2017
BA CERAMIC DESIGN
CENTRAL SAINT MARTINS
CONTENTS 01
02
03
INTRODUCTORY LETTER
STUDENT PROFILES
ACKNOWLEDGEMENTS
100 years of ceramics at CSM Ceramics has been taught at Central Saint Martins for over 100 years. We celebrated this milestone earlier in the year with an Exhibition entitled Craftsmanship Alone is Not Enough. The title of this exhibition, and much of our course’s DNA, can be traced back to Dora Billington. She ran Ceramics at Central from the 30s to the 50s, creating a broad education that rejected the-then myopia for Leach’s Anglo-Orientalism. Calling for experimentation and even rule-breaking, she saw that ceramics needed to renew and rethink as contexts around the discipline changed. This attitude still signifies the Central approach to the subject. Our course has always existed on the edges of the discipline and our students explore the subject beyond the traditional scope of the discipline boundaries. This framing allows students to develop a critical framework and perspective in which their projects should grow. The works on show very much reflect this conceptual positioning. Projects explore ideas ranging from mythology and museology, urban decay, sexual assault, the human and the natural, through to emotional design for children, saving indigenous craft traditions, café culture and the designing of the undersigned. It is here that the strength of designing through a specific material becomes evident. This mercurial, at some times impossible material, drives the students to really explore and test their ideas through making. The is no hiding from the material: it has a tendency to expose and unpick unresolved ideas. The work here reflects students who are working at the apex of thinking through this material. Their curiosity for clay and the exploration of process and techniques bear witness to a thorough and engaged material based craft education.
If you take a moment to study each project, the concept, quality of expression and resolution in a material form, you will quickly understand how far they have travelled. There is a reason we teach Ceramic Design as a 3 year single honours degree; it’s because it takes that long to be in control of the material, to get it do what you really want it to do. So, I would like to congratulate this graduating cohort of artists, craftsmen and designers on transforming this most elemental material into resonant and powerful projects.
Tony Quinn Course Leader, BA Ceramic Design.
Angela Wong is a ceramic designer from Hong Kong who has been living and studying in the UK for ten years. Due to this cultural mix, her work has been influenced by both tradition and contemporary ideas. She is interested in finding design solutions and making decorative pieces for modern living.
ANGELA WONG
MEMORIES awongceramics.com awongceramics@hotmail.com instag: @a.wong_ceramics +44 7887 885 996 +852 9424 7028
Her current work links design with human interaction by creating an emotional connection through which the user relates to the design. She has designed an installation piece inspired by something every grown up have in common, childhood. However, every single childhood contains different memories, some may be bright and happy, and some may also be dark and sad. As a ceramic designer, she wants to present a design that is unique and individual, but at the same time they can also represent strong and beautiful when they are place together as a large installation piece.
Charik is a UK based ceramic designer and she is particularly interested into exploring different ceramic techniques. She has always been attracted by art, design and craft and she enjoys working with ceramic materials and the unpredictability involved within the ceramic process.
CHARIK SARAGOUDA
ASYMMETRIC URBAN OBJECTS charik.saragouda@icloud.com instag: @chariksaragouda
For this project Charik drew inspirations from buildings and urban architecture that show asymmetry and then proceeded to design objects with emphasis on the form and surface. Each one of the proposed ceramic objects shows an asymmetry in their form. Her ceramic products are made to be used in everyday life. They meant to be both functional and decorative. The shapes and colour choices reference the ideas of minimalism and urban culture. She is particularly interested in functionality and materiality. Within her practice Charik strives to search for simplicity of form.
Elena's work revolves around the emotional link formed through interaction with a product, and tries to create the perfect balance between function and appearance. Her work is specifically aimed at children: she believes that creating ceramic products for children will provide them with items that they can learn from, play with and take care of whilst breeding familiarity with a material often conspicuously absent from children's product design.
ELENA GOMEZ DE VALCARCEL FAMILIA elenagomezdevalcarcel.com info@elenagomezdevalcarcel.com instag: @elenagomezdevalcarcel
'Familia' is a playful collection of porcelain objects for children. The objective is for this collection to help a child with their self-expression throughout the different stages of their childhood. Family plays an essential role in a child's life. The collection works together in union, mirroring the family's interaction, with each sub-collection of animals creating smaller familial units made up of related animals. The nightlight is a support tool for parents and children who find bedtime difficult, whether that’s down to a fear of the dark or just boundless energy. The nightlight helps to create a bedtime routine and allows a child to form an emotional connection with the object, where turning it on before sleep becomes a calming prelude to sleep. It is not a toy but it does make bedtime fun. 'Express what you feel' is a collection of small ceramic toys which help children to develop their emotional intelligence by allowing them to express their feelings through play. It is aimed at children and their families. Self-expression as a child helps to create adults capable of dealing with their own feelings from an early age by consciously analysing their emotions. The development of good emotional intelligence is as important as rational intelligence; self-confidence, empathy, and knowing how to identify their emotions improve child's behaviour and even their academic performance.
Elizabeth Natul Nenge is an East African ceramic designer currently based in London. Her work sits firmly alongside digital and architectural ceramics. Elizabeth’s work explores contemporary themes, architectural ceramics, and new applications of ceramic design using digital technologies, following her dissertation, titled Can traditional ceramics reimagined through 21st century technology produce a sustainable business in the Kenyan context?
ELIZABETH NATUL NENGE OUTGROWING elizabethnenge@gmail.com cargocollective.com/ENN-Ceramics instag: @enn_ceramics 07496584653
Elizabeth’s degree show project, named Outgrowing introduces greener spaces in urban areas as a small-scale approach to air purification, the creation of a tranquil environment and establishing a micro-climate through plant life. This in turn positively affects the surrounding population. Outgrowing is a freestanding, brick-inspired green wall made from specifically designed stackable terracotta plant pots. It is a site-specific project, tailor made for the White Lion terrace at the Hotel Du Vin Avon Gorge, which overlooks the iconic Clifton suspension bridge in Bristol. With the hotel currently undergoing renovation by Dexter Moren Associates, Elizabeth raws inspiration from the iconic bridge’s structural form and materiality. The terracotta pots echo the red-brick bridge supports. The planting in the pots refers to the rebranding of the Avon Gorge hotel as a wine hotel: the flowers and herbs all produce aromas found in wine. The green wall is designed for exterior installation and, in addition to its originally designated place, will work in a variety of locations, from private homes to public buildings. A key feature in the green wall is the pattern design that makes each brick a unique piece. The interlocking joints hold and attach the bricks to a free-standing wall and additionally function as a water distribution system for the plants. Influenced by her passion for architectural ceramics, Elizabeth’s making methods consist of digital modelling and computer controlled (CNC mill) mould making.
Tiannan focuses on tableware design for home and restaurant use. Her goal is to enhance the beauty and user experience of ceramic tableware. With a playful design approach, tactile surfaces and plain colours, her work is a combination of functional ware with unconventional details.
EVA TIANNAN GUO TAAN CHA evaguo.wixsite.com/designs evagtn@hotmail.com
Aware of the increasing demand in creative tableware for fine restaurants, Tiannan’s recent design combines her passion for food culture and for tableware, and explores how serving ware connects and interacts with dining experience. Inspired by DimSum - the cuisine from her own cultural background - she identifies the potential to improve the ordinary way of serving and presenting, and challenge the traditional material with innovative design. ‘Taan’ means to taste and enjoy in Cantonese. This work expresses the art of serving and dining in modern food culture. Made in Jingdezhen, China, it meets the demand for creative dining experience in fine restaurants, and promotes an exquisite lifestyle for modern households.
Hungarian ceramic sculptor Istvan Szabo lives in London. His abstract sculptural works are the artistic reflections of his surrounding urban environment as well as the natural environment which he frequently visits. As a passionate rock climber, he is particularly fascinated by the different qualities of the rock surfaces and this source of inspiration is what he also claims for his abstract way of expressing his art. The making itself is very physical and an intrinsic part of the conceptual process: he loves the contact with the clay material. To use clay as a medium to create art works is important for Istvan. Clay is a versatile medium and, for him, the best medium for creativity.
ISTVAN SZABO
HYBRIDS pistiszabo.wixsite.com/ceramic istvanszabo.artwork@gmail.com instag: @istvan_ceramic 07515538250
In his new series of work, he explores his own relationship with the manufactured and the natural environment but in a broader context it is also an exploration of the relation of contemporary society to nature. He uses various techniques to create his work: throwing, hand-building of any type but most often slab building, extruding and occasionally slip casting, breaking and reassembling. This collection of works represents the search for balance between the natural and the urban, both in a personal sense and in the world at large.
Julia Smith is a ceramic artist based in both the Medway Towns and London. She has always felt the need to express herself creatively, and having experienced a difficult childhood, resulting in periods of depression throughout her life, and the conditioned behaviour and negative self-perception of a Perfectionist, Julia’s concern with issues of mental health and wellbeing is incorporated into her ceramic practice, which looks to challenge the notion of imperfection.
JULIA SMITH DUALITIES “Nature and Human Nature in Parallel: Challenging the Notion of Imperfection” juliatsmithceramics.co.uk julia.smith1045@yahoo.com instag: @julia_t_smith 07727281427
Julia sees her ceramic practice as a mutual conversation between herself and the clay; connecting and engaging in a tacit communication with this formless material, using creative expression as a therapy. Her work communicates her interest in juxtapositions and metaphor; of form and material personalities, whether harmonious or discordant. Her experimentations seek to allow a happenstance of ‘group dynamics’ by bringing together clays of differing behaviours, various techniques, glazes and inclusions, encouraging change through process. She finds her inspiration in nature’s architecture and formations; interruptions within the landscape, such as rock strata and fault-lines, and seeks to communicate parallels between these identities of nature with the human condition; physical, emotional or mental ‘scars' from life experiences. Often regarded as imperfections, they are records of material history, to be embraced as uniqueness. Julia’s degree show work consists of an iterative series of vase forms, which display a visual duality, and carry a bio-mimical aesthetic, reproduced in the technique of Agate, and Nerikomi (Japanese marbling), serving as representations of the hidden layers and contrasting elements of nature and human identities – the unseen, revealed.
Karl's objective is to produce well-designed and well-made products for people to enjoy every day without compromising on either design or creative concept. His inspiration comes from the natural worlds' beauty, fragility and vitality and how we as a species have a responsibility to care for our environment rather than contributing to its destruction.
KARL FAVELL
SYNTHESIS kafceramics.com Karlfav@live.co.uk 07841113952
Karl's work aims to increase awareness of the wide range of plant based foods which exist as alternatives to a chosen few that make up the majority of the world's staple food sources by using form, surface and a maker's mark which are inspired by botanical life. His brand strives to be environmentally friendly whilst showcasing our planet's biodiversity, creating products which are more ecologically efficient whilst being equally efficient in the home environment.
Born in China, Chen first studied the Camberwell, Chelsea and Wimbledon Foundation Diploma in 3D Design, where her preference for the ceramic material originated and evolved before she began her further studies specialising in Ceramic Design at Central Saint Martins in 2014.
KEQING CHEN
DAHLIA WALK keqing-chen.com keqing@keqing-chen.com 07490166714
Keqing has taken inspirations from garden designs for her previous works, and decided to build upon these previous research and experiments for her current project. Her concept was inspired by her recent fascination with the geometric hedges and topiary of the Victorian Biddulph Grange Garden in Stoke-on-Trent. During her trip, she encountered other visitors playing chess and cards leisurely in the tea room of the garden, who have been captured using monochrome figures with sharp geometric edges in the form of chess and chess-related sculptures. The piece expresses her journey through this landscape.
Kirsty-Marie is a conceptual ceramic artist based in London. Her work explores taboo themes, and their cultural, political and societal implications. She aims to draw attention and focus to issues which are often sidestepped or ignored and confront them through installation and sculptural ceramics.
KIRSTY MARIE WILLIAMS THINGS YOU NEED TO KNOW www.kmwceramics.co.uk kmwilliams87@hotmail.co.uk instag: @kmwceramics 07985410953
Things You Need To Know is an installation exploring the idea of victim blaming in sexual assault cases, focussing on the portrayal of these events in the media and society’s responses. It opens a dialogue about blame in contemporary culture and it's harmful effect on victims. The piece explores individual stories and experiences whilst in them in a war social context. The tea set represents the individual and their experiences, portraying woman as domestic object and setting as event. Setting the scene as a tea party harks back to Victorian values and morals, and having the viewer almost forced to sit and participate in the event enables them to really see and feel the victim’s experience, allowing a level of empathy that is difficult to achieve through biased media. This experience causes a forced realisation of the insidious nature of victim blaming in our society. Leaving the clay body unglazed and the objects bound by rope signals the emotional turmoil a victim suffers when being accused and blamed in the wake of a traumatic event; it leaves them naked and alone, thoughts and feelings tied and hidden away. The ropes can also represent the constraints of society on physical and mental healing.
Lily is interested in interior trends and surface design. She has a strong research methodology, attending tradeshows, exhibitions, and visiting retailers to identify trends that inspire her surface designs. She is attracted to pattern and colour, particularly how it can transform an otherwise standard object to something exciting and full of character. She uses an experimental approach to create a layered quality from different ceramic surface techniques.
LILY SAVILL
BOTANICAL HERITAGE lamsavill@googlemail.com instag: @lily_savill
Sponsored by:
As well as examining trends, Lily’s surface designs draw upon personal narratives. For this project, she identified an ‘indoor botanical’ trend to inform the main motif, and this trend is one that she identifies with personally, having grown up in the countryside. Her mother grew up in Australia, and remarkably a Eucalyptus tree flourished in the garden at her home in Suffolk. Although Lily’s family did not visit Australia, the Eucalyptus tree provided a connection to her mother’s childhood and has been a source of comfort for her mother as a reminder of her upbringing. Lily has a strong sentimental attachment to this tree. This motif is then combined with elements she identified from other trends, including a strong colour theme, experimental mark making and combining variations of a similar pattern. Lily has created a giftware range using a traditional method of slip decoration, exploring the potential of layering stencils and scratching away layers of coloured clay to create multidimensional surfaces. In addition to this, she has also created a more practical tableware range decorated with layering underglazes and enamel transfers. Though her pieces are decorative, Lily wants people to enjoy using them as well as displaying them.
Lena Peters is a London-based storyteller whose Sheffield upbringing nurtured her passion for history and nature. These elements combined with her interest in folklore and mythology mean that her work dances between the real and the unreal, creating illustrative objects which embody a narrative.
LENA PETERS
SECRETS OF THE HIDDEN NORTH lenapeters.co.uk lenapeters@live.co.uk instag: @_lenapeters
The objects were discovered in 2015 in the woods of Northumberland National Park, just above Hadrian's Wall, in the remains of a small settlement. According to archaeologists, they date from a period just previous to the construction of this wall; a time when the conflict between the invading Romans and the native Celtic Britons was at its peak. They are unique in terms of style, motif and decoration, but have clear Roman influences in some of the stories as well as in the form and design, whilst being simultaneously stylistically different enough for it to be obvious they were made by a different people. The objects in the images seem to be related to pagan rituals and worships, with an emphasis on nature and animals. Specifically, each image portrays the same woman in a variety of animal guises. Historians posit the theory that these objects were made by a group of combined Romans and Celtic Britons who chose to live outside of the conflict, living hidden just above the Roman territories until the fighting forced them to abandon their settlement. In this exhibition, we see their gods, their myths and their history for the first time.
Loki is a ceramic designer born in China and currently based in London. He has a strong interest in designing functional tableware with a minimal aesthetic and takes inspiration from nature and from historical and cultural Chinese references.
LOKI YU ZHANG
NEW DAI CERAMIC lokizhangyu@hotmail.com 07411682529
In his final project, Loki choose work with a Chinese client called Craft+, an experimental design project. Their aim is to create a bridge connecting modern designers and traditional cultures and wisdom, and fusing these elements to create new and exciting design work. Loki went to Dehong in the Southwest of China to conduct research with the Craft+ team focussing on Dai ceramics and the local scenery. Dai ceramics are often filled with water or flowers, serving the daily purpose of Buddhist worship. The Dai people use their ceramics to express the strong hearts and the ideology of their culture, including their belief in ecologically sound methods of production. Loki has developed the conventional form and used traditional skills to create his New Dai Ceramics, with the purpose of allowing these ancient traditions a place in modern life by reintroducing craft items with a modern twist.
Merve is a Turkish London-based ceramic maker who is interested in opening conversations and using ceramics as a platform to convey her messages. Growing up in Istanbul and living in London has made her observe the different behaviours and assumptions people exhibit according to
MERVE KASRAT
FEAR OF THE UNKNOWN mervekasrat.com mervekasrat@hotmail.com 07884393153
Merve has a passionate interest in mental health and how certain things inhibit human behavior; not what we are motivated by, but what prevents us from being who we are or acting a certain way. Her degree show project focusses on the idea of stigma and revealing the concealed stigmas in society. After researching the subject extensively, she chose to express these ideas through a very particular object. Her latest project works are in the form of a ceiling rose. A ceiling rose used to be placed above a meeting table and meant that all who participated in discussion beneath it had total freedom of speech and could speak without repercussions. Additionally, its contemporary use is as a faรงade, concealing wiring for lights. This idea of protection and masking makes it an effective conduit for her ideas about the treatment of stigmas in our society.
Netty grew up surrounded by creativity. In the past she was inspired by nature and the natural environment that surrounded her, but when she moved to London she became influenced by the urban environment and the behaviours and attitudes of the people in the city.Â
NETTY ERW SOUTH MOFFAT MARKS MATTER nerwsm@gmail.com instag: @nettyerw_ 07914495596
As Netty's style has developed, her focus has narrowed towards the surface rather than the form of the ceramics. She draws inspiration from the patterns and textures found in the overlooked and unnoticed elements of the environment surrounding her, most importantly the traces that we leave behind. By magnifying marks and placing them on a new form and so in a new context she invites the viewer to consider their relationship to these traces. This body of work is heavily inspired by pavements in London. They are pathways we all influence, whether it’s with spit, footprints, the slow cracks that form over time or even patterns created by the hands that laid them. She hopes that by returning the works to the environment they originated from she preserves and presents the marks to an audience of the city which inspired them, giving people the opportunity to slow down and appreciate the effect they have on their surroundings.
Saskia MTD is a ceramic designer-maker from coastal Essex whose work currently focusses on the growing coffee culture movement. She uses her love of glazing alongside sensible, practical design to create her finished pieces. Her previous projects have focused on her passions for gastronomy, ceramics and mould making.
SASKIA MAEVE TUNBRIDGE -DAVIES FIKA saskiamtd.co.uk instag: @Saskiasceramics 07850693748
The mugs and tasting vessel Saskia has designed are made to acknowledge the UK’s growing coffee culture. She first explored the movement whilst studying for her dissertation and was inspired to create a set of vessels that enhance the experience for the coffee drinker and connoisseur. Her mugs are inspired by the same aeration used in wine tasting whilst the “Tastevin” is also made in the same way that Sommelier would use to taste. Coffee can roughly be translated from Arabic as “wine of the bean” and Saskia has taken its status as an artisanal foodstuff to design a range that it can truly be enjoyed from in her slip cast ceramic pieces.
SenKei Mo grew up in China, moving to the UK when she was a child. Despite the changes this inspired in her life her passion for art has never wavered. She believes in Karma and in the power people have to create their own path.
SENKEI MO
WHO ARE YOU? lynnmo776@yahoo.co.uk 07930216119
Her degree show work is titled Who Are You. She believes that everyone has an overall identity. It consists of self and social identity, both of which are based on memories, thoughts, feelings, personal experiences and judgments. Self-identity consists of one’s private/interior thoughts and feelings, how they grew up and what made them; also known as inner identity. Social identity consists of one’s exterior persona, how they choose to behave and how others see them; also known as outer identity. Sometimes parts of the identities overlap, and sometimes they don’t. Through Contemporary Sculpture she compares and contrasts both identities. Her message through this project is for people to realize how different they may appear in other people’s eyes, and more importantly to be aware once more of their true self under layers of outer identities, and not to lose it. For the project to be more effective and targeted, she is cooperating with a studio as subject client. Consisting of 6 people, the studio is a small branch of an investing company, situated in China. Through continuous surveys and communication, the clients correspond to the 6 sculptures, each representing themselves with their two identities.
Shansan Ye is a ceramist from China who have moved to London since 17-years old. Through years of studying and exploration in the field, she has developed a critical perspective toward ceramics, which leads her to form an interesting world view. Her work is figurative and provocative, with a growing sense of sophistication. She is interested in politics, human rights and religions.
SHANSAN YE
WHAT DOES COUNTRY MEAN TO ME yeshansan@me.com 07480214852
This project is a window for illustrating her unique views on Country and National Identity. Began with the questions of why immigrants like herself need a visa to stay in another country, and what does country mean to a person, Shansan found that some of the acts performed by government were just legit versions of gangsters’ acts. For example: citizens pay tax for protections by the government, the government may conceal some truths without letting the general public know, which may be analogized to kidnapping, in which the victim’s eyes, mouth and ears are covered and therefore unable to sense the outside world. Through more in-depth research, Shansan also developed very different views towards people who were suffering and under restraint. For instance, people may think that North Korean is a living hell, without realising that we are under some kinds of restraints in our lives. By immersing yourself into her work, you will be able to discover new ways of looking at life. She hopes that at some point, her work may evoke your resonance, or you may see a reflection of yourself in her work.
Having lived in India, Simran has been exposed to diverse and rich cultures, customs, religions, traditions and people. The fine details, the variety of designs and the vibrant colours fascinated her and turned her towards a career in the creative field. According to her, design is about moving beyond aesthetics, as it is the most powerful tool to solve complex problems.
SIMRAN GARG
SAADGI simrangarg137@gmail.com 07341242582
In her new project, she has created a series of products with a simple enhancement. By adding or subtracting tiny details rather than re-designing the entire product she simplifies the designs and cuts the cost of production by using a single mould to design different products. Ceramics are the best material for her designs; its use keeps the dying tradition of craft alive and breaks the “decorative� stereotype and moves beyond it to create functional products. Her aim is to create simple, functional and yet beautiful everyday products which solve problems in the home environment
Valerie Totubalina is a London-based product designer working mostly with ceramics and crystal glass. She specialises in product design and limited edition products. Holding an MA in Psychology, Valerie uses her academic knowledge and practical experience to understand the needs and desires of an end-user. She creates designs with the great attention to details and combines functionality and elegance in her approach.
VALERIE TOTUBALINA
DOMOVOY ‘design meets functionality’ totubalina.design totubalina.design@gmail.com
This project is set to interpret the well-known almost archetypal shape of a dinner plate and to transform it into a series of domestic products. The result is a collection of functional objects for everyday life such as smoke alarm, clock and lighting feature. Those are things that people want and enjoy using, things that are made to last and to remain attractive for long. Valerie’s most recent works focus on exploring objects that people are surrounded with, assessing their functional and aesthetical value. Interaction with everyday objects inspires her to rethink and redesign the familiar and transform it into understandable, functional and aesthetically pleasing products. What can be changed in the way an object is perceived or used? Valerie experiments with a different approach to design of everyday products and explores how materials such as ceramics could increase their value.
Zhen discovered her passion for drawing when she was in primary school and fell in love with art, moving to ceramics when she began to study at Central Saint Martins. The ceramic material opened many doors for her artistically and allowed her to express her art in new and exciting ways.
ZHEN LU
zhenceramics.com alina_zhen@126.com
Her final project is an installation inspired by the stories of Lang Bridge, a kind of ancient Chinese bridge which is famous for its appearance and structure, of which three were destroyed by a typhoon in September 2016. Lang Bridge' translates as 'the bridge with the roof' from Chinese. The destruction of this historical site inspired Zhen's project, through which she has expressed the sadness of the local population and their regret at losing such treasures. In her work, she did rebuild the Lang Bridge in her own way, using different materials; the whole bridge is made from various tiles made in different clays and decorated. The appearance designed from the combination of three different part of the 3 destroyed bridges. Inside the wooden structure, visitors can see the story of the bridge told in painted tiles. One side depicts the bridge before it was destroyed, including scenes from every day life and legends of the bridge. The other side shows the scene after the typhoon, with workers trying to rebuild the area. Through her intricately illustrated surfaces, this installation reminds us to cherish our valuable heritage as long as we can.
BA CERAMIC DESIGN 2017 We would like to thank the tutors and technicians who have worked tirelessly to support us throughout our degree. Thanks to Kathryn Hearn for getting us here in the first place, Duncan Hooson, for introducing us to the subject with passion and brilliant advice in the years after, to Emma Lacey, for taking us through second year and fine-tuning our design skills, and to Tony Quinn, for putting up with us in third year and helping us to pull the whole thing together. Thanks also to Liz Wright and Alex Fraser for supporting us through our dissertations. And last but never least, our brilliant technicians. Thanks to Simeon Featherstone, Bridgette Kwok Ching Chan, Stephen Graham and Kate Luck for your plaster know-how and patience, Naomi Bailey for always helping with a smile and to Andy Allum for absolutely everything. We could never ever have done it without you. With love and best wishes, Class of 2017
Catalogue design by Elena Gomez de Valcarcel. Edited by Lena Peters.
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