Program Notes: Elephant Revival

ALTERNATIVE 2023/24

ELEPHANT REVIVAL WITH THE COLORADO SYMPHONY

WILBUR LIN, conductor

Wednesday, April 3, 2024 at 7:30pm Boettcher Concert Hall

PROUDLY

Program to be announced from stage.

CONCERT RUN TIME IS APPROXIMATELY 2 HOURS INCLUDING A 20 MINUTE INTERMISSION

FIRST TIME TO THE SYMPHONY? SEE PAGE 19 OF THIS PROGRAM FOR FAQ’S TO MAKE YOUR EXPERIENCE GREAT!

Wednesday’s concert is dedicated to Mythology distillery

ALTERNATIVE BIOGRAPHIES

PHOTO: LAI YUEH-CHUNG WILBUR LIN, conductor

Known for his creative programming and inviting stage presence, Wilbur Lin’s career has taken him to symphony halls and opera theaters across the United States, Europe, Latin America, and Taiwan. Recently appointed Music Director of the Missouri Symphony, Lin also joins the conducting staff of the Colorado Symphony as assistant conductor in 2023.

Lin’s 2022/23 season saw his debuts with the Rochester Philharmonic, Oak Ridge, Ann Arbor, and Elgin symphonies, and a return to Indiana’s Richmond Symphony. His other recent highlights include his debut with the Taipei Symphony Orchestra, opening its 2021/22 season, a new studio recording with pianist Eric Zuber and the Indianapolis Chamber Orchestra, and conducting and covering the Cincinnati Symphony Orchestra and Cincinnati Pops where he recently finished his tenure as assistant conductor (2019-2022).

In addition to his positions with the Colorado, Cincinnati, and Missouri symphonies, in recent years, Lin has conducted the Chamber Philharmonic Taipei, Manchester Camerata, Orquesta Sinfónica Juvenil (El Salvador), Taipei Philharmonic, Taipei Symphony, Liverpool Mozart, Academy Orchestra of Taiwan Symphony, Richmond Symphony (IN), and LaPorte Symphony orchestras. As a cover conductor, Lin has worked with, notably, the Taiwan Symphony, Cincinnati Ballet, and Minnesota orchestras. In his role as the assistant conductor of the Colorado Symphony, Lin also serves as the Music Director of the Denver Young Artists Orchestra.

A graduate of Riccardo Muti‘s Italian Opera Academy, Lin’s operatic endeavors include conducting Verdi’s Macbeth at Teatro Alighieri (Ravenna, Italy), Die Zauberflöte and Barber of Seville with the Winter Harbor Music Festival (Winter Harbor, Maine), Menotti’s The Medium and Amelia Goes to the Ball as the conductor of Northern Illinois University (Dekalb, IL), and has coached and performed as a pianist with the Indianapolis Opera, Indiana University Opera Theater, Reimagining Opera for Kids, and the Cincinnati Ballet. In 2022, Lin led a new workshop production of Robeson by Scott Davenport Richards at the Cincinnati Opera.

Lin held the position of Taiwan Symphony Orchestra International Talent Fellow (2019-2021), Weiwuyin Opera (Taiwan) Conducting Fellow (2019-2020), Lord Rhodes Scholar (2013-2014), was a two-time recipient of Mortimer Furber Prize for Conducting at the Royal Northern College of Music (RNCM), and holds a doctoral degree in orchestral conducting from Indiana University Jacobs School of Music. Lin has studied with Arthur Fagen and David Effron at Jacobs, Clark Rundell and Mark Heron at the RNCM, and Apo Hsu at the National Taiwan Normal University. He has also received conducting coaching with, notably, Yannick Nézet-Séguin, Riccardo Muti, Sir Mark Elder, Helmuth Rilling, and has assisted Louis Langrée, James Gaffigan, and John Morris Russell, among others.

ALTERNATIVE BIOGRAPHIES

ELEPHANT REVIVAL

Elephant Revival is a unique collection of multi-instrumentalists blending elements of Celtic, Americana, Folk and Indie Art Rock. The band consists of Bonnie Paine (vocals, cello, djembe, washboard and musical saw), Bridget Law (fiddle, vocals), Dango Rose (upright bass, mandolin, vocals), Charlie Rose (banjo, pedal steel, mandolin, vocals) Darren Garvey (drums, percussion, vocals) and Daniel Sproul (guitars, vocals) of Rose Hill Drive. The music they create together is like weather systems meeting in the sky, Bonnie’s warmly haunting voice either merging with the rhythms and melodies of the band or providing a counterpoint and transforming it.

IMAGINATION SERIES 2023/24

NATHANIEL RATELIFF PRESENTS A NIGHT OF LEONARD COHEN WITH YOUR COLORADO SYMPHONY

CHRISTOPHER DRAGON, conductor

PHIL COOK, piano (opener)

NATHANIEL RATELIFF, singer and songwriter

Friday, April 5, 2024 at 7:30pm

Saturday, April 6, 2024 at 7:30pm

Boettcher Concert Hall

Program to be announced from stage.

CONCERT RUN TIME IS APPROXIMATELY 2 HOURS INCLUDING A 20 MINUTE INTERMISSION

FIRST TIME TO THE SYMPHONY? SEE PAGE 19 OF THIS PROGRAM FOR FAQ’S TO MAKE YOUR EXPERIENCE GREAT!

saturday’s concert is dedicated to shapiro FaMily chiropractic

IMAGINATION BIOGRAPHIES

PHIL COOK, piano

You already know Phil Cook, at least if you’ve listened to any of the most essential folk-rock, indie rock, or even gospel records of the last decade. The spirited piano solo on Hiss Golden Messenger’s “Day O Day,” the incisive melody of Bon Iver’s “AUTAC,” the mesmerizing elegance of the keys on Hurray for the Riff Raff’s “Life on Earth”—yes, those are all Phil Cook, a beloved collaborator capable of transforming an entire song with a pretty lick here, a sharp line there. The War on Drugs, The Blind Boys of Alabama, Ani DiFranco, Nathaniel Rateliff, Frazey Ford, the Indigo Girls: Cook’s partnerships in just the last dozen years shape their own best-of.

But now, Phil Cook has returned to his first musical love: solo piano. It is, after all, the instrument of his upbringing and now the most direct line between his fathoms-deep sensitivity and the ears of his audience. On the new release, All These Years, Cook’s playing—a chronicle of gorgeous and emotionally expansive meditations—reorients expectations of solo piano composition and improvisation. Indeed, that exquisite album is just the start for a player approaching the grand old instrument from the perhaps unlikely foundation of American folk music.

Two decades ago, Cook left his native Wisconsin for North Carolina, largely to be closer to the American roots music that had taken over his life. The blues, bluegrass, old-time, country: They formed a composite lingua franca for Cook, who began to deliver his keen understanding of these sounds with a guitar or a banjo, a slide or fingerpicks. He funneled that information into his pioneering avant-folk band Megafaun and subsequent duties as an in-demand sideman. But in early 2020, Cook paused his relentless touring duties with others, intent on focusing on how all his experiences and erudition could fit into his own songs. He found a cabin in the North Carolina mountains and woke early and wrote late, penning aubades and nocturnes and endearing reflections on his own life. The results feel like a mirror held to a heart and mind squinting to find light in our age of darkness, hope in a moment where it’s easier to believe in its absence.

Traditional folk music, we are rightly told, was often the sound of people getting by, of chronicling despair and worry so that they might get through that stuff, if only for the next five minutes. Technique and melody and vocabulary aside, that is the absolute essence Phil Cook summons at the piano, whether supporting some famous singer or offering the warm flicker of his solo work. This is music that makes you glad to have heard it, glad that it exists, glad that you’re here with the chance to be glad at all.

IMAGINATION BIOGRAPHIES

CHRISTOPHER DRAGON, conductor

Australian conductor Christopher Dragon is the Music Director of the Wyoming Symphony Orchestra and Resident Conductor of the Colorado Symphony. He joined the Colorado Symphony in the 2015/2016 Season as Associate Conductor – a position he held for four years. For three years prior, Dragon held the inaugural position of Assistant Conductor with the West Australian Symphony Orchestra, which gave him the opportunity to work closely with Principal Conductor Asher Fisch.

Dragon has a versatile portfolio ranging from live-to-picture performances including Nightmare Before Christmas, Toy Story and Star Wars: Return of the Jedi, a wide variety of collaborations with artists such as the Wu-Tang Clan, Cynthia Erivo and Joshua Bell, to standard and contemporary orchestral repertoire such as Danny Elfman’s Violin Concerto, Eleven Eleven; all areas of which he has become highly sought after. Christopher has become known for his charisma, high energy and affinity for a good costume, consistently delivering unforgettable performances that has made him an audience favourite.

Recent highlights include his successful debut with the San Francisco Symphony, performances of Danny Elfman’s Music from the Films of Tim Burton with Danny Elfman reprising the role of Jack Skellington and historic performances with Nathaniel Rateliff at Walt Disney Concert Hall and David Geffen Hall at Lincoln Center. Upcoming debuts include the WRD Funkhausorchester, Baltimore Symphony Orchestra and Greensboro Symphony Orchestra.

Christopher is highly sought after as a guest conductor and has worked with San Francisco Symphony, Cincinnati Pops Orchestra, San Diego Symphony, Utah Symphony, Omaha Symphony, Louisiana Philharmonic Orchestra, Rochester Philharmonic Orchestra, Chicago Philharmonic, Modesto Symphony Orchestra, Singapore Symphony Orchestra, Orquestra Sinfônica de Porto Alegre and the New Zealand Symphony Orchestra. In Australia, he has guest conducted the Sydney, Melbourne, Adelaide and West Australian Symphony Orchestras. His 2015 debut performance at the Sydney Opera House with John Pyke and the Sydney Symphony Orchestra was released on album by ABC Music and won an ARIA the following year He has also conducted at numerous festivals including the Breckenridge and Bangalow Music Festivals, with both resulting in immediate re-invitations. At the beginning of 2016 Dragon conducted Wynton Marsalis’ Swing Symphony as part of the Perth International Art Festival alongside Wynton Marsalis and the Jazz at Lincoln Center Orchestra.

Christopher began his conducting studies in 2011 and was a member of the prestigious Symphony Services International Conductor Development Program in Australia under the guidance of course director Christopher Seaman. He has also studied with numerous distinguished conductors including Leonid Grin, Paavo and Neeme Jarvi at the Jarvi Summer Festival, Fabio Luisi at the Pacific Music Festival and conducting pedagogue Jorma Panula.

IMAGINATION BIOGRAPHIES

NATHANIEL RATELIFF, singer and songwriter

One of the most fascinating and enigmatic singer/ songwriters of the late ‘60s, Leonard Cohen developed a massive following across six decades of musicmaking, interrupted by various digressions into personal and creative exploration, all of which have only added to the mystique surrounding him. A master wordsmith with a voice like aged whiskey and lyrics that cut to the core of humanity, Cohen’s artistry transcends generations, weaving tales of love, longing, and spirituality that continue to resonate. Denver singer and songwriter Nathaniel Rateliff joins the Colorado Symphony, blending his folk, Americana, and vintage rhythm & blues influences with Cohen’s timeless lyrics for a collaboration six decades in the making. From “Hallelujah” to “Suzanne,” witness the power of songwriting to touch the deepest recesses of the soul.

“As one of my favorite vocalists, it was an honor to pay tribute to Harry Nilsson’s A Little Touch of Schmilsson in the Night with the Colorado Symphony last year. I am thrilled to announce that this coming spring I have the opportunity to honor one of my favorite songwriters – Leonard Cohen. I will be performing a selection of songs to showcase his life’s work. I am grateful to bring this show to Colorado.”

— Nathaniel Rateliff