PHOTO: BRANDON MARSHALL
THE MAGAZINE OF THE COLORADO SYMPHONY Volume 15 • Number 3
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THE MAGAZINE OF THE COLORADO SYMPHONY Volume 15 • Number 3 CONTENTS
6 Welcome 8 Spotlight 10
Colorado Symphony Musicians
12 Colorado Symphony Board of Trustees 13
Colorado Symphony Staff
18
Musician Spotlight: Nicholas Tisherman
20 Corporate Council: A Musical Foundation Built on Community Support 23
Community Support
COMING SOON
John Williams: An American Journey FEB 9-10
4
C O L O R A D O SY M P H O N Y.O R G
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WITH SUPPORT FROM
WELCOM E
Welcome to the Colorado Symphony! As we celebrate the dawn of a new year, our musicians, Board of Trustees, and staff thank you for your continued support and passion for outstanding symphonic music. I am thrilled to be sharing my first message with you, the patrons and supporters of this phenomenal organization, since joining the Symphony staff in October as Chief Advancement Officer. It is a privilege to be part of the Colorado Symphony team and to be building relationships with the 3,000 individuals, John Burtness foundations, and corporations who make philanthropic Chief Advancement Officer investments in the Symphony. These contributions allow us to produce incredible performances while balancing our budget and keeping tickets affordable for everyone. Passion, talent, and hours of practice enable our musicians to create the beautiful music that we all enjoy. In a similar way, passion and generosity drive our donors’ support and extends our reach to many other parts of the community through education and outreach programs. Through this support, our donors become co-stewards of our work in creating beautiful music for all to enjoy. Entering 2018, we have an extraordinary opportunity to assure the future of the Symphony by adding new gifts to our endowment while creating a perpetual resource to support musicians and programs. A local foundation has offered a matching gift opportunity, adding a dollar to every new dollar raised for our endowment. To date, we have more than doubled our endowment to nearly $22 million and our near-term goal is to double that again to $50 million. We look forward to updating you on our progress moving forward. In the meantime, please consider making a tax-deductible contribution to help us reach our goals via the enclosed envelope in your Soundings program. On behalf of all of us, thank you again for all that you do to support the Colorado Symphony and we look forward to sharing in its bright future together. John Burtness Chief Advancement Officer
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SPOT L IG H T
JOIN THE BRETT MITCHELL SOCIETY In a time of new beginnings, the Colorado Symphony is pleased to launch the Brett Mitchell Society, a meaningful way for our most engaged donors and subscribers to have direct access to our new Music Director and have a profound role in the health and future of our orchestra. The Brett Mitchell Society was founded in the early spring of 2017 to give dedicated patrons at a certain giving level deeper access to the Symphony they love. Brett Mitchell Society members receive extra perks throughout the season, including our quarterly newsletter From the Podium, Masterclasses with Brett Mitchell, Advance Access to one-night-only concerts and special events, and that’s just the start! Brett Mitchell Society members possess the unique opportunity to influence the shared vision of the Society and of the Colorado Symphony, and to present the Symphony to people everywhere as a world-class orchestra. To join the 100+ households who are helping ensure the Colorado Symphony’s future, please email rsvp@coloradosymphony.org or call Kate Bentley at 303.308.2472. 8
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legal advice toadvice keep you in harmony legal to keep you in harmony
Liz Sharrer 303.295.8000 lsharrer@hollandhart.com Liz Sharrer 555 17th Street, Suite 3200 303.295.8000 Denver, Colorado 80202 lsharrer@hollandhart.com 555 17th Street, Suite 3200 Denver, Colorado 80202
Proud Supporter of the Arts Proud Supporter of the Arts
LOCK + LAND
DANNY TURNER
COLORADO SYMPHO NY
BRETT MITCHELL
ANDREW LITTON
MUSIC DIRECTOR
PRINCIPAL GUEST CONDUCTOR
The Bill Gossard Music Director Chair
VIOLIN
Yumi Hwang-Williams Concertmaster Claude Sim Associate Concertmaster Yi Zhao Assistant Concertmaster Paul Primus Principal Second Allegra Wermuth Assistant Principal Second Alessandra Jennings Flanagan Fixed 3rd Chair/Second Larisa Fesmire Thomas Hanulik Wyn Hart John Hilton Anne-Marie Hoffman Myroslava Ivanchenko-Bartels Dorian Kincaid Karen Kinzie Mark Lamprey Susan Paik Miroslaw Pastusiak Erik Peterson Megan Prokes * Adrienne Short * Robert Stoyanov Delcho Tenev Amy Tyson Bradley Watson Tena White Wenting Yuan
VIOLA
Basil Vendryes Principal
CHRISTOPHER DRAGON
ANDRÉS LOPERA
ASSISTANT CONDUCTOR
DUAIN WOLFE CHORUS DIRECTOR
ASSOCIATE CONDUCTOR
Mary Cowell Acting Assistant Principal Charlyn Campbell Marsha Holmes Leah Kovach Helen McDermott Summer Rhodes * Kelly Shanafelt Phillip Stevens Catherine Beeson + Assistant Principal
CELLO
Judith McIntyre Acting Principal Austin Fisher Assistant Principal Susan Rockey Bowles Andrew Briggs * Danielle Guideri Thomas Heinrich Margaret Hoeppner Matthew Switzer Susan Yun
BASS
Steve Metcalf Principal Nicholas Recuber Assistant Principal John Arnesen Susan Cahill James Carroll Jeremy Kincaid Owen Levine
FLUTE
Catherine Peterson Acting Principal Michael Williams * Julie Duncan Thornton 3rd/Assistant Principal Brook Ferguson + Principal
PICCOLO
Julie Duncan Thornton
OBOE
Peter Cooper Principal
The Irene & David Abosch Principal Oboe Chair
Nicholas Tisherman 2nd/Assistant Principal Jason Lichtenwalter
ENGLISH HORN Jason Lichtenwalter
CLARINET
Jason Shafer Principal Abby Raymond 2nd/Assistant Principal Andrew Stevens
E-FLAT CLARINET Abby Raymond
BASS CLARINET Andrew Stevens
BASSOON
Chad Cognata Principal Tristan Rennie 2nd/Assistant Principal Roger Soren
CONTRABASSOON Roger Soren
HORN
Michael Thornton Principal Carolyn Kunicki Kolio Plachkov 3rd/Associate Principal David Brussel
TRUMPET
Justin Bartels Principal Philip Hembree 2nd/Assistant Principal Patrick Tillery Associate Principal
TROMBONE
John Sipher Principal Paul Naslund 2nd/Associate Principal Gregory Harper
BASS TROMBONE Gregory Harper
TUBA
Stephen Dombrowski Principal
HARP
Courtney Hershey Bress Principal Timpani William Hill Principal Steve Hearn Assistant Principal
PERCUSSION John Kinzie Principal
Chair Endowed by a Friend of The Colorado Symphony
Steve Hearn Michael Van Wirt
ORCHESTRA LIBRARIAN
Joanne Goble Principal Jonathan Groszew Assistant
* = One year replacement + = On leave
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DON’T JUST HEAR THE MUSIC.
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Mar 16-18 Apr 21-22
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BOARD OF TRU STEES HONORARY TRUSTEES OFFICERS Jerome H. Kern Co-Chair Mary Rossick Kern Co-Chair Stephanie Donner, Esq. Treasurer & Trustee Susan Bowles Secretary
TRUSTEES Anthony T. Accetta Dr. Paula P. Bernstein Susan Cahill* Young Cho Jim Copenhaver Zachary D. Detra, Esq. BJ Dyer Sandy Elliott Jack Finlaw Austin Fisher* Amy Harmon Diane S. Hill, Ph.D. Jessica Hobbs Margaret Hoeppner* Kathleen Johnson, Esq John Kinzie* Leah Kovach* Richard D. Krugman, MD
Governor John Hickenlooper Mayor Michael B. Hancock Christopher J. Ott, M.D.
Richard Kylberg P. Evan Lasky Jonathan Masoudi, M.D. Bill Myers Joe Neguse, Esq Erik Peterson* Kolio Plachkov* Nick Recuber* Julie Rubsam L.T. Sandvik Jason Shafer* Eric Sondermann Brandon L. Thall
* Colorado Symphony Musician Trustee
REMIX ASSOCIATE BOARD Kelly Waltrip, Chair Marilyn Brock Heather Church Nicole Donnelly Chelsea Eversmann Mike Fredregill Caiti Glasgo Bridget Kennedy McNeil Steve Metcalf Andy Evans William Kowalski Leah Kovach David Kuwayama Samantha Nuechterlein Sarah Parmley Brooke Smith Jackson Stevens Chris Strom Alexandra Tilton Kip Wallen Rosie Williamson Rachel Yeates
EX OFFICIO TRUSTEES Brett Mitchell Sara Moore Kelly Waltrip Ginger White
EMERITUS TRUSTEES William K. Coors John Low W. Gerald Rainer Lee Yeingst
TICKETS BUY AUTHENTIC! Are you buying your tickets via: ■ ■ ■ ■
coloradosymphony.org the Colorado Symphony Mobile app box office, in person at Boettcher Concert Hall phone at 303.623.7876
Get the best deal and support your symphony! Learn more at coloradosymphony.org/Visit/FAQs
COLORADOSYMPHONY.ORG
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STA F F LEADERSHIP TEAM Jerome H. Kern John Burtness Susan Ellis Coreen Miller Parker Owens Anthony Pierce
Chief Executive Officer Chief Advancement Officer Chief Administrative Officer Chief Operating Officer, Chief Financial Officer Chief Marketing Officer Chief Artistic Officer
ARTISTIC Anthony Pierce Brett Mitchell Andrew Litton Duain Wolfe Christopher Dragon Andres Lopera Dave Aeling Travis Branam Larry Brezicka Mary Louise Burke Aric Christensen Joanne Goble Jonathan Groszew Deborah Guess Philip Hiester Eric Israelson Sam Jaehnig Matt Koveal Taylor Martin Mike Pappas Barbara Porter Emily Scott Phillip Strom
Chief Artistic Officer Music Director Principal Guest Conductor Chorus Director, Colorado Symphony Chorus Associate Conductor Assistant Conductor Production Stage Manager Assistant Conductor, Colorado Symphony Chorus Orchestra Personnel Manager Associate Conductor, Colorado Symphony Chorus Audio Engineer Principal Orchestra Librarian Assistant Orchestra Personnel Manager / Assistant Librarian Properties Master Master Electrician Chorus Manager Head Carpenter Manager of Artistic Operations Assistant Conductor, Colorado Symphony Chorus New Media Center Assistant Chorus Manager Director of Artistic Administration Artistic Coordinator
ADVANCEMENT John Burtness Sean Baker Kate Bentley Caiti Glasgo Emily Spirk Doug Yost
Chief Advancement Officer Senior Manager of Corporate Partnerships Senior Manager of Individual Giving & Brett Mitchell Society Manager of Annual Giving Advancement Coordinator Advancement Services Manager
EDUCATION Catherine Beeson Shari Myers
Director of Community Education Programs Education Coordinator
MARKETING & COMMUNICATIONS Parker Owens Stephanie Derybowski Nick Dobreff
Chief Marketing Officer Applications Support Manger Manager of Publicity and Community Relations
SALES & PATRON SERVICES Susan Kelly Amanda Cantu Molly Epstein Rosa Gasdia Kelsey Holmes Theresa Illich Alexis Kittner Paxton Lee Ian MacIntyre Sol Ramos Jonathan Seid Rosa Torres Rob Warner
Director of Sales & Patron Services Asst. Manager of Patron Services Group Sales Associate Patron Services Associate Patron Services Associate Patron Services Associate Lead Patron Services Associate Patron Services Associate Manager of Patron Services Patron Services Associate Patron Services Associate Patron Services Associate Lead Patron Services Associate & Concierge
THE SYMPHONY FUND Stephen M. Brett Norman L. Wilson Susan K. Ellis Jerome H. Kern Gregg O. Kvistad Karen H. Long Suzanne Ryan
President Treasurer Secretary
COLORADO SYMPHONY GUILD OFFICERS Sara Moore Patty Goward Donna Connolly Janet Weisheit Mary Neidig Rose Blaschke Susan Thomas Sue Pawlik Sara Moore Rose Blaschke Kathy Swanson Monica Owen
President Recording Secretary Treasurer Assistant Treasurer VP of Fundraising VP of Membership VP of Information Management VP of Music Education Corresponding Secretary Immediate Past President Manager CSG Shop CSG Shop Buyer
BOETTCHER CONCERT HALL Denver Performing Arts Complex 1000 14th Street, No. 15 Denver, CO 80202 303.292.5566 :: tickets@coloradosymphony.org
TICKETS FINANCE
303.623.7876 :: coloradosymphony.org
Coreen Miller Chief Financial Officer Ben Boone Senior Finance Manager Annette Brown Staff Accountant Amber Sena Staff Accountant, Payroll & Benefits Manager
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COMING SOON! J A N U A R Y
Video Games Live™ Returns!
Mozart Happy Hour
SP E C IAL
JAN 26 FRI 6:30 Christopher Dragon, conductor Christina Naughton, piano Michelle Naughton, piano
Carnival of the Animals Beethoven’s “Emperor” Concerto No. 5
Ravel’s Daphnis et Chloé
C L ASSIC S
FEB 2-4 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Jessica Rivera, soprano Colorado Symphony Chorus, Duain Wolfe, director
John Williams: An American Journey
CL A S S I CS
MAR 16-18 FRI-SAT 7:30 ■ SUN 1:00 Andrew Litton, conductor Zhang Zuo, piano
Star Wars: A New Hope – Live In Concert with the Colorado Symphony SP E C IAL
FEB 9-10 FRI-SAT 7:30 Brett Mitchell, conductor Justin Bartels, trumpet Yumi Hwang-Williams, violin Jason Shafer, clarinet
MAR 22 THU 7:00 ■ MAR 24 SAT 2:00 1STBANK CENTER Brett Mitchell, conductor
Tickets: altitudetickets.com
Concert performance includes FULL SCREENING OF THE FEATURE FILM!- These performances will be presented at the 1stBank Center. Presentation licensed by DISNEY CONCERTS in association with 20th Century Fox, Lucasfilm and Warner/ Chappell Music. © 2017 & TM LUCASFILM LTD. ALL RIGHTS RESERVED
Stravinsky’s The Rite of Spring
C L ASSIC S
FEB 16-18 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Kirill Gerstein, piano
John Denver: A Rocky Mountain High S YM P HO N Y P O P S Concert Celebration with the Colorado Symphony MAR 23 FRI 7:30 Andres Lopera, conductor
L I ST E N / H EA R 1 0 2 LIST E N/H E AR
FEB 22 THU 7:30 Christopher Dragon, conductor Austin Fisher, cello
Red Carpet Rewind: Celebration of the Music of the Academy Awards®
FAM I LY
HalfNotes
MAR 11 SUN 1:00 Christopher Dragon, conductor
F E B R U A R Y
Anything But Innocent: The Hard-Core Romantics
S P ECI A L
HalfNotes MAR 9-10 FRI-SAT 7:30 Colorado Symphony Chorus, Mary Louise Burke, associate director
A P R I L
Copland’s Rodeo Conducted by Andrew Litton SYMP H ONY P OP S
CL A S S I CS
APR 6-8 FRI-SAT 7:30 ■ SUN 1:00 Andrew Litton, conductor Alban Gerhardt, cello
L I ST E N / H EA R 1 0 3
FEB 24 SAT 7:30 Christopher Dragon, conductor Devin DeSantis, vocalist Claude Sim, violin
The American Voice
L I S TEN/HEA R
APR 12 THU 7:30 Brett Mitchell, conductor Colorado Symphony Chorus, Duain Wolfe, director
M A R C H
Tchaikovsky’s Piano Concerto No. 1 with Olga Kern
C L ASSIC S
HalfNotes Please join us for family-friendly activities 1 hour
MAR 2-4 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Olga Kern, piano
before the concert.
COLORADOSYMPHONY.ORG
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VOICES AND WINDS
WITH THE COLORADO WIND ENSEMBLE, DAVID KISH, CONDUCTOR featuring works by Anton Bruckner and Daniel Kellogg (world premiere) FEB 23 7:30 Montview Presbyterian Church, Denver
FEB 25 3:00 Bethany Lutheran Church, Cherry Hills Village
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ICKETS.COM
PRESENTATION LICENSED BY DISNEY CONCERTS IN ASSOCIATION WITH 20TH CENTURY FOX LUCASFILM AND WARNER/CHAPPELL MUSIC. © 2017 & TM LUCASFILM LTD. ALL RIGHTS RESERVED
MUSICIAN SPOTL IG H T
NICHOLAS TISHERMAN Last fall, the Colorado Symphony welcomed its newest musician, Nicholas Tisherman, as 2nd/Assistant Principal Oboe. A graduate of the New England Conservatory, Tisherman has also performed with the Los Angeles Philharmonic, the Sarasota Orchestra, and the San Antonio Symphony. In this edition of Soundings, Nicholas shares some insight on his career, moving to Denver, and working with a childhood idol.
What role did your family play in your early musical development? I come from a pretty musical family, comprised primarily of clarinetists including my grandfather, my uncle, his son, and my twin brother. No one in my family ever pushed me into music, but I always had someone to inspire me. So it became very easy to get into the field and start studying seriously early on because I always had those role models.
What factors drew you to oboe instead of the clarinet? When it came time to choose our instruments, the oboe seemed close enough to the clarinet that it felt familiar. My mother played the oboe through college and that’s where the idea started. But I felt like I was forging a different path. Someone told me it was a challenge and I thought, ‘How hard can that be?’ It turned out to be every bit as challenging as they said it would be, but it was worth it.
Do you have any favorite composers or pieces you love to perform? Bach is my favorite composer because his works contain some of the most gorgeous oboe writing. No matter what you’re playing by Bach, it’s going to be something delicious and beautiful. 18
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What are your early impressions of living in Denver? When I was here for my audition, I was so focused that I don’t think I noticed the mountains for three days. Shortly thereafter, I looked up and saw these gorgeous mountains and I fell in love. Seeing the city and the mountains behind it, I just knew I really wanted to live here.
What have you learned in your first few months with the Colorado Symphony? It’s been nothing but learning so far as I figure out how to adapt to the work load, going through so much music so quickly, and keeping my chops up outside of rehearsal. I have to keep my playing at the highest level to be on par with this orchestra as it’s such a fantastic group.
What is an interesting fact that people may not know about you? For my 10th birthday, I received a CD recording of Peter Cooper, Principal Oboist of the Colorado Symphony, playing Oboe concertos. I used to listen to it nonstop, sometimes even falling asleep at night while listening to it. Now I’m here and I get to sit next to Peter every day.
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A MUSICAL FOUNDATION BUILT ON COMMUNITY SUPPORT Through dynamic performances, innovative partnerships, and vibrant community engagement programs, the Colorado Symphony is the region’s preeminent symphony orchestra and is integral in positioning Denver as a world-class cultural destination. However, our distinction as the area’s premier ensemble is not possible without the support of the Colorado business community. Enter the Colorado Symphony Corporate Council: a network of Colorado businesses that support the mission and music of the Symphony, ensuring that superb symphonic performances by world-class musicians will continue to enliven and enrich our city. Our Corporate Council members receive a host of exclusive benefits, including marketing recognition, business development and networking events with corporate leaders, and unique client entertainment opportunities tailored to each business. Thanks to the support of the Corporate Council, the Colorado Symphony has an impact far beyond the doors of Boettcher Concert Hall. Each year, the Symphony reaches more than 300,000 people through concert performances and educational programming.
“At Arrow, we guide innovators forward to a better tomorrow,” said Joe Verrengia, the Global Director of Corporate Social Responsibility at Arrow Electronics. “The Colorado Symphony is one of the most innovative orchestras in America, from the Very Young Composers education program to an extensive community performance schedule. At Arrow, we talk about “Five Years Out” as the tangible horizon of technology and where innovation is heading. It’s equally exciting for Arrow to see the new directions in which the Colorado Symphony is heading five years out.” PHOTO: ALLÉE PHOTOGRAPHY
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CO R P O RAT E CO U N CI L
PHOTO: BRANDON MARSHALL
In addition to performing over 80 concerts in Boettcher Concert Hall annually, the Symphony also held performances throughout the region over the last year, including the Salida SteamPlant Event Center, Red Rocks Park & Amphitheatre, the Arvada Center for the Arts and Humanities, Fiddlers Green Amphitheatre, and the Whitney Center for Performing Arts in Wyoming. The Colorado Symphony contributes significantly to the economic well-being of Colorado and is responsible for $18.2 million in economic activity in the region. A partnership with the Colorado Symphony actively supports a vibrant arts culture, which attracts educated, highly skilled professionals vital to the growth of local businesses and corporations in Denver and throughout Colorado. Investments by the Corporate Council in our institution benefit the organization, the Symphony, and the community we call home. “As a firm with a long history in It’s only with the support of the Corporate Council that the Colorado Symphony is able to accomplish its mission of creating extraordinary musical experiences that transport today’s listener, from the best of the past to the edge of the future. Join the Colorado Symphony Corporate Council today and help us build a more dynamic and vibrant Colorado. For more information on the Corporate Council, contact Sean Baker at sbaker@coloradosymphony.org.
Colorado, Sherman & Howard is committed to our clients and the Front Range community,” said Kate Johnson, Member at Sherman & Howard. “We honor the people and places that make Colorado an ideal place to live and work, and we are proud to support the Colorado Symphony for its breathtaking performances and dedication to advancing the arts in our community.”
“Davis Graham & Stubbs is committed to sustaining Denver’s legal, business, civic, and cultural communities, and we are delighted to partner with the Colorado Symphony because of the pivotal role it plays in enriching our city’s arts and culture scene,” said Zachary D. Detra, Partner at Davis Graham & Stubbs LLP.
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Denver 303.399.4564
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CLASSICS • 2017/18 Colorado Symphony 2017/18 Season Presenting Sponsor:
VIVALDI'S THE FOUR SEASONS COLORADO SYMPHONY BRETT MITCHELL, conductor ANGELO XIANG YU, violin Friday's Concert is Gratefully Dedicated to Mr. and Mrs. Anthony Accetta Saturday's Concert is Gratefully Dedicated to Colorado Real Estate Journal Sunday's Concert is Gratefully Dedicated to Mr. Trent and Mrs. Nicole Martinet
Friday, January 19, 2018, at 7:30 p.m. Saturday, January 20, 2018, at 7:30 p.m. Sunday, January 21, 2018, at 1:00 p.m. Boettcher Concert Hall VIVALDI The Four Seasons for Violin and Orchestra, Op. 8 Concerto in E major, “Spring” Allegro Largo Allegro Concerto in G minor, “Summer” Allegro non molto Adagio Presto Concerto in F major, “Autumn” Allegro Adagio molto Allegro Concerto in F minor, “Winter” Allegro non molto Largo Allegro — INTERMISSION — BERLIOZ
Roman Carnival Overture
RESPIGHI The Pines of Rome The Pines of the Villa Borghese The Pines Near a Catacomb The Pines of the Janiculum The Pines of the Appian Way The custom Allen Digital Computer Organ is provided by MurvineMusic, LLC
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PROGRAM 1
CLASSICS BIOGRAPHIES BRETT MITCHELL, conductor Hailed for delivering compelling performances of innovative, eclectic programs, Brett Mitchell was named the fourth Music Director of the Colorado Symphony in September 2016. He served as the orchestra’s Music Director Designate during the 2016-17 season, and began his fouryear appointment in September 2017. Mr. Mitchell concluded his tenure as Associate Conductor of The Cleveland Orchestra in August 2017. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra’s hundredyear history. In this role, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. Mr. Mitchell also served as Music Director of the Cleveland Orchestra Youth Orchestra (COYO) from 2013 to 2017, which he led on a four-city tour of China in June 2015, marking the ensemble’s second international tour and its first to Asia. In addition to his work in Cleveland and Denver, Mr. Mitchell is in consistent demand as a guest conductor. Recent and upcoming guest engagements include his debuts at the Grant Park Music Festival in downtown Chicago, with the New Zealand Symphony Orchestra in Auckland and Wellington, and the San Antonio Symphony, as well as appearances with the Dallas, Detroit, Houston, Indianapolis, Milwaukee, National, and Oregon symphonies, The Cleveland Orchestra, the Rochester Philharmonic, and the Saint Paul Chamber Orchestra, among others. He has collaborated with such soloists as Yo-Yo Ma, Renée Fleming, Rudolf Buchbinder, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony, to which he frequently returns as a guest conductor. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. In 2015, Mr. Mitchell completed a highly successful five-year appointment as Music Director of the Saginaw Bay Symphony Orchestra, where an increased focus on locally relevant programming and community collaborations resulted in record attendance throughout his tenure. As an opera conductor, Mr. Mitchell has served as music director of nearly a dozen productions, principally at his former post as Music Director of the Moores Opera Center in Houston, where he led eight productions from 2010 to 2013. His repertoire spans the core works of Mozart (The Marriage of Figaro and The Magic Flute), Verdi (Rigoletto and Falstaff), and Stravinsky (The Rake’s Progress) to contemporary works by Adamo (Little Women), Aldridge (Elmer Gantry), Catán (Il Postino and Salsipuedes), and Hagen (Amelia). As a ballet conductor, Mr. Mitchell most recently led a production of The Nutcracker with the Pennsylvania Ballet in collaboration with The Cleveland Orchestra during the 2016-17 season.
PROGRAM 2
C O L O R A D O SY M P H O N Y.O R G
CLASSICS BIOGRAPHIES In addition to his work with professional orchestras, Mr. Mitchell is also well known for his affinity for working with and mentoring young musicians aspiring to be professional orchestral players. His work with COYO during his Cleveland Orchestra tenure was highly praised, and he is regularly invited to work with the highly talented musicians at the Cleveland Institute of Music and the orchestras at this country’s high level training programs, such as the National Repertory Orchestra, Texas Music Festival, and Sarasota Music Festival. Born in Seattle in 1979, Mr. Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University, which selected him in as its Young Alumnus of the Year in 2014. He also studied at the National Conducting Institute, and was selected by Kurt Masur as a recipient of the inaugural American Friends of the Mendelssohn Foundation Scholarship. Mr. Mitchell was also one of five recipients of the League of American Orchestras’ American Conducting Fellowship from 2007 to 2010. brettmitchellconductor.com
ANGELO XIANG YU, violin Winner of the prestigious Yehudi Menuhin International Violin Competition in 2010, Angelo Xiang Yu is regarded as one of today’s most talented and creative young violinists. His astonishing technique and exceptional musical maturity have won him consistent critical acclaim and enthusiastic audience response worldwide for his solo, orchestral, and chamber music performances. In March 2017 he was chosen to participate in the prestigious Chamber Music Society of Lincoln Center’s CMS Two program, beginning with the 18/19 season. In North America, Angelo Xiang Yu’s recent and upcoming engagements include appearances with the orchestras in Pittsburgh, Toronto, Vancouver, and Houston, as well as with the North Carolina, Charlotte, Rhode Island, Puerto Rico, Tucson, Elgin, and Lake Forest symphonies. Mr. Yu has appeared in recital in Berlin, Paris, Beijing, Singapore, Shanghai, Auckland, Chicago, and Boston. He has participated as a chamber musician in the world’s leading summer music festivals including the Verbier Festival in Switzerland and the Bergen Festival in Norway and attended the Kronberg Academy in Germany and the Perlman Music Program in New York. Born in Inner Mongolia China, Angelo Xiang Yu moved to Shanghai at the age of 11 and received his early training from Qing Zheng at the Shanghai Conservatory. Mr. Yu earned his Bachelor’s and Master’s degrees at the New England Conservatory of Music where he was the recipient of the Irene M. Stare Presidential Scholarship in Violin. He was a student of Donald Weilerstein, Miriam Fried, and Kim Kashkashian. Mr. Yu resides in Boston and performs on a 1729 Stradivarius violin generously on loan from an anonymous donor. Please visit Angelo Xiang Yu’s website at www.angeloviolin.com
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PROGRAM 3
CLASSICS PROGRAM NOTES ANTONIO VIVALDI (1678-1741): The Four Seasons for Violin and Orchestra, Op. 8, Nos. 1-4 Antonio Vivaldi was born March 4, 1678 in Venice and died July 28, 1741 in Vienna. The Four Seasons was composed around 1720. The score calls for strings and continuo. Duration is about 40 minutes. Scott Yoo was the soloist and conductor for the last performance of The Four Seasons on May 9-11, 2008. The Gazette d’Amsterdam of December 14, 1725 announced the issuance by the local publisher Michele Carlo Le Cène of a collection of twelve concertos for solo violin and orchestra by Antonio Vivaldi — Il Cimento dell’Armonia e dell’Inventione, or “The Contest between Harmony and Invention,” Op. 8. The works were printed with a flowery dedication typical of the time to the Bohemian Count Wenzel von Morzin, a distant cousin of Haydn’s patron before he came into the employ of the Esterházy family in 1761. On the title page, Vivaldi described himself as the “maestro in Italy” to the Count, though there is no record of his having held a formal position with him. Vivaldi probably met Morzin when he worked in Mantua from 1718 to 1720 for the Habsburg governor of that city, Prince Philipp of Hessen-Darmstadt, and apparently provided the Bohemian Count with an occasional composition on demand. (A bassoon concerto, RV 496, is headed with Morzin’s name.) Vivaldi claimed that Morzin had been enjoying the concertos of the 1725 Op. 8 set “for some years,” implying earlier composition dates and a certain circulation of this music in manuscript copies, and hoped that their appearance in print would please his patron. The first four concertos, those depicting the seasons of the year, seem to have especially excited Morzin’s admiration, so Vivaldi made specific the programmatic implications of the works by heading each of them with an anonymous sonnet, perhaps of his own devising, and then repeating the appropriate verses above the exact measures in the score which they had inspired. The Four Seasons pleased not only Count Morzin, but quickly became one of Vivaldi’s most popular works. A pirated edition appeared in Paris within weeks of the Amsterdam publication, and by 1728, the concertos had become regular items on the programs of the Concert Spirituel in Paris. The Spring Concerto was adapted in 1755 as an unaccompanied flute solo by Jean Jacques Rousseau, the philosopher and dilettante composer who was attracted by the work’s musical portrayal of Nature, and as a motet (!) by Michel Corrette to the text “Laudate Dominum de coelis” in 1765. Today, The Four Seasons remains Vivaldi’s best-known work, and one of the most beloved compositions in the orchestral repertory. Of Vivaldi’s more than 400 concertos, only 28 have titles, many of them referring to the performer who first played the work or to the occasion for which it was written. Of the few composition titles with true programmatic significance, seven are found in the Op. 8 collection: The Four Seasons plus La Tempesta di Mare (“The Storm at Sea”), La Caccia (“The Hunt”) and Il Piacere (“Pleasure”). Concerning the title of the Op. 8 set — “The Contest between Harmony and Invention” — Amelia Haygood wrote, “ ‘Harmony’ represents the formal structure of the compositions; ‘invention’ the unhampered flow of the composer’s creative imagination; and the ‘contest’ implies a dynamic balance between the two, which allows neither ‘harmony’ nor ‘invention’ to gain the upper hand. The perfect balance which results offers a richness in both areas: the outpouring of melody, the variety of instrumental color, the vivid musical imagery are all to be found within a formal framework which is elegant and solid.” Though specifically programmatic (Lawrence Gilman went so far as to call The Four Seasons
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CLASSICS PROGRAM NOTES “symphonic poems” and harbingers of Romanticism), the fast, outer movements of these works use the ritornello form usually found in Baroque concertos. The opening ritornello theme (Italian for “return”), depicting the general emotional mood of each fast movement, recurs to separate its various descriptive episodes, so that the music fulfills both the demands of creating a logical, abstract form and evoking vivid images from Nature. The slow, middle movements are lyrical, almost aria-like, in style. Though Vivaldi frequently utilized in these pieces the standard concertino, or solo group, of two violins and cello found in the 18th-century concerto grosso, The Four Seasons is truly a work for solo violin and orchestra, and much of the music’s charm comes from the contrasting and interweaving of the soloist, concertino and accompanying orchestra. Of these evergreen concertos, Marc Pincherle, in his classic biography of Vivaldi, wrote, “Their breadth, their clearness of conception, the obvious pleasure with which the composer wrought them, the favorable reception which has been theirs from the first, their reverberations since then — all these unite to make them one of the masterpieces of the descriptive repertory.” For the publication of The Four Seasons in 1725, Vivaldi prefaced each of the concertos with an explanatory sonnet. These poems are given below with a note describing the music relating to the particular verses:
Spring, Op. 8, No. 1 (R. 269) The spring has come, joyfully (the vivacious opening section for full orchestra — the “ritornello” — that returns between episodes and at the end of the movement) The birds welcome it with merry song (trills and shakes, violins) And the streams, in the gentle breezes, flow forth with sweet murmurs. (undulating violin phrases) Now the sky is draped in black, Thunder and lightning announce a storm. (tremolos and fast scales) When the storm has passed, the little birds Return to their harmonious songs. (gently rising phrases and long trills in the violins) And in the lovely meadow full of flowers, To the gentle rustling of leaves and branches, The goatherd sleeps, his faithful dog at his side. (Movement II) To the rustic bagpipe’s merry sound, Nymphs and shepherds dance under the lovely sky When spring appears in all its brilliance. (Movement III)
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CLASSICS PROGRAM NOTES Summer, Op. 8, No. 2 (R. 315) In the heat of the blazing summer sun, Man and beast languish; the pine tree is scorched. (the enervated “ritornello”) The cuckoo raises his voice (wide, fast leaps in the solo violin) Soon the turtledove and goldfinch join in the song. (A solo violin episode with leaps and trills) A gentle breeze blows (quick triplets, violins) But then the north wind battles with its neighbor (rushing scales, full orchestra) And the shepherd weeps (expressive, chromatic theme for solo violin and continuo) As above him the dreaded storm gathers, controlling his fate. (forceful scales and figurations in the full orchestra) His weary limbs are roused from rest By his fear of the lightning and fierce thunder And by the angry swarms of flies and hornets. (Movement II, alternating bittersweet plaints from the solo violin with quick, repeated note interjections by the full orchestra) Alas, his fears are borne out Thunder and lightning dominate the sky Bending down the tops of trees and flattening the grain. (the tempestuous third movement)
Autumn, Op. 8, No. 3 (R. 293) The peasants celebrate with dance and song The joy of a fine harvest (the merry opening “ritornello”) And filled with Bacchus’ liquor (inebriated arpeggios, scales, trills and figurations from the solo violin alternating with the “ritornello” theme) He ends his fun in sleep. (progressively slower notes in the solo violin until the music stops completely before ending with the “ritornello” theme)
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CLASSICS PROGRAM NOTES Everyone is made to leave off dancing and singing The air is gentle and pleasing And the season invites everyone To enjoy a delightful sleep. (Movement II) At dawn the hunters set out With horns, guns and dogs. (the bounding main theme) The hunted animal flees, the hunters follow its tracks (arpeggiated triplets in the solo violin) Terrified and exhausted by the great noise Of guns and dogs. (violent, shaking figures in the orchestra) Wounded, it tries feebly to escape, But is caught and dies. (flashing scales by the soloist cut short by the violent interjections of the orchestra)
Winter, Op. 8, No. 4 (R. 297) Freezing and shivering in the icy darkness (the chordal, almost motionless main theme) In the severe gusts of a terrible wind (rushing scales and chords in the solo violin) Running and stamping one’s feet constantly (a brief, repeated note motive alternating with a leaping figure) So chilled that one’s teeth chatter. (tremolo) Spending quiet and happy days by the fire While outside the rain pours everywhere. (Movement II) Walking on the ice with slow steps (the plaintive main theme, solo violin) Walking carefully for fear of falling (slow, steady chords in the orchestra) Then stepping out boldly, and falling down. (quick scales and then several brief descending flourishes) Going out once again onto the ice, and running boldly (steady motion up and down the scale in the solo violin)
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CLASSICS PROGRAM NOTES Until the ice cracks and breaks, (snapping, separated figures) Hearing, as they burst forth from their iron gates, the Scirocco, (a smooth melody in close-interval harmony) The North Wind, and all the winds battling. This is winter, but such joy it brings. (rushing figurations close the work)
HECTOR BERLIOZ (1803-1869): Roman Carnival Overture, Op. 9 Hector Berlioz was born December 11, 1803 in La Côte-Saint-André, France and died March 8, 1869 in Paris. The Roman Carnival Overture was composed in 1843 on themes from the 1838 opera Benvenuto Cellini. Berlioz conducted the first performance at the Salle Herz in Paris on February 3, 1844. The score calls for piccolo, two flutes, two oboes, English horn, two clarinets, four bassoons, four horns, two cornets, two trumpets, three trombones, timpani, cymbals, percussion and strings. Duration is about 9 minutes. The last performance took place on January 6 & 7, 2012, with Larry Rachleff conducting the orchestra. Around 1830, when Beethoven’s orchestral works were first being heard in Paris, Berlioz wrote a critical appreciation titled Beethoven’s Nine Symphonies and Fidelio — his only opera, and its overtures. Beethoven, of course, composed four separate overtures to Fidelio, three of which are known under the title of Leonore. Perhaps with Beethoven’s example in mind, Berlioz in 1843 returned to his 1838 opera, Benvenuto Cellini, and wrote for it a second overture. The failure of Benvenuto Cellini at its premiere had been nearly complete. Except for the original overture to the opera, everything else, Berlioz reported, “was hissed with admirable energy and unanimity.” Five years later, he mined the opera for thematic material for a new overture that he could use either as an independent concert work or as the introduction to the second act of Benvenuto. With the flavor of the opera’s setting and his own Italian travels as guides, he named it Roman Carnival. The Overture had a resounding success at its concert premiere in Paris on February 3, 1844, and it was encored. It immediately joined the Symphonie Fantastique as the most popular of Berlioz’s music, and it was one of the works he programmed most frequently on the concerts he conducted. The Roman Carnival Overture borrows two melodies from Benvenuto Cellini. The slow theme, presented by the solo English horn, is based on Benvenuto’s aria O Teresa, vous que j’aime (“O Teresa, whom I adore”). This melody was originally composed for the cantata La Mort de Cléopatre, Berlioz’s unsuccessful attempt to win the Prix de Rome in 1829. About the Overture’s other theme, a bubbling saltarello reminiscent of the folk dances he had heard in Rome, the composer had a whole tale to tell in his Memoirs:
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CLASSICS PROGRAM NOTES “Habeneck [conductor of the opera’s premiere] could not catch the lively pace of the saltarello that is danced and sung in the Piazza Colonna in the second act,” Berlioz wrote. “The dancers, put out by his sluggish tempo, complained to me. I kept urging him on, ‘Faster, faster! Put more life into it!’ Habeneck struck the desk in his annoyance and broke his baton. In the end, after witnessing four or five similar outbursts, I remarked with a coolness that infuriated him, ‘My dear sir, breaking fifty batons won’t prevent your tempo from being twice as slow as it ought to be. This is a saltarello.’ At which Habeneck stopped and, turning round to the orchestra, said, ‘Since I am unfortunately unable to satisfy M. Berlioz, we will leave it at that for today. You may go, gentlemen.’ And there the rehearsal ended. “A few years later, when I wrote the Roman Carnival Overture — the main theme of the Allegro of which is this same saltarello that he could never get right — Habeneck was in the artists’ room at the Salle Herz on the evening of the first performance. He had heard that at the morning rehearsal we had played it through without the wind instruments (the National Guard having relieved me of part of my orchestra), and he had come to witness the catastrophe. One sees his point. Indeed, when I arrived in the orchestra, all the wind players crowded round me, appalled at the thought of giving a public performance of an overture that was completely unknown to them. ‘Don’t worry,’ I said. ‘The parts are correct and you are all excellent players. Watch my stick as often as you can, count your rests carefully, and everything will be all right. “Not a single mistake occurred. I started the Allegro at the right tempo, the whirlwind tempo of the Roman dancers. The audience encored it; we played it again; it went even better the second time. On my return to the artists’ room, I saw Habeneck standing with a slightly crestfallen air, and said casually as I went past, ‘That’s how it goes.’ He did not reply.” The Overture is in two large sections, preceded by an introductory flourish based on the saltarello melody. The theme of the work’s first section is presented by the English horn. As it proceeds and is repeated, this lovely strain is wrapped in Berlioz’s characteristic, glowing orchestral fabric. (Note, for example, the shimmering gloss applied to the sound by the tambourine and triangle.) Following this love song, the strains of the saltarello launch the Overture into a rousing carnival dance. Amid the swirling gaiety of this street festival, the simple strain of the love song from the first section is heard in the rich sonorities of bassoons and trombones. The rollicking exuberance of the saltarello soon resumes to close this musical Mardi Gras with some dazzling rhythmic and harmonic surprises.
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CLASSICS PROGRAM NOTES OTTORINO RESPIGHI (1879-1936): The Pines of Rome Ottorino Respighi was born July 9, 1879 in Bologna and died April 18, 1936 in Rome. The Pines of Rome was composed in 1923-1924 and premiered at the Augusteum in Rome on December 14, 1924, conducted by Bernardino Molinari. The score calls for three flutes (third doubling piccolo), two oboes, English horn, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion, harp, celesta, piano, organ, six off-stage “bucinae” or ancient Roman war trumpets (now played on trumpets and trombones), strings, and a recording of the song of a nightingale. Duration is about 25 minutes. Justin Brown conducted the orchestra when the piece was last performed on January 25-27, 2013. Ottorino Respighi, born on July 9, 1879 into the family of a piano teacher in Bologna, was introduced to music by his father and progressed so rapidly that he began his professional training in violin, piano and composition at age thirteen at the city’s respected Liceo Musicale; his principal teacher was the school’s director, Giuseppe Martucci, then Italy’s leading composer of orchestral music. Respighi was granted a leave from the Liceo in 1900 to play as a violist with the orchestra of the St. Petersburg Opera, and he took advantage of his time in Russia to arrange what he called “a few, but for me very important” lessons with Nikolai Rimsky-Korsakov, whose brilliant orchestral technique would prove to be a lasting influence. Respighi returned to Bologna the following year to complete his degree and then went to Berlin to study violin and composition with Max Bruch. After spending another season in St. Petersburg, he settled in Bologna in 1903, earning his living as a free-lance violinist and receiving his earliest notice as a composer — some of his violin and piano pieces were published in 1904; his first opera, Re Enzo (“King Enzo”), was given a student production at the Liceo in 1905; Rodolfo Ferrari conducted the Notturno on an orchestral concert at the Metropolitan Opera House in New York in 1908 — and becoming active as an editor and arranger of music from the 17th and 18th centuries. Respighi was back in Berlin in 1908, teaching piano at a private school there, befriending such musical luminaries as Busoni, Kreisler, Caruso, Paderewski and Bruno Walter, and promoting his work so effectively that the renowned conductor Arthur Nikisch included his transcription of Monteverdi’s Lamento d’Arianna on a Philharmonic concert. Deeply impressed by a performance of Richard Strauss’ three-year old Salome that he attended in Berlin, Respighi went home to Bologna in 1909 and wrote his own operatic “tragic poem in three acts,” Semirâma, set in ancient Babylon; it was premiered in Bologna in 1910. Performances of the Notturno and excerpts from Semirâma in Rome in 1912 (and frustration at being unable to land a regular teaching appointment at Bologna’s Liceo Musicale) led him to accept a post on the faculty of Rome’s Santa Cecilia Academy in 1913. He found his first great success, and his musical voice, with the opulent tone poem The Fountains of Rome and the first set of Ancient Airs and Dances in 1917. He was appointed director of the Conservatory of the Santa Cecilia Academy in 1923, but found the administrative duties too intrusive on his creative work and resigned from the position three years later, though he did continue teaching privately for several years. Respighi began touring internationally with a visit to Prague in 1921 and he thereafter traveled extensively throughout Europe and North and South America to conduct and occasionally appear as piano soloist in his works; he made four trips to the United States between 1925 and 1932. His burgeoning career began to take a toll on his health, however, and a heart murmur was diagnosed in 1931. Like
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CLASSICS PROGRAM NOTES Gustav Mahler after a similar diagnosis of heart disease, Respighi nevertheless carried on with his demanding schedule and by 1935 he had pretty well worn himself out. He died of a heart attack in Rome on April 18, 1936; he was 56. The Pines of Rome is the second work of Respighi’s trilogy on Roman subjects. The first was The Fountains of Rome of 1916; the last, Roman Festivals, dates from 1928. These compositions depict various aspects of the city through Respighi’s musical impressions. He wrote (in the third person) of his intentions in a note for his performance of The Pines of Rome with the Philadelphia Orchestra: “While in his preceding work, The Fountains of Rome, the composer sought to reproduce by means of tone an impression of nature, in The Pines of Rome he uses nature as a point of departure, in order to recall memories and visions. The centuries-old trees which dominate so characteristically the Roman landscape become testimony for the principal events in Roman life.” Respighi collected material for this work for some time. His wife, Elsa, recalled in the short biography of her husband that he had asked her in 1920 to sing some songs from her days of childhood play in the Villa Borghese. She was wonderfully surprised when they emerged four years later in the first section of The Pines of Rome. Respighi supplied the following synopsis of the four continuous sections of The Pines of Rome as a preface to the score: “1. The Pines of the Villa Borghese. Children are at play in the pine grove of the Villa Borghese, dancing the Italian equivalent of Ring around the Rosy; mimicking marching soldiers and battles; twittering and shrieking like swallows at evening; and they disappear. Suddenly the scene changes to . . . “2. The Pines near a Catacomb. We see the shadows of the pines, which overhang the entrance of a catacomb. From the depths rises a chant which re-echoes solemnly, like a hymn, and is then mysteriously silenced. “3. The Pines of the Janiculum. There is a thrill in the air. The full moon reveals the profile of the pines of Gianicolo’s Hill. A nightingale sings. “4. The Pines of the Appian Way. Misty dawn on the Appian Way. The tragic country is guarded by solitary pines. Indistinctly, incessantly, the rhythm of innumerable steps. To the poet’s fantasy appears a vision of past glories; trumpets blare, and the army of the Consul advances brilliantly in the grandeur of a newly risen sun toward the Sacred Way, mounting in triumph the Capitoline Hill.” ©2017 Dr. Richard E. Rodda
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($1,000+)
Anonymous (5) Charles and Joan Albi Ms. Maggie Anderson Sue Anschutz-Rodgers Nancy Ball Richard and Linda Bateman Dr. and Mrs. Henry J. Beckwitt Ms. Barbara Berryman Hannah Kahn and Arthur Best John and Sandy Blue Margaret C. Bozarth Mr. Willard and Mrs. Peg Brown Ms. Patricia Butler Alice Silver and Tom Byrnes Keith and Lindsay Campbell Mr. and Mrs. John B. Chafee Dr. and Mrs. James G. Chandler Cherry Hills Cultural Associates Taesuk Cho-Hwang David and Joan Clark Sheila M. Cleworth Ms. Shirley Hamilton and Ms. G. Brooks Clouser Catherine Cole Community First Foundation John Couzens Mr. and Mrs. Thomas Cox Dr. James W. Craft Anne M. Culver Mike and Bonnie Dalke Mr. Robert and Mrs. Lenore Damrauer Dr. Stephen Dilts Dobbins Foundation Mrs. Mary Donlon Mr. Garrettson Dulin, Jr. Evan D. Ela-Collins Cockrel & Cole, P.C. Ms. Susan Ellis Ms. Lee C. Everding Clark and Martha Ewald Jim and Jo Ferguson Frederick G. Fish Foundation Fran and Mike Fisher Rhiannon Fisher Mrs. Mary Lou Flater Singer F. Foundation Mike Fredregill Mr. and Mrs. John E. Fuller Dr. and Mrs. John H. Gale Mr. and Mrs. John A. Gallagher B.J. and Grace George Dr. Burton and Mrs. Lee Golub Veronica Goodrich
Mr. and Mrs. Ed Greene Renee and Martin Gross Hugh and Nancy Grove Ms. Julia Gwaltney Charles A. & Pat Hadley Ms. Shirley Hamilton and Ms. G. Brooks Clouser Mr. James Hanegan The Havercroft Family Foundation Hayes Family Foundation Mrs. Joan Hazen Mr. Nick Hazen Diane D. Henry Mr. Philip Hiester and Ms. Deborah Reshotko Judith and Jim Hilton Dr. Stephen Hindes Mr. and Mrs. A. B. Hirschfeld Mrs. Eileen Honnen-McDonald Mrs. Isabella W. Horsky Renate and Joseph Hull Mr. Martin Inglis Mrs. Eleanor L. Isbill Mr. and Mrs. Bradley James Mr. and Mrs. Charles H. Jenkins Bradley Joseph Robert W. Karow Ms. Kimberly Keen Mr. Allen Kemp Dr. Peter Kennealey and Dr. Colleen Murphy Mr. and Mrs. Jonathan Kern Dr. Richard and Mrs. Carla Kern Kinder Morgan Foundation Mr. Bryan Kohlenberg Ruth and George Krauss Ms. Gloria S. Kubel Mr. and Mrs. Frank Kugeler Phyllis and James Kurtz-Phelan Mr. Gregg Kvistad Minnie B. Lindsey John and Mary Lohre Mrs. Jeri Loser Mr. Greg and Mrs. Julie Lucas Jean L. Marshall Mr. and Mrs. John S. Martin Justin Mavity Angelica Daneo and Patrick McKinstry Robert Meade Ms. Janet Melson Virginia Messick Jay and Lois Miller Gene and Dee Milstein Mr. Robert R. Montgomery Janet Mordecai Anne and David Necker James Neely Mr. and Mrs. W. Peterson Nelson Mr. and Mrs. Howard Noble Dr. Richard and Mrs. Florence O’Day Ed and Jean Onderko Mr. David Parce Dan and Susan Paulien
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Ms. Sue Pawlik Perry C. Peine Eric Pirritt Mr. David Porter Al and Ursula Powell Mr. Bennett L. Price Dr. Dean M. Prina Robin Pringle Nijole and Walter Rasmussen Mr. Nick Recuber Mr. Eli Reshotko and Mrs. Adina Reshotko Steven and Joan Ringel Ayliffe and Fred Ris Ms. Margaret Roath Dr. Gregory Robbins Terri and Jay Rolls Sallie and John Ruhnka Jim and Doreen Ryan Dave Schmitz Ruth Schoening Nancy & Robert Schulein Fund Mr. and Mrs. George Shaw Dr. and Mrs. Edwin R. Smith Billie Busby and Sidney Smith Harvey and Maureen Solomon Kelley Staudenmier Philip Stoffel and Tricia Hughey Dr. Darwin Strickland Marcia D. Strickland Lou and Katherine Svoboda Mr. Lloyd Sweet Mr. and Mrs. Douglas Tashiro Tipton Family Foundation David Tourtelot and Nikki Headlee Kyle and Bev Turner Mr. Tim and Mrs. Lisa Walsh Mr. and Mrs. Douglas Ward Peter Weiser Mr. and Mrs. Tor Westgaard Richard and MaryAnn Woods Henry E. Wurst Family Foundation Dr. Martin Yussman
Symphony Musician
($500+)
Anonymous (6) Rhiannon Adler Fisher DeAnn Anderson Mr. and Mrs. Gary Armstrong Bruce Avery Ms. Nora Baldwin Mr. James D. Balog Corinne Morse and David Beeman Anne and Henry Beer Ms. Mariette Bell Claire Benson Mr. Erik Bernstein Sue and Bix Bicknell Marie and Howard Blaney Ms. Ellen Blatt Jane Bomba Ms. Therese Brady Ms. Emily Brett Mr. Briggs and Ms. Kostyashkina
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C O L O R A D O SY M P H O N Y.O R G
Mr. and Mrs. Joseph Bronesky Ms. Barbara Brown Mr. and Mrs. Wesley A. Brown Sandy and Rogene Buchholz M. Peyton and Suzanne D. Bucy - Bucy Family Fund Mrs. Elizabeth S. Budd Robert and Linda Bushman Mr. and Mrs. Ronald Butz Cadre General Contractors Inc. Rusty and Ellen Campos Douglas and Constance Cain Christina Carlson Ms. Barbara Carpenter Richard Caudel Caulkins Family Foundation Ms. Martha Chamberlin Daniel Chapman Dr. Kevin M. Christ Dr. David and Mrs. Delores Claassen Ms. Sherri Colgan Mr. Scott Coors and Dr. David Hurt Frances S. Corsello Ray and Kathleen Cravy Mr. Lee Cryer Anne M. Culver Hille L. Dais Suzanne Dakin Ms. Ruth Dalrymple Chris D’ambrosia Mrs. Sue Damour The Dowling Foundation Mr. and Mrs. Robert L. Drew Louise and Robert Dudley Dr. and Mrs. Michael P. Earnest Max and Carol Ehrlich Mr. Edward and Mrs. Judith Elgethun Lucy and Dan Ellerhorst Mr. Don Elliott Barbara Neal and Edward E. Ellis Mr. and Mrs. James W. Espy Courtney Ferer Dr. and Mrs. Richard Fieman Ms. Gail Fisher Mr. and Mrs. Gregg Flannery David and Debra Flitter Dr. Lauren Fraser and Ms. Rebecca Coughlin Frederick G. Fish Foundation Joann Freedman Ms. JoAnne Friedman Deborah S. Froeb Virginia E. & Robert K. Fuller Todd Gander and Terry Hsu-Gander Wes Ganter Marshall and Jenifer Gile Michael Gill The Gilman Family Foundation Mr. and Mrs. Jim Golanty Tamara Golden and Tim Worrall Mr. Barry J. Goldstein and Mrs. Thorey Goldstein Mr. and Mrs. James B. Grange Ms. Andrea J. Grant Mr. and Mrs. Gerald M. Greenberg Mr. and Mrs. Peter Griffiths
CO M M U N I T Y SU P P O RT
Mr. David Hackl Donald Hagengruber Mr. and Mrs. Alvin W. Haggerty Charles and Linda Hamlin Mr. and Mrs. Homer Hancock Ms. Linda Harger Mr. and Mrs. George Hearne Owen and Deborah Herman Betsy Herrick and Milt Kahn Mr. and Mrs. J.B. Hewetson Mr. and Mrs. James Hidahl Ms. Susan A. Hill Chad Hollingsworth Ms. Sally Hopper Andrew Hornbrook Michael E. Huotari and Jill R. Stewart Mr. and Mrs. Robert Hucks, Jr. Amanda Hutchison Robert and Betty Huzjak Mr. Jon Isenhart The Janet Melson Charitable Gift Fund Mrs. Jill Johnke Mr. Eric E. Johnson Mrs. Kathleen Johnson and Mr. Stephen Vierling Marvin and Carole Johnson Mr. Douglas C. Jones Dr. and Mrs. Everette G. Jones Kathy and Arthur Judd Lina Kelso Heidi and Randy Keogh Ms. Judy H. Kessenich
Mr. Michael Biere Oza and Milan Klanjsek Mel and Roberta Klein Mr. and Mrs. Stanley W. Kleinsteiber Mr. Kurt Koptish Mr. Richard Koseff Mr. William L. Kowalski Jr Eric Krein John W. Kure and Cheryl L. Solich Nancy Lambertson Mr. Richard Leather David C. Leger Deanna Rose Leino Frank and Ginny Leitz Mr. Owen Levine Judy and Dan Lichtin Ms. Marianne Lizza Ms. Johanna Llewellyn Mr. and Mrs. Harold Logan Paul V. LoNigro Patty Lorie Ms. Marian Lyons Mrs. Jean Macferran John Mamuscia Marian P. Gelfand Fund Mr. and Mrs. Jim Marlow Bruce W. Martin Mr. and Mrs. Gerard Martins
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Mr. and Mrs. Amos C. Mathews William Mathews Myron McClellan and Lawrence Phillips Dr. Jerrald McCollum Jay and Carol McCormick Ms. Tracey McCullough Michael E. McGoldrick Karen M. McGrath Carla E. McKennett Mrs. Bridget McNeil Ms. Carla McWilliams Mr. and Mrs. Harold ‘Bud’ Meadows Mr. Steve Metcalf Paul and Barb Moe Cheryl L. Moody Ms. Emily Morgan Ron, Hester, Fred and Estelle Nadal Mrs. Cynthia F. Nagel Ms. Marcia G. Naiman Newberry Family Fund Mrs. Kristen Nordenholz Mr. Robert and Mrs. Ilsa Nordenholz Ms. Sheila O’Brien Larry O’Donnell and Kermit Cain Ray O’Loughlin and Jamie Henderson Dr. Priscilla Zynda-Otsuki and Mr. Steve Otsuki Mary and Art Otten Mr. Gregory A. Parsons Carl Patterson David and Doris Pearlman Mr. and Mrs. George C. Pickering Mr. Cason and Rachel Pierce Ed Post Katy Powers Mr. and Mrs. H.W. Praetorius Ms. Julie Prange John Puckett Ms. Melinda Quiat Mr. and Mrs. Ted E. Rains Mr. Kameron Ray Mr. Nick Recuber Ms. Haley C. Reidy Nancy and Gene Richards Brandon Ridenour Richard Right Hannelore Rimlinger Matt Rippee Eleanor Roberts Mr. Bernie Rogoff and Ms. Jean Greenberg Anthony C. and Patricia J. Romeo Sig and Lucille Rosefeld Ms. Carol L. Rust Mr. and Mrs. Clayton Sandt Mr. Clayton Saylor Mr. Loren Schillinger Ms. Mary Ann Schultz Patrick Scully Mr. David Seeland Dr. and Mrs. David Shander Jo Shannon Dr. and Mrs. Arnold Silverman Ms. Janice Sinden Mr. and Mrs. William H. Speaker
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C O L O R A D O SY M P H O N Y.O R G
Hanspeter Spuhler Myron and Marcia Stein Julie and John Strain Mr. and Mrs. Michael Strear Helena and Allan Striker Ryan Sullivan Carol and Cedric Tarr Judy and Rob Tate Brandon Thall Mr. Frank Thomson Jennifer Thurman Skip Thurman Mr. and Mrs. Carl J. Tillery Mr. and Mrs. Lloyd Timblin Ms. Sheila Trader Dona Verschelden Ed and Patty Wahtera John and Kristine Wallack Mr. and Mrs. Douglas Ward Ms. Hanna Warren Walter and Susanna Weart Mr. Jim and Mrs. Janice White Jordan Wight Mr. Dieter and Mrs. Marianne Wons Dr. & Mrs. Roy R. Wright Dick and Lorie Young Marsha F. Young Mr. and Mrs. Ken Ziebarth R.A. Zimmerman Joan Zisler Susan Zohn
MATCHING DONATIONS Thank you to those companies who match current and retired employee contributions to the Colorado Symphony and to our donors who apply for these matching gifts. Please check with your Human Resources Department to see if your contribution can double through the generosity of your company. To contact the Advancement Department directly, please call Sean Baker at 303.534.0757.
WOMEN OF NOTE DONOR LIST The following are members of the Colorado Symphony’s Women of Note (WON). WON members receive exclusive benefits and event invitations throughout the season. The Colorado Symphony is grateful for the support of these dedicated individuals. Anonymous Marin Alsop Nancy Accetta Addie Barkley Paula Bernstein Catherine Bess Terry Biddinger Libby Bortz Erna Butler Taesuk Cho-Hwang
Founding Member
Founding Member Founding Member Founding Member
Kirsten Collins Donna Connolly Anne Culver Courtney Ferer Kathie Finger Mary Lou Flater Deborah Gaensbauer Monica Glickman Diane Hill Elizabeth Holtze Eileen Honnen-McDonald Montjoy Kugeler Sandy Lasky Ann Levy Nira Lipner Carolyn Longmire Jeri Loser Merry Low Janet Mordecai Karin Mote Chris Murata Carol Murphy Elizabeth B. Neva Jane Nielsen Shelia O’Brien Ursula Powell Margaret Roath Mary Rossick Kern Suzanne Barber Ryan Suzanne Satter Elizabeth Schlosser
CO M M U N I T Y SU P P O RT Alice Silver Phoebe Smedley Kathy Sphuler Vicki Sterling Janyce Wald Rivka Weisberg Judy Wigod Founding Member
BRETT MITCHELL SOCIETY
Founding Member
The following are members of the prestigious Brett Mitchell Society (BMS). BMS members are highly engaged patrons and donors who share the Colorado Symphony’s passion for artistic excellence and innovation and who support the Symphony through their subscriptions and annual donations. The Colorado Symphony is grateful for the continued support of these individuals.
Founding Member
Anonymous Mr. and Mrs. Anthony Accetta Michael Altenberg and Libby Bortz Margaret and Larry Ballonoff Addie and Bob Barkley Ken and Zoe Barley Fackler Legacy Gift Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson
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303.428.9529 sales@pub-house.com ColoradoArtsPubs.com SOUNDINGS
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J. Fern Black Ed and Laurie Bock Roger and Susan Bowles Barbara Bridges Dale and Marguerite Bussman Dr. Bonnie W. Camp Jim and Janice Campbell Mr. Willis Carpenter Ms. Ellie Caulkins Merle C. Chambers Professor Gerald Chapman Mr. Gene Child Young and Carolyn Cho Sylvia Sosin Cohen Tom and NoĂŤl Congdon Donna and Ted Connolly Bill and Nancy Cook Jim and Julie Copenhaver Lou Tate Dafoe Dr. Stephen Dilts Ted and Margaret Eickhoff Drs. Ellen and Anthony Elias Mr. John F. Estes III Keith and Kathie Finger Mr. Jack Finlaw Fran and Mike Fisher Dr. Everette J. Freeman Mrs. Sally S. Gart Ms. Donna S. Gerich Thomas J. and Shirley C. Gibson Mr. Paul E. Goodspeed and Ms. Mary Poole Robert S. Graham Peter and Rhondda Grant Michael and Frances Gundzik Stephen and Margaret Hagood Dr. and Mrs. Karl Hammermeister Dr. and Mrs. Robert D. Harry Jennifer Heglin Diane S. Hill and Kevin E. Somerville Bill and Donna Hoberecht Mr. and Mrs. Del Hock Elizabeth and Steve Holtze Edeltraud Johnson Donald and Henny Kaufmann Joe and Francine Kelso Mary Rossick Kern and Jerome H. Kern Rob and Kathy Klugman Donna C. Kornfeld Mr. George Kruger Dr. Richard and Mrs. Mary Krugman Mr. and Mrs. Frank Kugeler Donald and Margery Langmuir Steve and Pat Larson Sandy and Evan Lasky Judge and Mrs. John P. Leopold Robert and Patricia Lisensky John and Merry Low Mrs. Bette MacDonald Marjorie MacLachlan Mr. & Mrs. Claude M. Maer, Jr. Evi and Evan Makovsky Dr. Jon Masoudi and Dr. Marsha Tharakan
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Steve and Kathy McConahey Sharon L. Menard Mr. and Mrs. Michael Miller Mrs. Rhea Miller Michael and Sharon Modiz Robert and Carol Murphy Ms. Mary Neidig Drs. Sarah and Harold Nelson Elizabeth and Heather Neva Shelia O'Brien Frank Y. Parce Sue and Edwin Peiker Rosemary and John Priester Myra and Robert Rich Lt. Col. and Mrs. Robert W. Riegel Dr. Susan B. Rifkin Dr. and Mrs. Paul R. Rosen Dr. Joanne Rudoff Dr. and Mrs. Richard J. Sanders Raymond and Suzanne Satter Henry R. Schmoll Mr. Robert E. Schueller Rob and Jane Scofield David and Susan Seitz Ms. Barbara Servis Jon Gamm and Kathleen Sgamma Sam and Marty Sloven Phoebe Anne Smedley William F. Smith and Shirley A. Scott Anonymous Eric Sondermann and Tracy Dunning Ms. Kathy Spuhler Vicki and Harry Sterling Mr. and Mrs. Howard Turetzky Normie and Paul VoillequĂŠ Richard E. Wagner Mr. Larned Waterman, Jr. and Mr. Paul S. Mesard Mr. and Mrs. Seth Weisberg Malcolm and Donna Wheeler Alan and Judy Wigod Dr. Jack Wilson Michael and Sandra Wilson Mr. and Ms. Michael A. Zoellner
SPECIAL PROJECT DONORS The Colorado Symphony constantly seeks new and creative ways to preserve the cultural legacy of symphonic music while actively co-creating its future. By working on new recordings and collaborations, the Colorado Symphony strives to stay relevant for generations to come. Anonymous Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson Colorado Symphony Guild, Inc. Tom and Noel Congdon Mr. and Mrs. Scott Cromie Dr. Everette J. Freeman Mr. Paul E. Goodspeed and Ms. Mary Poole Jennifer Heglin
CO M M U N I T Y SU P P O RT
Mary Rossick Kern and Jerome H. Kern Fred and Connie Platt Mr. Dan Poole Dr. and Mrs. Paul R. Rosen
Chairman’s Society
EDUCATION DONOR LIST Through our Musicurious program, your Colorado Symphony reaches thousands of young people within and well outside the Denver metro area, from months-old through high school and beyond. We always work to extend and increase our outreach and could not possibly do it without your support.
Platinum Chairman’s Society
($50,000+)
Anonymous Dresner Foundation Malone Family Foundation
Gold Chairman’s Society Anonymous The Anschutz Foundation Mrs. Libby Anschutz Arrow Electronics, Inc. Mrs. Sandy N. Elliott
($25,000+)
($10,000+)
Anonymous The AJL Charitable Foundation Ralph L. and Florence R. Burgess Trust The Denver Foundation Kern Family Foundation U.S. Bank Foundation Verizon Wireless Walter S. Rosenberry, III Trust
Silver Conductor’s Circle
($5,000+)
Anonymous Colorado Symphony Guild, Inc. Denver Post Charities, a McCormick Foundation Fund Precourt Foundation Scientific & Cultural Collaborative US Bank Foundation
Conductor’s Circle
($2,000+)
Anonymous Nathan B. & Florence R. Burt Foundation Cherry Hills Cultural Associates Collage Giving Fund ECA Foundation Fine Arts Foundation Katherine McMurray Henry B. Mohr Parker Foundation
How beautiful the sound! Call us to “Hear Better, Love Life More!”
DENVER AUDIOLOGY 90 Madison St, Suite107 Denver, CO 80206
(303) 832-2054 denveraudiology.net
2015
2016
Recognized as one of the top Denver audiology practices SOUNDINGS
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CO MMUN I T Y SUPPO RT
Concertmaster
TEGNA Foundation Ms. Lynne Valencia
Symphony Concertmaster
($1,000+)
Anonymous Keith and Kathie Finger Kinder Morgan Foundation Singer F. Foundation
Symphony Musician
($500+)
Anonymous Nancy Ball Dr. John A. and Mrs. Jane H. Coppola Mr. Billy Harris and Ms. Linda Purcell Betsy Herrick and Milt Kahn Mr. Jon Isenhart Ms. Carla McWilliams Mr. and Mrs. Howard Turetzky R.A. Zimmerman
Principal
BALL SPONSOR LIST The 2017 Colorado Symphony Ball: Rock and Roll Royalty celebrated our musical guest Tracksuit Wedding and raised over $1 million to sustain Symphony programs through table sales, donations, sponsorships, silent and live auctions, and real-time donations supporting our Educational programming including Very Young Composers.
Presenting Sponsor
($75,000+)
Arrow Electronics, Inc.
Virtuoso
($50,000+)
The Anschutz Foundation Liberty Global, Inc. Malone Family Foundation United Airlines Corporate
Maestro
($25,000+)
Anonymous AMG National Trust Bank Linda Shoemaker and Stephen M. Brett Mark Carleton Mr. Edward B. Cordes Sandy Elliott HomeAdvisor IAC Corporation Mary Rossick Kern and Jerome H. Kern Liberty Media Corporation LionTree Advisors, LLC
Encore
($15,000+)
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C O L O R A D O SY M P H O N Y.O R G
($5,000+)
AEG Live AMC Network Baker & Hostetler, LLP Baker Botts, LLP Benefactor/Randall Carter Breakthru Beverage Brownstein Hyatt Farber Schreck Carolyn and Young Cho Alyssa and Scott Clarke Colorado Rockies Baseball Club CU Anschutz Medical Campus CU Foundation DaVita DiBiase Family Fund Jayne Ford and Ken desGarennes Ali Pashel Frankfurt and Will Frankfurt Great Western Bank John and Bridget Grier Dr. Richard and Mary Krugman Sharon Magness Blake and Ernie Blake Dr. Marsha Tharakan and Dr. Jon Masoudi Coreen and Michael Miller MillerCoors Moye White, LLP 9NEWS Gary and Joyce Pashel Republic National Distributing Company Marcia and Richard Robinson Searchlight Capital Tracy Dunning and Eric Sondermann Southern Glazer’s Wine & Spirits Volunteers of America Wachtell, Lipton, Rosen & Katz WilmerHale
Rock Level
Applejack Wine & Spirits Keith and Kathie Finger KPMG, LLP Mr. Trent and Mrs. Nicole Martinet Northern Trust Company Sherman & Howard
($10,000+)
Nancy and Tony Accetta Davis Graham & Stubbs, LLP Delta Dental Plan of Colorado Denver Broncos Football Club University of Denver Discovery Communications Stephanie and Adam Donner Dr. Everette J. Freeman, President, Community College of Denver Diane S. Hill, Ph.D. and Kevin E. Somerville, Ph.D. Libby Anschutz Foundation Dr. Christopher Ott and Jeremy Simons The Publishing House Anna and John J. Sie Foundation
($1,000+)
FirstBank Stephanie and Adam Moore Judy and Alan Wigod
Bach Level Boss Architecture Cadre General Contractors Inc. Julie and Jim Copenhaver Barbara and Ed Greene A. B. Hirschfeld
($500+)
March & May Concerts March 2nd • 7:30pm
Symphony & Young Voices
Featuring Young Voices performing Debussy’s Children’s Corner
May 4th • 7:30pm
Clarinet & More!
Featuring internationally renowned clarinetist Jeremy Reynolds
Lone Tree Arts Center 10075 Commons St. Lone Tree 80124
Purchase Tickets Box Office 720-509-1000 lonetreesymphony.org
A
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Sandy and Evan Lasky Susan and Howard Noble Nijole and Walter Rasmussen Jane and Rob Scofield
Donations AllÊe Photography Sue Anschutz-Rodgers Applejack Wine & Spirits Argonaut Wine & Liquor Bouquets Ceavco Merle C. Chambers Epicurean Jay’s Valet Live Nation Peter Lockley The Publishing House Republic National Distributing Company Barbara Servis Tracksuit Wedding
IN MEMORIAM GIFTS The following gifts were made to the Colorado Symphony in memory of a family member, friend, or supporter of the symphony. These tributes hold an honored place with the Colorado Symphony and we are privileged to recognize them. In memory of David Abosch given by: Roger and Susan Bowles Dick and Sigrid Freese Mr. John and Mrs. Karen Kinzie Mr. Duain Wolfe In memory of Mr. Charles Ansbacher given by: Swanee Hunt Family Foundation In memory of Ms. Nan L. Barnett given by: Ms. Teresa D. Case Eileen P. Hayes Carol Jordan E. Joyce Morgan Charles and Shirley Anne Sheets Janice A. Speer, classmates of Class of 1956 In memory of Terry Biddinger given by: Roger and Susan Bowles In memory of Bessie C. Burghardt given by: Bessie C. Burghardt Charitable Unitrust In memory of Ms. Muriel Cassidy given by: Mr. David Aker In memory of Mr. and Mrs. John H. Caton given by: Catherine Caton Groene In memory of Mingwah Chan given by: Mr. and Mrs. Daniel C. Chan In memory of Blair Chotzinhoff given by: The Denver Foundation Mr. Chet K. Hampson and Ms. Susan Martin Mrs. Nancy Schulein In memory of Dr. William R. Cook given by: Karen Cook
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C O L O R A D O SY M P H O N Y.O R G
In memory of Mr. Richard Culver given by: Marcia D. Strickland Wednesday Music Party In memory of Frances E. given by: Cynthia Schauer In memory of Paul and Ann Emrich given by: Mr. David Emrich In memory of Mr. Gerald Endsley given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Ms. Virginia W. Farber given by: Ms. Penny Berenbaum Christina K. Chavez Ms. Vicki Dansky Mr. Michael Eber Ms. Nikki Reyer Facteau Mr. and Mrs. Kevan Gibson Lynda Goldstein Celeste and Jack Grynberg Mr. and Mrs. A. B. Hirschfeld Brad Kornfeld Mrs. Linda Kornfeld Dan Levin Beth Levy Ms. Patricia Loewi Mr. Robert Loup Ms. Cynthia Lowinger Ms. Julie Malek Margie Margolies Rabbi and Mrs. David Meyer Louann and Micky Miller Recht Kornfeld PC Rose Community Foundation Sharon and Charles Rosen Temple Emanuel Denver In memory of Dr. Joyce S. Freeman given by: Freeman Family Foundation Ms. JoAnne Friedman In memory of Jerry and Joyce Friedman given by: Ms. JoAnne Friedman In memory of Mr. Michael Gaughan given by: Tanya and Bruce Caughey Mr. David W. Durnell Tim and Janet Taggert In memory of Carol and Bill Gossard given by: Mr. and Mrs. Steve Wynkoop In memory of Manny Greenberg given by: Ellie Greenberg and Family The Sylvan Stool Family In memory of Mr. Ken Harper given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Dr. H. Michael Hayes given by: Hayes Family Foundation In memory of Jeannine D. Hiester given by: Phillip C. Hiester In memory of retired musician Fred Hoeppner given by: Dr. and Mrs. Richard Bakemeier Drs. Paula and William Bernstein Roger and Susan Bowles Ed and Colleen Casper Rochelle Cohen Jim and Julie Copenhaver Mr. Edward and Mrs. Judith Elgethun David and Debra Flitter
Dick and Sigrid Freese Mrs. Trisha F. Hood Mike Jalving and Susan Spero Mr. Gary Kleiman and Ms. Elisa Moran Judge and Mrs. John P. Leopold Karen Jo and Brett Levin John and Merry Low Ms. Cynthia R. Mancinelli Mr. and Mrs. James Maurer Paul and Barb Moe His friends and neighbors of Mountain View Elizabeth and Heather Neva Ms. Kathleen Newman F.R. Owen Ms. Mary Ann Rhode Don Ruggles Rob and Jane Scofield Mr. and Ms. Steve Straub Judy Wiese In memory of Mrs. Suzanne Kintzele given by: Ms. Marianne Bolt In memory of Kenneth W. Kohlenberg given by: Mr. Bryan Kohlenberg In memory of David Kulaas given by: Mrs. Jennifer S. Kulaas Pelham G. Pearce In memory of Lea LaParle given by: Ms. Donna S. Gerich
CO M M U N I T Y SU P P O RT In memory of Maurice Larue given by: Scott and Jackie Barnes Denis and Kathy Donnelly Ms. Carol A. Greenwald In memory of Edward Levy given by: Ann Levy Ms. Denison Levy In memory of Marie Lindvall given by: Anonymous In memory of Dr. James List, M.D. given by: Emma L. Dafoe In memory of Stephen Hagen given by: Mr. John A. Coppola Stacie Goldin Louis and Sherry Hannen Susan Holt Mr. Roger Tate In memory of Suzanne Hewitt Lowell given by: Mr. and Mrs. Neil W. Hamilton Mr. Charles Homsy In memory of Thomas L. McClintock given by: Colorado Symphony Guild-Foothills Unit Ms. Nancy L. Graham G.J. and P.A. Graziano James D. and Elizabeth McMahon Mrs. Carol Reeves In memory of Ruthi McEwen given by: Frank Parce
Park Meadows Presents
Sharon Wehner and Yosvani Ramos by Allen Birnbach Futura Light
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CO MMUN I T Y SUPPO RT In memory of Virginia McGehee given by: Sarah C. Hite In memory of their late spouses, Richard McKennett and Sarah Porter given by: Carla McKennett and David Porter In memory of Trieba Clark Meeks given by: Ms. Penny Berenbaum Deanna J. Collins Larry O’Donnell and Kermit Cain Robert Pipkin Nadine C. Racek Revocable Trust In memory of Fred and Florence Mohr given by: Brad Metziner In memory of Maurine Howell Moody given by: Mr. Robert Moody In memory of Charles Lewis Mueldener given by: Challa Patchett In memory of her husband, Ralph S. Paffenbarger, Jr., M.D. given by: Jo Ann Paffenbarger In memory of Robert Peterson given by: Mr. John Peterson In memory of Herman D. Post given by: Dr. Robin D. Post In memory of Dorothy Presta given by: Mr. and Mrs. William Cowan Ms. Mary Neidig P. A. Price In memory of Ralph F. Proctor III given by: Mr. and Mrs. Steven H. Proctor In Memory of Dr. W. Gerald Rainer given by: Mr. and Mrs. Robert and Joan Bell Dr. and Mrs. David Flitter Mr. and Mrs. John Low In memory of Barbara Ridgway given by: Ms. Kathryn Taylor In memory of Erna Rockey given by: Roger and Susan Bowles In memory of Erwin I. Rogoff, “Country before Self” given by: Mr. Bernie Rogoff and Ms. Jean Greenberg In memory of Mr. Harry T. Safstrom given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Michael Schatz given by: Ms. Jo Ellen Cohen In memory of Robert Schulein given by: The Denver Foundation Mrs. Nancy Schulein In memory of Mary Ruth Smith given by: Ms. Anne H. Wheeler In memory of his wife, Tracy Smith given by: Mr. Clyde Eaton Smith In memory of Betty Sonnenberg given by: Sylvia Kreider In memory of Lee and Margaret Tipton given by: Tipton Family Foundation In memory of Barbara Uhrich given by: Mrs. Nancy C. Ives and Mr. M. J. Roddy Joan Manley Houlton
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C O L O R A D O SY M P H O N Y.O R G
In memory of Sue Van Deusen given by: M Cati Flater David P. and Chady L. Hall Ms. Violet Wagener In memory of Guenther Vogt given by: Mr. Charles Anderson Ms. Anne Oberbroeckling In memory of Sam Wagonfeld given by: Dick and Sigrid Freese In memory of Jane Harper Wagner given by: Wall, Smith, Bateman Inc. In memory of Seymour (SY) Wallach given by: Mrs. Merrily Wallach In memory of Mrs. Jean Watt given by: Rob and Jane Scofield In memory of Heinrich Weinberg given by: Dr. Adriana Weinberg In memory of Lisa Gayle Wigod given by: Alan and Judy Wigod In memory of Charleen Wippler given by: Ms. Linda Will In memory of Zelda K. Witkind given by: Mr. Richard Morris In memory of Randy Wren given by: Ms. Ann Cearley In memory of Josephine Zoglo given by: Regina Zoglo
IN HONOR GIFTS The following gifts were made to the Colorado Symphony in honor of a family member, friend, or special occasion. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them. In honor of Silver Ainomäe’s fine artistry given by: Elizabeth and Heather Neva In honor of Libby Anschutz given by: Mr. and Mrs. A. B. Hirschfeld Mr. and Mrs. John Sie In honor of Linda Battan given by: Nancy Battan In honor of Dr. Paula Bernstein given by: Ms. Marian Lyons Ms. Paula Folkman In honor of Marge and Ed Blaine given by: Dr. Judy Blaine In honor of Steve Brett and Linda Shoemaker for their work in our community: Anna and John J. Sie Foundation In honor of Christine and John Brown given by: Mr. Erik Bernstein In honor of Mary Louise Burke given by: Frank Y. Parce In honor of Char Campbell given by: Mr. and Mrs. Bradley James In honor of Christina Carlson given by: Ms. Marjorie H. Adler Carolyn and Ronald Baer Frederick W. Damour Virginia E. & Robert K. Fuller Mr. and Mrs. Harold Logan
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1/2 PRICE ENTREE
Buy any entree, get 2nd of equal or lesser value 1/2 price. Limit 1 coupon per table / not valid at happy hour. Valid at these locations only.
FREE
MARGARITA
Buy 16 oz. House Margarita, get 2nd of equal or lesser value.
Limit 1 coupon per table / not valid at happy hour. Valid at these locations only.
Over 250 Dishes Made Fresh. Every Day. 16th Street Mall, Denver, CO 80202. Located on the first floor. 303-595-0333
Just 3-blocks from the DCPA. Show your event ticket for complimentary valet parking at the Le Méridien hotel with Entrée purchase! Breakfast • Lunch • Dinner • Brunch (Sat + Sun) CorinneRestaurant.com • +1 720 996 1555 1455 California Street | 15th + California
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$1.00 Tilapia Tuesdays 75 cent PBRs during Happy Hour Kids Eat Free on Sundays
Now with 4 locations: 1311 S. Broadway Denver, CO 80210 720-570-5103
2175 Sheridan Edgewater, CO 80214 303-232-2128
5325 E. Colfax Denver, CO 80220 303-333-4551
7401 Ralston Rd. Arvada, CO 80003 303-420-9897
www.gbfishandchips.com
THINK DRINK EAT LOCAL
Show your tickets and receive a free appetizer with your purchase of two entrées. Offer good at both locations!
501 16th Street marlowesdenver.com (303) 595-3700
519 16th Street paramountcafe.com (303) 893-2000
Four Diamonds AAA Four Stars - 5280 magazine Just 3 blocks from the theater complex 909 17th Street at Champa Call 303.296.3525 for reservations
CO MMUN I T Y SUPPO RT In honor of Jeanette Carlson given by: Joseph Goldhammer In honor of Ellie Caulkins given by: Anna and John J. Sie Foundation In honor of Taesuk Cho-Hwang given by: Ms. Ruth Williams In honor of Mary Claire and Jim Brothers given by: Ms. Melinda Quiat In honor of the Colorado Symphony Chorus given by: Jude Blum Ms. Cynthia Lowinger Susan Von Roedern Mr. and Mrs. Kenneth Sladovnik In honor of the Colorado Symphony Guild given by: Billie Busby and Sidney Smith In honor of Susan Ellis given by: Deanna J. Collins In honor of Keith and Kathy Finger given by: Mr. and Mrs. Jonathan F. Zeschin In honor of Brook Ferguson, Principal Flutist given by: Mr. Robert Moody In honor of Monica Glickman given by: Ms. Ruth Schorsch In honor of Frank Gordon given by: Trevor Crandall In honor of Bill and Carol Gossard given by: Anonymous In honor of retired musician, Chet Hampson given by: Susan Martin In honor of Philip C. Hiester, Master Electrician of the CSO given by: Mr. Eli Reshotko and Mrs. Adina Reshotko In honor of Diane S. Hill and Kevin E. Somerville given by: Michael P. Dowling Mr. and Mrs. Seth Weisberg In honor of Roy A. Kent given by: Anonymous In honor of Jerry Kern’s Birthday given by: Nancy Battan Mrs. Terry A. Biddinger Laura Bond Patty and Don Cook Mr. Stephen A. Edmonds Sari and Bob Freedman Mr. Philip Hiester and Ms. Deborah Reshotko Coreen and Michael Miller Ms. Julie B. Rubsam Mr. and Mrs. John Sie Mr. Bruce Wald In honor of Mary Rossick Kern and Jerry Kern given by: Michael and Christine James Ms. Leslie Sexer Myron and Marcia Stein In honor of John and Karen Kinzie given by: Ms. Kathleen Dunnewald In honor of Keith Kirby given by: Ms. Sara Alt In honor of Nona Kolbe’s 100th Birthday given by: Brad Metziner
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C O L O R A D O SY M P H O N Y.O R G
In honor of Carole Leight given by: Mr. Erik Bernstein Ms. Melinda Quiat In honor of Ann Levy’ Birthday given by: Mrs. Sue Damour Rose Community Foundation In honor of Karen Littlefield given by: Mr. and Mrs. Steven H. Proctor In honor of Rebecca Moritzky given by: Barb Moritzky In honor of Frank Parce and Ellie Roberts given by: Mr. David Parce In honor of Jeffrey Pickard, MD given by: The Colorado Health Foundation In honor of Ken Quarles given by: Frank Y. Parce In honor of Dr. W. Gerald Rainer given by: Mr. and Mrs. Robert and Joan Bell Dr. and Mrs. James G. Chandler Dr. and Mrs. David Flitter Mr. and Mrs. John Low Dr. and Mrs. Morris H. Susman In honor of Julie Rubsam given by: Driscoll Foundation Mollie Leone In honor of Dr. and Mrs. Richard Sanders given by: Ms. Ann Gugenheim In honor of the matrimony of Margaret Shugrue and David Hackl given by: Mr. and Mrs. John Couzens In honor of Janice Schultz given by: Ms. Jennifer D. Spaulding In honor of Enid Slack’s Birthday given by: Mr. and Mrs. Dick Freese In honor of Jackson T. Stevens given by: Mrs. Bridget McNeil Mr. Chris Strom In honor of John and Kristine Wallack given by: Richard Falb and Gail Skaggs In honor of Robert Warner given by: Ruth Mosteller In honor of Janet Way’s 90th Birthday given by: Frank Y. Parce In honor of Darlee Whiting given by: Hayes Family Foundation In honor of Alan and Judy Wigod given by: Robert Wigod In honor of our Concertmaster, Yumi Hwang-Williams given by: Michael P. Dowling In honor of Harold Wippler given by: Ms. Linda Will In honor of the people of Western Oncology Hematology given by: Mr. Frank Y. Parce In honor of Duain Wolfe for his outstanding work with the Chorus given by: Mr. Eugene J. Nuccio In honor of Barbara and Jack Zable given by: Diane K. Henderson
RING IN THE NEW YEAR Illustration by Kyle Malone
Illustration by Kyle Malone
WITH A FLURRY OF SHOWS
ZOEY’S
PERFECT WEDDING
JAN 2 – 14
JAN 19 – FEB 25
JAN 26 – FEB 25
FEB 13 – 18
FEB 17 - 18 & 23 - 25
SPACE THEATRE
STAGE THEATRE
Illustration by Kyle Malone
BUELL THEATRE
THE
GREAT LEAP
FEB 2 – MAR 11
BUELL THEATRE
DENVER PERFORMING ARTS COMPLEX
©Disney
RICKETSON THEATRE
APR 7 – 28 BUELL THEATRE
MAY 29 – JUN 10 BUELL THEATRE
DENVERCENTER.ORG OFFICIAL TICKETS: 303.893.4100
BROADWAY SEASON SPONSORS
THEATRE COMPANY SEASON SPONSORS
ADDITIONAL SUPPORT
CO MMUN I T Y SUPPO RT THE HORACE TUREMAN SOCIETY Named for the first conductor of the Denver Civic Orchestra, the Horace Tureman Society honors an exceptional group of people who have pledged future support for the Symphony through an estate gift. The Tureman Society recognizes in perpetuity those making estate gifts through wills, living trusts, annuities, IRAs, retirement plans, charitable trusts, life insurance designations, or other legacy giving vehicles. Anonymous (2) Richard and Susan Abernethy Edgardo and Lisa Belen Mr. and Mrs. David M. Budd Mr. Jim Caputo Mr. Gene Child J. Harold Corp Trust Anne M. Culver Ms. Janice G. Eckhardt William G. Fairfield Ms. Grace L. Freye Ms. Carol K. Gossard Ms. Jennifer Guess Ms. Donna E. Hamilton Mr. James Harold Mr. Johannes Heim Cathey A. Herren Mrs. Janice E. Hesser Ms. Blanche B. Hilf Senta G. Holtzmann Ms. Margaret R. Houston Jane A. Hultin Virginia Ruth Hungerford Mr. and Mrs. Gopal Iyengar Ms. Gloria E. Johnston-McGregor Mrs. Suzanne W. Joshel
This program is produced for the Colorado Symphony by The Publishing House, Westminster, CO. For advertising information, please call (303) 428-9529 or e-mail sales@pub-house.com ColoradoArtsPubs.com Angie Flachman Johnson, Publisher Tod Cavey, Director of Sales Stacey Krull, Production Manager Mark Fessler, Press Manager Sandy Birkey, Graphic Designer Wilbur E. Flachman, President
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C O L O R A D O SY M P H O N Y.O R G
Mr. Geoffrey Kuhn Sandy and Evan Lasky Deanna Rose Leino Frank and Ginny Leitz Ms. Ann C. Levy John and Merry Low Sandey Luciano Evi and Evan Makovsky Mrs. Sue McFarlane Mr. Willis M. McFarlane Mr. James Mead and Ms. Carol Svendsen Steve G. Morton Mr. Thomas Murray Ms. Lori Needler Mr. and Mrs. Ron Neel Judith Nichols Mr. William Oliver Gordon R. and Pam Parker Armeda Plank Barbara J. Powell James Robert Pratt Dr. and Mrs. W. Gerald Rainer Mrs. Lee R. Roberts Mr. Neil F. Roberts Mr. Bruce M. Rockwell Audrey D. and Harvey D. Rothenberg Mr. and Mrs. Robert E. Runice Suzanne Barber Ryan Richard and JoAnne Sanders Rob and Jane Scofield Ms. Floy L. Senior James and Jenene Stookesberry Mr. Richard Thackrey James D. and Judy Vaughn John R. and Kristine E. Wallack Ms. Elizabeth P. Wright The Patricia G. Wunnicke Trust Phyllis J. Young
BOETTCHER CONCERT HALL owned and operated by the City and County of Denver, Division of Arts & Venues City and County of Denver Michael B. Hancock, Mayor Arts & Venues Denver Kent Rice, Executive Director Denver Performing Arts Complex Mark Najarian, Venue Director Jody Grossman, Booking Manager For information please call (720) 865-4220
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