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Yuan-Chen Li
Three Poems by Rabindranath Tagore (2007, 2012 edited) for soprano, flute, piano, and cello
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Yuan-Chen Li (b.1980, Taiwan), Composer Li Yuan-Chen, a member of the emerging generation of Taiwanese composers, was born in 1980 in Tainan, Taiwan. As a child she studied composition and music theory with Wu Ting-Lien, and in 1998 she enrolled at Taipei University of the Arts, where she studied composition with Hung Chung-Kun and Yang Tsung-Hsien, and studying guqin and classical Chinese vocal phonology with Lee Fong and Li Tien-Kuei. In 2006 she traveled to the U.S. to attend the Yale School of Music, where she studied under Martin Bresnick and Ezra Laderman, earning her Artist Diploma in 2008. In 2009 she entered the PhD program at the University of Chicago, where she has studied composition with Shulamit Ran, Marta Ptaszynska, and Kotoka Suzuki and orchestration with Cliff Colnot. In 2000 Li’s work Tsang (The Funeral) drew attention in the Taiwanese music world for its unconventional orchestration, and her orchestral work Awakening, which premiered at the Asian Music Festival in Tokyo in 2003, further demonstrated her orchestrational talents and musical imagination. Her signature work from her student period in Taiwan, Intermezzo: Tsan (Meditation), brought the sound world of the guqin and the classical Chinese vocal style to the chamber music setting; her solo guzheng piece Cat’s Romp combined elements of movement, recitation and theatrical space, earning much acclaim in traditional music circles. During her years in the U.S., Li’s focus has shifted to exploring the possibilities of fluidity and transformation in sound-space. More information please visit http://yuanchenli.wordpress.com/
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Three Poems by Rabindranath Tagore I. The Cloud Said to Me Duration: ca. 12 minutes
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Flute
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Cello
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(+ means press the string near the nub and play the key simultaneously)
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Pedal Strike
Yuan-Chen Li (2007; 2012 revised) edited by Cliff Colnot
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the
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(slap the strings of the lower register)
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fire - ry
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# w. Í Í ¿j > wide vib. 12 œ ¿ 8 w. . gliss. dawn
12 8 12 8 12 8
>
# +·
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-
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-
! (produce the harmonic by pressing on 1/5 of the string)
w. °
-
98 9 8 98
molto sul pont.
w. > Í
-
9 8
7
Three Poems by Rabindranath Tagore
2
Fl.
Sp.
& 98 a ˙ . œ ‰ (p) f (wide vib.) f (gliss.) (p) ÷ 98 ( œ . ) (¿œ . ) ‰ ‰ œ¿j ¿ (n)
9 &8 Pno.
Vc.
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(
# œ)
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98 ‰ .
"
P p 9 œ œ. ‰ . 8¿ ¿
6 ¿˙ . 8
!. bn œœœ 6 œœœœœœ ‰ ‰ Œ . 8 J f (hit the black and white keys all together) ‰ 68 "
The
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68
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pain
6 8
f
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P ‰ ‰ œ¿j œ¿
sa - id
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in
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(to piano)
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F 6 ¿œ œ¿j œ¿j ¿ 8 œ deep si
(speak)
9 8
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8
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-
lence
98 9 8
(sustain the end sound "ce" without the vowel sound)
6 8
"
(slap the strings of the bottom register)
F 6 ¿ 8 –– .. –– .. ° 6 8
9 8
j 9 –– ‰ ‰ 8 –– * 9 " 8
10
11
(simile ad lib.)
Fl.
Sp.
9 &8
"
( F) ÷ 98 œ¿. œ¿. œ¿. œ¿. œ¿.
(ce) as - his (sustain the end sound "s")
Pno.
Vc.
9 &8
"
#·
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(strong percussive noise from the articulation of T sound)
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T
T
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T T
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(
)
jet whistle from B
foot - print.
I
Œ.
b˙. f
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die
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"
"
?9 8
"
"
"
12
13
14
"
sing into the piano to let the strings vibrate
bœ. in
(exaggerate the transition of the vowels)
b˙.
12 8
"
-
œ.
œ.
to
the
+ œ. b˙.
(press the string)
12 8 12 8
"
12 8
"
12 8
°
15
Three Poems by Rabindranath Tagore
Fl.
Sp.
& 12 8
"
(sing into the piano to let the strings vibrate)
œ.
12 & 8
full
œ.
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ne
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-
Vc.
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(
°) Œ.
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f j j j j j j œ ÷œ 9 8 œ¿ ‰ œ¿ œ¿ ‰ œ¿ œ¿ ‰ ¿J > > > > > ss
Sp.
Pno.
Vc.
said
my life
9 ‰ +œ 8 F
˙L .
P
9 & 8 ‰.
to
+ ‰ œ
(press the string)
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"
9 8
"
The
6 8
9 8
sim.
+œ œ. ‰ P
9 8
"
9 8
.... 6 #œ ‰ ‰ 8 J œ œ. P Jeté
?
gliss.
&
9 8
18
( »¡ºº)
q .»q q
20
> . ¿œ ¿œ ‰ sa - id
6 Œ. 8
*
÷ ‰. œ. " r‰ Œ . ¿J gliss up œ (to flute) "your" fl œ. . œ. . ÷ 98 ¿J ‰ ‰ ¿œJ ‰ ‰ Œ . ¿œJ ‰ ‰ ‰ ¿œ ¿œ ¿ ¿œ . lights kiss thoughts every mo - men ! bn ˘œ . ¬. –– .. –– .. H ¬¬¬¬ .... 9 J –. ÷ . . . ‰ Œ &8 Œ ¿ ¿ nail gliss over the ƒ f (fast strings of the high register) ?9 " " 8 ° extreme bow pressure ·œ .. ·œ .. bow slowly ? 98 J œj . œ . " (P) Ï
19
ear - th
17
(speak)
My
6 ¿j ¿ 8 œ œ >
> + #œ ‰ œ ƒ
me.
‰ œ¿j & 98 (speak)
÷‰
ft.
(singspiel)
16
Fl.
68 # œæ. Í
"
(possibly linking the "s" sound without reiterating it)
12 & 8 Aw. Pno.
ƒ œ
98
3
2 4
"
P 2 ¿œ. ‰ Œ 4 J
&
‰
>œ ¿J ‰ Œ
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-
t
(speak)
21
> j ÷‰ œ P
> j& œ¿
(speak)
"t"
"t"
" " œ
pizz. sul pont.
( F)
22
÷
Three Poems by Rabindranath Tagore
4
Fl.
Sp.
& Œ
44
j ‰ œæ (F) ft.
P ‰ $ ¿r 44 ¿œ ˙¿. œ
U
Vc.
"
U
÷ Œ
The
Pno.
j ‰ & –¿ ––¿ –– –– – the strings of P slap the middle register ? " * °
÷
ã
Œ
days pass
Sp.
÷ ÷
Pno.
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¿
(P) Œ Œ ¿ ˙
Œ ‰. ÷ ¿œ R (speak) The P
Œ
Œ
¿ œ¿ œ-
pass days
œ œ ‰ Œ œ ˙ J (F) (F) j (knock) ‰ ¿ ? ¿ Œ Œ ÷ œ ¿ ¿œ ¿œ (speak) pass (P)
Œ
ã
Œ
Œ
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pass
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Œ œ¿
pass (sing)
&
˙ ¿˙
Ó œ‰ Œ J ‰
pass
29
"
Œ Œ
œ
Œ ‰ œ.
j ¿
Œ
pass
‰ ¿j ¿ Œ Œ œ¿ ¿œ
(sustaining the end sound "s")
pass days
-
pass
˙.
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Œ
Œ ¿ Œ Œ ¿˙ 31
pass sim.
27
Œ Œ
˙¿
sim.
‰Œ œ
26
pass
30
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p œ ˙.
¿ ˙
pass
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pass days pass (sustaining the end sound "s")
Œ Ó
days
Œ
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œ¿
Love sa dolce
pass
28
"
25
"
(speak)
Ó
Œ ‰œ ˙ J
pass days pass
"
Œ
days pass (sustaining the end sound "s")
Œ
¿ œ¿ œ- ˙¿
(pedal)
Vc.
P
The
Pedal Strikes
24
(speak)
÷
Œ ‰ . ¿r œ¿ ¿ œ ˙.
4 Œ ‰œ ˙ 4 J F (knock the body (speak) of the instrument) j U 4?Œ ‰ ¿ Œ Œ ÷ ‰ ¿j ‰ ‰ 4 œ (to cello) F "t" P
(P) ÷ ¿ ¿ œ- ˙
"
¿ œ Œ
4 Ó 4
P Œ ¿ ˙
(speak)
days pass (sustaining the end sound "s") (speak)
23
Fl.
( »¡ºº )
calmly, a tempo q
U
long
˙¿
Œ
˙
r œ ‰. œ
pass
pass
-
Œ
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-
id
but
˙¿
Œ
Œ Œ
j ‰ ¿ Œ ¿˙
pass
Œ ‰œ ˙ J
pass
32
Three Poems by Rabindranath Tagore
(p) ¿ œ- ˙¿
÷
(speak)
Fl.
Œ
(p) œ ˙.
"
"
days pass
Sp.
&
I
wa
÷
-
-
-
-
"
Pno.
w (F)
ã
(pedal)
?
(knock)
Vc.
˙
Œ
(P) ÷ ¿œ
Fl.
days
Sp.
Pno.
ã
(pedal)
(F) ¿
Œ Œ
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F ¿ Œ
Vc.
(speak)
you.
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pass
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days
Ó
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Œ
Œ Œ
(P)
pass
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˙
j ‰ ¿ Œ ˙ pass
38
˙
pass
÷Œ
Œ
Œ
Œ
days
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4 Ó 4
5 4
"
4 4
"
44 Œ
÷
(speak)
36
3 4
pass
#
Œ
Œ
pass
pass
G.P.
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dea - th
sa - id
U " U "
43 ?
"
U "
˙
3? 4
"
U "
40
41
39
P œ¿
(speak)
˙
˙
pass
Œ
P
"
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pass
the
"
3 4&
Œ
‰ . œ¿r
37
F . ‰ œ¿r 43 ¿œ ¿œ ¿œ The
˙¿
4 ˙. 4
5 4
Œ
(singspiel)
Œ
5 4 ˙.
The
35
r ¿ œ¿ œ
the
45 Ó .
P Œ ‰ . œ¿r 44 ¿œ (speak)
45
"
34
˙.
(knock)
for
w
&
(P) ÷ ¿ œ
it
œ ˙.
"
33
(speak)
œ ‰ œ J
5
4 4 4 4 4 4 44 4 4
Three Poems by Rabindranath Tagore
6
( »¡ºº )
grotesquely, a tempo q
Fl.
÷ 44
Sp.
÷ 44 Œ
Pno.
Vc.
"
Œ
(to flute)
f marcato ¿ ˙
"
?4 4
"
?4 4
Sp.
& ÷
œ gg b œœ gg gg œ ggg f
pizz.
"
? Pno.
Vc.
?
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œ #œ œ œ #œ ƒ ƒ molto vibrato w gliss. 5
sea. 6
#œ f
#œ œ #œ # œ œ œ
#œ °
#œ #œ
Œ
+œ ƒ ° Œ
j œ œ œ¿ ¿ ¿
the
boa - t
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o - f
Π" knock
45
œ¿..
Œ
Œ
¿ ¿ œ œ
œ ¿
a - cross
the
"
Πarco
œ
Œ
Œ
H ––––
(ƒ)
#œ R ‰.
gliss.
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fast nail gliss over the strings of low register
43
&Œ
Œ * œ
pizz.
44
’ ’ ’ ’ ’ ’ Œ P
’ ’ ’ ’ (Œ) ( Ó p let ring
ritard.
)
molto sul pont.
6
œ¿
life
-
simile ad lib.
’ ’ ’ ’ ’ ’ 46
"
-
(
")
(
")
œ
&
68
"
6 8
"
6 8 #˙. p dolce
6 # œ # # œœ œ œœ # œ 8 #œ ° una corda
œ 6 ’ ’ ’ # œ # œ œ # œ œ 8 # œj ‰ ‰ Œ . # 6
47
»%£
calmly, slow q k
-
p
simile ad lib.
arco
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your
œ +
# œ simile ad lib. ’ ’ ’ ’ ’ ’(Œ) p let ring
#œ
œ ‰. R f
œ¿ œ¿
simile ad lib.
œ #œ œ # œ œ œ œ œ # œœ #œ œ (ƒ) 6
ply
Œ
42
Fl.
œ¿.
I
4 &4
Œ
&
‰ # œj ‰ œ J fl p S
48
Three Poems by Rabindranath Tagore
Sp.
Pno.
÷
"
& # ˙˙ .. (p) ?
"
°
49
h
Sp.
U
œ . # œœ .. œœ .. poco
#œ # # œœ œ œœ # œ #œ
#œ # # œœ œ œœ # œ #œ
51
52
50
˙˙ .. ˙˙ .. ˙˙ .. ˙.
u
53
II. When You Hold Your Lamp in the Sky
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2 &2
p dolce #˙.
œ
When
you
"
(singing voice)
Pno.
U "
"
#˙. #
˙˙ .. ˙˙ .. ˙.
#œ # # œœ œ œœ # œ #œ
(una corda) ( )
"
# ˙˙ ..
poco
7
˙-
& 22 Œ p ˙ ?2 2
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#˙
w
n˙
œ
˙- .
œ œ
hold
#˙
#˙
˙.
n˙
your
˙
w
˙
poco
b˙
˙
una corda
54
55 poco
Sp.
& ˙
œ
& Œ
‰ œ œ J
lamp
Pno.
Œ ? #˙
˙
n˙
œ œ
œ.
in
sky
# œœ
the
j #œ œ
56
Œ
57
# #˙
˙-
it
˙
#œ
w #˙
n˙
#œ
#œ #œ P ˙
throws
#œ œ
# ˙˙ p #˙
(una corda)
58
59
w
poco
60
n˙ #˙ œ #˙ œ n˙
#˙ 61
Three Poems by Rabindranath Tagore
8
Sp.
Pno.
( #)
œ
&
œ
N˙
its
& a ˙œ
.
poco
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light
#˙
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˙
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˙ œ p
my
62
p
& bw
Œ
& Pno.
?
˙ o
falls
#˙
b˙
˙
P
(una corda)
˙
#œ.
and
its
sha
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P
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n ˙˙ .
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face
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68
69
poco
Sp.
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hold.
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70
j #˙ #œ
the lamp
of
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love
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in
my
heart
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b˙
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Three Poems by Rabindranath Tagore
Sp.
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light
falls
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molto
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left
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75
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you
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in
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78
Sp.
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82
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84
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