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19'-20' herhabitable� 19'-20' Published 2020 February herhabitaby Istanbul Technical University -20' Architectural Faculty, Taskisla erhabitmaginations fall 19'-20' collectiveimaginationsweatherhabitable.wordpress.com itable weatherhabitons fall 19'-20' weatherhabitginations fall 19'-20' able weatherhabitve imaginations fall 19'-20' abitable weatherhabitollective imaginatio ns fall 19'-20' her whether a studio 0'collective imaginations fall 19'-20' therhabitable weatherhabitollective imaginations weatherhabitable weatherfall 19'-20'collective imaginations le whether habitable l 19'-20'collective imaginations weatherhabitable weatherl 19'-20'collective imaginations weatherhabitable able l 19'-20'collective imaginations fall weatherhabitable l 19'-20'collective imaginations
contains works of
collective im aginations studio
index
of seismic resistant studio
weathering myths
p.6
immaterial architecture
p.20
2d 3d 2d
p.32
home microclimates and un-brella p.122
p.42
liquid topographies
Studio has done several experiments to collectively create imaginations with urban, space, structural researches
p.186
weatherha
bitable
Assoc. Prof. Aslıhan Şenel Seçil Yatan Ece Duran İrem Korkmaz
- arium
p.138
taksim mapping
tarlabası weathering
p. 152 p.164 p.178
p.146
architectural presentations cloud structure
Taner Durgut Merve Çayır Murat Gül Pınar Yiğit Ecem Suin Saracoğlu Görkey Gürel Batu Özdoğan Doğu Tonkur Melike Gülpınar Adnan Murat Üçler Medine Yönet Seray Rusçuklu Arın Aydın Ahmet Berkay Güney Fulya Aras Dilara Yıldırım Veysi Kaya Elif Kır Ebubekir Özdemir Su Güven Onur Burak Bulut
weathering myths This is the very first work that we tried to understand how the work given us can be thought and done collectively. In this project; we tried to decipher the given weather narratives, imagine them as a topography and finally making them real through ever changing, transforming and forming models...
örkey batu özdoğan/g
8
gürel
batu
ğan/
özdo
l
ey g üre
görk
weathering myths
9
ebubekir รถzbekir/veysi kaya
10
adnan murat/onur burak bulut
weathering myths
11
ecem saracoÄ&#x;lu/fulya aras
12
weathering myths
melike gülpınar/elif kır
13
merve çayır/berkay güney 14
Planet Qfwfq
sunsets on qfwfq are blue, and these winter days see more and more blue skies
murat gĂźl
weathering myths
15
pı
na
r
yi
ği
t/
do
ğu
to
nk
16
ur
weathering myths Planet Qfwfq ...air pressure in the midst of all that Noachian volcanism was plenty high enough to sustain liquid water on the surface”
seray rusçuklu/arın aydın
17
18 su güven/dilara yıldırım
weathering myths
taner durgut/medine yรถnet
19
immaterial architecture Through the book called “Immaterial Architecture�, we created our own Immaterial Index. By observing daily objects, materials, conditions with the effect of weather; Is it possible to indicate sensible matters? Can we see the unseeable? As Calvino says: One who wants to see does not need eyes...
seray rusรงuklu
dust
lily
bamboo
22
immaterial architecture flourescent light
berkay gĂźney
mirror glass
fountain
dust
night light
23
taner durgut
dust
sound
mirror glass
light reflection
steel
24
immaterial architecture medine yรถnet
glass window
darkness
sound 25
pÄąnar yiÄ&#x;it
humidity
wind
dust
shadow
rain
26
immaterial architecture murat gĂźl melike gĂźlpÄąnar
dust
transparency
lamp
rust
white milky glass
27
adnan murat üçler ebubekir özdemir
dust
taksim
gezi
acrylicyarn
air
28
immaterial architecture dilara yÄąldÄąrÄąm onur burak bulut
dust
bamboo
light
maximalism
condensation
29
doÄ&#x;u tonkur su gĂźven
sea
view
comet
traffic
cat
30
immaterial architecture merve çayır fulya aras ecem saraçoğlu
dust
crowd
old
music
mirror
31
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2D-3D-2D thinking between dimensions
With the given topography patterns as narratives, we tried to understand the meaning of the lines, contours, colors different differences and their relationships with each other. After sketchnces ing the first narratives, everyone switched their drawdifferent differences ifferences rences ings to re-create the topographies as a model. Finally, fferences different differences we sketched one more time through the new models. By doing different differences so, we found out that, how expressing ourselves by lines different differences s erences different differences different differences can change our perception... ces different differences different differences different differences different differences different differences different different differences differences erences different differences different different differences differences ences different differences different differences ences different differences rences different differences different differences different differences different differences different differences different differences different differences es different differences rent differences different different differences differences different differences nces ent differences different differences ifferent differences sences different differences different differences different differences rent differences different differences different differences different differences different differences different different differences differences different differences rences ifferent differences differe
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Adnan Murat
Batu Özdoğan
34
2D3D2D Elif KÄąr
Medine YĂśnet
35
Merve Çayır
Seray Rusçuklu
36
2D3D2D Taner Durgut
Arın Aydın
37
Dilara Yıldırım
Görkey Gürel
38
2D3D2D Ebubekir Özdemir
Pınar Yiğit
39
Fulya Aras
DoÄ&#x;u Tonkur
40
2D3D2D Berkay Güney
Melike Gülpınar
41
home microclimates & un-brella Everything we smell, hear, feel and see in daily life is somehow related with the microclimates around us. We, as a part of this microclimates, observed and recorded various microclimates at our houses by indicating air flows, heat zones, colors of skylight, shadows and artificial lights, reflections and absorptions on materials...
hubble record various microclimates at your house.pay attention to air flows;heat zones;intensities and colors of skylight, sunlight, and artificial lights;shadows; reflections and absorptions on materials; intensities and amounts of vapour, formation of mould...
Adnan Murat ĂœĂ§ler dormitory room
observations
plan
44
section
home microclimates & un-brella artificial l i g h t s
heat z o n e s
shadows
f l o w s
shadows 45
hubble Adnan Murat ĂœĂ§ler
the placement of the structures creates inevitable area
46
how perceived heat zones can be
observations on different days and times
the floor in these areas is covered with a
visible
determine the heat zones
transparent surface by deepening
home microclimates & un-brella
the heat trpped by the tiles on the floor is transferred to the structures in the evening
apart from action such as sitting and sleeping, these these areas expand due to the
structures can also create
effect of heat thanks to the
easy-to-shape transparent
it is also easy to shape and
expansion of the heated air
surfaces suitable for everyday
allows to create an experience
use
area
an entertainment area
47
micro matrixes of kazancı several systematic climate analysis of a shared home matrix in kazancı slope. all experiements and datas recorded in householder Berk’s apartment which is at 4th of the five floors. using alternative equipments and experimental methods to record and investigate some climatic and social actions and it’s effects Arın Aydın
Air is a conductive element in a climatic matrixes. It can transmit heat, carry the sound and supply oxygen. Our living experience can easily change this air circulation. e may tend to change air flow in our live which is directly affect our climatic experiences 48
home microclimates & un-brella
1 - 1,33”
2 - 1,72”
3 - 1,29”
4 - 1,8”
5 - 1,52”
6 - 1,56”
Pressure diffrence affect the balloon
in the both horizontal and the vertical planes. Horizontal movements is recorded with long exposure and the curves gives cues about pressure diffrences, air flows and temprature diffrences
The period of the fall is also recorded
which can be seen above. Duration of the fall tells us air pressure, temprature exchange, air flow in a vertical direction. This mapping is 7 - 1,42” Since balloon is a light weight agent it is appropriate to examine
generated with contours from vertical datas in order to compare pressure points in the volume
pressure diffrences across the volumes. Balloon dropped and long exposed to reveal the movements and directions it chose.
49
lift
Arın Aydın
1 - 1,33”
2 - 1,72”
3 - 1,29”
4 - 1,8”
5 - 1,52”
6 - 1,56”
Since balloons are light agents it is appropriate to examibe
pressure differences across the volume .
Pressure difference affect the balloon in the both horizontal and
vertical directions. Movement and falling period is recorded in order to investigate pressure differences, air and heat flows.
durable space, air intersections
7 - 1,42”
main flow handed over heliums.
Countours are generated from vertical data in
larger volume to catch pressure
order to compare pressure points within the
intersection
wolume 50
Pressure differentiation replaces rapidly
home microclimates & un-brella
in microscale, one of the main actors are heat and sun exposure. East facade is the plane where the sun and heat enters.
Heat is easily occour pressure difference
and air flow, balloons are lifted in those areas
sunlight also have impacts on gas molecules and material
Air baloons are lifted by lifters that produce more natural baloon topogeaphy and interact more climatical situations
helium tend to air baloons breath with air
diffuse which will
currency that change its
un balance densi-
volume by climate
ties
air membrane baloon membrane lifter free lifter
sun exposure tighten envelope and increase the volume
51
pluvial interior the analyses who led the project to take its shape, made me understood that i dont feel the rain enough in this house and i want to feel it enough. Batu Ă–zdoÄ&#x;an
SEVEN DROPS OF RAIN these drawings are imitations of seven different raindrops dropped from the same place, ten seconds apart.
52
home microclimates & un-brella
sunlight between 9.00-14.00
artificial lights between 19.00-2.00
air flow when there was a ‘little storm’
53
pluvial interior Batu Özdoğan
when you walk through the rain,the sensors
understand
that
you
are
coming and the rain never touches you.
heat map when it is raining
plan
darker=colder
c’ b a
a’ c
section a-a’
54
b’
home microclimates & un-brella
the rain plate plan elevation
the rain will besection b-b’
have different in every point.
when you walk through the rain,the sensors understand that you are coming and the rain never touches you.
section c-c’
55
trans-form darkness There is one window in the room, and my room is not big .
window
There are the reasons why my room is dark. The room does not get sun any time of day directly.
Ahmet Berkay GĂźney 8 a.m.
1 p.m.
6 p.m. m roo my
Since there is black
sunrise
film on the window, It prevents daylight from entering the room.
on no
sunset
The artificial lights create reflections on the window in the room. The sources of artificial lights are desk lambs, fluorescent lamb, phone and desk lambs. when window is closed 56
when window is opened
Since there are glass and windows outside the room, they are one of the sources
home microclimates & un-brella
of airflow.
elevator gap
The glass which is in outside and the glass which is in my room create air flow. I put the ai rer in glass&windows and I the ci examin rcle ed whi corridor ch sid would e dry fa ster. A f ew hou rs not lat ice er, d t hat r I i d next room or the sid cor e w tha as n o dri the er r s ide .
glass&windows corridor
Ai
gl
r
ou as
ts
s
en
id
an
e
d
te
rs
th do
ro
fr
om
or
ug
h
.
This situation also affects
This s ituati on sho ws tha throug t the h the air fl glass& ow window corrid s whic or to h is i my roo n the m and the en trance hall.
the temperature of room.
The person who stay upper bed feels very warm,while other person who stay the lower bed feels normal because the
next room
elevator gap
warmed air rises to up too hot The right side of room is not too hot, because there is a elevator gap in the right side of room.
hot cold
Upper side of room is hotter than other sides because of air pressure.
The door side of room is colder than other side, because there is air flow in here.
57
trans-form darkness Ahmet Berkay GĂźney
Light and shade can be directed through panels with transparent, translucent and reflective surfaces placed on the ceiling of the room. Transparent Translucent
Reflective The darkness in the room solves depending
A’
A
Section
on the airflow inside and outside.
The panels move vertically to The panels move horizantally through the air.
58
achieve different combinations.
Plan
home microclimates & un-brella
Shadow change with horizantal movement.
Shadow change with vertical movement.
59
light room
Dilara Yıldırım
60
home microclimates & un-brella
61
sunfold Dilara Yıldırım
It’s a foldable system and it folds according to the sun path
62
home microclimates & un-brella
Creates shakink designs on the floor and the wall, with the help of the sun and the wind
63
wind funnel
DoÄ&#x;u Tonkur
64
home microclimates & un-brella
65
blooming wall Doğu Tonkur
Bina Çatılarından doğuyor güneş. Sakince içeriye bir bakış atıyor.Toprağını yeni aşmış bir güneş aşığı seyre dalıyor. Tomurcuklar toprağa yer etmişler. Evin derinliklerinden izliyorlar mavi gökyüzünü. Rüzgar zarifçe içeri dalıyor camlardan. Salondan başlıyor, duvarları, döşemeleri, toprağı, yaprakları, ışığı ve sonunda da gökyüzünü yalıyor. Yoğun ama nazik bir dokunuşla yeşeren gövdeleri güneşe doğru bir seyahate davet ediyor. Güneş, rüzgar ve yağmur bir oluyor. Duvarlarda can buluyorlar. Duvarlarla dans ederek evin dışına doğru saçılıveriyorlar. Duvarla, boyayla, insanla bütülneşiyor ve...
66
home microclimates & un-brella
67
object61 Everything we smell, hear, feel and see in daily life is somehow related with the microclimates around us. We, as a part of this microclimates, observed and recorded various microclimates at our houses by indicating air flows, heat zones, colors of skylight, shadows and artificial lights, reflections and absorptions on materials... Ebubekir Ă–zdemir
Wind Analyses 1
Wind Analyses 2
68
home microclimates & un-brella
Odor analyzes on plan
Shampoo, Detergant... Chemical Air Fresh Air
LÄąght analyses on plan
Moisture analyses on section
Humidity
69
Ebubekir Özdemir
The aim of the project is to bring a new perspective to the concept of curtains. The object both prevents the sun from entering and makes a noise with the effect of the wind. If the wind is strong, it makes a sound that will awaken the person sleeping inside. In addition, the object can present data on wind intensity over a past time frame. Wind analyzes
70
YAKÖY SİDE
USKUMRUKÖY -ZEKERİ-
Sun-borne property
home microclimates & un-brella STORY OF ALI
An experience with Object61 Object61 can detect how strong the wind blows in a certain time interval.
Windless
Less Windy
Cold colours
Windy
Very Windy
Hot colours
71
16.07 16.12
16.10
16.07
Ecem SaracoÄ&#x;lu
15.58
16.27
un/natural
72
home microclimates & un-brella
18.07
18.12
18.15
18.18
18.20
73
Ecem SaracoÄ&#x;lu
shelter for rain and sun
74
home microclimates & un-brella
75
gokotta
Elif KÄąr
We have so many weather changes even in our living spaces. Microclima effects everyone in so different ways. Be aware of your sun, your wind, your weather, your clima & feel it!
Air flow in elevator. This is the first place that I can observe the weather changes in my living space.
76
bathroom
home microclimates & un-brella
Dining hall
Actually, two of them kind of my room. I spend half the time in first floor, then I go to bed in 6th floor and artificial lights bother me all the time, in all the places.
77
diagome Elif KÄąr
Everyone are in a hurry. Is it because of relationship problems, school problems,success problems or the things that we want to do but we cannot.Which person has which problems? Who knows? When our associate asked for what are we want to change in our living space, I realised I have never think about it. What we ant to change in our living space?
78
home microclimates & un-brella
79
temporality
08.41
09.03
10.15
13.20
14.38
15.47
17.12
Fulya Aras
80
I am the sun. I
This situation
come a long way.
forced me a little
I am currently a
but when I entered,
guest of many hous-
the creatures I
es. One of these
touched made me
houses is Fulya.
happy.
I chose different
There are many
spaces to enter
lives in this house
your kitchen.
...
home microclimates & un-brella
17.51
18.51
19.48
20.13
22.16
23.44
01.06
02.34
I’m the shadow. I can exist in any light. Many of my brothers are everywhere. I am in the kitchen of
Fulya’s house. I also broke up here to the brothers. When the sun hit different places at different angles, it shifted my shape.
81
stra tifi cation Fulya Aras
l wal he er f t out o e h t Th a p es iti the bil as i s new pos and the d e t ara sep
82
e wer es iti l e i r b nsu mea o e per and e t nd c a a f sun es e sur ng hap i r fac s t e s sur out ent exi e r e h e e h h t f th wit n t on Dif of d o ons ace ct owe pti urf ffe o s e all he ent the t t fer of tha dif ct a o p t im ead the t l l. irs f wal at er t u o the
home microclimates & un-brella d ene wid se rea ed inc den i o w t d, was ed ene all end w t wid x .. e e h hem . T was n t all e w sun e w the bet of ed orm f es liv and
each decomposition led to a different life and a lot of plants began to grow on the wall of possibilities
83
micro climaterial ...something is happening in my room...
Görkey Gürel
THINGS IN MY ROOM
the cool air from the lower floor moves on the main hallway the cool air from the kitchen also
...guess who ı am! I leak through the window and hit Görkey’s face. If the door is open, my speed will increase and I
participates in this air flow
objects that me and my friends interact with are colored with red and yellow tones
this 2 air flows encounters the other
dark colors indicate are-
flow entering through room window
as with high interaction
will cause headaches. I join with other air currents passing through the corridor and enter other rooms. Don’t underestimate me! I separates the room and the bathroom. Since the bathroom is generally cold, one surface is cold, and one is hot, but since I cannot prevent heat
84
transfer, both of my surfaces are lower than
darkening wall due to the heat
the wall that the hot
normal room temperature.
emitted by the light source
water pipes pass through
home microclimates & un-brella
cold air
A
the blue wall, which separate my
the sides of the marble close to
space and bath, is the coolest
the window are cold bevause the
wall in the room
window is leaking air
the other walls have
this affects the
similar temperature
temperature balance of the room
air flow
moist wall
always cold marble
lamp that melts the plaster
moisture in the corner where
the curtain that almost
the heating pipes pass
prevents the sunlight completely
sunlight leaking into the room
85
micro climaterial GĂśrkey GĂźrel
Is it possible to make the place livable and fun? Can we make the space more livable by using the facilities of the area we live in? What makes the place fun? If the interaction between people increases, what changes in the space? Is it possible to switch between different floors? If the walls separating the rooms are demolished, what remains or what in-class work
is added? What is the private and common areas?
in-class work
86
home microclimates & un-brella in-class work
Let the ivy hug you, listen to the rain, dream by looking at the reflections in the puddles. At night, turn on the light and draw.
in-class work
87
Görkey Gürel
in-class work Can you go out without leaving your room? Does this thing belong to your room or outside?
Like a balcony, but not, like a capsule, but not. Somewhere between inside and outside. If you take a step, you’re outside, but inside too.
Enjoy yourself, listen to music, read your book, watch outside, touch the rain.
88
home microclimates & un-brella Joy’able parts
In a high place, in a
Pipes that turn rain
low place
into music
Every surface you touch feels different 89
the spread of air
Medine Yรถnet
In this project, microclimates in our house were examined. It was investigated how the air dispersed and how the wind directed it.
90
home microclimates & un-brella
While covering the space of its own rectangle in the airspace entering from the glass, it turns into an oval volume as it goes inwards, it reaches to the ceiling and the floor as it reaches the middle of the room.
91
climate permeable room Medine Yรถnet
People try to create a isolated life from climatic conditions.In this project , some of borders have been demolished,such as wardrops and beds.These items were designed using various ropes.Air distrubutes light, making the air visible. Colored ropes scatter with light, making the air it controls visible.
92
home microclimates & un-brella
Loop Detail
with pulling ropes, wardrop open. When both two people goes to bed all ropes flatten so different spaces are created thet can not see each other.
When someone goes to bed air flow decreases, because ropes flatten.
two sided loop
Rope Detail
Contact of bed with floor is provided by rope.
How bed is working ?
When you press the bed, the ropes on the left side tighten and form a wall.
93
natural air conditioner My experient here as follows: I left two identical wet cloth on the door side and window side of the room and examined the wetness conditions for two hours to find the moisture density distribuition in the room. At te end of every two hours in my review Mehmet Veysi Kaya
,Äą was that the cloth on the door side
was always a little bit wet. With this experiment I achive to the conclusion that the distrubtion of moisture density in the room is not the same everywhere and the density decreases from the door to the window side.
My experiment here as follows: there are three different opening in the room: window, dors, and vantilation.Here, I tried to measure the direction and intensity of the wind in the room by examining the wind, keep the window, door, vantilation open/close at different combination. With this experiment, I achive the conclusion that the wind from the window to the door in the room is more severe than the wind from the window to the vantilation and the direction of the wind is always from window to room.
94
home microclimates & un-brella
95
wind guiding Mehmet Veysi Kaya
Wind can make a room fresh and also can make it less moisture. I tried to give a way to wind to make it more useful in the room. Wind will move on the throughout the tables and makes the room and around the tbles more fresh slowly. And alsocarry the moisture, so it change the color of the special wall.
96
home microclimates & un-brella
A test of wind about the behaviour of wind
97
shadows of wind
Murat GĂźl
even from smallest wind panels turn
panel sizes
panel structure
hinged joint for rotation
silicone AC off projection window open
canson paper lightweight, durable, ability to bend
plan bending radius they don’t break they bend
98
home microclimates & un-brella
how it works?
to balance the air pressure difference between the two sides of panel, panel turns
99
praise of the shadow
Onur Burak Bulut
Section views Heat flow Shadows Air flow
100
home microclimates & un-brella
Axonometric view Floor reflection Moisture Water vaporing Air flow
101
praise of the shadow Onur Burak Bulut
Shadows both dependent and independent of space
Shadow applies its own design to the space This effect is dynamic and continous 102
home microclimates & un-brella Shadow breaking dynamic fields can be created via barriers
Effect of shadow, heat and light fields in the space harmony with the architectural extension
Light glides through ribbed plates and passes through transparent sheets to form shade areas Depending on natural or artificial light, the shapes of the shade change and it creates “joy� area to people enjoy
103
refleclimate
Pınar Yiğit
104
home microclimates & un-brella
105
refleclimate Pınar Yiğit
At, first, I was sunlight, I would pass the window and light up the interior.When I met with the floor of coridor I returned from ground and I transformed to REFLECTION.
d
an
r oo
fl
m
o fr
ts
ON
I CT
LE
F
y
My
e rn
ou
j
c
s
ue
in
t on
as
l
co
e
c
ac
sp
e
th
ns
io
t ca
fi
i ec
g
n di
or
s
ll
wa
th
on
s
r ou
RE
a
s
in
to
w
s
y
t ie
s.
od
i er
p
y’
da
o sh
e
ff
di
t
n re
th
,
y
t li
Floor is turned ino REFLECTION and I reflect from
of
ground, Walls and mirror.
na
o ti
c
re
di
e
th
so
Al
se
wi
r
va
.
ng
di
l ui
r ta
gt
n le
My journey on stairs; I came from window as a light.
d
an
hs
b
Also, I multiply with striking the surfaces. Increasing of the view area in a space depends on 106
me. I can emerge on unexpected times and places.
me
in
e es
I
is
of
s, ph ra
s ll
on
t
g in
en er
rn
as re
wa
og ot
e th
ph ng
’s
tu
ff di
th wi
at Th
ri du
th
de un ur fo an d I te ne ow ea en fi ll cr wh de fo u I s y yo ll ge tr t, we an at u ec ch th th yo oj wi f pr ce ze I a i . ce . is sp al er pa om th s re s rd i ro d bo in Th ll ne he s wi t s. fi ll n ll ou i wa y wa ve ur en mo fo th ot rg fo
home microclimates & un-brella
ke li
. om
ng
m I’
e
g in rn tu
ne I
of
e th
m o ro
. ls
om fr
ne pa
t ec of
fl re
nt me ve mo
So
,
li ton fr
. to
ls g
ne in rd
pa
th ht co ac
ig
gi
ro
ok lo
e th
an ch
s
br ll
d an
wa
107
changing patterns Adjusting the gap of the ventilation opening as a changing measure towards the wind...
Seray Rusçuklu
(29.09.2019)
‘‘Make something which experiences, reacts to its
environment,
changes,
is
non-stable...
that always looks different, the shape of which cannot be predicted precisely...’’ (CONDENSATION,
108
p.102)
home microclimates & un-brella Since my bedroom’s windows is stuck between
Dried
in
two apartments, it is pretty dim
12-13
min-
most of the time.
utes. Least
A typical day which shows shadow
sunny area,
patterns as the sun goes up and I opened my door...
but
wind
Couch covering (close-up pat-
has an ef-
tern).
fect on the
As shadows appear, (1,2,5)dif-
napkin.
ferent patterns show up. But, fully sunny areas (3,4) hardly create any pattern or color change. As the couch covering weathers from the sun, I imagine re-using it to protect my hands from the heat of a cup of coffee, just like Zoe Quick in ‘‘Home Clothing’’...
Dried in 11 minutes. Sunniest part & wind folded
the
napkin. 10:41 AM.
Dried in 7 minutes. Sunny
but
wind is not enough napkin
for to dry.
109
corridors of senses Seray Rusçuklu
Zurich MFO Park ‘‘In winter, construction comes to light, only to vanish again under a layer of green during growing period. It’s an
‘‘It is a very gentle space that exist on a very human scale. It is a sanctuary, yet it is playful, and with the changing shadows of the sun, it is completely transformed throughout the day...
open hall with aromatic climbers...
Possible
areas
of
flower scents based on the air ventilation on SATURDAY 12.10.2019 110
1:21 PM.
home microclimates & un-brella
In the most desperate time, ‘‘DAHLIAS’’ bloom in the balcony and bring
some color to the family’s life in this chaos, dust and grey of the city. With the help of sun, they reveal red-orange colors just like autumn. When the golden hour comes, household enjoy their drink with a Lana Del Rey song in a chill air while it also provides a comfortable shadow-curtain for them... ‘‘CRASSULA’’ is the easiest plant to care in our balcony!’’ says the Rusçuklu Family. It is a humble and generous plant which does not require a lot while promises to bring luck and money to the house. Only thing that they do not like is angry wind, so they are placed in the ‘‘B Area’’ (see on the plan)... ‘‘GERANIUMS’’ have a bold and distinct personality. They show-up their cute colors in the summer while they create their own perfume zone. Nilüfer(Seray’s mom) loves smelling them and talking to them and sunbathing while laying on the floor under the partial shadow of them... ‘‘GAZANIAS’’ are really extroverted and cheer up whereever they go. They are also super social. With their best friend wind, they travel all the time and begin to pollinate. Since they are life of the party, they close-up their petals when the sun goes down. In the morning, they are ready to mingle! ‘‘FIRECRACKERS’’ enjoy a true sun-light and expose their happiness with a firework display in the house. Sometimes, they got into contact with the tree and sang nice songs when it is windy. Seray loves watching its willow-like shadows on the walls of the living room while listening its soothing melody. 111
shadowline & droppable flow Microclimate areas at various points of my house in Yenilevent were my home 7th floor
examined under the innorth
fluence of environmental factors such as wind, Taner Durgut
sunlight, water vapor... valley
N Changes related to daylight such as light and shadow conditions
were
observed
at
certain
intervals
between
afternoon
and sunset were examined in the west-facing room of my house.
112
home microclimates & un-brella
The causes, direction and effects of the air flow in the interior space were
examined when the windows of the two rooms were open.
Situations where air flow reflects, accelerates and changes direction were observed with the help of some
kind of tools.
How the moisture formed due to the us of hot water in the bathroom affects the space was examined. The result of condensation formed as a result of this effects were observed.
113
droppable flow Taner Durgut
Condensation due to moisture occurs in the bathroom. Ä°n condensation formation, temperature differrence, heat capacity and thermal counductivity of the surface and factors like wind play a role. After all these, condensation occurs and the condensing water vapor becomes liquid again and starts to flow through the walls. It leads to a vertical water flow.
114
home microclimates & un-brella
With the correct orientation of the condensed water particles
on
the
ceiling
and walls, these particles start to drip with a focus on certain points.and they reach to the floor as the drip of rain drops on the trees in a rainy day.
115
dance of the dust This idea, starting with the feeling of wind that you feel while walking in the corridor where there are opposite balconies, creates a space under the balcony doors under the floor. With the effect of this intense wind, Su GĂźven
leaves and dust can easily enter this gap. Thanks to the transparent floor, people can easily see their movements while walking in certain parts of the house. At the same time, this transparent floor turns into furniture in the living room and creates a fun living space. If you have a pet or child in your home, it will be so much fun by chasing the dancing powders under the floor.
116
home microclimates & un-brella
117
expansion
Melike Gülpınar
and wind.
HOLE
STUDY ROOM
TOILET
L
CA
FI
TI
AR TS
GH
LI
AR
TI
FI
CA
L
LI
GH
TS
STUDY ROOM
118
ROOM
ROOM
ROOM
KITCHEN
STUDY ROOM
BATHROOM
I observed the microclimate areas in my living space through artificial light, steam
home microclimates & un-brella
L
CA
WIN
FI
D
TI AR TS
GH
LI
ST
EA
BATHROOM
M
KITCHEN
ROOMS
STUDY ROOM ARTIFICA
TOILET
L LIGHTS
119
expansion Melike Gülpınar
DORMITTORY Openable wall designed to make my room more livable and more in touch with nature by making use of un-brella analysis AIR FLOW
OM MY RO
120
home microclimates & un-brella Breaking
Getting
Completing
the wall
rid of the
things
into piec-
tiredness
reading a
es, making
of the day
book by
the view
by looking
feeling the
visible,
at the sky
wind.
feeling the
and trees.
or
air.
MY ROOM
121
liquid topographies In this exercise, we tried to draw as fast as possible of changing and forming flows by the tracks of the paints in bowls filled with different types of milk. As the paints dissolve in milk, expressing the process helped us make a connection between ever changing microclimates and how to re-create them by re-making and transforming...
görkey gürel pınar yiğit
124
liquid topographies
adnan murat ßçler
125
adnan murat üçler
126
batu özdoğan
liquid topographies görkey gürel
berkay güney 127
dilara yıldırım
128
ebubekir özdemir -melike gülpınar
liquid topographies
ebubekir özdemir -melike gülpınar
129
elif kÄąr
fulya aras-veysi kaya 130
liquid topographies
fulya aras-veysi kaya 131
onur burak bulut
132
liquid topographies merve çayır
133
taner durgut
134
seray rusรงuklu-ecem
liquid topographies seray rusçuklu-ecem
doÄ&#x;u tonkur 135
doÄ&#x;u tonkur
136
liquid topographies doÄ&#x;u tonkur
137
-arium By the given research topics and books, we all have read about different architects and scientists to make a link between weather and science, health, media, catastrophes, tourism, shopping, war, materials and even shopping...
weather+ infrastructure materials
pınar yiğit merve çayır arın aydın 140
weather+
-arium
science
seray rusçuklu taner durgut görkey gürel 141
weather+ war
su güven berkay güney melike gülpınar 142
pınar yiğit
weather+
-arium
health
batu özdoğan medine yönet dilara yıldırım 143
weather+ media catastrophes
FOGGY EYES SAN FRANCISCO DAYS
onur bulut veysi kaya adnan murat üçler 144
weather+
-arium
science
doÄ&#x;u tonkur zeynep Ăźlgen 145
taksim mapping Taksim,14 Ekim Pazartesi
Every day, every hour, even every minute, the place that surrounds us is changing and living. Humans, animals and other living-beings are corresponding to these changing climatic factors and spaces.In this work, we discussed if it is possible to create one objective map for a specific place. We took different parts of Taksim Square and observed people, animals, wind, sun and shadow, noises, heat zones and so many other factors that determine our behaviors in this place. We also discussed and found new ways to explain these conditions on the map by sketches.
148
taksim mapping
149
150
taksim mapping
151
two neighbors
when you go
tarlabaşı weathering
two doors,
down the hill,
two windows
where all the
two stairs
roads inter-
;one wall,
sect,there's
one space,
a sycamore.
one sky left
where's the root and the branches ?
it’s like an it’s stuck
upside-down build-
together, two
ing... it’s a gar-
trees stuck,ba-
den inside, going
zaar vstalls
out for the House.
stuck,Earth,rub-
they have windows,
bish, stares
they look in from the outside.
stuck. is still on a hill, at the end of the square, a traveling merrygo-round waits on the sidelines. he talks about another time,festivities, children’s laugh-
lots of room.
together, in two creeks, between buildings, as they descend into the creek. from the above one side, from one side of the foot at the end
ter,weddings,aunts.
of a road in front, a road behind
We wandered around Tarlabaşı with the riddle-like narratives given to us. We have searched for an old plane tree, a carousel, two narrow trees, two old doors and window side by side, a long tree which is covered by a wall and an old house with a garden inside. We also looked for some tracks of weather like moss, sunny facades, shadows, water marks, and other specific things done by people of Tarlabaşı and their daily routines...
arın aydın
batu özdoğan
berkay güney
154
tarlabaşı weathering
kur
on u t
doğ
dil
ara
yıl
dır
ım
155
ebubekir özdemir
fulya aras
ecem saraçoğlu
156
elif kır
tarlabaşı weathering
görkey gürel
medi
ne y öne
t
157
melike gülpınar
158
merve çayır
tarlabaşı weathering
murat gül
onur burak bulut
159
adnan murat üçler
seray rusçuklu
su güven
160
tarlabaĹ&#x;Äą weathering
taner durgut
161
architectural presentations In order to improve our section details and understanding of the programs as a whole in our projects, we made some researches about architectural practices which accept similar main values in their designs: Respect for nature, re-usable spaces for everyone, minimum level of consumption and material, effective use of space, working “with� nature and weather not against, and most importantly collective aims in design.
pÄąnar yiÄ&#x;it
the jack london ferry
164
presentations
pÄąnar yiÄ&#x;it
off the cuff
onur burak bulut
columbia business school
165
batu ĂśzdoÄ&#x;an
house na
onur burak bulut
columbia business school 166
presentations
seray rusรงuklu
the third landscape
167
batu ĂśzdoÄ&#x;an
the new museum 168
taner durgut
qatar national library
presentations
taner durgut
qatar national library
gĂśrkey gĂźrel
the blur building 169
görkey gürel 170
the blu building
presentations
merve çayĹr
supersuperficie thermosoial
171
ebubekir Ăśzdemir
mars ice home
adnan murat ßçler
stock orchard street
172
presentations
dilara yıldırım
love 2 house
173
medine yönet
blooming bamboo home
arın aydın
raumlabor floating university
174
presentations
melike gĂźlpÄąnar
race street pier
175
doÄ&#x;u tonkur
shade de pariposario
176
presentations
ahmet berkay gĂźney
vertical gym
177
cloud structure In this workshop, we tried to design a cloud-like structure which changes its shape by air blow while it still sustains its structural integrity. At the end of different tryings, we learned to create various structures which are light but also have determined building instructions
seray rusçuklu & pınar yiğit berkay günday & onur burak bulut
180
cloud structures
structure revolves around itself. it is destabilized and changes direction 181
merve çayır & elif kır arın aydın & taner durgut
182
cloud structures
ecem suin saraçoğlu & görkey gürel batu özdoğan &
fulya aras
unstable
central
stable
lateral
183
adnan murat üçler & medine yönet & doğu tonkur
184
cloud structures
ebubekir Ăśzdemir & veysi kaya
murat gĂźl
185
weatherhabitable We are inhabitants in Tarlabaşı now. After weeks and weeks we have done site visits, observations, sketches, talkings with the locals, project researches, models, collages and so many more... And, we found ourselves that, we constitute a part of Tarlabaşı too. We have learned to think like them, see the unseeable in the streets like them. We have learned how to follow the tracks of weather, how to communicate with it and how to hear the unaudible. But the most important thing is, we have imagined how would be a collective life in Tarlabaşı by making direct contact with the weather, something “weather habitable” ...
codex braunii co-living We are braunii, newcomers of Tarlabaşı neighbourhood Steel guy were in indecent circumstance before we settled in our “basins” near Ömer Hayyam St. He just wanted to fix rotting buildings with his friends called “Nalbur friends” Let me share you how we help him;
Arın Aydın
Hasan Parmak He adopted us after he lost his colony mate/wife he says. always call us “best investment” sweet guy Hasan built a complex just for us.
188
Before us, steel guy and nalbur
weatherhabitable
guys were trying to sustain accomodation conditions in Tarlabaşı
Now we support steel guys and
their nalbur friends, We contribute the
N
construction production in Tarlabaşı.
basin
Here is Halil son of Hasan, we share basin and his room same level. He sleeps under braunii supplier near his stool stack, He take care of us
189
Arın Aydın
Let me introduce Nergis, very cute marine
biologist they say. We dont see much of her since she doesn’t live here also She works in the basement.
She supply our needs in the basement, we need
so much water in hot days. She plays piano that acturally works
with buildings water circulation. She very
well know about our scale if we are doing great with her scale glasses called microscpoe
lets meet Ali, He is a specialist for braunii care that prepares cell treatment in visitors stomach, I dont understand why humans says “I’m hungry” before our treatment .not make any sense!!!
He collabrates with Nergis. She collect us and select lucky ones that will awarded to be treated. People of Tarlabaşı are so kind that they always want to make stomach treatment for us. There is Tarlabaşı Bazaar near here, Best treatment materials for us are found. Ali goes and take leftovers. Humans call them onions, spices, fruits...
I’ve never been treated ever before, but I would die to be treated
190
That 4 people live and work collectively, lets take a
weatherhabitable
look inside; We are connected to the structure and human beings. Acturally we co/-live/mplement each other. You know Halil, he brings us to comprassion machine, oftenly mix with nutritions. He acturally turn us brauniimaterial. You know humans are interesting; they call unmeaningfully “bioplastic�
191
Arın Aydın
In this place of Tarlabaşı human and braunni colonies have similar attributes. They spreaded urban topography with integration and connection. Slopes seperate habitants without hierarchial order yet in between places Inside or not
high or low
braunii and human co living
As we mentioned we are highly
İnterrelated with weather
just like whole
habitants live with weather. With sufficient adhesion, slope, heat and sun exposure; we construct braunii meshes into braunii material. Our home is changing every moment according to exposed climate.
192
weatherhabitable
Our home braunii lit source of life of co-living and
distrubution to Tarlabaşı.
Since We need sun which is crucial for our organic
molecule production, our basins are built in top of the structure. Basins are hunged by sides to the structure. We love our home. People talk like “while questioning both conventional and contemporary construction and material technologies our home realized complexity and contradictions”.
By the way this human colonies are sooo huge, there is something we dont understand; Humans are always exhale carbon dioxide which is good for us. but how do they make photosynthesis they are being dead without organic How are they fed? With us? Upss!!! We have lots of carbon molecules HAHAHA nonono Humans... they are sweet and they can take care of themselves without eating us and look at Hasan he always call us
“best investment”
We love him. Sweet Humans
Aren’t they?
193
m2 Deaf an empty space in the power of plants between the facades. Make these fronts speak somehow ! Balconies should be added for communication. Between the strech, to get more agreement. These balconies have to be used somehow ! Create living units from balconies. People have to be here somehow ! Adnan Murat Üçler
it is stuck together. two trees stuck. bazaar stulls stuck. this public space creates a new area for the bazaar.
the public space increased the communication between the two streets.
the public space can become an alternating place where people staying out at night can shelter. people who produce in Tarlabaşı can display and sell their own labours.
194
earth,rubbish,stares stuck. altough,there are lots of spaces.
space becomes a whole with bazaar and creates its own dynamic .
while modules provide a living space within themselves, they become a sales space once the bazaar is settled. z
weatherhabitable modules have a layered structure in themselves. the module can be used as an empty space thanks to the structures that can be integrated with the wall.
the modules are protected from the wind corridor in which they are located by means of panels on the outside.
the attachments on the walls function as a structure where the items are opened and closed.
due to the curvilinear structure of the panels,the pressure applied by the wind allows the panel to close inwards
195
Adnan Murat ร รงler
196
weatherhabitable
197
curse free house years ago, there was a lady who rarely gets out from her house, and does it only at night. people thought she was a witch and she had a curse. when she died, the belief kept living. they named the street she lived in after her. now people think ‘solak kadın çıkmazı’ is a cursed street. Batu Özdoğan
198
weatherhabitable
when fog comes down,people start to panic as they think
the
curse
of
the
lefty lady is back. everybody
has
their
own
way
of running away from the curse. some covers their windows with black wood, some tries to go higher placesn and our guy isolates himself and his family from the enviroment. this is the only way that he feels safe.
199
Batu Ă–zdoÄ&#x;an what
if
there
was
a
slide? how would it feel to be sliding on a dream?
im at the end of the slide. i fell down to a pool, but it is a lot deeper than i expected. will i ever touch the ground?
i did not touch the ground. is it a sea? an ocean? suddenly i realize that it is a waterfall.
200
weatherhabitable how can we obtain that dream feeling?
i
kept
falling.
a
force
dominated me, moved me. to
the light and the shadow will be unfamiliar
the right, and to the left. eventually it threw me back to the slide.
moving and vibrating places
plants covering the place
im at the end of the slide.
you forget where you are in your first steps. 201
Batu Özdoğan
202
weatherhabitable
203
disapprearance
Ahmet Berkay GĂźney
It lost his way. It threw himself out of wide bright
Buildings sometimes had curtains on the street and sometimes had openings for light to enter.
places. He found another life in the alley. Different structures, different distance relations, different permeabilities, shadow-light states, different lives for water.
... While it was going down Kalyoncu KulluÄ&#x;u Street, some people were running away from him, some seemed to 204
have been waiting for a long time to come.
weatherhabitable It took
The water is trapped
the inside
inside. Buildings
out.
jumped out of the shell. They couldn’t fit into the streets, they took to the streets. From degraded, destroyed shells.
The water couldn’t get off the side streets. It started doing different things. Some of the streets stopped constantly wandering. It waited on the street and turned into a smell. It went in and out of buildings and damaged. It was trapped in the street and turned into moisture.
It broke his ornaments. It left its half naked.
Now the water is a texture. He started living with people. settled on the roads to buildings, did not go. In some places it was disappeared.
205
Ahmet Berkay Güney Rain water was collected from neighboring buildings. Water came to the Kadın Dead End. It can come out of a dead end now. When it came into the half-demolished front, things changed. Water accumulated in the warehouse. It will
Ka
dı
n
D
d ea
En
d
rise up again.
The water lost through the walls was poured for
Ka
nc lyo
ull u K
ugu
purification.
206
weatherhabitable
Rose when clean
It went to the edges, the road is over
Spilled when dirty
Cleared step by step
Accumulated
207
Ahmet Berkay GĂźney People walked through the water The water pouring to the floor was getting disappear
People peering from high up in pouring water.
The water was slowly draining down through the forest of columns. As the water drained, it formed small waterfalls. Together they form the whole, the children played on them. 208
weatherhabitable
It came from above, came from below,
Flowed on the floor, fell down
merged and disappeared.
suddenly.
It came with pipes when he was clean, disappeared through the walls when it was dirty.
The water flowing through the canals combined with the others to form a pool. 209
position My name is Mehmet,I
used to live in a small
apartment in Tarlabaşı. I have lots of chickens but I didn’t have a place to feed them This was my biggest problem
Dilara Yıldırım
One day they started to build an antique shop ... And I had an opportunity to move there with my chickens. This is the plan of the building area
210
weatherhabitable This is the plan of my new house. I love living in this space because I can get to know different people from different cultures and I can share my old memories with them since I am an old man now. I have no kids so I love having people around me. ( and my chickens of couse!)
This is the section of the building. You can see my bedroom on the very top. There is my kitchen on the same floor. Behind that there is my guest room also
211
Dilara Yıldırım
In this section you can clearly see the chandeliers and my bedroom. We have many bookshelves in here!
212
weatherhabitable
There is a big squarelike gap between my bedroom and corridor, it allows sunlight to reach to the second floor. There is a door between the chickens and the open area which only I can pass. There is another storage space behind the second door.
213
silicon hall Silicon Hall Silicon hall is a theater school. Silicon Hall aims to adapt young people in Tarlabaşı to social life. As a theater school in the neighborhood, it achieves this goal by playing the sketches written by theater artists and young people from the neighborhood in the workshops. Another feature of the project Ebubekir Özdemir
214
is that the facade also forms the furniture.
weatherhabitable
STORY
First, a canıoy Hı, I’m geniş yokuş
was designed here.
street this was a
The canopy was
cute space on our
moss-holding,
street. Now I’m go-
so people in the
ing to tell you the
neighborhood could
story of the evolu-
have a healthy
tion of this place
time under this
and silicon hall
canopy
After extreme drought the algae dried up. This was not a problem because the algae could grow again when the weather was good. How was, the design was redesigned according
As young people from the neighborhood started to use this area a lot , areas where young people could learn something were created.
to space and new weather. 215
Ebubekir Ă–zdemir
With the interest of some theatrical Because of the
actors, then the
interest of young
building evolved to
people in the
a theater school.
theater, workshops
THe local youth
where added to the
and theater actors
design where young
started to play the
people could pre-
sketches which they
pare theater.
wrote in the design workshops in the theater hall of design.
This is where the silicon hall’s theaters are played, as well as the entrance to the building.
216
This is the inside of our first workshop
weatherhabitable
This is the floor where our first workshop and toilets are located.
This is the floor where the bedrooms and showers are on the upper floor of our first workshop are located
This is the school terrace. So we This is our second
have toured most
workshop on the
of Silicon hall.
floor of our first
If you want to
workshop.
know more you open the booklet again for more technical details. I’ll wait for you on my street and Silicon hall.
217
Ebubekir Ă–zdemir
site
plan
sections
Moss Density
Scale 218
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-3m-0m plan
Scale 4m-7m plan
Scale 7m-10m plan
0m-3m plan with environment Scale
Scale Top View
219
inner identity
Ecem SaracoÄ&#x;lu
Laundry shows the identity of neighborhood; how many people live in there,how many of them are children,how old are they... Also connect people who live opposite houses on the street. If you don’t have a opposite neighbor, what would you do?
220
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221
Ecem SaracoÄ&#x;lu
222
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223
co-percolation house
Fulya Aras
Tar in s t eet A s str ı, ş a hed lab ouc I I t . et .. tre s ry eve d. che u o t t ree
e. ourc to s n w o he nt d up t I we went came I I , w . I sa went d ked n shoc rs a stai e, I p o l he s to t . lf . myse 224
ed I flow place Every came aged, t, dam got we .. myself out of
rial mate The back came y t a nywa th ed a pour a s l a r w e Ta o th re .. S s we t e e r t s başı . hed. patc
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it. worth I was , e m d a e ch I c I tou claces w pla The p e n . d owere l e e w r we as rmed ve fo es ha .. nded desce
225
Fulya Aras
226
ull was f ll, I u f s ld I wa I cou loud, c , e h ooded in t as fl , I w t d, i e f n not I rai rain. e m a c I be .. ned . I rai
weatherhabitable , I here ecomew s l e pi l o th I fe t n w d, I e do rate brok cele c a I ... es. own ed d slow ed fill was I ll, I I fe ern. cist .. a lled with I fi , d e fill
of rce a sou of e h t out as t w g n e e I , v I w ple e. o f e i p l ... to its e, fru pip , s ble eta
e in th dered I wan p and u e k I bro , s e p pi same o the ned t r u t e r s... place
227
ghostzilla I am the biggest tree of Tarlabaşı. My owner left me years ago. I don’t remember her face. I have been lonely and unhappy ever since. Nobody understands me, they just look at me and get surprised and go on their way. I am very Görkey Gürel
bored with this situation. I was stuck where I’ve lived for years.
I am the newest member of this street. Two weeks ago, the landlord left the house. They put me on the sidewalk in front of the house. It hasn’t rained for days, the weather is so cold, and I’m alone. Please, somebody come and get me out of this situation or I’ll have to do something.
I was fired from the shop two years ago. My branches were cut, I was exposed to drugs, but I did not give up living. I invaded the wall next to the shop and held onto life.
228
weatherhabitable Plants wanted to get rid of their boring lives. They acted to take revenge on those who ignored them. Ivy, flowerpot, tree, grass ... They formed an army and started to spread to the streets of Tarlabaşı. Nothing would ever be the same. Invasion was inevitable. Now plants began to dominate Tarlabaşı. The whole problem was the duration of the invasion. How long would it take? All the forgotten, abandoned plants set out to invade, but what would happen at the end? Will the invasion be single-centered or multi-centered?
Plants are on their way to revenge.
ömer hayyam caddesi
229
stuck space that started to form
GĂśrkey GĂźrel
230
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The only thing left from the invasion is me. I carry it’s traces and energy. I’m looking for a place where I can gather myself to restart the invasion. A deserted space away from people... It’s time to continue the invasion! ...and I am the ghost of Tarlabaşı!
231
Görkey Gürel
232
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233
Görkey Gürel
234
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235
deflection game
Medine Yönet The deformation game is a project where the paper collector children live in Tarlabaşı, where all the children reach the awareness of the climate that -observing the characteristics of the sun such as deformation, heat, lightwhile playing games,produce paper. The game is not only the fiction that children play in their spare time. A production process can also be a game. And not only children can play the game, the streets, the sun, the structures have games. 236
The sun also has a play in Tarlabaşı. It leaves various traces on the facade of the solar buildings, united by other climatic conditions. Can a new game be produced by considering the deformation of the sun and children? Does this game make a deformation raw material and perform the production process?
weatherhabitable street’s game The streets also have games in the Tarlabaşı. Street that takes its name according to a story, it sometimes makes that story live, and sometimes it adds a different direction to the name with the climate and people.New game is played with 1/500 model of tarlabaşı by story of kurdela, düğün and akkiraz streets.
game that made according
game that made according
game that made according
tarlaşabaşı streets
to akkiraz street story
to düğün street story
to kurdela street story
after
story game
237
Medine Yรถnet This is a play corner that brings children to the sun, makes them move around the trees with an upward movement, and is a shelter for some people. Children constantly see the sunlight differently due to the wooden design and the tree while walking. They also play a game that produces paper during this walk.
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c c’
B’
B’ A’ A’
239
Medine Yönet
Deformation game is used for different purposes; There are people walking through the street, they use this place as a street, there are children playing paper making games, they play hide-and-
C-C’ section
seek along the way, they jump, mud, run, and there are zeliha sister and paper collector children living here.
B-B’ section
There is a vertical library of books that paper-collecting children find. This is on the route of people passing by the street. C-C’ section 240
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241
Medine Yรถnet
Paper collector children have a house that opens and closes in order to receive the sun. Zeliha sister has a house with a canopy that can rotate to watch the street. There vvare units where paper collectors can store their papers. Some papers are separated and cut up by children to be used and reused. It is muddy and waited for a while. Then it is pressed at the jumping corner and dried in the sun. And this area has a facade coating.
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243
steel stick
A WIDNESS ON A TIGHTNESS
Mehmet Veysi Kaya
244
WHERE HOUSES ALINE NONSTOP
PLACE
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RISED TO SKY BY STEEL STICK
STUDIO
EXHIBITION WORKSHO SOCIAL PLACE ART HANDWORK
CARPENTRY
CARPET WEAVIG
245
water school
Tarlabaşı a neighborhood once populated by rich communities, is know hosts people from different cultures and low income level. The neighborhood is pretty much feared by lots of people because of its high rate of crime. Because of the isolation of the neighborhood from other worlds people who live in there can somtimes fell themselves unwanted or lonely. This loneliness unfortunately base drug addiction or substance abuse. However Tarlabaşı has so much potential with improving abilities of people. With a new hope and a new addiction it is possible to save our children from this bad habits. This addiction has to give people their self confidence back and make people connected to world more. This addiction can be music or
Murat Gül
sound of water. A rehabilitation center which will take patients and rehab them will make an big impact. Water as a cleaning substance always seen as a pyhsical cleaner however the sound of water or the water itself can clean our souls or our inner selfs.
Drug Addicts: *need help *had to be bring back to world *need to gain self confidince
246
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concept model
TarlabaĹ&#x;Äą under rain
247
Murat GĂźl I rushed to stairs to get That day i fell asleep and
to upper floors.
missed piano lesson. But anyway I knew that the first studio was empty and I made a
I sit on the battery and
plan to play battery. While
started playing. Even
I was walking to school it
there is one floor dis-
started raining it started
tance from the concert
raining and I got very excited
hall I could still hear the joy of people.
As I had guessed the concert hall was full of people. They were all dancing and cheering with the sound of water. I wanted tok make these people more happy and asked my teacher to play live battery. He did not refuse my will.
248
Every time i hit to battery the hole building was shaking.
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section
249
Murat GĂźl
summer time cold pipes
250
winter time hot pipes
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251
the blend
Pınar Yiğit
252
weatherhabitable l wil n I s, whe e h t t tha clo d , n or d ta eri moo ers int our und , r y o n ces ca k f nge pla loo cha You u u . o o n la. y y Rai rel ce and umb hen The ps h e e , t t m e s wi co s m ce our It’ s spa f y h a wn m o o y suc h r e u m o ryt s. y on ipe te n p ind rea i h c a e r b as, ou ns anv the o y sig y c of als m t s u es. is end I p tim şı ow ach aba e l ind ngs r w s a ldi way f T the bui nt e o er of h e t d g r t n u on hi fe oue cti r, dif ins Sih to ire eve it sta d w e o n m H and sig et l I s. ot and eet o n str d d w n o i r w nor to ch rea e t b ng, la thi Tar ome s rt. e sta hid ’s let ı baş
mus
253
Pınar Yiğit
254
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255
Pınar Yiğit
256
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257
metamorphosis
The Botanist, who specializes in the effect of sun and rain on plant species, want to investigates the situation in more detail. As a result of the mapping and researches,determines Tarlabaşı as the most climatic place to establish a laboratory. Examines the effects of light and water changes on plant species in a specially designed kinetic structure.
Onur Burak Bulut Besides being a central laboratory, it serves as a greenhouse for the people of Tarlabaşı. Here, people plant, grow and share plants.
258
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259
looking through shadows
Seray Rusรงuklu
It is almost noon since I woke up for school. The last bell of the day rang, Look! My mom is waiting for me... 260
weatherhabitable I leak even the narrowest streets as they want to wash their windows. Sometimes, Plain facades welcome me as a company And; I follow the slope and rise... I play hide and seek from facade to facade...
261
Seray Rusรงuklu While I was looking, oh, What is this? Wind whispered and opened the fabric strips up for me, invited me inside...
Looks like my friends are here too! As sun keeps moving, I am trying to find them. But my fellow sun is playing with me Altering colors, corrupting, spilling the lights in so many pieces... 262
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Sun is up! It is getting warmer and warmer ... My shadow is getting smaller. 263
Seray Rusรงuklu
We ate our meals, Packed by our mohers. Now, we are ready to stargaze in the place which is illuminated only by moon and sun... We hanged our homework 264
sheets...
weatherhabitable Finally, night has come... All the stars are bright in the sky... We are happy and comfy in this place. We can talk with the wind We let the moonlight illuminates our faces. As we fall asleep and hear the sound of TarlabaĹ&#x;Äą, whisper of our homework sheets are singing a lullaby for us...
265
odyssey This project area, which lies between two tall buildings, is actually the junction of 3 streets, one of which is a dead-end street. A market is set up in front of this area on Sundays and people cannot find a place to rest with shopping bags in their hands. Oddyses open and closed areas aim to adapt to the different Su GĂźven
temperature and density of these 3 streets. In addition, people can both pass from street to street and use this place to rest.
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267
Su Güven
268
weatherhabitable What does TarlabaĹ&#x;Äą want? When you analyze there, you always notice: People usually run away from looking at your face. They feel away from the municipality and official institutions. The Odyssey project was considered to make it better. It aims to enable the neighborhood and architects to communicate comfortably. For this, the designers are starting to live there. In Odyssey, we can see the passage of 3 streets and the passage of people and architects living here. In this design, which has a floor height with half elevations, it was aimed to add entertainment to this narrow space between two tall buildings by including open and closed forum areas, living spaces, public spaces, green spaces and terrace. There was also a dress room for those who need help to attract the neighborhood and to strengthen communication, and a room where the barber, tailor, electric master, and shoe repairer came on certain days.
269
look up The girl who preffered spend time with herself so much instead of other children that she was surprised to see them and began to find their activities meaningless. This girl who lived in TarlabaĹ&#x;Äą, watched the sky day and night, dreamed and made plans for the future.
Taner Durgut
270
weatherhabitable One day, while walking on Kurdela Street, encountered something she had not seen before. This structure should not have been here before; if it had existed it should not have been noticed while walking without looking around. She began to think that the children around her had been watching her, but she realized that this was not the case. They were going to this structure. She succumbed to her curiosity and plunged in.
when she came in, she saw lots of children running around. Same of them ran around senselessly, while a team of children were playing hide-and-seek. This made her uncomfortable because she did not like other children. But when she look around, she realized that some craftsmen were working in the glass-covered spaces on the sides. Now, this place is getting more attention to her. As soon as she entered, she began to watch through the window of the ceramic atelier. There was a master of ceramics and two child of her own age trying to make pots. Perhaps all prejudices were wrong, not all children were the same...
271
Taner Durgut While spending time here, she noticed that she was hungary and went to kitchen in the middle with her master and prepared something for them. Then the children she met in the workshop began to show her around. There were wood craftsman, glass craftsman, tailors and painters. She did not realize how high she was and startled when she look down the perforated floor. She wanted to go down and they went down together. There was a closed space at the bottom floor, the sound of music coming from inside. She went and saw some children trying to play guitar and violin. This excited her quiet a bit. She started to look at all the children differently and spend time with them. Here they started to have fun together and learn from these artisans around.
b
b a
a
section B-B 272
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She continued to turn left and that was the last ramp. Walked quickly. Here is the light shining sky where se chooses her best friend for years and tells her
The ramp had taken
dreams and troubles.
her first to the ceramics then to the wood workshops top. The path is continued. First, she saw the tailor,then the dorm.
However, she did not know what was at the top and set out to find out. She began to go up from the entrance to the ramp on the left. section A-A
273
convergency Tarlabaşı, Kadın Çıkmazı
Melike Gülpınar
But one day the neighborhood woke up with fog and thought that Solak Kadın’s curse had Kadın Çıkmazı; was a peaceful street where children played games, the neighborhood shopping 274
from artisans and peddlers.
returned.
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After that they decided They wondered how to get rid of this curse, how they could
to build a structure, a route to the sky.
see the sky again.
Everyone helped, even the windows went after the sky.
275
Melike Gülpınar
All the people of Tarlabaşı come here and read books, watch the view, spend time Paper collectors start-
with each other and enjoy
ed production here. they
their time.
collect paper during the day, store it, press it securely and Wload it into trucks for recycling.
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They added the books they found while collecting paper to the library they created.
277
Melike Gülpınar
H
REAC SKY
E
UT
RO
WINDOWS
LAYER
FRAME
MP
RA
278
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279
seeing the sound
While Tarlabaşı is one of the elite districts of Istanbul where consuls live in the old times (when Istanbul was the capital), today here is a place that has evolved into an urban collapse area. We had prejudices before our first visit to Tarlabaşı, we can say that it changed in time. We met so kind and sincere people. Maybe Tarlabaşı is shown badly in the media because Tarlabasi will be an urban renewal area, who knows? It is not possible to see Tarlabaşı people in the ARTER art gallery next to Tarlabaşı. (ARTER came here with the urban renewal.) Because they have worries about their essentials before the aesthetic concerns. Maybe one day, it will chance with imaginations like ours.
Elif Kır
Tina
st
iani the p
A family in Tarlabaşı 280
Uncle Talat is the person that carries his cloud all around the Istanbul for who needs the rain so, mostly Tina. He usually sit in Tina’s terrace and read his book. Tina has some pipes in the terrace for carrying the rain all over the building to hear it. Oops, sorry, to see it.
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281
da
in
a
ha d
s
h
pi
Va
f
la
y
i wh p n ht g i u to nt o da a w l y ev a ho Va d or r m a m o t h e n f me th ar au he e r he he ac of en i h t l e t l p th st d al ep an rt ch ju t ke , at ce gh t n o w u n t e No ta so co th n ed . i a ti nt d in nd n a m e d u w a v a l a so e lo Va e th de th . d ma d l e e e h se nt al n .S wa ca re a e e l h op pe o , er
n
pa
op le wa nt in ed t
Ti
aw ay .
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ed
th em
lo ve
an a
l
Li
al
da y,
Th ey
On e 282
la nt in
an o
.
wa
sh e
e
e
sh
th
d an
le
au s.
pl ay
d se os
y,
cr
da e
s
On
Ca uc
th
a is a ov k s Su Valantin w a s bo rn a in 19 0 an 2 in Li a ma ns i on in
pa
s Rus
r
e
ei
it
th
wh
evoluthe R Ä°stanbul i ro m d f &came to n 1 e p n a tio 91 9. esc o h w ian
ugh ter n amed g Ti n a . Ye p ia ar no & s V er a l an t i n al pas yo iv sed th e , Va ne a e l n a ntin passed .& d d mu o so Sh si mething for the e c.
Elif KÄąr
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283
Elif Kır
284
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285
pupa
Merve Çayır Mardin Syrians lived under one floor of towing level. The eldest sister of family works in Assyrian Churchs. The upper floor of the lonely man there was a crowded family which are from Rize.They have a hotel in front of Tarlabaşı intersection. On the upper floo, there was a man which is well-groomed, stylish dress and has a great Turkish. He is Mason. On the second floor, there was an old man couple which are from Urfa. Their children visit sometimes. There was a Persian girl on the first floor. Her guest never end. When the door is opened, the smell of food would come from inside. There was a carpentry that completely covers the basement. Some of the while Russians who escape from revolution settled in building and learned new crafts. 286
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287
288 istiklalde mendil satan dolmabahçede arabaların önünü kesip ailesine katkıda bulunan mestun olmuş
çöplüğün içinden yeşeren dut ağaçların çocukların kuşların kelebeklerin olmuş
önceleri sokaktakilerden kaçanların sokaktakilerin kaçtıklarının olmuş
tek gökyüzü kalmış
iki pencereden iki merdivenden tek duvar, tek boşluk
iki komşudan iki kapıdan
geriye sadece
onlarda evi terk etmiş ev üzülmüş fırlatmış çatılarını birgün de dayanamayıp çökmüş
taki hastalıklar ortaya çıkana kadar selamsız kalmış kapılar iki kardeş ailelerini
yola koyulurlarmış
cumbalı ahşap evde her sabah selamlaşıp iş için
iki rum kardeş yaşarmış
Merve Çayır
uzadıkça keşfetti keşfettikçe uzadı durgundu doğduğunda yükseldikçe esti estikçe dağıldı yaprakları yükseldikçe gördü güneşin izlerini o güneşe yaklaştıkça arkasında gölge bıraktı uzadı taki gökyüzüne ulaşıncaya kadar
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they knit their cocoon as a silkworm. first produce it’s colourful threads then start to make a “cocoon”
Urfalı couple wait for whole winter to knit a when mesut moves, around moves. he discovered spotted sun and butterflies. when he rise, he knit. as
sweater to their grandchildren.To knit the spaces of playing for children.They oick up the muldberry and transform them to tasty jam.
he descended as he sweat.
289
Merve ÇayĹr
The flowers bloom in spring, and the silkworms knitted their cocoons.The silkworms found the most special corner for them on the light black net.Knitted to wait for winging, flying, to color.Then they opened their cocoons, their colorful wings and fly to freedom. They are put in the noses of the children.The sewing workshop was excited. The walls built for the winter began to be dismantled. They were set aside to be built again. Kites flying in the air as yarns in the spring.
In the fall, the baby silkworms plucked the leaves one by one. They ate and slept, again and again. Not knowing what to expect. The reels stopped, the paints dried out. The couple from Urfa waited for their grandchildren to knit a vest. They knit their rooms to prepare for the winter.
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In the summer, mulberries have ripened.Children filled on the trees. While collecting mulberry, their hands were painted with muldberry red and picking fruit from the tree has never been easier.The silkworms were “pupa�. The last silkworms that will be winged this year had eaten fresh leaves.Paint balloons got excited, and the reels kept turning. The dyed ones rushed to their reel.
291
the nest Here they call me Ötücü Eşref. It has been 4 years in the nest. My days here are very active when I think of earlier years. We were just a few of willing pals with our birds. Back in my days, aviculture was not a big deal for people. They even called us bird torturers. Yet, these have all changed. Since we settled on our nest, we have not only gathered here for Doğu Tonkur
Ötücü Eşref
birds but also shared countless experiences. This is the journal of our nest. I will guide you to our home of birds and people, where we live tighlty converged. Everyone is welcome to our nest. Sky dwellers and we the earthlings meet here, and give our ears to bird-tongue.
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293
DoÄ&#x;u Tonkur
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In terrace people like to observe birds. to
As I lay mayflies on terrace, young people
comprehend their behaviour. It is a par-
draw my birds, even sometimes me. I like
adise
to talk to them about my old times. Some-
They
listen
seeds.
for Here
to
their
birds
with
people
talks
and
their
cultivate
try
favourite their
own
times I feel like I’m in my twenties again.
plants and leaves the birds as a gift.W
Researchers
and
enthusiast
starts
their
work early in the archive, when birds are
When coming close to the chamber, gold-
most active. They mostly draw and take pic-
finch
tures, but they also record and notate the
er. Here in chamber we gather and lis-
sounds. Visitors come see the gallery and
ten to bird-tongue. Anually bird owners
add their own experiences to the archive.
bring the
tweets
their most
become
best
valuable
louder
bird tunes
and of
and
pick them
loud-
out all.
A day starts with a chirp in my place. Sometimes sparrows trigger the dawn chorus before crows. Then it’s my time to go down to the pond and collect mayfly larvas. I dry them till noon. It‘s my birds’ favourite snack.
295
Doğu Tonkur When it rains, Tarlabaşı streets turn into brooks. In fact there were already streams in this valley of Dolapdere once. So our nest soaks up there water to its system. Rain means life in the nest.
Water fills into the ponds where I grow my mayfly larvas. Fringes of capillar cords abrosbes water to the nest. Water climbs up to terrace, supplying water for plants.
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I plant the most attractive plants. Not only the local birds stay in our nest, but also many migrating birds visit here. So it is crucial to invite them to our, so to say caravansary.
In terrace and high observatuary as the people record and document, these materials are collected in the archieve. This whole process brings up a collective imagination and information treasury in the heart of our nest where people learn, share produce and live.
297
taner
fulya birds are fed in the nest
taner
fulya deserved a braunii
dessert for their efforts
- DoÄ&#x;u&ArÄąn