL CUMMINS, KURTIS RITANI & ZHENGGANG SUN (JAMIE) Server Bombs - Two of a Kind Michael Cummins michael.cummins.nz@gmail.com 022 673 1579 Kurtis Ritani kurtis.ritani@gmail.com 022 691 1910 Zhenggang Sun (Jamie) t3485su15@hotmail.com 021 053 9619
135
06. SARAH GRANT Catch That Bus! My major project titled Catch That Bus! is a set of digital work that looks at improving the Wellington bus system through interactive media. hi@sarahgrant.co.nz 027 353 6092 www.sarahgrant.co.nz
07. NICOLE HAWKEY Voices and Visions nicolehawkey.design@gmail.com www.nicolehawkey.com
08. TYLER HARDING & MATTHEW SLOAN Rucsac: The Ultimate Travellers’ App tyler@skyhighdesigns.co.nz 021 277 5444 www.skyhighdesigns.co.nz matty.c.sloan@gmail.com 027 469 9745 Twitter: @mattycsloan
06.
136
07. 08.
137
09. TIEN HEE, NIKKO HULL, LEO CHIDA, & KASUMI SAITO Synaesthesia by Digital Miso People who have synaesthesia see and experience the world in a unique way. Our animated movie conveys some of the experiences a synaesthete might have to deal with in their life.
138
Tien Hee Ngati awa iwi tien.hee@gmail.com 022 618 3898 tienhee.daportfolio.com Nikko Hull nahull@live.com 027 636 5727 null2012.blogspot.com
Leo Chida chida037@hotmail.com 022 076 0298 Kasumi Saito kasumi.s.box@gmail.com 021 134 3040 kasumibox.blogspot.com 139
10.
10. SARAH HAWKINS
11. LY NGUYEN
Monster Troubles – The New School Nightmare
Community Conversation: Street Talk
This project focuses on the subject of chronic childhood nightmares and how they may be alleviated though storytelling. sarahhawkins.nz@gmail.com 027 843 3409
140
lynguyen@hotmail.co.nz 022 624 3802
11.
141
12. BENJAMIN MARKBY Augmented Science – Interactive Textbooks benmarkby@gmail.com 027 346 3287
142
143
144
13. LISA JANE MARTIN & NATASHA GODETZ Arthritis Challenge An advertising campaign to raise awareness that teens get arthritis. lisajanemartindesigns.com 145
14.
14. BEN SANDLE
15. LUIZ DOS SANTOS
Smart Efficient Public Transportation for Wellington
Remorse
bensandle@hotmail.com 027 814 1181
Can you live with remorse? Remorse is an experimental horror video incorporating 3D scenes accompanied by an original sound score. volpygregor@hotmail.com luizdossantos@windowslive.com
146
15.
147
16.
16. RACHELLE SMITH Hypnagogic Dreams This short film visually explores the experience of being sleep deprived using DSLR cinematography and digital animations. smith90@gmail.com 027 341 1821 rachellesworkbook.posterous.com
148
17.
17. ALEXANDER WHITE Skypiercer: The Legend of Lu Bu & Self-Portrait alexwhitedgm@gmail.com projectskypiercer.posterous.com
149
GRAPHIC DESIGN 01.
01. CATHERINE ADAM Into Sight, Into Mind Rubbish disposal is a mostly private activity which often happens without thought – out of sight, out of mind. My project aims to stimulate thought and dialogue about the often invisible world of rubbish, with the ultimate goal of encouraging more responsible management of individual and collective rubbish disposal and production. mail@catherineadam.co.nz 021 026 82982 www.catherineadam.co.nz Twitter: @walkingkiwi
02.
02. KATIE ASH Everest 1953 A typographic interpretation of the emotions and environment during the 1953 Everest expedition, inspired by the hand written account of Sir Edmund Hillary. hello@katieash.co.nz 027 254 2409 www.katieash.co.nz
03. ETHAN ATTEWELL Our Windy Relationship This is an installation project which addresses the negative connotations of the wind in Wellington through Wellingtonians’ relationship with the wind. e.attewell@gmail.com 027 258 1186 www.ethanattewell.com
03.
04.
152
04. EMMA BARRY
05. SHANNON BAYLISS
Cropit
Nature’s Design Influence
Cropit digitalizes the agricultural workflow. It is a smartphone application which can be taken on-the-go to update and record farm activities as they happen.
This project investigates nature’s influence on design by exploring principles and techniques for incorporating nature into the design process.
emmabarrydesign@gmail.com 027 303 0238 www.behance.net/emmabarrydesign
snbayliss@gmail.com
05.
153
06. 07.
154
08.
06. JOANNA BAKER
07. AMANDA BUGLASS
08. BROOKE CAMPBELL
The demand on girls to conform to our increasingly sexualised world is great. My project aims to highlight this issue through promotional material for the “too sexy too soon” conference.
Blocking or Shocking
Cure Hangover Survival Kit
By exposing the benefits and risks surrounding sunscreen products, this project ultimately attempts to change consumers’ mindsets, empowering them to make informed decisions when purchasing sunscreen.
This project initiates an emotional response from the consumer by using humour as a common theme, targeting the personality of its audience. It is completely functional with an educational aspect.
bakerjoanna6@gmail.com
amandabuglass@hotmail.com 027 358 7273
brookiecampbell@gmail.com 021 038 7342 155
09.
09. MARK COATES
10. KATE ELIZABETH COWIN
Sustainable Packaging: Microsoft Office
Urban Picnic
zenmail@gmail.com 021 104 0033 www.facebook.com/markcoates www.markcoates.co.nz
This project explores ways to promote the inner city parks of central Wellington City, connecting people to their natural environment through creative, colourful and engaging solutions. kate_cowin@hotmail.com
156
10.
157
11.
158
12.
13.
11. HANNAH CROWTHER
12. MICHAEL CROSBIE
13. MONICA DAM
Infectious Habitation
Beautiful Ending
Tadorium
How New Zealanders were infected as the hosts of the Rugby World Cup 2011.
A project that explores process and application.
Tadorium is a concept restaurant using typography, colour layout systems and graphic information to inform consumers of molecular gastronomy with a tactile element thermochromic ink.
hannahncrowther@gmail.com 027 319 4635 http://cargocollective.com/ hannahcrowther
michael@crosbiedesign.co.nz +64 27 470 1091 www.crosbiedesign.co.nz
mondam.design@gmail.com 027 405 9223 cargocollective.com/monicadam
159
160
14. JASON DOMANCIE The Surfers’ Handbook The Surfers’ Handbook is a waterproof book that contains information on surf etiquette, water safety as well as other helpful surfing tips. It has been designed using hand drawn typography and imagery. The promotional surfboard is fully functional and has a board graphic featuring some of the content seen in the book. jasondomancie@gmail.com 021 0817 6031 www.jasondomancie.com
161
15.
15. TARA FOWLER The Real Te Puke Te Puke, otherwise known as the ‘Kiwifruit Capital of the World’ faces major threats to its current identity. The vine disease PSA is poised to cripple the local economy and a highway bypassing the town is under construction. My project aims to increase community pride through a new identity independent of the kiwifruit industry. The crucial role the horticultural sector has played in the formation of Te Puke is present, however the reworked identity places more emphasis on the positive characteristics of diversity and community spirit.
162
tarakfowler@gmail.com 027 469 7280 www.cargocollective.com/tarafowlerdesign
16. 17.
16. BROOKE FISHER
17. AMANDA GILCHRIST
Swim For Life
Publication: I Love CHCH Chalkboard Project
Swim For Life responds to the issue of drowning in New Zealand. With 350 school pools closed over the last ten years this project aims to revitalise the ‘Pools in Schools’ brand, offering children a safe, exciting and memorable experience. The revitalisation consists of the corporate identity, promotional material and environmental graphics. brookefisherr@gmail.com 027 452 8046 http://twitter.com/#!/fisherbrooke
A documentation of the process I went through as part of my major project. amanda.gilchrist@xtra.co.nz 027 251 7793 www.amandagilchrist.com
163
18.
164
19.
18. YANG CHEE GAN
19. CARLY HITCHCOCK
Sweet & Sour Chicken at Christmas
Have Your Say:
I used my own life, New Zealand born and raised by Chinese born parents, as a way of expressing cultural convergence.
Visual Tools for community decision-making
yangcgan@gmail.com 027 323 1392 www.be.net/yangcgan Twitter: @yangcgan
carly@carlyhitchcock.com 027 327 2496 www.carlyhitchcock.com Twitter: @carlyhitchcock
165
20.
20. ELSPETH HOSKIN A Growing Identity - Camp A Low Hum An identity created for a music festival that requires participants to create their own unique poster using an online template. elspethhoskin1@gmail.com 021 134 5209 elspethhoskin.com
21. OTIS HU Dots Per Inch Fotoplanner hello@otishu.com 021 800 338 otishu.com
166
21.
167
22.
168
22. SEUNG HEE (KITTY) HONG
23. BRYCE HOWARD
Nyam Nyam Chop Chop
Gretor
This book feeds Kiwis with traditional and contemporary knowledge of Korean food culture so they will better own their biculturalism.
A typeface created for Greytown, New Zealand, constructed from the shapes of Victorian architecture that populates the town.
hongnut@gmail.com 021 963 227
howard.bryce@gmail.com brycewhoward.com
23.
169
24. VICKY HO Cultural Acceptance Almost 20% of New Zealand residents are born overseas, making New Zealand one of the most multicultural countries in the world, yet discrimination is still experienced. These posters challenge the readers to put themselves in the place of a migrant. vickyho813@gmail.com 021 201 6333 vickyayaya.carbonmade.com
25. CARLA HUNT 24. 25.
Remnants Pattern Co. A response to fast fashion filling up landfills worldwide. Remnants Pattern Co, teaching consumers to prevent wasting potentially useful textiles by repurposing existing clothing. carla.lh89@gmail.com 022 024 6881
26. LUCY KIRKWOOD Just Another Fucking Aucklander Stereotypes of seven distinctive suburbs in Auckland city have been used to define this Auckland-aimed brand of socks called Foot Knits. These typically mundane commodities play on the attitude from other New Zealanders towards Auckland, and the interesting mixture of people we have within it. lucyekirkwood@gmail.com 021 662 687 www.theloop.com.au/lucykirkwood
170
26.
171
27. 28.
27. KEVIN LIU
28. NIKO LEYDEN
29. REBECCA LIM
The final book is a special report which confronts the ambiguous nature of ‘sustainability’.
An Unconscious Performance
Switching Foot
kevinliu,12345@gmail.com 027 333 7316
Why the fuck did you tie a note to my cat? A design investigation into the Wellington environment as a medium for mutual creative communication. nikoleyden@gmail.com 022 067 3486 unconsciouscollective.tumblr.com
172
Rebranding band Switchfoot, live tour design visually communicating their music, challenging listeners to put a different foot forward and see a new perspective. becca.lim28@gmail.com 027 346 8521
29.
173
174
30. ALICE MURRAY & MICHAEL PETERS City Of “Out of crisis comes opportunity”. This public installation aims to inspire a new vision of the role of the gardens in the future of Christchurch’s identity. alicelmurray@gmail.com 021 0229 8010 alicemurray.co.nz mikepeters.stick@gmail.com 021 050 6790 175
31.
176
32.
31. JULIA MACFARLANE
32. SEAN MEAD
Upmarket Upcycling
Sci-Fi & Religion
AKA (Also Known As) is a hypothetical retail brand that aims to position upcycled contemporary homeware products in a high-end interiors market.
A re-contextualisation of fantastic religious events through the medium of the Sci-Fi movie poster aesthetic.
juliamac31@hotmail.com 027 3395 230 www.jkmacfarlane.com Twitter: @JuliaKmac
meanseed@gmail.com 021 578 506 / 04 970 6829
177
33. SHANI MUN
34. OLIVIA SPENCER-BOWER Best of Both Worlds: Combining Technologies to Enrich Design Illustrated through a guidebook about mountain biking the Heaphy Track. oliviaspencerbower@gmail.com 027 254 2260 www.oliviaspencerbower.co.nz
178
35. DANIEL SHOTTER ‘So’ fashion magazine ‘So’ fashion magazine dedicates itself to making sure the creative background behind fashion designs are clear, and the magazine itself reflects the ‘stories’ behind them. daniel.shotter@gmail.com 027 777 1082
33.
34.
35.
179
180
36. CHARLI PRANGLEY Pursuing Digital Citizenship: A Journey on Twitter charliprangley@gmail.com 022 607 1394 www.charliprangley.com Twitter: @charliprangley
181
182
37. BRIGITTE UNGER Come By: A Book by Brigitte Unger Come By reintroduces the rural culture of New Zealand to an urban dweller through photography, illustration and personal anecdotes and quotes. brigitteunger88@gmail.com +64 27 329 0591 183
38. 39.
184
38. AMELIA STEWART
39. MELISSA WALL
40. SASKIA WALLACE
Pacific Perfumes
Youcreate
Perspective
The exotic floral scents of Pacific Perfumes solid fragrance range has been visually captured through the delicate, nature inspired packaging.
Youcreate is a kit-set to make natural skincare. It’s designed to encourage people to develop their own skincare products.
Perspective is a proposal designed for Gap Filler as a response to the Christchurch earthquakes. Design can be used as a force for social change.
ameliajstewart@hotmail.com 027 330 6630 cargocollective.com/ameliastewart
mel.wall@hotmail.com 027 697 3216 melissa-wall.com youcreateskincare.com
40.
185
41.
41. ROSE WU
42. JESS YANG
Friendship 2.0
Hakuna Matata
How is social media changing the nature of friendship? An online article which is published on Good.is, and explores ideas about how the integration of social media into our daily lives has changed the way we interact, maintain and build friendships with one another.
Can an intimate, personal and emotive book provide Gen Y escapism by triggering nostalgia? My own childhood memories offer the audience an opportunity to reflect on theirs.
rose.k.wu@gmail.com 022 567 8688 http://be.net/rosewu/frame http://www.linkedin.com/pub/rose-wu/42/145/140
186
jessyang.design@gmail.com 027 711 7022 www.jessyang.co.nz
42.
187
ILLUSTR ATION 01.
01. MEGAN CHILDS
02. LAURA MARIE KING
Brace-Face
Co-creator: Little Red Riding Hood Retold
Brace-Face is a hardbound picture book that employs hand-rendered illustration. Brace-Face aims to connect with the target audience girls aged 8 to 11.
Co-creator: Little Red Riding Hood Retold is an illustrated package targeted at children aged 9 to 12, encouraging them to creatively write a personal narrative through interpretation of the illustrations.
meganhchilds@gmail.com 027 4838 0682
188
lauramarieking10@gmail.com
02.
189
03. YOLANDA KLOPPENBURG yklopp@gmail.com 022 085 7011 www.yillustrate.co.nz
190
191
04.
192
04. AMY LIN Blue Paper Plane amy@larkycreative.com 021 035 0903 www.larkycreative.com
05. HUGO MATHIAS The Hat of Kororareka p_moog@hotmail.com 027 620 9322 www.hornhalo.tumblr.com
05.
193
06.
06. MARY MARINAN
07. MELISSA MEPHAM
The Crux of the Matter – The Core of Christianity
A Place of Dreams
mmarinan.art.illustration@gmail.com 027 452 6003 marymarinanart.posterous.com
194
moomepham@gmail.com 021 646 504
Te Atiawa: Taranaki
07.
195
08. LISA MOES Origins: A contemporary take on creation lisa.nicole.moes@gmail.com 027 338 7389 lisanicoledesign.blogspot.com 196
197
AWARDS DIGITAL MEDIA
Marcus Brown Gold, DINZ Best Award 2011
Roshan Patel Bronze, DINZ Best Award 2011
198
Charlotte CorrigalL & John Conly Bronze, DINZ Best Award 2011
Felix Telfer, Yannick Gillian & Shinji Dawson Gold, DINZ Best Award 2011
Charlotte Corrigall Winner, Zonta Award 2011
Tara Fowler, Nandini Nair, Elspeth Hoskin, & Alice Murray Bronze, DINZ Best Award 2011
Matthew Zhou Silver, DINZ Best Award 2011
ADVERTISING
ILLUSTRATION
Alex Downey
Esme Hanton
Pass, ISTD Award - International Society of Typographic Designers
Bronze, DINZ Best Award 2011 Runner Up, Zonta Award 2011
GRAPHIC DESIGN
Catherine Adam
Katie Bevin
Siobhan Clark
Alexandra Collinson
Commendation, ISTD Award - International Society of Typographic Designers
Selected to Exhibit, Milan Design Show 2012
Pass, ISTD Award International Society of Typographic Designers
Silver, DINZ Best Award 2011
Silver, DINZ Best Award 2011 Honours Award, SEGD Society for Environmental Graphic Design
Chantale Foster
Amanda Gilchrist
Sarah Harmon
Emma Hickey
Pass, ISTD Award International Society of Typographic Designers
Pass, ISTD Award International Society of Typographic Designers
Merit, ISTD Award International Society of Typographic Designers
Silver, DINZ Best Award 2011
Emma Holder
Matt Innes
Julie Jeon
Fiona Kerr
Silver, DINZ Best Award 2011
Pass, ISTD Award International Society of Typographic Designers
Merit, ISTD Award International Society of Typographic Designers
Gold, DINZ Best Award 2011
3rd (Graphic Design), ASDA - Australasian Student Design Awards
199
AWARDS GRAPHIC DESIGN CONTINUED...
200
Jess Lunnon
Sandi MacKechnie
Silver, DINZ Best Award 2011
Silver, DINZ Best Award 2011
Nandini Nair & Rose Wu Bronze, DINZ Best Award 2011
Nandini Nair, Elspeth Hoskin, Alice Murray & Tara Fowler Bronze, DINZ Best Award 2011
Rebecca O’Shea
Joseph Pearce
Michael Peters
David Skogstad
Gold, DINZ Best Award 2011
Silver, DINZ Best Award 2011
Winner (Green Section), IPDA - International Packaging Design Awards
Silver, DINZ Best Award 2011
Philip Tan
Andrea Tombleson
Saskia Wallace
Gold, DINZ Best Award 2011
Bronze, DINZ Best Award 2011
Pass, ISTD Award International Society of Typographic Designers
201
SCHOOL OF
202
ASSOCIATE PROFESSOR HEATHER GALBRAITH Head of School
We believe that the School of Fine Arts is New Zealand’s premier provider of degree level Fine Art and Photography. Throughout the School a dynamic and innovative culture pervades our teaching and research. The staff that teach on the programmes are well respected within the sector as exhibiting artists, photographers, curators, writers and thinkers. While proudly located in Aotearoa New Zealand, we make international connections and take part in creative conversations across media disciplines and geographical boundaries. Enlivened and relevant research activities and our
commitment to energised, pertinent teaching means the students emerging from our courses have a genuine sense of excitement and purpose. Our graduates have comprehensive skills in working across a range of media, and the critical and analytic tools to explore global dialogues of contemporary practice. Their passion for making and their awareness of art and photography’s vital contribution to our visual culture are well noted by the creative sector locally and nationally. A key strength of our programmes is their outward focus. We passionately believe in the importance of fine art and photography within society, and encourage our students to be pro-active and inventive in the ways they exhibit, publish and perform their work in the world. The staff of the School of Fine Arts would like to wish the graduates success and fulfillment in their respective futures.
203
PHOTO GRAPHY
01.
01. RACHEL D’ATH
02. HANNAH BROWN
rachel.dath@gmail.com
Begonia House hannahflorencebrown@gmail.com
204
02.
205
03. EVA GORDON Grace: A portrayal of the female nude Mantle evagordon@hotmail.co.nz 206
207
04.
208
05.
04. MELISSA IRVING
05. MICHELLE KNOWLES
“Solo suite in space and time” after Merce Cunningham.
The Digital Veil
melissa.irving89@gmail.com 027 751 2353 http://www.behance.net/melissai
michellekphotographer@gmail.com shell@bonfire.co.nz 027 349 4635
209
06.
210
07.
06. RYAN MCCAULEY
07. CARLY SARTEN
The Neotenist
History by Hand
ryan.b.mccauley@gmail.com 021 183 1921
Combining digital photography with the cyanotype process, images were applied onto linen and embroidery pieces, creating handcrafted physical objects. This project explored how women have traditionally created unique keepsakes that both hold sentimental value and symbolise their collective experience. carlysarten@gmail.com 027 323 5026
211
08. KATHRYN WILKINSON
Te Rarawa/Ngati Whatua
Latitude 41째: Hop Growing in the Tasman Region kathryn.wilkinson.3@gmail.com 027 408 7086 http://www.blurb.com/books/2564121
212
AWARDS
PHOTOGRAPHY
Kate Adolph
Emma Anderson
Neal Danby
Luke Doig
Winner, Zonta Award 2011
Runner Up, Zonta Award 2011
Silver, NZIPP Iris Awards
Bronze, NZIPP Iris Awards
Nick Foote
Melissa Irving
Michelle Knowles
Shaun Matthews
Bronze, NZIPP Iris Awards
Bronze, NZIPP Iris Awards
Silver, NZIPP Iris Awards
Bronze, NZIPP Iris Awards
Bronze, NZIPP Iris Awards
213
FINE ARTS
01. SCARLETT LUCY BURT-SHEARER Ode on the Transformation of Origins into Effects and Wholes into Parts scarlettburt@gmail.com 021 030 4172 214
215
02.
216
03.
02. SOPHIE BARRIE
03. ALICE MARY CARSWELL Drop Lights Inspired by retro textile designs of the 70s my practice explores pattern as form, working solely in white. Due to the unique materiality of the works, time and gravity transform the paintings, as once hung the pieces stretch and begin to talk about pattern abstraction. carsunwell@hotmail.com http://cargocollective.com/alicemary
217
218
04. JONATHAN CAMERON From “VAMP” series, 2011. Woman with long brown hair/blood = ‘Amanda,’ 70 X 105cm. Lightjet metallic photograph mounted on DiBond. Woman with blond hair/blood = ‘Angela,’ 70 X 105cm. Lightjet metallic photograph mounted on DiBond. info@jonathan-cameron.com 027 225 2914 / 04 232 1311 www.jonathan-cameron.com
219
05. ALICE FENNESSY Selected Paintings alice_fennessy@hotmail.com 027 255 5625 www.alicefennessy.com 220
221
06.
222
07.
06. KATIE MORROW
07. COURTNEY SPARGO
Untitled works
Six Hundred and Thirty Six
Collage one. katiemorrow87@gmail.com 027 371 4674 katierm@blogspot.com
tenniscourtnay@hotmail.com 027 324 2173
223
224
08. LAURA WALKER Modus Operandi lawa27@gmail.com 027 312 1731 www.laurawalker.co.nz 225
226
SUE MCLAREN Regional Director
The Auckland School of Design, with its focus on design majors in Industrial Design, Transport Design and Graphic Design is a creative and innovative place where international students join local students on our Albany campus. Using specialised workshop and computer-based facilities students learn through projects that are set to inspire and draw out imaginative design solutions.
The products, systems and visual communication messages shown in this year’s publication have come about in response to a wide range of economic or socially relevant research questions. The work demonstrates our graduates’ independent and ingenious approach to finding futuristic, aesthetically interesting and sometimes provocative outcomes. These graduates have all completed their degrees with a high level of craft, research capability, technical expertise, business understanding and creativity. On behalf of all their teachers and support staff, I congratulate our graduates on their achievement and wish them success for their creative futures.
227
INDUSTRIAL DESIGN 01. DANIEL KEMPKA Prohtest – A 100% Biodegradable Protestor’s Placard Frame The product uses an inexpensive yet extraordinarily versatile material - paper pulp. The result is a lightweight and hardwearing mono-block form that enables demonstrators to carry and display the visual representation of public opinion in a constructive and resourceful way that promotes improved relationships between governments and demonstrators. danielkempka@gmail.com +64 21 037 4493 danielkempka.com coroflot.com/danielkempka – linkedin.com
02. DANIEL WIST 3D Logistic Scanner The 3D Logistics Scanner is a hand held device that aids in freight packing by using sophisticated 3D scanning technology to efficiently maximise container space. d_wisty@hotmail.com 021 237 2968 / 09 627 8206 01.
03. ALEX HUFFADINE
Nga-ti Kahungunu
02. Cocoon A portable baby restraint aimed at parents who travel. A baby vehicle restraint and carrier that provides a balance between safety, portability and comfort. huffadine@huffadinedesign.com +64 21 1101 0230 www.huffadinedesign.com 228
03.
229
TRANSPORT DESIGN
230
01. KEVIN BONE
02. CHRIS JACK
Aeolus
Cetacraft
Forty metre high performance superyacht.
Cetacraft is an unmanned aerial vehicle design for use on open source platforms.Taking inspiration from nature, its gannet-like wings fold like those of the bird, allowing easy transport and deployment.
kevin@onethirtyonedesigns.com kevin.bone@xtra.co.nz 021 066 1869 www.onethirtyonedesigns.com www.coroflot.com/designerkev
01.
chris.k.jack@gmail.com
02.
231
232
03. AARON MCTURK Escapade Sports Car The Escapade is a sports car aimed at those wanting a pure and dedicated driving experience. Using lightweight and elegant materials such as aluminium, fibreglass and carbon fibre, the Escapade is light, compact and punchy. By using special materials and finishes The Escapade is designed to wear with use, fitting the driver like an old jacket over time, creating a unique vehicle and extending the experience beyond just driving. 233
04.
04. MITCHELL WEBB
05. JET SHAO
Axis or AH-45 is a 45-metre performance cruising sloop designed to bridge the gap between luxury monohull and multihull super yachts. This super yacht has an outrigger system that allows the owner to change between monohull and multihull formation to make all situations and conditions work in their favour.
Dream of Flying: Sky Voyage
mitchellwebb@hotmail.com 021 208 0968
Sky Voyage is a concept personal air transportation for the year 2031. It is an alternative transportation solution designed to utilize the airspace to relieve traffic problems in large urban areas. Sky Voyage features an efficient hybrid flying system of airship and glider with the assistance of a hydrogen fuel cell powered electric turbine engine for additional thrust. It is capable of taking off vertically and able to maintain an efficient mid-distance flight in a speed range of 45-65km/h. So you can relax and enjoy the freedom and the beautiful blue sky while on your way to your destination. runawayprototype@gmail.com +64 9 414 6168 www.runawayprototype.com www.coroflot.com/runaway_prototype http://runawayprototype.blogspot.com
234
05.
235
06. VICTORIA VORONKOVA L.E.A.R.V (Luxury Environmentally Aware Research Vessel) The L.E.A.R.V is a new take on research/expedition vessels, with meeting the needs of its end users being the key factor in the success of this design. Offering high-end professional working and living facilities, the vessel is fully equipped with the latest marine conservation and scientific research equipment. victoria_voronkova@hotmail.com +61 4337 82344 (AU) www.victoriavoronkova.com
236
237
GRAPHIC DESIGN
238
01. MAXINE ALLEN Dickins Cider Rebrand of the existing product Perri Cider and repositioning it on the market for a younger audience. maxinevallen@gmail.com 021 142 0753
239
02.
240
02. KELSIE ASHTON
03. BROOKE BARRASS
Pure Basics
NOT a magazine
Pure Basics: a book and starter kit to help you achieve what your ancestors did. A guide to going back to basic cleaning style.
An interactive publication for New Zealand blokes aged 20-40 that replaces the format of regular magazines.
k.ashton88@live.com 021 0269 6435
brooke_barrass@hotmail.com 021 131 0566 / 09 479 4911
03.
241
04. AIMEE BAUGH Your Warrant of Fitness to Successful Dog Ownership aimee8989@gmail.com
04.
242
05. DANIELLE CASTLE
06. MILLIE DAWSON
07. KRISTEN DEN OTTER
Red – It’s No Fairy Tale
Safe.Teen
Cospop: NZ Cosplay Magazine
ellecastle@gmail.com 021 252 2665 www.ellecastle.co.nz
As an organisation Safe.Teen aims to educate secondary school students on the dangers of the Internet in an interesting and informative way. dawson.millie@gmail.com 021 030 9181 / 09 415 1520 www.milliedawson.com
05.
kristen.cospop@gmail.com 021 0249 7893 www.kristendenotter.co.nz www.facebook.com/ cospopmagazine
06.
07.
243
08.
244
09.
08. LINA GEORGE The Very Hungry Caterpillar by Eric Carle A multi-sensory presentation of a classic children’s book using braille, 3-D materials and sound. linageorge@hotmail.co.nz
09. KAREN HURLEY Umm (Uncertain Maturing Minds) Umm (Uncertain Maturing Minds) is a New Zealand based company that aims to raise awareness and funding for Alzheimer’s patients, caregivers and medical research. The campaign re-ignites controversial advertising as a graphic style though the addition of multilayered metaphorical twists to engage the audience. karenhurley@karenhurleydesign.com www.karenhurleydesign.com
245
10.
10. NICOLE HILDER
11. CATHERINE HANNEKE KRUGER
Auckland Summer Festival 2012
Flex Your Creative Muscle
Create an event for Auckland that focuses on the Live, Love, Life theme and establish a website and other promotional material to entice people to attend.
An introduction to pushing the boundaries beyond the flat print form of advertising and design.
nhilder@xtra.co.nz 021 071 1833 www.nicolehilder.co.nz
246
kruger.hanneke@gmail.com 021 268 3383 www.hannekekruger.com
11.
248
12. MIN-SEOB (WALT) KIM 365 days of design 365 days of design is a design exercise book that will run for 365 days. Doing these exercises will help you improve your design ability and creativity. minsub2@hotmail.com 021 184 8760 / 09 4792500
249
13. EUNMI LEE Pure Westernising the Korean drink brand Jinro Soju so it’s more appealing to Western society. em861007@gmail.com
14.
252
14. VICTORIA NAUGHTON
15. LAURA PHILLIPS
BIY Brand It Yourself
RSVP. Cards
A do it yourself kit for small to medium businesses to create their own brand identity. It highlights the importance of consistency and simple design techniques.
A creative kit combining poster and postcard, designed to encourage tangible interaction, personalised communication and enable the user to leave their own handcrafted mark.
v.naughton@gmail.com 021 0275 8749 / 09 630 3129 www.victorianaughton.com
laura.jane.phillips@hotmail.com 021 0266 4010
15.
253
16.
16. CHARLOTTE SLEBOS
18. JESSIE JEONGEUN SHIN
Noble for Men
The Seed Project - Share Your Love!
Grooming products for men that are new, honest, straight forward and edgy with a promise to simply solve individual hair problems.
Helping children to understand that there are less well-off children in the world who need their help.
c.slebos@gmail.com
smilewithpotatoes@gmail.com 021 339 048
17. RENDY UNANG AUCKLAND:mi This project aims to shift the focus of tourism in Auckland from places and activities back to its people. This project uses both digital and print media to create connectivity between users so that the sharing of ideas and interests is promoted.
254
17.
18.
255
19. REBECCA WADWORTH Grace Magazine Grace Magazine is a typography manual in the form of a fashion magazine, aimed to educate graphic designers on how to use typography successfully in the marketing of fashion. I have a huge passion for fashion and typography and found from my research and being a consumer that a lot of typography does not compliment fashion imagery successfully. Every typeface portrays an emotion, as does a fashion image and when combined together correctly they can be a very powerful image and marketing tool. 256
beckwadworth@gmail.com
AWARDS
INDUSTRIAL DESIGN
Nicholas Couch
Roseanne de Bruin
Sam Evans
Daniel Kempka
Winner, James Dyson Product Design Award
Third Place, Electrolux Design Lab Int Competition
Semi Finalist, Electrolux Design Lab Int Competition
Finalist, agIdeas Newstar Top 30
Blair Murphy
Alistair Patterson
David Stockton
Bronze, DINZ Best Award 2011
Silver, DINZ Best Award 2011
Semi Finalist, Electrolux Design Lab Int Competition
257
COLLEGE OF CREATIVE ARTS
258
The College of Creative Arts Hall of Fame honours alumni who, through art and design, have helped to define New Zealand’s national identity and enhance its economic development.
PAST INDUCTEES 2007 Len Lye - Sculptor Rebecca Taylor - Fashion Designer Sir Richard Taylor - Special Effects Supervisor
2008 They include proven leaders in creative businesses such as Weta Workshop, Fisher and Paykel and Formway Furniture.
Mark Pennington - Industrial Designer Kate Sylvester - Fashion Designer Gordon Walters - Artist and Graphic Designer
The College is proud to include these iconic artists and designers as part of their 125 year history of defining kiwi creativity.
2009 Grant Alexander - Graphic Designer John Drawbridge - Painter and Printmaker Jane Ussher - Photographer
2010 Manos Nathan - Ceramicist Avis Higgs - Textile Designer Fane Flaws - Artist and Designer
259
ARTHUR D. RILEY 1860 - 1929 2011 INDUCTEE
SCHOOL FOUNDER In 2011 the College celebrated the 125th anniversary of the School of Design and honoured its founding director Arthur Dewhurst Riley. Born in England and educated at the National Art Training School in London (later the Royal College of Art) Riley emigrated to Australia in 1882. Attracted by the New Zealand Ministry of Education’s visionary initiative to develop technical education in New Zealand, Arthur applied and was appointed as Drawing Master at New Zealand’s first School of Design in Wellington in 1886. Riley advocated for the establishment of technical schools across the country, championing the need for applied design and technical classes that would transform this developing nation. Within 14 years the school had become a Technical College that included both secondary and evening class curricula. In 1962 the School of Design became part of the Wellington Polytechnic, and with a merger in 1999, the school became part of Massey University’s College of Creative Arts. Although 125 years have passed, Riley’s model of an integrated education that enables the useful application of art and design to the world continues today. The relationships between the college and creative industries around the world have never been valued more highly and New Zealand owes a great deal to the extraordinary foresight and energy of Arthur Riley.
260
261
Joseph Churchward QSM 2011 INDUCTEE
TYPOGRAPHER
Sa Anae family, Samoa
Joseph Churchward is one of the world’s most prolific typographic designers, having handcrafted more than 600 original typefaces to date. His career in typography began in 1948, when he graduated from the Wellington Technical College. After more than a decade working in advertising, he set up Churchward International Typefaces, a business that offered a full advertising service for 20 years. Joseph has won numerous awards and his designs can still be found on billboards, print and digital media all over the world. Joseph received the DINZ John Britten Award for Lifetime Achievement in 2009 and the Queens Services Medal in 2010. He is a modest but magnificent role model for Pasifika people and emerging designers, and has raised the profile of New Zealand typographic design across the globe. RIGHT: Joseph Churchward Photo by Ann Shelton reproduced with permission. 262
263
Mark Elmore 2011 INDUCTEE
PRODUCT DESIGNER Mark Elmore graduated from the Wellington School of Design 28 years ago, and almost immediately joined several fellow graduates at the Fisher & Paykel enterprise. Three decades later he is their head of industrial design, and the business has transformed from a traditional engineering company to a multiaward winning design-led company that has revolutionised whiteware design and manufacture around the world. With products like the DishDrawer, the Izona Cooksurface, and the SmartDrive washing machine, Mark has demonstrated that his design-centred philosophy makes for better business as well as cleaner, easier and healthier lives for the consumer. Mark’s leadership, vision and creativity has brought him well-deserved recognition, including being awarded the John Britten Black Pin by the Designers Institute of New Zealand in 2011.
264
265
Collette Dinnigan 2011 INDUCTEE
FASHION DESIGNER Collette Dinnigan graduated from the Wellington Polytechnic School of Design in 1984 and shortly after moved to Australia. By 1990 she had established her first label Collette Dinnigan, and her designs were soon being worn by celebrities and stocked in boutiques from America to the Middle East. In 1995 she was invited to present her collection at the prestigious Chambre Syndicale in Paris, and has since become a member of the Syndicale alongside names like Gaultier and Dior. This elite committee monitors the standards of the global, multi-million dollar fashion industry. Collette has won numerous awards, from Designer of the Year in 1996 to the Madison Lifetime Achievement Award in 2009. She produces four main collections each year and is stocked in more than 145 stores around the world: she is a truly global fashion phenomenon.
266
267
INDEX OF STUDENTS ADAM, CATHERINE
BROWN, ANNA
AICKIN, GEOFF
130
BROWN, HANNAH
204
CUMMINS, MICHAEL
134
ALLEN, MAXINE
238
BROWN, MARCUS
130
D’ATH, RACHEL
204
DAM, MONICA
159
13
CUMMING, TESSA
ANDERSON, JESS
80
BUGLASS, AMANDA
154
APPELROS, CHRIS
114
BURNHAM, BRIGID
14
DAVIDSON, EMILY
15
ARBUCKLE, CLAIRE
98
BURROWES, SOPHIE
43
DAVISON, MORGAN EMILY
49
ARMSTRONG, SARA-LEE
40
BURT-SHEARER, SCARLETT LUCY
214
DAWSON, MELANIE
50
117
ASH, KATIE
150
BUSBY, MAX
ASHTON, KELSIE
240
BUTLER, MAXIM
ATTEWELL, ETHAN
150
BUTSON, SHANNON
BAKER, JOANNA
154
CAMERON, JONATHAN
218
DOMANCIE, JASON
160
CAMPBELL, BROOKE
155
DOS SANTOS, LUIZ
146
DAWSON, MILLIE
243
82
DEN OTTER, KRISTEN
243
83
DEVINE, ALEXANDRA THERESE
85
BARLEY, MEREDITH
81
BARRASS, BROOKE
240
CARSWELL, ALICE MARY
217
DOWLING, CHELSEA
118
BARRIE, SOPHIE
216
CASTLE, DANIELLE
243
DOWNEY, ALEX
114
BARRY, EMMA
152
CHIDA, LEO
138
DUDLEY, MEGAN
118
BAUGH, AIMEE
242
CHILDS, MEGAN
188
ELLIS, STACEY
86
BAYLIS, TONI BAYLISS, SHANNON
80
CHO, HEEJU
46
EVANS, ELOISE
87
152
CHU, CECE
117
EVES, PETREECE
100
FALVEY, EMMA
54
FANNING, MATTHEW
16
BEACHEN, JESS
40
CLARK, EMILY
27
BELL, ROANNA
40
COATES, MARK
156
BELL, SHANNON
116
CONWAY, TOM
30
FENNESSY, ALICE
BELLAMY, STEPHANIE
42
COOKSON, KATIE
85
FINDLATER, JAMES
BHAMIDIPATI, SOUMYA
43
COOPER, NICOLA
44
FISHER, BROOKE
BONE, KEVIN BOURGEOIS, ANNA LOUISE BRILL, LEWIS BROOKS, KRISTINE
268
48
150
230 84 132 12
220 17 163
COWIN, KATE ELIZABETH
156
FORD, NICOLE
52
CROSBIE, MICHAEL
159
FOWLER, TARA
162
CROWTHER, HANNAH
158
FRASER, ALEX
33
FULTON, CANDICE
52
CRYER, GRACE
44
GALLAGHER, EMMA
133
HOWARD, BRYCE
GAN, YANG CHEE
164
GEORGE, LINA
244
GIBBS, SANDY
118
168
LIM, DAVEN WEN HUEY
HU, OTIS
166
LIM, REBECCA
172
HUFFADINE, ALEX
228
LIN, AMY
192 172
18
HULL, NIKKO
138
LIU, KEVIN
163
HUNT, CARLA
170
LYNCH, JULIA
GODETZ, NATASHA
144
HURLEY, KAREN
245
MACFARLANE, JULIA
GORDON, EVA
206
IRSCHICK, EMILY
58
MACKY, MICHELLE
92
GRAHAM, NICK
34
IRVING, MELISSA
208
MARINAN, MARY
194
GRANT, SARAH
136
JACK, CHRIS
231
MARKBY, BENJAMIN
142
GRATTAN, JEMMA
120
JEPSON, EMMA
100
MARTIN, HILARY ELLEN
HARDING, TYLER
136
JOHNSTON, ALICE
34
MARTIN, LISA JANE
144
HAUGHAN, LAURA
19
JOHNSTONE, KRISTY
20
MASTERS, ANISHA
66
HAWKEY, NICOLE
136
KELLY, SCOTT CONRAD
120
MATHIAS, HUGO
HAWKINS, SARAH
140
KEMPKA, DANIEL
228
MAXWELL, REBECCA
HEE, TIEN
138
GILCHRIST, AMANDA
62 176
62
193 64 210
KIM, MIN-SEOB (WALT)
248
MCCAULEY, RYAN
HELLER, ANDRE
30
KING, LAURA MARIE
188
MCGOVERN, CLAIRE
67
HENLEY, JESSICA
56
KIRKWOOD, LUCY
170
MCLELLAN, JESSICA
93
HESLOP, LAUREN
57
KLOPPENBURG,YOLANDA
190
MCQUILLAN, THOMAS
23
52
KNOWLES, MICHELLE
209
MCTURK, AARON
232
HILDER, NICOLE
246
KRUGER, CATHERINE HANNEKE
246
MEAD, SEAN
177
HITCHCOCK, CARLY
165
KRYLOVA, YULIANA
61
MEADS, HANNAH
114
HO, VICKY
170
LANG, CHARLOTTE
122
MENZIES, GRETA
HONG, SEUNG HEE (KITTY)
168
LAWSON, MADELEINE
HETET, BLAIR
HOPPER, ELLE
58
LEE, EUNMI
HORN, ARNA
88
LENIHAN-GEELS, ZOË
HOSKIN, ELSPETH HOWAN, JACOB
166 34
LENIHAN, SUSAN LEYDEN, NIKO
90
61
MEPHAM, MELISSA
194
250
MEYNELL, ADRIENNE
125
88
MOES, LISA
196
60
MORROW, KATIE
222
172
MORTIMER, ROSEMARY
21
269
INDEX OF STUDENTS MUES, LUKA MUIR, SOPHIE MARIE CLAIRE
SARTEN, CARLY
93
211
WADWORTH, REBECCA
256
SCRIVENER, MONIQUE
71
WALKER, ELYSE
77
MUN, SHANI
178
SEASO, FOI
77
WALKER, LAURA
224
MURRAY, ALICE
174
SEO, JUDY KHEE
74
WALL, MELISSA
184
68
SHALITA, ALEX
133
WALLACE, SASKIA
184
234
WALMSLEY, MELISSA
MURRAY, SAMANTHA CLARE NAUGHTON, VICTORIA
252
SHAO, JET
NGUYEN, LY
140
SHAW, JACQUE
NORMAN, COURTNEY
104
SHIELDS, LOREN
NORRIS, SOPHIE
102
SHIN, JESSIE JEONGEUN
77
WEBB, MITCHELL
73
WEI, AIHUA
254
WHITE, ALEXANDER
78 234 26 149
O’HARA, BRITTANY
94
SHOTTER, DANIEL
179
WHITEROD, LEE
PAVERD, NICOLA
70
SIETSES, CHELSEA
126
WILKINSON, KATHRYN
212
PETERS, GARY
22
SLEBOS, CHARLOTTE
254
WILLAIMS, EMILIE
106 228
27
PETERS, MICHAEL
174
SLOAN, MATTHEW
136
WIST, DANIEL
PHILLIPS, LAURA
252
SMITH, ANDREW
127
WITHERS, SONYA ELSPETH
94
WONG, STACEY
96
WOODHAM, EDWARD
38
PONINGHOUSE, SARAH
71
SMITH, LORNA
25
PRANGLEY, CHARLI
180
SMITH, RACHELLE
PRIEST, FIONA
105
SNODGRASS, ANTONY
36
24
SPARGO, COURTNEY
223
WOOFF, RACHAEL
QIAN, XIANG (STEVEN)
148
WOODS, MATT
128 96
RAYNOR, MEGAN
124
SPENCER-BOWER, OLIVIA
178
WU, ROSE
186
RITANI, KURTIS
134
STEWART, AMELIA
184
YANG, JESS
186
134
YE JI, (ANDIE)
59
76
ZHANG, YUAN
39
ROBBINS, THORLEY
38
SUN, ZHENGGANG (JAMIE)
ROBINSON, GORDON
36
SUTHERLAND, GRACE
RUSSELL, ANNE
270
67
128
124
TRICKER, SOPHIE
RZEPECKY, SOPHIE
95
TUNGATT, KRISTI
128
SAGE, LAUREN
72
UNANG, RENDY
254
SAITO, KASUMI
138
UNGER, BRIGITTE
182
SANDLE, BEN
146
VORONKOVA, VICTORIA
236
272
0800 MASSEY creative.massey.ac.nz email: creative@massey.ac.nz