Cordelia Ann Staniford
Works The University of Texas at Austin |Selected Graduating May| 2021
Mind. Body. Chroma. Bathhouse Spring 2019 | Austin, TX Public bathing has been a vital source of leisure in many cultures. This project studied the organization, materiality and cultural context of pre-existing bathhouse types. The objective of this was to evolve their customs, rituals, and activities associated with public bathing. Another objective of this project was to explore a variety of surface conditions attending to material properties, ergonomics, thermal behavior, and allocation of the surface within the space. Mind. Body. Chroma. focuses on healing the mind and body through light, temperature, and chromotherapy. The amenities of the bathhouse are arranged in a sequential cross-axis order to pull the user through different temperature and color circumstances that directly affect one’s mood and energy. The overall materiality and aesthetics is dependent on chromotherapy and what each space requires to give the user a maximized experience. Chromotherapy is a therapeutic technique that changes a persons’ energy and mood based on color.
1
COLOR THERAPY
ERGONOMICS
EXPERIENTIAL DESIGN
LIGHT & THERMAL BEHAVIOR
MAIN BATH + CRYOTHERAPY PODS
The Experience The immersive experience of the bathhouse is choreographed. This choreography stemmed from research on historic baths and how the body interacts when encountering changing temperatures .
Process Prior to designing on-site focus models were designed to have one pool. In this stage, iterations were made to experiment how the human body interacts with the surface. The design prioritizes the human body first and the surface second. Every surface is molded to the body making one feel encapsulated.
1% Gold Mix 1
2% Gold Mix 2
Section of Process Pool, Steam Wall, & Lounge Chairs
5% Gold Mix 3
Chromotherapy The is designed to be accessed in a sequential process. This process was designed to bring one in and out of meditation to rejuvenate the mind and body. To achieve this meditation the design utilizes light, temperature, and color to change ones mood and energy levels.
10% Gold Mix 4
1% Gold Mix 1
2% Gold Mix 2
Mix 3
40% Gold Mix 6
20mm x 20mm 5% Gold Mix 3
Process Render
20% Gold Mix 5
Pale to gold gradient tile is applied when energy needs to be restored, slowly bringing one out 10% Gold Mix 4 of meditation. All gold is only used when energy needs to be at its peak, to contrast with harsh 20% Gold temperatures or when ending meditationBisazza andGlass Mosaic Bisazza Glass Mosaic Mix 5 Name: Peonia Tile - Rosa Pesca Peonia Tile Rosa Pesca bringing the body back to its center.
60% Gold Mix 7
80% Gold Mix 8
Black Corian Mix 3
40% Gold Mix 6
20mm x 20mm
A A
Massage I
Massage II
Meditation Room
IV Therapy
Resting Splash Bath 113 °F
Cold-Hot Therapy Showers
Outdoor Transition Space
Gold Flake Cold Plunge 53 °F
B B
Steam Wall
Laundry Room
B
Room Temperature: 70-76 °F
Indoor Bath 75 °F
Storage Space & MER
Wood Burning Sauna 149.9 °F
Cool Down Space 60°F
Plan highlighting the sequential cross-axis Cryotherapy Pods -110 °F
Indoor Bath 80 °F
Olfactory Wall
B
Offices Genkan Room
Women’s Wash Room
Outdoor Passage & Rest Space
Scale: 1’=1/8”
Sections displaying depth of the pools and the dropped ceiling plane for natural light.
Juice Bar & Social Seating Men’s Wash Room Check - In
Amenities
Scale: 1’=1/8”
During the programming phase every amenity was analyzed to find out its ideal temperature range, what relationship it had with the other programs, size & ergonomic requirements, and how long one would typically use the space. Amenities range from a sauna, to different temperature pools, to hotcold therapy showers, to an olfactory wall.
SAUNA
A
Plan highlighting the sequential cross-axis
RESTING SPLASH POOL
GOLD FLAKE COLD PLUNGE POOL
3D PRINTED STEAM WALL
MODEL OF THE CROSS AXIS
PERSPECTIVE OF THE COURTYARD
MAIN BATH + STEAM WALL
Bryker Woods Elementary Fall 2019 | Austin, TX Located in North Austin, this project is a design for the Kindergarten wing of Bryker Woods Elementary School. The focus of this project was to develop the interactions with a Pedagogy of early learning techniques from Montessori or Froebel education types. The development stemmed from the idea of parts and wholes, one part interacting with the whole of the space. The project considers different types of interactions, student group types, environments, and material qualities. This idea formed the creation of a desk that can be clustered into different configurations to aid in creating different learning groups. The project aims to benefit the students from a hands on pedagogy through a space that is adaptable. While in a space where they feel encouraged to be creative and curious. The project, as a whole, redesigned the way children learn and pushed the limits on normative learning standards. Recognition: Gensler Brinkmann Scholarship Finalist
2
ADAPTABILITY
INTERACTIONS
UNDERSTANDING USER GROUPS
ENHANCING AN EXPERIENCE
TACTILE & CREATIVE LEARNING | ART PROGRAM
Process The challenge was to design three classrooms that would seat 25 students each. This seemed problematic because kindergartners, by nature, are busy. A 25:1 ratio distracts from the overall purpose, learning. The process began with seeking out possible solutions for creating a separation without permanence. Experimentation began with the idea of curtains on a retractable track. To solve the issue of curtains being seen at all times, nooks inside of walls were created so that the curtains had somewhere to recede into.
User Groups Pre-design consisted of research on early childhood development and the Froebel and Montessori pedagogy. It was important to understand how children learn, and how they learn effectively. Understanding this affected the whole design.
VISUAL GUIDE-TO-STUDENT PROGRAM
INDIVIDUAL READING PROGRAM
The Walls
The Curtains
The design only utilizes walls where they were necessary. Either for safety, adjacent programs, or curtain storage. Curtains then become the walls. Lack of permanent walls also creates space for a large playscape. Adaptability was accomplished by nooks inside of walls that the curtains recede into. To maximize usability the curtains run along a top and bottom track, which pull them taught, allowing them to be used as learning objects.
This design maximizes the use of the curtain. The curtain runs along a top and bottom track so that they are pulled tight enough for the curtains to be used as learning objects. This created the concept of thick and rigid, thin and rigid, and thin and taught. WALLS ALLOWED FOR SAFETY - ENTRY
ADJACENT PROGRAM
CURTAIN STORAGE
Learning Types
Reading Nooks
SAFETY
Thick walls would define the space, connected thin walls for storage of the curtains, and thin taught curtains to enhance programmatic activity.
Materiality
Storage Lockers
Using curtains allowed for the creation of three zones. I categorized the necessary programs into these three zones: Individual, Visual & Auditory, and Creative & Tactile. Each learning zone is enhanced by a specific curtain material. ENTRY
ENTRY Reading Pod
Live Science Wall
Materiality
Materiality Materiality
WALLS ALLOWED FOR ADJACENT PROGRAM SCIENCE ZONE
Materiality
WALLS ALLOWED FOR ADJACENT PROGRAM READING NOOKS
Art & Hands-on Learning
Technology & Reading
Tactile Playscape
Visual & Arranged
9”
14”
24.25”
12.5” 12.5”
The Desks
Desk
Research proceeded studying relationships of a single table to a table cluster, and what spatial and formal interactions came from these. The final design consists of 7 desk types and two chair types. Different configurations of clusters assist different program types.
27”
Adaptability of Program Chair Option 2
Chair Option 1
36.35”
My objective was adaptability, to allow for different learning strategies. The curtains can be pulled back for when there are bigger group activities. The lack of Top permanent walls also allows The desks to be manipulated into a larger playscape for recreation. 9”
14”
12”
12”
24.25”
12.5”
12.5”
20”
27”
The desk shape came from a parametric definition in Grasshopper. Once the circle grid was made, desks were carved out. Since they were all designed on the same grid, the desks have a puzzle piece format to encourage children to configure their desk to what “fits” them.
12”
Type: Focus Learning
12”
Bottom
20”
Top
Desk
Color & Material Options
Chair Option 2
Chair Option 1
36.35”
Table Top & Chair: Glossed Plastic
Chair Option 2
Chair Option 1
24.25”
9”
12.5”
12.5” Color & Material Options
27”
Chair Cushion: White Cushioned Vinyl
Accent of Chair: Colored Biplastic
Individual Learning: Technology, Self Study Visual & Auditory: Show & Tell, Guide Lesson Tactile & Creative: Art
12.5” 12.5”
Desk Legs: Light Beech Wood
9”
14”
Bottom
14”
Diagrams showing movement overtime
27”
Table Top & Chair: Glossed Plastic
Desk Legs: Light Beech Wood
Chair Cushion: White Cushioned Vinyl 12”
12”
Type: Hands-on Learning
20”
12” 12”
Top Accent of Chair: Colored Biplastic
20”
Top
Learning
Storage
Body
Bottom
Color & Material Options Bottom
Color & Material Options
Individual Learning: Technology, Reading, Active Practice Visual & Auditory: Film, Active Learning Video Top & Chair: Desk Legs: TactileTable & Creative: Froebel’s Gifts Chair Cushion: Glossed Plastic
Table Top & Chair: Glossed Plastic
Desk Legs: Light Beech Wood
Light Beech Wood
White Cushioned Vinyl
Chair Cushion: White Cushioned Vinyl
Type:AccentFree-Learning Playscape of Chair: Colored Biplastic
Accent of Chair: Colored Biplastic
VISUAL & AUDITORY BASED LEARNING SHOWING DESKS WITH MANIPULATED SEATING.
Individual Learning: Reading, Meditation Visual & Auditory: Group Work, Innovation Tactile & Creative: Playscape, Exercise
PLAYSCAPE BASED LEARNING
Closed Curtains
Open Curtains
Axon Sections showing movement of desks + curtains
ENTRY FROM DROP-OFF
Palantir Pavilion at the World Economic Forum Spring 2020 | Davos, Switzerland Partner: Ashlyn Hartfiel Palantir Technologies is changing how leading institutions solve critical data challenges. The company presents their expertise every year at the World Economic Forum. Palantir is constantly making new technology based connections, the more connections they have, the more successful they are. They want to show other businesses at the forum that they can be the backbone for their company. The mission for this years pavilion is to present Palantir as the “Backbone for Connections”, and to emphasize that Palantir is a transparent company that cares, every visitor will feel established and connected. The Pavilion, located in Davos, Switzerland intends to draw some mystery, and make connections in a non conventional way. Users enter the space feeling invited, sophisticated and professional. During their visit, users will make social, informational, and business connections to leave feeling like they are a part of Palantir.
3
RE-BRANDING THROUGH DESIGN
MATERIALITY
TECHNICAL SKILLS
INTENTIONAL CIRCULATION
CONNECTION LOBBY + COFFEE BAR
Process & Site pavilion reuses the same building materials every year for a. The the structure and the entire pavilion is built in two weeks. The interior of this design complies with the same goal of a two week assembly. the conceptual and pre-design phase the structure b. During was divided into the three zones: social and informational, accommodating, and business.
c.
Due to the temporary nature of the building, the design utilizes central circulation for ease of access and way-finding. Entry and exit vestibules were located first to solve the issue of tracking snow and mud into the building, a reoccurring issue every year.
Site
the zones were mapped initial program was placed into d. Once the zones based on what the intended goal of the space was.
e. f.
Floor Plan A1 Apertures were located based on the program. Spaces used by the public all had views out onto the mountains. The ceiling condition over the circulation was extruded out to allow light to fall into the installation. Next, walls were designed. Thicker walls were placed around private space to give visual cues of hierarchy. Users experience the cues when turning the corner to feel like they are walking into a more important space. Site + Context
of heavy walls the design uses wooded louvers of g. Instead different sizes. The louvers allow for more transparency and give the space a Swiss feel. goal was to re-brand the company through design. Aside h. The from the conceptual re-branding of the space, the design
Floor Plan A0
implemented the Palantir logo into the wooden louvers as well as screens for the company to show company content.
i.
The design includes a parametric installation, “The Backbone”. The Backbone conceptually represents what the Palantir is, an underlying structure that other companies use to solve data connections. Physically, it is made using technology to show the advancements in design. Context
1A
F5
Furniture & Materials F1
F6
F6
F9
F6
Custom Pieces F1
F1
Most material and furniture was sourced near the site for cost, environmental, and time purposes. Some furniture was custom designed to meet Furniture the needs ofA1the space. Plan
F7
F2
F5
F2
F7
F10 F3
F5
F8 F2
F8
F11 F4
F6
North Section through Pavilion
F7
F8
F3 F12
F3
F2 F2
1A
F3 Section through Pavilion North F3
F5
The Louvers
F6 F4 South Section through Pavilion
F7
F4
F4 F4
210.4
F10
F5
F10
F13
F5 F11
F6
F11
Sourced Pieces
Furniture Plan A1
F5
Furniture Plan A1
A1
F10 F3
F2
F14 F7
F9
F5 F5
Furniture Plan A0
EXECUTIVE OFFICE
F6
F12 F6
F4
F6
F12
F15 F8
F10 Furniture Plan A1 F7
F6 F6
F14 F14 Furniture Plan F0A0
F1 F1
F11
F6
F12 1B
F7
F7 through Pavilion South Section F16 F11
F8 F8
F7
F7
F7
F8
F12 Thick Louvers | 1’ x 1.5” SomeNorth Privacy Section through Pavilion 1A Between Program North Section through Pavilion 1A Emphasizes Hierarchy Structural
F9
F10
F9 F15 F15 F2F2 F13
F10 F10 F10
F14
1B
F16 F16 F3F3 F10 F11
F18 F11
F10
F15 F11 Section through Pavilion South F13 F11 F10 F12
F19 F12
Furniture Plan A0 F14
F16
F12 F12
F11
F4F4 F11
F15
Furniture Plan A0 F13 F13
F14 F14
F14
F12 Thick Louvers | 1’ x 1.5” Some Privacy F16 Between Program Emphasizes Hierarchy Structural
F15 210.4
40
F15 F15 F16
F15
F14
Thin Louvers | F20 1.5” x 1.5” F12 Transparency Between Program Sides Stained Purple for Branding
F16 F16
F18
F5F5
F13
1B
F0
F18
F13 F19 F19 F6F6 F13 F14 Furniture Plan A0 F0 F0
F15 F18
F0 F0
Furniture Plan A0
A0
EXECUTIVE OFFICE
202.2
Concierge Desk
F18 F18
F19 F0 Thin Louvers | F14 F13 1.5” x 1.5” F20 F20 TransparencyF8 F7 F14F7 F15 F8 F16 Between Program F18 F20 F19 Sides Stained Purple Furniture Plan A0 F19 for Branding F19
F20 Furniture schedules in contract documentThick set Louver Wall | F18 F15 Thick Louvers | F14 1’’ xF16 1’ x 1.5” 1.5” with 6” wall Some Privacy Full Privacy Between F16 Between Program Program F19 F20 Emphasizes Hierarchy Emphasizes Hierarchy Structural Sound Barrier
F20 F20
F12
Conference Room North Wall Thick Louver Wall | 1’’ x 1.5” with 6” wall Full Privacy Between Program Emphasizes Hierarchy Sound Barrier
1B
Floor Plan A0 Furniture Plan A0
F18
210
1’’ x 1.5” with 6” wall Full Privacy Between Program Emphasizes Hierarchy Sound Barrier
F11
Furniture Plan A0Furniture Plan A0
A1 Presentation Space
Conference Room 210.4 Thick Louver Wall | North Wall
40
F9 F9
F13
F11
Thin Louvers | 1.5” x 1.5” F12 Transparency Between Program Sides Stained Purple for Branding
F9
F9
F8
F8
Furniture Plan A1
Pavilion
F10
F8
Furniture Plan A1
F9
F9
Furniture Floor Plan A1Plan A1
F13
Conference Room North Wall
209
F1
F5
F16 210
202.2
Circulation North View
Concierge Desk
214
South Section through Pavilion South Section through Pavilion
South Section through the Pavilion
209 F19
F15
202.2
Concierge Desk
Main Circulation
F20
Executive Office North Wal
F16
214
Main Circulation
40
41
rniture Plan A1A1 Furniture Plan
Large Conference Room A1 Presentation Space
Furniture schedules in contract document set
A1 Presentation Space
Social to Informative A1 Presentation Space Presentation space A1 Presentation Space
F0
F0
F18
A1 Floor F13F13
A0 Floor
F10 F10
A1 Presentation Space
Vestibule Floor to Pick Up Debris F14F14
Furniture schedules in contract document set Furniture schedules in contract document set
Furniture schedules in contract document set Furniture schedules in contract document set F18
F0 F19
1A
RR Floor
F11F11 F18
F20
F0
Thin Louvers | Thick Louvers | 1.5” x Louvers 1.5” 1’Thick x 1.5”Louvers | Thin | Transparency Some 1.5” x 1.5” 1’ x 1.5”Privacy Furniture schedules in contract document Between Program Between Program set Transparency Some Privacy Sides Stained Purple Emphasizes Hierarchy Between Program EXECUTIVE OFFICE Between Program for Branding Structural Sides Stained Purple Emphasizes Hierarchy for Branding Structural
Furniture schedules in contract document set
A1 Presentation Space
A1 Presentation Space
e
Pavilion
A1 Presentation Space
FINISHES F9F9
Ex
The louvers were cre divide program space an a sense of hierachy. Priv Executive Office North Wall important for a data com Palantir. Different louve allow for varyingCirculation levels o North Vi without losing tran North Section through the Pavilion
Furniture Plan A1 F9
209
F8
1B
The louvers were created toF8 divide program space and create a sense of hierarchy. Privacy was important for a data company like Palantir. Different louver types allow for varying levels of privacy, without losing transparency.
F7
Furniture Plan A1 F1 F1
Palantir. Different louver types allow for varying levels of privacy, without losing transparancy.
F19
F12F12 F19
F20 Furniture schedules in contract document set F20
F18
40 40
F19
Thick Louver Wall | 1’’ x 1.5”Louver with 6” wall Thick Wall | Full 1’’ x Privacy 1.5” with Between 6” wall Program Full Privacy Between Emphasizes Hierarchy Program Sound BarrierHierarchy Emphasizes Sound Barrier
F20
North Section through Pavilion Furniture schedules in contract document set
Ceiling Applications
Presentation Wall
Bar Wall
Furniture schedules in contract document set F15F15
A1 Presentation Space
F16F16
Furniture schedules in contract document set
Furniture schedules in contract document set
The Installation
he Section through & concierge the presentation space & concierge ionpresentation through thespace presentation space & concierge
Wire Suspension Cable Double Clamp Clip Holder Joint Injection Mold Plastic Purple Glass
This installation acts as a backbone for the design, in which it connects the three program zones. It adds an aura of mystery, as you are not sure what is beyond installation or what it leads to, while still communicating circulation and connection.
eilingD-01 Connection InstallationtotoCeiling Ceiling Connection Installation Connection allation to Ceiling Connection
cierge
Diagram of the installation of the installation Diagram Diagram of the installation
This installation acts as a backbone for the design, in which it connects the three program zones. It adds an aura of mystery, as you are not sure what is beyond installation or what it leads to, while still communicating circulation and connection.
LouverD-02 Connection Installation to Louver Connection Installation to to Louver Connection D-02 Installation D-02
Installation to Louver Connection
Diagram theinstallation Installation Diagram ofofthe
43
43
43
EVENING EVENT IN THE SOCIAL SPACE
into A
through
the
installation.
2’
D-03
The roof extension emphasizes hierarchy from the exterior of the building. North, up the The ceiling extension emphasizes hierarchy frommountain, the exterior of the pavilions ablearetoablesee building. North, up other the mountain, other are pavilions to see the thepurple installation reflecting purple installation reflecting light at night. The extension also allows light at into night. Thethe extension natural light to come down through installation.also Two acrylic natural light to come down bridges are placed allows in the floor to allow through CEILING light EXTENSION DETAIL the installation to through come down into theinto employees space. the installation.
The Ceiling
GLASS CURTAIN WALL
The roof extension emphasizes hierarchy from the exterior of the building. North, up the mountain, other pavilions are able to see the installation reflecting purple light at night. The extension also allows natural light to come down into through the installation.
GLASS CHANNEL
5’
ROOF
5’
2”
5’ 5’
2”
ROOF EXTENSION
ONCIERGE
ROOF EXTENSION
8”
D-03
A
A
2’
GLASS CURTAIN WALL
8”
2’
GLASS CURTAIN WALL
GLASS CHANNEL
GLASS CHANNEL ROOF
ROOF
2”
2”
presentation space & concierge
2”
2”
D-03
Ceiling Extension Detail
SECTION THROUGH THE PRESENTATION SPACE + CONCIERGE D-03
D-03
Section through the presentation space & concierge
& concierge
CEILING EXTENSION DETAIL
CEILING EXTENSION DETAIL
D-03
D-03
Ceiling Extension Detail
Extension CeilingCeiling Extension Detail Detail
N FALLING TO EMPLOYEE SERVING AREA
ling to employee serving area
45
A
A
NATURAL LIGHT FROM CEILING EXTENSION FALLING TO EMPLOYEE SERVING AREA
Natural light from ceiling extension falling to employee serving area
45
VIEW OF BAR + ENTRY SHOWING THE FLOOR CONDITION
EXTERIOR VIEW OF INSTALLATION DURING NIGHT EVENT
American Society of Interior Designers HQ
Summer 2020 | Washington, D.C.
Through the ASID Virtual Internship I worked on a 4-week project. The project was a redesign of a portion of the ASID Headquarters. The space initially designed to be the Material Connexion (MCX) Library. Throughout the project we worked directly with ASID employees to understand their intentions and needs for the new design. The design was to create a space for ASID activities and operations while still complying to their current WELL Platinum Level certification. This new design for the ASID HQ is an adaptable space that allows for a war room, an individual focus space, and a social space. Quarterly, ASID HQ needs a war room for active projects. During the off-period they need a functional & collaborative work space to seat 6-8 occupants. The client wanted an increase in sense of community which the design accommodates year-round. The new design will achieve: choice + control, the well-being of occupants, and a sense of community. All while complying to WELL Platinum Standard Certification, the design also incorporates biophilic design, circadian lighting.
4
UNDERSTANDING A CLIENT
RE-PURPOSE & REUSE
THE WELL STANDARD
ADAPTABILITY & FUNCTIONALITY
COMMUNITY WORK SPACE
Process & Existing Site Due to the short-term span of the project, a goal was to enhance the existing space with no structural changes. Process began with analyzing the space to figure out where potential program could fit and if the space could meet the occupancy the client was asking for. After diagramming the initial space and occupancy, the entire headquarters was looked over to find furniture that could be relocated for the new space.
CL.03
CC.01
CB.01
Soft Status: Existing Quantity: 2 Manf: Davis
Setu Status: Re-purposed from HQ Quantity: 4 Manf: Herman Miller
Q5 Two Seater Status: Re-purposed from HQ Quantity: 1 Manf: Davis
CB.02
CB.03A,B
TC.01
Q5 Lounge Stool Status: Re-purposed from HQ Quantity: 1 Manf: Davis
Apel Status: Re-purposed from HQ Quantity: 2 Manf: Bernhardt
Traction Status: Re-purposed from HQ Quantity: 3 Manf: Bernhardt
T0.02
SL.01
SL.02
Nest Satellite Table Status: Re-purposed from HQ Quantity: 2 Manf: HBF
Comforto 1 Status: New Quantity: 5 Manf: Haworth
Kozmic Double Seat Status: New Quantity: 1 Manf: National
SL.03
SL.04
TL.01
Kozmic Inline Spine Status: New Quantity: 1 Manf: National
Kozmic Impromptu Status: New Quantity: 3 Manf: National
Kozmic Bistro Table Status: New Quantity: 1 Manf: National
TL.02
TL.03
TL.04
Kozmic Inline Spine 3 Status: New Quantity: 1 Manf: National
Kozmic Workspace Status: New Quantity: 1 Manf: National
Kozmic Spine + Seats Status: New Quantity: 1 Manf: National
Floor Plan | War Room Space
Existing Floor Plan
Floor Plan | Social Space
Furniture & Finishings Initial Space Planning
The design predominantly uses furniture relocated from other spaces in the headquarters. All new furniture considerations had to have either BIFMA, Cradle 2 Cradle, Declare, or HPD certification. Before implementing new furniture it was presented to the client for approval. This design uses two types of new furniture. One being the Comforto Stool by Haworth, an ASID donor. It was recommended to the client because of its mobility and contribution to the WELL active furniture feature. Second, the set of pieces from the Kozmic line by National. The set was recommended to the client because they requested more lounge and group work seating. The Kozmic line provides solutions to both requests as well as achieving the project goal of adaptability.
N STANIFORD
Technology Gradient Elevation of North Wall
The space is also organized to work as a technology gradient. As you move through the space there is less room for fixed technology. There is a technology gradient so that there is a space to connect with virtual employees as well as a space to act as a reminder for the in-office employees to disconnect to consider mindfulness
SF.01
Reflected Ceiling Floor Plan FP.01
FP.03
FP.01
FP.02
Echo Cloud Flat Manf: Kirei SF.02
SF.02 SF.01
SF.02
Essentials Zero Manf: LA2
FP.02
L INTERNSHIP
FP.03
FP.01
1’-0” = 1/8”
Elevation of South Wall
Before: Material ConneXion Library
WELLNESS ROOM SPACE
The WELL Standard
AREA FOR REDESIGN
The American Society of Interior Designers national team is in the process of WELL recertification for the ASID Headquarters. It was vital that the redesign met WELL Platinum-level certification. The project focused on five of the seven WELL principles to give time to experiment with new ideas of implementation, and in-depth research on each principle.
601 - ASID National Headquarters The WELL Building Standard v1.0 WELL Report ABPD = Achieved by previous design & the new design does not interfere with standard. Standard is upheld or not effected by new design.
FEATURE
Circadian Lighting EXISTING FLOOR PLAN
1 2 3 4
AIR
COMMENT
12 13 14 15 16
ABPD ABPD ABPD - MERV 13 Media Filters Carbon Filters in Vents, VOC-free paint, & low VOC emissions in furnishings + finishes Air Filtration ABPD - MERV 13 Media Filters Microbe + Mold Control Water resistant materials Construction Pollution Mgmt. ABPD Healthy Entrance ABPD Cleaning Protocol ABPD Pesticide Management Not applicable to project type Fundamental Material Safety LED Lights only, no material with asbestos or more than 100ppm added lead Moisture Management Not applicable to project type Air Flush ABPD Air Infiltration Management Feature not attempted Increased Ventilation Feature not attempted Humidity Control Feature not attempted
17 18 19 20 21 22 23
Direct Source Ventilation Air Quality Monitoring Operable Windows Outdoor Air Systems Displacement Ventilation Pest Control Advanced Air Purification
5 6 7 8 9 10 11
Air Quality Standards Smoking Ban Ventilation Effectiveness VOC Reduction
24 Combustion Minimization 25 Toxic Material Reduction
ABPD Real-time display monitor in space Feature not attempted Feature not attempted Feature not attempted Hands-free garbage ABPD
28 Cleanable Environment
No combustion based products in space PCF limitations in furniture, Flame retardant limitation on all materials, (Phthalate) Plasticizer limitations on wall coverings, no Isocyanate-based polyurethane in interior finishes. Urea-formaldehyde restrictions on composite wood products, furniture, laminating adhesives & resins. 25% of furnishings & finish material are Cradle to Cradle certified products, or have a Declare. High touch surfaces coated with non-leaching and abrasion resistant material No permanent carpet or hard to reach places
29 Cleaning Equipment
ABPD
26 Enhanced Material Safety 27 Antimicrobial Surfaces
FEATURE 53 Visual Lighting Design 54 Circadian Lighting Design
LIGHT
COMMENT
55 Electric Light Glare Control
ABPD Color temperature changes based on natural cycle of the time of day ABPD
56 Solar Glare Control 57 Low-Glare Workstation 58 Color Quality
Not applicable to project space No luminaires aimed at screens Fixtures meet color rendering index standard
59 Surface Design 60 Automated Shading + Dimming Controls 61 Right To Light 62 Daylight Modeling 63 Daylighting Fenestration
ABPD Dimming switches on all lights ABPD Not applicable to project type Feature not attempted
FITNESS
FEATURE
COMMENT
64 Interior Fitness Circulation 65 Activity Incentive Programs
Feature not attempted ABPD
66 Structured Fitness Oppts. 67 Exterior Active Design
ABPD ABPD
68 69 70 71
Physical Activity Spaces ABPD Active Transportation Support ABPD Fitness Equipment ABPD Active Furnishings Sit/Stand workstations, adjustable moving stools
FEATURE 72 73 74 75 76 77 78 79 80 81 82 83
COMFORT
ADA Accessible Design Ergonomics: Visual+Physical Exterior Noise Intrusion Internally Generated Noise Thermal Comfort Olfactory Comfort Reverberation Time Sound Masking Sound Reducing Surfaces Sound Barriers Individual Thermal Comfort Radiant Thermal Comfort
FEATURE 84 85 86 87
Health+Wellness Awareness Integrative Design Post-Occupancy Surveys Beauty and Design I
88 Biophilia I - Qualitative
COMMENT
Design follows ADA code Desk + seat height flexibility ABPD Acoustic Planning ABPD Feature not attempted ABPD ABPD ABPD ABPD ABPD Feature not attempted
MIND
COMMENT
Wellness narrative to promote healthy habits ABPD ABPD Celebration of place, culture, and human delight through aesthetics and graphics Biophilic space layout and lighting. Nature pattern incorporation throughout the space
89 Adaptable Spaces
Floor plans establishing a variety of functions
90 Healthy Sleep Policy 91 Business Travel
for the work zones ABPD ABPD
92 Workplace Health Policy 93 Workplace Family Support 94 Self-Monitoring
ABPD ABPD ABPD
95 Stress + Addiction Treatment ABPD 96 Altruism 97 Material Transparency
ABPD 50% of interior finishes and furnishings have Declare label or HPD label
98 JUST Organization 99 Beauty and Design II
ABPD Visually grouped zones that have unifying design components
100 Biophilia II - Quantitative
Feature not attempted
WAR ROOM SPACE