Soundings - Ben Folds: Master Work with the Colorado Symphony by Colorado Symphony

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THE MAGAZINE OF THE COLORADO SYMPHONY Volume 14 â&#x20AC;¢ Number 1

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SOUNDINGS 2016-2017

RISING PHOENIX A Fiery Concerto For Transformative Times Yumi Hwang-Williams recalls the beginning of her collaboration with composer Daniel Kellogg on Rising Phoenix, a concerto for violin and orchestra. page 18

6 Welcome

Colorado Symphony Staff

Stronger Than Ever

Rising Phoenix

Colorado Symphony Musicians

21 Musician Spotlight: Christopher Dragon

12 Colorado Symphony Board of Trustees

Community Support

4 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

WHO ARE YOU AGING WITH?

WELCOME Symphony On The Rise. It feels fantastic to be back at Boettcher Concert Hall doing what we do best: bringing outstanding classical music to the heart of Downtown Denver.

First, bravo to Associate Conductor Christopher Dragon and Assistant Conductor Andres Lopera for their one-year anniversaries with the Colorado Symphony. We’re so glad you’ve joined us in making incredible music. Here’s to another year! And what a year it will be: a Masterworks Co-Chairs, Mary & Jerry with their grandson, repertoire including La Bohème and Bach’s St. Graham and their Havanese, Mikey. Matthew Passion, our rapidly growing Geek Series, and tributes to John Denver and Louis Armstrong promise yet another season of symphonic music for everyone to enjoy. By the time we close the season with Mahler’s Symphony No. 3, this year will have been a triumph of flawless performance driven by our talented musicians and artistic leadership. Speaking of triumphs, we’re glad you’re sitting down, because we’ve saved the best news for last. Just five years ago, the Colorado Symphony was struggling to stay afloat. Today we can proudly announce that we are—for the first time in 27 years—beginning our concert season without a deficit. You could say our quarter-life crisis has passed, and we’re approaching our thirties with clear heads and big plans, as is often the case. This achievement is possible because of the unstoppable dedication of our musicians, board, donors, and staff. It’s the first of many milestones we’ll need to reach as we continue strengthening our financial foundation. But we did it—all of us, together. With so much to celebrate, and so much to look forward to, let’s sit back and enjoy some beautiful music. With gratitude, Jerry Kern and Mary Rossick Kern 6 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

Photo: LOCK + LAND {lock-land.com}

Our 2016/17 concert season is going to be a remarkable one, with many reasons to celebrate.

ExpEriEncE thE rUnWAY

November 12, 2016 | DeNver, Co

eveNts@globalDowNsyNDrome.org | bebeautifulbeyourself.org

SPOTLIGHT Stronger Than Ever, Because of You. Thanks to our donors, the Colorado Symphony is starting the 2016/17 concert season in the best financial shape of our 27-year history. It took years of hard work to get here, and we’re proud of this achievement. Like most non-profits, more than half of our budget (currently 57%) comes from donations. Our financial footing relies on you.

What Happens When You Give to the Colorado Symphony? Your donation ensures that superb symphonic performances by world-class musicians will continue to enliven and enrich our city. With each donation, you’re also supporting... A VIBRANT AND ACTIVE ORCHESTRA • 80 full-time musicians from all over the world • 191 days spent performing 73 concerts in Boettcher Hall FRESH TAKES ON CLASSICAL MUSIC • Collaborations with Ben Folds, DeVotchKa, the Flaming Lips, and more • REMIX concerts and events for Young Professionals • Annual Symphony Ball’s “Battle of the Bands” MORE ACCESSIBLE CONCERTS • 11,000+ students and teachers attended concerts for less than $15! • 5,000+ Community Ticketing Initiative guests attended concerts for free CHILDREN’S MUSIC EDUCATION • 30,000 K-12 students attended Youth Concerts at Boettcher Concert Hall • In-school education programs for grades Pre-K-5 • On-site mentorship with CSO Teaching Artists for grades K-12

Be Instrumental in Making Great Music. Give Today. Our entire staff and orchestra make financial contributions to the Colorado Symphony each year. Join us by making your own contribution at coloradosymphony.org/ Support/Make-a-Donation.

Ways to Give Individual donations, legacy giving, gifts of stock, and event sponsorship are just a few of the ways you can support the Symphony. Contact Director of Development Gerry Heise at gheise@coloradosymphony.org or 303.308.2475 for more information. 8 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

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DANNY TURNER

COLORADO SYMPHONY

ANDREW LITTON

MARIN ALSOP

ARTISTIC ADVISOR

CONDUCTOR LAUREATE

CHRISTOPHER DRAGON

ANDRES LOPERA

ASSISTANT CONDUCTOR

DUAIN WOLFE CHORUS DIRECTOR

ASSOCIATE CONDUCTOR

VIOLIN Yumi Hwang-Williams Concertmaster The Mary Rossick Kern & Jerome H. Kern Concertmaster Chair Claude Sim Associate Concertmaster Yi Zhao

Marsha Holmes Leah Kovach Helen McDermott Kelly Shanafelt Phillip Stevens

Jason Lichtenwalter Monica Hanulik +

TROMBONE John Sipher

ENGLISH HORN Jason Lichtenwalter

Paul Naslund

CELLO Austin Fisher

CLARINET Jason Shafer

Gregory Harper

Judith McIntyre

Abby Raymond

BASS TROMBONE Gregory Harper

Ben Odhner

Susan Rockey Bowles Danielle Guideri Thomas Heinrich Margaret Hoeppner Matthew Switzer Alice Yoo * Susan Yun Silver Ainomäe +

Andrew Stevens

TUBA Stephen Dombrowski

Assistant Concertmaster

Fixed 4th Chair

Paul Primus

Principal Second

Allegra Wermuth

Assistant Principal Second

Alessandra Jennings Flanagan

Fixed 3rd Chair/ Second

Larisa Fesmire Thomas Hanulik Wyn Hart John Hilton Anne-Marie Hoffman Miroslava IvanchenkoBartels Dorian Kincaid Karen Kinzie Mark Lamprey Susan Paik Miroslav Pastusiak Erik Peterson Robert Stoyanov Delcho Tenev Amy Tyson Bradley Watson Tena White Wenting Yuan

Acting Principal Acting Assistant Principal

BASS Nicholas Recuber

Acting Principal

John Arnesen Susan Cahill James Carroll Karl Fenner + Jeremy Kincaid Owen Levine * Steven Metcalf * FLUTE Brook Ferguson

Principal

Catherine Peterson

2nd / Assistant Principal

Julie Duncan Thornton PICCOLO Julie Duncan Thornton

VIOLA Basil Vendryes

OBOE Peter Cooper

Catherine Beeson

Emily Moscoso *

Principal

Assistant Principal

Mary Cowell

Fixed 3rd Chair

Charlyn Campbell

Principal

2nd / Assistant Principal

E-FLAT CLARINET Abby Raymond BASS CLARINET Andrew Stevens BASSOON Chad Cognata

Principal

Tristan Rennie

2nd / Assistant Principal

Principal

2nd/ Associate Principal

Principal

HARP Courtney Hershey Bress

Principal

TIMPANI William Hill

Principal

Steve Hearn

Assistant Principal

Roger Soren

PERCUSSION John Kinzie

CONTRA-BASSOON Roger Soren

Steve Hearn Michael Van Wirt

HORN Michael Thornton

ORCHESTRA LIBRARIAN Joanne Goble

Principal

Carolyn Kunicki Kolio Plachkov

3rd / Associate Principal

Principal

Jonathan Groszew

Assistant

David Brussel Austin Larson

Assistant Principal

TRUMPET Justin Bartels

Principal

Philip Hembree

2nd / Assistant Principal

Patrick Tillery

2nd / Assistant Principal Associate Principal

10 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

* = One year replacement + = On leave

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BOARD OF TRUSTEES OFFICERS Jerome H. Kern, Co-Chair Dr. Mary Rossick Kern, Co-Chair Stephanie Donner, Esq. Treasurer Susan Bowles,* Secretary TRUSTEES Dr. Paula P. Bernstein Susan Cahill* Young Cho Jim Copenhaver Zachary D. Detra, Esq. BJ Dyer Sandy Elliott Jack Finlaw Dr. Everette J. Freeman Dr. Michael G. Gundzik Diane S. Hill, Ph.D. Jessica Hobbs Yumi Hwang Williams* Kathleen Johnson, Esq.

Brooks Kanski John Kinzie* Richard D. Krugman, M.D. Richard Kylberg Austin Larson* P. Evan Lasky Jonathan Masoudi, M.D. Patrick McKinstry, Esq. Joe Neguse, Esq Kolio Plachkov* Nick Recuber* Julie Rubsam Jason Shafer* Eric Sondermann Brandon L. Thall Mike Thornton* * Colorado Symphony Musician Trustee EX-OFFICIO TRUSTEES Susan Seitz President, Colorado Symphony Guild

Ginger White City and County of Denver, Arts & Venues

Bridget McNeil, Secretary Nick Recuber, Musician Chair

EMERITUS TRUSTEES William K. Coors John Low W. Gerald Rainer Lee Yeingst

Drew Frey, Communications Chair .Jocelyn Hittle, Membership Chair

HONORARY TRUSTEES Governor John Hickenlooper Mayor Michael B. Hancock Christopher J. Ott, M.D. ASSOCIATE BOARD OFFICERS Jackson Stevens, Chair Obe Ariss, Vice Chair

ASSOCIATE BOARD MEMBERS Whitney Ariss Andrea Copland Rachel Ellis Sara Hare Gerry Heise William Kowalski Sarah Parmley Chris Strom Kelly Waltrip Rachel Yeates

SymphonyPreludes Pre-concert events to enhance your experience!

{check concert descriptions online for confirmation on selected concerts with preludes}

Prelude

Classical music author and historian Betsy Schwarm will share information about the composers and pieces on the program. Ms. Schwarm is a celebrated Denver icon. Catch her in action before hearing your Colorado Symphony!

Ever wonder what your Colorado Symphony musicians think about the music? Come find out! Violist Phillip Stevens hosts an informal Q&A featuring additional Colorado Symphony musicians who are delighted to share their unique point of view on the composers and pieces you’ll be hearing.

Take your mind, body, and spirit to a deeper listening plane with Catherine Beeson, Assistant Principal Violist for your Colorado Symphony. Catherine will guide you to an internal understanding of the music you’ll be hearing by encouraging your super powers of inquiry, observation, and application.

Lectures

Musician Highlight

12 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

Workshops

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COLORADO SYMPHONY STAFF LEADERSHIP TEAM: Jerome H. Kern Chief Executive Officer Coreen Miller Chief Financial Officer Anthony (Tony) Pierce Chief Artistic Officer Christina Carlson Chief Advancement Officer Parker Owens Chief Marketing Officer Susan Ellis Chief Administrative Officer Doug Yost Chief of Information Services ARTISTIC Andrew Litton Artistic Advisor & Principal Guest Conductor Duain Wolfe Chorus Director, Colorado Symphony Chorus Christopher Dragon Associate Conductor Andres Lopera Assistant Conductor Emily Scott Director of Artistic Administration Dave Aeling Production Stage Manager Travis Branam Assistant Conductor, Colorado Symphony Chorus Larry Brezicka Orchestra Personnel Manager Mary Louise Burke Associate Conductor, Colorado Symphony Chorus Aric Christensen Audio Engineer Joanne Goble Principle Orchestra Librarian Jonathan Groszew Assistant Orchestra Personnel Manager / Assistant Librarian Deborah Guess Properties Master Philip Hiester Master Electrician Eric Israelson Chorus Manager Sam Jaehnig Head Carpenter Kyle Kamrath Manager of Artistic Operations

Taylor Martin Assistant Conductor, Colorado Symphony Chorus Jessica Mays Outreach Coordinator Brett Mitchell Music Director Designate Mike Pappas New Media Center Barbara Porter Assistant Chorus Manager Phillip Strom Artistic Coordinator ADVANCEMENT / DEVELOPMENT Gerry Heise Director of Development Kate White Development Associate EDUCATION Catherine Beeson Director of Community Education Programs Shari Myers Education Coordinator FINANCE Annette Brown Staff Accountant Paula Rossin Staff Accountant INFORMATION SERVICES Matt Krupa Manager of Information Technology MARKETING / PUBLIC & COMMUNITY RELATIONS Stephanie Derybowski Digital Media Specialist Rachel Trignano Manager of Public & Community Relations SALES & PATRON SERVICES Susan Kelly Director of Sales & Patron Services Ian MacIntyre Manager of Patron Services Amanda Cantu Patron Services Associate Sherri Colgan Patron Services Associate

14 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

Molly Epstein Group Sales Associate Rosa Gasdia Patron Services Associate Alexis Kittner Lead Patron Services Associates Michael Mrkacek Patron Services Associate Rob Warner Lead Patron Services Associate / Concierge Michael Williams Patron Services Associate Nilgen Velazco Patron Services Associate THE SYMPHONY FUND Stephen M. Brett, President Norman L. Wilson, Treasurer Susan K. Ellis, Secretary Jerome H. Kern Gregg O. Kvistad Karen H. Long COLORADO SYMPHONY GUILD OFFICERS Susan Seitz, President Rose Blaschke, President Elect Vacant, Recording Secretary Donna Connolly, Treasurer Janet Weisheit, Assistant Treasurer Nancy Lawrence, VP of Fundraising Sue Pawlik, VP of Membership DeWayne Thomas, VP of Information Management Deanna Leino, VP of Music Education Toshiko Mihara, Corresponding Secretary Boettcher Concert Hall Denver Performing Arts Complex 1000 14th Street, Box #15 Denver, CO 80202 Phone: 303.292.5566 Fax: 303.293.2649 Email: tickets@coloradosymphony.org Tickets: 303.623.7876 coloradosymphony.org

legal advice to keep you in harmony Liz Sharrer 303.295.8000 lsharrer@hollandhart.com 555 17th Street, Suite 3200 Denver, Colorado 80202

Proud Supporter of the Arts

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 15

OCTOBER Kellogg’s Concerto World Premiere Featuring Yumi Hwang-Williams OCT 14-15

NOVEMBER MASTERWORKS

NOV 4-5

OCT 16

INSIDE THE SCORE

SUN 1:00

Christopher Dragon, conductor

La Bohème Conducted by Andrew Litton -Semi-staged production-

MASTERWORKS

POPS / GEEK

OCT 28 FRI 7:30

SAT 2:30

Please join us for HalfNotes pre-concert family activities in Gallery 2.

Christopher Dragon, conductor Ben Folds, piano BEN FOLDS Concerto for Piano and Orchestra ✢ Complete program to be announced MASTERWORKS

Peter Oundjian, conductor Silver Ainomäe, cello Dances of Galanta KODÁLY SHOSTAKOVICH Cello Concerto No. 1 in E-flat major BARTÓK Concerto for Orchestra

NOV 26

SAT 7:30

Drums of the World

Andres Lopera, conductor

MASTERWORKS

FRI-SAT 7:30

Elephant Revival with the Colorado Symphony

Christopher Dragon, conductor Special 35th Anniversary Celebration! Concert performance includes full screening of the live action feature film!

OCT 29

NOV 11-12

NOV 18-20 FRI-SAT 7:30 ■ SUN 1:00

Andrew Litton, conductor Colorado Symphony Chorus, Duain Wolfe, director Colorado Children’s Chorale, Deborah DeSantis, artistic director PUCCINI La Bohème

Movie at the Symphony: Raiders of the Lost Ark

Ben Folds: Master Work with the Colorado Symphony

Shostakovich Performed by Silver Ainomäe

OCT 21-23 FRI-SAT 7:30 ■ SUN 1:00

Halloween Spooktacular!

MASTERWORKS

FRI-SAT 7:30

Courtney Lewis, conductor Augustin Hadelich, violin BARBER Symphony No. 1, Op. 9 BRITTEN Violin Concerto, Op. 15 BARBER Adagio for Strings In the South, Op. 50 ELGAR

FRI-SAT 7:30

Edwin Outwater, conductor Yumi Hwang-Williams, violin BEETHOVEN Overture to King Stephen, Op. 117 DANIEL KELLOGG Rising Phoenix DVOŘÁK Symphony No. 8 in G major, Op. 88

Inside Dvořák Symphony No. 9 “From The New World”

Britten Performed by Augustin Hadelich

NOV 27 FAMILY

FAMILY

SUN 1:00

Colorado Symphony Percussionists

TICKETS

coloradosymphony.org T 303.623.7876 Boettcher Concert Hall at the Denver Performing Arts Complex presenting sponsor

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RISING PHOENIX: A Fiery Concerto For Transformative Times By Rachel Trignano

“When Daniel asked me how I felt about using the Phoenix legend as the source of our concerto, I actually felt chills.” That’s how Colorado Symphony Concertmaster Yumi Hwang-Williams recalls the beginning of her collaboration with composer Daniel Kellogg on Rising Phoenix, a concerto for violin and orchestra making its world premiere October 14, 2016, at Boettcher Concert Hall.

18 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

Kellogg, who holds the role of Associate Professor of Composition at the University of Colorado in Boulder, began collaborating on Rising Phoenix with Hwang-Williams in September 2015. “All of classical music is a collaboration,” says Kellogg. “When it’s a premiere, it’s all a question mark until the performance. There is a lot to figure out before we bring the piece to the audience.” This concerto marks Kellogg’s second world premiere with the Colorado Symphony; in December 2014, HwangWilliams, Principal Horn Michael Thornton, and Artistic Advisor Andrew Litton performed and recorded Kellogg’s original composition A Glorious Morning at Carnegie Hall. Since they first began working together, Kellogg was eager to compose a solo for Hwang-Williams. In search of folkloric inspiration to provide a dramatic story arc, Kellogg found his muse right in his own home: his wife, Chinese concert pianist Hsing-ay Hsu, was the first to suggest the story of the Phoenix. Their young daughter’s books on Eastern fables and legends stoked his imagination, and the first sparks of Rising Phoenix appeared. For Hwang-Williams, the Phoenix resonates on a deeply personal level, as well. “After emigrating from South Korea at the age of nine, my new beginning in America was very much a rebirth.”

PHOTO: PETER LOCKLEY

The tale of the Phoenix is widely known and well-traveled, found in many forms in cultures and religions across the globe and dating back thousands of years. The Phoenix is described as a magical and singular bird of stunning beauty, and is revered as a good omen. SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 19

Many traditions tell of the Phoenix offering a morning song to the sun, and in return receiving immortality. Some say the mythic bird will live in seclusion for hundreds of years before becoming mysteriously set aflame and re-emerging young once more, from its own ashes. And Rising Phoenix is indeed a fiery concerto, interlacing tranquil moments with bursts of rapid intensity, including a scherzo Kellogg describes as “four minutes of blazing-fast passages.” Kellogg didn’t hold back when composing Hwang-Williams’ “challenging and flashy” solo, admitting “it’s a lot for one person to carry off.” For Hwang-Williams, the challenge lies as much in creating an emotional connection with the audience as demonstrating her renowned technical expertise. “As a performer, I’m an interpreter—my main job is to be a medium between composer and audience. Being comfortable enough with the piece to truly deliver its message and feeling is one my biggest challenges.” Kellogg is completely confident in Hwang-Williams’ ability to pull off this rousing piece: “She is a spectacular player and, if I’ve done my job well, the audience will be captivated by her artistry.” Yet Rising Phoenix promises to reveal far more than Hwang-Williams’ extraordinary talent as a solo violinist. It is wrought in emotion, with five movements in a thirty-minute span that play moments of lyrical serenity off dramatic, pulse-quickening bursts of energy. The concerto boasts a dynamic structure, textured with contrasting modes and dialogues soaring and pivoting like a powerful bird in flight. Kellogg’s methodology in composing also resembles the elusive, ascendant Phoenix. “My ideas are born in the isolation and the infinite possibilities of my studio. Until a person plays that music live, it is theoretical.” And what better performer to bring the piece to life than Hwang-Williams, who has always been intrigued by the idea of reinvention? “I believe we are all capable of transformation, of rising out of our circumstances,” she muses. It’s fitting, then, that Rising Phoenix makes its world premiere during the Colorado Symphony’s 2016/17 Season. After years of uncertainty followed by a steady rise towards stability, the Symphony is in its best financial health since its inception 27 years ago—a re-emergence signifying good things to come, and proof that reinvention isn’t always a fable. See Rising Phoenix October 14 and 15 at Boettcher Concert Hall. Tickets available at the box office or at coloradosymphony.org.

20 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

MUSICIAN SPOTLIGHT

ENTER THE DRAGON PHOTO: BRANDON MARSHALL

Looking Back on a Young Conductor’s First Year with the Colorado Symphony

“This is my home now. This is my life.” – Christopher Dragon, Associate Conductor One year ago, Australian conductor Christopher Dragon left his post at the West Australian Symphony Orchestra to join the Colorado Symphony as Associate Conductor. It’s been a time of learning, leading, and adjusting to the Mile High City’s notoriously thinner air. Known for his emphatic conducting style—and blink-and-you’ll-miss-him power walk onstage—Dragon’s growing fan base is spilling into the “Dragon Pit,” a special seating area in Boettcher Concert Hall that directly faces the emotive conductor for prime Dragon-watching. Here, Dragon shares his impressions on his one-year anniversary with the Symphony and all that’s happened since his arrival. How did it feel when you led the orchestra for the first time at Boettcher Concert Hall? Walking onstage at Boettcher Concert Hall to lead the orchestra for the first time was a surreal and beautiful moment for me. I remember thinking, “This is my home now. This is my life.” continued on page 22

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 21

Your big-audience debut was with Pink Martini at Red Rocks Amphitheatre. How would you describe the experience? Conducting at Red Rocks Amphitheatre right at the beginning of my career here was just amazing. I always compare Red Rocks to the Sydney Opera House, in that both have a special atmosphere you cannot describe. We are so lucky in Denver to have such a unique venue—and the concerts that Colorado Symphony perform there are always a lot of fun! You interviewed to be a conductor a year ago. Looking back, how did conducting the Symphony feel then, especially compared to now? Straightaway in the audition, it was clear there was a great chemistry between the musicians and myself. A year later, this connection has only gotten stronger. Having a bond like this with an orchestra is not always something that happens easily, so I feel so fortunate to be able to make music with them all. It is such a joy! How do you define the role of a conductor? Our orchestra consists of about 80 musicians, and each of them has a different perspective and interpretation of a piece of music. To me, the main objective of the conductor is to get everybody onto the same page so we can have a unified vision of the piece. What have you learned in your year with the Colorado Symphony? It has been a massive learning experience working with the Colorado Symphony, as the repertoire is so diverse. This first year alone, I have conducted a semi-staged musical, a videogame-themed concert, worked with a dance company, presented youth concerts, collaborated with major pop artists—and, of course, conducted numerous classical concerts. The biggest—and maybe most unexpected—lesson learned so far has to be from conducting the Movie at the Symphony concerts, where we perform the soundtrack in front of a full-screen film. The scores are often extremely complex, and to align the music to a movie and click-track can be quite difficult. Usually, soundtracks will be recorded over numerous takes, so to perform a whole soundtrack to a movie live in one shot is incredibly difficult. How would you describe the Colorado Symphony? The musicians of the Colorado Symphony are all extremely hardworking! The Symphony performs so many concerts in a season, and—regardless of this workload—they always have a great work attitude. Everyone is always trying to achieve the highest possible level of performance. Do you have any favorite composers or pieces you love to perform? As a young conductor, I think it’s too early for me to have a favorite composer or piece. I enjoy conducting all types of different music and want to explore as much of it as possible. I’ve studied and conducted Brahms many times, so I feel comfortable with his works. When I was a clarinetist at university, I played quite a few pieces Brahms had written for clarinet, so even before switching to conducting his musical language was familiar and more natural to me. This season, my Masterworks concert will feature Brahms Symphony No. 3, and it is a concert I’m already looking forward to! 22 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

What was it like moving from Australia to the States? What was your biggest culture shock in becoming a Coloradan? Taking this position with the Colorado Symphony was a big moment in my life, since it’s my first time living outside of Australia. The hardest thing specifically about moving to Colorado has been adjusting to the altitude—I have found that it can really affect my conducting in performances, stamina-wise. What do you enjoy about living in Denver? What are you getting used to? I really enjoy living in Denver, and moving from Perth to Denver has probably been the easiest transition for me to make here as both cities have a similar vibe. One thing I still haven’t quite gotten used to is tipping. It’s not something we have in Australia, and it always takes me a little while to work it out. I still have regular conducting engagements in Australia, so it is nice that I get to travel back a lot—but that flight never gets any easier… What are your hobbies, outside of conducting? Well, even though I’m not much of a cook, I love watching cooking programs. Anything with Gordon Ramsay, especially, because I think he’s brilliant and hilarious. Finally, how do you prepare for a concert? Lots of studying!

This season, put yourself face-to-face with Associate Conductor Christopher Dragon with seats in the Dragon Pit! (Parquet on seating chart) This is a unique opportunity to view the conductor and orchestra from an entirely new angle. Sit in the Dragon Pit for these select concerts with tickets starting at just $20: Sept. 24 – The Second City Guide to the Symphony Oct. 16 – Inside Dvorak Symphony No. 9 “From the New World” Jan. 14 – A Night of Pops: Tribute to Leroy Anderson Jan. 22 – Inside Symphonic Beginnings Mar. 11 – Time For Three Mar. 19 – Inside Tchaikovsky Symphony No. 4

PHOTO: BRANDON MARSHALL

May 13 – Dianne Reeves in Concert

Christopher Dragon conducts excerpts from “How to Train your Dragon” at the 2016 Symphonic Tribute to Comic Con concert. SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

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Colorado Symphony 2016/17 Season Presenting Sponsor:

MASTERWORKS • 2016-2017 BEN FOLDS: MASTER WORK WITH THE COLORADO SYMPHONY COLORADO SYMPHONY CHRISTOPHER DRAGON, CONDUCTOR BEN FOLDS, PIANO/COMPOSER This Weekend's Concerts are Gratefully Dedicated to Scientific and Cultural Facilities District Friday’s Concert Is Gratefully Dedicated To Ralph L. and Florence R. Burgess Trust Saturday’s Concert Is Gratefully Dedicated To Northern Trust Company

Friday, November 11, 2016, at 7:30pm Saturday, November 12, 2016, at 7:30pm Boettcher Concert Hall

RAVEL

Pavane for a Dead Princess

STRAVINSKY Suite from The Firebird (1919) Introduction — The Dance of the Firebird Round Dance of the Princesses Infernal Dance of the King Kashchei Berceuse — Finale — INTERMISSION —

MILHAUD

Le boeuf sur le toit, Op.58

BEN FOLDS Concerto for Piano and Orchestra (orch. with J. Horsely) Movement I Movement II Movement III

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG PROGRAM 1

MASTERWORKS BIOGRAPHIES CHRISTOPHER DRAGON, conductor Australian conductor Christopher Dragon is in his second season as the Associate Conductor of the Colorado Symphony and commences his position as Principal Guest Conductor with the Denver Young Artists Orchestra. For three years, Christopher previously held the position of Assistant Conductor with the West Australian Symphony Orchestra, which gave him the opportunity to work closely with Principal Conductor Asher Fisch. Christopher works regularly in Australia and has conducted the Sydney, Melbourne, Adelaide, and West Australian Symphony Orchestras. His 2015 debut performance at the Sydney Opera House with Josh Pyke and the Sydney Symphony has been released on CD by ABC Music. In 2017, Christopher returns to the West Australian Symphony Orchestra for a subscription concert. In 2016, he made his Brazilian conducting debut with the Orquestra Sinfônica de Porto Alegre. He has also conducted at numerous festivals including the Breckenridge and Bangalow Music Festivals, both resulting with invitations to return. At the beginning of 2016, Christopher conducted Wynton Marsalis’ Swing Symphony as part of the Perth International Arts Festival alongside Wynton Marsalis and Jazz at the Lincoln Center Orchestra. In 2014, Christopher was selected from 100 international applicants to conduct the Princess Galyani Vadhana Youth Orchestra in Thailand and earlier that year participated in the Jarvi Winter Academy in Estonia where he was awarded the Orchestra’s Favourite Conductor Prize. Christopher began his conducting studies in 2011 and was a member of the prestigious Symphony Services International Conductor Development Program under the guidance of course director Christopher Seaman. He has also studied with numerous distinguished conductors including Leonid Grin, Paavo and Neeme Jarvi at the Jarvi Summer Festival, Fabio Luisi at the Pacific Music Festival, and conducting pedagogue Jorma Panula.

BEN FOLDS, piano/composer Ben Folds is widely regarded as one of the major music influencers of our generation. He’s spent over a decade sharing the stage with some of the world’s greatest symphony orchestras—from Sydney, Australia, to the Kennedy Center—performing his pop hits and his critically-acclaimed Concerto for Piano and Orchestra. For five seasons, he was a judge on the popular NBC series The Sing Off, which catapulted the art of a cappella into the national spotlight, and helped launch the careers of numerous a cappella groups. Throughout his career, Folds has created an enormous body of genre-bending, musical art that includes pop albums as the front man for Ben Folds Five, multiple solo rock albums, as well as unique collaborative records with artists from Sara Bareilles and Regina Spektor to Weird Al and William Shatner. His most recent album is a blend of pop and classical original works, in part recorded with the revered classical sextet yMusic that soared to #1 on both the Billboard classical and classical crossover charts. Beginning this Fall, Folds will be back to pound pianos again with cross-country solo touring reminiscent of his earliest solo tours, where he defied skeptics by delivering a high-energy rock performance using the intimacy of just a piano. In addition to his self-described love of performing and making music “for humans,” Folds is also an avid photographer, and is a member of the distinguished Sony Artisans of Imagery. Folds is also an advocate for music education and music therapy as a member of Artist Committee of the Americans For The Arts, and he serves as a member of the Board of Directors of the Nashville Symphony. PROGRAM 2 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

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MASTERWORKS PROGRAM NOTES MAURICE RAVEL (1875-1937): Pavane for a Dead Princess Maurice Ravel was born on March 7, 1875, in Ciboure, Basses-Pyrénées, France, and died on December 28, 1937, in Paris. The Pavane for a Dead Princess was composed for piano in 1899 and orchestrated in 1910. The piano version was premiered on April 5, 1902, in Paris by Ricardo Viñes; the orchestral version was first heard on May 17, 1919, in Manchester, England, conducted by Henry Wood. The score calls for two flutes, oboe, two clarinets, two bassoons, two horns, harp, and strings. Duration is about 6 minutes. The last performance by the orchestra was on March 22-24, 2013, with Matthias Pintscher conducting. The pavan was a dance of slow tempo and refined gesture that originated in Italy during the late Renaissance and spread throughout Europe, becoming especially popular in Spain and England. Thomas Morley, in his guide of 1579 for the dedicated musical amateur of the Elizabethan age, Plaine and Easie Introduction to Practical Musicke, described the pavan as “a kind of staide musicke, ordained for graue [grave] dauncing.” Ravel recreated the dignified, processional character of the pavan in his Pavane pour une infante défunte, but admitted devising the title just because he was pleased by the sound of the words. Despite Ravel’s later criticism of the Pavane as “threadbare in form, incomplete and unventuresome,” it remains a work of grace, beauty, and captivating nostalgia. The composer said he conceived it as a dance for a little 17thcentury princess as painted by Velásquez, rather than as a funeral lament for a small child. He always railed against performing the work too slowly, warning that it was the princess who had died and not the Pavane. The musical personality of Ravel is distinctly evident in this early work in its clear structure, rich harmonies, finely crafted melodies, pellucid instrumental writing, and carefully honed emotion.

 IGOR STRAVINSKY (1882-1971): Suite from The Firebird (1919 Version) Igor Stravinsky was born on June 17, 1882, in Oranienbaum, near St. Petersburg, and died on April 6, 1971, in New York City. The Firebird was composed from 1909-1910 and premiered by the Ballet Russe at the Paris Opéra on June 25, 1910; Gabriel Pierné conducted. The 1919 suite Stravinsky arranged from the ballet calls for piccolo, two flutes, two oboes, English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp, and strings. Duration is about 30 minutes. David Lockington conducted the orchestra when it was last performed on March 27 & 28, 2015. The story of Stravinsky’s ballet deals with the glittering Firebird and the evil ogre Kashchei, who captures maidens and turns men to stone if they enter his domain. Kashchei is immortal as long as his soul, which is preserved in the form of an egg in a casket, remains intact. The plot shows how Prince Ivan wanders into Kashchei’s garden in pursuit of the Firebird; he captures it and exacts a feather before letting it go. Ivan meets a group of Kashchei’s captive maidens and falls in love with one of them. The princesses return to Kashchei’s palace. Ivan breaks open the gates to follow them inside, but he is captured by the ogre’s guardian monsters. He waves PROGRAM 4 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

MASTERWORKS PROGRAM NOTES the magic feather, and the Firebird reappears to help him smash Kashchei’s vital egg; the ogre immediately expires. All the captives are freed and Ivan and his Tsarevna are wed. Stravinsky drew three concert suites from The Firebird. The 1919 suite includes six scenes from the complete score. The first two, Introduction and The Dance of the Firebird, accompany the appearance of the magical creature. The Round Dance of the Princesses uses the rhythm and style of an ancient Russian dance called the Khorovod. The Infernal Dance of King Kashchei, the most modern portion of the score, depicts the madness engendered by the appearance of the Firebird at Kashchei’s court after the revelation to Ivan of the evil ogre’s vulnerability. The haunting Berceuse is heard when the thirteenth princess, the one of whom Ivan is enamored, succumbs to a sleep-charm that saves her from the terrible King while Ivan destroys Kashchei’s malevolent power. The Finale, initiated by the solo horn, confirms the life-force that had been threatened by Kashchei.

 DARIUS MILHAUD (1892-1974): Le boeuf sur le toit (The Ox on the Roof), Op. 58 Darius Milhaud was born on September 4, 1892, in Aix-en-Provence, and died on June 22, 1974, in Geneva. Le boeuf sur le toit was composed in 1919 and premiered on February 21, 1920, in Paris, conducted by Vladimir Golschmann. The score calls for two flutes, oboe, two clarinets, bassoon, two horns, two trumpets, trombone, percussion, and strings. Duration is about 17 minutes. The last performance by the orchestra was on December 11, 1951, with Saul Caston conducting. Darius Milhaud, the descendant of a Jewish family whose roots in southern France stretched back over many centuries, took his earliest musical training as a violinist. Milhaud (pronounced mee-OH) first entered the Paris Conservatoire at the age of seventeen as a performer, but, inspired by the exciting new music of Debussy, Stravinsky, Mussorgsky, and, especially, the iconoclastic Erik Satie, he soon switched his focus to composition. Plagued throughout his life by rheumatoid arthritis, he was unable to join the military during the First World War, so he was assigned as secretary to the poet and dramatist Paul Claudel, and served with him at the French embassy in Brazil during those years. After the war, Milhaud returned home from Brazil by way of America, where he was greatly taken with the jazz clubs of New York’s Harlem—the music of the New World was a lasting influence on his compositions. Milhaud became recognized as one of the leading modern composers during the time between the wars. He returned to the United States during World War II to teach at California’s Mills College, and divided most of his remaining thirty years between his native France and America. In 1953, Milhaud published (in English) a fascinating and witty autobiography under the title Notes without Music. Concerning Le boeuf sur le toit, he wrote: “Still haunted by my memories of Brazil [in 1919, after returning to Paris], I assembled a few popular melodies, tangos, maxixes, sambas, and even a Portuguese fado, and transcribed them with a rondo-like theme recurring between each two of them. I called this fantasia Le boeuf sur le toit, the title of a Brazilian popular song. I thought that the character of this music might make it suitable for an accompaniment to one of Charlie Chaplin’s films.... [Jean] Cocteau disapproved of my idea, and proposed that we SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG PROGRAM 5

MASTERWORKS PROGRAM NOTES should use it for a show, which he would undertake to put on. Cocteau produced a pantomime scenario that could be adapted to my music. He imagined a scene in a bar [called ‘Le boeuf sur la toit’] in America during Prohibition. The various characters were highly typical [!]: a Boxer, a Negro Dwarf, a Lady of Fashion, a Redheaded Woman dressed as a man, a Bookmaker, a Gentleman in evening clothes. The Barman, with a face like that of Antinoüs [a beautiful youth who was a favorite of the Roman Emperor Hadrian], offers everyone cocktails. After a few incidents and various dances, a Policeman enters, whereupon the scene is immediately transformed into a milkbar. The clients play a rustic scene and dance a pastoral as they sip glasses of milk. The Barman switches on a big fan, which decapitates the Policeman. The Redheaded Woman executes a dance with the Policeman’s head, ending by standing on her hands like the Salome in Rouen Cathedral. One by one, the customers drift away, and the Barman presents an enormous bill to the resuscitated Policeman.”

 BEN FOLDS (B. 1966): Piano Concerto Ben Folds was born on September 12, 1966, in Winston-Salem, North Carolina. The Piano Concerto was composed from 2013-2014, and premiered on March 14, 2014, by the Nashville Symphony conducted by Giancarlo Guerrero, with the composer as soloist. Joachim Horsely collaborated on the work’s orchestration. The score calls for piccolo, two flutes, alto flute, two oboes, English horn, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, flugelhorn, three trombones, tuba, timpani, percussion, harp, celesta, and strings. Duration is about 25 minutes. This is the first performance of the Concerto by the orchestra. The following comments are excerpted from the program note by Thomas May based on an interview he did with Ben Folds before the premiere of the Piano Concerto with the Nashville Symphony. “The dare and the deadline came first,” Folds recalled, explaining that the Piano Concerto was created with both concert performance and a choreographic version by Paul Vasterling for Nashville Ballet in mind. “It can seem like it doesn’t really make any sense for me: to move from a four-minute pop song to a 25-minute concerto. But I’ve always been fascinated with the long form. I once had the idea of making one of my albums a single 45-minute piece.” Folds immersed himself in the rich repertory of classical, romantic, and early modern piano concertos for a solid year. “I wanted to see where these composers’ heads were at when they wrote their concertos, compared with when they wrote a symphony or a string quartet or another kind of piece. I’ve never felt so close to dead people before. What I didn’t want to be was a tourist, but a humble, self-invited guest into their world. And that meant a lot of listening and reflecting on what went into these things.” Folds was also able to use the knowledge he’s acquired from years of playing with orchestras, but he acknowledges that he had some valuable assistance: “I turned to Joachim Horsely of the film-scoring world to help with the orchestration. It’s always been very important to me to be PROGRAM 6 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

MASTERWORKS PROGRAM NOTES the arranger of what I write—it’s part of the composition. But orchestration is a craft beyond arrangement of the notes.” [Joachim Horsely has composed, arranged, orchestrated, and conducted for movies, television and commercials, including more than 25 shorts and feature films. In 2007, he was Grand Prize Winner in the John Lennon Songwriting Contest for his song I Want Your Love.] On the big scale, Folds followed the ever-reliable concerto format of fast movement/slow, lyrical movement/butt-kicking finale. And he knows how essential it is to make a big impact with the first movement, which he kicks off with a brief orchestral introduction before the solo part jumps in with a deep rumble in the bass. “We’re in the age of post-Lady Gaga and sampling. The movement is all about that. It’s overtly and proudly derivative, but never for more than ten seconds at a time. It’s essentially built on the excitement of being immersed in the great classical piano concertos. There’s a fantasy aspect to the first movement, where I imagined what it would be like if I did these flourishes that I’ve never thought about doing at the piano.” Against a backdrop of tuned percussion and sustained, shimmering harmonies in the strings, the second movement occupies the emotional space equivalent to the “big song” on an album—i.e., the song whose melody is lovingly allowed to unspool and develop. Folds referred to the inspiring examples of the waltz-like, slow movement of Ravel’s Piano Concerto in G and Beethoven’s “Holy Song of Thanksgiving” from the String Quartet No. 15 in A minor, Op. 132, which, he said, “has been my church for the last year.” Deceptively simple, this movement proved especially hard for him to write, since there’s no “show-off” factor to lean on. Folds grinningly referred to it as the “Concerto for One Finger” movement. After the slow movement dies out, the Concerto hurtles forward into the final movement, which is introduced by a section Folds likened to Van Halen. The overall feel, he suggested, is similar to a scherzo movement, but it’s not just playfulness he conjures: “The third movement goes nuts—it’s insanity!” Folds also drew comparison to the famously terse poem Muhammad Ali once improvised: “Me/We!” There’s still another aspect to playing “in concert” with a symphony orchestra that Folds believes listeners today can treasure: “We see so much emphasis on what’s divisive, how things are unable to work together. What a difference it makes when you see people working in concert with this incredible musical tool that has hundreds of years of wisdom behind it.”

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Gifts made to the Colorado Symphony from July 1, 2015 through June 30, 2016. If you have any questions or concerns regarding a donor listing, please contact the development office directly at 303.308.2472. Thank you for your support! DIAMOND CHAIRMAN’S SOCIETY ($100,000+) Anonymous The Anschutz Foundation Arrow Electronics, Inc. Avenir Foundation, Inc. Ballard Spahr, LLP Boettcher Foundation Bonfils-Stanton Foundation Jim and Sharon Butler Merle C. Chambers and Hugh A. Grant City & County of Denver – Arts & Venues Colorado Symphony Foundation Helen K. & Arthur E. Johnson Foundation Mary Rossick Kern and Jerome H. Kern Scientific and Cultural Facilities District Sterne-Elder Memorial Fund The Symphony Fund PLATINUM CHAIRMAN’S SOCIETY ($50,000+) Anonymous The Butler Family Fund of Vanguard Charitable Erna Butler Colorado Symphony Guild, Inc. Mrs. Sandy Elliott Keith and Kathie Finger Diane S. Hill and Kevin E. Somerville Rocky Mountain Honda Dealers United Airlines Corporate The Warner Family Charitable Fund GOLD CHAIRMAN’S SOCIETY ($25,000+) Anonymous Cannon Y. & Lyndia K. Harvey Family Foundation Centura Health Lloyd J. King and Eleanor R. King Foundation Schmitt Music Company VAL-U-ADS of Colorado, Inc. The Virginia Hill Foundation Dr. Jack Wilson CHAIRMAN’S SOCIETY ($10,000+) Anonymous (2) Argonaut Wine & Liquor Col. Philip Beaver and Mrs. Kim Beaver Ed and Laurie Bock

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SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 31

COMMUNITY SUPPORT Dr. Turpin H. Rose Michele Rowland Sallie and John Ruhnka Jim and Doreen Ryan Mrs. Nancy Schulein William Schumacher Jo Shannon Mr. and Mrs. George Shaw Mr. and Mrs. Peter D. Shultz Singer Family Foundation Sam and Marty Sloven Billie Smith Mr. David C. Smith Marlis and Shirley Smith Billie Busby and Sidney Smith William and Janice Smith Eric Sondermann and Tracy Dunning Vicki and Harry Sterling Dr. Bill Strempel Marcia D. Strickland Helena and Allan Striker Mr. Steven Suflas Lou and Katherine Svoboda Tim and Janet Taggert Mr. and Mrs. Douglas Tashiro Walt and Sally Tejan Mr. Roger P. Thomasch Kyle and Bev Turner Mr. Peter Wells Mr. and Mrs. Tor Westgaard Rev. Stephen R. Weston Jon Wilkerson Dr. John Willhardt Mr. Jerry Winter and Ms. Lois Keener Ms. Phyllis J. Young Dick and Lorie Young YourCause, LLC SYMPHONY MUSICIAN ($500+) Anonymous (5) Dr. and Mrs. Jules Amer DeAnn Anderson Ms. Cynthia Auer Bruce Avery Lewis and Judith Babcock Mr. and Mrs. Dennis Baldwin Carlos A. Barradas Mr. Edward Bartholic Mr. Robert L. Bartholic Richard and Linda Bateman Mr. and Mrs. James Beall Dr. and Mrs. Henry J. Beckwitt Anne and Henry Beer George and Phee Belsey Mary Bessesen Mrs. Terry A. Biddinger Mr. and Mrs. Kermit J. Boothroyd

Henry C. Bourne, III and Alisa Bourne Mr. and Mrs. Grant Bowry Ms. Susan Brasel Mr. and Mrs. Christopher Brauchli Ms. Betty Brega Ms. Emily Brett Dr. and Mrs. David Brewer Mr. Jeffrey and Mrs. Elaine Brickman Michael and Catherine Brondos Mr. and Mrs. Joseph Bronesky Ms. Barbara Brown Mr. and Mrs. Peter K. Bryan Sandy and Rogene Buchholz M. Peyton and Suzanne Bucy Judge Doris E. Burd Robert and Linda Bushman Mr. and Mrs. Ronald Butz Mr. David Cahn Douglas and Constance Cain Lois M. Calvert Teresa Campos Caulkins Family Foundation Roger and Barbara Chamberlain Mr. Lee Chew Dr. David and Mrs. Delores Claassen Delores I. Clark Catherine Cole Mr. and Mrs. Clark Colton Dee Colton Mr. Frederic Conover Ms. Mary Cook Paul and Eileen Cooper Mr. Scott Coors and Dr. David Hurt Dr. John A. and Mrs. Jane H. Coppola Frances S. Corsello Dr. James W. Craft Mr. and Mrs. Stephen Craft Ray and Kathleen Cravy Hille L. Dais Ms. Ruth Dalrymple Jesse Davidson and Ellen Blatt Dr. and Mrs. Toby Derloshon George and Yonnie Dikeou Dorothy Dowden Mr. and Mrs. Robert L. Drew Kathryn and Gary Dudley Louise and Robert Dudley Ms. Shirley M. Duman Leslie Easton Mr. Stephen A. Edmonds Evan and Kim Ela Lucy and Dan Ellerhorst Mr. Bayard Ewing Mark and Carla Ewing Ms. Elizabeth J. Feitner Dr. and Mrs. Richard A. Fieman Paul S. Fischer

32 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

COMMUNITY SUPPORT Ms. Gail Fisher David and Debra Flitter Frederick G. Fish Foundation Mrs. Joann Freedman Freeman Family Foundation Ms. JoAnne Friedman Deborah S. Froeb Virginia E. and Robert K. Fuller Mr. and Mrs. John A. Gallagher Dr. Ben and Mrs. Jean Galloway Lester and Joan Garrison Linda Laird Giedl Andrea J. Grant Mr. John and Mrs. Judy Green Mr. and Mrs. Gerald M. Greenberg Mr. Robert Greene Mr. and Mrs. Peter Griffiths Martha and Jim Groebe Renee and Martin Gross Ms. Grace M. Halmi Charles and Linda Hamlin Mr. and Mrs. Homer Hancock Mr. Billy Harris and Ms. Linda Purcell Sarah Hart Mr. and Mrs. John Helfrich Keith Herman Melvin and Carolyn Hess

Ms. Susan A. Hill Mr. Stephen Hindes Cynthia Hinds Sarah C. Hite Dr. Bradley O. Hofer Mike and Vicki Hoffman Graham and Cathy Hollis Robert Homiak and Susan Schneider Ms. Sally Hopper Andrew Hornbrook Robert and Betty Huzjak IBM International Foundation Mr. and Mrs. Andrew M. Johanos Mr. Eric E. Johnson Mrs. Kathleen Johnson Margie Lee Johnson Marvin and Carole Johnson Dr. and Mrs. Everette G. Jones Ms. Dianne Eddolls Mr. and Mrs. Arthur Judd Mr. and Mrs. Colman Kahn Robert W. Karow Mrs. Diana Kasson Dr. and Mrs. Michael Kelley Ms. Judy H. Kessenich John and Alicia Kinnamon Oza and Milan Klanjsek

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Audition today and let your inner voice sing! SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 33

COMMUNITY SUPPORT Mel and Roberta Klein Mr. and Mrs. Stanley W. Kleinsteiber Midge Korczak Eric Krein Gregg Kvistad David C. Leger Judy and Dan Lichtin Theodore Lichtmann Patty Lorie Mr. Joseph Lubinski Mrs. Jean Macferran Bruce W. Martin Harold P. Martin, M.D. Mr. Chet K. Hampson and Ms. Susan Martin Mr. and Mrs. Amos C. Mathews Mr. and Mrs. Robert McClelland Ms. Tracey McCullough Carla E. McKennett Virginia Messick Jay and Lois Miller Ron and Bonnie Milzer The Moe Family Charitable Fund Ms. Kathie Moore William and Rosemarie Murane Ms. Marcia G. Naiman Mr. and Mrs. Alan F. Nies Larry O’Donnell and Kermit Cain Ray O’Loughlin and Jamie Henderson Carl Patterson David and Doris Pearlman Ms. Leah Peer Ms. Karen Peterson Mr. and Mrs. George C. Pickering Patrick and Susan Pientka Mr. Hugh Pitcher Sally Plummer Mary and Bernard Polak Ed Post Mr. and Mrs. H.W. Praetorius Mr. Bennett L. Price Mr. Nick Recuber Richard Replin and Elissa Stein Nancy and Gene Richards Dr. Richard and Sandra Roark Eleanor Roberts Mr. Steven M. Ropa Sig and Lucille Rosefeld Mr. and Mrs. William E. Russell Ms. Carol L. Rust Mr. Clayton Saylor Cynthia L. and Paul D. Schauer Ms. Mary Ann Schultz Ms. Carla L. Seeliger Mr. and Mrs. Karl O. Seller Betty and Maurice Serotta Ms. Barbara Servis Dr. and Mrs. David Shander

Mr. and Mrs. Conner W. Shepherd, Ph.D. Dr. and Mrs. Arnold Silverman Drs. Robert H. Slover, II and Robin Slover Dr. and Mrs. Edwin R. Smith Mr. and Mrs. Edwin Smith James Smith and Robert Karow Mr. and Mrs. Rodney Smith Mr. and Mrs. William H. Speaker Hanspeter and Kathryn Spuhler Mr. Daniel Stenersen Gordon Stenger and Brooke Goudy Mrs. Mary L. Stewart Philip Stoffel and Tricia Hughey Mrs. Elaine B. Strauch Mr. and Mrs. Michael Strear Mrs. Mary C. Symonton Dr. and Mrs. Richard W. Talley Carol and Cedric Tarr Judy and Rob Tate Td Ameritrade Mr. Frank Thomson Mr. Charles Thorman Mr. and Mrs. Carl J. Tillery Nan Timbel Tipton Family Foundation David Tourtelot and Nikki Headlee Barbara J. Tramutt Mr. and Mrs. Paul Trantow Helen Tuttle Mr. and Mrs. Thomas G. Virtue Ed and Patty Wahtera Ms. Shirley Ward Peter Weiser Rosemary Whitaker Jordan Wight Daniel C. Williams Werner and Mary Winkler Jim and Marlene Wogsland Mrs. Marianne Wons Mr. and Mrs. Dieter Wons George and Beth Wood Richard and Mary Ann Woods Amy Wright Dr. and Mrs. Roy R. Wright Marsha F. Young Tom Zeiler Mr. and Mrs. Ken Ziebarth R.A. Zimmerman Mr. and Ms. Michael A. Zoellner Ms. Regina M. Zoglo

MATCHING DONATIONS

Thank you to those companies who match current and retired employee contributions to the Colorado Symphony, and to our donors who apply for these matching gifts. Please check with your Human Resources

34 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

COMMUNITY SUPPORT Department to see if your contribution can double through the generosity of your company. To contact the Development Department directly please call Kate White at 303.308.2472.

WOMEN OF NOTE DONOR LIST

The following are members of the Colorado Symphony’s support group Women of Note (WON). WON members receive exclusive benefits and event invitations throughout the season. The Colorado Symphony is grateful for the support of these dedicated individuals. Anonymous Marin Alsop* Nancy Accetta Nora Baldwin Paula Bernstein* Terry Biddinger* Erna Butler* Donna Connolly Kathie Finger Mary Lou Flater Monica Glickman Sarah Hart

Diane Hill Eileen Honnen-McDonald* Montjoy Kugeler Sandy Lasky* Nancy Lawrence Ann Levy Carolyn Longmire Jeri Loser Merry Low Janet Mordecai Carol Murphy Elizabeth B. Neva Jane Nielsen Shelia O’Brien Diane Padalino Ursula Powell Margaret Roath Mary Rossick Kern* Suzanne Barber Ryan Suzanne Satter Alice Silver Phoebe Smedley Lynne Valencia Janyce Wald Rivka Weisberg Judy Wigod *Founding Member

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SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 35

COMMUNITY SUPPORT SPECIAL PROJECT DONORS

The Colorado Symphony constantly seeks new and creative ways to preserve the cultural legacy of symphonic music while actively co-creating its future. By working on new recordings and collaborations, the Colorado Symphony strives to stay relevant for generations to come. Anonymous Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson Colorado Symphony Guild, Inc. Tom and Noel Congdon Mr. and Mrs. Scott Cromie Dr. Everette J. Freeman Mr. Paul E. Goodspeed and Ms. Mary Poole Jennifer Heglin Mary Rossick Kern and Jerome H. Kern Fred and Connie Platt Mr. Dan Poole Dr. and Mrs. Paul R. Rosen

EDUCATION DONOR LIST

Through our Musicurious program, your Colorado Symphony reaches thousands of young people within and well outside the Denver metro area, from months old through high school and beyond. We always work to extend and increase our outreach and could not possibly do it without your support. PLATINUM CHAIRMAN’S SOCIETY ($50,000+) Anonymous Malone Family Foundation Target GOLD CHAIRMAN’S SOCIETY ($25,000+) Anonymous CHAIRMAN’S SOCIETY ($10,000+) Anonymous The AJL Charitable Foundation Florence R. and Ralph L. Burgess Trust Walter S. Rosenberry, III Trust SILVER CONDUCTOR’S CIRCLE ($5,000+) Anonymous Colorado Symphony Guild Inc. The Denver Foundation Denver Post Charities a McCormick Foundation Fund PeyBack Foundation US Bank Community Development Xcel Energy Foundation

CONDUCTOR’S CIRCLE ($2,000+) Anonymous Cherry Hills Cultural Associates ECA Foundation Katherine McMurray Parker Foundation Scientific & Cultural Collaborative SYMPHONY CONCERTMASTER ($1,000+) Anonymous Kinder Morgan Foundation SYMPHONY MUSICIAN ($500+) Anonymous Dr. John A. and Mrs. Jane H. Coppola Mr. Billy Harris and Ms. Linda Purcell Ms. Carla McWilliams

BALL SPONSOR LIST

The 2016 Colorado Symphony Ball raised money through table sales, individual and corporate contributions, sponsorship, silent and live auction, and real-time voting during “THE BATTLE OF THE BANDS: REMATCH” where guests voted for their favorite band. This year’s bands were the Colorado Symphony, The DaVita Blues All Stars, and Tracksuit Wedding. PRESENTING SPONSOR ($75,000+) The Anschutz Foundation Arrow Electronics, Inc. VIRTUOSO ($50,000+) Anonymous Liberty Global MAESTRO ($25,000+) Anonymous AMG National Trust Bank DaVita Expedia Keith and Kathie Finger IAC Corporation Mary Rossick Kern and Jerome H. Kern ENCORE ($15,000+) Delta Dental Plan of Colorado Mrs. Sandy Elliott LionTree Advisors, LLC Dr. Christopher Ott and Mr. Jeremy Simons Sherman & Howard Linda Shoemaker and Steve Brett CONCERTMASTER ($10,000+) Mr. and Mrs. Tony Accetta Baker Botts, LLP

36 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

COMMUNITY SUPPORT Baker & Hostetler, LLP Centura Health Davis Graham & Stubbs, LLP Denver Broncos Football Club Discovery Communications Adam and Stephanie Donner Diane S. Hill and Kevin E. Somerville Amanda Precourt/The Precourt Foundation Publishing House University of Denver PRINCIPAL ($5,000+) AEG Live AMC Network Sue Anschutz-Rodgers BeneFactor Boss Architecture Breakthru Beverage Cadre General Contractors, Inc. Mr. Scott Campbell Colorado Rockies Baseball Club Cooley, LLP CU Anschutz Medical Campus Ms. Susan Drumm Mrs. Susan Ellis and Mr. Izzy Abbass Ms. Jayne Ford

Dr. Everette J. Freeman, President, Community College of Denver GBSM, Inc. Gibson, Dunn & Crutcher, LLP Hogan Lovells U.S. LLP KPMG, LLP Libby Anschutz Foundation Dr. Jon Masoudi The Private Banking and Investment Group at Merrill Lynch Coreen and Michael Miller 9NEWS The Pashel/Chapman Group Pentec Health Republic National Distributing Company Mr. and Mrs. Richard Robinson Mr. and Mrs. Jim Shpall Eric Sondermann and Tracy Dunning Mr. Walker and Mrs. Jenna Stapleton Volunteers of America Willis Towers Watson ($2,000+) Merle C. Chambers and Hugh A. Grant Mr. John F. Estes III Four Five One Events

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 37

COMMUNITY SUPPORT Mr. Paul E. Goodspeed and Ms. Mary Poole Mr. and Mrs. Ed Greene Mr. and Mrs. A. B. Hirschfeld Mr. Keith Ladner Alan and Judy Wigod ($1,000+) Mr. Brad Bawmann Jim and Julie Copenhaver Mr. and Mrs. Bruce DiBiase Ms. Donna S. Gerich Ms. DeAnn Grasingers Bill and Donna Hoberecht Sandy and Evan Lasky Mr. and Mrs. Howard Noble Elyse Tipton and Paul Ruttum Rob and Jane Scofield Mr. Adam Wimmer ($500+) Mr. Rick D. Bailey Alvina Crouse Ms. Dianne Eddolls Mr. Stephen A. Edmonds Forensic Pursuit Ms. Lisa Hayes Mr. Brooks and Ms. Lauren Kanski Mr. Thomas Lorz Ms. Mary Neidig Nijole and Walter Rasmussen Ms. Barbara Servis Mr. John H. Voorheis Mr. Ernest and Mrs. Patti Ward IN-KIND DONATIONS Applejack Wine & Spirits Bouquets Ceavco Constellation Brands DaVita Blues All Stars Epicurean Jays Valet Leopold Brothers Live Nation The Publishing House Republic National Distributing Company Tivoli Brewing Tracksuit Wedding

IN MEMORIAM GIFTS

The following gifts were made to the Colorado Symphony in memory of a family member, friend, or supporter of the symphony. These tributes hold an honored place with the Colorado Symphony and we are privileged to recognize them.

In memory of Gene Amole from KVOD given by: Mr. R. Glesner and Mrs. B. Schwarm Glesner In memory of Eleanor Scott Annable given by: J. Fern Black In memory of Mr. Charles Ansbacher given by: Swanee Hunt Family Foundation In memory of Darthelia Baker given by: Ms. Veatrice Monroe In memory of Blair Chotzinhoff given by: The Denver Foundation Mr. Chet K. Hampson and Ms. Susan Martin Mrs. Nancy Schulein In memory of Robert and Selma Cohen Barbralu Cohen In memory of William R. Cook given by: Karen Cook In memory of Harold Dillon given by: Ellen Coulter Lisa Dillon John and Meritt Hutton Scott Hutton Leslee Viehoff In memory of Willis Dutra-Silveria given by: Ms. Janet M. Erjavec In memory of Frances E. given by: Cynthia Schauer In memory of Mr. Gerald Endsley given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Lynn Erion given by: Ms. Jo Ellen Cohen In memory of her father, Barney Fox, on Fatherâ&#x20AC;&#x2122;s Day given by: Leslie Tjarks In memory of Dr. Joyce S. Freeman given by: Freeman Family Foundation Ms. JoAnne Friedman In memory of Julie Gannon given by: Deep Space Systems 5K team In memory of Mr. Michael Gaughan given by: Tanya and Bruce Caughey Mr. David W. Durnell Tim and Janet Taggert In memory of Carol and Bill Gossard given by: Mr. and Mrs. Steve Wynkoop In memory of Manny Greenberg given by: Ellie Greenberg and Family The Sylvan Stool Family In memory of Mr. Ken Harper given by: Mr. Chet K. Hampson and Ms. Susan Martin

38 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

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ADDITIONAL SUPPORT

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 39

COMMUNITY SUPPORT In memory of Eleanor Hayden given by: Ms. Jean Melville In memory of Dr. H. Michael Hayes given by: Hayes Family Foundation In memory of Allen Johannes Heim given by: Arik Heim Christian Heim Lauren Yager In memory of Jeannine D. Hiester given by: Phillip C. Hiester In memory of Lea LaParle given by: Ms. Donna S. Gerich In memory of Maurice Larue given by: Scott and Jackie Barnes Denis and Kathy Donnelly Ms. Carol A. Greenwald In memory of Edward Levy given by: Ann Levy Ms. Denison Levy In memory of Dr. James List, M.D. given by: Emma L. Dafoe In memory of Ronald S. Loser given by: Mr. and Mrs. Louis P. Bansbach, III Mr. Jim Bowers Ms. Betty Brega Mr. and Mrs. Mackintosh Brown Mr. and Mrs. George M. Canon Centennial Airport Mr. Robert L. Eaton Mrs. Ann B. Fawcett Barbara H. and Charles Ferguson Mr. Joesph Flierl Mr. and Mrs. Robert K. Fuller Mr. Frank M. Hall, III Mr. Roger D. Hunt Judge and Mrs. John P. Leopold Meg MacDonald Mr. and Mrs. Neil McLagan Brian and Deborah Magoon Ms. Lucille Maun Mr. and Mrs. Robert C. Olson Ms. Virginia L. Park Robinson Waters & Oâ&#x20AC;&#x2122;Dorisio, PC Mr. William C. Rodraun Ms. Julie Shade Ms. Karyn Thompson-Panos Mr. and Mrs. Charles L. Warren In memory of Suzanne Hewitt Lowell given by: Mr. and Mrs. Neil W. Hamilton Mr. Charles Homsy In memory of Thomas L. McClintock given by: Colorado Symphony Guild-Foothills Unit Ms. Nancy L. Graham G.J. and P.A. Graziano

James D. and Elizabeth McMahon Mrs. Carol Reeves In memory of Ruthi McEwen given by: Frank Parce In memory of Pierson F. Melcher given by: Cynthia Melcher In memory of her husband, Ralph S. Paffenbarger, Jr. M.D. given by: Jo Ann Paffenbarger In memory of Roxanne Pinneo given by: Quality Life Services Ms. Dorothy Wright In memory of Dorothy Presta given by: Mr. and Mrs. William Cowan Ms. Mary Neidig P A. Price In memory of Mr. Harry T. Safstrom given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Michael Schatz given by: Ms. Jo Ellen Cohen In memory of Robert Schulein given by: The Denver Foundation Mrs. Nancy Schulein In memory of David Callistus Smith given by: Mr. Stephen M Book Ms. Darla Duval Ms. Lougena M. Foxhoven Mr. Tony and Mrs. Gina Gradisher Ms. Colleen Higgins Ms. Carmen Huff Mr. Charles R. McMullin Shawn Miller Ms. Letitia Ottem Mr. James Schmitt Ms. Krista Wright Ms. Katarina Zarlengo In memory of Mary Ruth Smith given by: Ms. Anne H. Wheeler In memory of his wife, Tracy Smith given by: Mr. Clyde Eaton Smith In memory of Betty Sonnenberg given by Sylvia Kreider In memory of Lee and Margaret Tipton given by: Tipton Family Foundation In memory of Ablie Ubran given by: Mr. and Mrs. David McGaw In memory of Sue Van Deusen given by: M Cati Flater David P. and Chady L. Hall Ms. Violet Wagener

40 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

COMMUNITY SUPPORT In memory of Guenther Vogt given by: Mr. Charles Anderson Ms. Anne Oberbroeckling In memory of Lisa Gayle Wigod given by: Alan and Judy Wigod In memory of Jim Withers given by: Ann and Henry Jesse In memory of Dorothy Yoder given by: Ms. C. D. Chalfant Ms. Joanne Y. Dearth In memory of Bill Zishkagiven by: Lisa, Susan, and Ellen Madsen In memory of Josephine Zoglo given by: Regina Zoglo

IN HONOR GIFTS

The following gifts were made to the Colorado Symphony in honor of a family member, friend, or special occasion. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them.

In honor of Libby Anschutz given by: Mr. and Mrs. A. B. Hirschfeld Mr. and Mrs. John Sie In honor of Kristina Arko given by: Alenka Han In honor of Linda Battan given by: Nancy Battan In honor of Mary Louise Burke given by: Frank Y. Parce In honor of Christina Carlson Ms. Marjorie H. Adler Carolyn and Ronald Baer Frederick W. Damour In honor of their Friends in the Colorado Symphony Chorus given by: Susan Von Roedern In honor of Pera Beth Eichelberger’s Birthday given by: Anonymous Marian Bakken Karen Fabean In honor of Ms. Jo Ellen Cohen’s birthday given by: Mandelbaum Family Charitable Foundation

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 41

COMMUNITY SUPPORT Ms. Sharon Marks Flora and Morris Mizel Foundation Ms. Faye Gardenswartz In honor of Monica Glickman given by: Ms. Ruth Schorsch In honor of Bill and Carol Gossard given by: Anonymous In honor of retired CSO musician, Chet Hampson given by: Susan Martin In honor of James Hart given by: Ms. Kathleen A. Schmidt In honor of Philip C. Hiester, Master Electrician CSO given by: Adina and Eli Reshotko In honor of Dr. Diane Hill given by: Michael P. Dowling In honor of our Concertmaster, Yumi Hwang-Williams given by: Michael P. Dowling In honor of Jerry Kern given by: Nancy Battan Mrs. Terry A. Biddinger Laura Bond Patty and Don Cook Mr. Stephen A. Edmonds Sari and Bob Freedman Mr. and Mrs. John Sie In honor of Mary Rossick Kern and Jerry Kern given by: Michael and Christine James Myron and Marcia Stein In honor of John and Karen Kinzie given by: Ms. Kathleen Dunnewald In honor of Kathy Newman’s 70th Birthday given by: Ms. Sheila Lehrburger In honor of Scott O’Neil given by: Colorado Symphony Guild, Inc. In honor of Frank Y. Parce given by: Mr. David Parce In honor of Ken Quarles given by: Frank Y. Parce In honor of Dr. Gerald Rainer given by: Dr. and Mrs. James G. Chandler In honor of Chuck and Janet Robinson’s 50th Wedding Anniversary given by: Jim and Lorraine Adams In honor of Eleanor Roberts given by: Mr. David Parce

In honor of Dr. and Mrs. Richard Sanders given by: Ms. Ann Gugenheim In honor of Kathleen Schmidt given by: Edith M. and Norman C. Bertelsen In honor of Enid Slack’s Birthday given by: Mr. and Mrs. Dick Freese In honor of Robert Steiger given by: Gretchen Williams In honor of Irene Szyliowicz’s 80th Birthday given by: Dr. and Mrs. Bernard Spilka In honor of John and Kristine Wallack given by: Mr. Richard Falb Gail Skaggs In honor of Robert Warner given by: Ruth Mosteller In honor of Darlee Whiting given by: Hayes Family Foundation In honor of Rowena Zelkind Dr. and Mrs. Bernard Spilka

THE HORACE TUREMAN SOCIETY

Named for the first conductor of the Denver Civic Orchestra, the Horace Tureman Society honors an exceptional group of people who have pledged future support for the Symphony through an estate gift. The Tureman Socie ty recognizes in perpetuity those making estate gifts through wills, living trusts, annuities, IRAs, retirement plans, charitable trusts, life insurance designations, or other legacy giving vehicles. Anonymous (2) Richard and Susan Abernethy Edgardo and Lisa Belen Mr. and Mrs. David M. Budd Mr. Jim Caputo Mr. Gene Child J. Harold Corp Trust Anne M. Culver Ms. Janice G. Eckhardt William G. Fairfield Ms. Grace L. Freye Ms. Carol K. Gossard Ms. Jennifer Guess Ms. Donna E. Hamilton Mr. James Harold Mr. Johannes Heim Cathey A. Herren

42 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

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For information please call (720) 865-4220 44 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

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