MENU Fall/Winter 2018 Brandbook by MENU North America Inc

Connected Spaces Autumn /Winter 2018

CO N NECTED SPACES, AU TU MN/ W I NTE R 2018

Preface

Menu Space

Furniture Living & Gathering Spaces

Plinth

Harbour Chair

Androgyne Side Table

Designer Profile: Danielle Siggerud

Snaregade Table

The Simple Table with Chef Antonio Errico

Afteroom Stool

Knitting Chair

Lighting Light That Always Feels Natural

JWDA Table Lamp

TR Bulb

Designer Profile: Tim Rundle

100

KUNSTEN Museum of Modern Art

Hubert Series

108

The Lab

Carrie LED Lamp

112

Accessories Small Details, Big Impact

118

Pepe Marble Mirror, Wall

120

Échasse Series

124

POV Oval

128

Bottle Series

132

Wire Pot and Base

136

Pricelist

166

CO N TRIBUTORS Jonas Bjerre-Poulsen Photographer Mikkel Adsbøl Photographer Ruben Hughes Photographer Nina Bruun Færch-Jensen Interior Consultant & Visual Concept Danielle Siggerud Architect / Designer & Stylist Rebecca Thandi Norman Copy Writer & Editor

SP ECIAL CREDITS

Jan Kofod Larsen Tim Rundle Studio Danielle Siggerud Architects Cupenhague TCC Whitestone Stalks and Roots Notem Aesop Antonio Errico

SALES CONTACTS Inger Helen Nummendal Sales & Brand Manager – Nordic, Retail ihn@menu.as Alexander Furland Sales & Brand Manager — Nordic, Contract afu@menu.as Michael Thomann Sales & Brand Manager — Germany, Austria & Switzerland mth@menu.as Nick Nemechek Sales & Brand Manager — North America & E-Commerce nin@menu.as Mads Westendahl Sales & Brand Manager — Asia Pacific mwe@menu.as Lavinia Stensgaard Sales & Brand Manager — Middle East & South America, Export lms@menu.as Kasper Simonsen Sales & Brand Manager — United Kingdom & Ireland, Contract ksi@menu.as

Press Inquiries: press@menu.as www.menu.as | @menuworld

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Preface

MENU is a Scandinavian design brand with a simple purpose: to make the world more beautiful, less complicated, and a little bit nicer to wake up to. Since 1978, we have harnessed the skills of top designers and craftspeople in Scandinavia and around the world to create contemporary design that is clean, clever and natural. These principles culminate in an aesthetic we call soft minimalism. Together with our Danish Modernist roots, this concept serves as a foundation for our designers as they find new ways to unite our heritage with a fresh vision for modern living, reimagining mid-century modern values to bring irresistible new ideas to people and spaces. Your chosen objects will be with you for years to come. We know every decision you make is important, and we want nothing more than to bring joy, beauty and ease to the process of designing your space. Itâ&#x20AC;&#x2122;s why we exist and what we do best. Harbour Chair, Dakar Leather by Norm Architects TR Bulb, Ceiling/Wall Lamp, Shiny Opal by Tim Rundle Androgyne Side Table, Black Steel Base, Black Marble Top by Danielle Siggerud Architects Stem Vase, Brass by DUBOKK

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Menu Space

In 2017, Norm Architects designed a new type of showroom for MENU in Nordhavn Harbour, Copenhagen’s new creative destination. Reflecting today’s rapidly changing intersection of home and work, Menu Space is part office, part café, part co-working space—and all community-oriented building. It functions as a place for great ideas, beautiful design, and inspiration. Here, you’ll find openness, knowledge sharing, co-working, and collaboration. It’s a new approach to running a design business that highlights the collaborative, unifying nature of design, while serving as a showcase and testing ground for new concepts.

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Cyclades Vase Large, Sand by Nick Ross

Androgyne Side Table, Black Steel Base, Black Marble Top by Danielle Siggerud Architects Stem Vase, Brass by DUBOKK

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Knitting Chair, Dark Stained Waxed oak, Dakar Leather by Ib Kofod-Larsen Androgyne Side Table, Ivory Steel Base, Ivory Marble Top, by Danielle Siggerud Architects Hubert Pendant Ø 45, Ivory/Bronzed Brass by Søren Rose Studio Eave Modular Sofa, Maple Textile by Norm Architects

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Chambers Chandelier, Brass by Søren Rose Studio Tailor Sofa, Dakar Leather by Rui Alves Échasse Vase Small, Clear Glass/Bronzed Brass by Theresa Rand Plinth Cubic, Black by Norm Architects No No Table Large, Brown by Norm Architects & Note Design Studio

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JWDA Table Lamp, Metallic, Bronzed Brass by Jonas Wagell

Harbour Chair, Remix 2 by Norm Architects

Chamfer Serving Board, Small, Clear by Norm Architects

Snaregade Table, Light Grey Veneer Tabletop by Norm Architects Cyclades Vase, Small, Sand by Nick Ross New Norm Dinnerware, Dark Glazed by Norm Architects JWDA Table Lamp, Metallic, Bronzed Brass by Jonas Wagell Chamfer Serving Board, Small, Clear by Norm Architects

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Hubert Suspension Frame, Ivory/Bronzed Brass by SÃ¸ren Rose Studio Afteroom Counter Stool, Colline Textile by Afteroom Studio New Norm Dinnerware, Dark Glazed by Norm Architects New Norm Cutlery by Norm Architects Bottle Carafe 0,5 L, Clear Glass/Brass by Norm Architects Stackable Glasses by Norm Architects

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Pedal Bin, 7 L by Norm Architects

Ã&#x2030;chasse Bowl, Small, Smoked Glass/Brushed Brass by Theresa Rand

Pedal Bin, 30 L by Norm Architects (available end of 2018) New Norm Dinnerware, Dark Glazed By Norm Architects Stackable Glasses by Norm Architects

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Plinth Tall, Black by Norm Architects

Afteroom Stool, Shade Leather, Black Steel Base by Afteroom Studio

Socket Occasional Lamp, Brass by Norm Architects

Pepe Marble Mirror, White by Studiopepe Socket Occasional Lamp, Brass by Norm Architects Chamfer Serving Board, Small, Clear by Norm Architects

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Carrie LED Lamp, Brushed Brass by Norm Architects

Bath Series (Soap Pump, Container, Toothbrush

Androgyne Side Table, Ivory Steel Base,

Holder) by Norm Architects

Ivory Marble Top by Danielle Siggerud Architects

Pepe Marble Mirror, Black by Studiopepe

Stackable Glasses by Norm Architects

Pepe Marble Mirror Wall, White by Studiopepe

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Stackable Glasses by Norm Architects Bottle Carafe 0,5 L, Smoked Glass/Brass by Norm Architects Afteroom Counter Stool, Shade Leather, Black Steel Base by Afteroom Studio TR Bulb Suspension Frame, Black, Matte Opal by Tim Rundle Kettle Teapot by Norm Architects

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Harbour Chair, Hallingdal 65 Textile by Norm Architects Snaregade Table, Black Veneer Table Top by Norm Architects TR Bulb Table Lamp, Shiny Opal, Marble by Tim Rundle Bottle Carafe o,5 L, Clear Glass/Brass by Norm Architects Stackable Glasses by Norm Architects

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Carrie LED Lamp, White by Norm Architects

Afteroom Stool, Dakar Leather, Black Steel Base by Afteroom Studio

Carrie LED Lamp, Black by Norm Architects

TR Bulb Table/Wall Lamp, Matte Opal, Marble by Tim Rundle

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Furniture

Living & Gathering Spaces

more than just functional,

Table you sense a space where people

ITS ELF BUT THE OB J ECTS WE

convenient, and beautiful. They host

come together, whether for a meeting

FILL IT WITH THAT G RO U ND AND

the daily moments that define our

or a meal. The Offset Sofa signifies a

CO N NECT US. FURN ITU RE TH AT

stories and contain them indefinitely,

place of relaxation that is thoughtfully

IS FU NCTIONA L, MINIMALI ST,

feeding our memories, our eyes, and

put together, with deep consideration

AN D BEAUTIFUL B RING S A SENSE

our most basic needs.

for its users.

WH AT CONNECTS US TO O U R SPACES? AT MENU, WE BE LI EV E T H AT IT’S NOT JUST TH E P LAC E

O F CALM AND JOY TO O U R GAT HERING PL ACES, LINK I NG US WITH THE SPACE TH RO U G H FO R M, FUNCTION, AND F EE LI NG .

reat spaces are more than

purpose. When you see the Snaregade

New Norm Dinnerware, Dark Glazed,

Cyclades Vase, Large, Sand by Nick Ross

by Norm Architects

Snaregade Table, Black/Charcoal Linoleum

Échasse Bowl, Small, Smoked Glass/Brushed

Stackable Glasses by Norm Architects

by Norm Architects

Brass by Theresa Rand

Water Bottle 1 L, Clear Glass/Brass by Norm Architects

At MENU, we believe that all spaces

friends for dinner, the stool we pull

of human interaction—whether

up to the bar before a date, the bedside

residential or commercial—are

table that holds the captivating read

important and should feel like home.

of the moment: this is the furniture

Communities connect best when

that makes interaction with our

they are at ease, in places designed to

spaces meaningful.

accommodate, delight, and inspire.

Plinth Tall, Black by Norm Architects

Harbour Chair, Dakar Leather by Norm Architects

Furniture informs us of a room’s

the sum of their parts;

The table where we gather with

Chambers Chandelier, Brass by Søren Rose Studio

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Plinth BY N O R M A R C H I T ECTS

AS V E RSATI L E AS I T I S TI M E L ESS, THE M A R BL E P L I NTH SE RV ES THE D UA L P U R P OSE OF BE I NG A BE AUTI FUL , SCUL PTUR A L P I ECE ON I TS OW N

Designed by Norm Architects as a tribute to the particular beauty of marble, the Plinth comes in cubic, tall, and low varieties, as well as a small range of colours including the

A ND HI G HL I G HTI NG W HATEV E R OBJ ECTS R EST

new brown grey. The heaviness of the Plinth marble stands

U P ON I T. THE HONE D M A R BL E CA R R I ES A N A I R

in contrast to the honed surface; light bounces off of the

OF SOP HI STI CATI ON A ND E L EGA NCE TO E L EVATE

angles and falls across the tops, producing a spotlight-effect

A NY SPACE .

in any space. Though the lines of the podiums are sharp and clean, the naturalness of the marble is at the forefront of its visual identity, creating an intriguing contrast within each piece. From a side table in a private home to a place to display a vase of flowers in a restaurant, Plinth podiums provide an unparalleled surface.

Plinth Cubic, Tall and Low, Brown Grey Kendzo Marble, by Norm Architects

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Plinth Tall, Brown Grey Kendzo Marble, by Norm Architects

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A Story Cut from Stone

The Edges of Perfection

has come to symbolise elegance and

sophistication. The Plinth builds upon

assembled by hand to ensure that

and subtly subverts that essence, using

the sides line up perfectly. The result

marble instead as a means to showcase

is podiums that are consistent in

other items as well as standing as a

shape and quality while unique in

sculptural item on its own. The Plinth

marbling pattern.

favoured medium of the Greeks and Romans in both architecture and art, marble

ll Plinth marble is handcrafted in a small factory in Portugal. Each

piece of carefully selected marble is

is the result of what’s been cut away,

The black marble, called Nero

revealing a core of quality and beauty.

Marquina, comes from the north of

No piece of marble is alike;

Spain, while the white marble, known

that’s because the detailing of each

as Carrara, comes from Italy. The new

naturally-occurring rock is created

addition of brown grey marble, called

over time by nature, rendered in

Grey Kendzo, is from Iran. All share

limestone or dolomite. The dashes of

a low refraction index, so they allow

colour you see are called veins, and

light to penetrate a few millimetres

they are most often made of silt, sand,

into the surface before shattering,

clay, iron oxides, or chert grains found

giving the Plinth its aura of vitality. By

within the original stone. While they

utilising simple shapes and the highest

may be called impurities in production

possible quality control, MENU allows

jargon, it’s these splashes of colour and

the marble to speak for itself.

texture that make marble so special.

Various marble, including Brown Grey Kendzo Marble, White Cerrerra Marble, and Black Marquina Marble in Production of the Plinth Tall in White Cerrerra Marble

a factory in Portugal.

MENU BRAND BOOK APPENDIX 2018

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Each piece of carefully selected marble is assembled by hand to ensure that the sides line up perfectly. The result is podiums that are consistent in shape and quality while unique in marbling pattern. C O N N E C T E D S PA C E S AW 2 0 1 8

Harbour Chair BY N O R M A R C H I T ECTS

CL E A N L I NES. D I V E RSE , TACTI L E M ATE R I A LS. A SU BL I M E SI TTI NG E XP E R I E NCE . THE HA R BOUR CHA I R WAS CONCE I V E D W I TH A L L THESE E L E M E NTS

Originally created by Norm Architects for Menu Space, MENU’s creative destination in Copenhagen’s Nordhavn neighborhood, the Harbour Chair pairs exceptional comfort

I N M I ND TO CR E ATE THE ULTI M ATE , V E RSATI L E ,

with a strong profile. Finding a perfect balance between

E ASY-G OI NG A R M CHA I R FOR M OD E R N SPACES.

geometric and organic shapes, the shell’s armrests bend outwards for maximum support, as does its high backrest. The result is enveloping comfort in a slim, elegant form. The Harbour Chair can be left bare or upholstered, with five base styles in solid oak or powder coated steel, allowing for further personalisation. The low, ergonomic armrests not only enhance comfort, but also allow the chair to be tucked under standard dining tables. This is a sitting experience that energises you in the morning, helps you plug-in during the day, and welcomes you to unwind at night. From the kitchen to the office, the private dining room to the bustling café, the Harbour Chair is instantly at home—makes sure you feel the same way.

Harbour Chair, Savanna Textile, Light Grey Steel Base by Norm Architects Harbour Chair, Dakar Leather, Natural Oak Base by Norm Architects

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Harbour Chair, Podium QB Textile, Light Grey Steel Base by Norm Architects

Harbour Chair, Vintage Textile, Black Steel Base by Norm Architects

Harbour Chair, Remix 2 Textile, Black Steel Base by Norm Architects

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Harbour Chair, Haakon 2 Textile, Dark-Stained Oak Base by Norm Architects

Harbour Chair, Coda 2 Textile, Light Grey Steel Base by Norm Architects

Harbour Chair, Dakar Leather, Natural Oak Base by Norm Architects

Harbour Chair, Colline Textile, Black Steel Base by Norm Architects

Harbour Chair, Tokyo Textile, Black Steel Base by Norm Architects

Harbour Chair, Hallingdal 65 Textile, Light Grey Steel Base by Norm Architects

Harbour Chair, Remix 2 Textile, Black Steel Base by Norm Architects

Harbour Chair, Icon Textile, Dark-Stained Oak Base by Norm Architects (right)

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Androgyne Side Table BY DA N I E L L E S I G G E R U D A R C H I T ECTS

D I STI NG U I SHE D BY I TS P L AYFU L YET E L EGA NT SI L HOUETTE , THE A ND ROGYNE SI D E TA BL E WAS FI RST D ESI G NE D FOR THE M E NU SPACE CA FE BU T

The Androgyne Side Table was designed by Copenhagenbased Norwegian architect and designer Danielle Siggerud. It comes in black and ivory, with laser-cut steel legs and

QU I CKLY W E NT I NTO P ROD U CTI ON FOR A L A RG E R

a stunning marble top that can be bought separately. The

AUD I E NCE . THE TA BL E ’ S R E FI NE D M A R BL E TOP A ND

table’s sense of balance, proportion and mixed materials

CONTR ASTI NG W I D E , FL AT L EG S M A KE I T A N E ASY

affords a sense of harmony. This blend of the masculine and

FI T FOR A R A NG E OF D ÉCORS.

feminine—true androgyny—is what lends the table its name. The essence of the table is its duality; it is elegant yet powerful. The table is useful for everything from small restaurant spaces and bedsides to exhibition spaces. The shine of the honed marble surface against the matte steel results in a versatile visual identity that is both modernist and industrial. The small top barely hangs over the legs, creating an overall sense of balance. The Androgyne Side Table is not only useful, it is sculptural and adds an artistic silhouette to any room.

Androgyne Side Table, Black Steel Base, Black Marble Top by Danielle Siggerud Architects Androgyne Side Table, Ivory Steel Base, Ivory Marble Top by Danielle Siggerud Architects

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Androgyne Side Table, Ivory Steel Base by Danielle Siggerud Architects

Androgyne Side Table, Black Steel Base, Black Marble Top by Danielle Siggerud Architects

Androgyne Side Table, Ivory Steel Base by Danielle Siggerud Architects

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We spoke with Copenhagen-based designer and architect Danielle Siggerud about the inspiration and design process for the Androgyne Side Table, her first foray into product design.

D ES IGNER PROF IL E

Danielle Siggerud

How would you describe your design style? I work very intuitively, with a sense of timelessness and sensitivity, without being marked by current trends. Walk us through the inspiration for the Androgyne Side Table The Androgyne Side Table was originally developed as a café table we designed for the Menu Space Café, which needed a contemporary and versatile table. The intention was to create a simple silhouette, characterised by the pure use of material coupled with a clear, refined composition of one solid and one soft line. A balance of both masculine and feminine strengths. It’s androgynous: the symbol of a whole and the definition of original harmony in Greek mythology. How do you feel the table fits into the MENU design universe? MENU design universe is all about making beautiful objects for everyday use, and combining natural materials and elements with a simple, but refined design language. The Androgyne Side Table is adaptable and the body comes in black or ivory, as well as with a marble table top option.

Androgyne Side Table, Ivory Steel Base, Ivory Marble Top by Danielle Siggerud Architects

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What is your favourite aspect of the table? The visual language of the side table is a simple statement about its function and role, giving the table a timeless quality. It can stand as a complement to a modern, as well as an antique, timeworn furniture, object or place. Its height and size make it versatile, and can be used as a night stand, sofa table, or side table. When you think of the Androgyne Side Table, in what kinds of spaces do you see it? Iâ&#x20AC;&#x2122;ve always been attracted to contrasts; how different textures, materials or shapes collide as each fragment appears stronger as an individual yet becoming whole, together. Complete. I can imagine this table in a space from another century, full of ornaments. It could also be just about the contrast of indulgent textiles or natural wood in a contemporary home, arranged perfectly with the tableâ&#x20AC;&#x2122;s refined steel composition. How should a person using the Androgyne Side Table feel? I hope theyâ&#x20AC;&#x2122;ll notice how versatile it is and how it can be arranged with almost anything in an interior space. We hope it stands the test of time.

Inspirational colour and texture at the Danielle Siggerud Architects studio in Copenhagen

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I work very intuitively, with a sense of timelessness and sensitivity, without being marked by current trends. Danielle Siggerud

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Snaregade Table BY N O R M A R C H I T ECTS

A N E L EGA NT A ND M I NI M A L I ST TA BL E W I TH A STRONG G EOM ETR I C P R ESE NCE , THE SNA R EGA D E I S SL E E K E NOU G H TO A ESTHETI CA L LY E L EVATE

The Snaregade Table was originally built for the home of MENU founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in his

A NY SPACE , A ND D U R A BL E E NOUG H FOR BOTH

dining room? He needed a table that was efficient in its use

COM M E RCI A L A ND P R I VATE USE . THE THI NNE R

of space, visually light, and of course, sophisticated. It was so

SI L HOUETTE E NHA NCES THE E L EGA NCE OF THI S

well-received that itâ&#x20AC;&#x2122;s been in production ever since. MENU

BE AUTI FUL TA BL E .

brings personality and intimacy to every piece, and the Snaregade showcases the best of that as it feels customised for every setting. The new linoleum tops are both visually and materially appealing, with a heartiness that makes it an easy choice for families with young children or for a restaurant setting. The more slender silhouette of the top adds to the already present sophistication and minimalism.

Snaregade Oval, Black/Charcoal, Linoleum Tabletop by Norm Architects Harbour Chair, Remix 2 Textile, Black Steel Base by Norm Architects

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Snaregade Tables, Black/Charcoal and Light Grey/Mushroom, Linoleum Tabletops by Norm Architects

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Q &A WITH C HEF A NTO NI O ERRICO

The Simple Table

Head chef at Copenhagenâ&#x20AC;&#x2122;s beloved Italian restaurant, Mangia, Antonio Errico knows a thing or two about what brings people to the table. His fresh, authentic dishes underscore a passion for finding the best ingredients, and presenting them in a way that makes people feel at home. Here we discuss what, beyond design, makes a table feel special.

Snaregade Oval, Black/Charcoal, Linoleum Tabletop by Norm Architects New Norm Dinnerware, Dark Glazed, Plate by Norm Architects

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Tell us about your background as a chef. When did you start cooking, and why was that something you wanted to do? Everything started in Italy. I was studying Science and Technology of Food at the university in Parma in the north of Italy. We went on a trip to a culinary school for a lesson with a chef. That was the first time I had been in contact with a professional kitchen. I was amazed by the beauty of it. After that I considered taking a short training course in cooking; that would mean quitting my studies. I talked to my parents and they supported me, but they wanted me to do it the best way possible. So I decided instead to apply for the International Italian Culinary School ALMA. I started my education to become a chef in September of 2013. From the first day at the school I could picture myself doing this work for the rest of my life. I knew this was going to be my future. My mom and my grandmother were always cooking. In Puglia, where I grew up, food is a huge part of the society. It was wonderful to start school and find a place where people had all this knowledge about food, ingredients, and techniques. I wanted to be like them. What inspires you as a chef? In the south of Italy we have a lot of great ingredients and traditions when it comes to food, so my inspiration comes from my memories, and from traditional Italian recipes. Talking to farmers about ingredients is also an inspiration for me. In general, ingredients are important; I always have to have the best seasonal ingredients. Do you feel that the space in which the person eats is important for his experience of the food? If the food is authentic and the chef is cooking with soul and knowledge, the place where you eat doesnâ&#x20AC;&#x2122;t matter. Sometimes the best places to eat are the ones where you have the fewest expectations.

Snaregade Oval, Black/Charcoal, Linoleum Tabletop by Norm Architects

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What features of a table are

already did a great job in creating

from going to restaurants. I use all of

important to you? A plate of great

beauty; food is already beautiful. If we

that inspiration, put all of that together

food, and a glass of wine. That’s the

respect that fact, great presentation

and create something out of that.

only thing you need. For me the best

follows. For me as a chef, tableware is a

table is simple. Dining is a moment

part of the story I want to tell.

Do you prefer a small, intimate table, or a longer, communal

where you are enjoying food. Food is Is working as a chef in Scandi-

table? The choice of table depends

navia different than other

on the situation. A small table is

Linoelum, like the new

regions you have worked in?

is perfect for an intimate night

Snaregade Table top, is naturally

I worked in Piemonte in the north

with someone special. A communal

antimicrobial. How important

of Italy before coming to Denmark

table is the best way to celebrate a

is hygiene in the kitchen and

and yes, it is different to work here.

special event.

in serving food? Hygiene is so

If you’re cooking Italian food in Italy,

important in a professional kitchen.

it’s everyday food for the customers.

How do you want people to feel

Chefs must know how to work safely

Here it’s more satisfying to make

when they sit down at a table and

with food. High quality materials

Italian food for people who don’t eat

eat your food? Besides the obvious

definitely make that easier!

that every day. For people here in

factor that I want them to enjoy the

Scandinavia, pasta is an ingredient. For

food, I also want them to feel the

me, and a lot of Italians, pasta is a dish.

flavours of the food. I want them to

the main character.

How much do you feel presentation matters when

feel the time and effort that we put in

serving food? Food is meant to

Do you have a favourite dish

to the dish. I want them to feel relaxed

be tasty and well-prepared, but of

you've created? I have a lot of

and happy. The most important thing

course presentation is important. Our

favourite dishes! Handmade pasta is

for a chef is to make people happy,

duty is to respect the natural colours

one of them. I get inspiration from my

and give them an experience they can

and shape of the ingredients. Nature

background, from other chefs, and

remember when they leave.

Snaregade Oval, Black/Charcoal, Linoleum Tabletop by Norm Architects

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Snaregade Oval, Black/Charcoal, Linoleum Tabletop by Norm Architects New Norm Dinnerware, Dark Glazed, Plate by Norm Architects (right)

A plate of great food, and a glass of wine. Thatâ&#x20AC;&#x2122;s the only thing you need. For me the best table is simple. Antonio Errico 72

Afteroom Stool BY A F T E R O O M ST U D I O

A STU DY OF UNI TY BETW E E N FUNCTI ONA L I SM A ND M I NI M A L I SM , THE A FTE ROOM STOOL I S THE U LTI M ATE E XP R ESSI ON OF THE BAUHAUS-I NSP I R E D

How do you strip away even more from an already pareddown chair, including the backrest, yet retain a high level of comfort? Stockholm-based design duo Afteroom

A FTE ROOM SE R I ES. I T I S A STOOL CUT BACK TO THE

answers this question with their eponymous stool, a piece

A BSOLUTE NECESSI TI ES, YET I T STI L L OP E R ATES AS

of furniture that manages to be both quiet and attention-

A N I NTEG R A L PA RT OF A N OV E R A L L SPACE , A D D I NG

grabbing at once.

STRONG , CL E A N L I NES TO A NY ROOM .

The Afteroom Stool is rendered in black powder coated steel and comes with or without an upholstered seat. The stool is available in three heights—stool, counter stool, and bar stool—making it easy to slide up against a bar or keep in the home as small-space or additional seating. In keeping with the original Afteroom chair series, this extension of the hugely popular line is bound to be embraced by those looking to enhance the seating in their commercial or residential spaces.

Afteroom Bar Stool, Counter Stool and Stool, Black Painted MDF Seat, Black Steel Base by Afteroom Studio

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Afteroom Stool, Dakar Leather, Black Steel Base by Afteroom Studio

Afteroom Counter Stool, Colline Textile, Black Steel Base by Afteroom Studio Afteroom Stool, Dakar Leather, Black Steel Base by Afteroom Studio Afteroom Bar Stool, Gaja C2C, Black Steel Base by Afteroom Studio

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The Origins

he line between a chair and a stool may be the simple curve of a backrest, but the design process is as meticulous for one as the other. The Afteroom Dining Chair was MENUâ&#x20AC;&#x2122;s first

foray into the world of chair design. Given the Scandinavian heritage in iconic chair design, we knew that this chair needed to be special. Stockholm-based Taiwanese design team Afteroom was tasked with creating a chair that was both minimalist and comfortable, with a silhouette that was both sleek and instantly recognisable. The three-legged Afteroom Dining Chair, with its distinctively small backrest and swan-like swoop of the neck, hits the mark perfectly. Upholstered and bar-level versions followed. The newlyreleased Afteroom Stool takes the series a step further, to a place of ultimate minimalism and easy comfort. With clean lines and a sturdy base, the Afteroom Stool is as much at home pulled up to the window of a coffee shop as it is around the dinner table.

Afteroom is founded and directed by Hung-Ming Chen and Chen-Yen Wei

Original sketches of the Afteroom Dining Chair

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A classic joins MENU

M E ET THE KNI TTI NG CHA I R BY DA NI SH A RCHI TECT A ND D ESI G NE R I B KOFOD-LARS EN

Knitting Chair BY I B KO FO D - L A R S E N

THE KNI TTI NG CHA I R BY I B KOFOD -L A RSE N, FI RST L AUNCHE D AS A L I M I TE D E D I TI ON I N 1951, M A KES A TR I U M P HA NT R ETUR N TO THE WOR L D OF M OD E R N DA NI SH D ESI G N UND E R M E NU ’ S CONCE PT OF “M OD E R NI SM R E I M AG I NE D ”. THI S I S THE BR A ND ’ S

The playful nature of the Knitting Chair serves to highlight its thoughtful design. Named for the elbow cut-outs that allow maximum comfort while knitting (or reading), the chair is clearly the work of a master designer. Danish architect and designer Ib Kofod-Larsen’s design

FI RST FOR AY I NTO CL ASSI C FUR NI TU R E . THE CHA I R ’ S

goes hand-in-hand with the MENU ethos: it is innovative,

SE NSE OF P ROP ORTI ON A ND U NPA R A L L E L E D

beautiful, functional, and timeless. The Knitting Chair’s

QUA L I TY M A KES I T A NATU R A L CHOI CE TO BR I NG

curved conical back and comfortable seating allow it to fit

I NTO CONTE M P OR A RY I NTE R I ORS.

into a number of spaces, including a living room, bedroom, library, or lobby. The sitter feels instantly calm, while also enjoying the sensual pleasure of soft upholstery and smooth, sturdy wood. With the relaunch of the Knitting Chair, MENU pays respect to Scandinavian design history while the chair also benefits from its new place among our modern silhouettes.

Knitting Chair, Waxed Stained Solid Oak, Dakar Leather by Ib Kofod-Larsen

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Knitting Chair, Waxed Stained Solid Oak, Dakar Leather by Ib Kofod-Larsen

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About IB Kofod-Larsen

IB Kofod-Larsen viewed Scandinavian design not as a regional phenomenon but as part of international modernism.

(1921–2003)

anish-born architect and furniture designer Ib Kofod-Larsen (1921–2003) earned his architecture

degree from the Royal Danish Academy in Copenhagen, opening his own studio in Copenhagen in 1948. A prominent figure in Danish Modernism alongside such masters as Kaare Klint, Hans J. Wegner, Børge Mogensen, Finn Juhl and Nanna Ditzel, Kofod-Larsen viewed Scandinavian design not as a regional phenomenon but as part of international modernism. He enjoyed great success internationally, becoming the best-selling Danish architect in the US in the 50s, working with furniture manufacturers in Germany, Sweden, Japan, the US and the UK, and exhibiting throughout Europe and the US.

Knitting Chair, Waxed Stained Solid Oak, Dakar Leather by Ib Kofod-Larsen

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Lighting

Light That Always Feels Natural

W I N T E R S , T H E R EG I O N H AS

FO U N D A WAY TO C R E AT E

might not be the first thing we notice

L I G H T T H AT F E E LS N AT U R A L I N

when we enter a room, it not only

S PAC ES B OT H CO M M U N A L A N D

contributes to our experience of a

P R I VAT E . T H E R E I S N OT H I N G

space: it defines it. It not only enables

SCA N D I N AV I A N S K N OW G O O D L I G H T I N G . P E R H A PS AS A R ES U LT O F LO N G N O R D I C

Q U I T E L I K E A WA R M LY- L I T CA F E I N W I N T E R TO M A K E U S F E E L W E LCO M E A N D CA R E D FO R — A N D T H AT I S P R EC I S E LY T H E LIGHT AND THE FEELING MENU ST R I V ES TO P R O D U C E .

New Norm Dinnerware, Dark Glazed by Norm Architects JWDA Table Lamp Metallic, Bronzed Brass by Jonas Wagell

s any good photographer will tell you, beautiful lighting makes for a

beautiful space. And while the light

us to see and guides our sight: it creates ambiance. MENU’s lighting comes in a variety of shapes and sizes. The focus on clean lines and quality materials makes the pieces work in a variety of settings, from hotel lobbies to private living rooms. The lighting for this season is largely about extending our already popular lines. The TR Bulb, a large, minimal globe bulb designed by London-based Tim Rundle Studio, and the Hubert Suspension Frame, by Søren Rose Studio, are both continuations of lighting that translates across commercial and private spaces, delivering soft illumination in chic forms.

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JWDA Table Lamp BY J O N AS WAG E L L

A N I NSTA NT CL ASSI C, THE J W DA L A M P I S THE KI ND OF SCUL PTUR A L P I ECE THAT TUR NS HE A D S A ND BR I NG S NEW L I FE TO A ROOM . THE CONTR AST

What is it about the JWDA Table Lamp that makes it so popular? Could it be the soft light that diffuses gently on a bedside table, desk, or bookshelf? Or the artistically-

OF THE D E L I CATE , ROUND E D G L ASS W I TH THE

rendered metal base? Perhaps itâ&#x20AC;&#x2122;s the quirky egg-shaped

STU R DY M ETA L BASE M A KES FOR A BA L A NCE D A ND

bulb, working in perfect balance with the base to create a

I NTR I G UI NG SI L HOUETTE .

simply yet striking look. The JWDA Table Lamp brings warmth and a poetic profile to any room, whether it be a private or commercial space. The new line extension with a bronzed brass finish on the base adds a sense of elegance, perfect for a dimly-lit library room or a pared-down industrial-style space. This is a table lamp that is at once modern and timeless, combining a celebration of raw materials with tech-infused functionality.

JWDA Table Lamp Metallic, Polished Brass by Jonas Wagell JWDA Table Lamp Metallic, Bronzed Brass by Jonas Wagell

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JWDA Table Lamp Metallic, Bronzed Brass by Jonas Wagell

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TR Bulb BY T I M R U N D L E

THE P OW E R OF THE NOM A D -I NSP I R E D TR BU L B L I ES I N I TS FL E XI BI L I TY: I T LOOKS STYL I SH I N A NY SETTI NG A ND FOR M ATI ON, A ND CA N E ASI LY BE TA KE N FROM SPACE TO SPACE AS W E M OV E

We live increasingly nomadic lives, moving homes and workplaces with a new level of untethered ease. So why don’t the objects we surround ourselves with do the same? The TR Bulb design stemmed from this very question.

HOM ES OR OFFI CES. TO BE USE D AS A SI M P L E

Bridging technical sophistication and modern aesthetics,

A ND E L EGA NT G LOBE L I G HT, THE BU L B R EQUI R ES

designer Tim Rundle stepped away from the lighting

NOTHI NG M OR E THA N A N E 27 SOCKET.

playbook to reimagine the potential of the LED light bulb. With simplicity as his guide, he combined form and function in a single, multi-functional object. The power of the resulting TR Bulb lies in its flexibility: it looks stylish in any setting and formation. It is both easy to move around and easy to install. To become an elegant globe light, the TR Bulb requires nothing more than an E27 socket. MENU’s first collaboration with London-based Rundle, the TR Bulb emphasizes longevity as much as utility and appearance. Long-lasting LED technology pairs with a robust construction, with an aluminium core structure drawing heat away from the LED so the bulb can run at its optimum temperature. Following the success of the original TR Bulb in opal glass with a matte finish, the range has been expanded with a shiny opal finish, which lends the bulb a more classic expression. The TR Bulb is dimmable and available individually or with MENU’s specially designed range of accessory fittings. Pure in their geometry, the fittings are crafted from thin black steel tubes and grey marble discs, instantly transforming TR Bulbs into wall and ceiling lights, table lamps, or linear chandeliers.

TR Bulb Pendant, Shiny Opal by Tim Rundle

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TR Bulb Pendant, Matte Opal by Tim Rundle TR Bulb fits all E27 sockets

TR Bulb Pendant, Shiny Opal by Tim Rundle

TR Bulb Table/Wall Lamp, Shiny Opal, Marble by Tim Rundle

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New Zealand-born, London-based industrial designer Tim Rundle works from his East London studio, creating prototypes with his 3D printer and other tools, until he finds the exact solution he seeks. Looking to classic Danish designers like Poul Kjærholm as inspiration, Rundle makes highly technical ideas into simplified, useful forms.

D ES IGNER PROF IL E

Tim Rundle

im Rundle is an

groundbreaking Skycouch™ and

industrial designer

Spaceseat. In 2008, Rundle relocated

whose eponymous studio

to London, first joining design

specialises in furniture

consultancy PriestmanGoode, then

and lighting design as well as interiors,

working with renowned British

installations, and strategic consultancy.

designer Tom Dixon as head designer

The studio brings simplicity to

for the furniture and lighting design

the intersection of architecture

team. Prior to setting up his own

and its inhabitants, improving the

studio in 2015, Rundle was Design

manufactured environment through

Director at Conran and Partners,

elegant, technically-refined solutions.

the multidisciplinary design studio

Rundle graduated from the

founded by Sir Terence Conran. Today,

School of Architecture and Design

in addition to running his studio,

at Victoria University of Wellington,

Rundle teaches at Platform 23 – Design

going on to join Auckland-based

for Manufacture at the prestigious

Formworks Design, where he worked

Design Products Master’s programme

on the concept for Air New Zealand’s

at the Royal College of Art.

Tim Rundle in his East London studio

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The power of the TR Bulb is in its flexibility; it looks stylish in a variety of settings and formations, taken from space to space as people move homes or offices. Tim Rundle

Rundle never knows when inspiration will strike. “An

Architects, as well as classic Danish powerhouses like Poul

idea will often form from a simple observation or noticing

Kjærholm. “I think the principles behind Scandinavian

a problem, and I’ll keep it at the back of my mind for some

design feel quite natural for a New Zealander. From a respect

time before acting on it. Once I start though, my process

for real materials and craft, to a kind of pragmatism and

involves a lot of hands-on making and prototyping to

a healthy disdain for ostentation, I think there are a lot of

understand how an object affects a space”, he says. The

parallels between the design sensibilities of both places.

inspiration for the TR Bulb came from the untethered way

You can see the influence of typical Nordic summerhouse in

we live today; moving often, sometimes multiple times

some of the best modernist houses from the 60’s & 70’s in

within a year. “I wanted to create a high quality, technically

New Zealand”, Tim says.

sophisticated lamp that was, in essence, a light bulb”,

Making something simple and functional into a beautiful

Rundle explains. Following the success of the original TR

design object that has added benefit for its users, such as

Bulb, MENU has partnered with the London-based Rundle

mobility and a selection of finishes, goes to the heart of

to diversify the range of offerings from the TR series. “When

MENU’s mission to produce timeless yet contemporary

a light has such a simple form, subtle differences can create

pieces that simplify and beautify any space. Rundle’s TR

a distinctly different character. The new shiny version offers

Bulb is just that, and it draws on both classic principles and

a more classical feeling to the design”, Rundle says.

the current fascination with Scandinavian design. Rundle

The power of the TR Bulb is in its flexibility; it looks

notes, “Scandinavian design resonates with a general feeling

stylish in a variety of settings and formations, taken from

about what people want to surround themselves with in

space to space as people move homes or offices. So, it

the form of understated elegance, simplicity and quality. I

only made sense to widen that range, adding even more

think it’s a shame when Scandinavian design gets applied at

possibilities with the new shiny opal iteration.

a purely visual level, when there is so much meaning behind

The TR Bulb fits perfectly into both MENU’s and Tim

the aesthetic. It would be great if people started to adopt

Rundle’s aesthetic universe; Tim describes his work as

some Scandinavian social values along with the aesthetic

“seeking to improve the manufactured environment

ones. MENU does a great job of being an outward-looking

through elegant, technically refined solutions”.

Nordic brand, working with an international roster of

He is inspired by both contemporary designers like Jasper Morrison, the Bouroullec Brothers, and Norm

designers alongside the Danes, but keeping the core Danish design values at heart”.

Details from Tim Rundle’s studio including sketches for the TR Bulb

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Hubert Series BY S Ø R E N R O S E ST U D I O

THE HU BE RT SE R I ES WAS CONCE I V E D BY NEW YOR K CI TY-BASE D D ESI G N FI R M SØR E N ROSE STUD I O. THE FU NCTI ONA L FR A M E , SI M P L E L I NES, A ND

An off-shoot of the beloved Tribeca series, the Hubert series now includes the Pendant Ø24, Pendant Ø45, and Suspension Frame. The series builds upon those materials

WA R M I NG BR ASS I NTE R I OR CR E ATE A L I G HT THAT

—steel and brass—and introduces a number of pendant and

I S AT ONCE U NOBTRUSI V E A ND BE AUTI FUL .

suspension options. The lamps are pared down in a way that emphasises the materials and the quality of the light. Hubert Pendant Ø24—The Hubert Pendant, previously only available with a black frame, now comes in ivory. This elegant update on the classic look keeps the profile minimalist, while adding a touch of femininity to the silhouette. The pendant could be used in any number of settings, from a home kitchen to a public cafe. Hubert Pendant Ø45—Just like the Hubert Pendant, but bigger. The 45 takes on a lighter feel thanks to a larger and more shallow frame. The industrial silhouette and functionality remain due to the high-quality materials. Hubert Suspension Lamp—The Hubert Suspension Frame comes with three lamp shades attached, giving it an industrial feel while maintaining a sleek and minimalist aesthetic. Though this look is most commonly found in commercial spaces like hotels and restaurants, it would also look spectacular in a modern home, lending an air of drama above a dining room table or kitchen island.

Hubert Pendant Ø 24, Ivory/Bronzed Brass by Søren Rose Studio Hubert Pendant Ø 24, Black/Bronzed Brass by Søren Rose Studio

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Hubert Pendant Ø 45, Ivory/Bronzed Brass by Søren Rose Studio

Hubert Suspension Frame, Ivory/Bronzed Brass by Søren Rose Studio Hubert Pendant Ø 45, Black/Bronzed Brass by Søren Rose Studio

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Carrie LED Lamp BY N O R M A R C H I T ECTS

THE CA R R I E L E D L A M P E M BOD I ES W HAT M A KES SCA ND I NAV I A N D ESI G N G R E AT: M I NI M A L I SM , I NNOVATI ON, LOV E OF L I G HT, A ND THE I ND E FI NA BL E “HYG G E ”. THE P ORTA BI L I TY A ND

Designed by Copenhagen-based Norm Architects as a portable, lightweight lamp, the Carrie LED Lamp is unique for its multiple uses and mutability. With a sleek, functional handle and a warm orb of

D I FFUSE G LOW M A KE I T USE FU L FOR BOTH

light nestled gently in a basket-like base, the lamp is

I ND OOR A ND OU TD OOR L I G HTI NG .

useful almost anywhere; even on the go, as it is cordless and comes with a USB charger. Move it from your office to your bedside table, to your evening picnic in the park, and in your bicycle basket as you ride home. The cosy light created by this special piece of lighting brings comfort and sophistication wherever you are. The new line extension comes in a brushed brass finish, bringing an additional sense of richness and elegant texture to the sleek lines of the lamp.

Carrie LED Lamp, Brushed Brass by Norm Architects

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Carrie LED Lamp, Brushed Brass by Norm Architects

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Accessories

Small Details, Big Impact

UT ILI TARIAN, A THO U G H TFU LLY-

CUR ATED COLL ECTI O N O F SMALL

emphasise the importance of

P IECES CAN COMMU NI CATE

attention to detail. Chic, high-quality

VO LU MES ABOUT H OW A SPAC E

waste bins, toothbrush holders and

SH O ULD FUNCTION AND F EE L

soap dispensers, for instance, have

SMALL DETAILS MAK E A SPAC E FEEL COMPLETE. ELEGANT, WH IMSICAL, IRREV ERE NT, O R

—AND POSITIVELY IMPACT TH E EXPERIENC E OF THE P EO P LE WH O OCCUPY IT.

Échasse Bowl Small, Smoked Glass/Brushed Brass by Theresa Rand

New Norm Cutlery by Norm Architects

Water Bottle 1 L, Clear Glass/Brass by Norm Architects

Snaregade Oval, Black/Charcoal, Linoleum Tabletop by Norm Architects

New Norm Dinnerware, Dark Glazed by Norm Architects

Harbour Chair, Dakar Leather by Norm Architects

few well-placed, beautiful items bring a room to life, giving it meaning

and character. MENU’s accessories

the power to transform a bathroom space. A sculptural, wall-mounted candleholder that doubles as a miniature vase makes a bare wall into an artistic focal point. The small amount of additional effort has an outsize effect; those using the space feel more refined as they revel in the understated luxury. Items like the Échasse Bowl, a sequel to the iconic Échasse Vase, don’t just add to a room: they elevate it by adding something unexpected and poetic. Sometimes, it’s the smallest investment that has the biggest payoff.

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Pepe Marble Mirror, Wall BY ST U D I O P E P E

THE CL ASSI C STA ND I NG M I R ROR G ETS A FU NCTI ONA L I ST U P DATE W I TH THI S NEW WA L L ATTACHM E NT. THE FOCUS ON M ATE R I A LS

The Pepe Marble Mirror, designed by Milan-based firm Studiopepe, is an elegant study of functionality overlapping with aesthetic. The Pepe was previously only available as

A ND QUA L I TY M A KES THE P E P E M A R BL E

a standing mirror and is now available in a wall-mounted

M I R ROR TI M E L ESS.

option. This makes it perfect for small spaces and spaces where you donâ&#x20AC;&#x2122;t want items to be moveable, such as restaurant bathrooms or hotel rooms. One side of the mirror offers regular reflection, while the other shows magnification of 300%; a perfect mirror for self-grooming. The colour combinations of black, white or brown marble with brushed brass offer a sophisticated contrast, one that emphasises the texture and heft of the materials. This is a mirror that, while utilitarian, adds a certain refinement to the room through its simple form and beautiful craftsmanship.

Pepe Marble Mirror Wall, Black by Studiopepe

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Pepe Marble Mirror Wall, Brown, Black and White by Studiopepe

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Échasse Series BY T H E R E S A R A N D

R E I M AG I NI NG THE CL ASSI C E L EGA NCE OF G L ASS VASES A ND BOW LS, THE ÉCHASSE SE R I ES BR I NG S A M I NI M A L I ST SI L HOUETTE W I TH D I STI NG U I SHE D ,

The Échasse Vase—The first piece in the now-iconic series was inspired by laboratory test tubes. The drop-shaped form is as elegant when holding flowers on a desk, living room

P L AYFUL E D G E TO M OD E R N A ND TR A D I TI ONA L

floor, or nightstand as it is when left unfilled. The smoked

SPACES. THE R ESA R A ND ’ S P L AYFUL CONCE PT

glass version with brushed brass legs is available in three

BE AUTI FUL LY I NTE R P R ETS THE WOR D “ÉCHASSE ”:

sizes. The unique colour gradients of the glass give the design

FR E NCH FOR “STI LTS”. THE SL E ND E R , STI LT-L I KE

depth and contrast against the legs’ clean lines. The smallest

SU P P ORTI NG L EG S D E L I CATE LY SUSP E ND THE G L ASS

vase is now available with clear glass and bronzed brass legs;

FOR M S, CR E ATI NG A SE NSE OF L I G HTNESS W HI L E E NSU R I NG STA BI L I TY.

a classic pairing to complement any interior palette, in a size ideal for more compact spaces. The Échasse Bowl—Available in two sizes in smoked glass and brushed brass, offers a modern, centerpiece-worthy take on the traditional serving bowl. Simple and purposeful, this is counter- and tabletop storage that is both modern and elegant. Its expression ethereal, its design elevated in every sense, the Échasse Series offers infinite possibilities for experimentation, as its test tube origins suggest. Alone or together, filled with favourite flowers, fruits and objects or displayed alone as sculptural focal points, these pieces enliven modern spaces with equal parts daring and grace.

Échasse Series, Smoked Glass/Brushed Brass by Theresa Rand

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Échasse Bowl Small, Smoked Glass/Brushed Brass

Échasse Vase Small, Clear Glass/Bronzed Brass,

by Theresa Rand

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POV Oval BY N OT E D E S I G N ST U D I O

BR I NG I NG THE EYE D I R ECTLY TO THE CE NTE R OF THI S L I G HT SOURCE , THE OR I G I NA L CI RCUL A R P OV CA ND L E HOL D E R WAS BOTH D ECOR ATI V E

The updated oval shape of the POV candleholder replicates not only the focus, but now the shape, of an eye. The various placements of the single-band votive are visually stimulating.

A ND FUNCTI ONA L . W I TH A R A NG E OF SHA P ES

While one candleholder produces a minimalist silhouette, a

A ND M ATE R I A LS, THE CA ND L E HOL D E R OFFE RS

number of them together produce an artistic mosaic.

THE P E R FECT WA L L-M OU NTE D SPA R K OF L I G HT FOR A NY SPACE .

The wall-mounted candleholder is now available in brushed brass, with the option of regular candle or tealight editions. This offers a variety of looks that can fit any room style. Mixing shapes and colours will produce an eclectic look, while a single or multiples of the same shape and colour create a geometric and sculptural aesthetic.

POV Oval, Candleholder, Black and Brass by Note Design Studio

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POV Oval, Candleholder, Brass by Note Design Studio

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Bottle Series BY N O R M A R C H I T ECTS

W I TH M I NI M A L I ST SI L HOUETTES A ND HI G H FU NCTI ONA L I TY, THE BOTTL E SE R I ES I S A L L A BOUT FI ND I NG BE AU TY I N SI M P L E THI NG S. WATE R A ND W I NE : THESE TWO D R I NKS CA N

These useful pieces made from mouth-blown glass are now available in smoked glass. The clear series is timeless, while the new colourway brings a more contemporary look while maintaining the streamlined forms.

BR I NG M U CH J OY, A ND EV E N M OR E SO W HE N E NJ OYE D W I TH SL E E K G L ASSWA R E .

Bottle Carafe—A tall, slim carafe that can be used for any liquid. Pour freshly-made juice over breakfast, or fruitinfused water during a meeting. Water Bottle—Everyone needs water; why not make your water vessel beautiful? The Water Bottle in smoked glass can be kept on a desk as reminder to hydrate, or on a restaurant table for guests to fill their own glasses. Wine Breather— For those who love a glass of red wine, the Wine Breather is the perfect object. It allows you to both enjoy a glass of wine via easy oxygenation, while also reducing waste by depositing the wine back into the bottle. The new smoked glass colour adds a modern look to the classic lines.

Wine Breather, Smoked Glass/Brass by Norm Architects Water Bottle 1 L, Smoked Glass/Brass by Norm Architects Bottle Carafe 0,5 L, Smoked Glass/Brass by Norm Architects

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Bottle Carafe 0,5 L, Smoked Glass/Brass by Norm Architects

Water Bottle 1 L, Smoked Glass/Brass by Norm Architects

Wine Breather, Smoked Glass/Brass by Norm Architects (left)

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Wire Pot and Base BY N O R M A R C H I T ECTS

THE COM BI NATI ON OF THE W I R E P OT A ND BASE CR E ATES A BE AUTI FUL R ESTI NG P L ACE FOR YOUR P L A NTS, W HI L E A LSO OFFE R I NG STA ND S OF

Designed by the team at Norm Architects, the Wire Pot and Base were inspired by a Japanese-style garden. The pieces can be bought separately but are best used together. The

VA RYI NG HE I G HTS TO BR I NG V I SUA L I NTE R EST

geometric lines of the Base and the gentle curve of the Pot

A ND D ECOR ATI ON TO BOTH I ND OOR A ND

work in harmony to lend a strong aesthetic to any house or

OU TD OOR SPACES.

garden greenery. Because of its striking and elevated nature, the Wire Pot and Base is a great option for plants in commercial spaces, such as restaurants and offices. Both pieces now come in olive, a colour that is modish while remaining subdued and stylish.

Wire Pot and Base, Olive by Norm Architects

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Today, the MENU collection features diverse yet visually and conceptually unified designs by contemporary talents from around the globe, as well as classic Scandinavian masters whose work has stood the test of time. Whether itâ&#x20AC;&#x2122;s furniture that helps you recharge and connect, an indispensable item for your kitchen or bath, a lamp series with sculptural appeal, or an elegant vase that completes your living space, each MENU design infuses a sense of calm through minimalist lines and natural tones, and provides high comfort and functionality to simplify and enrich modern living.

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Wine Breather, Clear Glass/Steel by Norm Architects

TR Bulb Pendant, Shiny Opal by Tim Rundle

Stackable Glasses by Norm Architects

Afteroom Bar Stool, Colline Textile, Black Steel Base by Afteroom Studio

Échasse Bowl Large, Smoked Glass/Brushed Brass by Theresa Rand

Café table designed especially for Menu Space Café by Danielle Siggerud

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Afteroom Bar Stool, Ritz Textile, Black Steel Base

Échasse Bowl Small, Smoked Glass/Brushed Brass by Theresa Rand

by Afteroom Studio

Café table designed especially for Menu Space Café by Danielle Siggerud

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Godot Sofa, 2-seater, Steelcut 2 Textile by Iskos Berlin Godot Sofa, 3-seater, Gaja C2C Textile by Iskos Berlin Androgyne Side Table, Ivory Steel Base, Ivory Marble Top, by Danielle Siggerud Architects Stackable Glasses by Norm Architects

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Knitting Chair, Waxed Stained Solid Oak, Dakar Leather by Ib Kofod-Larsen Offset 3-seater Sofa, Colline Textile by Norm Architects Plinth Cubic, Low, Tall, Brown Grey Kendzo Marble by Norm Architects TR Bulb Table/Wall Lamp, Shiny Opal, Marble by Tim Rundle Ã&#x2030;chasse Vase Small, Clear Glass/Bronzed Brass by Theresa Rand

148

C O N N E C T E D S PA C E S AW 2 0 1 8

149

Ã&#x2030;chasse Vase Small, Clear Glass/Bronzed Brass by Theresa Rand

Plinth Cubic, Brown Grey Kendzo Marble by Norm Architects

Offset 3-seater Sofa, Colline Textile by Norm Architects

TR Bulb Table/Wall Lamp, Shiny Opal, Marble by Tim Rundle

Plinth Low, Brown Grey Kendzo Marble by Norm Architects

150

C O N N E C T E D S PA C E S AW 2 0 1 8

151

Knitting Chair, Waxed Stained Solid Oak, Dakar Leather by Ib Kofod-Larsen

152

C O N N E C T E D S PA C E S AW 2 0 1 8

153

Hubert Pendant Ø 45, Ivory/Bronzed Brass by Søren Rose Studio Snaregade Table Rectangular, Black/Charcoal Linoleum by Norm Architects Cyclades Vase Large, Sand by Nick Ross New Norm Dinnerware, White by Norm Architects Cylindrical Vase, White by Alexa Lixfeld New Norm Cutlery by Norm Architects Afteroom Stool, Dakar Leather, Black Steel Base by Afteroom Studio

154

C O N N E C T E D S PA C E S AW 2 0 1 8

155

156

C O N N E C T E D S PA C E S AW 2 0 1 8

157

TR Bulb Pendant, Shiny Opal by Tim Rundle Snaregade Ã&#x2DC; 138, Light Grey/Mushroom, Linoleum Tabletop by Norm Architects Water Bottle, Smoked Glass/Brass by Norm Architects New Norm Cutlery by Norm Architects New Norm Dinnerware, Dark Glazed by Norm Architects Stackable Glasses by Norm Architects Afteroom Stool, Black Painted MDF Seat, Black Steel Base by Afteroom Studio

158

C O N N E C T E D S PA C E S AW 2 0 1 8

159

Hubert Pendant Ø 24, Ivory/Bronzed Brass by Søren Rose Studio Knitting Chair, Waxed Stained Solid Oak, Dakar Leather by Ib Kofod-Larsen Monuments Magazine Holder by DUBOKK

160

C O N N E C T E D S PA C E S AW 2 0 1 8

161

TR Bulb Table Lamp, Shiny Opal, Marble by Tim Rundle

Afteroom Stool, Dakar Leather, Black Steel Base by Afteroom Studio

162

C O N N E C T E D S PA C E S AW 2 0 1 8

163

Pricelist

C O N N E C T E D S PA C E S AW 2 0 1 8

165

Knitting Chair BY IB KOFOD -LARS E N

KN I T T I N G C H A I R

T H IS LOUNGE CHA I R IS TH E F IRST C LASSI C IN 1 951 BY IB KOFOD- LARSEN, TH E K NI TTI NG C HA I R H AS ELB OW CUT-OU TS AND A C U RV ED CO NI CAL BAC K FO R OPTIMA L COMFO RT. IT IS A LOW- SEAT ARM CH AIR THAT BRING S P E RSO NALITY TO ANY RO OM . T H E KNITTING C HA I Râ&#x20AC;&#x2122; S F I RST LIMI TED- EDI TI O N RU N

Category: Lounge Chair Materials: Waxed Stained Solid Oak, Dakar Aniline Leather Colour: Dark Stained Oak/Sand Colli: 1 pc 30 cm

FUR NITURE DESIGN P RO DU C E D BY M ENU . DESIGN E D

H: 90,6 cm, W: 71,3 cm, D: 66,9 cm, SH: 30 cm Dark Stained Oak/Sand 9680849 NEW 71,3 cm

O F 9 9 INDIVIDUA LLY- ENG RAV E D C H AI RS IS O NLY AVAILA BL E IN STAIN E D WAX ED SO LI D OAK F RAM E

90,6 cm

AN D DA KAR A NILINE LE ATH ER U P H O LSTERY.

66,9 cm

166

C O N N E C T E D S PA C E S AW 2 0 1 8

167

Androgyne Side Table BY DA NIE LL E S IGGE RUD ARCHI TECTS

Black Steel Base

Ivory Steel Base

Black Steel Base with Black Marble Top

ST E E L BAS E

M A RB L E TO P

Category: Side Table

Category: Table Top

Ivory Steel Base with Ivory Marble Top

STE E L BAS E W I TH M A RB L E TO P

AN D THE STEEL BAS E ARE SO LD SEPARATE LY, AN D BOT H COME IN IVORY AND BLAC K O PTIO NS.

Colour: Black, Ivory

Materials: Black Marquina Marble or Beige Crystal Rose Marble, Silicone

Colli: 1 pc

Colour: Black, Ivory

Gross Weight: 12,60

Colli: 1 pc

Volume: 0,093 H: 43 cm, Ø: 40 cm

1,8 cm

RO UNDED MARB LE TABLE TO P. TH E MARBLE TOP

Materials: Powder Coated Steel

42 cm

Volume: 0,004 H: 1,8 cm, Ø 42 cm

40 cm

Black 1181539 N EW

Ivory 1180649 N EW

Ivory 1181649 N EW

Ivory Marble Top

43 cm

Black 1180539 N EW

42 cm

FLAT, THIC K POWDER COATE D STEE L BASE AND A

40 cm

T H IS WEL L-BA LA NCE D TABLE I S M ADE U P O F A

42 cm

44,8 cm

40 cm

Black Marble Top

42 cm

168

C O N N E C T E D S PA C E S AW 2 0 1 8

169

Plinth Series BY NO RM ARC H IT ECTS

Plinth Tall, White White Carerra Marble

AN D C UBIC . THEY A RE MADE O F M ARBLE AND COM E IN BOTH BL ACK AND W H I TE, AS WELL AS TH E NEW BROW N GREY COLO U RWAY. TH E P LINTH CAN BE US E D AS A SIDE TA BL E OR DI SP LAY I N BOTH RESI DE N T I A L AN D COMMERCIA L SPAC ES.

170

Category: Coffee Table Materials: Grey Kendzo Marble , Black Marquina Marble or White

TALL

CUBIC

Category: Coffee Table, Podium

Category: Coffee/ Side Table

51 cm

27 cm

LOW

P LIN TH PODIUMS CO M E I N TH REE SIZ ES: TALL, LOW,

Plinth Cubic, Black Black Marquina Marble

Materials: Grey Kendzo Marble , 60 cm

Black Marquina Marble or White

Materials: Grey Kendzo Marble , Black Marquina Marble or White

Carrara Marble

Colour: Brown Grey, Black or White

Colli: 1 pc

Gross Weight: 100,00

Gross Weight: 48,00

Gross Weight: 53,00

Volume: 0,29

Volume: 0,09

Volume: 0,12

H: 27 cm, W: 60 cm, L: 100 cm

H: 51 cm, W: 30 cm, L: 30 cm

H: 40 cm, W: 40 cm, L: 40 cm

Brown Grey 7000960 NEW

Brown Grey 7020960 NEW

Brown Grey 7010960 NEW

Black 7000530

Black 7020530

Black 7010530

White 7000630

White 7020630

White 7010630

40 cm

Plinth Low, Brown Grey Grey Kendzo Marble

Carrara Marble Colour: Brown Grey, Black or White 30 cm

40 cm

Colli: 1 pc

C O N N E C T E D S PA C E S AW 2 0 1 8

171

Afteroom Stool BY A FT E ROOM ST UD IO

Afteroom Stool

Afteroom Counter Stool

Afteroom Bar Stool

A F T E ROOM STOOL

A F TE RO O M CO U N TE R STO O L

A F TE RO O M BA R STO O L

Category: Stool

T H IS EX TENSION OF TH E P O P U LAR AF TERO O M L I N E O FFERS THREE STO O L O PTI O NS P ERF ECT FO R HOM E O R RESTAURANT BA R SE ATING .

Painted MDF Colour: Black

Materials: Powder Coated Steel, Painted MDF Colour: Black

Colli: 1 pc

H: 47, W: 45,4, D: 45,4 SH: 47 cm

H: 65, W: 45,4, D: 45,4 SH: 65 cm

H: 75, W: 45,4, D: 45,4 SH: 75 cm

Black 8480530 N EW

45,4 cm

Black 9480530 N EW

45,4 cm

D ES IGN MAKES IT E ASY TO F I T INTO ANY SPAC E .

Materials: Powder Coated Steel,

45,4 cm

WIT HOUT A N UPHOLSTERE D SEAT. TH E MI NIMA L I ST

45,4 cm

T H IS POWDER COAT E D STEE L STO O L CO MES W I T H OR

45,4 cm

75 cm

65 cm

47 cm

Black 9470530 N EW

45,4 cm

45,4 cm 45,4 cm

172

C O N N E C T E D S PA C E S AW 2 0 1 8

173

Afteroom Stool, Upholstered

P RO D UCT IO N T IME 8â&#x20AC;&#x201C;10 weeks

BY A FT E ROOM ST UD IO

CUSTO MERS OW N MAT ER IAL Price group 1: Customers own material is subject to final testing and approval. A minimum order of four chairs is required when the upholstery is done in leather. See page 208 for the full upholstery programme.

Afteroom Stool

Afteroom Counter Stool

Afteroom Bar Stool

A F T E ROOM STOOL

A F T E ROOM COUN T E R STO O L

A F TE RO O M BA R STO O L

Category: Stool

Materials: Powder Coated Steel,

Plywood, HR-Foam, Textile or Leather

H: 47 cm, W: 45,4, D: 45,4 SH: 47

H: 65 cm, W: 45,4, D: 45,4 SH: 65

H: 75 cm, W: 45,4, D: 45,4 SH: 75

OUR UPHOLSTERED STOOLS ARE PRICED IN FOUR CATEGORIES. PRICES VARY DEPENDING ON THE TYPE OF UPHOLSTERY OR LEATHER YOU SELECT. PLEASE REACH OUT TO US IF YOU HAVE ANY QUESTIONS OR REQUESTS.

174

C O N N E C T E D S PA C E S AW 2 0 1 8

175

The Afteroom Collection BY A FT E ROOM ST UD IO

T H E SUCCESSFUL AF TERO O M SE RI ES, DESIG NED BY STOC KHOL M-BASE D DESIG N DU O AF TERO O M , BR INGS TOGETHER MI NIMALI SM AND FUNCTIONALITY WIT H THEIR C HA IRS, TABLES, STO O LS, AND BEN C H . T H E SERIES COMES I N BLAC K AND WH I TE VARI A N TS O F P OWDER COATED STE EL, AS W ELL AS TE X TI L E AN D LEATHER UPHO LSTERY O PTI O NS.

176

C O N N E C T E D S PA C E S AW 2 0 1 8

177

Snaregade, Linoleum Tabletop BY NO RM ARC H IT ECTS

S N A REGA D E RECTA N G U L A R

S N A REGA D E OVA L

S N A REGA D E Ø 1 2 0

SN AR EGAD E Ø1 3 8

Category: Dining Table

Materials:Forbo Linoleum, Plywood,

Powder Coated Steel Base

TABLE NOW COMES WITH A SLIMMED-DOWN LINOLEUM

Colour (Base/Tabletop): Black/

TOP. IT IS AVAILABLE WITH A RECTANGULAR, OVAL, AND

Charcoal, Light Grey/Mushroom

Colli: 1 pc

Colli: 1pc

Colli: 1 pc

Gross Weight: 59,00

Gross Weight: 61,00

Gross Weight: 35,00

Gross Weight: 44,00

Volume: 0,356

Volume: 0,423

Volume: 0,302

Volume: 0,399

H: 73 cm, W: 200 cm, D: 90 cm

H: 73 cm, W: 210 cm, D: 95 cm

H: 73 cm, Ø: 120 cm

H: 73 cm, Ø: 138 cm

Black/Charcoal 1150149 NEW

Black/Charcoal 1151149 NEW

Black/Charcoal 1153149 NEW

Black/Charcoal 1152149 NEW

Light Grey/Mushroom 1150689 NEW

Light Grey/Mushroom 1151689 NEW

Light Grey/Mushroom 1153689 NEW

Light Grey/Mushroom 1152689 NEW

THE SNAREGARDE TABLE IS A DINING OR CONFERENCE TABLE THAT IS USEFUL IN A HOME, OFFICE, OR OTHER SPACE THAT REQUIRES A GOOD DEAL OF SEATING. THE

CIRCULAR TABLETOP, IN TWO COLOURS: CHARCOAL AND MUSHROOM.

178

200 cm

210 cm

120 cm 120 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

73 cm

95 cm 73 cm

90 cm 73 cm

Mushroom Linoleum Tabletop

138 cm

Charcoal Linoleum Tabletop

138 cm

179

Snaregade, Wooden Tabletop BY NO RM ARC H IT ECTS

S N A REGA D E RECTA N G U L A R

S N A REGA D E OVA L

S N A REGA D E Ø 1 2 0

SN AR EGAD E Ø1 3 8

Category: Dining Table

Materials: Painted Oak Veneer

Materials: Painted Oak Veneer or

Materials: Painted Oak Veneer

Tabletop, Powder Coated Steel Base

Solid Oak Tabletop, Powder Coated

Tabletop, Powder Coated Steel Base

BEAUTIFULLY EXPOSES THE GRAIN AND STRUCTURE

Colour (Base/Tabletop): Black/

Steel Base

Colour (Base/Tabletop): Black/

OF THE WOOD. THE TABLE IS AVAILABLE IN BLACK

Black, Light Grey/Light Grey

Colour (Base/Tabletop): Black/Black,

Black, Light Grey/Light Grey

Colli: 1 pc

Light Grey/Light Grey, Black/ Solid Oak

Colli: 1 pc

Gross Weight: 59,00

Colli: 1 pc

Gross Weight: 35,00

Gross Weight: 44,00

Volume: 0,356

Gross Weight: 61,00

Volume: 0,302

Volume: 0,399

H: 73 cm, W: 200 cm, D: 90 cm

Volume: 0,423

H: 73 cm, Ø: 120 cm

H: 73 cm, Ø: 138 cm

Black 1153539

Black 1152539

Light Grey 1153139

Light Grey 1152139

THIS SLIM TABLE COMES IN A RECTANGULAR, OVAL, OR CIRCULAR TABLETOP, WITH GEOMETRIC, MINIMALIST BASE AND LEGS. THE PAINTED TABLETOP

AND LIGHT GREY. THE OVAL VERSION ALSO COMES WITH A SOLID OAK TABLETOP WITH A BLACK BASE.

H: 73 cm, W: 210 cm, D: 95 cm Black 1150539 Black 1151539 Light Grey 1151139 Solid Oak 1141539

Light Grey 1150139

180

200 cm

210 cm

120 cm 120 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

73 cm

95 cm 73 cm

90 cm 73 cm

Light Grey Veneer Tabletop

138 cm

Black Veneer Tabletop

138 cm

181

Harbour Chair

ST E E L BAS E

WO O D E N B A S E

BY NO RM ARC H IT ECTS

81 cm

45 cm

59 cm

67,5 cm

81 cm

67,5 cm

81 cm

Stock Item Black Shell / Black Steel Base Art. no.: 9361000

Stock Item White Shell / Wooden Base Art. no.: 9362000

57 cm

H A R BOUR , ST E E L BAS E

HA RB O U R, WO O D E N BAS E

C USTO M E RS OW N M ATE RI A L

T H E HA RB OUR CHA I R IS AN ARM C H AI R W I TH A

Category: Chair

Price group 1:

ST EE L OR WOOD BASE . I T IS AVAILABLE IN BOTH

Materials: See ‘Shell’ and ‘Steel Base’

Materials: See ‘Shell’ and ‘Wood Base’

Customers own material is subject

H: 81, W: 59, D: 57, SH: 45 cm

to final testing and approval.

T EXTILE A ND L EATH ER U P H O LSTERY, AS W ELL AS A SIMPLE SHEL L WITH O U T U P H O LSTE RY. TH E SH E L L I S

RE A DY FO R S HI P P I N G

AVAILA BL E IN SIX CO LO U RS, WH I LE TH E TEX TIL E A N D

Quick Ship: 3 weeks Upholstery: 6-8 weeks

LEATHER COME IN A RANG E O F P O SSIBLE CO LOU RS AN D CAN B E C USTOM I SED. TH E BASE CO M ES IN F I V E

S HE L L

VAR IATIONS, SO YO U CAN MI X AND MATC H CO LOU R ,

Black, White, Burned Red, Olive,

BAS E , AND TEX TUR E TO F IT YO U R SP EC I F I C NEE D S

Khaki, Light Grey Materials: 85% Polypropylene, 15%

FO R THE HOME, WO RK P LAC E, O R ANY OTH ER S PAC E .

Glass Fiber. STE E L BAS E

O UR UPHOLSTERED C H AIRS ARE P RI C ED IN TH R E E

Black or Light Grey

CAT EGORIES. PRICES VARY DEP ENDING O N TH E T Y PE

Materials: Powder Coated Steel

O F UPHOLSTERY OR LE ATH E R YO U SE LECT. P LE AS E

WO O D BAS E

R EACH OUT TO US IF YO U H AV E ANY Q U ESTI O NS OR

Wood base: Dark-Stained Oak, Black

R EQ UESTS.

Stained Oak or Natural Oak Materials: Solid Oak.

WE HAVE 25 DIF F ERENT H ARBO U R C H AI R VARIA N TS See page 208 for the full

IN STOC K AVA IL ABL E FO R Q U IC K SH I P ( WI TH I N

upholstery programme.

3 W E EKS). PL EASE SE E A SE LECTI O N O F Q U I C K S H I P CO MBINATIONS ON PAG E 185.

182

C O N N E C T E D S PA C E S AW 2 0 1 8

183

Harbour Chairs Available Options

Harbour Chairs Quick Ship Examples S HI PS W I THI N 2 – 3 W E E KS

WO O D BAS E OPT IONS —N ATURA L OA K, DA RK-STA I NED OAK , BLAC K-STA I N E D OA K

Black/Dark Oak Base

White/Dark Oak Base

Burned Red/Dark Oak Base

Khaki/Dark Oak Base

Item no.: 30000O

Item no.: 30001O

Item no.: 30002O

Item no.: 30003O

Light Grey / Dark Oak Base

Olive / Dark Oak Base

Black / Natural Oak Base

Burned Red / Natural Oak Base

Item no.: 30004O

Item no.: 30005O

Item no.: 30006O

Item no.: 30007O

Khaki / Natural Oak Base

Light Grey / Natural Oak Base

Olive / Natural Oak Base

Remix 233 / Natural Oak Base

Item no.: 30008O

Item no.: 30009O

Item no.: 30010O

Item no.: 30011O

White / Black Steel Base

Burned Red / Black Steel Base

Khaki / Black Steel Base

Light Grey / Black Steel Base

Item no.: 30019O

Item no.: 30020O

Item no.: 30021O

Item no.: 30022O

Olive/Black Steel Base

Remix 233/ Black Steel Base

Item no.: 30023O

Item no.: 30024O

ST E E L BAS E OPT IONS —LI GHT GREY, BLACK

T E XT I LE UPH OLST E R E D SHELL—VARI O US O PTI ONS

LE AT H E R UP H OLST E R E D S H E LL— VA R I OUS OPT I ON S

SH E L L COLOUR OPT IONS—BU RNED RED, OLI V E, KHA KI , WHI TE, LI GH T GR EY, B LAC K

M E NU OFFE RS A W I D E R A NG E OF HA R BOU R CHA I R VA R I A NTS R E A DY FOR SHI P P I NG W I THI N 2– 3 W E E KS, CA L L E D QUI CK SHI P P ROD U CTS. W E HAV E 25 D I FFE R E NT HA R BOU R CHA I R VA R I A NTS I N STOCK. P L E ASE R EQUEST A FU L L QUI CK SHI P L I ST FROM YOUR LOCA L SA L ES R E P R ESE NTATI V E .

184

C O N N E C T E D S PA C E S AW 2 0 1 8

185

TR Bulb Series BY T I M RUND LE

TR Bulb, Shiny Opal

TR Bulb, Matte Opal

T R BULB

T R BULB , SUS P E N S I O N F RA M E

TR BU L B , P E N DA N T

TR BU L B , TA B L E L A M P

TR BU L B , TA B L E / WALL LAMP

T R BULB, CEILIN G / WALL LAMP

Category: Bulb

Category: Lamp

Category: Pendant

Category: Table Lamp

Category: Lamp

Materials: Opal Glass, LED COB

Materials: Opal Glass, Nylon (PA6),

Colour: Opal

LED COB, Dimmable,

LED COB, Powder Coated Steel

LED COB, Marble, Steel

LED COB, Powder Coated Steel

Light Source: LED E27 7,2 W

Powder Coated Steel

Colour: Black

Colour: Grey Marble

Colour: Black

Colli: 2 pcs

Colour: Black

Light Source: LED E27 7,2 W

Gross Weight: 1,07

Light Source: LED E27 7,2 W

Colli: 2 pcs

Volume: 0,017

Colli: 1 pc

Gross Weight: 1,59

Gross Weight: 2,06

Gross Weight: 2,12

Gross Weight: 1,91

Ø: 20 cm

Gross Weight: 7,07

Volume: 0,024

Volume: 0,031

Volume: 0,027

Volume: 0,158

H: 31 cm, Ø: 20 cm

H: 41 cm, Ø: 20 cm

H: 22 cm, Ø: 20 cm, B: 22 cm

Shiny Opal 1493629 N EW

Shiny Opal 1491629 N EW

Shiny Opal 1492629 NEW

Shiny Opal 1494629 NEW

Matte Opal 1493639

Matte Opal 1491639

Matte Opal 1492639

Matte Opal 1494639

T H E TR BULB IS A REM OVABLE , DIMMABLE LE D BULB THAT MA KES IT E ASY TO ADD A M O DERN LIG H T COVERING TO A NAK ED SO C K ET. BECAUS E IT IS REMOVA BL E, I T IS E ASY TO TAK E I NTO ANY N EW SPACE. THIS LI NE E X TENSI O N NOW CO M ES I N A SH I NY OPAL FINISH , AS WELL AS TH E E X I STIN G MAT TE FINISH.

Shiny Opal 1470629 N EW

H: 45 cm, W: 125 cm

Matte Opal 1470639 Shiny Opal 1495629 N EW

22 cm

45 cm

22 cm

31 cm

41 cm

Matte Opal 1495639

TR Bulb fits all E27 sockets

186

Ø20 cm

125 cm

Ø20 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

Ø20 cm

187

JWDA Series BY J O N AS WAGE LL

Bronzed Brass

J WDA TA B LE LA M P, M ETA LLI C

J WDA P E N DA N T

J WDA L A M P, CO N CR ET E

J WDA TABLE LAMP, MAR BLE

Category: Table lamp

Category: Pendant

Category: Table Lamp

Materials: Stainless Steel, Powder

Materials: Stainless Steel or

Materials: Concrete, Brass, Glass,

Materials: Carrara Marble, Glass,

Coated Steel or Solid Brass, Glass,

Solid Brass, Glass, Dimmer

Textile Cord, Dimmer

Colours: Brushed Steel, Polished

Colour: Light Grey/Brass

Colour: White

Colours: Bronzed Brass, Polished

Brass

Light Source: G9 (Included)

Brass, Black, Brushed Steel

Light Source: G9 (Included)

Colli: 2 pcs

Light Source: G9 (Included)

Colli: 2 pcs

Gross Weight: 1,75

Gross Weight: 0,00

Colli: 2 pcs

Gross Weight: 2,47

Volume: 0,012

Volume: 0,00

MAT ERIALS C REATES A DESI G N TH AT IS BOTH RAW

Gross Weight: 1,84

Volume: 0,048

H: 29 cm, Ø: 17 cm

H: 32 cm, Ø: 19 cm

AN D DELICATE. ALS O AVAI LABLE AS A P E NDANT I N

Volume: 0,012

H: 33,5 cm, Ø: 23 cm Light Grey 1800129

Marble 1830639

WIT H A BRONZED B RASS BASE , BRING I NG A MOD E R N AESTHETIC TO THE MI NIMALI ST AND EYE - CATC H I N G D ES IGN. THE SERIES I NC LU DES A TABLE LAMP I N CO N CRETE, BL ACK, BRASS, STE EL, AND MARBLE BAS ES, WITH B LACK O R BRASS H ARDWARE . I NS PI R E D BY T RA DITIONAL OI L LAM PS, TH E CO MBINATION OF

ST EE L OR BRASS.

33,5 cm

T H IS POPULA R TA BLE LAMP I S NOW AVAILABLE

H: 29 cm, Ø: 17 cm Brushed Steel 1820039 Bronzed Brass 1800859 NEW

Polished Brass 1820839

Polished Brass 1800839

Ø23 cm

Black 1810539

Ø17 cm

188

32 cm

29 cm

Brushed Steel 1800039

Ø17 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

Ø19 cm

189

Hubert Pendant

Hubert Suspension Frame

BY SØR E N ROS E ST UD IO

BY S Ø RE N RO S E STUD IO

Ivory / Bronzed Brass

Black / Bronzed Brass

H UBE RT P E N DA N T, Ø24

H UB E RT P E N DA N T, Ø 4 5

H UBERT SUSP EN SIO N FR AME

A MINIMA LIST PENDANT LAMP RENDE RED IN ST EE L A ND B RASS, TH E H U BERT P E NDANT I S NOW AVAILA BL E IN IVORY AS W ELL AS TH E O RI G INAL BLACK. THE PENDA NT IS SIMP LE E NO U G H TO US E IN ALMOST A NY SETTING , F RO M H O ME K ITC H EN TO CO MMERC IA L SPACE.

A SI NG L E STE E L ROD SE RV ES AS THE FOUNDATI ON Category: Pendant

Category: Pendant

Materials: Powder Coated Steel,

Brass, Textile Cord

Colours: Ivory/Bronzed Brass, Black/

L I G HT I S SUI TA BL E FOR COM M E RCI A L SPACES AS

Brass, Black/Bronzed Brass

Bronzed Brass

Light Source: E27

W E L L AS HOM ES. THE HU BE RT SUSP E NSI ON FR A M E

Colli: 2 pcs

Gross Weight: 1,278

H: 21,5 cm, Ø: 45 cm

H: 25 cm, W:146 cm, D: 24 cm

Ivory/Bronzed Brass 1936649 NEW

Ivory/Bronzed Brass 1937649 NEW

Black/Bronzed Brass 1936859 NEW

Black/Bronzed Brass 1937859 NEW

T H E LA RGER VERSI O N O F TH E H U BE RT P E NDAN T

Volume: 0,031

LAMP B RINGS THE SAME PARE D- DOW N STYLE

H: 18 cm, Ø: 24 cm

TO OVERHEAD LIGH TING . TH E WI DE R AND MO R E

Ivory/Bronzed Brass 1935649 NEW

SH AL LOW SILHOUETTE K EE PS TH E P ENDANT F ROM

Black/Brass 1935539

FEELING OVERBEA RI NG . I T IS ALSO AVAILABLE I N

Black/Bronzed Brass 1935859

Category: Pendant

FOR THR E E SM A L L , ATTACHE D L A M P SHA D ES. THI S

Materials: Powder Coated Steel,

E FFI CI E NT A ND I ND USTR I A L-STYL E SUSP E NSI ON

Brass,Textile Cord, Steel Wire Colours: Ivory/Bronzed Brass, Black/ Bronzed Brass Light Source: E27

I S AVA I L A BL E I N BL ACK A ND I VORY.

Colli: 1 pc

Ø24 cm

190

Ø45 cm

25 cm

18 cm

21,5 cm

BLACK AND IVORY.

146 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

191

Carrie LED Lamp BY NO RM ARC H IT ECTS

Brushed Brass

Black

White

Burned Red

Olive

CA R R I E LE D LA M P

THIS PORTABLE LED LAMP COMES IN BLACK, WHITE, EXTENSION WITH A BRASS FINISH. IT OFFERS A LOW, WARM LIGHT THAT IS PERFECT FOR CREATING HYGGE. IT CAN BE MOVED AROUND THE HOME AND EVEN TAKEN OUTSIDE, THANKS TO A CLEVER USB CHARGER. FULLY CHARGED, IT WILL STAY ON FOR 10 HOURS.

Category: LED Lamp Materials: Powder Coated Steel or Brass Plated Steel, Glass Colours: Brushed Brass, Black, White, Burned Red, Olive

24,5 cm

BURNED RED, AND OLIVE, AS WELL AS A NEW

Light Source: LED 3,2 W Colli: 2 pcs Gross Weight: 1,30 Volume: 0,007 H: 24,5 cm, Ã&#x2DC;: 13,5 cm Brushed Brass 4863539 N EW Black 4863539 White 4863639

13,5 cm

Burned Red 4863349

24,5 cm

Olive 4863429

13,5 cm

192

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193

Pepe Marble Mirror BY ST UD IOPE PE

Black

Brown

White

Black

P E P E M A R BLE M I R ROR

P E P E M A RB L E M I RRO R , WALL

Category: Table Mirror

Category: Wall Mirror

N OW COMES IN A NEW E DITI O N TH AT ATTAC H ES TO A WALL . THE MA RB LE CO M ES IN BLAC K , WH I TE, OR BROW N, A ND IS A U TI LI TARIAN ADDI TI O N TO AN Y SPACE. ONE SIDE OF TH E M I RRO R O F F ERS REG U L A R MAG NIF ICATION, WH I LE TH E OTH ER SI DE O F F E RS 3 0 0 % MAGNIFICATI O N.

Carrara Marble or Wood Grain

Materials: Marquina Marble or Carrara Marble or Wood Grain

Marble, Brass, Glass Mirror (x3)

Colours: Black, White, Brown

Colli: 1 pc Gross Weight: 3,52

Colli: 1 pc H: 25 cm, W: 25 cm, D: 3 cm

3 cm

16 cm

Volume: 0,010 H: 26 cm, W: 25 cm, D: 3 cm

Black 3610539 N EW White 3610639 N EW

Black 3600539

Brown 3610939 N EW 26 cm

White 3600639 Brown 3600939

25 cm

194

25 cm

BAS E . APART FROM TH E E X I STI NG TABLE M I RRO R , I T

Materials: Marquina Marble or

25 cm

WIT H BRUSHED BRASS F ITTI NG S AND A M ARBLE

26 cm

T H IS MIRROR IS MADE U P O F A C IRC U LAR G LASS

C O N N E C T E D S PA C E S AW 2 0 1 8

195

Water Bottle

Bottle Carafe

BY NO RM ARC H IT ECTS

BY N O RM A RC HI TECTS

Clear / Brass

Clear / Steel

Smoked / Brass

WAT E R B OT T LE , 1 L

Clear / Brass

B OTTL E CA RA F E , 0 , 5 L

T H IS TALL , THIN MOU TH - BLOW N G LASS WATER

Category: Carafe

THE SHORT MOUTH-BLOWN GLASS CARAFE IS

Category: Carafe

BOT TL E COMES WITH A BRASS O R STEE L LID. THE

Materials: Glass, Brass or Steel,

NOW AVAILABLE IN SMOKED GLASS AS WELL

Materials: Glass, Brass, Silicone

BOT TL E IS NOW AVAI LABLE IN SMO K ED G LASS AS WELL AS C LEA R GL ASS.

Silicone

AS CLEAR GLASS.

Colours: Smoked/Brass, Clear/Brass,

Colours: Smoked/Brass, Clear/Brass Colli: 4 pcs

Clear/Steel

Gross Weight: 0,34

Colli: 4 pcs

Volume:0,002

Gross Weight: 0,50

H: 16,9 cm, V: 0,5 L., Ø: 8 cm

19,6 cm

Smoked / Brass

Volume: 0,0033 H: 29 cm, V: 1 L., Ø: 8 cm 29 cm

Smoked/Brass 4681949 NEW

Smoked/Brass 4682949 NEW

Clear/Brass 4681839

Clear/Brass 4680839 Clear/Steel 4680039

Ø8 cm

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197

Wine Breather

Wine Breather Deluxe

BY NO RM ARC H IT ECTS

BY N O RM A RC HI TECTS

Smoked / Brass

Clear / Steel

WI N E B R E AT H E R

W I N E B RE ATHE R D ELUXE

T H E BREATHER, THE N BAC K INTO TH E BOTTLE , FOR T H E FUL L EFFECT. YO U CAN TH EN USE TH E BRE AT H E R ITS ELF AS A CARA F E , WH I C H INC LU DES A BRASS OR ST EE L L ID FOR FURTH ER STO RAG E. IT NOW CO M ES I N

Category: Carafe

U ND E R TWO M I NUTES, I T’ S L I TTL E WOND E R THAT

Materials: Glass, Brass Plating or

W I NE BR E ATHE R D E LUXE I S A N AWA R D -W I NNI NG

Stainless Steel, Silicone, Plastic 22 cm

OXYGEN IN JUST TWO M I NU TES. RU N TH E W I NE I N TO

A D D I NG 1 0 TI M ES M OR E OXYG E N TO YOU R W I NE I N

Colour: Smoked/Brass, Clear/Steel Colli: 4 pcs Gross Weight: 0,82

TOP OF A N OP E NE D BOTTL E OF W I NE A ND FL I P I T OV E R SO THE W I NE P OURS I N. YOU CA N SE RV E THE

Volume: 0,007

W I NE D I R ECTLY FROM THE E L EGA NT CA R A FE , OR

H: 22 cm, Ø: 16,5 cm

BOT H CLEA R A ND S MO K ED G LASS.

Materials: Glass, Stainless Steel/ Plated Brass, Plastic, Silicone Colour: Clear Colli: 4 pcs Gross Weight: 1,17 Volume: 0,009 H: 21 cm, Ø: 20 cm

TI P I T U PSI D E -D OW N AGA I N TO SE RV E FROM THE Smoked/Brass 4680949 NEW Clear/Steel 4680069

198

BESTSE L L E R . SI M P LY P R ESS THE D ECA NTE R TO THE

Category: Carafe

21 cm

T H IS SMART WINE BRE ATH E R ALLOWS YO U TO AER ATE YOUR WINE WI TH 10 TIMES TH E AMO U N T OF

Clear / Brass

OR I G I NA L W I NE BOTTL E . 16,5 cm

Clear/Steel 4683039

20 cm

Clear/Brass 4683829

C O N N E C T E D S PA C E S AW 2 0 1 8

199

Wire Series BY NO RM ARC H IT ECTS

Olive

Black

White

WI R E BAS E , 202

W I RE BAS E , 4 0 4

W I RE BAS E , 6 0 6

W I RE P OT

W IR E TABLE TO P

Category: Base for Wire Series

Category: Pot for Wire Base

Category: Table Top for

Materials: Powder Coated Steel

Materials: Powder Coated Steel,

Wire Base

Colours: Olive, Black, White

Silicone

Materials: Marquina Marble or

Colli: 4 pcs

Colours: Olive, Black, White

Carrara Marble

Gross Weight: 0,53

Gross Weight: 0,77

Gross Weight: 1,03

Colli: 4 pcs

Colours: Black, White

Volume: 0,013

Volume: 0,031

Volume: 0,053

Gross Weight: 1,30

Colli: 1 pcs

H: 20 cm, Ø: 23 cm

H: 40 cm, Ø: 23 cm

H: 60 cm, Ø: 23 cm

Volume: 0,010

Gross Weight: 2,09

H: 17 cm, Ø: 23 cm

Volume: 0,003

T H O UGH THE POT AND BASE CAN BE BO U G H T SEPARATELY, THEY WO RK BEST TO G ETH ER. A P OT O R TAB LETOP COMBINE D WI TH A G EO M ETRI C W I R E STAND C REATES A N I DE AL H O LDE R FO R P LANTS AN D F LOWERS, OR SMALL TABLE , EITH ER I NSID E OR O UTSIDE. A LL PARTS ARE NOW AVAILABLE IN BL AC K,

Olive 4770429 NEW

Olive 4771429 NEW

Olvie 4772429 NEW

Black 4770539

Black 4771539

Black 4772539

Olive 4774429 N EW

White 4770639

White 4771639

White 4772639

Black 4774539

Black 4775539

White 4774639

White 4775639

H: 1,8 cm, Ø: 23 cm

1,8 cm

WH ITE AND OL IVE.

23 cm

200

23 cm

17 cm

20 cm

40 cm

60 cm

23 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

23 cm

201

Échasse Series BY T H E R ESA R AND

Clear / Bronzed Brass

Smoked / Brushed Brass

VAS E , S M A LL

VAS E , M E D I U M

VAS E , L A RG E

B OW L , S M A L L

BOW L, LARG E

Category: Vase

Category: Bowl

Materials: Solid Brass, Glass

Colour: Smoked, Clear

Colour: Smoked

Colli: 2 pcs

Colli: 1 pc

Colli: 2 pcs

Colli: 1 pc

Gross Weight: 1,363

Gross Weight: 4,139

Gross Weight: 9,086

H: 13 cm, Ø: 15 cm

Gross Weight: 3,649

Volume: 0,01469

Volume: 0,06847

Volume: 0,1427

H: 28 cm, Ø: 15/10 cm

H: 45 cm, Ø: 22/15 cm

H: 60 cm, Ø: 30/20 cm

SMO KED GLASS WITH BRUSH ED BRASS LEG S. N OW

Clear 4789039 N EW

Smoked 4796949

Smoked 4797949

T H E SMALL VASE IS ALSO AVAILABLE IN C LEAR GL ASS

Smoked 4795949

T H E ÉCHASSE B OW L NOW CO M ES IN TWO SI Z ES , I N SMO KED GLASS WITH BRUSH ED BRASS LEG S. I T I S ID EAL FOR HOLDING F RU I T, NU TS, O R OTH E R DRY G O O DS ON A COUNTE R O R TABLE. T H E ELEGANT, TEST-TU BE SH AP E D ÉC H ASSE VAS E CO MES IN THREE SIZ ES, ALL ARE AVAI LABLE IN

Volume: 0,0413 Smoked 4795949 N EW

H: 14 cm, Ø: 29,5/27,5 cm Smoked 4798949

202

13 cm 22/15 cm

30/20 cm

15 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

14 cm

45 cm

28 cm 15/10 cm

60 cm

WIT H BRONZED B RASS LEG S.

29,5/27,5 cm

203

POV Oval BY NOT E D ES IGN ST UD IO

Black

Brass

Black

Brass

T E A LI G H T CA N DLE H OLDE R

CA N D L E HO L D E R

Category: Candleholder

Materials: Solid Brass or Powder

Coated Steel

Colour: Black or Brass

O R IGINAL CIRC LE A ND H E X AG O N. TH IS NEW ELEGA NT SHAPE CO M ES IN BRUSH E D BRASS AN D BLACK F INISHES. TH E RE ARE REG U LAR CANDLE A N D T EALIGHT OPTIONS AVAILABLE .

Colli: 2 pcs H: 44 cm, W: 22 cm D: 10 cm

44 cm

CO MES IN A N OVAL SH AP E, AS WELL AS TH E

44 cm

T H E POV WALL-MOU NTED CANDLE H O LDE R NOW

Colli: 2 pcs H: 44 cm, W: 22 cm D: 10 cm

Black 4817539 N EW

Black 4816539 N EW

Brass 4817839 N EW

Brass 4816839 N EW

44 cm

22 cm

44 cm

22 cm

10 cm

204

10 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

205

POV Series BY NOT E D ES IGN ST UD IO

P OV WA LL

CA N DLE H OLDE R , S

CA N D L E HO L D E R, L

TE A L I G HT CA N D L E HO L D E R, S

TE A L I G HT CA N D L E H O LD ER , L

VASE, L

Category: Candleholder

Materials: Powder Coated Steel,

Materials: Silver Plated Brass, Solid

Plated Steel

Brass or Powder Coated Steel

Colours: Warm Grey, Black, White,

Colours: Black, Silver, Brass

Chrome, Brass

Colli: 2 pcs

Colli: 4 pcs

Gross Weight: 0,273

Gross Weight: 0,8

Gross Weight: 0,337

Gross Weight: 0,833

Gross Weight: 0,84

Gross Weight: 0,32

Volume: 0,00462

Volume: 0,02228

Volume: 0,00546

Volume: 0,02673

Volume: 0,02178

Volume: 0,005

D: 20 cm, W: 12 cm

D: 44 cm, W: 12 cm

D: 20 cm, W: 12 cm

D: 44 cm, W: 12 cm

P OV S E R I ES I S A L I G H T, S M A RT, A N D P L AY FU L D ES I G N . B E AU T I FU L O N I TS OW N A N D ST U N N I N G AS A G R A P H I C PAT T E R N O N T H E WA L L .

H: 21 cm, W: 18,5 cm, D: 11 cm Black 4811539

Black 4812539

Black 4813539

Black 4814539

Black 4815539

Chrome 4766039

Silver 4811049

Silver 4812049

Silver 4813049

Silver 4814049

Silver 4815049

Warm Grey 4766139

Brass 4811839

Brass 4812839

Brass 4813839

Brass 4814839

Brass 4815839

Black 4766539 White 4766639

18,5 cm

206

20 cm

44 cm

44 cm 20 cm

20 cm

21 cm

44 cm

Brass 4766839

44 cm

20 cm

44 cm

C O N N E C T E D S PA C E S AW 2 0 1 8

44 cm

207

Upholstery Programmeâ&#x20AC;&#x201D;Textile

Textile, Category 2 CO N TI N U E D F RO M THE P REVI O US PAG E

The MENU upholstery programme shows an overview of our textile and leather standard programme. All textile and leather collections are available in all colours. Please note that the colour references are only intended as a guide. For further information please see manufacturer websites, or contact your local MENU sales representative.

kvadrat.dk gabriel.dk sorensenleather.com nevotex.com astrid.se

Selection of textiles or leather outside of our upholstery programme is subject to final testing and approval. Additional delivery time may also occur.

Textile, Category 1

Ritz, Nevotex

Fiord, Kvadrat

Savanna, Kvadrat

Steelcut 2, Kvadrat

Available in all colours

83% Cotton, 9% Modal, 8% Polyester

92% New Wool Worsted, 8% Nylon

90% New Wool Worsted, 10% Nylon

Gaja C2C, Gabriel

Remix 2, Kvadrat

Vienna, Nevotex

Milly, Nevotex

Steelcut Trio 2, Kvadrat

Available in all colours

100% Wools Of New Zealand

90% New Wool Worsted, 10% Nylon

100% Polyester

100% Cotton

90% New Wool Worsted, 10% Nylon

Textile, Category 2

Textile, Category 3

Icon, Nevotex

Canvas, Kvadrat

Colline, Kvadrat

Hallingdal 65, Kvadrat

Tokyo, Kvadrat

Outback, Kvadrat

Crystal Field, Kvadrat

Vintage, Astrid

Available in all colours

100% Polyester

90% New Wool Worsted, 10% Nylon

75% New Wool Worsted, 17% Acrylic,

70% New Wool, 30% Viscose

67% New Wool, 24% Polyester,

80% New Wool, 20% Nylon

53% Cotton, 38% New Wool,

90% Linen, 10% Polyamide

8% Nylon

208

9% Nylon

C O N N E C T E D S PA C E S AW 2 0 1 8

209

Upholstery Programme—Leather The MENU upholstery programme shows an overview of our textile and leather standard programme. All textile and leather collections are available in all colours. Please note that the colour references are only intended as a guide. For further information please see manufacturer websites, or contact your local MENU sales representative.

kvadrat.dk gabriel.dk sorensenleather.com nevotex.com astrid.se

Selection of textiles or leather outside of our upholstery programme is subject to final testing and approval. Additional delivery time may also occur.

Leather, Category 1

Leather, Category 3

Ultra, Sørensen Leather

Dakar, Nevotex

Royal Nubuck, Sørensen Leather

Available in all colours

Protected Leather

Aniline Leather

Leather, Category 2

Leather, Category 4

Shade, Sørensen Leather

Dunes, Sørensen Leather

Elegance, Sørensen Leather

Available in all colours

Protected Aniline Leather

Aniline Leather

210

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211

A L I G N DAYB E D

E AVE S OFA

G OD OT S OFA

HA RB OUR C HA I R

OF FS ET S OFA

S E PTE MB RE S OFA

SYNNES - S E AT

Remix 2, Kvadrat

•

Gaja C2C, Gabriel

•

Vienna, Nevotex

•

Milly, Nevotex

•

Fiord, Kvadrat

•

Canvas, Kvadrat

•

Colline, Kvadrat

•

Hallingdal 65, Kvadrat

•

Savanna, Kvadrat

•

Steelcut Trio 3, Kvadrat

•

Steelcut 2, Kvadrat

•

Icon, Nevotex

•

Ritz, Nevotex (*not suitable for UK)

•

Outback, Kvadrat *

•

Tokyo, Kvadrat *

•

Crystal Field, Kvadrat

•

Vintage, Astrid

•

MOQ4

Ultra, Sørensen Leather

•

Dakar, Nevotex

•

MOQ4

Shade, Sørensen Leather

•

Dunes, Sørensen Leather

Unique markings may appear on the leather and should not be considered defects.

TA I LOR S OFA

A F TE ROOM P LUS

Upholstery Selection & Furniture A F TE ROOM

Natural Markings on Leather

TE XTI L E P RI C E CATEG O RY 1

•

P RI C E CATEG O RY 2

FAT WR INKLES

SCA R / I N S ECT BI T ES

•

• •

•

P RI C E CATEG O RY 3

FO L DS

BUTC H I N G SCA R

• •

•

• •

•

• •

•

MOQ4

•

MOQ4

•

• •

•

L E ATHE R

P RI C E CATEG O RY 1

P RI C E CATEG O RY 2

H E A L E D SCARS

FAT WR I N KLES P RI C E CATEG O RY 3 Royal Nubuck, Sørensen Leather

P RI C E CATEG O RY 4 Elegance, Sørensen Leather

• •

•

• •

•

* These items will be discontinued 31.12.2018

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213

Please see all Terms & Conditions on our website: www.menu.as

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215