INTRODUCTION

African art, a term as expansive as the continent itself, has demonstrated a constant evolution of creativity and cultural expression. From Namibia cave paintings dating from 27,000 years ago to the contemporary art scenes of Lagos, Dakar, and Johannesburg, Africa has consistently played a crucial role in shaping the global aesthetic canon.

Classical African art was profoundly integral to the societies from which it sprung and a significant component of the communal, spiritual, and political structures of the many numerous and distinct cultures who produced it From intricately carved masks to powerful, awe-inspiring wooden power statuary, the objects provided a visual language through which these societies communicated not just with each other, but also with the spiritual realm, and with the natural world around them. In this presentation you will discover six objects of classical sculpture, each selected for its sculptural refinement, age, authenticity, and provenance

In the contemporary era, African art continues to evolve, reflecting the myriad changes that the continent has undergone, both within itself and its relationship to the world. Modern African artists are increasingly engaging with themes that reflect the complexities of 21st-century life. They grapple with the effects of colonialism, globalization, and economic disparity, often providing trenchant social commentary through their work. For example, artists like William Kentridge and El Anatsui use their art to explore and critique the postcolonial condition. Kentridge's animated films and drawings confront the legacy of apartheid in his native South Africa, while Anatsui's sprawling tapestries made of recycled materials comment on issues of consumption, waste, and environmental degradation. For this exhibition we have chosen to highlight two incredible and prescient painters, Beatrice Wanjiku and Marc Standing, both of whom lend their distinct talents, discipline, and points of view to help us challenge established narratives of self, place and purpose.

After the success of our inaugural 2022 program PAST IS PROLOGUE, we are delighted to continue our partnership with Montague Contemporary to present PAST IS PROLOGUE II, a continued dialogue between classical African sculpture and contemporary works by today's leading African artists.

Cole Harrell May 2023