"University Wind Symphony and CSUF Symphonic Winds" program

University Wind Symphony & CSUF Symphonic Winds

Barr and Dr. Gregory X. Whitmore, conductors

California State University, Fullerton UNIVERSITY CREDITS

Framroze Virjee, President, California State University, Fullerton

Carolyn Thomas Provost and Vice President for Academic Afairs

Alexander Porter, Vice President, Administration and Finance/CFO

David Forgues, Vice President, Human Resources, Diversity & Inclusion

Amir H. Dabirian, Vice President, Information Technology

Tonantzin Oseguera, Vice President, Student Afairs

Gregory J. Saks, Vice President, University Advancement

COLLEGE OF THE ARTS

Arnold Holland, Ed.D, Dean

Dave Mickey, Associate Dean

Christopher Johnson, Budget Coordinator

Heather Guzman, Assistant to the Deans

Visual Arts Special Projects, Jade Jewett

Dr. Randall Goldberg, Director, School of Music

Dr. James Hussar, Chair, Department of Visual Arts

Jamie Tucker, Chair, Department of Theatre & Dance

Jennifer Frias, Director, Nicholas & Lee Begovich Gallery

John Spiak, Director, Grand Central Art Center - Santa Ana

Lara Farhadi, Senior Director of Development

Ann Steichen, Director of Development

Erika Ochoa, Support Group Coordinator

Julie Bussell, Director, Marketing & Patron Services

Stephanie Tancredi, Box Ofce Manager

Heather Richards-Siddons

Marketing & Communications Specialist

Alvin Chiu, Graphic Designer

Jason Pano, Social Media Strategist

Welcome to the fall performance season at Clayes Performing Arts Center. As you arrived, you may have noticed that the southwest corner of campus looked a bit diferent than when you last visited. I am thrilled to announce that the Visual Arts Modernization Project is well underway! The project will add two new buildings: a single-level structure comprised of the four existing galleries and a two-story building along State College Blvd, containing technology-driven classrooms, ofce space, a research library, and collaborative teaching and learning spaces. This newly reimagined visual arts complex will have a lasting impact on the college and the community, transforming how we teach, learn, engage with, and experience art.

Despite the disruptions to the college caused by this much-needed renovation, we are committed to delivering the same high-quality, pre-professional arts training our 2,800 students expect; this season’s oferings are no exception. Our thriving community of artists, technicians, and educators have combined their formidable skills to deliver a fall semester of programming shaped by the same diversity refected on our campus. This September, the Begovich Visual Arts Lecture Series began introducing students and the public to a BIPOC slate of innovative and prominent arts professionals. On October 1, the School of Music’s Bill Cunlife, Rodolfo Zuniga, and their jazz ensembles kick of the month in Meng Concert Hall (along with a surprise guest!). Theatre productions focus on personal and timeless struggles this fall: Jessica Swale’s “Blue Stockings” tells the empowering story of four young women fghting against sexism for their right to a university education in 18th century England, and in “She Kills Monsters,” identity and fantasy converge to create a modern coming-of-age story. CSUF dancers and choreographers close the season with Fall Dance Theatre’s “Momentum,” centered on the human impulse to seek, strive, and move forward to motivate change.

As we begin the 2022 fall semester anticipating the transformative changes ahead, we remain dedicated to enhancing the academic and creative potential of the current students within this living laboratory for the arts. Their success is uniquely measured in phrases of choreography, lines of dialogue, sheets of music, and slabs of clay as our students actively work towards impacting the arts of the future. You demonstrate your unwavering commitment to our students when you attend productions, concerts, and exhibitions in the College of the Arts. Embrace the limitless possibilities their future holds. Support the College of the Arts at any level by donating to the Dean’s Fund for Excellence today (arts.fullerton.edu/giving).

Thank you for joining us. I’m so proud of our students and what they have created for you tonight. Enjoy the show! I know you will be equally impressed.

Arnold Holland, Ed.D. Dean, College of the Arts

CSUF SYMPHONIC WINDS

Gregory X. Whitmore, conductor Marc Dickey, organ

Festive Overture, op. 96 (1954)

Shoutout (2009)

Fantasia in G Major (1703-1707)

Dmitri Shostkovich (b. 1906) arr. Donald Hunsberger

Roshanne Etezady (b. 1973)

Johann Sebastian Bach (b. 1685) trans. E.F. Goldman and Robert Leist Marc Dickey*, organ

Armenian Dances, Part 1 (1972)

UNIVERSITY WIND SYMPHONY

Gregory X. Whitmore, conductor Peter Bement, graduate assistant conductor

Alfred Reed (b. 1921)

Petals of Fire (2017)

Colonial Song (1918)

Variants on a Medieval Tune (1963)

Zhou Tian (b. 1981)

Percy Grainger (b. 1882)

Norman Dello Joio (b. 1913) Peter Bement, graduate assistant conductor

Toccata and Fugue in D Minor (1705)

Johann Sebastian Bach (b. 1685) arr. Donald Hunsberger

*CSUF Faculty artist

music.fullerton.edu/programnotes

Flute

Anthony Alcain

Michelle Chang

Joel Charboneau

Dayee Chung

Joseph Loi

Kaylee Yeon

Oboe

Issac Chyun

Luke Dodson

Victoria Solis

Clarinet

Daniel Hernandez (bass)

Manami Ogura

Christy Nguyen

Monserrat Rodriguez

Julian Rymar

Mia Thompson

Duarte Vale

Isiah Vogt Bassoon

Gildardo Alvarado

Sloan Quessenberry

Saxophone

Daniel Castellanos (alto, baritone)

Julio Hernandez (tenor, bass)

Elijah Samuel (alto, tenor)

Sam Tobilla (baritone, alto) Colin Ward (soprano, alto)

Trumpet

Trevor Cannon Michael Choi

Ethan Hong Michael Kerr Christian Perez

Taylor Shirley

Susanna Sun Horn Peter Bement

Alexander Delperdang Timothy Moy

Sam Stevens

Trombone

Zackary Brewer

Ashley Kocour Eduardo Madrigal Phuong Vo

Bass Trombone Carlo Bonelli

Euphonium

Tuba

David Jimenez

Miguel Jimenez Maldonado

Michael Salgado

Double Bass Andrew de Stackelberg

Percussion

Andrew Alvidrez

Wilson Le Salvador Montano

Galadriel Pokracki

Jesus Santamaria

John Sunderman

Jacob Wetzel

Piano

Ping Wen Lin

Harp

Hee Jin Yoon

Music Librarians

Peter Bement

Daniel Castellanos

Logistics Manager

Flute Christian Azarias

Krystal Ann Elegino

Janeva Garibay

Karla Hernandez

Shawnee Herrera

Rogelio Justo

efrey guyen

Aylin Zuazo

Clarinet

Rodney-Joseph Borg

Shyanne Crocker

Daniel Hernandez (e fat)

James Nguyen

Matt Prichard

Josiah Sanchez Isaiah Vogt (bass)

Oboe

Megan Kimmel Bassoon

Alejandra Conde

Albert Godinez

Saxophone

Roy Bletscher (alto)

WINDS

Joshua Lopez (baritone)

Kimberly Orozco (soprano, alto)

Cristian Perez (tenor)

Nic Zelaya (soprano, alto, tenor)

Trumpet

Rogelio Duran

Carl Fong

Alonna Freeborne

Alyssa Langford

Yasmin Olmos Jordan Sandoval

Alex Santiago

Isaiah Soto James Teubner Horn

Andrew Fong Grant Laren Sophia Saldaña Quintin Toma

Trombone

Rami El-Ghossaini Giovanni Gallegos Bryan Melchor

Bass Trombone

Casey Tran

Euphonium

Jacob Flores

Flint Parrell

Mya Sanchez

Tuba

Dre Barlow

James Cervantes

Double Bass

Esther Ridsdale

Percussion

Andrew Brannon Christine Curran

Alexander Ford

Sylvie Furman

Gabriela Guzman

Peyton Johnson

Piano Mia Masuda

Music Librarians

Peter Bement

MARC DICKEY

Marc Dickey, Professor of Music, has led California State University, Fullerton’s highly respected instrumental music teach er training program since 1988. He also conducted Cal State Ful lerton’s Symphonic Winds and University Band for many years, in addition to teaching undergraduate and graduate courses in music education.

Dickey’s foundational research on modeling in music teaching and learning was published in the Journal of Research in Music Education and the Bulletin of the Council for Research in Music Education, and has frequently been cited in subsequent books and articles. His interpretive analyses of several of the wind band works of esteemed wind band composers Michael Markowski, Frank Ticheli, and others have been published by Manhattan Beach Music and Markowski Creative. Recordings by his student ensem bles (the Symphonic Winds and the University Band) of composer Michael Markowski’s compositions “Shine” and “Sunny Side Up” are posted on the Manhattan Beach Music and Markowski Creative websites as models for those studying these works.

Dickey served in the elected position of Chair and Director of the School of Music from 2005-2017. During this period, music major enrollment climbed and fundraising levels increased. Meng Concert Hall and adjacent facilities were opened for the frst time. The annual Clayes Collage Concert and the Titans of Music Award were established. The Department of Music went through a rigorous internal review process that led to becoming the School of Music, and the Artist Diploma was approved as an addition to the curricu lum. Renowned concert organist E. Power Biggs’ 1953 Schlicker touring pipe organ had been gifted to the University, and Dr. Dickey worked with then dean Jerry Samuelson and organ builder Robert David to envision and install the 15-rank Lois Grasmeyer concert pipe organ in Meng Concert Hall.

Dickey served as a member of the California Commission on Teacher Credentialing Single Subject Matter Advisory Panel, and on a Mellon Foundation New Strategies Lab nnovation Team on behalf of the Pacifc Symphony Orchestra. At Cal State Fullerton, he served on the Academic Senate, and on the University Curriculum Committee, the niversity Research Committee, the niversity Confict of nterest Committee, the Faculty Development and Educational Innovation Committee, and an ad hoc committee to review Student Opinion Questionnaire policies and procedures.

Dickey holds degrees from The University of Michigan and Northwestern University, and played bassoon professionally in the Harrisburg Symphony Orchestra. He has taught instrumental music ensembles at all levels, from elementary through university. He was previously Associate Director of Bands at Oregon State University, and is past conduc tor of the Schoolcraft College Wind Ensemble of Livonia, Michigan, and the Northwind Ensemble of Chicago.

In addition to his career at Cal State Fullerton, Dickey has been the organist at the First Congregational Church of Long Beach since 1992, performing regularly on the largest concert pipe organ in the Long Beach–South Bay region. He has performed as organ ist in the Long Beach Bach Festival, the Long Beach Mozart Festival, the Long Beach Symphony’s “Sounds and Spaces” series, and for Temple Israel 's High Holy Days. Since 1990, he has given at least one brass and organ concert annually with brass students from California State University, Fullerton.

In his spare time, Dickey enjoys bicycling, swimming, travel, and reading a good book.

GREGORY X. WHITMORE

Gregory X. Whitmore is an Assistant Professor of Instrumental Music Education, at The California State University Fullerton School of Music. In this capacity, he teaches in the Instrumental Music Education Program, supervises student teachers and conducts the CSUF Symphonic Winds. In addition to his work in higher education, he is in his ninth season as Music Director of the Pacifc Symphony outh ind Ensemble (Irvine, CA). This follows appointments as Director of Bands at Irvine Valley College (Irvine, CA), Mt. San Antonio College (Walnut, CA), and College of the Desert (Palm Desert, CA). Prior to his work in higher education, he spent 13 years as Director of Bands at Cathedral City High School (Cathedral City, CA).

A native of Ypsilanti, Michigan, Whitmore received his bachelor’s degree in instrumental music education from The University of Michigan School of Music, Theater and Dance in Ann Arbor, Michigan. While a student at The University of Michigan, he performed in the University of Michigan Bands; and led the University of Michigan Marching Band as “Michigan’s Man Up Front” - Drum Major - from 1999 to 2001. He received his master’s degree in music with an emphasis in wind conducting from California State University Fullerton studying under Mitchell Fennell. He holds a master’s degree, and a doctorate in music and music education from Columbia University (Teachers College) in the city of New York.

Whitmore has conducted ensembles in such notable concert venues as The Golden Hall of The Musikverein (Vienna), The Wiener Konzerthaus (Vienna), The MuTh (Vienna), Renee and Henry Segerstrom Concert Hall (Costa Mesa), Symphony Hall (Chicago), The Kennedy Center (Washington, D.C.), Carnegie Hall (New York City), Walt Disney Concert Hall (Los Angeles), Meng Hall (Fullerton, California), Holy Trinity Church (Stratford, England), St. John’s Smith Square (London), Chateau Vaux le Vicomte (Paris), and Heidelberg Castle (Germany). Under Dr. Whitmore’s direction, the Cathedral City High School Symphony Band was selected to perform as the showcase ensemble during the 2008 California Band Directors Association Annual Convention. He is the Second Place Winner of the 2017 American Prize in Conducting.

Whitmore belongs to professional organizations that include College Band Directors National Association, Kappa Kappa Psi Honorary Band Fraternity, Alpha Delta Phi Fraternity, Phi Mu Alpha Sinfonia Fraternity, Pi Kappa Lambda Honor Society, The National Association for Music Education, Southern California School Band and Orchestra Association, and the California Music Educators Association.

With a research interest in music educator values as operationalized into pedagogy, in addition to investigating the concert band as an artistic medium, Whitmore has presented research at music education symposia in the United States and abroad. His research has been published in Visions of Research in Music Education. He is a recognized member of Academic Key’s Who’s Who in Community College Education, as well as four editions of Who’s Who Among America’s Teachers. He has been included in the 2005/2006 Edition of the National Honor Roll’s Outstanding American Teachers. He was selected to represent the State of California by School Band and Orchestra Magazine in the 2008 edition of “50 Band Directors Who Make A Diference.”

PETER BEMENT

Peter Bement is a conductor, French Hornist, and educator in his second year as a graduate conducting student pursuing a Master of Music (M.M.) in Instrumental Conducting at California State University, Fullerton under the tutelage of Dustin Barr. Originally hailing from Rancho Cucamonga, California, he holds a Bachelor of Music degree in Instrumental Performance from the same institution and completed additional studies focusing on instrumental music education in his undergraduate studies. He has served as a rehearsal assistant and coach with numerous local high school music programs during his collegiate studies, including Rancho Cucamonga High School and Santiago High School, and plans to enter a career in instrumental education following the completion of his studies. Outside of teaching, he has also served as an ensemble manager and librarian for the Idyllwild Arts Summer Music Academy, the Riverside City College Music Department, and the CSU Fullerton wind ensembles.

As a performer, Bement has had the opportunity to perform in multiple premieres of new music works for solo and ensembles, including compositions by David Biedenbender (What is Written on the Leaves), Kristian de Leon (Tomorrows…, for solo horn and electronics and State of Alarm for wind ensemble), and Jack Bertrand (Expedition). Additionally, he has performed or conducted with groups such as the Corona Symphony, Performance Riverside, and Westside Ballet. He has been the recipient of numerous recognitions for his studies and musical performance, including the Bill and Ellen Groves Scholarship Performance Award, the CSUF College of the Arts “Dream Big” Scholarship, and the Cheri Jo Bates Memorial Endowed Scholarship.

Bement is a member of the National Association for Music Educators (NAfME) and the California Music Educators Association (CMEA), and currently resides in Fullerton, California.

DUSTIN BARR

Dustin Barr is Director of Wind Studies and Associate Professor of Music at California State University, Fullerton where he actively manages all aspects of the university’s comprehensive band program, conducts the Wind Symphony and University Band, oversees the graduate wind conducting program, and teaches courses in conducting and music education. Prior experiences include appointments as Assistant Director of Bands at Michigan State University, Director of Bands at Mt. San Antonio College and Assistant Director of Bands at Esperanza High School in Anaheim, California.

Barr is a recipient of numerous accolades for his conducting and scholarly work. Most recently, the CSUF Wind Symphony was named a winner of the 2021 Ernst Bacon Memorial Prize for the Performance of American Music by the American Prize organization. Another signal honor was the ensemble’s invitation to perform at the 2019 National Conference of the College Band Directors National Association. The Wind Symphony’s forthcoming album, Efgy, is also a noteworthy achievement. It is the result of innovative musical practices and remote recording projects undertaken during the Covid-19 pandemic. Beyond CSUF, he has been a guest conductor of prominent ensembles like the United States Army Band “Pershing’s Own” and the Air Force Band of the olden est. He was a fnalist for the American Prize in Conducting, a Rackham Merit Fellow at the University of Michigan, and was recognized as one of the nation’s preeminent young conductors as part of the 2010 National Band Association’s Young Conductor Mentor Project. He is a regular conductor/clinician for Disney Imagination Campus.

Barr’s research includes working extensively with theatre director Jerald Schwiebert on the melding of performance theory with a variety of movement theories and disciplines to establish innovative pedagogical approaches to teaching conducting. Their co-authored book, Expressive Conducting: Movement and Performance Theory for Conductors, was published by Routledge in 2018. This work has made Barr a highly regarded pedagogue in the feld conducting. He has given numerous masterclasses throughout the USA and Spain. Furthermore, his research on Scandinavian music for chamber wind ensembles has produced published performance editions of Asger Lund Christiansen’s Octet, op. 43 and Svend Schultz’s Divertimento for Wind Octet.

Barr holds a Doctor of Musical Arts in conducting from the University of Michigan. He received his Master of Music degree and Bachelor of Music degree from California State University, Fullerton. His principal conducting mentors include Michael Haithcock and Mitchell Fennell.

DONOR APPLAUSE

The College of the Arts extends its heartfelt gratitude to the following patrons who have supported our students and programs this past year through a generous gift of 1, or more to the College, the School of Music, Department of Theatre Dance, and/or the Department of Visual Arts.

$1,000,000 + Anonymous

$100,000+

Chapman niversity

The Andy arhol Foundation

$25,000+

Alliance for the Performing Arts Anonymous ee C. Begovich ohnny Carson Foundation eo Freedman Foundation Robin and Steve alota Music Associates Frank and ohn Olsen Frank . and ean Raymond ohn Van ey

$10,000+

Art Alliance

Afordable Housing Access nc. The Blackbaud iving Fund Marilyn D. Carlson Darryl Curran Dwight Richard Odle Foundation

Fidelity Charitable ift Fund .P. Morgan Charitable iving Fund Ellen and Bill roves Marianne reter Eleanore and ames . Monroe Michael . Mavrovouniotis Dr. atherine S. Powers and H kan O. Rosengren Raymond ames Charitable Endowment Fund Sue and Dr. Edward A. Sullivan The Thorsen Family

$5,000+

Drs. Voiza and oseph Arnold Dr. Marc R. Dickey Desiree Engel Friends of azz Mary ouise and Ed Hlavac Morningside of Fullerton

orma Morris

ill urti orman

Orange County Community Foundation Terri and Bob iccum Douglas . Stewart

$1,000+ udy . Atwell Betsy and Eric Azariah ucina and ohn Brennan anet Allen Bridgford rene Chinn Stephen . Collier and oann Driggers illiam S. Cornyn CEC Artslink

D. Barry Schmitt Revocable Trust Susan and Richard Dolnick ucetta A. Dunn Shawna and reg Ellis Dr. Anne Fingal Evelyn . Francuz Fullerton Families and Friends Marsha allavan ac uelyn arrabrant Annette . and eon . ilbert Renee and ohn illespie Susan Ellen ilmont Dr. Mark . oodrich Dr. Margaret F. ordon Susan Hallman Theresa Harvey ames . Henri ues Trevor E. llingworth Dr. Robert stad Michelle ordan ladys M. ares wendolyn and Carlos C. eija ohn M. Martelli and Paul Coluzzi aren and eorge Mast Thelma and Earl Mellott Sylvia Megerdichian Mary E. Moore Patricia and Carl Miller Betty Murphy

Ann and Douglas Myles

oshino and jinobu iwa Debra . oble . Palin

erry and ohn Phelps

The Presser Foundation

Deanna and Arie Passchier Sheila Pinkle

Sharon and Dr. Anil . Puri Mary and erry R. Reinhart Renaissance Charitable Foundation ancy and Robert Rennie Christine Rhoades Sandra and David Rhone Dr. Stephen M. Rochford Ann and Thad Sandford D. Barry Schmitt ouise P. Shamblen Martha Shaver ngrid R. Shutkin orena . Sikorski Carol Smith Sparkman anet . Smith Dodo V. Standring Robert Van Sternberg Douglas Stewart Verne agner

Dr. Sean E. alker Debra inters Richard ulf ourCause, C

Very special care has been given to the preparation of this donor listing. Please contact Ann Steichen at ( ) 1 with uestions or concerns.

ONTIVEROS SOCIETY

The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. Our deep appreciation is extended to the following Ontiveros Society members, whose gifts will beneft the students and mission of the College of the Arts

Anonymous ohn Alexander

ee Dr. icholas A. Begovich

ail Michael Cochran

Marc R. Dickey

oann Driggers

Betty Everett Carol . eisbauer ohn eisbauer

Sophia Charles ray Mary ouise Ed Hlavac retchen anne

Dr. Burton . arson Anne . ruzic oreen ohn oftus Alan A. Mannason illiam . Mc arvey Dr. Sallie Mitchell

Eleanore P. ames . Monroe ynn Robert Myers Dwight Richard Odle Sherry Dr. ordon Paine Dr. une Pollak Mr. eorge Pollak

Dr. Stephen M. Rochford

Mary . illiam Sampson

Douglas . Stewart

Andrea . efrey E. Sward

Richard . Taylor

Verne agner

Richard ulf

Dr. ames D. Dottie oung

deceased

The College of the Arts Proudly Recognizes the Members of Our VOLUNTEER SUPPORT GROUPS

ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising eforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture ac uisition on campus.

Special support and event underwriting

Fay Colmar John DeLoof

Joann Driggers & Steve Collier Loraine Walkington

ALLIANCE FOR THE PERFORMING ARTS: The Alliance for the Performing Arts (formerly MAMM) benefts performing arts students through underwriting visiting artists; special theatre, dance, and music performances; and other uni ue experiences for members.

Judy Atwell

Drs. Voiza & Joe Arnold Ebell Club of Fullerton

Special support and event underwriting

Dr. Margaret Faulwell Gordon Norma Morris Richard Odle Estate

Kerry & John Phelps Jeanie Stockwell Verne Wagner

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

Marilyn Carlson

Evelyn K. Francuz

Sandy & Norm Johnson Marti & Bill Kurschat Karen & George Mast

Special support and event underwriting

Thelma & Earl Mellott Bettina Murphy

Grace & Ujinobu Niwa Kerry & John Phelps Mary & Jerry Reinhart

Ann & Thad Sandford

Dodo V. Standring Carolyn & Tom Toby John Van Wey

MORE INFORMATION: Erika Garcia • 657-278-8683

There are many ways to support the College of the Arts, the School of Music, Department of Theatre and Dance, and Department of Visual Arts

The College of the Arts at Cal State Fullerton is a uni ue learning environment that encourages artistic expression and individual achievement. e are a hands on learning lab where immersive academic experiences and opportunities for cross disciplinary collaboration inspire our , student artists, performers, and scholars to reach realize their full potential, shaping the future of the arts locally and globally. This takes exceptional faculty members, state of the art facilities, and support from community members like you

Dean’s Fund for Excellence

competitions

of the Arts students through

e uipment

the

impact

the educational experience

Why Women Went West

Sat., Sept.1 , Meng Concert Hall

Fullerton Jazz Orchestra & Fullerton Jazz Chamber Ensemble Sat., October 1 Meng Concert Hall

¡Somos Titans! feat. Grammy Award-Winning Latin Jazz Artist, Poncho Sanchez Sun., October Meng Concert Hall

Merrily We Roll Along

October ittle Theatre

University Symphony Orchestra Sat., October Meng Concert Hall

University Wind Symphony & CSUF Symphonic Winds Moving Forward, ooking Back” Sun., October Meng Concert Hall

Blue Stockings

October 1 ovember Hallberg Theatre

David O. Thorsen Tribute Concert feat. the CSUF University Singers, Concert Choir and Thorsen Alumni Singers Sat., October , Meng Concert Hall

Ning An, piano & Dennis Kim, violin Sat., October Meng Concert Hall Opera Scenes ovember Recital Hall

She Kills Monsters ovember 1 December Hallberg Theatre

University Symphony Orchestra Sun., ovember 1 Meng Concert Hall

CSUF Symphonic Winds

Fri., ovember 1 Meng Concert Hall

Fall Dance Theatre: “Momentum” December 1 1 ittle Theatre

Fullerton Jazz Orchestra Fri., December Meng Concert Hall

University Wind Symphony Sat., December Meng Concert Hall

Titan Voices & Singing Titans Mon., December Meng Concert Hall

Fullerton Jazz Chamber Ensemble & Fullerton Latin Ensemble, feat. Alex Norris, trumpet Tues., December Meng Concert Hall

University Band ed., December Meng Concert Hall

Deck the Hall at Cal State Fullerton! with the University Symphony Orchestra, University Singers, CSUF Concert Choir, Titan Voices and Singing Titans December 1 , 11 Meng Concert Hall

ALSO THIS FALL

Begovich Visual Arts Lecture Series irt a con ersations ith eading artists.

Kori Newkirk / Christina Fernandez / Weidi Zhang 1 / Mario Ybarra, Jr. 1 / Phil Chang 11/1

COMPLETE

arts.fullerton.edu/begovichgallery

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