I AM CRISTIAN MOȚIU /
WELCOME TO MY RESUME
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RESUME
P O R TO F O L I O
14 C A S A M OÈš I U
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THE ARCHITECTURE OF THE SELF
BIODIVERCITY
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A U D I TO R I U M
CAFE BAKERY
PERSONAL VIEWPOINT / SUBJECTIVE I define myself as a creative person with rather artistic than technical skills, though I find gladly to face technical matters in architecture and not only. I have the personality of an idealist, fact that brings me both positive and negative aspects in everyday life. First, I am committed to absolute authentic and perfect in details way of doing things that preoccupy me. I am optimistic and I have an immeasurable source of finding reasons to fight for and also to find meaning and good in life and people. Second, this way of idealizing is slowing down sometimes my efficiency in terms of time, but this is a battle of mine that I hope I’m winning more and more everyday. Curiosity is another thing that defines me. Curiosity such as discovering places, cultures, or even philosophical, moral matters. I have a great passion for old things, houses, objects, habits, and memories but I’m also intrigued by the future technology. Along with the architecture, trumpet and opera singing are my great interests, since childhood.
P E R S O N A L I N F O R M AT I O N S
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N A ME Cristian Cornel Moțiu
N ATI O N A LI TY Romanian
DAT E O F B IRT H 12th Dec. 1991
EMAIL cristian_motiu@yahoo.com
A DDR E SS Daliei 21, bl 9, ap 5 Timișoara, 300558 Romania
P HO N E +40 749 018 784
E D U C AT I O N / DEGREES 2016
PO L IT E H N ICA U N IV E R SITY O F TI M I Ș OA R A Faculty of Architecture and Urbanism Bachelor and Master included U N IV E R SIT É CAT H O L IQ U E D E LO U VA I N - B E LG I U M Faculty of Architecture St. Luc - TOURNAI Master 1st, erasmus scolarship (2014-2015)
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H IG H SCH O O L O F A RT S SA B I N D R ĂG O I , A R A D Section Architecture
LANGUAGE SKILLS E N G LI S H certificate level C1 FRENCH fluent, uncertified ROMANIAN native
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D I G I TA L S K I L L S / SOFTWARES A R C H ICA D
3 D S MAX
AUTOCA D
P H OTO S HO P
R H IN OC E R OS
I L LU ST R ATO R
S K E TC H UP
I ND E S I GN
ARTISTIC SKILLS / VISUAL ARTS G R A P H IC S / DR AWIN G Various methods of visual expression - pencil, watercolor, ink on paper. G R A P H IC DE S IG N Publishing, advertising, typography, branding.
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INTERESTS / HOBBIES M US IC Jazz, Trumpet, Singing, Belcanto (Opera) R E A DIN G Philosophy, Autobiography, Socio-scientific, Essay, Art E XP LOR IN G Historical & avantgarde cities. Meeting new cultures, new people
professional
ACHIEVEMENTS / E D U C AT I O N A L & P R O F E S S I O N A L T E ACH E R AT CO L L E G E O F ARTS S A B I N D R ĂG O I A R A D Teaching Architecture Studio, Perspective & Technical Drawing for all four grades of High School Arad, September 2017 - June 2018 „R E STA RT ” R E STO R AT IO N CO U R S E Nonformal restoration course led by Tancredi Carunchio Timișoara, 29 September - 15 October 2017 IN T E R N SH IP IN D [ In t e r.N at io n al . D e s i g n ] R OTTE R DA M Intern in architecture office for six months Rotterdam, Netherland, 10 January - 5 July 2017
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academic
IN T E R N SH IP AT T H E W H Y FACTO RY, TU D E LF T Research project Biodivercity led by Winy Maas Delft, Netherland, September - October 2015 B E ST PR OJ E CT PR IZE IN THE DESIGN WORKSHOP OF 2nd YEAR, Faculty of Architecture Timișoara, 2012 DIPLO MA O F E XCE L E N CE FOR OUTSTANDING PERFORMANCE IN THE DESIGN WORKSHOP OF 1st YEAR, Faculty of Architecture Timisoara, 2011
educational
2n d PR IZE FOR OUTSTANDING PERFORMANCE IN THE DESIGN WORKSHOP OF 1st YEAR, Faculty of Architecture Timisoara, 2010
1st PR IZE “4 PRINCELY COURTS” National Contest of Visual Arts. Hosted by Union of Architects of Romania Graphic work, 50x70 cm, ink on paper, 2009 CE RT IFICAT E O F PR O FE SSIO N A L CO M P E TE N C E Specialization in Art & Architecture
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ACHIEVEMENTS / EXTRACURRICULAR G R A PH ICS E X H IB IT IO N "Architectural Heritage of Arad - where to?" 22 June 2010 Drawings, ink on paper Art Museum of Arad G R A PH ICS E X H IB IT IO N "Architectural Heritage of Șiria - where to?" 10 November 2012 Drawings, ink on paper Bohus Manor in Șiria (Memorial Museum of Ioan Slavici and Emil Monția) WO R K IN G R A PH IC DE SIG N Several brands for companies and associations (logo, stationary and promoting material) Typography, Publications and promoting material for some institutions.
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DRAWING / GRAPHIC EXPRESSION Drawing in ink was mainly a highschool preoccupation which led to the opportunity of making several exhibitions whose purpose was to promote local architecture but especially to warn people about the actual situation of the old heritage. IN K O N PAPER 2 01 1
INK ON PA P E R 2010
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IN K O N PAPER 2 009
INK ON PA PE R 2009
IN K O N PAPER 2 009
INK ON PA PE R 2008
IN K O N PAPER 2 009
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BRANDING / GRAPHIC DESIGN Several brands I worked on for companies, institutions and local communities. Alongside logos, the branding involved stationary, publications and web design. P L A N TP R OTECT 2 01 2
HI D R OPUM P 2 013
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LO CA L C H U R C H 2 014
A M E A SSOCI AT ION 2 015
TH
E S DA
ȘI
R
BE
ITALIAN RESTAURANT 2 01 5
- ARAD
FA N FA R A
IA
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18 - 2018
LOCA L B R A SS B A N D 2 018
I N S TA L P U M P 2 01 8
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SELECTED WORKS FROM MY
PORTOFOLIO
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R E S T O R AT I O N & C O N V E R S I O N
Casa Moțiu IN DIVIDUA L P R OJE CT
Type of project
Professional
Attributions
Architectural & interior design On site works supervision Materials management
Location
Șiria, Arad, Romania
Area
310 mp
Project Year
2017 - 2019 14
THE MOȚIU FAMILY BUILT THIS HOUSE IN 1910
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AND HERE IT IS 108 YEARS LATER,
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READY FOR THE 5TH GENERATION TO MOVE IN
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CONTEXT Located in a historical region where the field meets the mountain, the house features the architectural specific characteristics of this area where the population's basic occupation was the cultivation of vineyards. Therefore, the big cellars, full of wine making tools and storage are found in every old house.
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INTERVENTIONS / BACK TO THE ORIGINAL
In terms of design, it has been chosen
The oldest part of the hou
to return to the original form of some
renovated using appropr
architectural elements of the house
als, such as lime plasters
such as the type of windows. In the
and wood joinery.
‘60s the windows on the southern and eastern facades have been replaced
Regarding the additions o
with some modernist type with
it has been chosen to mo
different sizes. But because they
them in a different mann
altered the proportions and aesthet-
bring back the appearanc
ics of the house, we decided to return
original volumetry of the
to the original typology of windows with shutters.
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use has been
riate materiand paints
of the house,
odernize
ner in order to
ce of the house.
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T HE EXIST ING S IT UAT I ON Later additions came to the original volume of the house parasitizing it.
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REP LACING T HE CONVENT IONA L While being less important, the additional volumes were made to emulate „comparable with the original� appearance.
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A RTI C U L ATI ON Therefore, a way to diminish this obvious articulation was needed while making it more functional.
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EA SI N G TH E H I ER A R C H Y A simpler and lighter roof will ease the reading of the volumes hierarcy. Furthermore, in order to reduce the size of the volume closer to the size of the actual interior space a lower roof was required.
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LOW E R PR O FILE The roof can be easily shaped now in order to facilitate both aesthetic and functional characteristics.
WAT ER COL L ECTI ON A shape of the roof that also facilitate an effective way of collecting the water.
CONCEPT Turning the additional volumes into contemporary modern design while restoring carefully the original, creates between them a contrast which puts both of them in value.
BE FO R E
A FT ER
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INTERVENTION Replacing the conventional roof of the addition with a lighter wooden structure allows old walls to be preserved. Also, the sculptural shape of the new roof creates a more friendly design and better proportions of the volume that fills the courtyard with its presence.
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S I T U AT I O N PLAN B E F OR E & A F T ER
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GROUND FLOOR
4 3
185 sqm 13
1. Access
4. Bathroom
9. Bedroom
2. Living
5. Storeroom
10. Master Bedroom
Dining
6. Bathroom
11. Bathroom
Kitchen
7. Bedroom
12. Terrace
8. Hall
13. Storage
3. Study
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2
1
6 7
8 12
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10 11
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LO N G I T U D I N A L S E C T I O N
S O U T H E L E VAT I O N
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E S T E L E VAT IO N
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CROSS SECTION
W E S T E L E VAT IO N
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THEORETICAL / RESEARCH
The Architecture Of The Self
IN DIVIDUA L P R OJE CT
Type of project
Educational, Graduation Project
Unit
Research, Urbanism
Location
Faculty of Architecture & Urbanism Politehnica University, Timișoara
Coordinators
Cristian Blidariu
Project year
2015 - 2016 50
CONTENT The project consists in one video animation, two essays and a case study on urban sprawl (Dumbrăvița, Timișoara). https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book https://issuu.com/cristian_motiu/docs/the_architecture_of_the_self_book
See the book on ISSUU
The architecture of the self tries to tell the story of a society that, when turning to a diametrically opposed system of organization, characterized by freedom from every angle of view, storms every means of acquiring the social position that is coveted but forbidden up to that moment. This has meant a process of restratification of the society, a fierce struggle in which it is essential to keep in balance two important factors, the restructuration of class and the construction of status.
FROM COLLECTIVE TO SELF CITY https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo https://www.youtube.com/watch?v=74jij4NrjGo
See the video on YouTube
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A N IMAT IO N A S IN T R O DU CT I O N The story in the video tries to show a scenario of a society that passes from a socialist system of organisation to a democratic one from the perspective of the living conditions. Also it tries to illustrate the impression that one recieves when looking nowadays at the Romanian urban landscape.
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R E O R G A N I Z AT
Due to capitalist cons work and internation situation of the socia improving. SOCIALISM
CONSTRUCTIO
Status remains the c stratification that is m characteristics acqui tastes, preferences.
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TION OF CLASS
sumerism, professionalisation of nal mobility opportunities, the al classes is considerably C A P I TA L I S M
O N O F S TAT U S
component of the social mostly formed on the basis of the ired in the social origin: lifestyle,
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R E O R G A N I S AT I O
OLD IDENTITY
anonymity uniformity conformation
The illusion that the ac capital and, implicitly, economic criteria coul necessary to adhere to been created.
CONSTRUCTION
Social origin, more tha aesthetic preferences. social condition that a from the earliest age o small income and tend these conditions, must Bourdieu
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ON OF CLASS
cquisition of an economic the reclassification on ld be the only component o a higher social status has
individuality class diversity lifestyle diversity
NEW IDENTITY
N O F S TAT U S
an economic capital, produces "All the characteristics of the are (statistically) associated, of childhood, with a large or d to form the taste according to t be taken into account."
The post-communist Romanian society does not have a diverse range of lifestyle patterns due to the homogenization of classes in communism.
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S TAT U S
CLASS
S TAT U S I N C O N S I S T E N C Y
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If a person’s rank is higher in one dimension than another, than he will seek to emphasize the component that he owns in a grater extent in order to build his desired identity.
Ownership, and especially house ownership, has come after the revolution to represent such key element in the struggle to highlight one’s class affiliation.
By using symbolic goods, especially those regarded as attributes of excellence, there are formed key markers of the class, and the ideal weapon in the strategy of distinction, which is the infinitely diverse art of marking boundaries.
The house is the object chosen by individuals to simulate the welfare and the lifestyle specific to a superior social position.
COMMUNITY & SOCIAL I N V O LV E M E N T C U LT U R A L & S O C I A L C A P I TA L P R I VAT E S TAT E M E N T (PROPERTY AS A KEY ELEMENT OF DISTINCTION)
RESOURCES DISTRIBUTION Low status combined with high level of ownership brings poor management of the property & commodities. Having a mismatch between these two, one of them is emphasized over the other. The urgent need for the self to acquire a new identity has directed all resources to that end. Thus, symbols were created to prove the new position of the self. So the first function of the house is no longer
inhabitancy, but symbolic, a representation of the self as it was imagined and conceived. Since all the effort is directed towards the private, the new residential neighborhoods of the urban sprawl are no more than an accumulation of private spaces that generates between them a kind of space rather residual than public. There is nothing left for the infrastructure or social space.
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P O P U L AT I O N DY N A M I C S MIG R AT IO N FR O M CITY CE N T E R TO WA R DS T H E U R B A N SPR AW L The city is experiencing a decrease in the population while the settlements that forms the Timișoara's Growth Pole (PCT) are experiencing a significant increase.
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PUBLIC S PA C E S VS URBAN FOOTPRINT The quality of the global containing spaces trough the variety of functions they accommodate, and the entertainment dose they provide to users makes that the outdoor spaces, markets, parks are less and less used. Thus, social spaces are substantially reduced compared to the increase of the urban footprint.
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THE DISTRIBUTION OF S TAT U S A N D I T S M I G R AT I O N O V E R T I M E During the comunist period, the nomenclature occupied the best and the more exclusivist residential areas in the city built by the bourgeoisie of the period before Communism. Instead, the elite of the city and all those inhabitants who, after the fall of communism, have accumulated economic capital have migrated to the outskirts of the city, and especially to the interstitial space between the city and the nearby towns where they have built new houses. So some of the central neighborhoods lost their status in the post-communist period because of their monopolisation by real estate speculators who often are associated with a bad reputation.
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D I F F E R E N T S TAT U S LEVELS WITHIN THE SAME LOCALITY There is a pattern for developing the urban sprawl that takes into consideration several factors including the distance to the city center, the distance to the main roads and the distance to certain facilities, factors that generate a sub-categorizing of the new residential areas on different levels of status. Thus in the new residential area surrounding DumbrăviČ›a, we can find at least 3 main categories of status.
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RESEARCH
BIODIVERCITY Living Together COLLE CT IVE P R OJE CT
Type of project
Educational, Research
Location
1st part
Université catholique de Louvain, Tournai, Belgium
2nd part The Why Factory, TU Delft & MVRDV, Netherland Rotterdam Coordinators
Winy Maas, Felix Madrazo
Project year
2015
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CONTENT H OW CA N WE CO- E XIST WIT H ANI MAL S ?
https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1 https://issuu.com/biodivercity/docs/biodivercity_book_part_1
See the book on ISSUU
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Today climate change casts shadow of doubt on our civilisation being so self centred. We are told that the world has been abused by us. By simply exploiting it, we seemingly missed the fact that there is more to it than just being our pantry… However, can ‘Green’ ideology, as we know it, embrace the whole complexity of that conflict? Can eco-city, as we know it (Masdar), be a sufficient solution? Biodiversity explores how both architectural and urban design could facilitate meaningful relationships between humans and other species. We want to look for new intimacy between human beings and nature that we can project today. We want to envision new engagement with natural cycles spreading beyond existing agriculture. We want to design a new city embracing a democracy of people, animals, micro-organisms and minerals. We want to find out what would be the city that animals would love. [The Why Factory]
I NP U T 1 natural habitat food web canvases
2 CAL CUL AT OR species calculator habitat calculator (I)
B R I C OS 3 environment shelter bricos
habitat calculator (II)
A P P L I C AT I ON 4 bottom up top down
5 NOAH’S ARK
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14 DIFFERENT ECOSYSTEMS We chose 14 of the different ecosystems on earth which host the necessary climate conditions required by different vegetation and animals species. For example:
TA IG A
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10 % of the land, dense forest of coniferous and deciduous
2264,8 hours of sun per year
Moist subarctic continental climate
From -27,3°C to 16,8°C
One of the main terrestrial biomes
280 mm of water/year
LAKES AND STREAMS
CONIFEROUS FOREST
SAVANNA
TAÏGA
SCRUBLAND
CONTINENTAL SHELF
DESERT
TROPICAL MARSHLAND
AGRICULTURE
CITY
TUNDRA
TROPICAL RAINFOREST
TEMPERATE FOREST
SWAMP
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ECOSYSTEM INVENTORY
Animals
IN P UT All the characteristics of each ecosystem are listed in order to provide data for the calculator’s strategy of mixing species and biomass in the city.
Golden Eagle
Hawk
Sparrow Hawk
Pigeon
Squirrel
Tamarind
Snake
Bee
Musk Ox
Deer
Cow
Wolf
Fox
Dingo
Rabbit
Hedgehog
Caterpillar
Spider
Butterfly
Dragonfly
LEVEL 3
LEVEL 2
Soil characteristics
1
2
High area
LEVEL 1
3
4
5
Average area
LEVEL 3
1 - Litter
LEVEL 2
2 - Mul forest 3 - Organic and mineral horizon Low area
4 - Mineral horizon and browned 5 - Source rock
LEVEL 1 AVERAGE AREA
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Vegetation
Coyote
Sheep
Goat
Lynx
Rat
Mouse
Mole
Lizard
Fly
Worm
Ant
AVERAGE AREA
Alder
Birch
Fir
Larch
Maritim Pine
Poplar
Spruce
Willow
Cloudberry
Cranberry
Redcurrent
Horsetail
Hypnum
Moss
Goldenrod
Lichen
LOW AREA
Shepherdia Argentea
Canada Fleabane
Coticol Lichen
Twinflower
Maple
Spiny Wood Fern
Empetrum Nigrum
Cotongrass
Saxifragia
AVERAGE AREA
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CANVASES / EURALILLE LILLE , FR A N C E An area of 1km2 in the modern district of Euralille was chosen to host the virtual experiment of adapting different ecosystems to the city. On a smaller scale, three particualar places in these area, was chosen to develope the strategy.
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Step 2 / Who eats whom ?
Having seen the hierarchy of the foodweb, between your 20 animals. Using the natural c decide who eats whom.
S P E C I E S C A L C U L AT O R & H A B I TAT C A L C U L AT O R
2.1
First, draw the lines between each predators and his preys.
We also created a calculator system for mixing the animals and plants in our chosen urban area together with their habitat and biomass requirements.
Desert Falcon
Cheetah
Snake
STEP 3 / Internals calculation / 2 3.4
Jackal Falcon
In the real world, the Cheetah prefers to hunt a Camel or an Antelope, wich contain more kiloJoules than a Fenec. To implemente this reality in the software, we calculate a proportion "p" for each couple "prey eaten by predator".
Snake
Dingo
Jackal
We will explain the b(prey1) paramater on the next page.
Spider
Camel
Formula :
n(prey1) =
∑
[
(for each predators "i")
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Here, you can read the number nbre(preda i) of each predator. The calculation is done for 1 of each super predators.
3.8
Here, you can read the food f(preda i) required by the predator i during a day.
]
3.5
nbre(preda i) . f(preda i) . 365 . p(prey1/preda i) . b(prey1)
3.7
r(prey1) . 0,1
When a predator eats a prey, only 10% of the energy stored in the prey remains available. Hence the coefficient "0,1" applied on the amount of energy "r" contained in a prey.
3.6
The spreadsheet then gives in the yellow column the requisite number "n" of individuals.
Bee
Antelope
Chinchilla
Chinchilla
Bee
Antelope
1 278 421,2 kJ/indiv
Lizard
Gazelle
Gerbil
Bat
Mouse
Lizard
20 698,2 kJ/indiv
6 696 492 kJ/ind
Fly
Bat
Coyote
Camel
Fly
3.11
Fenec
194 807,1 kJ/indiv
Fenec
109 578,9 kJ/indiv
Here we know if the sum of all the proportion equals 1. That's mean the calculation is ok.
2.
Cheetah
Spider
3.10
Coyote
151
182 631,6 kJ/indiv
3.9
Dingo
Desert
150
Gazelle
Gerbil
438 315,8 kJ/indiv
Mouse
Ant
Ganga
For the Antelope eaten by the Cheetah, we have : p(antelope/cheetah) = r(antelope) / [r(camel)+r(antelope)+...+r(coyote)] p(antelope/cheetah) = 1 278 421,2 / [6 696 492+1 278 421,2+...+194 907,1] p(antelope/cheetah) = 0,14
Formula : r(prey1) p(prey1/preda1) =
∑ r(preys)
Ant
G
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focus on relationships catalog, you have to
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Then, translate these relationships in the excel table, by typing "Yes" when the animal on the left eat the one on the top line.
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The Jackal doesn't eat the Spider, the Camel, the Chinchilla, the Gerbil and the Fly, but eats the Antelope and the Gazelle.
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Step 3 / COMPUTATION / Increase the biomass capacity You can now start to calculate the capacity of the city, by placing square meters of natural environments on each surfaces of the city. We then have a layer of environment on top of all the city. Go to sheet n°5.
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2.3
Spider is eaten by the Snake, the Dingo and the Bat.
2.5
3.3
Falcon eats the Camel, the Antelope and the Gazelle.
The natural environment biomass production "bp" will be reproduced (kJ/ m²/year).
Ganga
3.4
Then, for each surface, you can see the biomass production "Bp" on the right (kJ/year).
Formula : Bp = S x bp
3.1
Choose a city's surface "S" (m²) in the drop-down menu. For our example, all the existing surfaces.
3.2
Choose the environment you want to apply on this surface.
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BRICOS C ATA L O G A R C H IT E CT UR A L DE S IG N The catalog contains construction pieces designed as habitat for each species from all 14 ecosystems. They contain the required biomass and they can be multiplied as much as needed.
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BOTTOM UP / I M P L E M E N TAT I O N S T R AT E G Y It starts from the surface of the city. We go to the Brico catalog and choose between 2 types, Shelter and Environment. The next step is to combine them according to each biome’s needs, information provided by the Habitat Calculator (II). We stop by the time we reach the exact quantity of energy needed to host each biome.
TOP DOWN / I M P L E M E N TAT I O N S T R AT E G Y It can be explained easily by imagining the city as an environment full of species of animals and plants, altogether with humans. To reach an image of a perfect symbiosis urban-natural, we start from the top. We first choose the biome we would like the city to host. After, we take its Foodweb and calculate the amount of energy it needs. Then we choose Bricos to place on top of the city and calculate how many biomass they produce.
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TUNDRA ON VIEUX LILLE
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OCEAN COST ON EURALILLE
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ARCHITECTURAL DESIGN
AUDITORIUM
IN DIVIDUA L P R OJE CT
Type of project
Educational
Location
Timișoara, Tipografilor
Coordinators
Bogdan Demetrescu & Oana Simionescu
Project year
2013-2014
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AUDITORIUM 4th YEAR STUDIO Faculty of Timișoara The auditorium was conceived to accommodate between 500 and 700 spectators for a wide range of events typologies, from classical concerts to cultural and social meetings. The project involved joining an old building existing on the site with a new structure.
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The concept sought to mix carefully the surfaces of the site, so that the valuable public green space and the urban mobility to be generous to the people.
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INTERIOR DESIGN
CAFE BAKERY
IN DIVIDUA L P R OJE CT
Type of project
Professional, Proposal
Location
Arad, Bulevardul Revoluției
Client
Patiseria Paula
Project year
2011
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CAFE BAKERY The 75 sqm space in a historical building was concieved to generate a welcoming atmosphere in a contemporary design.
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THANK YOU FOR YOUR TIME.