Come Play With Me / #010 / JUL2020

Page 68

IN FOCUS

BLACK BOYS IN ROCK

Back in 1983, David Bowie was interviewed by MTV. He posed the important question of why black artists were under-represented on their network, why are there “so few black artists featured [on MTV]?”. “I think we're trying to move in that direction,” answered Mark Goodman- but it’s been almost 30 years since and the unrequited sentiment of Bowie’s concern chime louder than anytime since. “Should it not be a challenge to try and make the media far more integrated especially in, if anything, in musical terms?” The only contrast between 1983 and 2020 is the video resolution of inequality. You see in real-time the symptoms of inaction; you may call it a far stretch to suggest that the chasm of black rock bands, the deaths of unarmed

black men and systemic racism are dichotomised, but I’d suggest otherwise. We still have huge underrepresentation of BAME artists in the rock and indie music scene.

I’m Jim, lead singer of the Leeds based alt-rock duo Blue Kubricks. I have a story worth hearing: my brother and I write and record all our own music and have been rigorously gigging the Yorkshire circuit for upwards of three years. We are black boys in rock; our mother is from Finland and our father from Ghana, and in light of the recent Black Lives Matter movement it is time for our voices as black rock artists to be heard. Too often we are mistaken for rappers; we joke too often that 68

when we tell people that we’re musicians, their response is almost always "So what kind of rap music do you do?’. People are surprised to see two black boys playing rock music rather than rap or drill, and this stereotype needs to end. We want to inspire the next generation of black kids to not succumb to the cultural pressure dictated by the colour of their skin, but instead know they can too pick up a guitar. If young black boys are pushed into drill, the central message of drill being violence and misogyny, it only perpetuates these features within black communities; the perception of them and the objective corollary of knife crime becomes embedded within these groups. It can be easy, if not educated, to view the two as inextricably linked. H. L. Mencken said that “For every complex


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Come Play With Me / #010 / JUL2020

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page 72

SFVEN

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page 70

IN FOCUS / BLACK BOYS IN ROCK

1min
page 68

TOOLBOX / STARTING A RECORD LABEL WITH BOB BRAZILL OF MONOMYTH RECORDS

1min
page 66

IN FOCUS / THIS IS NOT YOUR PUNK: REMEMBERING QUEERCORE

1min
page 64

WINTER

1min
page 63

SAN CISCO

1min
page 60

MODEL MAN

1min
page 59

HERFEST

1min
page 58

OXYMORRONS

1min
page 56

CRONICLE

1min
page 54

NEIGHBOURHOOD WATCH / NEW ORLEANS

1min
page 52

LIBRALIBRA

1min
pages 50-51

GUM COUNTRY

1min
page 49

DREAM WIFE

1min
page 46

LOTJE HORVERS: TOUR MANAGING, LOCKDOWN & FESTIVAL LINE-UPS

1min
page 44

PHOTO BOOTH / LUCY FELIZ

1min
page 40

NEIGHBOURHOOD WATCH / NEWCASTLE

1min
page 38

BURY TOMORROW

1min
page 34

CRAZY HAIR: GROWING UP MIXED-RACE IN A PREDOMINANTLY WHITE TOWN

1min
page 32

FIONA RICHES

1min
pages 28, 31

DEAD PONY

1min
page 29

DENAI MOORE

1min
page 24

Come Play With Me / #010 / JUL2020

1min
page 23

IN FOCUS / WHAT ABOUT THE OTHER PEOPLE?

1min
page 18

PHOTO BOOTH / CURRENT MOOD

1min
pages 12-13

HINDS

1min
pages 6-7

NEWS

1min
page 3

Come Play With Me / #010 / JUL2020

1min
page 1
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