MOVIE AT THE SYMPHONY
2018/19
2018/19 SEASON PRESENTING SPONSORS:
MOVIE AT THE SYMPHONY: HOME ALONE IN CONCERT COLORADO SYMPHONY BRETT MITCHELL, conductor MEMBERS OF THE COLORADO SYMPHONY CHORUS, TAYLOR MARTIN, assistant director Friday, November 23, 2018, at 7:30 p.m. Boettcher Concert Hall
HOME ALONE TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film
HOME ALONE MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS PROUDLY SUPPORTED BY
SOUNDINGS
2018/19
PROGRAM 1
MOVIE AT THE SYMPHONY
2018/19
Soundtrack Album Available on CBS Records, Cassettes and Compact Discs
Color by DELUXE®
Tonight's program is a presentation of the complete film Home Alone with a live performance of the film’s entire score, including music played by the orchestra during the end credits. Out of respect for the musicians and your fellow audience members, please remain seated until the conclusion of the credits.
Film screening of Home Alone courtesy of Twentieth Century Fox. © 1990 Twentieth Century Fox Film Corporation. All Rights Reserved.
A note from the Composer Home Alone Ever since Home Alone appeared, it has held a unique place in the affections of a very broad public. Director Chris Columbus brought a uniquely fresh and innocent approach to this delightful story, and the film has deservedly become a perennial at Holiday time. I took great pleasure in composing the score for the film, and I am especially delighted that the magnificent Colorado Symphony has agreed to perform the music in a live presentation of the movie. I know I speak for everyone connected with the making of the film in saying that we are greatly honored by this event… and I hope that tonight’s audience will experience the renewal of joy that the film brings with it, each and every year.
John Williams
PROGRAM 2
C O L O R A D O SY M P H O N Y.O R G
MOVIE AT THE SYMPHONY
2018/19
PRODUCTION CREDITS Home Alone – Film with Live Orchestra produced by Film Concerts Live!, a joint venture of IMG Artists, LLC and The Gorfaine/Schwartz Agency, Inc. Producers: Steven A. Linder and Jamie Richardson Production Manager: Rob Stogsdill Production Coordinator: Sophie Greaves Worldwide Representation: IMG Artists, LLC Technical Director: Mike Runice Music Composed by John Williams
Music Preparation: Jo Ann Kane Music Service Film Preparation for Concert Performance: Ramiro Belgardt Technical Consultant: Laura Gibson Sound Remixing for Concert Performance: Chace Audio by Deluxe The score for Home Alone has been adapted for live concert performance. With special thanks to: Twentieth Century Fox, Chris Columbus, David Newman, John Kulback, Julian Levin, Mark Graham and the musicians and staff of the Colorado Symphony.
SOUNDINGS
2018/19
PROGRAM 3
MOVIE AT THE SYMPHONY BIOGRAPHIES BRETT MITCHELL, conductor PHOTO: ROGER MASTROIANNI
Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra’s Music Director Designate during the 2016/17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. Mr. Mitchell also regularly collaborates with the world’s leading soloists, including YoYo Ma, Renée Fleming, Rudolf Buchbinder, Kirill Gerstein, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra’s hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. In 2015, Mr. Mitchell completed a highly successful five-year appointment as Music Director of the Saginaw Bay Symphony Orchestra. As an opera conductor, Mr. Mitchell has served as music director of nearly a dozen productions, principally at his former post as Music Director of the Moores Opera Center in Houston, where he led eight productions from 2010 to 2013. His repertoire spans the core works of Mozart (The Marriage of Figaro and The Magic Flute), Verdi (Rigoletto and Falstaff), and Stravinsky (The Rake’s Progress) to contemporary works by Adamo (Little Women), Aldridge (Elmer Gantry), Catán (Il Postino and Salsipuedes), and Hagen (Amelia). As a ballet conductor, Mr. Mitchell most recently led a production of The Nutcracker with the Pennsylvania Ballet in collaboration with The Cleveland Orchestra during the 2016-17 season. In addition to his work with professional orchestras, Mr. Mitchell is also well known for his affinity for working with and mentoring young musicians aspiring to be professional orchestral players. His tenure as Music Director of the Cleveland Orchestra Youth Orchestra from 2013 to 2017 was highly praised, and included a four-city tour of China in June 2015, marking the orchestra’s second international tour and its first to Asia. Mr. Mitchell is regularly invited to work with the highly talented musicians at the Cleveland Institute of Music and the orchestras at this country’s high-level training programs, such as the National Repertory Orchestra, Texas Music Festival, Sarasota Music Festival, and Interlochen Center for the Arts. PROGRAM 4
C O L O R A D O SY M P H O N Y.O R G
MOVIE AT THE SYMPHONY BIOGRAPHIES Born in Seattle in 1979, Mr. Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University, which selected him as its Young Alumnus of the Year in 2014. He also studied at the National Conducting Institute, and was selected by Kurt Masur as a recipient of the inaugural American Friends of the Mendelssohn Foundation Scholarship. Mr. Mitchell was also one of five recipients of the League of American Orchestras’ American Conducting Fellowship from 2007 to 2010. For more information, please visit www.brettmitchellconductor.com
JOHN WILLIAMS, composer In a career spanning more than five decades, John Williams has become one of America’s most accomplished and successful composers for film and for the concert stage, and he remains one of our nation’s most distinguished and contributive musical voices. He has composed the music for more than one hundred films, including all eight Star Wars films, the first three Harry Potter films, Superman, Memoirs of a Geisha, Home Alone and The Book Thief. His 45-year artistic partnership with director Steven Spielberg has resulted in many of Hollywood’s most acclaimed and successful films, including Schindler’s List, E.T. the Extra-Terrestrial, Jaws, Jurassic Park, Close Encounters of the Third Kind, the Indiana Jones films, Saving Private Ryan, Lincoln, The BFG and The Post. Mr. Williams has composed themes for four Olympic Games. He served as music director of the Boston Pops Orchestra for fourteen seasons and remains their Laureate Conductor. He has composed numerous works for the concert stage including two symphonies, and concertos commissioned by many of America’s most prominent orchestras. Mr. Williams has received five Academy Awards and 51 Oscar nominations (making him the second-most nominated person in the history of the Oscars), seven British Academy Awards, twenty-four Grammys, four Golden Globes, and five Emmys. In 2003, he received the Olympic Order (the IOC’s highest honor) for his contributions to the Olympic movement. In 2004, he received the Kennedy Center Honors, and in 2009 he received the National Medal of Arts, the highest award given to artists by the U.S. Government. In 2016 he received the 44th Life Achievement Award from the American Film Institute – the first time a composer was honored with this award.
TAYLOR MARTIN, Colorado Symphony Chorus assistant director Taylor Martin is an avid conductor and educator in the greater Denver Area. Since joining the Colorado Symphony Chorus as Assistant Conductor in 2017 Taylor has prepared choruses for Video Games Live, Zelda Symphony of the Goddess, Danny Elfman’s Music From the Films of Tim Burton, and Home Alone among others. In 2016 Taylor was named the Artistic Director of the Denver Pro Chorale, leading the Chorale in innovative programs and collaborative performances with the Colorado Symphony, Breckenridge Music Festival, and Colorado Chorale. In 2018 Taylor joined the faculty of the Music Department of Metropolitan State University of Denver as the Director of the Men’s Choir, and also serves as the Music Director at Christ the King Catholic Church in Denver. With a diverse background in professional and educational settings alike, Taylor is a sought-after clinician throughout the Denver Area working with students ranging in age from elementary school to college. More information about Taylor can be found at www.taylormartinconductor.com SOUNDINGS
2018/19
PROGRAM 5
MOVIE AT THE SYMPHONY BIOGRAPHIES COLORADO SYMPHONY CHORUS
The 2018-2019 Colorado Symphony concert season marks the 35th year of the Colorado Symphony Chorus. Founded in 1984 by Duain Wolfe at the request of Gaetano Delogu, then the Music Director of the Symphony, the chorus has grown, over the past three decades, into a nationally respected ensemble. This outstanding chorus of 185 volunteers joins the Colorado Symphony for numerous performances (more than 25 this year alone), and radio and television broadcasts, to repeat critical acclaim. The Chorus has performed at noted music festivals in the Rocky Mountain region, including the Colorado Music Festival, the Grand Teton Music Festival and the Bravo! Vail Valley Music Festival, where it has performed with the New York Philharmonic, the Philadelphia Orchestra and the Dallas Symphony. For over two decades, the Chorus has been featured at the world-renowned Aspen Music Festival, performing many great masterworks under the baton of notable conductors Lawrence Foster, James Levine, Murry Sidlin, Leonard Slatkin, Robert Spano and David Zinman. Among the seven recordings the CSO Chorus has made is a NAXOS release of Roy Harris’s Symphony No. 4, as well as a remarkable recording of Beethoven’s Symphony No. 9. The Chorus is also featured on a Hyperion release of the Vaughan Williams Dona Nobis Pacem and Stephen Hough’s Missa Mirabilis. Most recently, the Orchestra and Chorus has released a world-premier recording of William Hill’s The Raven. In 2009, in celebration of the 25th anniversary of the chorus, Duain Wolfe conducted the chorus on a 3-country, 2-week concert tour of Europe, presenting the Verdi Requiem in Budapest, Vienna, Litomysl and Prague, and in 2016 the chorus returned to Europe for concerts in Paris, Strasbourg and Munich. From Evergreen to Brighton, and Boulder to Castle Rock, singers travel each week to rehearsals and performances in Denver totaling about 80 a year. The Colorado Symphony continues to be grateful for the excellence and dedication of this remarkable all-volunteer ensemble! For an audition appointment, visit the symphony website for an on-line sign up form. www.coloradosymphony.org
COLORADO SYMPHONY CHORUS Duain Wolfe, Founding Director and Conductor; Mary Louise Burke, Associate Conductor; Travis Branam, Taylor Martin, Assistant Conductors; Brian Dukeshier, Hsiao-Ling Lin, Danni Snyder, Pianists; Eric Israelson, Barbara Porter, Chorus Managers; SOPRANO Hailey Bohannon Claudia Dakkouri Kate Emerich Angela Mitchell Angie Nesbit Jean O’Nan Barb Porter Shirley Rider Sue von Roedern Joan Zisler
PROGRAM 6
ALTO Barb Deck Kaia Hoopes Joanna Maltzahn Mary Thayer
TENOR Dusty Davies Jack Dinkel John Gale Ken Kolm Mark Lively Todd McCracken Shane Mosser
C O L O R A D O SY M P H O N Y.O R G
BASS George Cowen Bob Friedlander Eric Israelson Ken Quarles Russ Skillings
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SPECIALS
2018/19
FREE FALLIN’ - THE MUSIC OF TOM PETTY
2018/19 SEASON PRESENTING SPONSORS:
COLORADO SYMPHONY CHRISTOPHER DRAGON, conductor JEANS N’ CLASSICS Saturday, November 24, 2018, at 7:30 p.m. Boettcher Concert Hall
Program to be announced from the stage
Saturday's Concert is Gratefully Dedicated to Prologis & Craig Ponzio PROUDLY SUPPORTED BY
PROGRAM 8
C O L O R A D O SY M P H O N Y.O R G
SPECIALS BIOGRAPHIES CHRISTOPHER DRAGON, conductor Australian conductor Christopher Dragon is in his fourth season as the Associate Conductor of the Colorado Symphony. For three years he previously held the position of Assistant Conductor with the West Australian Symphony Orchestra, which gave him the opportunity to work closely with Principal Conductor Asher Fisch. Christopher works regularly in Australia and has guest conducted the Sydney, Melbourne, Adelaide and West Australian Symphony Orchestras. His 2015 debut performance at the Sydney Opera House with Josh Pyke and the Sydney Symphony Orchestra was released on album by ABC Music and won an ARIA the following year. Christopher’s international guest conducting includes the Orquestra Sinfônica de Porto Alegre, the San Diego Symphony Orchestra and the New Zealand Symphony Orchestra. He has also conducted at numerous festivals including the Breckenridge and Bangalow Music Festivals, with both resulting in immediate re-invitations. At the beginning of 2016 Mr. Dragon conducted Wynton Marsalis’ Swing Symphony as part of the Perth International Arts Festival alongside Wynton Marsalis and Jazz at the Lincoln Center Orchestra. Christopher Dragon began his conducting studies in 2011 and was a member of the prestigious Symphony Services International Conductor Development Program in Australia under the guidance of course director Christopher Seaman. He has also studied with numerous distinguished conductors including Leonid Grin, Paavo and Neeme Järvi at the Järvi Summer Festival, Fabio Luisi at the Pacific Music Festival, and conducting pedagogue Jorma Panula.
JEANS 'N CLASSICS For almost 20 years the Jeans 'n Classics approach to combining world class rock musicians and symphonies has been a game changer for orchestras in their quest to attract new and more expansive audiences. Created by Peter Brennan, Jeans ’n Classics is a group of musicians who understand orchestra culture and are committed to help in the building of younger, loyal audiences for symphony orchestras across North America.While most definitely not a tribute act, Jeans 'n Classics faithfully interprets the music of legendary rock and pop albums and artists, with their own special and signature flair. Symphonies far and wide have heralded the quality of our orchestral scores. Our reputation precedes us for providing lush, fully realized arrangements of rock and pop classics for rock band and symphony, and top notch, easy-to-work-with performers who truly know how to deliver a great rehearsal and live show experience with professionalism, humor, and finesse. Jeans ’n Classics works with over 100 orchestras in venues throughout North America, and has created almost 1,000 original rock and pop orchestrations which are presented across 45 unique and exciting productions.
SOUNDINGS
2018/19
PROGRAM 9
FAMILY
2018/19
DRUMS OF THE WORLD
2018/19 SEASON PRESENTING SPONSORS:
COLORADO SYMPHONY PERCUSSIONISTS
Sunday, November 25, 2018, at 2:30 p.m. Boettcher Concert Hall
Selections to be announced from stage
Sunday's Concert is Gratefully Dedicated to Delta Dental
PROUDLY SUPPORTED BY PROGRAM 10
C O L O R A D O SY M P H O N Y.O R G
FAMILY BIOGRAPHIES JOHN KINZIE, principal percussionist Prior to joining the Colorado Symphony as Principal Percussionist in 1985, John Kinzie was Principal Percussionist with the Toledo Symphony Orchestra, a position he won at the age of 19. John has appeared with Strings in the Mountains, The National Repertory Orchestra, and the Grand Teton music festivals, and has been a featured soloist with the Toledo Symphony, Colorado Music Festival, Yale School of Music, Grand Teton Music Festival, and the Colorado Symphony on numerous occasions. He also performs with the Colorado Symphony chamber group “Once Upon a Time,” a group formed to inspire the imaginations of young schoolchildren and to excite them about music. In 1996, John became the head of the percussion division of the Lamont School of Music at the University of Denver, where he teaches percussion and timpani performance as well as percussion ensemble, master classes, and percussion pedagogy and repertoire.
STEVE HEARN, assistant principal timpani and percussionist Assistant principal timpani/section percussion with the Colorado Symphony, Steve Hearn is also the principal timpanist of the Cabrillo Festival of Contemporary Music and a founding member of the Lumos Percussion Group. He has appeared with the Strings in the Mountains, Grand Teton, and Cabrillo music festivals, and has been a featured concerto soloist with the Colorado Symphony and Cabrillo Festival Orchestra, among others. Steve previously held the position as Percussionist/Timpanist in the U.S. Army Field Band, Washington, D.C., were he toured the 48 continental states performing concerts with the Concert Band and Chorus. Active as an educator, chamber musician, and drum set specialist, he was the assistant to Robert van Sice at Rotterdam’s Conservatory of Music and was the Director of Percussion Studies at New Mexico State University. He has performed recitals and chamber music in Holland, Belgium, Illinois, Colorado, New Mexico, Maryland, and Washington, D.C., as well as given master classes in nearly all 50 states.
MICHAEL VAN WIRT, section percussionist Michael Van Wirt has established himself as an emerging professional percussionist across the United States. In addition to his appointment as Section Percussionist in the Colorado Symphony, Michael has performed with the Houston Symphony and was a New World Symphony Fellow during the 2014-2015 season. He is an alumnus of the Aspen Music Festival, Colorado College Summer Music Festival, and the Alan Abel Summer Percussion Seminar. Michael has studied in Denmark at the Royal Danish Academy of Music, in Japan at the Nagoya Institute for the Arts, and performed in Australia and New Zealand, Spain, and Portugal. Michael was given the Outstanding Undergraduate Student in Performance and the Frank Toth Leadership Award from the University of Denver, where he received his Bachelors of Music under Professor John Kinzie. He attended the University of Miami under Matt Strauss and Svet Stoyanov and obtained his Masters Degree in music in 2012.
SOUNDINGS
2 0 1 8 / 1 9 PROGRAM 11
FAMILY BIOGRAPHIES ELIZABETH VAN WIRT, percussion Elizabeth Van Wirt (née Galvan) performs regularly as an orchestral percussionist, chamber musician, and soloist. Recent engagements include the Colorado Symphony, New World Symphony, Grammy-nominated choral ensemble Seraphic Fire, and the Florida Grand Opera. Elizabeth is also principal percussionist of the South Florida-based Nu Deco Ensemble, an innovative twenty-first century orchestra. Elizabeth was the third prize laureate of the prestigious Universal Marimba Competition 2011 in Belgium. She is recorded as a soloist on Ney Rosauro’s disc “Early Mallet Works” and most recently featured on the 2016 album “Onyx,” released by the Society of Composers, Inc. In addition to her varied performance career, she has maintained a schedule of teaching private lessons and in classroom settings, as well as the collegiate level (Miami Dade College, 2011 – 2015). She holds two degrees from the University of Miami Frost School of Music and a Masters Degree from the Manhattan School of Music. Elizabeth currently lives in Denver, Colorado, and is a proud Yamaha Performing Artist.
MICHAEL TETREAULT, percussion Michael Tetreault holds a Bachelor of Music from the Eastman School of Music in Rochester, NY and a Master of Music Degree from the Royal Academy of Music in London, UK. He holds positions as Principal Timpanist of the Central City Opera and Fort Collins Symphony, and as Percussionist with the Colorado Springs Philharmonic and Boulder Philharmonic. He is also on the percussion faculty at the University of Colorado, Boulder. Tetreault has performed domestically and abroad with the London Symphony Orchestra, London Philharmonic, Toronto Symphony, Orchestre Symphonique de Montreal, Colorado Symphony, Colorado Ballet, Orchestre de Paris, Royal Scottish National Orchestra, RTE Concert Orchestra (Dublin), Ulster Orchestra (Belfast), and the Halle Orchestra (Manchester). As a chamber musician, he has collaborated with Roomful of Teeth, Quattro Mani, Alarm Will Sound, and Ann Murray. He has performed at festivals in England, Scotland, Ireland, Holland, Germany, and France, and has recorded extensively for Albany Records, Bis Records, Warner Bros. Records, Bridge Records, Sony Classical, RTE Radio/TV, and the British Broadcasting Corporation (BBC).
PROGRAM 12
C O L O R A D O SY M P H O N Y.O R G