Chris Hainer A Portfolio of Work
ments
s
y
e
gue
20sec
20sec
NOT UNDER Non-Sensory
Sensory Mapping Perception
How to rEad GrapHs
Phenomena INVESTIGATION Memory
Brightness / Visual Contrast
NOT UNDER
Vsual Density / Visual Pattern
Smell Intensity / Quality
Loudness / Signal vs. Noise
Haptic Texture / Temperature
Spacial Scale / Ease of Movement
Images @ 1 frame/second
INVESTIGATION
Graduate Thesis Fall 2008 Iconography NOT UNDER
Vertical Scaled
0............................. Color Scaled................................10
Spacial Scale
INVESTIGATION
Ease of Movement
Volume (cubic ft.) Haptic Texture
Temperature
1-10
ºF
Loudness
NOT UNDER
Signal vs. Noise
Decibels (dB)
Mood ExpEriEncE INVESTIGATION
Smell Intensity
Quality
1-10
The data the senses gather has a structure which, NOT UNDER through perception, alters INVESTIGATION o u r u n d e r s t a n dAesthetics ing. A change in the atmosphere of a space leads directly to a c h a n g e i nNOT u n d eUNDER rstanding. INVESTIGATION Such conditions are created by architecture y e t m o s t o f t e n Purpose they are n o t t h e m s eNOT l v e s dUNDER esigned o r i n v e s t i g aINVESTIGATION ted. What is needed are methods of studying, composing and transmitting these qualities in order to understand and create atmospheres that add to architecture instead of being coincidental.
10 8 6 4 2
Scale
Viewport Depth Above Isolation Out of place Sit Water Portal Door Press Push Pull Traffic Product
Descriptors
Visual Density
Visual Pattern
Brightness
Visual Contrast
1-10
cd/m2
1sec
Time Scale Outdoor | Indoor Light: Natural | Artificial Population
2sec
Viewport
3sec
(Outside) (Inside) (Natural) (Artificial)
8
All values graphed as a 1-10 scale with absolute measurements given when possible.
Brightness / Visual Contrast
A graph which maps the senses over a sequence allows the structure to be revealed. This tool was used to analyze a variety of sequences in a r e l a t i v e l y o b j e c t i v e m a n n e r.
Fresh - Musty
Vsual Density / Visual Pattern
Brightness / Visual Contrast
Visual Density / Visual Pattern
Smell Intensity / Quality
Loudness / Signal vs. Noise
Haptic Texture / Temperature
Spacial Scale / Ease of Movement
Brightness measured as an average amount of light hitting the eye.
Visual Density is a measurement of the amount of information within the scene.
A subjective measurement of the amount of smell within a space.
The decibal level of the scene.
A measurement of the amount of texture, whether skin contact or variation in the ground plane.
Scale of a space with from coffin at 1 and open field at 10.
Contrast is the amount of difference between areas of the scene.
Visual pattern is a measurement of the randomness vs. order of the scene.
A subjective measurement of the smell type based on a range from fresh to musty.
Is the audio within the space a clear signal or background noise.
Temperature using 72ºF as the comfortable baseline.
Ease of movement from going down a slide at 1 to climbing a mountain at 10.
Smell Intensity / Quality
Loudness / Signal vs. Noise
Haptic Texture / Temperature
Spacial Scale / Ease of Movement
63º 73º 10 8 6 4 2
20 cd/m
860 cd/m
650 cd/m
Door
30sec
1sec
Outdoor | Indoor Light: Natural | Artificial Population
20
2sec
3sec
40sec
750 cd/m
Portal
3
10sec
Portal
Roof
3
500 cd/m
20sec
Portal
50sec
5
60sec
5
Stairs
30sec
3
15
Peaks and Valleys
With this new understanding the sequences could be remixed into new s e q u e n c e s—a fo r m of creation. A system for creating and experiencing sequences was then considered and the final step is to design using a graph as a guide. Traffic
AtMosphERIc REMIX Brightness / Visual Contrast
Stairs
Portal
Water
Portal
Product
Chris Hainer
Loudness / Signal vs. Noise
usinG rEal world atmospHErEs to crEatE nEw, controllEd compositions
Haptic Texture / Temperature
Spacial Scale / Ease of Movement
Above Viewport
Sit
Viewport
700 cd/m
Traffic
30sec Outdoor | Indoor Light: Natural | Artificial Population
1
Viewport
Traffic
10 8 6 4 2
73º
20 cd/m
Viewport
Smell Intensity / Quality
60º
Door
Door
Vsual Density / Visual Pattern
1sec
2sec
3sec
10sec
40sec
10
50sec
Door
Stairs
20sec
Portal
Isolation
60sec
Sit
Viewport
Portal
30sec
4
2
REMIX 1
GEntlE risE - quick fall - rEpEat Peaks and Valleys
Above Viewport
Using the combined height as the link between pieces to provide a matching form. Overall quality is gentle while there is more small scale variation within each sense quality. Viewport
Door
Brightness / Visual Contrast
Vsual Density / Visual Pattern
Smell Intensity / Quality
Loudness / Signal vs. Noise
Haptic Texture / Temperature
Spacial Scale / Ease of Movement
Portal
Isolation
Sit
Viewport
Portal
Stairs
tiS
latroP
Viewport
Viewport
vel of
spacer
tes stinct
Vision
multiple
smell Brightness texture
Viewport
60sec
450 cd/m2 70sec
80sec
1
sound
Atmosphere Model
The ability to selectively link together different senses into one atmosphere is facilitated through the creation of separate Sense Panels for each of the senses. A set of these panels encloses a Sense Space and a series of these spaces can be sequenced together. To allow for senses to overlap between Sense Spaces, spacers of a smaller size can be inserted, moving a Sense Panel in between two boxes.
Sensory Intervention
Isolation
Viewport
Portal
UIUC Art Museum 2nd Grad Studio Winter 2008
Program • Art museum replacement • Along secondary axis of UIUC campus • 50,000sqf t of galleries • Education, of fice, and storage facilities • Sculpture garden
Solution To a c c o m m o d a t e t h e impor tant a xis, the foot traf fic through the site, and the distribution of buildings in the area, the program is broken apar t and distributed on across the site. Sunken galleries are connected below grade by a circulation ring and receive a controlled amount of natural light. Above ground the galler y volumes define smaller scaled spaces where sculpture can be displayed. The galler y boxes read somewhere between buildings and landscape becoming sculptural in their own way without detracting from the ar twork displayed.
Chris Hainer
Military Axis
F o o t Tr a f f i c
Building A xed
Site Edges
Streets & Parking
Entries on each end of the site give the museum a moment of grandeur to entice visitors. Galler y spaces below ground are lit by a variety of sk ylight t ypes, adjusted to suite dif ferent light levels. Conversely the circulation space maintains a subterranean feel with moments of natural light via sunken cour tyards.
Classical image
N at u r a l L i g h t i n g
USX Site New Life 1st Grad Studio Fall 2007
Program • Restaurant, Viewing To w e r, Ya c h t C l u b , Restrooms, Park • South Chicago along Lake Michigan • Former steel mill site now prairie land • Only mill remains are 1/ 2 m i l e l o n g x 3 0 ’ t a l l c o n c rete ‘o re wa l l s’ • Adjacent land will be redeveloped into 500 acre community Solution The current mix of natural grow th and old steel mill remnants creates a unique c h a r a c t e r f o r t h e s i t e . To keep this set ting intact, the buildings rest gently on the land. For a unique dining experience, the restaurant is sunk to water level below a gentle hill. The yacht club mirrors its marina contex t with an undulating roof and tilted columns. The viewing tower relates to the histor y of the site with a large steel screen rising out of the ground against one wall with a stair inside.
Chris Hainer
I n t i m at e V i e w
Steel Monument E ach building is designed with the view in mind. The viewing tower sets up a sequence of perspectives that culminates at the top with a full panorama. The restaurant creates a focused view out to the lake for patrons and a high point to look out from for visitors on top. The yacht c l u b p u t s m e m b e r s o n t h e w a t e r, b l u r r i n g t h e l i n e b e t w e e n inside and outside.
O n W at e r
Convention
Center
D e n s i t y/ U s e
4th UG Studio Winter 2007
Program • E xhibition Center • Replacing Cobo Hall in Downtown Detroit, MI • 1 million sqf t of exhibit space • Secondary facilities of meeting rooms and ballroom • Needed to address major highway through site
REORGANIZING THE PROGRAM All program elements currantly serve the exhibition space. This creates a situation in which these elements are underutilized when the exhibition hall is not being used.
To increase the usefulness of Cobo Center, the hierarchy of program must be reorganized.
I propose making the exhibition space a secondary element to others that may be used by visitors and residents at any time.
Solution Lowering the exhibit hall below grade and splitting the rest of the program into smaller blocks above helps the center fit into the city grid and create an accessible park space a l o n g t h e r i v e r ’s e d g e . T h e e x h i b i t h a l l f l o o r, i t s ceiling, and the park level are unique landscapes allowing for each to ser ve its function. The floor slopes at moments t o c r e a t e o n e s t a i r- f r e e tiered space, the ceiling undulates to let in light and hold structure, and the park level creates a natural b a c k d r o p f o r t h e c i t y.
Chris Hainer
CURRENT PROGRAM
PROPOSED PROGRAM
PRIMARY Exhibit Hall
PRIMARY Meeting Rooms Food area Shops Parking Commercial
SECONDARY Meeting Rooms Concourse Food area
SECONDARY Exhibit Hall Concourse
TERTIARY Restrooms Circulation Loading/Unloading Coatcheck Parking shops
TERTIARY Restrooms Circulation Loading/Unloading Coatcheck
CURRENT HIERARCHY
PROPOSED HIERARCHY Meeting Rooms
Exhibit Hall
Restrooms
Meeting Rooms
Concourse
Food
Loading
Coat Check
Parking
Shops
CURRENT MASSING
Food
Shops
Concourse
Exhibit Hall
Restrooms
Loading
A LT E R E D MASSING
PROGRAM DISTRIBUTION
Parking
Coat Check
TR
A
NSITION
W
/
J
U
X
T
A
C i t y GEat e w ay
N Main Concourse
Downtown
T h e h i g h way r u n n i n g t h r o u g h t h e s i t e n o w p r o v i d e s a n a p p r o p r i a te e n t r y to d o w n to w n D e t r o i t. A d d i t i o n a l l y, the hill rising toward the south creates a place of respite from the busyness of a convention and a high ground to view the city from.
a b c d
Meeting Rooms Highway Main Concourse River
a a a
c b
Lower level exhibit hall
d
P
OSITION
S Park Hill
W
Swiss Sketch Tour Study Abroad Summer 2006
Objectives An intensive study of sketching as a means of analyzing and studying architecture. Class visited many contemporar y and historical buildings within and around the countr y of Switzerland in order to widen our view of architecture and improve our sketching abilities. The areas of study included basic drawing, sections of buildings and a final project drawing and analyzing a path through the city of Zurich using plan, section, and perspective.
Chris Hainer
Women’s Shelter 3rd UG Studio Fall 2006 Program • B a t t e r e d W o m e n ’s Shelter • D o w n t o w n To l e d o • Housing for women and children • Facilities for counseling • Space for healing • Security
Solution To a l l o w i n a s m u c h light as possible and to e n h a n c e s e c u r i t y, t h e living units are in towers above ground level. In order to encourage social interaction the scheme is set up like a c i t y, w i t h r e s i d e n t s interacting on a small scale within living units, then coming down from the towers to interact with larger groups and receive counseling.
Construction Building structure and mechanics were later worked out in high detail.
Chris Hainer
L i v i n g U n i t s a r e d i v i d e d i n t o p r i vat e s pa c e s , communal spaces, and an in between space. Each area is d e f i n e d b y i t s v i s i b i l i t y t o t h e u n i t a n d t o t h e e x t e r i o r. L i g h t a n d v i e w a r e c o n t r o l l e d v i a i n t e g r at e d louvers, sliding panels and clerestories. Interior windows allows for ma ximum light penetration and a mediated privacy between residents.
Project: Shelter for Battered Women, Toledo
6
1 2
Elevator Shaft Plumbing in water walls Ductwork running supply and return Cooler tower Telecommunicatio and electricity lines Loading dock Boiler room with boilers, chillers, and associated water pumps Air intake unit Meter, transformer, Switchgear room.
4
3 1
1
2
3
1. 2. 3. 4. 5. 6. 7. 8. 9.
01.01
Detail A Elevator Shaft 1. Concrete Slab Plumbing in water walls Ductwork running supply and 2.return Steel Decking Cooler tower 3. 10”x10” W Section Telecommunicatio and electricity lines Loading dock 4. Steel Base Plate Boiler room with boilers, chillers, and associated water pumps Welded to Column Air intake unit 5. 12”x12” W Section Meter, transformer, Switchgear room. 6. 4”x8” W Section 7. 5”x10” W Section 8. Steel Plate for Moment Connection
2
Student: Chris Hainer Unique Name: CSHA Original Date: 11/06 Lab Instructor: Larsen
1. 2. 3. 4. 5. 6. 7. 8. 9.
Date Revised: 03/07/07
7
4
4
Date Revised: 03/07/07
5
3 1 4
5
5
7
Student: Chris Hainer Unique Name: CSHA Original Date: 11/06 Lab Instructor: Larsen
4
Student: Chris Hainer Unique Name: CSHA Original Date: 11/06 Date Revis LAB Instructor:Larsen
3
1/32” = 1’
2
Structural Axon
1. 5”x10” Girders 2. 4”x8” Beams 3. 10”x10” W section Columns 4. 12”x12” W section Columns 5. Concrete Stair 6. Foundation 7. Footing
1
2
03.01
7
8
5
Detail A
8
Beam joint, Girder joint, and Column Splice
Detail B 1. Concrete Slab 2. Steel Decking 3. Column welded to thick plate leveled with mortar, then bolted to foundation. 4. Concrete Foundation Wall 5. Beam sits in Notch 6. 4”x8” W Section Beam 7. 10”x10” W Section Column
5
Mechanical Axonometric
8
7
Project: Shelter for Battered Women, Toledo
9
6
Mechanical Axonometric
7
Project: Shelter for Battered Women, Toledo
6
03.01
Detail B Column to Foundation
6
U of Mich Herbarium 2nd UG Studio
T h e He r b a r i u m d i g s i n t o i t s w o o d e d s i t e before its of fices sprout up towards the sun, shaped to allow views and provide an overhang to shade work areas.
Winter 2006
Split levels in the archive allow for light to f i l t e r d o w n to t h e l o w e r l e v e l s . A c o n n e c t i o n b e t w e e n dif ferent plant t ypes is also fostered; impor tant as researches are reputed to be ver y segregated into t h e i r s p e c i a l t y.
Program • University herbarium • Wooded hill outside of the University of Michigan • O f f i c e s , l a b s , l i b r a r y, collection, and auditorium
3
1/16” = 1’
NORTH
• Encourage visitors
A a
Solution
B
g b
Since the building was to house a collection of plant specimens my goal was to relate the development of the building to the grow th of a plant. From this the concept of tropism — the grow th toward or away from stimulus — was taken. I at tempted to grow the building by making it react to the stimulus of the site and of the program needs.
f
2
KEY a Collection b Auditorium c Lobby d Library e Archive Storage f Greenhouse g Entry Tunnel h Mounting
1/16” = 1’
NORTH
h g b
1
An additional focus was on the experience of moving through and around the building. The feeling of delving into the ground upon entr y was contrasted with the feeling of rising above when going to an of fice.
Chris Hainer
C
D
c e
a
f
1/16” = 1’
NORTH
g c
A series of gardens leads the visitor around the site, with the h e r b a r i u m a l w a y s v i s i b l e a t t h e c e n t e r.
a
f
Guided Movement
Offices
Te r r a c e
Archives
Entry
Auditorium Library Lobby
Boland Building +LEED
Concept Design Group Summer 2008
Project I was able to follow t h e B o l a n d B u i l d i n g ’s progress from an early planning stage all the way to ‘Core and Shell’ LEED certification documentation. Throughout this process I worked heavily on construction document changes, attended meetings with the developer and engineers, and eventually completed much of the LEED documentation.
Chris Hainer
Facade Studies Concept Design Group Summer 2008
Street Presence A developer had requested a contemporary design and a visual presence along a busy street. This was the final option presented to the client af ter several rounds of internal critiques. Design and renderings were done by m y s e l f w i t h f e e d b a c k f r o m a d e s i g n e r a l o n g t h e w a y.
Chris Hainer
One of several studies for the color scheme and entr y options for a church in development within the firm.
F a c a d e r e n o v at i o n s t u d y f o r a strip mall. Given a basic sketch of what the client wanted, I developed the facade into a realistic and at tractive image (with Autocad drawings)
FACADE OPPORTUNITY E
Plans+
Documents Concept Design Group Summer 2008
I worked on a variety of of fice plan documentation, as well as retail space construction sets including full electrical, mechanical, and plumbing information. I would stay on projects as they went through changes from the clients, updating layouts and proposing better options.
Chris Hainer
Facade Studies Image Design, LLC 2004 - Present
Facade Studies
SHINGLE OVER RIDGE VENT SHINGLE OVER RIDGE VENT
10'-0"
SHINGLE OVER RIDGE VENT
METAL ROOF
'-1
4
ALUM. FLASHING
TOP OF PLATE
1x4 FRIEZE BOARD
FACE BRICK 8'-0"
R6'-11 1" 2
ROW LOCK SILL
9'-1 81 "
1234
FACE BRICK 8'-0"
1'-3 41 "
TOP OF PLATE WINDOW HEAD HGT.
WINDOW HEAD HGT. 1x4 FRIEZE BOARD 9'-1 81 "
SADDLE
ALUM. FLASHING SECOND FLOOR
1x8 FASCIA
METAL ROOF
3" 8
SECOND FLOOR
11
SEALDOWN SHINGLES 11/12 SLOPE
SEALDOWN SHINGLES 11/12 SLOPE
12
6'-8"
ALUM. FLASHING
1'-0 58 "
11/12
12
R5
1'-0 58 "
TOP OF PLATE
SUPPORT BRICK ON FLAT ANGLES L5x5x5/16 W/\" LAG SCREW TO EVERY STUD.
ARRISCRAFT (CALCIUM SILICATE MASONRY UNIT).
1x8 FASCIA
1'-2 81 "
TRUSS HEEL
WINDOW HEAD HGT.
ALUM. FLASHING
SHINGLE OVER RIDGE VENT
12"
6'-8"
8'-1 81 "
WINDOW HEAD HGT.
11
1x4 FRIEZE BOARD
TOP OF PLATE
MAIN FLOOR
MAIN FLOOR
1'-2 81 "
1'-3 41 "
1x8 FASCIA
TRUSS HEEL
METAL FLUE CONCRETE CAP
SHINGLE OVER RIDGE VENT
12
8'-1 81 "
SEALDOWN SHINGLES 11/12 SLOPE
12 11
2'-0" MIN.
Image P r o j e c t Design, LLC 2004 - Present
TOP OF FOUNDATION
TOP OF FOUNDATION ARRISCRAFT (CALCIUM SILICATE MASONRY UNIT).
CONCRETE STEP
ADDRESS STONE
8'-0"
1x PRE PRIMED ROUGH-SAWN BOX COLUMN. 8'-0"
While working for the residential design firm, I have been involved in a wide variety of tasks from the creation of floor plans to making drawing changes, to rendering elevations, site plans and perspectives for marketing.
SEALDOWN SHINGLES 11/12 SLOPE
SHINGLE OVER RIDGE VENT
FOUNDATION- SEE STRUCTURAL NOTES
TOP OF FOOTING
TOP OF FOOTING
FRONT ELEVATION
SCALE: 1/4" = 1'-0"
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80'-0" OVERALL 2'-0"
16'-0" 11'-0"
R&S
3'-10" 8'-0" 8'-0"
8'-0"
8'-4" 3'-9"
2'-1 81 "
11'-6" 35'-1 21 "
3 CAR GARAGE 4" CONCRETE
784 SQ. FT. SLOPE TO DRAIN 1/8"/ 1'-0"
(2 (2) ) 2x LA 6 W PS /
W B / 4x S C6 SIM 4 CO TAN CA PS NN DO P & ON EC FF TO BA R. SE
W B / 4x S C6 SIM 4 CO TAN CA PS NN DO P & ON EC FF TO BA R. SE
4'-6"
3'-6" DW
DOUBLE OVEN
7'-6 41 "
9"
C.J.
12'-6"
39'-8"
(2) 2x10
23'-1 21 "
C.J.
FLOOR DRAIN
PORCH
9'-1"
PROVIDE L4x3\"x5/16" LONG LEG VERTICAL FOR BRICK TYPICAL ALL WINDOWS w/ BRICK UNLESS NOTED OTHERWISE GALVANIZE OR PAINT STEEL
5_"x19\" GLULAM 24F-V4DF NOTE #1.
STUDY
(3) 2x6
CONCRETE
W B / 4x S C6 SIM 4 CO TAN CA PS NN DO P & ON EC FF TO BA R. SE
6'-0"
4'-2"
1 8 " 9
3'-8 21 " OPTIONAL REF. 3/0
BEARING WALL 2x4 @16" O.C.
2/6
10'-1" 19'-8"
(2)
5|"x9\" LVL SEE NOTE #1.
6'-0"
12'-0"
21'-0"
5'-6"
13
C.J.
11-28x24
12'-0"
FLOOR DRAIN
9'-0"x8'-0" O.H. DOOR (2) 2x 6
6'-6"
6
2x
C.J.
C.J.
8'-7"
2'-0"
0.83 ACRES
6'-9"
6'-3" 13'-0"
11'-0" 2'-0"
FIRST FLOOR PLAN
NATURE
a m a r keti n g q u a l i t y s i te p l a n c o m p o s e d TRAIL from the CaD drawings for a proposed residential development. 9
27'-0"
5'-5"
SCALE: 1/4" = 1'-0"
E
10
0.72 ACRES
9'-8"
80'-0" OVERALL
RIV YD LE
12
21-20x24 3'-4"
L VA
11
1.44 ACRES
AN RY
0.85 ACRES
NATURE TRAIL
21-24x24
3/0
7'-10"
21-20x24
14
6'-0" WOOD
(5) SHELVES
C.J.
(2) 2x10
1.32 ACRES
2/0
6'-0 41 "
2x6 WALL
11-24x16
6'-0"
6'-0"
2'-10"
3'-
LAUNDRY
2/6
3/0
3'-6 41 "
60" VANITY
7'-5"
11'-3 43 "
2x6 @ 12"
16
1.32 ACRES
WOOD
18'-0"x8'-0" O.H. DOOR
6'-8 21 "
2'-1"
KITCHEN
(3) 2x10 FOR BEARING WALL @ ROOF
PANTRY
STEP STEP
12'-0 41 "
15
1.35 ACRES
VINYL
3'-7 21 "
6'-6" VINYL 10'-1 21 "
2/0
15'-0"
DRY.
CARPET
21-20x20
(2) 2x10
MUD ROOM
5'-0 41 "
LINEN
WOOD
6'-8 21 "
WASH.
1 A3 2'-2"
UP
4'-3 21 " 9'-6"
12'-8 21 "
FOYER
4'-1 21 "
TILE
7'-0"
8" R&S
5'-6 21 "
6'-1 21 "
16 RISERS
R&S
2/8
WOOD BURNING 2x6 WALL
5|x11-]"LVL UPSET
2/0
TILE
2/0
GREAT ROOM
ISLAND
PS / LA 6 W (2) ) 2x (2
1" 0 2 4'-
21-20x20
7'-6 21 "
2'-1" 5'-6 21 "
OPTIONAL ART NICHE'
5'-0"
1" 9 4
9'-6"
1[x11-]"LVL UPSET
BATH
(3) 2x10 CARPET
8"1'-0"
2/0
MASTER BATH
6'-1 83 "
4'-8"
4'-0"
DOWN
6'-6" 5'-10 41 "
6'-1 43 "
W.I.C.
8"
R&S
2/6
3'-5"
3 A6
6'-6"
CARPET
3'-8 21 "
3'-3 21 "
3'-6"
3'-2 21 "
8"
4'-0 85 "
3'-0"
8'-0"
R&S
CARPET
(3) 2x10 OVER HALL
2'-0" 9'-0"
2/8
W.I.C.
3'-
66'-3\" OVERALL
8'-8"
45째
3 " 0 8
3'-
2/8
14'-11 41 "
13'-0"
8"
1[x11-]"LVL UPSET
R&S
A m a r k e t i n g q ua l i t y s i t e p l a n c o m p o s e d f ro m t h e CA D d r aw i n g s fo r a proposed residential development.
2'-11"
2/8
2'-7 87 "
4'-2 81 "
11-20x26
5'-0 43 "
WOOD
8'-0"
CARPET
11'-0 58 "
OPTIONAL TRAY CEILING
2x6 WALL
2'-
CARPET
NOOK
3/0
8"
FORMAL ROOM LIVING ROOM
11-32x32
21-28x32
3-0x8-0
13'-2 41 "
15'-6 21 "
36" DIRECT VENT FIREPLACE W/MANTEL 6'-2"
17'-8 21 "
18'-0"
15'-10 41 "
5'-7 41 "
2'-1 21 " 2'-1 43 "
6'-1 43 "
GIRDER TRUSS
5|"x9\" LVL
NOTE 1
13'-8 21 "
2x6 WALL
2/8
Chris Hainer
5'-10 41 "
2/8
13'-3 21 "
CARPET
41-28x32 5|"x11]" LVL
4'-8" 16'-1 21 "
2'-0" 3'-5 21 "
4'-11"
OPTIONAL DECK
13'-3 43 "
2'-0"
2'-8 21 "
11-20x26
5'-7 41 "
MASTER BEDROOM
R&S
Chris Hainer
11-32x32 GAS
2/8
14'-11 41 " OPTIONAL DOOR
4'-9 21 "
2'-10"
5'-11"
11-32x32
5|"x11]" LVL NOTE 1 OPTIONAL TRAY CEILING
7'-1"
OPTIONAL BAY
16'-3"
OPTIONAL BAY 41-28x32
RYAN VALLEY
13'-9"
1 A7
1 A3
While working for the residential design firm, I have been involved in a wide variety of tasks from the creation of floor plans to making drawing changes, to rendering elevations, site plans and perspectives for marketing.
9'-10"
OPTIONAL DECK
11-]" TJI 360 FLOOR JOIST @ 16" TYP.
10'-4 38 "
4'-2 81 "
7'-11 58 "
0,000 SQ. FT.
11'-0" 22'-0"
4'-10"
7'-2" 12'-0"
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Chris Hainer 6 1 6 . 4 4 6 . 3 4 5 3 cshainer@gmail.com