PHOTO: BRANDON MARSHALL
THE MAGAZINE OF THE COLORADO SYMPHONY Volume 15 • Number 3
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THE MAGAZINE OF THE COLORADO SYMPHONY Volume 15 • Number 3 CONTENTS
6 Welcome 8 Spotlight 10
Colorado Symphony Musicians
12 Colorado Symphony Board of Trustees 13
Colorado Symphony Staff
18
Musician Spotlight: Nicholas Tisherman
20 Corporate Council: A Musical Foundation Built on Community Support 23
Community Support
COMING SOON
John Williams: An American Journey FEB 9-10
4
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WITH SUPPORT FROM
WELCOM E
Welcome to the Colorado Symphony! As we celebrate the dawn of a new year, our musicians, Board of Trustees, and staff thank you for your continued support and passion for outstanding symphonic music. I am thrilled to be sharing my first message with you, the patrons and supporters of this phenomenal organization, since joining the Symphony staff in October as Chief Advancement Officer. It is a privilege to be part of the Colorado Symphony team and to be building relationships with the 3,000 individuals, John Burtness foundations, and corporations who make philanthropic Chief Advancement Officer investments in the Symphony. These contributions allow us to produce incredible performances while balancing our budget and keeping tickets affordable for everyone. Passion, talent, and hours of practice enable our musicians to create the beautiful music that we all enjoy. In a similar way, passion and generosity drive our donors’ support and extends our reach to many other parts of the community through education and outreach programs. Through this support, our donors become co-stewards of our work in creating beautiful music for all to enjoy. Entering 2018, we have an extraordinary opportunity to assure the future of the Symphony by adding new gifts to our endowment while creating a perpetual resource to support musicians and programs. A local foundation has offered a matching gift opportunity, adding a dollar to every new dollar raised for our endowment. To date, we have more than doubled our endowment to nearly $22 million and our near-term goal is to double that again to $50 million. We look forward to updating you on our progress moving forward. In the meantime, please consider making a tax-deductible contribution to help us reach our goals via the enclosed envelope in your Soundings program. On behalf of all of us, thank you again for all that you do to support the Colorado Symphony and we look forward to sharing in its bright future together. John Burtness Chief Advancement Officer
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SPOT L IG H T
JOIN THE BRETT MITCHELL SOCIETY In a time of new beginnings, the Colorado Symphony is pleased to launch the Brett Mitchell Society, a meaningful way for our most engaged donors and subscribers to have direct access to our new Music Director and have a profound role in the health and future of our orchestra. The Brett Mitchell Society was founded in the early spring of 2017 to give dedicated patrons at a certain giving level deeper access to the Symphony they love. Brett Mitchell Society members receive extra perks throughout the season, including our quarterly newsletter From the Podium, Masterclasses with Brett Mitchell, Advance Access to one-night-only concerts and special events, and that’s just the start! Brett Mitchell Society members possess the unique opportunity to influence the shared vision of the Society and of the Colorado Symphony, and to present the Symphony to people everywhere as a world-class orchestra. To join the 100+ households who are helping ensure the Colorado Symphony’s future, please email rsvp@coloradosymphony.org or call Kate Bentley at 303.308.2472. 8
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legal advice toadvice keep you in harmony legal to keep you in harmony
Liz Sharrer 303.295.8000 lsharrer@hollandhart.com Liz Sharrer 555 17th Street, Suite 3200 303.295.8000 Denver, Colorado 80202 lsharrer@hollandhart.com 555 17th Street, Suite 3200 Denver, Colorado 80202
Proud Supporter of the Arts Proud Supporter of the Arts
LOCK + LAND
DANNY TURNER
COLORADO SYMPHO NY
BRETT MITCHELL
ANDREW LITTON
MUSIC DIRECTOR
PRINCIPAL GUEST CONDUCTOR
The Bill Gossard Music Director Chair
VIOLIN
Yumi Hwang-Williams Concertmaster Claude Sim Associate Concertmaster Yi Zhao Assistant Concertmaster Paul Primus Principal Second Allegra Wermuth Assistant Principal Second Alessandra Jennings Flanagan Fixed 3rd Chair/Second Larisa Fesmire Thomas Hanulik Wyn Hart John Hilton Anne-Marie Hoffman Myroslava Ivanchenko-Bartels Dorian Kincaid Karen Kinzie Mark Lamprey Susan Paik Miroslaw Pastusiak Erik Peterson Megan Prokes * Adrienne Short * Robert Stoyanov Delcho Tenev Amy Tyson Bradley Watson Tena White Wenting Yuan
VIOLA
Basil Vendryes Principal
CHRISTOPHER DRAGON
ANDRÉS LOPERA
ASSISTANT CONDUCTOR
DUAIN WOLFE CHORUS DIRECTOR
ASSOCIATE CONDUCTOR
Mary Cowell Acting Assistant Principal Charlyn Campbell Marsha Holmes Leah Kovach Helen McDermott Summer Rhodes * Kelly Shanafelt Phillip Stevens Catherine Beeson + Assistant Principal
CELLO
Judith McIntyre Acting Principal Austin Fisher Assistant Principal Susan Rockey Bowles Andrew Briggs * Danielle Guideri Thomas Heinrich Margaret Hoeppner Matthew Switzer Susan Yun
BASS
Steve Metcalf Principal Nicholas Recuber Assistant Principal John Arnesen Susan Cahill James Carroll Jeremy Kincaid Owen Levine
FLUTE
Catherine Peterson Acting Principal Michael Williams * Julie Duncan Thornton 3rd/Assistant Principal Brook Ferguson + Principal
PICCOLO
Julie Duncan Thornton
OBOE
Peter Cooper Principal
The Irene & David Abosch Principal Oboe Chair
Nicholas Tisherman 2nd/Assistant Principal Jason Lichtenwalter
ENGLISH HORN Jason Lichtenwalter
CLARINET
Jason Shafer Principal Abby Raymond 2nd/Assistant Principal Andrew Stevens
E-FLAT CLARINET Abby Raymond
BASS CLARINET Andrew Stevens
BASSOON
Chad Cognata Principal Tristan Rennie 2nd/Assistant Principal Roger Soren
CONTRABASSOON Roger Soren
HORN
Michael Thornton Principal Carolyn Kunicki Kolio Plachkov 3rd/Associate Principal David Brussel
TRUMPET
Justin Bartels Principal Philip Hembree 2nd/Assistant Principal Patrick Tillery Associate Principal
TROMBONE
John Sipher Principal Paul Naslund 2nd/Associate Principal Gregory Harper
BASS TROMBONE Gregory Harper
TUBA
Stephen Dombrowski Principal
HARP
Courtney Hershey Bress Principal Timpani William Hill Principal Steve Hearn Assistant Principal
PERCUSSION John Kinzie Principal
Chair Endowed by a Friend of The Colorado Symphony
Steve Hearn Michael Van Wirt
ORCHESTRA LIBRARIAN
Joanne Goble Principal Jonathan Groszew Assistant
* = One year replacement + = On leave
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DON’T JUST HEAR THE MUSIC.
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BOARD OF TRU STEES HONORARY TRUSTEES OFFICERS Jerome H. Kern Co-Chair Mary Rossick Kern Co-Chair Stephanie Donner, Esq. Treasurer & Trustee Susan Bowles Secretary
TRUSTEES Anthony T. Accetta Dr. Paula P. Bernstein Susan Cahill* Young Cho Jim Copenhaver Zachary D. Detra, Esq. BJ Dyer Sandy Elliott Jack Finlaw Austin Fisher* Amy Harmon Diane S. Hill, Ph.D. Jessica Hobbs Margaret Hoeppner* Kathleen Johnson, Esq John Kinzie* Leah Kovach* Richard D. Krugman, MD
Governor John Hickenlooper Mayor Michael B. Hancock Christopher J. Ott, M.D.
Richard Kylberg P. Evan Lasky Jonathan Masoudi, M.D. Bill Myers Joe Neguse, Esq Erik Peterson* Kolio Plachkov* Nick Recuber* Julie Rubsam L.T. Sandvik Jason Shafer* Eric Sondermann Brandon L. Thall
* Colorado Symphony Musician Trustee
REMIX ASSOCIATE BOARD Kelly Waltrip, Chair Marilyn Brock Heather Church Nicole Donnelly Chelsea Eversmann Mike Fredregill Caiti Glasgo Bridget Kennedy McNeil Steve Metcalf Andy Evans William Kowalski Leah Kovach David Kuwayama Samantha Nuechterlein Sarah Parmley Brooke Smith Jackson Stevens Chris Strom Alexandra Tilton Kip Wallen Rosie Williamson Rachel Yeates
EX OFFICIO TRUSTEES Brett Mitchell Sara Moore Kelly Waltrip Ginger White
EMERITUS TRUSTEES William K. Coors John Low W. Gerald Rainer Lee Yeingst
TICKETS BUY AUTHENTIC! Are you buying your tickets via: ■ ■ ■ ■
coloradosymphony.org the Colorado Symphony Mobile app box office, in person at Boettcher Concert Hall phone at 303.623.7876
Get the best deal and support your symphony! Learn more at coloradosymphony.org/Visit/FAQs
COLORADOSYMPHONY.ORG
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STA F F LEADERSHIP TEAM Jerome H. Kern John Burtness Susan Ellis Coreen Miller Parker Owens Anthony Pierce
Chief Executive Officer Chief Advancement Officer Chief Administrative Officer Chief Operating Officer, Chief Financial Officer Chief Marketing Officer Chief Artistic Officer
ARTISTIC Anthony Pierce Brett Mitchell Andrew Litton Duain Wolfe Christopher Dragon Andres Lopera Dave Aeling Travis Branam Larry Brezicka Mary Louise Burke Aric Christensen Joanne Goble Jonathan Groszew Deborah Guess Philip Hiester Eric Israelson Sam Jaehnig Matt Koveal Taylor Martin Mike Pappas Barbara Porter Emily Scott Phillip Strom
Chief Artistic Officer Music Director Principal Guest Conductor Chorus Director, Colorado Symphony Chorus Associate Conductor Assistant Conductor Production Stage Manager Assistant Conductor, Colorado Symphony Chorus Orchestra Personnel Manager Associate Conductor, Colorado Symphony Chorus Audio Engineer Principal Orchestra Librarian Assistant Orchestra Personnel Manager / Assistant Librarian Properties Master Master Electrician Chorus Manager Head Carpenter Manager of Artistic Operations Assistant Conductor, Colorado Symphony Chorus New Media Center Assistant Chorus Manager Director of Artistic Administration Artistic Coordinator
ADVANCEMENT John Burtness Sean Baker Kate Bentley Caiti Glasgo Emily Spirk Doug Yost
Chief Advancement Officer Senior Manager of Corporate Partnerships Senior Manager of Individual Giving & Brett Mitchell Society Manager of Annual Giving Advancement Coordinator Advancement Services Manager
EDUCATION Catherine Beeson Shari Myers
Director of Community Education Programs Education Coordinator
MARKETING & COMMUNICATIONS Parker Owens Stephanie Derybowski Nick Dobreff
Chief Marketing Officer Applications Support Manger Manager of Publicity and Community Relations
SALES & PATRON SERVICES Susan Kelly Amanda Cantu Molly Epstein Rosa Gasdia Kelsey Holmes Theresa Illich Alexis Kittner Paxton Lee Ian MacIntyre Sol Ramos Jonathan Seid Rosa Torres Rob Warner
Director of Sales & Patron Services Asst. Manager of Patron Services Group Sales Associate Patron Services Associate Patron Services Associate Patron Services Associate Lead Patron Services Associate Patron Services Associate Manager of Patron Services Patron Services Associate Patron Services Associate Patron Services Associate Lead Patron Services Associate & Concierge
THE SYMPHONY FUND Stephen M. Brett Norman L. Wilson Susan K. Ellis Jerome H. Kern Gregg O. Kvistad Karen H. Long Suzanne Ryan
President Treasurer Secretary
COLORADO SYMPHONY GUILD OFFICERS Sara Moore Patty Goward Donna Connolly Janet Weisheit Mary Neidig Rose Blaschke Susan Thomas Sue Pawlik Sara Moore Rose Blaschke Kathy Swanson Monica Owen
President Recording Secretary Treasurer Assistant Treasurer VP of Fundraising VP of Membership VP of Information Management VP of Music Education Corresponding Secretary Immediate Past President Manager CSG Shop CSG Shop Buyer
BOETTCHER CONCERT HALL Denver Performing Arts Complex 1000 14th Street, No. 15 Denver, CO 80202 303.292.5566 :: tickets@coloradosymphony.org
TICKETS FINANCE
303.623.7876 :: coloradosymphony.org
Coreen Miller Chief Financial Officer Ben Boone Senior Finance Manager Annette Brown Staff Accountant Amber Sena Staff Accountant, Payroll & Benefits Manager
SOUNDINGS
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COMING SOON! J A N U A R Y
Video Games Live™ Returns!
Mozart Happy Hour
SP E C IAL
JAN 26 FRI 6:30 Christopher Dragon, conductor Christina Naughton, piano Michelle Naughton, piano
Carnival of the Animals Beethoven’s “Emperor” Concerto No. 5
Ravel’s Daphnis et Chloé
C L ASSIC S
FEB 2-4 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Jessica Rivera, soprano Colorado Symphony Chorus, Duain Wolfe, director
John Williams: An American Journey
CL A S S I CS
MAR 16-18 FRI-SAT 7:30 ■ SUN 1:00 Andrew Litton, conductor Zhang Zuo, piano
Star Wars: A New Hope – Live In Concert with the Colorado Symphony SP E C IAL
FEB 9-10 FRI-SAT 7:30 Brett Mitchell, conductor Justin Bartels, trumpet Yumi Hwang-Williams, violin Jason Shafer, clarinet
MAR 22 THU 7:00 ■ MAR 24 SAT 2:00 1STBANK CENTER Brett Mitchell, conductor
Tickets: altitudetickets.com
Concert performance includes FULL SCREENING OF THE FEATURE FILM!- These performances will be presented at the 1stBank Center. Presentation licensed by DISNEY CONCERTS in association with 20th Century Fox, Lucasfilm and Warner/ Chappell Music. © 2017 & TM LUCASFILM LTD. ALL RIGHTS RESERVED
Stravinsky’s The Rite of Spring
C L ASSIC S
FEB 16-18 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Kirill Gerstein, piano
John Denver: A Rocky Mountain High S YM P HO N Y P O P S Concert Celebration with the Colorado Symphony MAR 23 FRI 7:30 Andres Lopera, conductor
L I ST E N / H EA R 1 0 2 LIST E N/H E AR
FEB 22 THU 7:30 Christopher Dragon, conductor Austin Fisher, cello
Red Carpet Rewind: Celebration of the Music of the Academy Awards®
FAM I LY
HalfNotes
MAR 11 SUN 1:00 Christopher Dragon, conductor
F E B R U A R Y
Anything But Innocent: The Hard-Core Romantics
S P ECI A L
HalfNotes MAR 9-10 FRI-SAT 7:30 Colorado Symphony Chorus, Mary Louise Burke, associate director
A P R I L
Copland’s Rodeo Conducted by Andrew Litton SYMP H ONY P OP S
CL A S S I CS
APR 6-8 FRI-SAT 7:30 ■ SUN 1:00 Andrew Litton, conductor Alban Gerhardt, cello
L I ST E N / H EA R 1 0 3
FEB 24 SAT 7:30 Christopher Dragon, conductor Devin DeSantis, vocalist Claude Sim, violin
The American Voice
L I S TEN/HEA R
APR 12 THU 7:30 Brett Mitchell, conductor Colorado Symphony Chorus, Duain Wolfe, director
M A R C H
Tchaikovsky’s Piano Concerto No. 1 with Olga Kern
C L ASSIC S
HalfNotes Please join us for family-friendly activities 1 hour
MAR 2-4 FRI-SAT 7:30 ■ SUN 1:00 Brett Mitchell, conductor Olga Kern, piano
before the concert.
COLORADOSYMPHONY.ORG
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VOICES AND WINDS
WITH THE COLORADO WIND ENSEMBLE, DAVID KISH, CONDUCTOR featuring works by Anton Bruckner and Daniel Kellogg (world premiere) FEB 23 7:30 Montview Presbyterian Church, Denver
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PRESENTATION LICENSED BY DISNEY CONCERTS IN ASSOCIATION WITH 20TH CENTURY FOX LUCASFILM AND WARNER/CHAPPELL MUSIC. © 2017 & TM LUCASFILM LTD. ALL RIGHTS RESERVED
MUSICIAN SPOTL IG H T
NICHOLAS TISHERMAN Last fall, the Colorado Symphony welcomed its newest musician, Nicholas Tisherman, as 2nd/Assistant Principal Oboe. A graduate of the New England Conservatory, Tisherman has also performed with the Los Angeles Philharmonic, the Sarasota Orchestra, and the San Antonio Symphony. In this edition of Soundings, Nicholas shares some insight on his career, moving to Denver, and working with a childhood idol.
What role did your family play in your early musical development? I come from a pretty musical family, comprised primarily of clarinetists including my grandfather, my uncle, his son, and my twin brother. No one in my family ever pushed me into music, but I always had someone to inspire me. So it became very easy to get into the field and start studying seriously early on because I always had those role models.
What factors drew you to oboe instead of the clarinet? When it came time to choose our instruments, the oboe seemed close enough to the clarinet that it felt familiar. My mother played the oboe through college and that’s where the idea started. But I felt like I was forging a different path. Someone told me it was a challenge and I thought, ‘How hard can that be?’ It turned out to be every bit as challenging as they said it would be, but it was worth it.
Do you have any favorite composers or pieces you love to perform? Bach is my favorite composer because his works contain some of the most gorgeous oboe writing. No matter what you’re playing by Bach, it’s going to be something delicious and beautiful. 18
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What are your early impressions of living in Denver? When I was here for my audition, I was so focused that I don’t think I noticed the mountains for three days. Shortly thereafter, I looked up and saw these gorgeous mountains and I fell in love. Seeing the city and the mountains behind it, I just knew I really wanted to live here.
What have you learned in your first few months with the Colorado Symphony? It’s been nothing but learning so far as I figure out how to adapt to the work load, going through so much music so quickly, and keeping my chops up outside of rehearsal. I have to keep my playing at the highest level to be on par with this orchestra as it’s such a fantastic group.
What is an interesting fact that people may not know about you? For my 10th birthday, I received a CD recording of Peter Cooper, Principal Oboist of the Colorado Symphony, playing Oboe concertos. I used to listen to it nonstop, sometimes even falling asleep at night while listening to it. Now I’m here and I get to sit next to Peter every day.
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A MUSICAL FOUNDATION BUILT ON COMMUNITY SUPPORT Through dynamic performances, innovative partnerships, and vibrant community engagement programs, the Colorado Symphony is the region’s preeminent symphony orchestra and is integral in positioning Denver as a world-class cultural destination. However, our distinction as the area’s premier ensemble is not possible without the support of the Colorado business community. Enter the Colorado Symphony Corporate Council: a network of Colorado businesses that support the mission and music of the Symphony, ensuring that superb symphonic performances by world-class musicians will continue to enliven and enrich our city. Our Corporate Council members receive a host of exclusive benefits, including marketing recognition, business development and networking events with corporate leaders, and unique client entertainment opportunities tailored to each business. Thanks to the support of the Corporate Council, the Colorado Symphony has an impact far beyond the doors of Boettcher Concert Hall. Each year, the Symphony reaches more than 300,000 people through concert performances and educational programming.
“At Arrow, we guide innovators forward to a better tomorrow,” said Joe Verrengia, the Global Director of Corporate Social Responsibility at Arrow Electronics. “The Colorado Symphony is one of the most innovative orchestras in America, from the Very Young Composers education program to an extensive community performance schedule. At Arrow, we talk about “Five Years Out” as the tangible horizon of technology and where innovation is heading. It’s equally exciting for Arrow to see the new directions in which the Colorado Symphony is heading five years out.” PHOTO: ALLÉE PHOTOGRAPHY
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CO R P O RAT E CO U N CI L
PHOTO: BRANDON MARSHALL
In addition to performing over 80 concerts in Boettcher Concert Hall annually, the Symphony also held performances throughout the region over the last year, including the Salida SteamPlant Event Center, Red Rocks Park & Amphitheatre, the Arvada Center for the Arts and Humanities, Fiddlers Green Amphitheatre, and the Whitney Center for Performing Arts in Wyoming. The Colorado Symphony contributes significantly to the economic well-being of Colorado and is responsible for $18.2 million in economic activity in the region. A partnership with the Colorado Symphony actively supports a vibrant arts culture, which attracts educated, highly skilled professionals vital to the growth of local businesses and corporations in Denver and throughout Colorado. Investments by the Corporate Council in our institution benefit the organization, the Symphony, and the community we call home. “As a firm with a long history in It’s only with the support of the Corporate Council that the Colorado Symphony is able to accomplish its mission of creating extraordinary musical experiences that transport today’s listener, from the best of the past to the edge of the future. Join the Colorado Symphony Corporate Council today and help us build a more dynamic and vibrant Colorado. For more information on the Corporate Council, contact Sean Baker at sbaker@coloradosymphony.org.
Colorado, Sherman & Howard is committed to our clients and the Front Range community,” said Kate Johnson, Member at Sherman & Howard. “We honor the people and places that make Colorado an ideal place to live and work, and we are proud to support the Colorado Symphony for its breathtaking performances and dedication to advancing the arts in our community.”
“Davis Graham & Stubbs is committed to sustaining Denver’s legal, business, civic, and cultural communities, and we are delighted to partner with the Colorado Symphony because of the pivotal role it plays in enriching our city’s arts and culture scene,” said Zachary D. Detra, Partner at Davis Graham & Stubbs LLP.
SOUNDINGS
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Colorado Symphony 2017/18 Season Presenting Sponsor:
CLASSICS • 2017/18 TCHAIKOVSKY'S PIANO CONCERTO NO. 1 WITH OLGA KERN COLORADO SYMPHONY BRETT MITCHELL, conductor OLGA KERN, piano This Weekend's performances are Gratefully Dedicated to Liberty Global Inc. Friday's Concert is Gratefully Dedicated to Elizabeth and Steve Holtze & Elyse Tipton and Paul Ruttum Saturday's Concert is Gratefully Dedicated to Mr. Paul E. Goodspeed and Ms. Mary Poole Sunday's Concert is Gratefully Dedicated to Dr. Jan Marie Crawford
Friday, March 2, 2018, at 7:30 p.m. Saturday, March 3, 2018, at 7:30 p.m. Sunday, March 4, 2018, at 1:00 p.m. Boettcher Concert Hall
KILAR
Orawa
LUTOSŁAWKI Concerto for Orchestra Intrada Capriccio notturno e arioso Passacaglia, toccata e corale INTERMISSION
TCHAIKOVSKY Piano Concerto No. 1 in B-flat minor, Op. 23 Allegro non troppo e molto maestoso Andantino semplice Allegro con fuoco
SOUNDINGS
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PROGRAM 1
CLASSICS BIOGRAPHIES BRETT MITCHELL, conductor Hailed for delivering compelling performances of innovative, eclectic programs, Brett Mitchell was named the fourth Music Director of the Colorado Symphony in September 2016. He served as the orchestra’s Music Director Designate during the 2016/17 season, and began his fouryear appointment in September 2017. Mr. Mitchell concluded his tenure as Associate Conductor of The Cleveland Orchestra in August 2017. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra’s hundredyear history. In this role, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. Mr. Mitchell also served as Music Director of the Cleveland Orchestra Youth Orchestra (COYO) from 2013 to 2017, which he led on a four-city tour of China in June 2015, marking the ensemble’s second international tour and its first to Asia. In addition to his work in Cleveland and Denver, Mr. Mitchell is in consistent demand as a guest conductor. Recent and upcoming guest engagements include his debuts at the Grant Park Music Festival in downtown Chicago, with the New Zealand Symphony Orchestra in Auckland and Wellington, and the San Antonio Symphony, as well as appearances with the Dallas, Detroit, Houston, Indianapolis, Milwaukee, National, and Oregon symphonies, The Cleveland Orchestra, the Rochester Philharmonic, and the Saint Paul Chamber Orchestra, among others. He has collaborated with such soloists as Yo-Yo Ma, Renée Fleming, Rudolf Buchbinder, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony, to which he frequently returns as a guest conductor. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. In 2015, Mr. Mitchell completed a highly successful five-year appointment as Music Director of the Saginaw Bay Symphony Orchestra, where an increased focus on locally relevant programming and community collaborations resulted in record attendance throughout his tenure. As an opera conductor, Mr. Mitchell has served as music director of nearly a dozen productions, principally at his former post as Music Director of the Moores Opera Center in Houston, where he led eight productions from 2010 to 2013. His repertoire spans the core works of Mozart (The Marriage of Figaro and The Magic Flute), Verdi (Rigoletto and Falstaff), and Stravinsky (The Rake’s Progress) to contemporary works by Adamo (Little Women), Aldridge (Elmer Gantry), Catán (Il Postino and Salsipuedes), and Hagen (Amelia). As a ballet conductor, Mr. Mitchell most recently led a production of The Nutcracker with the Pennsylvania Ballet in collaboration with The Cleveland Orchestra during the 2016-17 season.
PROGRAM 2
C O L O R A D O SY M P H O N Y.O R G
CLASSICS BIOGRAPHIES In addition to his work with professional orchestras, Mr. Mitchell is also well known for his affinity for working with and mentoring young musicians aspiring to be professional orchestral players. His work with COYO during his Cleveland Orchestra tenure was highly praised, and he is regularly invited to work with the highly talented musicians at the Cleveland Institute of Music and the orchestras at this country’s high level training programs, such as the National Repertory Orchestra, Texas Music Festival, and Sarasota Music Festival. Born in Seattle in 1979, Mr. Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University, which selected him in as its Young Alumnus of the Year in 2014. He also studied at the National Conducting Institute, and was selected by Kurt Masur as a recipient of the inaugural American Friends of the Mendelssohn Foundation Scholarship. Mr. Mitchell was also one of five recipients of the League of American Orchestras’ American Conducting Fellowship from 2007 to 2010. For more information, please visit www.brettmitchellconductor.com
OLGA KERN, piano Russian-American pianist Olga Kern is now recognized as one of her generation’s great pianists. She jumpstarted her U.S. career with her historic Gold Medal win at the Van Cliburn International Piano Competition in Fort Worth, Texas as the first woman to do so in more than thirty years. First prize winner of the Rachmaninoff International Piano Competition at seventeen, Ms. Kern is a laureate of many international competitions. In 2016 she served as Jury Chairman of both the Seventh Cliburn International Amateur Piano Competition and the first Olga Kern International Piano Competition, where she also holds the title of Artistic Director. Kern serves as Artist in Residence to the San Antonio Symphony’s 2017-18 season, appearing in two subscription weeks as well as solo recital. She will also perform with Madison Symphony, Rochester Philharmonic, Copenhagen Philharmonic, Austin Symphony, New Mexico Philharmonic, Arizona Musicfest Orchestra, Colorado Symphony, and Hawaii Symphony Orchestra. Ms. Kern will premiere her first American concerto Barber’s Piano Concerto with the Detroit Symphony Orchestra under the baton of Leonard Slatkin. She will give recitals at the University of Arizona, the Lied Center in Lincoln, NE, the Sanibel Music Festival in Sanibel, FL, and abroad in Mainz and Turin. Additionally, Ms. Kern will perform in the Huntington Estate Music Festival with Musica Viva in Australia. In addition to opening the Baltimore Symphony’s 2015-2016 centennial season with Marin Alsop, Kern has appeared with the Royal Philharmonic, Orchestre Philharmonique de Nice, Rochester Philharmonic, Orchestre National De Lyon, and the San Antonio, Detroit, Nashville, Madison, New Mexico, Austin, and NHK Symphonies. She has toured South Africa with the Cape and KwaZulu Natal Philharmonics and Israel with the Israel Symphony. As an avid recitalist, she has appeared in solo and collaborative recitals at Carnegie Hall, the Great Hall of the Moscow Conservatory, Symphony Hall in Osaka, Salzburger Festspielhaus, La Scala in Milan, Tonhalle in Zurich, Chatelet in Paris, Van Wezel Hall in Sarasota, 92nd Street Y, Meany Hall in Seattle, and the University of Kansas’ Lied Center. Ms. Kern’s discography includes her Grammy Nominated recording of Rachmaninoff’s Corelli Variations and other transcriptions (2004), Brahms Variations (2007) and Chopin Piano Sonatas No. 2 and 3 (2010). She was featured in the award-winning documentary about the 2001 Cliburn Competition, Playing on the Edge. SOUNDINGS
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PROGRAM 3
CLASSICS PROGRAM NOTES WOJCIECH KILAR (1932-2013): Orawa for String Orchestra Wojciech Kilar was born July 17, 1932 in Lvov, Poland (now Lviv, Ukraine) and died December 29, 2013 in Katowice, Poland. Orawa was composed in 1986 and premiered on March 10, 1986 in Zakopane, Poland, conducted by Wojciech Michniewski. Duration is about 9 minutes. This is the first performance of the piece by the orchestra. The name Wojciech Kilar may not be familiar to many American listeners, but anyone who has seen Francis Ford Coppola’s Bram Stoker’s Dracula, Jane Campion’s The Portrait of a Lady, or Roman Polanski’s Death and the Maiden or The Ninth Gate has heard his music — after scoring his first movie in his native Poland in 1958, Kilar contributed to more than 150 feature films and television shows while maintaining a parallel career as one of his country’s most respected concert composers. Kilar, born on July 17, 1932 in Lvov, Poland (now Lviv, Ukraine), studied piano and composition at the Katowice Academy (1950–1955) and the State Higher School of Music in Krakow (1955–1958) before winning a grant from the French government to study with Nadia Boulanger in Paris (1959-1960). He returned home to teach at the Katowice State College of Music and to join Krzysztof Penderecki, Henryk Górecki, Tadeusz Baird and others in charting the path that made Polish music some of the most daring and experimental being composed anywhere during the 1960s. Despite his forays into serialism, extended vocal and instrumental techniques, and other avant-garde practices, Kilar’s works always displayed simple structures, immediacy of expression and an influence in Polish folk music, and those qualities gained increasing prominence in his music after the late 1960s, when he began devoting much of his creative energy to writing for the cinema. Many of his works after that time testify to his religious belief (in 1981, he scored a television documentary about Pope John Paul II titled From a Far Country; in 1996, he composed Requiem Father Kolbe, inspired by the beatification of the Polish priest and religious publisher Maximilien Kolbe) or his fascination with the spirit and the music of the Tatra Mountains, which straddle Poland’s southern border. Among Kilar’s numerous international distinctions were the Lili Boulanger Memorial Fund Award of Boston (1960), Jurzykowski Foundation Award of New York (1983), a Polish State Award Grade I (1980), two awards from the Polish Minister of Culture (1967, 1976), Prize of the Polish Composers’ Union (1975), an ASCAP Award for his score for Bram Stoker’s Dracula (1992), and Grand Cross of the Order of Polonia Restituta (2008). The title of Kilar’s Orawa, according to Andrzej Chtopecki, the leading authority on the composer’s music, is “a word derived from a Highlander term for a slope in the Podhale region of the Tatra Mountains [centered around the southern town of Zakopane] where the grass has been scythed. When the grazing season is over, the remaining grass is cut down and the slope thus prepared becomes a place for celebrating the end of the shepherds’ work with music and dancing.” The folk essence of Orawa is inherent in the short, small-interval phrases of its melodic material, the driving, repetitive nature of its rhythms, and the sonorous, open-interval quality of its harmonies. These elements are presented simply and without ornament at first, but are whipped into an increasing frenzy as the work progresses (the final pages of the score bear the performance instructions feroce — furioso — ferocissimo — ardente) until a final shout from the orchestra caps this evocation of a harvest-time celebration in Poland’s most rugged and beautiful region.
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CLASSICS PROGRAM NOTES WITOLD LUTOSŁAWSKI (1913-1994): Concerto for Orchestra Witold Lutosławski was born January 25, 1913 in Warsaw and died there on February 7, 1994. The Concerto for Orchestra was composed between 1950 and 1954; Witold Rowicki and the Warsaw Philharmonic Orchestra gave the work’s premiere on November 26, 1954. The score calls for three flutes (second and third doubling piccolo), three oboes (third doubling English horn), three clarinets (third doubling bass clarinet), three bassoons (third doubling contrabassoon), four horns, four trumpets, four trombones, tuba, timpani, percussion, celesta, two harps, piano and strings. Duration is about 30 minutes. The last performance took place on April 3-5, 2003, with Jeffrey Kahane leading the orchestra. Witold Lutosławski was among the giants of late-20th-century music. Born into a highly cultured family in Warsaw, Poland on January 25, 1913, Lutosławski took up piano and violin as a teenager before entering the Warsaw Conservatory to study keyboard and composition. His first important work, the Symphonic Variations (1938), dates from the year after his graduation. He supported himself during the difficult years of World War II, when he was in constant fear of deportation, as a pianist in the Warsaw cafés. At that time, he also worked on his First Symphony, which was condemned following its 1947 premiere for not conforming to the governmentprescribed style of “socialist realism.” Many of his works of the following decade avoided “formalism” by deriving their melodic and harmonic inspiration from folk songs and dances, a period that culminated in the splendid Concerto for Orchestra of 1950-1954. After the Funeral Music for String Orchestra of 1957, Lutosławski’s music was written in a more decidedly modern idiom, akin in some respects to 12-tone serialism but still individual in its formal strength, colorful sonority, lucid texture and emotional power. His last works, notably the Third (1983) and Fourth (1992) Symphonies and the Piano Concerto (1987), turned to an idiom that is less dissonant, dense, complicated and unpredictable, and more lucid and obviously melodic than the compositions of the preceding two decades. In summarizing the style of Lutosławski’s music, Bohdan Pociej wrote, “For him sound is primary, but this does not mean that he tends in the direction of impressionism; rather the superior position given to sound quality is combined with an unusually acute sense of proportion and of the expressive capacities of shape. The sources of his music may be traced to the deepest and most vital European traditions, and he has renewed and developed currents of musical thought basic to those traditions: the idea of form in sound as a manifestation of beauty and the idea of dramatic form generated by conflict.” The composer gave the following account of the genesis of his Concerto for Orchestra: “In 1945, the Polish Music Publishing Company — which had just been established — asked me to compose a series of easy pieces based on Polish folk song and dance themes. I readily accepted this proposition and began for the first time to introduce elements of folk music into my work. Soon afterwards I accepted several similar commissions and in this way I came to compose a series of works based on Polish folk tunes. Among these are my ‘Little Suite’ for orchestra, ‘Bucolics’ for piano, etc. I did not attach any great importance to these works and treated them merely as a side-line to my real work as a composer. At this time I was busy above all on my First Symphony and later on my Overture for Strings and on problems of composition technique which were entirely unconnected with folk music. At the same time, however, the whole series of ‘functional’ pieces which I wrote based on folk themes gave me the possibility of developing a style which though narrow and limited, was nevertheless characteristic enough. SOUNDINGS
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CLASSICS PROGRAM NOTES This mainly involved blending simple diatonic motifs with chromatic atonal counterpoint, and with non-functional, multicolored, capricious harmonies. The rhythmic transformation of these motifs, and the polymetrical texture resulting from them together with the accompanying elements are a part of the characteristic style which I have mentioned. In doing all this, I thought at the time that this marginal style would not be entirely fruitless and that despite its having come into being while I was writing typical ‘functional’ music, I could possibly make use of it in writing something more serious. A suitable opportunity for putting this into practice soon turned up. This was in 1950. The director of the Warsaw Philharmonic Orchestra, Witold Rowicki, asked me to write something especially for his new ensemble. This was to be something not difficult, but which could, however, give the young orchestra an opportunity to show its qualities. I started to work on the new score not realizing that I was to spend nearly four years on it. Folk music and all that follows with it — of which I have already spoken — was to be used in my new work. Folk music has in this work, however, been merely a raw material used to build a large musical form of several movements which does not in the least originate either from folk songs or from folk dances. A work came into being, which I could not help including among my most important works, as a result of my episodic symbiosis with folk music and in a way that was for me somewhat unexpected. This work is the Concerto for Orchestra. It seems to me that my possibilities of making use of folk themes have been almost completely exhausted in this score.” Like Bartók’s familiar work of the same title, Lutosławski’s Concerto for Orchestra allows each orchestral section solo opportunities, creating a richly varied kaleidoscope of instrumental colors enlivened by a clear and invigorating harmonic palette and a bursting rhythmic energy. The first movement is titled Intrada, a term used in the 16th and 17th centuries for the festive opening piece of a musical evening. Lutosławski’s Intrada begins over a gigantic sustained pedal-point in the basses and proceeds through several sections that are played in reverse order after the movement’s central point to create a symmetrical, mirror-like structure with the pedal-point and its decorating themes returning at the end to round out the form. The second movement (Capriccio notturno e Arioso) opens and closes with skittering music that brings to mind the whirrings and buzzings of a country summer night. The Arioso at the movement’s center, initiated by unison trumpets, is an extended melody given above heavy accompanimental punctuations. The finale comprises three continuous sections — Passacaglia, a set of increasingly elaborate variations around an unchanging melody, first played by the basses; Toccata, a vibrantly rhythmic stanza commencing after the Passacaglia fades into silence; and Chorale, begun by oboes and clarinets and growing through the full ensemble to stentorian proportions.
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CLASSICS PROGRAM NOTES PETER ILYICH TCHAIKOVSKY (1840-1893): Piano Concerto No. 1 in B-flat minor, Op. 23 Peter Ilyich Tchaikovsky was born May 7, 1840 in Votkinsk, Russia and died November 6, 1893 in St. Petersburg. The Piano Concerto No. 1 was composed in 1874-1875 and premiered on October 25, 1875 in Boston, with Hans von Bülow as soloist; Benjamin Johnson Lang conducted. The score calls for woodwinds and trumpets in pairs, four horns, three trombones, timpani and strings. Duration is about 36 minutes. The concerto was last performed on September 18-20, 2015, with Alessio Bax as the piano soloist and Andrew Litton on the podium. These days, when the music of Tchaikovsky is among the most popular in the repertory, it is difficult to imagine the composer as a young man, known only to a limited public and trying valiantly to solve that most pressing of all problems for the budding artist — making a living. In 1874, he was teaching at the Moscow Conservatory and writing music criticism for a local journal. These duties provided a modest income, but Tchaikovsky’s real interest lay in composition, and he was frustrated with the time they took from his creative work. He had already stolen enough hours to produce a sizeable body of music, but only Romeo and Juliet and the Symphony No. 2 had raised much enthusiasm. At the end of the year, he began a piano concerto with the hope of having a success great enough to allow him to leave his irksome post at the Conservatory. By late December, he had largely sketched out the work, and, having only a limited technique as a pianist, he sought the advice of Nikolai Rubinstein, Director of the Moscow Conservatory and an excellent player. Tchaikovsky reported on the interview in a letter: “On Christmas Eve 1874 ... Nikolai asked me ... to play the Concerto in a classroom of the Conservatory. We agreed to it.... I played through the first movement. Not a criticism, not a word. Rubinstein said nothing.... I did not need any judgment on the artistic form of my work; there was question only about its mechanical details. This silence of Rubinstein said much. It said to me at once: ‘Dear friend, how can I talk about details when I dislike your composition as a whole?’ But I kept my temper and played the Concerto through. Again, silence. “‘Well?’ I said, and stood up. There burst forth from Rubinstein’s mouth a mighty torrent of words. He spoke quietly at first; then he waxed hot, and at last he resembled Zeus hurling thunderbolts. It appeared that my Concerto was utterly worthless, absolutely unplayable; passages were so commonplace and awkward that they could not be improved; the piece as a whole was bad, trivial, vulgar. I had stolen this from that one and that from this one; so only two or three pages were good for anything, while the others should be wiped out or radically rewritten. I cannot produce for you the main thing: the tone in which he said all this. An impartial bystander would necessarily have believed that I was a stupid, ignorant, conceited note-scratcher, who was so impudent as to show his scribble to a celebrated man.” Tchaikovsky was furious, and he stormed out of the classroom. He made only one change in the score: he obliterated the name of the original dedicatee — Nikolai Rubinstein — and substituted that of the virtuoso pianist Hans von Bülow, who was performing Tchaikovsky’s piano pieces across Europe. Bülow gladly accepted the dedication and wrote a letter of praise to Tchaikovsky as soon as he received the score: “The ideas are so original, so powerful; the details are so interesting, and though there are many of them they do not impair the clarity and unity of the work. The form is so mature, so ripe and distinguished in style; intention and labor are everywhere concealed. I would weary you if I were to enumerate all the characteristics of your
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CLASSICS PROGRAM NOTES work, characteristics which compel me to congratulate equally the composer and those who are destined to enjoy it.” After the scathing criticism from Rubinstein, Tchaikovsky was delighted to receive such a response, and he was further gratified when Bülow asked to program the premiere on his upcoming American tour. The Concerto created such a sensation when it was first heard, in Boston on October 25, 1875, that Bülow played it on 139 of his 172 concerts that season. (Remarkably, Tchaikovsky’s Second Piano Concerto was also premiered in this country, by Madeleine Schiller and the New York Philharmonic Society conducted by Theodore Thomas on November 12, 1881.) Such a success must at first have puzzled Rubinstein, but eventually he and Tchaikovsky reconciled their differences over the work. Tchaikovsky incorporated some of his suggestions in the 1889 revision, and Rubinstein not only accepted the Concerto, but eventually made it one of the staples of his performing repertory. During the next four years, when Tchaikovsky wrote Swan Lake, the Rococo Variations, the Third and Fourth Symphonies, the Violin Concerto, and, in 1877, met his benefactress Nadezhda von Meck, he was not only successful enough to leave his teaching job to devote himself entirely to composition, but he also became recognized as one of the greatest composers of his day. Tchaikovsky’s First Piano Concerto opens with the familiar theme of the introduction, a sweeping melody nobly sung by violins and cellos above thunderous chords from the piano. After a brief cadenza for the soloist, the theme — which is not heard again anywhere in the Concerto — is presented a second time in an even grander setting. Following a decrescendo and a pause, the piano presents the snapping main theme. (Tchaikovsky said that this curious first theme was inspired by a tune he heard sung by a blind beggar at a street fair.) Following a skillful discussion of the opening theme by piano and woodwinds, the clarinet announces the lyrical, bittersweet second theme. A smooth, complementary phrase is played by the violins. This complementary phrase and the snapping motive from the main theme are combined in the movement’s impassioned development section. The recapitulation returns the themes of the exposition in altered settings. (The oboe is awarded the second theme here.) An energetic cadenza and a coda derived from the second theme bring this splendid movement to a rousing close. The simplicity of the second movement’s three-part structure (A–B–A) is augured by the purity of its opening — a languid melody wrapped in the silvery tones of the solo flute, accompanied by quiet, plucked chords from the strings. The piano takes over the theme, provides it with rippling decorations, and passes it on to the cellos. The center of the movement is of very different character, with a quick tempo and a swift, balletic melody. The languid theme and moonlit mood of the first section return to round out the movement. The crisp rhythmic motive presented immediately at the beginning of the finale and then spun into a complete theme by the soloist dominates much of the last movement. In the theme’s vigorous full-orchestra guise, it has much of the spirit of a robust Cossack dance. To balance the impetuous vigor of this music, Tchaikovsky introduced a contrasting theme, a romantic melody first entrusted to the violins. The dancing Cossacks repeatedly advance upon this bit of tenderness, which shows a hardy determination to dominate the movement. The two themes contend, but it is the flying Cossacks who have the last word to bring this Concerto to an exhilarating finish. ©2017 Dr. Richard E. Rodda
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C O L O R A D O SY M P H O N Y.O R G
CO M M U N I T Y SU P P O RT
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Diamond Chairman’s Society Anonymous The Anschutz Foundation Arrow Electronics, Inc. Avenir Foundation, Inc. Bonfils-Stanton Foundation The Butler Family Fund Merle C. Chambers Esther R. Liss Living Trust Mary Rossick Kern and Jerome H. Kern Scientific and Cultural Facilities District Sterne-Elder Memorial Fund
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Anonymous (2) Argonaut Wine & Liquor Bessie C. Burghardt Charitable Unitrust Mrs. Sandy Elliott Keith and Kathie Finger Diane S. Hill and Kevin E. Somerville Lloyd J. King and Eleanor R. King Foundation Northern Trust Company Schmitt Music Company VAL-U-ADS of Colorado, Inc. The Virginia Hill Foundation Lee and Doris Yeingst
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CO MMUN I T Y SUPPO RT Thomas J. and Shirley C. Gibson Mr. Paul E. Goodspeed and Ms. Mary Poole Stephen and Margaret Hagood Mabel Y. Hughes Charitable Trust KPMG, LLP Dr. Richard and Mrs. Mary Krugman Mrs. Bette MacDonald Dr. Jon Masoudi and Dr. Marsha Tharakan Mrs. Rhea Miller Kenneth and Myra Monfort Charitable Foundation Ms. Carolyn Moore Jane Costain and Gary Moore Helen Murray Charitable Trust Drs. Sarah and Harold Nelson Dr. Christopher Ott and Mr. Jeremy Simons Frank Y. Parce Priester Foundation Republic National Distributing Company Lt. Col. and Mrs. Robert W. Riegel Raymond and Suzanne Satter Sherman & Howard George Shields Foundation, Inc. Anna and John J. Sie Foundation University of Denver U.S. Bank Foundation Verizon Wireless Mr. and Mrs. Seth Weisberg Peter Wells and Julie Gordon Alan and Judy Wigod Dr. Jack Wilson Mr. Earl and Mrs. Nancy Wright
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Celeste and Jack Grynberg Michael and Frances Gundzik Tom Haller and Kim Patmore Ms. Amy Harmon Haselden Construction, LLC Jennifer Heglin Elizabeth and Steve Holtze Kenneth King Foundation Midge Korczak KUSA-9 News Donald and Margery Langmuir Steve and Pat Larson Leopold Brothers Marjorie MacLachlan Macy’s Foundation A.J. Markley Trust Mr. and Mrs. Michael Miller Mr. Craig Ponzio Precourt Foundation Mr. and Mrs. Richard Robinson Dr. Susan B. Rifkin Dr. Joanne Rudoff Elyse Tipton and Paul Ruttum Mr. Robert E. Schueller Scientific & Cultural Collaborative Rob and Jane Scofield David and Susan Seitz Mitch and Barbara Solich Harvey and Maureen Solomon Eric Sondermann and Tracy Dunning The Ilse Steinbach Revocable Trust
Conductor’s Circle Anonymous (3) Sue Anschutz-Rodgers Robert P. Austin Mr. Hartman Axley Margaret and Larry Ballonoff Addie and Bob Barkley Fackler Legacy Gift J. Fern Black Erin Blue Jude Blum Barbara Bohlman Barbara Bridges Mr. Scott Brockett Nathan B. & Florence R. Burt Foundation Dr. Bonnie W. Camp Ms. Ellie Caulkins Professor Gerald Chapman Choquette and Hart, LLP Drs. Henry and Janet Claman John L. Coil Collage Giving Fund Bill and Nancy Cook Jim and Julie Copenhaver Polly Cordes Drs. Richard J. and Jan Marie Crawford Karen and William Curtis Lou Tate Dafoe Mrs. Jean Davenport Mr. and Mrs. Richard Deane Mark and Katherine Dickson
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Mr. Shannon and Mrs. Stephanie Duffy Gerald S. Dunbar Ted and Margaret Eickhoff Drs. Ellen and Anthony Elias Fine Arts Foundation FirstBank Holding Company of Colorado Fran and Mike Fisher Mr. Robert Friedlander Mr. David F. Fritz Mr. and Mrs. Greg Fulton Deborah and Theodore Gaensbauer Mrs. Sally S. Gart Ms. Donna S. Gerich Mr. and Mrs. George C. Gibson Ms. Jean M. Gordon Thomas J. Jirak and Susan Graber The Friedlander Family - Great Lakes Marine Denver Sally Haas Dr. and Mrs. Karl Hammermeister Dr. and Mrs. Robert D. Harry Lorraine and Harley G. Higbie Bill and Donna Hoberecht Mr. and Mrs. Del Hock Penny and Glen Holguin The Humphreys Foundation Thomas J. Jirak and Susan Graber Edeltraud Johnson Mr. Paul Johnson Richard and Mary Anne Johnston Donald and Henny Kaufmann Joe and Francine Kelso
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Rob and Kathy Klugman Dragon Kojic Donna C. Kornfeld Mr. George Kruger Mr. and Mrs. Frank Kugeler Sandy and Evan Lasky Warren and Nancy Lawrence Don Leach Judge and Mrs. John P. Leopold Mrs. Ann C. Levy Robert and Patricia Lisensky M. Catherine and James R. Look Marty Lord Mrs. Jeri Loser John and Merry Low Evi and Evan Makovsky Ms. Joan Manley Mr. Robert and Mrs. Barbara Marchbank Steve and Kathy McConahey Mr. and Mrs. Neil McLagan Sharon L. Menard Ms. Anne B. Mills Brett and Angela Mitchell Henry B. Mohr Adam Moore Mr. Douglas G. and Dr. Laura B. Moran Kirsten and David Morgan Robert and Carol Murphy Judie and Ron Neel Ms. Mary Neidig Elizabeth and Heather Neva Mr. Stephen Norris Dr. Bonnie M. Orkow, Ph.D. Mr. Gary and Mrs. Joyce Pashel Mr. and Mrs. Bruce Payne Sue and Edwin Peiker Bonnie C. Perkins Mr. Leonard Perlmutter Dr. Peter S. Quintero Richard Replin and Elissa Stein Myra and Robert Rich Dr. Susan B. Rifkin Matt Rippee Supansar and Robert Rodriquez Dr. and Mrs. Paul R. Rosen Ms. Margaret Roath Ms. Julie B. Rubsam Suzanne Barber Ryan Dr. and Mrs. Richard J. Sanders Mr. and Mrs. Richard C. Saunders Henry R. Schmoll Ms. Barbara Servis Jon Gamm and Kathleen Sgamma Mr. and Mrs. Peter D. Shultz Sam and Marty Sloven William F. Smith and Shirley A. Scott Galen & Ada Belle Spencer Foundation Ms. Kathy Spuhler Mr. Gordon W. Stenger Vicki and Harry Sterling Dr. Bill Strempel Mrs. Beatrice Taplin Mr. and Mrs. Howard Turetzky
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Ms. Sue Pawlik Perry C. Peine Eric Pirritt Mr. David Porter Al and Ursula Powell Mr. Bennett L. Price Dr. Dean M. Prina Robin Pringle Nijole and Walter Rasmussen Mr. Nick Recuber Mr. Eli Reshotko and Mrs. Adina Reshotko Steven and Joan Ringel Ayliffe and Fred Ris Ms. Margaret Roath Dr. Gregory Robbins Terri and Jay Rolls Sallie and John Ruhnka Jim and Doreen Ryan Dave Schmitz Ruth Schoening Nancy & Robert Schulein Fund Mr. and Mrs. George Shaw Dr. and Mrs. Edwin R. Smith Billie Busby and Sidney Smith Harvey and Maureen Solomon Kelley Staudenmier Philip Stoffel and Tricia Hughey Dr. Darwin Strickland Marcia D. Strickland Lou and Katherine Svoboda Mr. Lloyd Sweet Mr. and Mrs. Douglas Tashiro Tipton Family Foundation David Tourtelot and Nikki Headlee Kyle and Bev Turner Mr. Tim and Mrs. Lisa Walsh Mr. and Mrs. Douglas Ward Peter Weiser Mr. and Mrs. Tor Westgaard Richard and MaryAnn Woods Henry E. Wurst Family Foundation Dr. Martin Yussman
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Anonymous (6) Rhiannon Adler Fisher DeAnn Anderson Mr. and Mrs. Gary Armstrong Bruce Avery Ms. Nora Baldwin Mr. James D. Balog Corinne Morse and David Beeman Anne and Henry Beer Ms. Mariette Bell Claire Benson Mr. Erik Bernstein Sue and Bix Bicknell Marie and Howard Blaney Ms. Ellen Blatt Jane Bomba Ms. Therese Brady Ms. Emily Brett Mr. Briggs and Ms. Kostyashkina
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Mr. and Mrs. Joseph Bronesky Ms. Barbara Brown Mr. and Mrs. Wesley A. Brown Sandy and Rogene Buchholz M. Peyton and Suzanne D. Bucy - Bucy Family Fund Mrs. Elizabeth S. Budd Robert and Linda Bushman Mr. and Mrs. Ronald Butz Cadre General Contractors Inc. Rusty and Ellen Campos Douglas and Constance Cain Christina Carlson Ms. Barbara Carpenter Richard Caudel Caulkins Family Foundation Ms. Martha Chamberlin Daniel Chapman Dr. Kevin M. Christ Dr. David and Mrs. Delores Claassen Ms. Sherri Colgan Mr. Scott Coors and Dr. David Hurt Frances S. Corsello Ray and Kathleen Cravy Mr. Lee Cryer Anne M. Culver Hille L. Dais Suzanne Dakin Ms. Ruth Dalrymple Chris D’ambrosia Mrs. Sue Damour The Dowling Foundation Mr. and Mrs. Robert L. Drew Louise and Robert Dudley Dr. and Mrs. Michael P. Earnest Max and Carol Ehrlich Mr. Edward and Mrs. Judith Elgethun Lucy and Dan Ellerhorst Mr. Don Elliott Barbara Neal and Edward E. Ellis Mr. and Mrs. James W. Espy Courtney Ferer Dr. and Mrs. Richard Fieman Ms. Gail Fisher Mr. and Mrs. Gregg Flannery David and Debra Flitter Dr. Lauren Fraser and Ms. Rebecca Coughlin Frederick G. Fish Foundation Joann Freedman Ms. JoAnne Friedman Deborah S. Froeb Virginia E. & Robert K. Fuller Todd Gander and Terry Hsu-Gander Wes Ganter Marshall and Jenifer Gile Michael Gill The Gilman Family Foundation Mr. and Mrs. Jim Golanty Tamara Golden and Tim Worrall Mr. Barry J. Goldstein and Mrs. Thorey Goldstein Mr. and Mrs. James B. Grange Ms. Andrea J. Grant Mr. and Mrs. Gerald M. Greenberg Mr. and Mrs. Peter Griffiths
CO M M U N I T Y SU P P O RT
Mr. David Hackl Donald Hagengruber Mr. and Mrs. Alvin W. Haggerty Charles and Linda Hamlin Mr. and Mrs. Homer Hancock Ms. Linda Harger Mr. and Mrs. George Hearne Owen and Deborah Herman Betsy Herrick and Milt Kahn Mr. and Mrs. J.B. Hewetson Mr. and Mrs. James Hidahl Ms. Susan A. Hill Chad Hollingsworth Ms. Sally Hopper Andrew Hornbrook Michael E. Huotari and Jill R. Stewart Mr. and Mrs. Robert Hucks, Jr. Amanda Hutchison Robert and Betty Huzjak Mr. Jon Isenhart The Janet Melson Charitable Gift Fund Mrs. Jill Johnke Mr. Eric E. Johnson Mrs. Kathleen Johnson and Mr. Stephen Vierling Marvin and Carole Johnson Mr. Douglas C. Jones Dr. and Mrs. Everette G. Jones Kathy and Arthur Judd Lina Kelso Heidi and Randy Keogh Ms. Judy H. Kessenich
Mr. Michael Biere Oza and Milan Klanjsek Mel and Roberta Klein Mr. and Mrs. Stanley W. Kleinsteiber Mr. Kurt Koptish Mr. Richard Koseff Mr. William L. Kowalski Jr Eric Krein John W. Kure and Cheryl L. Solich Nancy Lambertson Mr. Richard Leather David C. Leger Deanna Rose Leino Frank and Ginny Leitz Mr. Owen Levine Judy and Dan Lichtin Ms. Marianne Lizza Ms. Johanna Llewellyn Mr. and Mrs. Harold Logan Paul V. LoNigro Patty Lorie Ms. Marian Lyons Mrs. Jean Macferran John Mamuscia Marian P. Gelfand Fund Mr. and Mrs. Jim Marlow Bruce W. Martin Mr. and Mrs. Gerard Martins
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Mr. and Mrs. Amos C. Mathews William Mathews Myron McClellan and Lawrence Phillips Dr. Jerrald McCollum Jay and Carol McCormick Ms. Tracey McCullough Michael E. McGoldrick Karen M. McGrath Carla E. McKennett Mrs. Bridget McNeil Ms. Carla McWilliams Mr. and Mrs. Harold ‘Bud’ Meadows Mr. Steve Metcalf Paul and Barb Moe Cheryl L. Moody Ms. Emily Morgan Ron, Hester, Fred and Estelle Nadal Mrs. Cynthia F. Nagel Ms. Marcia G. Naiman Newberry Family Fund Mrs. Kristen Nordenholz Mr. Robert and Mrs. Ilsa Nordenholz Ms. Sheila O’Brien Larry O’Donnell and Kermit Cain Ray O’Loughlin and Jamie Henderson Dr. Priscilla Zynda-Otsuki and Mr. Steve Otsuki Mary and Art Otten Mr. Gregory A. Parsons Carl Patterson David and Doris Pearlman Mr. and Mrs. George C. Pickering Mr. Cason and Rachel Pierce Ed Post Katy Powers Mr. and Mrs. H.W. Praetorius Ms. Julie Prange John Puckett Ms. Melinda Quiat Mr. and Mrs. Ted E. Rains Mr. Kameron Ray Mr. Nick Recuber Ms. Haley C. Reidy Nancy and Gene Richards Brandon Ridenour Richard Right Hannelore Rimlinger Matt Rippee Eleanor Roberts Mr. Bernie Rogoff and Ms. Jean Greenberg Anthony C. and Patricia J. Romeo Sig and Lucille Rosefeld Ms. Carol L. Rust Mr. and Mrs. Clayton Sandt Mr. Clayton Saylor Mr. Loren Schillinger Ms. Mary Ann Schultz Patrick Scully Mr. David Seeland Dr. and Mrs. David Shander Jo Shannon Dr. and Mrs. Arnold Silverman Ms. Janice Sinden Mr. and Mrs. William H. Speaker
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Hanspeter Spuhler Myron and Marcia Stein Julie and John Strain Mr. and Mrs. Michael Strear Helena and Allan Striker Ryan Sullivan Carol and Cedric Tarr Judy and Rob Tate Brandon Thall Mr. Frank Thomson Jennifer Thurman Skip Thurman Mr. and Mrs. Carl J. Tillery Mr. and Mrs. Lloyd Timblin Ms. Sheila Trader Dona Verschelden Ed and Patty Wahtera John and Kristine Wallack Mr. and Mrs. Douglas Ward Ms. Hanna Warren Walter and Susanna Weart Mr. Jim and Mrs. Janice White Jordan Wight Mr. Dieter and Mrs. Marianne Wons Dr. & Mrs. Roy R. Wright Dick and Lorie Young Marsha F. Young Mr. and Mrs. Ken Ziebarth R.A. Zimmerman Joan Zisler Susan Zohn
MATCHING DONATIONS Thank you to those companies who match current and retired employee contributions to the Colorado Symphony and to our donors who apply for these matching gifts. Please check with your Human Resources Department to see if your contribution can double through the generosity of your company. To contact the Advancement Department directly, please call Sean Baker at 303.534.0757.
WOMEN OF NOTE DONOR LIST The following are members of the Colorado Symphony’s Women of Note (WON). WON members receive exclusive benefits and event invitations throughout the season. The Colorado Symphony is grateful for the support of these dedicated individuals. Anonymous Marin Alsop Nancy Accetta Addie Barkley Paula Bernstein Catherine Bess Terry Biddinger Libby Bortz Erna Butler Taesuk Cho-Hwang
Founding Member
Founding Member Founding Member Founding Member
Kirsten Collins Donna Connolly Anne Culver Courtney Ferer Kathie Finger Mary Lou Flater Deborah Gaensbauer Monica Glickman Diane Hill Elizabeth Holtze Eileen Honnen-McDonald Montjoy Kugeler Sandy Lasky Ann Levy Nira Lipner Carolyn Longmire Jeri Loser Merry Low Janet Mordecai Karin Mote Chris Murata Carol Murphy Elizabeth B. Neva Jane Nielsen Shelia O’Brien Ursula Powell Margaret Roath Mary Rossick Kern Suzanne Barber Ryan Suzanne Satter Elizabeth Schlosser
CO M M U N I T Y SU P P O RT Alice Silver Phoebe Smedley Kathy Sphuler Vicki Sterling Janyce Wald Rivka Weisberg Judy Wigod Founding Member
BRETT MITCHELL SOCIETY
Founding Member
The following are members of the prestigious Brett Mitchell Society (BMS). BMS members are highly engaged patrons and donors who share the Colorado Symphony’s passion for artistic excellence and innovation and who support the Symphony through their subscriptions and annual donations. The Colorado Symphony is grateful for the continued support of these individuals.
Founding Member
Anonymous Mr. and Mrs. Anthony Accetta Michael Altenberg and Libby Bortz Margaret and Larry Ballonoff Addie and Bob Barkley Ken and Zoe Barley Fackler Legacy Gift Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson
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J. Fern Black Ed and Laurie Bock Roger and Susan Bowles Barbara Bridges Dale and Marguerite Bussman Dr. Bonnie W. Camp Jim and Janice Campbell Mr. Willis Carpenter Ms. Ellie Caulkins Merle C. Chambers Professor Gerald Chapman Mr. Gene Child Young and Carolyn Cho Sylvia Sosin Cohen Tom and NoĂŤl Congdon Donna and Ted Connolly Bill and Nancy Cook Jim and Julie Copenhaver Lou Tate Dafoe Dr. Stephen Dilts Ted and Margaret Eickhoff Drs. Ellen and Anthony Elias Mr. John F. Estes III Keith and Kathie Finger Mr. Jack Finlaw Fran and Mike Fisher Dr. Everette J. Freeman Mrs. Sally S. Gart Ms. Donna S. Gerich Thomas J. and Shirley C. Gibson Mr. Paul E. Goodspeed and Ms. Mary Poole Robert S. Graham Peter and Rhondda Grant Michael and Frances Gundzik Stephen and Margaret Hagood Dr. and Mrs. Karl Hammermeister Dr. and Mrs. Robert D. Harry Jennifer Heglin Diane S. Hill and Kevin E. Somerville Bill and Donna Hoberecht Mr. and Mrs. Del Hock Elizabeth and Steve Holtze Edeltraud Johnson Donald and Henny Kaufmann Joe and Francine Kelso Mary Rossick Kern and Jerome H. Kern Rob and Kathy Klugman Donna C. Kornfeld Mr. George Kruger Dr. Richard and Mrs. Mary Krugman Mr. and Mrs. Frank Kugeler Donald and Margery Langmuir Steve and Pat Larson Sandy and Evan Lasky Judge and Mrs. John P. Leopold Robert and Patricia Lisensky John and Merry Low Mrs. Bette MacDonald Marjorie MacLachlan Mr. & Mrs. Claude M. Maer, Jr. Evi and Evan Makovsky Dr. Jon Masoudi and Dr. Marsha Tharakan
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Steve and Kathy McConahey Sharon L. Menard Mr. and Mrs. Michael Miller Mrs. Rhea Miller Michael and Sharon Modiz Robert and Carol Murphy Ms. Mary Neidig Drs. Sarah and Harold Nelson Elizabeth and Heather Neva Shelia O'Brien Frank Y. Parce Sue and Edwin Peiker Rosemary and John Priester Myra and Robert Rich Lt. Col. and Mrs. Robert W. Riegel Dr. Susan B. Rifkin Dr. and Mrs. Paul R. Rosen Dr. Joanne Rudoff Dr. and Mrs. Richard J. Sanders Raymond and Suzanne Satter Henry R. Schmoll Mr. Robert E. Schueller Rob and Jane Scofield David and Susan Seitz Ms. Barbara Servis Jon Gamm and Kathleen Sgamma Sam and Marty Sloven Phoebe Anne Smedley William F. Smith and Shirley A. Scott Anonymous Eric Sondermann and Tracy Dunning Ms. Kathy Spuhler Vicki and Harry Sterling Mr. and Mrs. Howard Turetzky Normie and Paul VoillequĂŠ Richard E. Wagner Mr. Larned Waterman, Jr. and Mr. Paul S. Mesard Mr. and Mrs. Seth Weisberg Malcolm and Donna Wheeler Alan and Judy Wigod Dr. Jack Wilson Michael and Sandra Wilson Mr. and Ms. Michael A. Zoellner
SPECIAL PROJECT DONORS The Colorado Symphony constantly seeks new and creative ways to preserve the cultural legacy of symphonic music while actively co-creating its future. By working on new recordings and collaborations, the Colorado Symphony strives to stay relevant for generations to come. Anonymous Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson Colorado Symphony Guild, Inc. Tom and Noel Congdon Mr. and Mrs. Scott Cromie Dr. Everette J. Freeman Mr. Paul E. Goodspeed and Ms. Mary Poole Jennifer Heglin
CO M M U N I T Y SU P P O RT
Mary Rossick Kern and Jerome H. Kern Fred and Connie Platt Mr. Dan Poole Dr. and Mrs. Paul R. Rosen
Chairman’s Society
EDUCATION DONOR LIST Through our Musicurious program, your Colorado Symphony reaches thousands of young people within and well outside the Denver metro area, from months-old through high school and beyond. We always work to extend and increase our outreach and could not possibly do it without your support.
Platinum Chairman’s Society
($50,000+)
Anonymous Dresner Foundation Malone Family Foundation
Gold Chairman’s Society Anonymous The Anschutz Foundation Mrs. Libby Anschutz Arrow Electronics, Inc. Mrs. Sandy N. Elliott
($25,000+)
($10,000+)
Anonymous The AJL Charitable Foundation Ralph L. and Florence R. Burgess Trust The Denver Foundation Kern Family Foundation U.S. Bank Foundation Verizon Wireless Walter S. Rosenberry, III Trust
Silver Conductor’s Circle
($5,000+)
Anonymous Colorado Symphony Guild, Inc. Denver Post Charities, a McCormick Foundation Fund Precourt Foundation Scientific & Cultural Collaborative US Bank Foundation
Conductor’s Circle
($2,000+)
Anonymous Nathan B. & Florence R. Burt Foundation Cherry Hills Cultural Associates Collage Giving Fund ECA Foundation Fine Arts Foundation Katherine McMurray Henry B. Mohr Parker Foundation
How beautiful the sound! Call us to “Hear Better, Love Life More!”
DENVER AUDIOLOGY 90 Madison St, Suite107 Denver, CO 80206
(303) 832-2054 denveraudiology.net
2015
2016
Recognized as one of the top Denver audiology practices SOUNDINGS
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CO MMUN I T Y SUPPO RT
Concertmaster
TEGNA Foundation Ms. Lynne Valencia
Symphony Concertmaster
($1,000+)
Anonymous Keith and Kathie Finger Kinder Morgan Foundation Singer F. Foundation
Symphony Musician
($500+)
Anonymous Nancy Ball Dr. John A. and Mrs. Jane H. Coppola Mr. Billy Harris and Ms. Linda Purcell Betsy Herrick and Milt Kahn Mr. Jon Isenhart Ms. Carla McWilliams Mr. and Mrs. Howard Turetzky R.A. Zimmerman
Principal
BALL SPONSOR LIST The 2017 Colorado Symphony Ball: Rock and Roll Royalty celebrated our musical guest Tracksuit Wedding and raised over $1 million to sustain Symphony programs through table sales, donations, sponsorships, silent and live auctions, and real-time donations supporting our Educational programming including Very Young Composers.
Presenting Sponsor
($75,000+)
Arrow Electronics, Inc.
Virtuoso
($50,000+)
The Anschutz Foundation Liberty Global, Inc. Malone Family Foundation United Airlines Corporate
Maestro
($25,000+)
Anonymous AMG National Trust Bank Linda Shoemaker and Stephen M. Brett Mark Carleton Mr. Edward B. Cordes Sandy Elliott HomeAdvisor IAC Corporation Mary Rossick Kern and Jerome H. Kern Liberty Media Corporation LionTree Advisors, LLC
Encore
($15,000+)
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C O L O R A D O SY M P H O N Y.O R G
($5,000+)
AEG Live AMC Network Baker & Hostetler, LLP Baker Botts, LLP Benefactor/Randall Carter Breakthru Beverage Brownstein Hyatt Farber Schreck Carolyn and Young Cho Alyssa and Scott Clarke Colorado Rockies Baseball Club CU Anschutz Medical Campus CU Foundation DaVita DiBiase Family Fund Jayne Ford and Ken desGarennes Ali Pashel Frankfurt and Will Frankfurt Great Western Bank John and Bridget Grier Dr. Richard and Mary Krugman Sharon Magness Blake and Ernie Blake Dr. Marsha Tharakan and Dr. Jon Masoudi Coreen and Michael Miller MillerCoors Moye White, LLP 9NEWS Gary and Joyce Pashel Republic National Distributing Company Marcia and Richard Robinson Searchlight Capital Tracy Dunning and Eric Sondermann Southern Glazer’s Wine & Spirits Volunteers of America Wachtell, Lipton, Rosen & Katz WilmerHale
Rock Level
Applejack Wine & Spirits Keith and Kathie Finger KPMG, LLP Mr. Trent and Mrs. Nicole Martinet Northern Trust Company Sherman & Howard
($10,000+)
Nancy and Tony Accetta Davis Graham & Stubbs, LLP Delta Dental Plan of Colorado Denver Broncos Football Club University of Denver Discovery Communications Stephanie and Adam Donner Dr. Everette J. Freeman, President, Community College of Denver Diane S. Hill, Ph.D. and Kevin E. Somerville, Ph.D. Libby Anschutz Foundation Dr. Christopher Ott and Jeremy Simons The Publishing House Anna and John J. Sie Foundation
($1,000+)
FirstBank Stephanie and Adam Moore Judy and Alan Wigod
Bach Level Boss Architecture Cadre General Contractors Inc. Julie and Jim Copenhaver Barbara and Ed Greene A. B. Hirschfeld
($500+)
March & May Concerts March 2nd • 7:30pm
Symphony & Young Voices
Featuring Young Voices performing Debussy’s Children’s Corner
May 4th • 7:30pm
Clarinet & More!
Featuring internationally renowned clarinetist Jeremy Reynolds
Lone Tree Arts Center 10075 Commons St. Lone Tree 80124
Purchase Tickets Box Office 720-509-1000 lonetreesymphony.org
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Sandy and Evan Lasky Susan and Howard Noble Nijole and Walter Rasmussen Jane and Rob Scofield
Donations AllÊe Photography Sue Anschutz-Rodgers Applejack Wine & Spirits Argonaut Wine & Liquor Bouquets Ceavco Merle C. Chambers Epicurean Jay’s Valet Live Nation Peter Lockley The Publishing House Republic National Distributing Company Barbara Servis Tracksuit Wedding
IN MEMORIAM GIFTS The following gifts were made to the Colorado Symphony in memory of a family member, friend, or supporter of the symphony. These tributes hold an honored place with the Colorado Symphony and we are privileged to recognize them. In memory of David Abosch given by: Roger and Susan Bowles Dick and Sigrid Freese Mr. John and Mrs. Karen Kinzie Mr. Duain Wolfe In memory of Mr. Charles Ansbacher given by: Swanee Hunt Family Foundation In memory of Ms. Nan L. Barnett given by: Ms. Teresa D. Case Eileen P. Hayes Carol Jordan E. Joyce Morgan Charles and Shirley Anne Sheets Janice A. Speer, classmates of Class of 1956 In memory of Terry Biddinger given by: Roger and Susan Bowles In memory of Bessie C. Burghardt given by: Bessie C. Burghardt Charitable Unitrust In memory of Ms. Muriel Cassidy given by: Mr. David Aker In memory of Mr. and Mrs. John H. Caton given by: Catherine Caton Groene In memory of Mingwah Chan given by: Mr. and Mrs. Daniel C. Chan In memory of Blair Chotzinhoff given by: The Denver Foundation Mr. Chet K. Hampson and Ms. Susan Martin Mrs. Nancy Schulein In memory of Dr. William R. Cook given by: Karen Cook
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C O L O R A D O SY M P H O N Y.O R G
In memory of Mr. Richard Culver given by: Marcia D. Strickland Wednesday Music Party In memory of Frances E. given by: Cynthia Schauer In memory of Paul and Ann Emrich given by: Mr. David Emrich In memory of Mr. Gerald Endsley given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Ms. Virginia W. Farber given by: Ms. Penny Berenbaum Christina K. Chavez Ms. Vicki Dansky Mr. Michael Eber Ms. Nikki Reyer Facteau Mr. and Mrs. Kevan Gibson Lynda Goldstein Celeste and Jack Grynberg Mr. and Mrs. A. B. Hirschfeld Brad Kornfeld Mrs. Linda Kornfeld Dan Levin Beth Levy Ms. Patricia Loewi Mr. Robert Loup Ms. Cynthia Lowinger Ms. Julie Malek Margie Margolies Rabbi and Mrs. David Meyer Louann and Micky Miller Recht Kornfeld PC Rose Community Foundation Sharon and Charles Rosen Temple Emanuel Denver In memory of Dr. Joyce S. Freeman given by: Freeman Family Foundation Ms. JoAnne Friedman In memory of Jerry and Joyce Friedman given by: Ms. JoAnne Friedman In memory of Mr. Michael Gaughan given by: Tanya and Bruce Caughey Mr. David W. Durnell Tim and Janet Taggert In memory of Carol and Bill Gossard given by: Mr. and Mrs. Steve Wynkoop In memory of Manny Greenberg given by: Ellie Greenberg and Family The Sylvan Stool Family In memory of Mr. Ken Harper given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Dr. H. Michael Hayes given by: Hayes Family Foundation In memory of Jeannine D. Hiester given by: Phillip C. Hiester In memory of retired musician Fred Hoeppner given by: Dr. and Mrs. Richard Bakemeier Drs. Paula and William Bernstein Roger and Susan Bowles Ed and Colleen Casper Rochelle Cohen Jim and Julie Copenhaver Mr. Edward and Mrs. Judith Elgethun David and Debra Flitter
Dick and Sigrid Freese Mrs. Trisha F. Hood Mike Jalving and Susan Spero Mr. Gary Kleiman and Ms. Elisa Moran Judge and Mrs. John P. Leopold Karen Jo and Brett Levin John and Merry Low Ms. Cynthia R. Mancinelli Mr. and Mrs. James Maurer Paul and Barb Moe His friends and neighbors of Mountain View Elizabeth and Heather Neva Ms. Kathleen Newman F.R. Owen Ms. Mary Ann Rhode Don Ruggles Rob and Jane Scofield Mr. and Ms. Steve Straub Judy Wiese In memory of Mrs. Suzanne Kintzele given by: Ms. Marianne Bolt In memory of Kenneth W. Kohlenberg given by: Mr. Bryan Kohlenberg In memory of David Kulaas given by: Mrs. Jennifer S. Kulaas Pelham G. Pearce In memory of Lea LaParle given by: Ms. Donna S. Gerich
CO M M U N I T Y SU P P O RT In memory of Maurice Larue given by: Scott and Jackie Barnes Denis and Kathy Donnelly Ms. Carol A. Greenwald In memory of Edward Levy given by: Ann Levy Ms. Denison Levy In memory of Marie Lindvall given by: Anonymous In memory of Dr. James List, M.D. given by: Emma L. Dafoe In memory of Stephen Hagen given by: Mr. John A. Coppola Stacie Goldin Louis and Sherry Hannen Susan Holt Mr. Roger Tate In memory of Suzanne Hewitt Lowell given by: Mr. and Mrs. Neil W. Hamilton Mr. Charles Homsy In memory of Thomas L. McClintock given by: Colorado Symphony Guild-Foothills Unit Ms. Nancy L. Graham G.J. and P.A. Graziano James D. and Elizabeth McMahon Mrs. Carol Reeves In memory of Ruthi McEwen given by: Frank Parce
Park Meadows Presents
Sharon Wehner and Yosvani Ramos by Allen Birnbach Futura Light
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CO MMUN I T Y SUPPO RT In memory of Virginia McGehee given by: Sarah C. Hite In memory of their late spouses, Richard McKennett and Sarah Porter given by: Carla McKennett and David Porter In memory of Trieba Clark Meeks given by: Ms. Penny Berenbaum Deanna J. Collins Larry O’Donnell and Kermit Cain Robert Pipkin Nadine C. Racek Revocable Trust In memory of Fred and Florence Mohr given by: Brad Metziner In memory of Maurine Howell Moody given by: Mr. Robert Moody In memory of Charles Lewis Mueldener given by: Challa Patchett In memory of her husband, Ralph S. Paffenbarger, Jr., M.D. given by: Jo Ann Paffenbarger In memory of Robert Peterson given by: Mr. John Peterson In memory of Herman D. Post given by: Dr. Robin D. Post In memory of Dorothy Presta given by: Mr. and Mrs. William Cowan Ms. Mary Neidig P. A. Price In memory of Ralph F. Proctor III given by: Mr. and Mrs. Steven H. Proctor In Memory of Dr. W. Gerald Rainer given by: Mr. and Mrs. Robert and Joan Bell Dr. and Mrs. David Flitter Mr. and Mrs. John Low In memory of Barbara Ridgway given by: Ms. Kathryn Taylor In memory of Erna Rockey given by: Roger and Susan Bowles In memory of Erwin I. Rogoff, “Country before Self” given by: Mr. Bernie Rogoff and Ms. Jean Greenberg In memory of Mr. Harry T. Safstrom given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Michael Schatz given by: Ms. Jo Ellen Cohen In memory of Robert Schulein given by: The Denver Foundation Mrs. Nancy Schulein In memory of Mary Ruth Smith given by: Ms. Anne H. Wheeler In memory of his wife, Tracy Smith given by: Mr. Clyde Eaton Smith In memory of Betty Sonnenberg given by: Sylvia Kreider In memory of Lee and Margaret Tipton given by: Tipton Family Foundation In memory of Barbara Uhrich given by: Mrs. Nancy C. Ives and Mr. M. J. Roddy Joan Manley Houlton
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C O L O R A D O SY M P H O N Y.O R G
In memory of Sue Van Deusen given by: M Cati Flater David P. and Chady L. Hall Ms. Violet Wagener In memory of Guenther Vogt given by: Mr. Charles Anderson Ms. Anne Oberbroeckling In memory of Sam Wagonfeld given by: Dick and Sigrid Freese In memory of Jane Harper Wagner given by: Wall, Smith, Bateman Inc. In memory of Seymour (SY) Wallach given by: Mrs. Merrily Wallach In memory of Mrs. Jean Watt given by: Rob and Jane Scofield In memory of Heinrich Weinberg given by: Dr. Adriana Weinberg In memory of Lisa Gayle Wigod given by: Alan and Judy Wigod In memory of Charleen Wippler given by: Ms. Linda Will In memory of Zelda K. Witkind given by: Mr. Richard Morris In memory of Randy Wren given by: Ms. Ann Cearley In memory of Josephine Zoglo given by: Regina Zoglo
IN HONOR GIFTS The following gifts were made to the Colorado Symphony in honor of a family member, friend, or special occasion. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them. In honor of Silver Ainomäe’s fine artistry given by: Elizabeth and Heather Neva In honor of Libby Anschutz given by: Mr. and Mrs. A. B. Hirschfeld Mr. and Mrs. John Sie In honor of Linda Battan given by: Nancy Battan In honor of Dr. Paula Bernstein given by: Ms. Marian Lyons Ms. Paula Folkman In honor of Marge and Ed Blaine given by: Dr. Judy Blaine In honor of Steve Brett and Linda Shoemaker for their work in our community: Anna and John J. Sie Foundation In honor of Christine and John Brown given by: Mr. Erik Bernstein In honor of Mary Louise Burke given by: Frank Y. Parce In honor of Char Campbell given by: Mr. and Mrs. Bradley James In honor of Christina Carlson given by: Ms. Marjorie H. Adler Carolyn and Ronald Baer Frederick W. Damour Virginia E. & Robert K. Fuller Mr. and Mrs. Harold Logan
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CO MMUN I T Y SUPPO RT In honor of Jeanette Carlson given by: Joseph Goldhammer In honor of Ellie Caulkins given by: Anna and John J. Sie Foundation In honor of Taesuk Cho-Hwang given by: Ms. Ruth Williams In honor of Mary Claire and Jim Brothers given by: Ms. Melinda Quiat In honor of the Colorado Symphony Chorus given by: Jude Blum Ms. Cynthia Lowinger Susan Von Roedern Mr. and Mrs. Kenneth Sladovnik In honor of the Colorado Symphony Guild given by: Billie Busby and Sidney Smith In honor of Susan Ellis given by: Deanna J. Collins In honor of Keith and Kathy Finger given by: Mr. and Mrs. Jonathan F. Zeschin In honor of Brook Ferguson, Principal Flutist given by: Mr. Robert Moody In honor of Monica Glickman given by: Ms. Ruth Schorsch In honor of Frank Gordon given by: Trevor Crandall In honor of Bill and Carol Gossard given by: Anonymous In honor of retired musician, Chet Hampson given by: Susan Martin In honor of Philip C. Hiester, Master Electrician of the CSO given by: Mr. Eli Reshotko and Mrs. Adina Reshotko In honor of Diane S. Hill and Kevin E. Somerville given by: Michael P. Dowling Mr. and Mrs. Seth Weisberg In honor of Roy A. Kent given by: Anonymous In honor of Jerry Kern’s Birthday given by: Nancy Battan Mrs. Terry A. Biddinger Laura Bond Patty and Don Cook Mr. Stephen A. Edmonds Sari and Bob Freedman Mr. Philip Hiester and Ms. Deborah Reshotko Coreen and Michael Miller Ms. Julie B. Rubsam Mr. and Mrs. John Sie Mr. Bruce Wald In honor of Mary Rossick Kern and Jerry Kern given by: Michael and Christine James Ms. Leslie Sexer Myron and Marcia Stein In honor of John and Karen Kinzie given by: Ms. Kathleen Dunnewald In honor of Keith Kirby given by: Ms. Sara Alt In honor of Nona Kolbe’s 100th Birthday given by: Brad Metziner
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In honor of Carole Leight given by: Mr. Erik Bernstein Ms. Melinda Quiat In honor of Ann Levy’ Birthday given by: Mrs. Sue Damour Rose Community Foundation In honor of Karen Littlefield given by: Mr. and Mrs. Steven H. Proctor In honor of Rebecca Moritzky given by: Barb Moritzky In honor of Frank Parce and Ellie Roberts given by: Mr. David Parce In honor of Jeffrey Pickard, MD given by: The Colorado Health Foundation In honor of Ken Quarles given by: Frank Y. Parce In honor of Dr. W. Gerald Rainer given by: Mr. and Mrs. Robert and Joan Bell Dr. and Mrs. James G. Chandler Dr. and Mrs. David Flitter Mr. and Mrs. John Low Dr. and Mrs. Morris H. Susman In honor of Julie Rubsam given by: Driscoll Foundation Mollie Leone In honor of Dr. and Mrs. Richard Sanders given by: Ms. Ann Gugenheim In honor of the matrimony of Margaret Shugrue and David Hackl given by: Mr. and Mrs. John Couzens In honor of Janice Schultz given by: Ms. Jennifer D. Spaulding In honor of Enid Slack’s Birthday given by: Mr. and Mrs. Dick Freese In honor of Jackson T. Stevens given by: Mrs. Bridget McNeil Mr. Chris Strom In honor of John and Kristine Wallack given by: Richard Falb and Gail Skaggs In honor of Robert Warner given by: Ruth Mosteller In honor of Janet Way’s 90th Birthday given by: Frank Y. Parce In honor of Darlee Whiting given by: Hayes Family Foundation In honor of Alan and Judy Wigod given by: Robert Wigod In honor of our Concertmaster, Yumi Hwang-Williams given by: Michael P. Dowling In honor of Harold Wippler given by: Ms. Linda Will In honor of the people of Western Oncology Hematology given by: Mr. Frank Y. Parce In honor of Duain Wolfe for his outstanding work with the Chorus given by: Mr. Eugene J. Nuccio In honor of Barbara and Jack Zable given by: Diane K. Henderson
RING IN THE NEW YEAR Illustration by Kyle Malone
Illustration by Kyle Malone
WITH A FLURRY OF SHOWS
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Illustration by Kyle Malone
BUELL THEATRE
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CO MMUN I T Y SUPPO RT THE HORACE TUREMAN SOCIETY Named for the first conductor of the Denver Civic Orchestra, the Horace Tureman Society honors an exceptional group of people who have pledged future support for the Symphony through an estate gift. The Tureman Society recognizes in perpetuity those making estate gifts through wills, living trusts, annuities, IRAs, retirement plans, charitable trusts, life insurance designations, or other legacy giving vehicles. Anonymous (2) Richard and Susan Abernethy Edgardo and Lisa Belen Mr. and Mrs. David M. Budd Mr. Jim Caputo Mr. Gene Child J. Harold Corp Trust Anne M. Culver Ms. Janice G. Eckhardt William G. Fairfield Ms. Grace L. Freye Ms. Carol K. Gossard Ms. Jennifer Guess Ms. Donna E. Hamilton Mr. James Harold Mr. Johannes Heim Cathey A. Herren Mrs. Janice E. Hesser Ms. Blanche B. Hilf Senta G. Holtzmann Ms. Margaret R. Houston Jane A. Hultin Virginia Ruth Hungerford Mr. and Mrs. Gopal Iyengar Ms. Gloria E. Johnston-McGregor Mrs. Suzanne W. Joshel
This program is produced for the Colorado Symphony by The Publishing House, Westminster, CO. For advertising information, please call (303) 428-9529 or e-mail sales@pub-house.com ColoradoArtsPubs.com Angie Flachman Johnson, Publisher Tod Cavey, Director of Sales Stacey Krull, Production Manager Mark Fessler, Press Manager Sandy Birkey, Graphic Designer Wilbur E. Flachman, President
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C O L O R A D O SY M P H O N Y.O R G
Mr. Geoffrey Kuhn Sandy and Evan Lasky Deanna Rose Leino Frank and Ginny Leitz Ms. Ann C. Levy John and Merry Low Sandey Luciano Evi and Evan Makovsky Mrs. Sue McFarlane Mr. Willis M. McFarlane Mr. James Mead and Ms. Carol Svendsen Steve G. Morton Mr. Thomas Murray Ms. Lori Needler Mr. and Mrs. Ron Neel Judith Nichols Mr. William Oliver Gordon R. and Pam Parker Armeda Plank Barbara J. Powell James Robert Pratt Dr. and Mrs. W. Gerald Rainer Mrs. Lee R. Roberts Mr. Neil F. Roberts Mr. Bruce M. Rockwell Audrey D. and Harvey D. Rothenberg Mr. and Mrs. Robert E. Runice Suzanne Barber Ryan Richard and JoAnne Sanders Rob and Jane Scofield Ms. Floy L. Senior James and Jenene Stookesberry Mr. Richard Thackrey James D. and Judy Vaughn John R. and Kristine E. Wallack Ms. Elizabeth P. Wright The Patricia G. Wunnicke Trust Phyllis J. Young
BOETTCHER CONCERT HALL owned and operated by the City and County of Denver, Division of Arts & Venues City and County of Denver Michael B. Hancock, Mayor Arts & Venues Denver Kent Rice, Executive Director Denver Performing Arts Complex Mark Najarian, Venue Director Jody Grossman, Booking Manager For information please call (720) 865-4220
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