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CONNAH O’NEILL . DOB: 08.05.1999 PA R T I A R C H I T E C T U R A L A S S I S TA N T
Contact
Professional Experiences
N: Connah O’Neill
Atilier 2 Architects (2020 - 2022)
T: 07806754283
Part I Architectural Assistant
E: connahoneill@me.com
Expertise
RIBA Future Architects Podcast (2021) Co-host for two podcasts ‘Starting out in Architecture School’
AutoCAD 2022
‘It’s not just door schedules!’
Sketchup 2022
References
Adobe Indesign Adobe Photoshop
Dylan Jones
Adobe Illustrator
Director Atelier 2 Architecture Ltd
Adobe Revit 2022
Dylan@a2architects.co.uk
3D Printing Physical Model making Problem Solving Team Collaborating Organisation and Planning
07711284632 Jim Sloan Senior Lecturer Liverpool John Moores J.R.Sloan@ljmu.ac.uk 01519041191
Hobbies
Education
I learnt to play the violin as an adult and mainly play traditional Irish music. I also enjoy photography, drawing and Karate.
Architecture BA Hons (2:1) Liverpool John Moores University UAL Foundation Diploma Art and Design (Merit) The City of Liverpool Collage Seven GCSE’S (All A - C) including English and Maths Calderstones Secondary School
Contents
0 1 . The H o l m stead
2020 P rofessional
03 - 0 8
0 2 . Th e S tart- Yard
2020 P rofessional
09 - 1 2
0 3 . Bram l e y Moore .
2020 P rofessional
13 - 1 8
04 . The BSA
2020
Academic
19 - 28
05 . Contemplation Space
2019
Academic
29 - 32
HOLMESTEAD
How do you convert a grade II listed house into luxury apartments?
Our proposal looked to convert a grade II listed Gothic home into luxury apartments with minimum alterations. Architectural details such as coving, fire places and tiled flooring are all untouched resulting in a sensitive intervention.
03
Year: 2020 . Location: Liverpool . Building: Apartments . Type: Professional
01
notes
This drawing is the copyright of Atelier 2 Architecture Ltd. t/a A2 Architects, and may not be used without their prior written consent. Do not scale these drawings.
revisions
client
DOYLE PROPERTIES
project
THE HOLMESTEAD
drawing
EXISITING GROUND FLOOR PLAN scale
date
1:50 @ A1
26.11.21
dwg. no
1:50
revision
A2.20.886_004
EXISTING GROUND FLOOR PLAN
L0
REV A
1:50@A1
1
0
2
METRES
ATELIER 2 ARCHITECTURE LIMITED address: 27 Duke Street Liverpool L1 5AP t: 0151 708 0406 f: 0151 708 7069 e: mail@a2architects.co.uk
1.
notes
This drawing is the copyright of Atelier 2 Architecture Ltd. t/a A2 Architects, and may not be used without their prior written consent. Do not scale these drawings.
key
BEDROOM 01
NEW LIGHT WELL TO DETAIL
EXISTING WALLS
NEW LIGHT WELL TO DETAIL
PROPOSED WALLS
REPLACEMENT FENESTRATION TO DETAIL
DEMOLISHED
CEILING REFLECTION
EXISTING HEATING PIPES TO REMAIN IN PLACE NEW LIGHTWEIGHT PARTITION AND JOINERY TO DETAIL
EXTENT OF LIGHTWELLS
NEW DOOR TO DETAIL
NEW DOOR TO DETAIL
PORCH LIVING
KITCHEN
LIVING
SNUG
BATHROOM NEW PIVOT DOOR TO EXISTING OPENING
NEW STAIRCASE TO DETAIL
NEW DOOR TO DETAIL
revisions
A 15.08.21 UPDATED LAYOUT
NEW PARTITION WALL TO DETAIL
REPLICA DOOR TO DETAIL
NEW DOORS TO EXISTING OPENING TO DETAIL
ORIGINAL FIREPLACE TO BE RESTORED
ORIGINAL DOOR TO REMAIN IN PLACE
EXISTING HEATING PIPES TO REMAIN IN PLACE
ENTRANCE HALL NEW OPENING TO BE FORMED
NEW DOOR TO DETAIL
APT 03
HALL
315SQM
NEW OPENING TO DETAIL
NEW HANDRAIL TO DETAIL
115SQM
NEW STAIRCASE TO DETAIL
STORE
INTUMESCENT ROLLER BLIND TO DETAIL
BEDROOM 01
LOBBY
NEW PARTITION WALL TO DETAIL
APT 01
FIRE CURTAIN
NEW OPENING TO BE FORMED
NONE ORIGINAL STUD WALL TO BE DEMOLISHED
BATHROOM
NEW DOOR TO DETAIL
REPLICA DOOR TO DETAIL
ORIGINAL DOOR TO REMAIN IN PLACE
NEW PARTITION WALL TO DETAIL
DRESSING
REPLICA DOOR TO DETAIL
ORIGINAL DOOR TO REMAIN IN PLACE
HALL DRESSING
REPLICA DOOR TO DETAIL ORIGINAL DOOR TO REMAIN IN PLACE INTUMESCENT ROLLER BLIND TO DETAIL ORIGINAL FIREPLACE TO BE RESTORED
APT 02 146SQM FRAMELESS GLAZED BALUSTRADE TO DETAIL
BEDROOM 01
APARTMENT AS EXISTING
LIVING
SNUG NEW OPENING TO BE FORMED
NEW STAIRCASE TO DETAIL
client
DOYLE PROPERTIES project
THE HOLMESTEAD
drawing
PROPOSED GROUND FLOOR PLAN scale
1:50@A1
dwg. no
SCALE
A2.20.886_101
PR GROUND FLOOR PLAN
L0 0
1
2
METRES
20.08.2021
revision
REV A
ATELIER 2 ARCHITECTURE LIMITED address: 27 Duke Street Liverpool L1 5AP t: 0151 708 0406 f: 0151 708 7069 e: mail@a2architects.co.uk
2.
05
date
1:50@A1
1. Existing Ground Floor 2. Proposed Ground Floor
06
Left: Proposed Billards room Right: Proposed Dining room
07
THE START-YARD
How do you convert an industrial yard building into a vibrant space for start ups?
The Start-yard is a fresh and vibrant space for start up businesses consisting of flexible office spaces, cafe, meeting spaces designed with the spirit of collaboration
09
Year: 2020 . Location: Birkenhead . Building: Offices . Type: Professional
02
1. Food court 2. Mezzanine office space 3. Container work spaces 4. Disabled toilets and Wework 5. Cafe / Eating area
1
2
3
4
5
BRAMLEY MOORE
How do you create a hotel and spa in an abandoned mill?
T H E M I L L
Situated adjacent to the Bramley Moore proposed Everton stadium , the Bramley Moorel is an inviting and comfortable hotel and spa respecting the existing mill and its valuable features .
13
Year: 2022 . Location: Liverpool . Building: Hotel . Type: Professional
03
17
THE BIRKENHEAD SCHOOL OF ART
How do you create a framework for people to discover themselves, a place that allows people to learn through play. The Birkenhead School of Art provides that framework for play, through highly flexible spaces and studios which aid the students to be almost limitless in their work and ideas. The form of the school is generated from the conservation area it is situated in. Two streets are cut through the school, derived from the geometry of Hamilton Square and the other is created from John Street which is adjacent to the site.
19
Year: 2020 . Location: Birkenhead. Building: School . Type: Academic
04
e eat r c u ol o yo t scho d How ical ar nhead e d a ra e Birk area? n th in ervatio s con
The internal streets of the BSA are formed from Hamilton Square and the adjacent street to create a strong relationship with the historical context, creating an easing connection.
1. Remove existing extension 2. Grid defined from geometry of site 3. Massing 4. ‘Streets’ formed from grid 5. Spaces defined in grid 21
08
N
1. Workshop/ Sculpture Studio 2. Flexible Atrium 3. W.C 4. Cafe/Bar 5. Workshop Loading Bay 6. Student Market Space 7. Reception 8. Art Supply Shop 9. Lecture Space 10. Textile Studio 11. Staff Office 12. Photography Studio + Digital Studio + 3D Printing 13. Print Studio 14. Printing Room 15. Paint Studio 16. Sculpture Studio 17. Ceramics Room
Basement Plan 1:200
1.
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Ground Plan 1:200 8. 2. 7. 6.
6. 3. 4.
5.
23 EA E TH KENH BIR OOL H SC T AR
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First Floor Plan 1:200
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Second Floor Plan 1:200
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13. 14.
24 EA E TH KENH BIR OOL H SC T AR
N
Third Floor Plan 1:200
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17.
Roof Plan
25 EA E TH KENH BIR OOL H SC T AR
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THE BIRKENHEAD SCHOOL OF ART
1. Ian Colligan 2. Phoebe O’Connor 3. Damian Crukishank 4. Abbie Jones 5. Wayne Freeman 6. Alice Hobbs 7. Kady Garrett 8. Chloe Lloyd
27
9. Jake Moran 10. Hannah Schulz 11. Max Tillotson 12. Chris Dove 13. Abbie Jones 14. Jodie Greenwood 15. Tom Crichton 16. Connah O’Neill
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Summer Solstice 21 june
61.9°
Equinox 21 March 23 September
38.5°
Winter Solstice 21 Decemeber
15.1°
North faceing sawtooth for even studio light
Motoriased blind for glare control
Flexible Artifical lighting
Low Energy lighting
28
CONTEMPLATION SPACE
Can a pier create an intimate space for reconnection and contemplation? This space acts as an amplifier of the sound, smell and view of the water below. People begin to notice and appreciate things when they are taken away from them; this pavilion aims to improve the human experience of a threshold.
29
Year: 2019 . Location: Liverpool . Building: Pavilion . Type: Academic
05
The contemplation pavilion is situated on the Otterspool Promenade; the main concept is simple, a space for people to be present and feel the true effect of being by water, creating a threshold between the water’s edge and the lands edge. The pavilion has a distinct materiality that references the roughness and ageing process of the sea. Corten steel is used to reflect the rust of the past railings, whilst timber speaks the same material language of traditional piers.
31
Thank you