stephaniewheat intention • creation • design
Design can be art. Design can be aesthetics. Design is so simple, and that is why it is so complicated. -Paul Rand
Design Portfolio University of North Texas College of Visual Arts & Design
projects: Multi-Family
Corporate
Hospitality
Corporate Residential
personal: Conceptual Sketches Artwork Graphic Contact
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Statement of Intent
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Statement of Intent
Although many may feel design should be boundless, I believe design without restraint is not design at all. If design was meant to be unrestricted, the world would be a collage of interestingly beautiful yet completely dysfunctional spaces. If the intention of design is to successfully serve a specific function, design must follow the pragmatic fundamentals of reality. Grounding creativity with practicality has enabled me to understand that design is more than developing an emotive concept from some source of inspiration and translating it into a useable space. True, design is rooted in the free-thinking nature of the arts, however, if I am unable to first think logically in principle, understanding that good design is more than just visually appealing, that it is primarily shaped by specific needs, codes, rules, and laws, then all I am designing is a piece of art for display.
One of my favorite quotes states that “it is art if it cannot be explained; it is fashion if no one asks for an explanation; and, it is design if it does not need an explanation.” Unlike artful abstraction, good design should not need justification by some far reach into vague conceptualism. Instead, the intention should be clear in appearance and apparent in function.
Being creative by nature, yet technical in mind, I have found interior design to be the perfect outlet for me as a free-thinking individual and my future as a successful professional. My passion for each distinct element of the design process and my hunger for learning and understanding every aspect of real-world applications, have molded me into the designer I am today, and will continue to shape me into the designer I aspire to be. - Stephanie L. Wheat
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In technical terms, interior design analyzes programmatic information, establishes a conceptual direction, refines the design scope, and produces graphic communication and construction documents. In creative terms, it articulates form and function through scale, color, light, and texture into a space that evokes a desired response from the occupant. To me, interior design is the practice of “technical creativity,” encompassing both of these philosophies where one cannot exist without the other. It is the ultimate combination of defined practicality and inspired ingenuity.
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Projects
University of North Texas College of Visual Arts & Design
Multi-Family
Corporate
Hospitality
Corporate Residential
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projects:
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Multi-Family
Who? Design by Atelier Data and MOOV, Portugal
“Forwarding Dallas” Urban Eco-Community Dallas, Texas
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Project Overview: The site and as-built floorplan were determined and acquired byt the individual, as well as the project type and scope. The goal was to develop no more than 10,000 S.F. into a space chosen completely by the individual. Project involved heavy research, and was required to incorporate at least two design parametersi.e. Sustainability, Accessibility, or Adap ve Reuse. Project Outline: - Research topic of Small Living Spaces and eco-communi es. Inves gate living with less as an impact on carbon footprints. Look at various case studies for inspira on and research. - Use the concept of “One Planet Living” as a model for indoor environments. - Obtain floor plans from architect, space plan based on parameters of sustainable design, accessibility, and indoor environmental quality.
Campus 3D Profile Model
What? The winning submission of the “Re:Vision Dallas” interna onal design compe on, which was to create a completely sustainable, mixed-use community on a run-down city block in Downtown Dallas. The hillside-insoired design consists of a series of peaks and valleys, runs completely on renewable energy, is covered in vegeta on, and can even grow its own food. When? Groundbreaking scheduled for 2011.
Campus Loca on
Where? 1700 Block of Canton Street, Dallas, TX. Transforming one of the parking lots behind Dallas City Hall. Studio Unit 2/1 Unit 3/2 Unit
Problems: - Accessibility: Proposal showed 4th floor and individual units to be accessible, however there were problems with spa al allowances for the 5’ turning radius, and elevator size and loca on. - Indoor Environmental Quality: Proposal aimed to maximize energy from sunlight on southwest facade with a louvered photovola c system, and provide insula on through thick, starw bale wall with high thermal mass on the northeast facade. Strategies: - Accessibility: Solve this issue by reconfiguring elevators and stairwells, maximize unit square footage to accomodate wheelchair usage by reducing or elimina ng exterior pa o space, and follow ADA guidlelines for floor finishes, counter heights, etc. to make individual units universal. - Indoor Environmental Quality: Take advantage of maximum sun exposure on the southwest facade through use of windows that minimize heat gain, use floor to ceiling inset windows on the northeast facade to mazimize natural light, and use transom windows and louvred vents on the interior to maximize borrowed light and increase natural ven la on. - Sustainable Materials & Fixtures: Use concrete floors, which have a high thermal mass, covered with a hard surface flooring such as bamboo, for passive solar heat gain; install insulated, heat and glare reducing windows with Low-E glass; specify high-efficiency plumbing fixtures and appliances; and, specify light-colored Low or No VOC paint to maximize reflec vity and reduce emissions.
Shared Space
Schema c Floor Plan- Typical Unit Footprints
Basic Project Goals: 1. Affordable, comfortable living spaces. 2. Effec ve, physical social rela ons.
Photovoltaic Louvres Northeast Facade
3. Profitable, meaningful working opportuni es. 4. Reliable, economic supply of commodi es.
Strawbale Walls Southwest Facade
Studio Unit 2/1 Unit 3/2 Unit
Dwelling Prototype- Studio Unit
Shared Space
A. Studio Unit- Bedroom and Kitchen Eleva on
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Studio Unit Floor Plan 414 Total S.F.
Accessibility - Space allows for 5’ turning radius. - Bamboo hardwood floors for ease of movement. Possible ght loop carpet op on. Storage - Personal storage to supplement exterior storage in shared space. - Mirrored doors to reflect light and visually expand the space. Customization - Moveable translucent wall system provides privacy and allows light penetra on as well as crea ng the op on for a more open living space. - Built-in pla orm bed, nightstand, shelving, and dining table are moveable and configurable based on occupant needs. Indoor Environmental Quality - Dayligh ng is maximized by large southwest-facing, heat-reducing windows. - Operable windows on the southwest wall and louvered vents on the northeast wall increase cross-ven la on. - Light colors increase light reflec vity. Sustainable Materials & Fixtures - Minimized need for ar ficial light by maximized natural light. - High efficiency plumbing fixtures and appliances. - Light-colored Low of No VOC paint reduces emissions. - Rapidly renewable materials for all woodwork (i.e. cabinetry and flooring.)
Studio Unit- 3D Birdseye View
Studio Unit- 3D Isometric View Studio Unit- 3D View- Bedroom
Studio Unit- 3D View- Bedroom and Kitchen
Studio Unit- 3D View- Kitchen
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4th Floor Con�gura on with Unit Prototypes 9,983 Total S.F.
Dwelling Prototype- 2/1 Unit
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B. Kitchen and Living Eleva on D
2/1 Unit- 3D Birdseye View B
D. Bedroom, Bath, Kitchen, and Living Eleva on
Dwelling Prototype- 3/2 Unit 2/1 Unit Floor Plan 833 Total S.F.
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2/1 Unit- 3D Isometric View
C. Bath Eleva on
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E. 3/2 Unit- ConďŹ gurable Bedroom Eleva on
3/2 Unit- 3D Isometric View
3/2 Unit Floor Plan 1,019 S.F.
3/2 Unit- 3D Birdseye View
Shared Spaces
F. Shared Space- Work, Pa o, Communal, and Laundry Eleva on
Shared Space Floor Plan Community Interaction Designing a space where residents can come together to socialize promotes a healthy and flourishing community environment. Although most of the shared space is developed with the Studio Unit occupant in mind, the public areas are non-exclusive and enables those occupants to expand from their small private units so as not to deprive them from social interac on or lack of liveable space. The public space also encourages recycling and a ending organized events, which essen ally promote and enhance the idea of living in a sustainable community.
Shared Space- 3D ViewWork, Pa o, & Corridor
Shared Space- 3D View- Pa o
Shared Space- 3D ViewLaundry, Communal, Pa o, & Corridor
Shared Space- 3D View- Full Corridor Main Corridor - Naturally cross-ven lated and illuminated by borrowed light during the day and minimal energy-efficient ar ficial light during the night. - Studio units benefit from cross-ven la on and borrowed light in corridor through louvered vents and operable transom windows on the adjacent walls. - Recycling recep cals to encourage proper trash disposal. - Bulle n boards with community events schedules, proper energy saving procedures, and other announcements regarding local sustainability seminars, fes vals, and farmer’s markets. Storage - 308 S.F. total - 6 units, secured and reserved for Studio Unit occupants. Laundry - 109 S.F. total - High-efficiency washers and dryers for public use.
Work - 240 S.F. total - Open work area to have configurable collabora ve furniture and computer docking sta ons. - Can be completely opened to pa o area, or closed for noise control and privacy. Patio - 412 S.F. total - Has Operable bi-folding windows allow light and cross ven la on. - Will have lounge and collabora ve indoor/outdoor furniture. Communal - 124 S.F. total - Dining or mee ng area with table and chairs. - Can be completely opened to pa o area, or closed for private mee ngs.
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Corporate Dell, Inc. Research and Training Center Dallas, Texas
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Project Overview: The site and as-built floorplan were provided, and the company that was to occupy the space was selected by the individual. The goal was to develop the 21,000 S.F. into a corporate office which included a reception area, large and small conference rooms, executive and managerial offices, work spaces for 75-100 employees, and storage. Problems: -Triangular building shape creates problem areas in the corners. -Be aware of emergency exit locations and common paths of travel. -Windows surround entire space so sun exposure and views are critical.
Site Map
Building
Preliminary Sketch- Reception Area
Strategies: - Use corners of building as collaborative areas. - Maintain travel paths that are straightforward and direct, and have a minimum of 5 exits. - Use areas adjacent to the atrium as most private, and minimize full height walls in work areas to maximize views and natural light. Concept: Promoting the core elements of Unity, Diversity, and Equality, the client’s distinct, customer-driven business model provides an inspiring basis for barrier-free harmony among employees who differ in ideas as well as ethnic background. The design focuses on reflecting the strong geometry of the building by combining collaboration areas in each of its three corners and a straightforward circulation pattern with an open-plan layout which maximizes natural light. Set within the balanced layout, a collaborative work aesthetic, energizing color palette, and subtle curves create a dynamic and engaging employee experience.
Perspective Sketch- Reception Area
Dell, Inc.- An International Corporation
Atrium
Unity Diversity Equality 12
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Dell, Inc. Business Model
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Atrium Elevator Lobby Recep on Area Way-finding Core Break Area Large Collabora ve Mobile Office Large Conference Storage/Copy/File Open Work Area Small Conference Small Collabora ve Manager Offices Execu ve Suite Training Room
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Walnut Hill Building- 15th Floor
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ERF ERFO ERFOLG FOLG G
Ycne Yc n x ne
EIRIGH
framgang
success
exit ex ito o
Carpet- Collabora ve
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Countertops
Cabinetry
Acrylic Panels
Carpet- Recp on
Perspec ve- Recep on Area
Ycnex
framgang
success
ERFOLG
EIRIGH
Ycnex
framgang
success
exito
successo
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EIRIGH
framgang
success
Ycnex
ERFOLG
A. Eleva on- Recep on Area
EIRIGH
exito
success exito
ERFOLG
success successo
exito
EIRIGH
framgang
success
Ycnex
ERFOLG
B1. Eleva on- Small Collabora ve and Main Corridor
B3. Eleva on- Mobile OďŹƒce and Large Collabora ve
Perspec ve- Work Zone and Large Collabora ve
C. Eleva on- Breakroom
Perspec ve- Breakroom
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B2. Eleva on- Main Corridor and Storage/Copy/File Room
Hospitality
Blue Bayou Restaurant & Bar Houston, Texas
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Project Overview: The as-built �oorplan of a former restaurant in the Embassy Suites Hotel in Houston, Texas was provided. The goal was to develop the 6,600 S.F. of enclosed dining space and 2,000 S.F. of open atrium space into a restaurant which would appeal to both hotel guests and outside visitors. The restaurant concept was to be decided by the individual, and was required to include a bar area with sea ng, a main dining area, private and semi-private dining areas, and open atrium dining. The kitchen was to remain as-is and the restaurant had to be closed down and secured a er hours. Problems: - Ten-story atrium reduces in macy and light control within the atrium sea ng sec on. - Foot traffic outside windows along the south wall limits privacy. - A ract both hotel guests and outside customers with a concept inspired by the city of Houston and offering something unique.
Buffalo Bayou Park Ligh ng Project and Houston Skyline
Strategies: - Design an open canopy system which creates a sense of privacy and uses ar �cial light to supplement the natural light. - Place bar area along south wall to par ally block visibility and outside light. - Pull inspira on from the Buffalo Bayou which the city was �rst built around, s ll runs through it today, and now has a series of public parks with a new ligh ng concept. Concept: Inspired by the dynamics of the Buffalo Bayou, the design will incorporate the movement, rhythm, and pa erns of the winding waters through the use of light and form, revealing elements of change and spontaneity. The design will address the bayou as a main artery connec ng its organic course to the industrial buildings of the city it runs through, promo ng a refined and coordinated aesthe c.
A. Eleva on- Host Stand and Wai ng Area
B. Eleva on- Bar Area
Tables and Booths
Paint
Upholstery
Back-Lit Accent Walls
Flooring
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Entry Host Stand Storage Wai ng Area Planter Display Bar Sea ng Cold Storage Small Aquarium Atrium Sea ng Exis ng Waterfall Large Aquarium Main Sea ng To Kitchen Semi-Private Sea ng Private Sea ng Wait Sta on
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5 10 Final Floor Plan
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C. Elevation- Main Dining and Large Aquarium
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Perspective- Main Dining and Large Aquarium
Perspec ve- Bar Area
“Tree Canopy” Inspira on Ceiling Detail- Laser-Cut Steel “Tree Canopies”
D. Eleva on- Atrium Sea ng
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Laser-Cut Steel Light Study
Corporate
Ge y’s Hospitality Design Dallas, Texas
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Project Overview: The site and as-built floorplan were provided, and the company that was to occupy the space was selected by the individual. The goal was to create a corporate profile of the company based on its mission and spa al needs and then develop the 6,200 S.F. into a corporate office which included a recep on area, large and small conference rooms, execu ve and managerial offices, work spaces for 75-100 employees, and storage. Bathrooms and stairwells to remain as-is.
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Problems: - Must provide two means of egress. Building is sprinklered. - Maximize dayligh ng in main work areas. - Provide a “hotel-like” experience for visi ng clients as well as employees.
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Strategies: - Exits must be located no farther apart than 1/3 the distance of the longest diagonal. - Place large collabora ve design area adjacent to windows overlooking the pond. - Use finishes that are warm and invi ng in the recep on and conference areas, and cool, soothing colors in the work areas. Concept: Inspired by the firm’s dictum “Innova on through Collabora on,” the design focuses on encouraging interac on between employees through the rela onships between public an private spaces. Conceptually, the design takes cues from natural elements such as earth and water to create an environment that has similar spa-like quali es akin to what the firm is known for, forming a relaxing, serene, and inspiring workplace.
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Final Floor Plan
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Preliminary Space Planning
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Recep on Large Conference Wai ng Area Small Conference Design Staff Exterior Pond Copy/File Room Storage Finish Sample Display Resource Library Execu ve Office Break Room Accoun ng Staff
B. Eleva on- Design Sta Work Area
Resin Panel
Aus n Stone
Bamboo Flooring
Wood Veneer
A. Eleva on- Recep on Area
Inspira on
Rendered Final Floor Plan
Perspec ve- Recep on and Wai ng Area
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Countertop
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Residential
Barn Conversion Benton County, Indiana
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Project Overview: The as-built floorplan of an empty barn and profile of the poten al occupants are provided, and the site is to be determined by the individual. The goal is to develop the 2,300 S.F. into a comfortable home for two, including enough space for entertaining, a home office, a master suite, and usable lo space. The design is to be inspired by and incorporate one piece of artwork selected by the individual.
7 Wind Turbine A 3
Problems: - Barn structure is post and beam. - Incorporate a home office following the IRS Deduc ble Guidelines. - Calculate minimum ceiling height under sloped roof to maximize lo space.
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Strategies: - Use posts as structural supports for walls or key design elements. - Must have a dedicated entrance/exit and adequate space for work and mee ngs. - Maximum usable space in lo is 710 S.F. Concept: With the simplicity of form, genera on of energy through movement, and placement of the manmade within nature, the wind turbines of Benton County, Indiana inspire the design to be a balance of rus cism and modernity. This approach to the design is visible through a radial layout, promo ng circula ng flow around a focal point; and, by the use of organic and industrial materials such as unfinished woods and steel. Because the movement and rota on of the wind turbine creates energy, the space must too encompass these elements to create a space that is invi ng, lively, and dynamic.
Eleva on- West Facade
Eleva on- South Facade
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Floor Plan- First Floor
Interior Sec on
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Entry Powder Bath Floor to Ceiling Fireplace Living Room To Garden Kitchen Bathroom Storage To Lo Area Home Office Laundry Room Master Bedroom Master Bathroom
Flooring
Bedding
Countertops Bath Tile
Rug 5
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Lo Space Exterior Roof A c Storage Open to below Floor to Ceiling 5 Fireplace Flue Sha Build Out
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A. Eleva on- Kitchen and Living Room
Floor Plan- Lo Space
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B. Eleva on- Master Suite
Artwork Inspira on- “Three Obstacles” by Paul Booker
C. Eleva on- Home Office
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Personal
University of North Texas College of Visual Arts & Design
Conceptual Sketches Artwork Graphic Contact
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personal:
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Conceptual 2-D and 3-D Work Mixed Media
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Conceptualiza on encourages crea vity through the manipula on of shape, object, or word into an abstrac on from which inspira on can be drawn. It can be manifested through mixed media, transla ng graphic imagery into a catalyst which breeds an idea to influence a design.
Deconstruc on, 6”x8”, Chroma Paper on Bristol Board
Flow Collage, 12”x16”, Various Paper and Magazine
Fibonacci Study, 16”x16”x4”h, Bristol Board and Dowels
Flow Model, 12”x16”, Bristol, Various Paper, and Metal Wire
My Life through Symbols, 6”x6”x4”h, Various Paper and Wood
“Resona ng Flow” Stair Model, 12”x12”x16”h, Bristol Board, Plexi-Glass, Plas c Grid, and Various Paper
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Shape Study, 10”x10”, Black Chroma Paper on Bristol
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Sketches Hand Renderings Mixed Media
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Having the ability to quickly hand-sketch an idea, a space, or an object is important during the design process because it can help others visualize something that they otherwise could not. Just because I can see it, does not mean anyone else can.
Timed Architectural Sketch (30 minutes)
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Timed Architectural Sketch (30 minutes)
Timed Architectural Sketch (1 hour)
Visiting Artist Apartment- Rendered Floor Plan
Visiting Artist Apartment- Rendered Perspective
Chair Sketches
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Visiting Artist Apartment- Rendered Elevation
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Artwork Drawing and Painting Mixed Media “I paint objects as I think them, not as I see them.” -Pablo Picasso
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Art is the mind’s visual and physical interpretation of the truth. It is unrestrictive, unique, expressive, and releases me from reality.
Split Personality, Acrylic 20”x30,” 2008 Tonal Study, Cut Canson Papaer 9”x12,” 2007
Salsa Noche, Acrylic 14”x24,” 2004
Poetics of Space “Cat House,” Black Pencil 20”x30”, 2007
Self-Portrait, Charcoal 24”x36,” 2007
Compliments Self-Portrait, Acrylic 24”x36,” 2005
Sleeping Satyr, Charcoal 20”x30,” 2004
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Anthropomorphism, Charcoal 24”x36,” 2006
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Graphic Work 2D Compositions 3D Renderings
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Please Join Us to Celebrate the Engagement of
Allison Taylor & Rhett Hasserd Saturday, January 23rd, 2010 at Seven Thirty in the Evening at the Dallas Park Cities Club
Invitation 1, Illustrator, 2010
The University of North Texas College of Visual Arts & Design presents the
shhh... it’s a surprise
2010 Interior Design Student Work Showcase
Invitation 3, Illustrator, 2010 Join friends & family to celebrate
Monika’s 27th Birthday
March 13, 2010 at 7:30 pm Dragonfly Restaurant & Bar
Invitation 2, Illustrator, 2010
Modern Vignette, Adobe Illustrator, 2008
UNT Facilities Conference Room, Sketchup, 2010
UNT College of Engineering, Sketchup, 2010
Waiting Area, Revit, 2010
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Tablescape, Adobe Illustrator, 2008
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Stephanie L. Wheat University of North Texas College of Visual Arts & Design 940.536.8569 stephaniewheat@gmail.com
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stephaniewheat
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