COSKUN FINE ART | PRINTS AND MULTIPLES
ROY LICHTENSTEIN (1923-1997) Two Nudes 1994 Relief print on Rives BFK mold-made paper From the Nudes series Sheet: 48 1/16 x 41 3/16” (122.1 x 104.7) Image: 41⅝ x 35 1/16” (105.8 x 89.1) Numbered, signed (rf Lichtenstein) and dated (’94) in pencil, lower right. Blind stamp, lower right: (Tyler Graphics Ltd, chop). Workshop number on verso in pencil, lower left (RL93-3103) Edition: 40; plus 12 AP, 1 RTP, 1 PPI, 1 PPII, 1 TGLimp. 1 A, 1 C Publisher: Tyler Graphics Ltd, Mount Kisco, New York Printer: Tyler Graphics Ltd, Mount Kisco, New York LITERATURE: Cohen-Tyler (1994) Catalogue Raisonné Corlett 284 (Page 256)
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ROY LICHTENSTEIN 1923-1997 Nude Reading 1994 Relief print on Rives mold-made paper From the Nudes series Sheet: 30⅝ x 36 5/16” (77.8 x 92.3) Image: 23 15/16 x 30⅜” (60.7 x 77.1) Numbered, signed (rf Lichtenstein) and dated (’94) in pencil lower right. Blind stamp lower right: (Tyler Graphics Ltd chop). Workshop number on verso in pencil, lower left (RL94-3102) Edition: 60; plus 12 AP, 1 RTP, 1 PPL, 1 PPII, 1 PPIII, 1 TGLimp, 1 A, 1 C Publisher: Tyler Graphics Ltd, Mount Kisco, New York Printer: Tyler Graphics Ltd, Mount Kisco, New York LITERATURE: Cohen-Tyler (1994) Catalogue Raisonné Corlett 288 (Page 259)
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ROY LICHTENSTEIN (1923 – 1997) Reflections on Girl, 1990 (From the Reflections series Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper. Sheet: 45 1/8 x 54 ¾ (114.6 x 139.1 Image: 38 11/16 x 48 11/16 (98.3 x 123.7) Numbered, signed (rf Lichtenstein), and dated (’90) in pencil, lower right. Blind stamp, lower right: (Tyler Graphics Ltd. chop. Workshop number on verso in pencil, lower left: (RL89 – 984 Edition: 68; plus 16AP, 1 RTP, 1 PPI, 1 PPII, 1A, 1C. Publisher: Tyler Graphics Ltd., Mount Kisco, New York Printer: Tyler Graphics Ltd., Mount Kisco, New York Comments: The lithography was printed on a flatbed offset press. LITERATURE: Corlett 245
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ROY LICHTENSTEIN 1923 – 1997 Wallpaper with Blue Floor Interior, 1992, Screenprint on Paper Technologies, Inc., Waterleaf paper, in five panels Sheet & Image: 102 x 30 7/16 (259.1 x 77.3) (each panel); 102 x 150 (259.1 x 381) (overall) Numbered. Signed (rf Lichtenstein), and dated (’92) in silver marker, bottom centre of fourth panel: (copyright symbol, publication date, artist’s initials, and Gemini G.E.L. chop) Edition: 300; plus 50 AP, 1 RTP, 1 PPII, 3 GEL, 1 C, 7 SP. Publisher: Gemini G.E.L., Printer: La Paloma, , under the supervision of Gemini G.E.L., . Comments: The Gemini workshop number for this project is RL90 – 5196, which is not inscribed on the work. The line drawing is the same as in Blue Floor, from the Interior series (Cat. No.254), but there are variations in the colour and slight variations in the wood grain of the floor. LITERATURE: Gemini Catalogue Raisonne No 1558 Corlett 260 (Page 238)
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ANDY WARHOL 1928 – 1987 Mao, 1972 The complete set of ten screenprints in colours, on Becket High White paper 36 x 36 inches (91.4 x 91.4 cm) Edition: 250, 50 AP This portfolio is from outside the edition Each print with the artist’s copyright stamp and the 2008 stamp of Andy Warhol Art Authentication Board Printer: Styria Studio, Inc., New York Publisher: Castelli Graphics and Multiples, Inc., New York LITERATURE: Feldman & Schellmann II.90 – 99
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ANDY WARHOL 1928 – 1987
Ladies and Gentlemen 1975 Portfolio of ten screenprints on Arches paper, 43 and 1/2 x 28 and 1/2 inches (110.5 x 72.4 cm); Image, approximately 33 and 1/2 x 26 and 1/2 inches (85.1 x 67.3 cm). Edition: 125, 25 AP, 1 PP, signed, numbered and dated ’75 in pencil on verso. This Edition: 93/125 (each signed in pencil verso, dated, inscribed '@ A W E', apart from F. & S. II.132) Printer: Alexander Heinrici, New York Publisher: Luciano Anselmino, Milan, Italy LITERATURE: Feldman & Schellmann
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II.128-137
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ANDY WARHOL 1928 – 1987 After the Party, 1979 Screenprint on Arches 88 paper 21 1/2 x 30 1/2 inches (54.6 x 77.5 cm) Edition: 1,000, 30 AP, 3 PP, 10 HC Numbered in pencil lower right Printer: Rupert Jasen Smith, New York Publisher: Grosset and Dunlap, Inc., New York LITERATURE: Feldman & Schellmann II.183 NOTES: Based on a photograph by Andy Warhol. The image is printed on a half-sheet of Arches 88 paper with one edge machine-trimmed and the other edge deckled. The rainbow roll drawing line varies from print to print. Bears the printer’s chop mark.
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ANDY WARHOL 1 928 – 1987 Muhammad Ali, 1978 Portfolio of four screenprints on Strathmore Bristol paper 40 x 30 inches (101.6 x 76.2 cm) Edition: 150, 10 Ap, 1 PP Signed and numbered in felt pen lower right, except II.179 - lower left Printer: Rupert Jasen Smith, New York Publisher: Andy Warhol Enterprises, Inc., New York LITERATURE: Feldman & Schellmann II.179-182
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ANDY WARHOL 1928 – 1987 Shadows II 1979 From the portfolio of six screenprints with diamond dust on Arches 88 paper 43 x 30 and ½ inches (109.2 x 77.5 cm). Edition: 10, 2 AP signed and numbered in pencil on verso. Portfolios are assembled in mixed variations. Each print is unique. Printer: Rupert Jasen Smith, New York Publisher: Andy Warhol, New York LITERATURE: Feldman & Schellmann
II.210
NOTES: Based on photographs by Ronnie Cutrone Stamped in black on verso, © Andy Warhol 1979 Marked in pencil on verso, Shadows II. Bears the printer’s chop mark.
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ANDY WARHOL 1928 – 1987 Myths: The Star 1981 From the portfolio of ten screenprints on Lenox Museum Board, 38 x 38 inches (96.5 x 96.5 cm). Edition: 200, 30 AP, 5 PP, 5 EP signed and numbered in pencil on verso. HC signed and numbered in pencil the same as above: All regular edition prints have diamond dust. Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, New York LITERATURE: Feldman & Schellmann
II.258
NOTES: Photographic sources and credit: The Star, photograph of Greta Garbo as Mata Hari by Clarence Sinclair Bull Stamped in black on verso, © Andy Warhol 1981 Publisher: Ronald Feldman Fine Arts, Inc. New York. Bears the printer’s chop mark. Warhol made paintings of these subjects.
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ANDY WARHOL 1928 – 1987 Myths: Mickey Mouse 1981 From the portfolio of ten screenprints on Lenox Museum Board, 38 x 38 inches (96.5 x 96.5 cm). Edition: 200, 30 AP, 5 PP, 5 EP signed and numbered in pencil, lower left. Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, New York LITERATURE: Feldman & Schellmann
II.265
NOTES: Stamped in black on verso, © Andy Warhol 1981 Publisher: Ronald Feldman Fine Arts, Inc. New York. Stamped in black on verso of Mickey Mouse, This interpretation created and copyrighted by Andy Warhol is derived from an original version of Mickey Mouse copyrighted by Walt Disney Productions, Inc. Bears the printer’s chop mark. Warhol made paintings of these subjects.
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ANDY WARHOL 1928 – 1987 Myths: Superman 1981 From the portfolio of ten screenprints on Lenox Museum Board, 38 x 38 inches (96.5 x 96.5 cm). Edition: 200, 30 AP, 5 PP, 5 EP signed and numbered in pencil, lower right. Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, New York LITERATURE: Feldman & Schellmann
II.260
NOTES: Stamped in black on verso, © Andy Warhol 1981 Publisher: Ronald Feldman Fine Arts, Inc. New York. Stamped in black on verso of Superman, © D.C. Comics, Inc. 1981 This interpretation created by Andy Warhol is derived from an original version of Superman copyrighted by D.C. Comics. Bears the printer’s chop mark. Warhol made paintings of these subjects.
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ANDY WARHOL 1928 - 1987 Beethoven, 1987 From the portfolio of four screenprints on Lenox Museum Board 40 x 40 inches (101.6 x 101.6 cm) Edition: 60, 15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Hermann Wunsche, Bonn, Germany LITERATURE: Feldman & Schellmann II.390 - 393 NOTES: Based on Karl Josef Stieler’s 1819 painting Beethoven, in the Beethoven-Haus, Bonn, Germany; the musical notes are from Beethoven’s 1801 Moonlight Sonata, Opus 27, no.2. Bears the printer’s chop mark. Warhol made paintings of this subject. Warhol’s Catalogue Raisonne, Feldman & Schellmann records works released in limited editions which are usually signed and numbered. Prints completed but unsigned at the time of Warhol’s death bear a stamped certificate of authenticity on the verso with a signature of the executor of the Estate of Andy Warhol, the publisher, and the printer. These include Wayne Gretzky (#99) trial proof edition prints (IIB.306), Frolunda Hockey Player trial proof edition prints (II.B 366), Beethoven (II.390-393), Hans Christian Andersen (II.394-401), and Moonwalk (II.404-405). The Shadow (II.269A), Red Lenin (II.403), and Camouflage (II.406-413) are only signed by the executor of The Estate of Andy Warhol. All are numbered. There are also signed or signed and dedicated prints outside of the edition.
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ANDY WARHOL 1928 - 1987 Beethoven, 1987 From the portfolio of four screenprints on Lenox Museum Board 40 x 40 inches (101.6 x 101.6 cm) Edition: 60, 15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Hermann Wunsche, Bonn, Germany LITERATURE: Feldman & Schellmann II.390 NOTES: Based on Karl Josef Stieler’s 1819 painting Beethoven, in the Beethoven-Haus, Bonn, Germany; the musical notes are from Beethoven’s 1801 Moonlight Sonata, Opus 27, no.2. Bears the printer’s chop mark. Warhol made paintings of this subject. Warhol’s Catalogue Raisonne, Feldman & Schellmann records works released in limited editions which are usually signed and numbered. Prints completed but unsigned at the time of Warhol’s death bear a stamped certificate of authenticity on the verso with a signature of the executor of the Estate of Andy Warhol, the publisher, and the printer. These include Wayne Gretzky (#99) trial proof edition prints (IIB.306), Frolunda Hockey Player trial proof edition prints (II.B 366), Beethoven (II.390-393), Hans Christian Andersen (II.394-401), and Moonwalk (II.404-405). The Shadow (II.269A), Red Lenin (II.403), and Camouflage (II.406-413) are only signed by the executor of The Estate of Andy Warhol. All are numbered. There are also signed or signed and dedicated prints outside of the edition.
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COSKUN | ONLINE www.coskunfineart.com
ANDY WARHOL 1928 - 1987 Beethoven, 1987 From the portfolio of four screenprints on Lenox Museum Board 40 x 40 inches (101.6 x 101.6 cm) Edition: 60, 15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Hermann Wunsche, Bonn, Germany LITERATURE: Feldman & Schellmann II.391 NOTES: Based on Karl Josef Stieler’s 1819 painting Beethoven, in the Beethoven-Haus, Bonn, Germany; the musical notes are from Beethoven’s 1801 Moonlight Sonata, Opus 27, no.2. Bears the printer’s chop mark. Warhol made paintings of this subject. Warhol’s Catalogue Raisonne, Feldman & Schellmann records works released in limited editions which are usually signed and numbered. Prints completed but unsigned at the time of Warhol’s death bear a stamped certificate of authenticity on the verso with a signature of the executor of the Estate of Andy Warhol, the publisher, and the printer. These include Wayne Gretzky (#99) trial proof edition prints (IIB.306), Frolunda Hockey Player trial proof edition prints (II.B 366), Beethoven (II.390-393), Hans Christian Andersen (II.394-401), and Moonwalk (II.404-405). The Shadow (II.269A), Red Lenin (II.403), and Camouflage (II.406-413) are only signed by the executor of The Estate of Andy Warhol. All are numbered. There are also signed or signed and dedicated prints outside of the edition.
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COSKUN | ONLINE www.coskunfineart.com
ANDY WARHOL 1928 - 1987 Beethoven, 1987 From the portfolio of four screenprints on Lenox Museum Board 40 x 40 inches (101.6 x 101.6 cm) Edition: 60, 15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Hermann Wunsche, Bonn, Germany LITERATURE: Feldman & Schellmann II.392 NOTES: Based on Karl Josef Stieler’s 1819 painting Beethoven, in the Beethoven-Haus, Bonn, Germany; the musical notes are from Beethoven’s 1801 Moonlight Sonata, Opus 27, no.2. Bears the printer’s chop mark. Warhol made paintings of this subject. Warhol’s Catalogue Raisonne, Feldman & Schellmann records works released in limited editions which are usually signed and numbered. Prints completed but unsigned at the time of Warhol’s death bear a stamped certificate of authenticity on the verso with a signature of the executor of the Estate of Andy Warhol, the publisher, and the printer. These include Wayne Gretzky (#99) trial proof edition prints (IIB.306), Frolunda Hockey Player trial proof edition prints (II.B 366), Beethoven (II.390-393), Hans Christian Andersen (II.394-401), and Moonwalk (II.404-405). The Shadow (II.269A), Red Lenin (II.403), and Camouflage (II.406-413) are only signed by the executor of The Estate of Andy Warhol. All are numbered. There are also signed or signed and dedicated prints outside of the edition.
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COSKUN | ONLINE www.coskunfineart.com
ANDY WARHOL 1928 - 1987 Beethoven, 1987 From the portfolio of four screenprints on Lenox Museum Board 40 x 40 inches (101.6 x 101.6 cm) Edition: 60, 15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Hermann Wunsche, Bonn, Germany LITERATURE: Feldman & Schellmann II.393 NOTES: Based on Karl Josef Stieler’s 1819 painting Beethoven, in the Beethoven-Haus, Bonn, Germany; the musical notes are from Beethoven’s 1801 Moonlight Sonata, Opus 27, no.2. Bears the printer’s chop mark. Warhol made paintings of this subject. Warhol’s Catalogue Raisonne, Feldman & Schellmann records works released in limited editions which are usually signed and numbered. Prints completed but unsigned at the time of Warhol’s death bear a stamped certificate of authenticity on the verso with a signature of the executor of the Estate of Andy Warhol, the publisher, and the printer. These include Wayne Gretzky (#99) trial proof edition prints (IIB.306), Frolunda Hockey Player trial proof edition prints (II.B 366), Beethoven (II.390-393), Hans Christian Andersen (II.394-401), and Moonwalk (II.404-405). The Shadow (II.269A), Red Lenin (II.403), and Camouflage (II.406-413) are only signed by the executor of The Estate of Andy Warhol. All are numbered. There are also signed or signed and dedicated prints outside of the edition.
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ANDY WARHOL (1928 – 1987) Moonwalk, 1987 Portfolio of two Screenprint on Lenox Museum Board 38 x 38 inches (96.5 x 96.5 cm) Edition: 160, 31 AP, 5 PP, 5 EP, 66 individual TP not in portfolios Signed with a printed signature lower right The print is also signed in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, Inc., New York LITERATURE: Feldman & Schellmann: 404-405
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ANDY WARHOL (1928 – 1987) Moonwalk, 1987 Unique Screenprint on Lenox Museum Board 38 x 38 inches (96.5 x 96.5 cm) Edition: 160, 31 AP, 5 PP, 5 EP, 66 individual TP not in portfolios Signed with a printed signature and numbered in pencil lower right The print is also numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, Inc., New York LITERATURE: Feldman & Schellmann IIB.404-405
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ANDY WARHOL 1928 – 1987 Moonwalk, 1987 From the portfolio of two screenprints on Lenox Museum Board 38 x 38 inches (96.5 x 96.5 cm) Edition: 160, 31 AP, 5 PP, 5 EP, 66 individual TP not in portfolios Signed with a printed signature and numbered in pencil lower right, also numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, Inc., New York LITERATURE: Feldman & Schellmann II.404
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COSKUN | ONLINE www.coskunfineart.com
ANDY WARHOL 1928 – 1987 Lenin, 1987 Screenprint on Arches 88 paper 39 3/8 x 29½ inches (100 x 74.9 cm). Edition: 120, 24 AP, 6 PP, 10 HC, signed and numbered in pencil lower left. There are 46 TP for II.402 and II.403 signed and numbered in pencil lower left. (See IIB.402, IIB.403, p. 210.) Printer: Rupert Jasen Smith, New York Publisher: Galerie Bernd Klüser, Munich, Germany LITERATURE: Feldman & Schellmann II.402 NOTES: Based on a photograph by Philipp Schönborn. There are at least two trial proofs in the edition on brown paper. Stamped in black on verso, © Andy Warhol 1987. Bears the printer’s chop mark. Warhol made paintings of this subject.
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JEFF KOONS b. 1955 Puppy Vase, 1998 White glazed porcelain vase Edition: 3000 17 12 x17 1/2 x10 1/2 inches (44.5 x 44.5 x 26.7 cm)
HIROSHI SUGIMOTO b.1948 Chrysler Building, 1997 Gelatin-silver print (in artist's frame) Signed in pencil on artist's label, verso Edition: 5 120 x 180 cm
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HIROSHI SUGIMOTO b. 1948 World Trade Center, (Minoru Yamazaki) 1997 Gelatin-silver print (in artist's frame) Signed in pencil on the mount Number ‘006’ blindstamped in the margin Edition: 5/25 58.4 by 47.3 cm Provenance: Sonnabend Gallery, New York Literature: Hiroshi Sugimoto, p. 205)
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JEAN COCTEAU (1889-1963) Les Yeux Vert, 1958 Red earthenware and white oxyde pencil Blue, black and green enamels Size: 40 x 40 cm Signed and dated lower right Edition: 49/50 LITERATURE: Guédras 103
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JEAN COCTEAU 1889-1963 Tete de Chevre Pied sur Jaune, 1961 White earthenware with green and yellow oxyde pencils Black and red enamels Size: 25 x 25 cm Signed and dated lower right Edition: 39/50 LITERATURE: Guédras 518
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JEAN COCTEAU 1889-1963 Double Profil sur Noir, 1961 White clay with black slip engraved white Green and yellow enamel for a few copies Size: 25 x 25 cm Signed and dated lower right Edition: 28/40 LITERATURE: Guédras 517
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JEAN COCTEAU 1889-1963 Tete de Chevre Pied Grave sur Bleu, 1958 White earthenware with a grey-blue slip and white engraving Red enamel Size: 25 x 25 cm Signed and dated lower right Edition: 30/40 LITERATURE: Guédras 522
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JEAN COCTEAU 1889-1963 Couple aux Rayons, 1961 White earthenware with black and green slip Size: 36 x 36 cm Signed and dated lower right Edition: EA/5 LITERATURE: Guédras 319
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COSKUN | ONLINE www.coskunfineart.com
JEAN COCTEAU 1889-1963 L’archange, 1963 Red earthenware with brown oxyde pencils Black, dark blue, jade green and brilliant white enamels Size: 36 x 36 cm Signed and dated lower right Edition: 35/35 LITERATURE: Guédras 358
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COSKUN | ONLINE www.coskunfineart.com
JEAN COCTEAU 1889-1963 Le Fou du Roy, 1960 Red earthenware with white oxyde pencil Green, yellow, bright orange and satin black enamels Size: 36 x 36 cm Signed and dated lower right Edition: 14/30 LITERATURE: Guédras 360
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JEAN COCTEAU 1889-1963 Chevre Pied Jumeaux, 1962 Pink earthenware with white slip Black enamel Size: 36 x 36 cm Signed and dated lower right Edition: 31/35 LITERATURE: Guédras 341
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