The Naomi Songs

Christopher Cerrone

The Naomi Songs for voice and 10 players (with electronics or 2 obbligato voices) (2015) Text by Bill Knott Version correct as of: 10/02/2015 Outburst-Inburst Musics Brooklyn, NY

k k

ORCHESTRA Flute Oboe (doubling Cor Anglais) Clarinet in B-flat Bassoon Horn in F Tenor Trombone Piano Baritone or Mezzo Soprano (With Reverb and Looping Capabilities)* Violin Viola Cello Double Bass (either 5 string or with extension) *) If looping is not possible, the electronics part can be performed by two additional singers as an obbligato part.

An appendix appears in the back with this version.

PREMIERE May 15, 2015 The Curis R. Priem Experimental Music and Performing Arts Center (EMPAC) Rensselaer Polytechnic Institute Troy, NY David Alan Miller, conductor Theo Bleckmann, voice Commissioned by the Albany Symphony Orchestra with Funds Provided by the Music Alive Residency Program of New Music USA Text used with the kind permission of Robert Fanning, executor of the William Knott Estate.

AMPLIFICATION AND PROCESSING The singer should be amplified throughout with a fairly generous amount of reverb on his or her voice. He or she is asked to loop his voice in the third movement. In the case of the premiere the singer used a hardware looping and reverb set up. The composer also provides a simple application built in Max/MSP.

All other instruments may be gently amplified as well.

commissioned by the Albany Symphony Orchestra, David Alan Miller, music director with funds provided by the Music Alive Residency Program of New Music USA

THE NAOMI SONGS Christopher Cerrone (2015)

1.

e Beach

Bill Knott Resonant and veiled q = 60 port.

° b b2 Flute & b b 4 œ œ ™

non vib. sempre

‰

Œ

∑

1 4œ

∑ ˙

˙

2 4

ppp p

Cor Anglais

b 2 & b bb 4

∑

∑

∑

∑

∑

1 4

∑

1 œ 4 o

∑

2 4

port.

Clarinet in Bb

b 2 & b bb 4 ˙

‰ ˙

Œ

œ œ™

˙

2 4

ppp p

? b b2 ¢ bb4

∑

∑

∑

∑

∑

1 4

∑

2 4

° bb b 2 & b4

∑

∑

∑

∑

∑

1 4

∑

2 4

? b b2 ¢ bb4

∑

∑

∑

∑

∑

1 4

∑

Trombone

2 4

° bb b 2 ¢& b 4

∑

∑

∑

∑

∑

1 4

∑

Voice

2 4

∑

∑

∑

ord.

1 œ-– 4

2 4

∑

∑

∑

∑

1 4

∑

2 4

∑

∑

∑

∑

1 4

∑

2 4

∑

∑

3 j œ œ

1 œ– 4

2 4

∑

1 4

∑

2 4

∑

1 4

∑

2 4

Bassoon

Horn in F

very muted bbb 2 + b & 4 œ-—

Œ

+ œ-—

Œ

p very blended, and supporting strings

Piano

? b b2 bb4 °

{

∑

Resonant and veiled q = 60 Violin

° bb b 2 & b4

∑

pizz., con vibrato

Viola

*

b 2 & b bb 4 œ-—

Œ

œ- œ œ™

œ

œ-

œ-

f f pizz., con vibrato *

Violoncello

œ- œ œ™

œ

œ-

œ- ™

œ J

? bb b 2 b4

œ-–

˙

Πf

f p

Contrabass

b b2 ¢& b b 4 ‹

∑

∑

∑

∑

*) Pluck and slide with one finger. Do not li finger, and do not reattack notes under the slur.

Music © 2015 Christopher Cerrone (ASCAP) | Outburst-Inburst Musics (ASCAP) All rights administered exclusively by European American Distributors Company Text is © 2008 Bill Knott. Poems used by permission of Robert Fanning, Executor of the Estate of William Knott.

Cerrone—Four Naomi Songs—Full Score

2 poco rit.

7 port.

Fl.

° b b2 &b b 4 œ

œ™ ‰

Œ

∑

1 4

∑

2 4

∑

∑

o 1 œ 4 o

∑

1 4

∑

2 4

∑

∑

1 4

∑

1 4

∑

2 4˙

3 4

p

C. A.

Cl.

b 2 & b bb 4

∑

b 2œ & b bb 4 J

‰

Œ

∑

1 4œ

˙

3 4

3 4

p ppp poco non vib. port.

˙ Bsn.

˙

œ œ™

œ

?b 2 ¢ b bb 4

1 4

2 4

ppp

‰

Œ

∑

1 4

∑

3 4

p

° bb b 2 & b4

∑

∑

1 4

∑

2 4

∑

∑

1 4

∑

3 4

?b 2 ¢ b bb 4

∑

∑

1 4

∑

2 4

∑

∑

1 4

∑

Tbn.

3 4

° b b2 ¢& b b 4

∑

∑

1 4

∑

2 4

∑

∑

1 4

∑

Voice

3 4

∑

1 4

∑

+ 2 4 œ-—

∑

1 œ-– 4

3 4

∑

1 4

∑

2 4

∑

1 4

3 4

∑

2 4

∑

2 4 œ- bœ œ™

Hn.

bbb 2 + b & 4 œ-—

Œ

Œ

p

Pno.

? bb b 2 b4

∑

{

∑

∑

poco rit.

∑

∑

Vln.

° bb b 2 & b4

1 4

∑

∑

Vla.

b 2 & b bb 4

1 4

∑

1 4

∑

œ-

3 4

– 1 œ 4

3 4

∑

1 4

∑

3 4

∑

1 4

∑

3 4

œ J œ

∑

œ- ™

f

pizz.

œVc.

œ-–

? bb b 2 b4

Œ

∑

1 4

∑

2 4

f

Πf

pizz., con vibrato (ad lib)

Cb.

bbb 2* œ œ œ ™ b ¢& 4 ‹ f

Ϫ

œ-

˙-

œ œ J

1 œ 4

7 7 p

2 4

∑

Cerrone—Four Naomi Songs—Full Score

3 a tempo

A 13 5 Fl.

° b b3 & b b 4 ˙™

2 4 Ϫ

œ œ

j œ

˙

‰

Œ

1 3 4 ∑ 4

∑

pppp p Cor Anglais non vib sempre

C. A.

b 3 & b bb 4

2 4

∑

∑

∑

∑

∑

1 œ 4

∑

1 3 4 ∑ 4

3 4

port.

5 Cl.

b 3 & b bb 4 œ œ ™™

Œ

Œ

2 4Œ

j œ

Œ

j œ

˙

‰

Œ

ppp non vib.

˙ Bsn.

? b b3 ¢ bb4

2 4

∑

∑

œ

œ

œ

1 4

∑

3 4

ppp

sord.

Hn.

port.

° bb b 3 & b 4 ˙™

2 4˙

‰

ppp

Tbn.

∑

1 3 4 ∑ 4

∑

1 3 4 ∑ 4

ppp

?b 3 ¢ b bb 4

2 4

∑ with a clear, simple tone throughout p serene

° b b3 Voice ¢& b b 4 œ

Œ

œ œ™

˙

beach

∑

∑

p

j œ

2 4 Ϫ

œ ˙ e

∑

holds

and

œ œ œ

œ

si s us through her

œ

œ œ œ

1 3 4 ∑ 4

˙

drea - ming fin - gers

5

b b3 + & b b 4 œ-—

Œ

Œ

2 4Œ

+ j œ

Œ

+ j œ— ‰

Œ

+ œ-—

∑

1 œ– 4

∑

∑

1 3 4 ∑ 4

∑

∑

1 3 4 ∑ 4

Œ

3 4

p p

Pno.

? b b3 bb4

2 4

∑

{

∑

∑ -ø-

a tempo

A ∑

Vln.

° b b3 &b b 4

2 4

b 3 & b bb 4

∑

Vla.

2 4Œ

∑

∑

5

j œ

Œ

œ J

∑ œ- œ œ™

œ œ-

œ- ™

1 œ 4

3 4

f (with flute)

œ- œ œ™ Vc.

œ œ- œ-

? b b3 bb4

˙

˙

˙

2 4

∑

1 3 4 ∑ 4

∑

1 3 4 ∑ 4

f

˙ Cb.

b b 3 œ– ¢& b b 4 ‹

Œ

Œ

2 4

∑

∑ p

Cerrone—Four Naomi Songs—Full Score

4 poco rit. a tempo 19 3 Fl.

C. A.

° b b3 &b b 4

1 2 4 ∑ 4Œ

∑

b 3œ & b bb 4 J

‰ Œ

Œ œ

1 2 4 ∑ 4

Œ

1 4œ

1 4

∑

2 4

Œ

2 4

∑

∑

1 2 4 ∑ 4

∑

1 2 4 ∑ 4

∑

1 œ 4

œ

∑

port. non vib.

Cl.

b 3 & b bb 4 ˙™

1 4œ

2 4˙

1 4œ

2 4

1 4

2 4

Œ œ œ ™™

2 4

ppp

œ œ ™™ Bsn.

? b b3 ¢ bb4

˙ Œ

1 2 4 ∑ 4

Œ

∑

∑

˙

œ

1 4

2 4

ppp

Hn.

° bb b 3 & b 4 ˙™

1 4œ

2 4˙

1 4œ

j œ

2 4

‰ Œ

∑

1 2 4 ∑ 4

pp pppp ppp con sord.

˙ Tbn.

?b 3 ¢ b bb 4

1 2 4 ∑ 4

∑

1 4

∑

˙

œ

2 4

∑

1 4

2 4

mp

p

-

° b b3 Voice ¢& b b 4 œ

j 1 œ 4œ

œ œ™

Sum - mer fra

gran

-

2 4œ

ces

œ œ 41 œ

green

2 œ 4

1 2 4 ∑ 4 ˙

be - tween your

˙

legs

3

b b3 + & b b 4 œ-—

Œ

Œ

+ 1 ∑ 2˙ 4 4

+ œ

1 4

∑

+œœ— – -+

2 4

Œ

∑

1 œ 4

2 4

p

Pno.

? b b3 bb4

1 2 4 ∑ 4

∑

{

1 4

∑

∑

2 4

-ø-

∑

∑

1 2 4 ∑ 4

∑

∑

1 2 4 ∑ 4

-øpoco rit. a tempo

Vln.

Vla.

° b b3 &b b 4

∑

b 3 & b bb 4 œ-

Œ

Œ

1 2 4 ∑ 4

∑

1 4

∑

2 4

1 2 4 ∑ 4

∑

1 4

∑

2 4

Œ

Œ

œ-—

f

œ œ ‰ J 41

f

2 4

p

(before the beat)

œœ Vc.

? b b3 bb4

∑

1 2 4 ∑ 4

1 4

∑

∑

Ϫ

œ J

2 4

˙

œ

1 4

f

Cb.

bbb 3 œ- œ œ ™ b ¢& 4 ‹ f

œ œ- œ-

1 œ 4

2˙ 4

œ

1 œ 4

2 4

2 4 p

œŒ

3 f

∑

1 2 4 ∑ 4

Cerrone—Four Naomi Songs—Full Score

5 26 Fl.

° bb b 2 & b4 ˙

œ

˙

œ

1 4 œJ

‰

2 4

∑

1 4

∑

2 4

1 4 œJ

‰

2 4

∑

1 4

∑

2 4

1 4 œj

‰

2 4

∑

1 4

∑

2 4

p

C. A.

b 2 & b bb 4

∑

∑

‰

œ J

œ

ppp

Cl.

b 2 œ & b bb 4 J

‰

Œ

Œ œ

˙

pp

œ œ œ ™™ Bsn.

œ

? b b2 ¢ bb4

Œ

∑

˙

1 4

Œ

œ

2 4

1 4

2 4

o p

Hn.

° bb b 2 & b4 ˙

˙

1 4œ

˙

2 4 œj

‰

Œ

1 4

∑

2 4

pppp

Tbn.

œ ? bb b 2 J ¢ b4

œ ‰

Œ

∑

˙

1 4

∑

œ

2 4

1 4

2 4

2 4˙

1 4œ

2 4

mp

Voice

° b b2 ¢& b b 4 œ

œ œ œ

œ œ

œ

œ

œ

1 4œ œ

At

night

b b2 + & b b 4 œ-—

Œ

nak

Œ

+ œ-–

ed

-

aur - as

+ œ—

Œ

cool

1 4

the

∑

waves

2 4

∑

1 4

∑

2 4

2 4

∑

1 4

∑

2 4

Pno.

? bb b 2 b4

∑

{

∑

∑

1 4 œ—

-ø-

pizz. con vib.

Vln.

° bb b 2 & b4

∑

∑

‰

arco

Ϫ

1 ord.

4œ

mp

p

2 4˙

1 4œ

2 4

pizz.

Vla.

œ b b2 &b b 4

∑

Œ

œ

œ œ-

mp

2 4œ

œ

œ

1 4œ

2 4

1 4œ

2 4

f

ord. arco

œVc.

1 4 œ- œ œ™

? bb b 2 b4

Œ

∑

∑

1 4œ

2 4˙

f mf

Cb.

b b2 œ œ ˙ ¢& b b 4 ‹ f

œ œJ

˙

œ Œ

1 4 œj—

7 mp

‰

2 4

∑

1 4

∑

2 4

Cerrone—Four Naomi Songs—Full Score

6 Take time

Moving forward

a tempo, or a bit more

B 32 port.

Fl.

° b b2 &b b 4

3 ˙™ 4

∑

1 œ 4

3 ˙™ 4

2œ 4

œ œ

œ œ™ ‰ Œ

œ

pp

C. A.

b 2 & b bb 4

3 4

∑

∑

∑

p

1 3 4 ∑ 4

∑

2 4

∑

∑

∑ ˙

˙

˙

pp

Cl.

3 œ™ 4J ≈Œ

b 2˙ & b bb 4

Œ

1 3 ˙™ 4 ∑ 4

2 Ϫ 4

j j œ œ

œ œ œ J J

‰ Œ

∑

∑

∑

∑

∑

pp

˙ :,; Bsn.

? b b2 ¢ bb4

3 4

1 4 ˙™

3 4

2 4 ˙™

œ

˙

˙

ppp sub.

, Hn.

° bb b 2 & b4

3 4 ˙™

∑

1 4œ

3 4 ˙™

2 4˙

˙ ˙

˙

˙

ppp ppp

˙ Tbn.

?b 2 ¢ b bb 4

3 4 ˙™

1 4œ

3 4 ˙™

2 4˙

∑

˙

∑

∑

∑

∑

∑

∑

∑

∑

ppp

sotto voce

° b b2 Voice ¢& b b 4

3œ œ ˙ 4

∑

1 œ œ 3 œ œ™ 4 4J

va - nished

b 2 & b bb 4

3 œ– 4J ‰ Œ

∑

Œ

2œ œ œ œ œ œ œ œ œ 4

O Na - o - mi

I kiss eve -ry

bo -dy of you ev

Œ

1 3 œ– 4 ∑ 4J ‰ Œ

Œ

2 4

∑

∑

Œ

1 3 4 ∑ 4 j‰ Œ œ— -ø-

Œ

2 4

∑

∑

œ œ - ery face

+ œ-—

Œ

mp but full

Pno.

? b b2 bb4

3 4 j‰ Œ œ—

∑

{

∑ -ø-

Take time

Moving forward

a tempo, or a bit more

B sul pont

Vln.

3 ˙™ 4

° bb b 2 & b4˙

1 œ 4

3 ˙™ 4

p sub.

2˙ 4

˙ ˙

˙

˙

ppp

ppp

arco

Vla.

bbb 2 ˙– b & 4

3 4

∑

1 3 4 ∑ B 4 ˙™

mp

Vc.

2 4˙

∑

∑

&

ppp

3 ˙™ 4

? bb b 2 ˙ b4

1 œ 4

3 4

2 4 ˙™

‰ Œ ˙

∑

j œ

˙

p sub. ppp pizz. arco

Cb.

b b2 ¢& b b 4 Ó ‹

∑

˙

? ‹

3 4 ˙™

1 4œ

3 4

∑

2 4

∑

œ- œ œ ™ œ œ ˙- œ œ ˙ J

∑ & ‹

7 f p sub.

∑

Cerrone—Four Naomi Songs—Full Score

attacca7 exactly in time

41 port.

Fl.

° bb &b b ˙

1 4œ

˙

2 4 œ œ™ ‰ Œ

∑

1 2 4 ∑ 4

∑

∑

∑

∑

∑

∑

p port.

C. A.

b & b bb œ œ ™ ‰ Œ

∑

1 4

∑

2 4

∑

∑

1 2 4 ∑ 4

∑

1 4

∑

2 4

∑

∑

1 2 4 ∑ 4˙

p

Cl.

b & b bb

∑

˙

˙

pp port.

˙ Bsn.

? bb ¢ bb

∑

1 4

∑

∑

˙

œ œ™

œ

2 4

1 4

2 4

‰ Œ

∑

∑

‰ Œ

∑

∑

p

Hn.

° bb b j & b œ

‰ Œ

1 4

∑

∑

2 4˙

1 4œ

˙

2 4 œj

ppp

˙ Tbn.

˙

œ

1 4

?b ¢ b bb

œ 2J 4

‰ Œ

∑

1 2 4 ∑ 4

∑

∑

∑

2 4

∑

∑

1 2 4 ∑ 4

∑

∑

∑

∑

+ 1 2 4 ∑ 4 œ-—

∑

1 2 4 ∑ 4

∑

1 2 4 ∑ 4

ppp

Voice

° bb ¢& b b

∑

∑

1 4

∑

1 œ 4

∑

l.v.

b + & b bb œ-—

Œ

+ 2 4 œ-—

Œ

Œ

∑

œ– Œ

∑

∑

ppp

Pno.

? bb bb

∑

{

1 4

∑

∑

2 4

∑

∑

exactly in time Vln.

° bb b & b ˙

1 4œ

˙

2 4

∑

∑

∑

∑

al niente

arco pizz.

pizz. ord. j œ 1 œJ ‰ 2 4 4˙ œ

3

Vla.

b & b bb œ- œ œ™

œ œ œ-

1 4œ

˙

2 4 œj

‰ Œ

Œ

l.v.

– œ ‰ J ˙

ppp f

(pizz.) l.v.

Vc.

? bb b b

∑

∑

1 4

∑

2 4

∑

∑

1 2 4 ∑& 4 œ- œ œ™

j3 œ œ

˙—

˙

f (pizz.)

bb œ Cb. ¢& b b ‹

Œ

∑

1 4

∑

2 œ- œ œ ™ 4

œ œ œ™

œ 1 œ J 4

2œ 4

Œ

∑

∑ attacca

f

Cerrone—Four Naomi Songs—Full Score

8

2. I Le q = 104

7-8" fl.

cl.

q

q

q = 96 Flowing senuous

q = 112, freely, rubato flutter tongue throughout

3 repeat ad. lib until cut off

Fl.

° bb b & b

æ œæ

æ nœæ

ææ æ æ œ ™ œæ œæ

æ œæ

j ≈ ææ œææ œææ œ œ

ææ æ æ nœ ™ œæ œæ

2 4

æ œæ

3 4

ppp very freely and out of time, rubato non vib.

C. A.

U ∑

b & b bb

2 4˙ o

3 4

q = 104, freely flutter tongue throughout

, repeat ad. lib until cut off

Cl.

b & b bb

æ æ j œ ‰ œæ nœæ

ææ æ æ œ ™ œæ œæ

æj ≈ ææ ææ œææ œæ œ œ

æ œæ

ææ æ æ nœ ™ œæ œæ

æ œæ

2 4

3 4

ppp very freely and out of time, rubato

?b ¢ b bb

U ∑

2 4

∑

3 4

° bb b & b

U ∑

2 4

∑

3 4

?b ¢ b bb

U ∑

2 4

∑

3 4

° bb Voice ¢& b b

U ∑

o 2 4˙

Bsn.

Hn.

Tbn.

3 4

ahh

b & b bb

U ∑

2 4

∑

3 4

? bb b b

U ∑

2 4

∑

3 4

Pno.

{

q = 96 Flowing senuous

q = 104

° bb b & b

U ∑

2 4

∑

Vln.

3 4

b & b bb

U ∑

2 4

∑

Vla.

3 4

b & b bb

U ∑

2 4

∑

Vc.

bb ¢& b b ‹

U ∑

2 4

∑

Cb.

?3

4

?3

4

Cerrone—Four Naomi Songs—Full Score

9 poco rit.

a tempo

a tempo

poco rit.

C 52 Fl.

C. A.

° b b3 &b b 4

b 3 & b bb 4 ˙™

3 8

2 4

3 8 Ϫ

2 4 œJ ‰

œ o

p

3 4

2 4

3 4 ˙™

2 4˙

b 3 & b bb 4

?b 3 ¢ b bb 4

∑

3 8

∑

2 4

∑

Bsn.

3 4

° bb b 3 & b4

∑

3 8

∑

2 4

∑

? b b3 ¢ bb4

∑

3 8

∑

2 4

∑

Hn.

Tbn.

œ J

p

Cl.

3 8

3 4

2 4

3 4

‰ œ o

3 4

2 4

∑

3 4

∑

2 4

∑

∑

3 4

3 4

∑

2 4

∑

∑

3 4

3 4

∑

2 4

∑

∑

3 4

p lyrical and sensuous

° b b 3 ™™ Voice ¢& b b 4 œ

œ œ ™™ œ œ ™™ œ 83 œ ™ œ™ 42 œ œ œ ≈

3 4 œ ™™

> œ œ ™™ œ œ ™™ œ 42 œ œ œ ™ œ œ

œ œ

ahh

b 3 & b bb 4 œ–

Œ

Œ

3 8

Œ

Œ

3 8

2 4

3 4

I*

3 4 œ–

Œ

Œ

2 4

3 4

Œ

Œ

2 4

∑

3 4

∑

3 4

p

Pno.

? bb b 3 b4

{

∑

2 4

∑

œ— °

∑

œ—

C arco con sord. sul pont.

Vln.

poco rit.

° bb b 3 & b4

3 8 ˙™

2 4 Ϫ

a tempo

3 4 j ‰ œ

˙

a tempo

Œ

Œ

2 4

poco rit.

∑

3 4

∑

p sostenuto arco con sord. sul pont.

Vla.

b 3 & b bb 4

3 8

∑

∑

2 4

∑

3 B4

2 4˙

˙- ™

Œ

3 4

Œ

3 4

œ

p

con sord. ord.

Vc.

? bb b 3 b 4 ˙™ -

3 8

2 4 Ϫ

3 4

2 4 ˙- ™

˙

˙

œ

p sostenuto

pizz.

?b 3 Cb. ¢ b bb 4 œ– ‰ J

Œ

p *) Transform "Ahhh" into "I" gradually

Œ

3 8

∑

2 4

∑

3 4 œJ– ‰

Œ

Œ

2 4

∑

∑

3 4

Cerrone—Four Naomi Songs—Full Score

10 Take time, freely q = 80 a tempo

poco rit.

58 STOP

Fl.

° b b3 &b b 4

3 8

1 4

:,;

non vib.

2 4

U ˙

∑ ˙

3 4

pp

C. A.

b 3 & b bb 4 ˙™

3 8 Ϫ

1 4 œJ

‰

2 4

U Œ

U œ o

3 4

∑

∑

2 4

∑

∑

U ∑

3 4

p

STOP

Cl.

b 3 & b bb 4

?b 3 ¢ b bb 4

∑

3 8

∑

1 4

∑

2 4

∑

∑

U ∑

Bsn.

3 4

° bb b 3 & b4

∑

3 8

∑

1 4

∑

2 4

∑

∑

U ∑

3 4

? b b3 ¢ bb4

∑

3 8

∑

1 4

∑

2 4

∑

∑

U ∑

3 4

Hn.

Tbn.

3 8

1 4

U œ

3 Voice

° b b 3 ™™ ¢& b b 4 œ

œ œ ™™

œ œ ™™

œ 83 œ ™

Ϫ

1 4œ

œ

(t)a

2 4 nœ right

œ

œ

where the

œ œ™

œ

nip - ple

cheeps

3 4

œ a

le

b 3 & b bb 4 œ–

Œ

Œ

3 8

∑

1 4

∑

2 4

∑

∑

U ∑

3 4

? bb b 3 b4

Œ

Œ

3 8

∑

1 4

∑

2 4

∑

∑

U ∑

3 4

∑

U ∑

3 4

Pno.

{

œ—

a tempo Vln.

poco rit.

° bb b 3 & b4

3 8 ˙- ™

1 4 Ϫ

Take time, freely q = 80

2 4 j ‰ œ

œ

Œ

senza sord

B bbbb 43 ˙ ™ -

3 8 Ϫ

1 4œ

2 j 4œ ‰

Œ

∑

U ∑

Vla.

3 4

? bb b 3 b 4 ˙™ -

3 8

1 4

2 4 j ‰ œ

Œ

∑

U ∑

Vc.

3 4

∑

U ∑

3 4

Ϫ

œ

pizz.

?b 3 Cb. ¢ b bb 4 œ– ‰ J p

Œ

Œ

3 8

∑

1 4

∑

2 4

∑

Cerrone—Four Naomi Songs—Full Score

11 as before q = 90

D 64 ° b b3 Fl. & b b 4

C. A.

poco rit.

a tempo

poco rit.

continue, as before

b 3 & b bb 4 ˙™

3 8

2 4

3 4

3 8

2 4

3 4

3 8 Ϫ

2 4 œJ ‰ œ o

3 4 ˙™

3 8 Ϫ

2 4 œJ ‰ œJ œ

3 4

2 4

3 4

mp

p

3

continue, as before

Cl.

b 3 & b bb 4

Bsn.

?b 3 ¢ b bb 4

3 8

3 8

∑

∑

2 4

3 8

3 4

∑

2 4

3 8

∑

∑

3 4

2 4

3 4

∑

con sord

Hn.

° bb b 3 & b4

3 8 ˙™

2 4 Ϫ

3 4

3 8 ˙™

˙

2 4 Ϫ

3 4 ˙

p sostenuto

Tbn.

?b 3 ¢ b bb 4

3 8

∑

∑

2 4

3 4

∑

3 8

∑

∑

2 4

3 4

∑

mp

° b b 3 ™™ Voice ¢& b b 4 œ

œ œ ™™ œ œ ™™ œ 83 œ ™ œ™ 42 œ œ œ

kiss

b 3 & b bb 4 œ–

3 4 œ ™™

(ss)a

œ œ ™™ œ œ ™™ œ 83 œ ™

œ™ 42 œ

œ œ

kiss

3 4

(ss)a

Œ

Œ

3 8

∑

2 4

∑

3 4 œ–

Œ

Œ

3 8

∑

2 4

∑

3 4

Œ

Œ

3 8

∑

2 4

∑

3 4

Œ

Œ

3 8

∑

2 4

∑

3 4

mp

Pno.

? bb b 3 b4 œ — °

{

œ—

as before q = 90

poco rit.

a tempo

poco rit.

D arco con sord.

Vln.

° bb b 3 & b 4 ˙™ -

3 8 Ϫ

2 4˙

3 8 朙 æ

2 4 æœ æ

3 4 ˙™ -

3 8 Ϫ

2 4˙

3 4

3 8

2 4

3 4

mp q = 104 tasto possibile on the fingerboard flautando

Vla.

B bbbb 43 æœ æ

n˙ æ

œ ææ

3 4 æœ

œ ææ

œ ææ

repeat freely, ad lib. until cut off ppp very freely and out of time, rubato

ord.

Vc.

? bb b 3 b 4 ˙™

3 8

2 4 Ϫ

3 4 ˙

3 8 ˙™

2 4 Ϫ

3 4 ˙

mp

pizz.

?b 3 Cb. ¢ b bb 4 œ– ‰ J mp

pizz.

Œ

Œ

3 8

∑

2 4

∑

3 4 œJ– ‰ mp

Œ

Œ

3 8

∑

2 4

∑

3 4

Cerrone—Four Naomi Songs—Full Score

12 a tempo

poco rit.

Again, take time q = 80

a tempo

poco rit.

70 STOP

Fl.

° b b3 &b b 4

:,;

non vib.

2 4

3 4

∑ ˙

˙

pp

solo ma non vib.

C. A.

b 3 & b bb 4 ˙™

2 4œ

œ ∑

∑

Œ

œ-

3 4

mp

STOP

Cl.

b 3 & b bb 4

Bsn.

?b 3 ¢ b bb 4

Hn.

2 4

2 4

∑

° bb b 3 & b4

2 4 ˙™

Tbn.

∑

œ

? b b3 ¢ bb4

2 4

∑

° b b 3 ™™ Voice ¢& b b 4 œ

œ œ ™™

œ œ ™™

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

∑

3 4

œ

∑

> œ 42 œ œ œ ™

3

œ

kiss

in

œ each

œ nest

3 4 nœ of

œ

œ

œ

the

black

bra

˙

b 3 & b bb 4 œ–

Œ

Œ

2 4

∑

∑

∑

∑

3 4

? bb b 3 b4

Œ

Œ

2 4

∑

∑

∑

∑

3 4

∑

∑

3 4

∑

∑

3 4

Pno.

{

œ—

a tempo Vln.

poco rit.

° bb b 3 & b 4 ˙™ -

Again, take time q = 80

a tempo

2 4˙

∑

poco rit.

STOP

Vla.

Vc.

B bbbb 43

2 4

∑

? bb b 3 b 4 ˙™ -

2 4

∑

∑

∑

3 4

∑

∑

∑

3 4

B

˙

pizz.

?b 3 Cb. ¢ b bb 4 œ– ‰ J mp

Œ

Œ

2 4

∑

Cerrone—Four Naomi Songs—Full Score

13 poco rit.

a tempo

poco rit.

a tempo, q = 90

E 75 continue, as before

Fl.

C. A.

° b b3 &b b 4

3 8

1 4

b 3 3 & b bb 4 œ ™™ œ œ ™™ œ œ ™™ œ 8 œ ™ œ™

3 4

1 4

1 3 4 œ œ 4 œj ‰

Œ

Œ

2 4

1 4

∑

3 4

2 4Œ

œ o

3 4

continue, as before

Cl.

b 3 & b bb 4

3 8

1 4

3 4

1 4

2 4

3 4

solo

œ ™™

œ

>œ œ œ ™

œ œ ™™ œ œ ™™ œ

œ Bsn.

?b 3 ¢ b bb 4

3 8

∑

œ

B1

∑

4

œ œ

3 4

1 4

2 4

3 4

3 4

1 4

2 4

3 4

p non vib.

con sord

Hn.

° bb b 3 & b4

3 8 ˙™

1 4 Ϫ

˙™

œ

œ

˙

mp

con sord

Tbn.

? b b3 ¢ bb4

3 8 ˙™

1 4 Ϫ

3 4 œ

1 4 ˙™

2 4 œ

3 4 ˙

mp

Voice

° b b3 ¢& b b 4

3 8

∑

∑

1 4

∑

3 4

1 4

∑

∑

2 4Œ

œ

3 4

ah

b 3 & b bb 4 œœœ–

Œ

Œ

3 8

Œ

3 8

∑

1 4

∑

1 4

∑

3 4 œœœ–

∑

3 4œ œ— “

Œ

Œ

1 4

∑

2 4

∑

3 4

Œ

Œ

1 4

∑

2 4

∑

3 4

mf mf

Pno.

? bb b 3 œ b4 œ— “

{

Œ

a tempo, q = 90

E Vln.

° bb b 3 & b4

q = 104 tasto possibile on the fingerboard flautando

æ œæ

æ n˙æ

poco rit.

3 8 œ™ææ

1 4 Ͼ

a tempo

3 4

æ œæ

poco rit.

æ œæ

æ œæ

1 4 Ͼ

2 4

3 4 repeat freely ad lib.

ppp very freely and out of time, rubato

continue as before

Vla.

B bbbb 43

3 8

1 4

3 4

1 4

2 4

3 4

3 8

1 4

3 4

1 4

2 4

3 4

senza sord.

Vc.

? bb b 3 b 4 ˙™

Ϫ

˙- ™

œ

œ

˙

mf

arco

? b 3 senza sord.

Cb. ¢ b bb 4 ˙™ mf

3 8

1 4 Ϫ

3 4 œ

1 4 ˙- ™

2 4 œ

3 4 ˙

Cerrone—Four Naomi Songs—Full Score

14 (Stesso tempo) poco rit. a tempo 81

attacca Fl.

° b b3 &b b 4

3 8

1 4

3 4

2 4

∑

∑

3 4 ˙™

4U 4w

nnnb

4U 4 w

nnnb

ppp

senza vib

C. A.

b 3 & b bb 4 ˙™

3 8 Ϫ

1 4œ

3 4

2 4

∑

∑

3 4

∑

p ppp

Cl.

b 3 & b bb 4

3 8

1 4

3 4

2 4

∑

∑

3 4Œ ˙

4U 4 w

nnnb

w 4U 4

n nb n

ppp

Bsn.

B bbbb 3 œJ ‰ 4 ¢

Œ

Œ

3 8

∑

1 4

∑

3 4

2 4

∑

∑

3 4Œ

?œ

Πpp

Hn.

° bb b 3 & b4

3 8 ˙™

Tbn.

Voice

Ϫ

? b b3 ¢ b b 4 ˙™

° b b 3 ™™ ¢& b b 4 œ

Œ

2 4

∑

3 4

∑

4 4

U ∑

n nb n

œ

3 4 j ‰ Œ œ

Œ

2 4

∑

3 4

∑

4 4

U ∑

nnnb

œ

3 4 j ‰ Œ œ

œ

2 4˙

1 4

3 8

1 4 Ϫ

3 œ œ ™™ œ œ ™™ œ 83 œ ™ œ™ 41 œ œ 4 nœ hung

b 3 & b bb 4 œœœ–

œ

3 4œ

in - side

œ

œ

your bath - room

4U 4 w door

Œ

Œ

3 8

∑

1 4

∑

3 4

∑

2 4

∑

3 4U 4œ 4 — œ— œ— w— pppp

Œ

Œ

3 8

∑

1 4

∑

3 4

∑

2 4

∑

3 4

mf

nnnb

n nb n

Pno.

? bb b 3 œ b4 œ— “

{

∑

4 4

poco rit.

nnnb

l.v. into song 3 (hold pedal)

una corda

a tempo

U ∑

(Stesso tempo)

3 8

1 4

3 4

∑

2 4

∑

3 4

∑

4 4

U ∑

n nb n

Vln.

° bb b 3 & b4

B bbbb 43

3 8

1 4

3 4

∑

2 4

∑

3 4

∑

4 4

U ∑

Vla.

nnnb

? bb b 3 b 4 ˙™

3 8

1 4

Œ

2 4

∑

3 4

∑

4 4

U ∑

n nb n

œ

3 4 j ‰ Œ œ

?b 3 ¢ b bb 4 ˙™

3 8

Œ

2 4

∑

3 4

∑

4 4

U ∑

œ

3 4 j ‰ Œ œ

Vc.

Cb.

Ϫ

1 4 Ϫ

nnnb & ‹

attacca

Cerrone—Four Naomi Songs—Full Score

15

3. When Our Hands Are Alone Sweet and gentle q = 60 Fl.

° b4 & 4 w

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

al niente To Ob.

C. A.

4 &b 4

Œ

Ó

œ al niente

Cl.

4 &b 4 w al niente

Bsn.

? b 4<b>˙ ¢ 4

Ó

al niente

Hn.

Tbn.

° 4 &b 4

∑

∑

∑

∑

? 4 ¢ b4

∑

∑

∑

∑

RECORD LOOP 1* PLAY LOOP 1

p tender, affetuoso 1

2

3 3 Voice

° b4 & 4

∑

Ó

Œ

‰ œ œ œ

œ œ œ

œ œ œ œ œ œ

when our hands are a - lone

Œ

Ó

œ œ œ

œ

œ

they o -pen, like fa - ces 3 3

4 &b 4 ‹

∑

∑

Ó

Œ

‰ œ

œ œ

when our

œ hands

are

a - lone

they

œ œ

œ

o pen, like

Looped Voice

3

¢& b

4 4

∑

∑

∑

Ó

Œ

‰ œ

œ

when our

(l.v.)

Pno.

4 &b 4 – w– ww —w — ?b 4 ∑ 4

∑

∑

∑

∑

∑

∑

{

Sweet and gentle q = 60 senza sord. molto tasto poco vib.

0

Vln.

° b4 & 4 œ œœ ˙- ™ p

œ

mp

˙˙ ™™ -

œ-

pp

p

mp

œ

˙˙- ™™

œ

p

p

˙- ™

w-

p

p

œœ

˙- ™

˙˙ ™™ -

œ

pp

like a harmonium senza sord. molto tasto poco vib.

Vla.

B b 44 Œ

˙˙- ™™

œ œœ ˙- ™

p

p

&

mp

œœ

˙- ™ mp

like a harmonium molto tasto poco vib.

˙- ™ Vc.

?b 4 Π4 p

w-

œ

p

like a harmonium molto tasto

4 poco vib.

Cb. ¢& b 4 w ‹ p

˙- ™ œ

˙™ w-

p

p

like a harmonium *) See introductory note about electronics and looping. If this is not possible, then two singers (ideally off-stage) should replicate the echo effect. See Appendix for this alternate version.

œ p

Cerrone—Four Naomi Songs—Full Score

16 92

∑

∑

∑

∑

Fl.

° &b

&b

∑

∑

∑

∑

C. A.

&b

∑

∑

Cl.

Œ Ó w o

œ p

Bsn.

Hn.

Tbn.

? ¢ b

∑

∑

∑

w o

° &b

∑

∑

∑

∑

? ¢ b

∑

∑

∑

∑

RECORD LOOP 2 3 hum

Voice

° b &

∑

PLAY LOOP 2 (plays automatically)

∑

Œ Ó ˙™

œ

œ

mm

fa - ces

when our

when our

3

&b œ ‹

œœ œ œ Œ

œ œ œ‰ Œ

œœ

œœ œÓ

œ œ œ

œŒ œ œ‰

3

hands

are a - lone

fa - ces

when our hands

3

œœ

œœ œ

œœ œ œ Œ

œ œ œ‰ Œ

3

they o - pen, like hands

are a - lone

are a - lone

œœ

œœ œ

œœ œ œ Œ

3

they o - pen, like hands

are a - lone

∑

∑

they o - pen, like

ces

p

Vla.

Vc.

&b œ

œœ ˙- ™ mp

˙˙ ™™ -

œ

p

p

˙- ™

w-

?b œ p

Cb.

¢& b w‹ p

œ

∑

˙˙- ™™

œ-

pp

p

mp

œ

˙˙ ™™ -

œ

p

p

˙- ™

w-

p

p

œœ ˙ ™ mp

œœ ˙- ™

œ

p

œ

œœ ˙ ™ mp

˙™ w-

p

˙˙- ™™ pp

˙™ œ

p

œ œ œ‰ Œ

œœ

œœ

when our

w

° b & œ-

like

3

fa -

mm

Vln.

en 3

Looped Voice

¢& b

they op

3

œ p

Cerrone—Four Naomi Songs—Full Score

17

F 96

∑

∑

∑

∑

Fl.

° &b

&b

∑

∑

∑

∑

C. A.

Cl.

&b

bœ

œ Jœ œ

Œ Ó

œ J œ

w

3 3

w o Bsn.

œ o p p

? œ ¢ b

w o

Œ Ó

œ Œ

Ó

∑

p

p

con sord.

Hn.

° &b

w

?

∑

œ

∑

Œ

Ó

œ œ Ó

p

o con sord.

?b

Tbn.

w ∑

∑

∑

¢ o mp

3 3

° Voice & b

bœ ∑

œ ere

fa - ces

when our hands

are a - lone

they op - en

3

&b œ ‹

œœ œ œ Œ

œ œ œ‰ Œ

are a - lone

œ

œ

œœ

like

œœ

œ œ

is no shore

to their op - en - ing

fa - ces

when our hands

3

œœ œ

œœ œ œ Œ

œ œ œ‰ Œ

3

hands

œ ∑

they o - pen, like

œœ

œœ œ

œœ œ œ Œ

œ œ œ‰ Œ

3

fa -

ces

are a - lone

they op

3

œœ

are a - lone

œœ œ

œœ œ œ Œ

œ œ œ‰ Œ

they o - pen, like

Œ œw

Ó

Œ

Ó

Œ

œw

œw

ces

° b & œp

Vla.

Vc.

&b œ

œœ ˙- ™ mp

˙˙ ™™ -

œ

p

p

˙- ™

w-

?b œ p

Cb.

¢& b w‹ p

œ

Ó

Œ œw

˙˙- ™™

œ-

pp

p

mp

œ

œœ ˙ ™ mp

œœ ˙- ™

œ

˙˙ ™™

˙˙ ™™ -

œ

œœ ˙ ™

p

p

˙- ™

w-

p

p

œ

p

˙™ œ p

mp

˙™ wp

œœ

when our

F Vln.

œœ 3

fa -

Looped Voice

¢& b

like

3

3

when our hands

en

œ p

Ó

Cerrone—Four Naomi Songs—Full Score

18 100 sim.

Fl.

bœo

° &b

œ Jœ

∑

œo

o w

œ J œ

bœ

œ J œ œ œJ œ

3

3 3

3

o

o p

C. A.

&b

Cl.

&b

∑

bœ

∑

œ Jœ œ

∑

bœ œ J œ

∑

œ J œ œ

w

3

œ J œ

w

3 3

3

o

o p

Bsn.

? ¢ b

Hn.

°? w b o

p

∑

∑

∑

œ Œ

∑

w o

Ó

œ Œ p

p

Tbn.

? œ ¢ b

w Œ

Ó

œ

Ó

Œ

w o

Ó

o p p

RECORD LOOP 3

PLAY LOOP 3 (automatically)

FADE LOOP 1 (5 seconds)

4

5

3 3

° bœ Voice & b

œ ere

œ

œ

œœ

œ œ œ

œ œ

is no shore

to their op - en - ing

Ó

∑

ere

∑

is no shore

3

to their

bœ &b ‹

œ

fa - ces

œ

&b œ

when our hands

œ

is no shore

to

œœ œ œ Œ

œ œ œ‰ Œ

are a - lone

they op - en

œœ

are a - lone

œœ œ

œœ œ œ Œ

they o - pen, like

Œ

Ó

their op

like

œ˙ œ œ œ

œ Œ œ

œœ

3

bœœ œ

- e - ning

œ œ˙ œ œ œ

op - e ning

fa - ces 3

œœ œ

œ œ œ œ Œ Œ

œœ œ œ Œ

œ œ

œ Œ

Ó

3

fa -

ces

when our hands

Œ wœ

œ

œ

are a - lone

they o pen, like

fa - ces

Ó

œw

Œ wœ Œ

Ó

œw Ó

0

Vln.

° b & œp

œœ ˙ ™

œ

˙˙ ™™

mp

œ

Ó

œœ ˙ ™

˙

p al niente III 0

Vla.

&b œ

˙˙ ™™

œ

p

p

œœ ˙ ™

œ

mp

˙˙ ™™

Ó ˙˙

p al niente

˙- ™ Vc.

?b œ

˙- ™

w-

œ

œ Œ

p

p

Ó

p al niente

Cb.

¢& b w‹ p

˙™ œ

∑ w-

p

to their

3

3

œ œ œ‰ Œ

3

hands

¢& b

bœœ

œ

œ œ

3 Looped Voice

is no shore

3

∑ ere

ere

3 3

p al niente

œ Œ œ œ

Cerrone—Four Naomi Songs—Full Score

19

G 104 Fl.

° w &b

bœ

œ J œ

, bœ

œ œ J œ

œ J œ

w

3

œ œ J œ

3 3

3

o

o

p

p

Oboe

b˙ C. A.

&b

∑

˙ w

œ œ J œ

w

∑ p

bœ Cl.

&b

œ J œ

bœ œ œ J œ

œ J œ

w

3

3 3

3

o

o p

Bsn.

Hn.

? ¢ b

p

∑

∑

°? w b

∑

∑

∑

∑

œ Œ

Ó

p

Tbn.

o ? œ ¢ b

Œ

w o

Ó

p

œ Œ

Ó

∑

p

FADE LOOP 2 (5 seconds) 7

ADD DELAY: LOOP ONCE f very expressive, full voice

6

° Voice & b

œ œ™ J

bœ ™ ∑

∑

œ J

w

ere

œ J

bœ ™ &b ‹

∑

∑

∑

Ϫ

œ J

ere

ΠLooped Voice

& b wœ

Ó Œ

Œ

ere

œw Ó

is no shore

to their

ere

is no shore

3

op

to their

ere

is no shore

3

œ œ˙ œ œ œ - e - ning

œ Œ œ

∑

to

œ op

ere

is no shore

œ œ˙ œ œ œ - e - ning

œ Œ œ

3

bœœ œ op

œ œ˙ œ œ œ

œ Œ œ

3

bœœ œ

- e - ning

op

œ œ˙ œ œ œ - e - ning

G ∑

∑

∑

∑

Vln.

° b &

&b

∑

∑

∑

∑

Vla.

Vc.

?b

con vib.

b˙ ˙ ∑

∑

∑ & p espress., balance with oboe

Cb.

¢& b ‹

∑

∑

to their

3

3

bœœ

their

3

3

bœ ¢& b œ

Ó

œ

∑

∑

œ Œ œ

œ

Cerrone—Four Naomi Songs—Full Score

20 108 Fl.

° w &b

bœ

œ J œ

bœ

œ œ J œ

w

œ J œ

3

œ œ J œ

3 3

3

o

o

p

p

b˙

b˙ ˙

Ob.

˙ w

&b p

w p

, b bœ Cl.

œ J œ

&

, bœ

œ œ J œ

œ J œ

w

3

œ œ J œ

w

3 3

3

o

o p

Bsn.

Hn.

Tbn.

p

? ¢ b

∑

∑

∑

∑

°? b

∑

∑

∑

∑

? ¢ b

∑

∑

∑

∑ DELAY OFF 8

° bœ ™ Voice & b

œ œ™ J

œ œ™ J

bœ ™

œ J

w

ere

œ J

w

ere

œ J

bœ ™ &b w ‹

Ϫ

œ J

w ∑

ere Looped Voice

ere

is no shore

to

their

ere

is no shore

3

¢& op

to their

ere

is no shore

3

œ œ˙ œ œ œ - e - ning

œ Œ œ

to

œ op

ere

is no shore

œ œ˙ œ œ œ - e - ning

œ Œ œ

3

bœœ œ op

œ œ˙ œ œ œ - e - ning

œ Œ œ

3

bœœ œ op

œ œ˙ œ œ œ - e - ning

° b &

∑

∑

∑

∑

Vln.

&b

∑

∑

∑

∑

Vla.

b˙ Vc.

˙ &b w

w ∑ p

Cb.

¢& b ‹

∑

∑

to their

3

3

bœœ

their

3

3

b bœœ

∑

∑

œ Œ œ

œ

Cerrone—Four Naomi Songs—Full Score

21 attacca

112 Fl.

° w &b

bœ

œ J œ

œ

œ J œ

w ∑

bbbb 23

∑

bbbb 23

3 3

o p

p

To C. A. Ob.

&b

∑

∑

∑

, b bœ Cl.

œ J œ

&

œ

bœ œ J œ

œ J œ

w

3

œ

œ J œ

3 3

3

o

o p

Bsn.

Hn.

Tbn.

bbbb 23

w p

? ¢ b

∑

∑

∑

∑

3 bbbb 2

°? b

∑

∑

∑

∑

3 bbbb 2

? ¢ b

∑

∑

∑

∑

3 bbbb 2

œ œ ˙™

bbbb 23

LOOP 3 OFF SUDDENLY 9

3 3

° Voice & b

bœ ∑

œ ere

is no

shore

ere

is no to their

¢& op

œ

œ œ

œ œ

is no shore

to their ope - n - ing

to their 3

3 Looped Voice

œ

shore

ere

3

b bœœ

œ ∑

œ˙ œ œ œ

- e - ning

œ Œ œ

3

bœœ œ op

œ

œ˙ œ œ œ

- e - ning

œ Œ œ

œ

œ

˙™

∑

bbbb 23

bbbb 23

œ op - e - ning

&b

∑

∑

∑

∑

{

?b

∑

∑

∑

∑

° &b

∑

∑

∑

∑

Vln.

bbbb 23

&b

∑

∑

∑

∑

Vla.

bbbb 23

&b

∑

∑

∑

∑

Vc.

3 bbbb 2

¢& b ‹

∑

∑

∑

∑

Cb.

bbbb 23

Pno.

&

?

bbbb 23

attacca

Cerrone—Four Naomi Songs—Full Score

22

4. What Language Will Be Safe?

As at the beginning q = 66 Fl.

° bb b 3 non vib. & b 2 w™

j œ ‰ Œ

ppp

Ob.

Cl.

Ó

Ó w™

pp

b 3 & b bb 2

ppp

∑

b 3 & b bb 2 œJ ‰ Œ

∑

Ó

∑

w™

j œ ‰

ppp

pp

Ó

mp

Œ

Ó ˙ ppp

?b 3 ¢ b bb 2

∑

∑

∑

Bsn.

°? b b 3 bb2

∑

∑

∑

Hn.

?b 3 ¢ b bb 2

∑

∑

∑

Tbn.

p tender, gentle

° b b3 Voice ¢& b b 2

∑

Ó

Ó

Œ œ œ what

5

b b3 + b & b2 œ

+ Ϫ

+ 5 + + œ™ œ ˙

5

œ

œ

œ œ œ

œ œ œ œ

œ œ

lan -guage will be safe when we

+ Ϫ

+ +5 + œ œ œ™

+ ˙

+ œÓ

5

f

p

mp

f

+ Ϫ

Œ œ œ + + 5

lie

a -wake all

+ ˙ œ J + mp

Pno. f p mf (mute these notes)

p

mp

mp

p

mf

b 3 & b bb 2 ( œœœœœ ) °

{

∑

∑

As at the beginning q = 66 pizz.

Vln.

° bb b 3 & b2 ˙ >

Ó

Ó

Ó

Ó

>˙

f

Vla.

Ó >˙

>˙

f

b 3 & b bb 2

∑

∑

∑ (with piano)

pizz.

>˙ Vc.

>˙

˙-

? bb b 3 b2

>˙

˙-

Ó

œ ˙ J

˙

Ó 5

f

pizz. >˙ b 3 b Cb. ¢& b b 2 ‹ f

f

˙-

˙

>˙

p

f

f

˙-

˙

>˙

p

f

˙-

˙p

Cerrone—Four Naomi Songs—Full Score

23 119 Fl.

° bb j &b b œ ‰ Œ

Ó

w™

j œ ‰ Œ

ppp

pp

Ó

Ó

2 2

Ó

pp

Ob.

Cl.

b & b bb

∑

∑

b & b bb w™

j œ ‰

ppp

Œ

˙ w™ pp

œ Bsn.

∑

2 2

Ó

pp

?b ¢ b bb

2 2

∑

Ó

p

ppp

˙

Πppp (with piano)

∑

2 2

p

°? b b bb

∑

∑

∑

Hn.

2 2

?b ¢ b bb

∑

∑

∑

Tbn.

2 2

with a bit more intensity

° bb Voice ¢& b b ˙

Ó

Œ œ œ

œ

œ

œ œ œ œ œ œ

œ œ œ

Ó

Œ

˙

2 œ œ 2 say -ing

night

what

5

b + & b bb œ ™ f

lan -guage will be safe

+ +5 + œ œ œ™

+ ˙

+ œÓ

p

mp

f

mf

when we lie

5

+ Ϫ

Œ œ œ ™œ + +

a -wake all

night

+ ˙

+ Ϫ

+ +5 + œ œ œ™

+ ˙

mp

f

p

mp

5

mf

2 2

5

Pno. mf

bb &b b

∑

{ Vln.

° bb b & b ˙ >

Ó

∑

Ó

f

Vla.

>˙

∑

>˙

˙-

Ó f

b b >˙ Cb. ¢& b b ‹ f

Ó f

˙-

˙-

>˙

2 2

2 2

∑

˙- ™

>˙ ™

˙-

Ó

f

∑

? bb b b

Ó >˙

f

b & b bb

>˙ Vc.

Ó >˙

2 2

∑

2 2

f

˙-

˙-

>˙

˙-

˙-

2 2 f

p

f

Cerrone—Four Naomi Songs—Full Score

24 poco rit.

122 Fl.

° b b2 &b b 2 w

w

H a tempo 3 2 j ‰ Œ

Ó

Ó

2 2

˙

2 2

œ

ppp

Cor Anglais Ob.

b 2 & b bb 2

∑

3 2Ó

∑

Œ œ p

Cl.

b 2 & b bb 2 œj ‰ Œ

Ó

p

3 2 w™

∑

2 2

pp p

˙ Bsn.

?b 2 ¢ b bb 2

∑

3 2Ó

∑

2 2

Ó p

°? b 2 b bb 2

∑

∑

3 2

∑

Hn.

2 2

?b 2 ¢ b bb 2

∑

∑

3 2

∑

Tbn.

2 2

mp

° b b2 Voice ¢& b b 2 œ œ œ

j œ ‰ ‰ œj

palm words

no

5

bbb 2 + b & 2œ f

j œ™ œ œ œ œ ‰ œ œ fin - ger tip words

5

+ Ϫ

3 2œ

what

œ

lan -guage will be safe

5

+ Ϫ

+ œ

+ œ

mf

p

f

2 œ œ œ œ œ œ 2

œ œ œ

when we lie

5

+ Ϫ

˙

+ 3 2 œÓ

+ Ϫ

+ œ ™œ +

Œ œ +

+ ˙Ó

a - wake all

2 2

mp

f

Pno.

5 mf

b 2 & b bb 2

∑

{

∑

3 2 w™

2 2

mp

poco rit.

Vln.

° bb b 2 & b2˙ >

Ó

∑

a tempo

H 3 2

>˙

Ó >˙

2 2

f

arco, flautando very light bow

Vla.

b 2 & b bb 2

∑

∑

3 2 w™ -

2 2

mp but full!

>˙ Vc.

? bb b 2 b2

∑ f

b b 2 >˙ Cb. ¢& b b 2 ‹ f

˙- ™

>˙ ™

˙-

3 2

2 2 f

˙-

˙-

˙-

3 >˙ 2 f

˙-

˙-

2 2 p

Cerrone—Four Naomi Songs—Full Score

25 125 Fl.

° b b2 &b b 2 w

Œ

w

mp

C. A.

3 2œ

Ó

œ

Œ

Ó

Ó

2 2

˙

2 2

mp

b 2 & b bb 2

∑

∑

3 2Ó

∑

Œ œ p

Cl.

b 2 & b bb 2 œ Œ

Ó

Πw

3 2 w™

Ó

œ

mp

2 2

mp

˙ Bsn.

?b 2 ¢ b bb 2

∑

∑

3 2Ó

∑

2 2

Ó mp

°? b 2 b bb 2

∑

∑

∑

3 2

∑

Hn.

2 2

? b b2 ¢ bb2

∑

∑

∑

3 2

∑

Tbn.

2 2

° b b2 Voice ¢& b b 2 œ Œ

Œ

mf

night

3 3 j‰ ‰ j œ œ œ œ œ œ œ œ œ œ œ Œ œ œ 2œ

say -ing palm

5 bbb 2 + + r5 b & 2 œ™ œ œ œ œ f

p

words

5

+ œ f

no fin -ger -tip words

5

+ Ϫ

+ œ mf

what

2 œ œ œ œ œ œ 2

lan -guage will be safe when we lie a - wake all

5

+ Ϫ

œ œ œ œ

5

+ Ϫ

+ + œ ˙

f

p

+ 3 2 œÓ

+ œ

+ + j Œœ œœ œ + +

+ ˙œ œJ + +

œ +

2 œJ 2 +

f

Pno.

5

5 mp

w™ ? 3 w™ 2

b 2 & b bb 2 w mp -ø-

{

w mp -ø-

2 2

w mp

mf

(pizz.)

Vln.

° bb b 2 & b2˙ >

Ó

f

Vla.

Ó >˙

Ó

>˙

f

b 2 & b bb 2 w

3 2 ˙™ >

2 2

˙- ™

f

w-

3 2 w™ -

w

2 2

mf

>˙ Vc.

˙-

>˙

˙-

arco, flautando very light bow

˙-

? bb b 2 b2

Ó f

f

3 -™ 2w

2 2

mf

(pizz.)

b b 2 >˙ Cb. ¢& b b 2 ‹ f

˙-

>˙ f

˙-

˙-

˙-

3 >˙ 2 f

˙-

˙-

2 2 p

Cerrone—Four Naomi Songs—Full Score

26 129 Fl.

° b b2 &b b 2 w

j œ ‰ Œ

3 2œ

Ó w

Œ

Ó

2 2

Ó

mp

To Ob. C. A.

b 2 j & b bb 2 œ ‰ Œ

Ó

∑

3 2Ó

∑

Œ œ

2 2

˙ mp

Cl.

b 2 & b bb 2 œj ‰ Œ

Ó

j œ ‰

w

Œ

3 2 w™

Ó

mp

2 2

mp (with piano)

œ Bsn.

?b 2 ¢ b bb 2

∑

∑

3 2Ó

∑

˙

2 2

Πmp

con sord.

Hn.

°? b b 2 bb2

∑

∑

™ 3w 2

∑

2 2

ppp sostenuto

con sord.

Tbn.

? b b2 ¢ bb2

∑

∑

3 ™ 2w

∑

2 2

ppp sostenuto

f with great feeling

° b b2 Voice ¢& b b 2 œ

Œ

Œ œ œ

night

say -ing

+ 5+ + + +5 b 2 b & b b 2 Óœ œ œj œÓ œ

œ œ œ palm

3 j j œ ‰ ‰ œ œ œ œ œ

words

no fin -ger -tipwords

5

+ j œ

Œ

Œ œ œ 23 œ

+ + + 5+ + œ œj Óœ œ œj Œ

5

what

œ

œ œ œ

2 œ œ œ œ œ œ 2

lan -guage will be safe when we lie a - wake all

+ + + +5 + + 3 œ œj Óœ œ œj 2 œÓ

5

+ œ

+ + j Œœ œœ œ + +

+ ˙ œJ œ + +

œ +

2 œJ 2 +

f f

f

f

f

f

mf

5

Pno.

5

mf mp

? bb b 2 w w b2 -ø-

w w w -ø-

{

™ 3w w™ 2

w w w

2 2

mf

-øarco, ord. poco vib.

Vln.

° bb b 2 & b2˙ >

Ó ˙-

>˙

f

˙-

˙-

3 2 w™ -

2 2

f mp

ord. poco vib.

Vla.

b 2 & b bb 2 w

w-

3 2 w™ -

w

2 2

mf ord. poco vib.

Vc.

? bb b 2 ˙2

œœ J

˙

b

p

b b 2 >˙ Cb. ¢& b b 2 ‹ f

w w

w w

3 -™ 2w mf

5

˙-

2 2

>˙ f

˙-

˙-

œ- Œ

arco, ord. poco vib.

3 2 w- ™ mp

2 2

Cerrone—Four Naomi Songs—Full Score

27

I 3 2

133 Fl.

° b b2 &b b 2 w

Œ

Ó

œ

w

mp

C. A.

Cl.

mp

b 2 & b bb 2

∑

b 2 & b bb 2 œj ‰ Œ

Ó

pp sub.

∑

∑

j œ ‰

w

w™

Ó Œ

3 2

∑

3 2

∑

3 2

∑

3 2

∑

3 2

∑

mp

Bsn.

Hn.

Tbn.

?b 2 ¢ b bb 2

∑

∑

°? b b 2 w bb2

∑

w

w

w

w

? b b2 w ¢ bb2

p sotto voce

° b b2 Voice ¢& b b 2 ˙

Œ œ œ œ œ œ

night

j œ ‰ ‰ œj œ™ œ œ œ Œ

say -ing palm words

no fin - ger tip words

5

b b2 + b & b2œ f

+ + + + œ œj œ œ 5 5 mf

5

+ j Œ œ

+ + + œ œj Óœ

f

mf

+ œ

+ j Œ œ Ó f

+5 œ

3 œ œ 2œ what

œ

œ œ œ

œ œ œ œ œ œ

lan -guage will be safe when we lie a -wake all

+ + +5 + + j œÓ œ j 23 Óœ œ œ mf

f

5

+ Ϫ

Œ œ œ + + 5 mf

+ œJ ˙Ó + mp

Pno.

? bb b 2 w w b2

{

w w w

w w w

mf

3 ™ 2w -ø-

-ø-

I pizz.

Vln.

° bb b 2 & b2w -

w-

w-

3 2 w™ > f

Vla.

b 2 & b bb 2 w

3 2 w

∑

wpizz.

>˙ Vc.

? bb b 2 wb2

w w

w w

œ J Ó

˙

3 2 5

p

b b2 Cb. ¢& b b 2 w ‹ p

f

pizz.

3 >˙ 2

w-

˙-

wf

mp

˙-

p

Cerrone—Four Naomi Songs—Full Score

28 Slowly, molto rubato, colla voce h = 48

rit.

137 Fl.

° bb j &b b œ ‰ Œ

Ó

Ó

4∑ 2

Ó

2w 2

W Ó

p

3 2

f

Oboe non vib.

C. A.

Cl.

b & b bb

4∑ 2

∑

b & b bb w™

4 j ‰ Œ 2œ

Ó

Ó

Ó

Ó

Ó

∑

2w 2

3 2

2 2w

3 2

2 2w

3 2

W ppp

Bsn.

f

pp

?b ¢ b bb

4∑ 2

∑

Ó

Ó

∑

f

senza sord.

Hn.

W

°? b b bb

4∑ 2

∑

Ó

2w 2

3 2

2 2w -

3 2

˙

> 2 w2

3 2

this

wound

Ó f

senza sord.

Tbn.

?b ¢ b bb

4∑ 2

∑

Ó

W

Ó

f

p f very expressive!

° bb Voice ¢& b b w™

4∑ 2

˙

night

this

5

bb + &b b œ f

> w™

Ó

+ Ϫ p

+5 + œ œ™

+ ˙

+ 4 2œ

p

mp

f

mf

5

+ Ϫ

+ 5 + œ™ œ

+ ˙

p

mf

mp

p

wound

W W W

Ó

2w 2w

3 2

2 2w w w ø

3 2

Pno. ff

? bb b b -ø-

4 2

∑

{

∑

W W W °

°

Slowly, molto rubato, colla voce h = 48

rit.

arco

Vln.

° bb &b b ˙ >

Ó ˙-

4 2˙ >

f

Ó

Ó

˙-

W >-

f

2w 2 >

3 2

>2w 2

3 2

2w 2 >

3 2

2 2w >

3 2

f

arco

Vla.

b & b bb

4∑ 2

∑

Ó

Ó

B

W >f

>˙

>˙ arco

Vc.

? bb b b

Ó

Ó

4 2

Ó

Ó

>W

Ó

f

f

arco

b b >˙ Cb. ¢& b b ‹ f

˙-

˙-

4 >˙ 2 f

˙-

˙Ó p

? ‹

>W f

Cerrone—Four Naomi Songs—Full Score

29 Even slower, very tender h = 44

141 Fl.

° bb b 3 w ™ & b2

4 2W

nnnb j ‰ Œ Ó œ

∑

∑

nnnb œ ‰ Œ Ó J

∑

∑

nnnb j ‰ Œ Ó œ

∑

∑

œ nnnb J ‰ Œ Ó

∑

∑

+ n nb œ ‰ Œ Ó n J

∑

∑

ppp morendo

Ob.

bbb 3 w ™ b & 2

4W 2

f

Cl.

ppp morendo

b 3 & b bb 2 w™

4 2W pp morendo

W Bsn.

?b 3 ¢ b bb 2 w™

4 2 ppp morendo

Hn.

+ 4W 2

°? b 3 w ™ b bb 2

ppp morendo

Tbn.

?b 3 ¢ b bb 2 w™

4 2

n nb n

∑

∑

∑

short

˙™ ° bb b 3 U b Voice ¢& 2

œ œ œ œ 4 p sub.

2 w™

with tenderness

nnnb œ œ

Œ œ œ

œ <n>œ œ ˙

Œ œ œ

œ œ œ ˙

3

search - ing us for a

™ bbb 3 w b & 2 w™

voice

4 2

w ™ w w ™™

will be

come

a foun -tain

nnnb Œ <n>œ Œ

Ó

ppp

will be come - a foun -tain

Œ ∑

Œ œ Œ

ppp

will be -

Œ ∑

ppp

Pno.

? bb b 3 b 2 w ™™ w w™

{

W 4W 2W

˙ nnnb ˙

una corda al fine

˙ ˙ ∑

∑

(do not clear pedal)

ø Even slower, very tender h = 44 tasto poco vib.

tasto

Vln.

° bb b 3 & b 2 w™

nnnb

4 2W p sub.

œ <n>œœ w ™ pp

B bbbb 23 w ™

<n>w w ™™ pp

molto tasto poco vib

tasto

Vla.

˙

4W 2

nnnb Ó

&<n>w w ™™

œ <n>œœ w ™

p sub. pp

pp

w™

W

molto tasto poco vib. tasto

Vc.

? b b 3 w™ bb2

4W 2

nnnb ˙

p sub.

pp

tasto

molto tasto poco vib.

pp

W Cb.

?b 3 ¢‹ b bb 2 w™

nnnb

4 2

& ‹ p sub.

w- ™ W pp

˙ pp

Cerrone—Four Naomi Songs—Full Score

30 145

rit al fine.

U ∑

∑

∑

U ∑

Fl.

° &b

&b

U ∑

∑

∑

U ∑

Ob.

&b

U ∑

∑

Cl.

U ∑ W o

w ppp

?b

U ∑

∑

∑

U ∑

°? b

U ∑

∑

∑

U ∑

Hn.

?b

U ∑

∑

∑

U ∑

Tbn.

Bsn.

¢

¢

U œ

U ° œ œ ˙ Voice ¢& b œ

Ϫ

come a foun -tain

&b Œ

œ Ó

al niente

with rooms

j œ w to

w

w

w

let

j œ ‰ Œ

U ∑

Ó

(t)

∑

∑

∑

U ∑

∑

∑

∑

U ∑

ppp

Pno.

˙ ?b ˙

{

l.v. al fine

tasto possibile directly on the fingerboard close to your le hand

rit al fine. piu tasto

Vln.

U ° & b œ <n>œœ w ™

˙

<n>w w ™™

œ œœ w ™

˙

<n>w w ™™

pp poco a poco morendo tasto possibile directly on the fingerboard close to your le hand

piu tasto

Vla.

&b ˙ pp

U <n>w w ™™

œ œœ w ™

˙

<n>w w ™™

œ

œœ w ™

pp poco a poco morendo tasto possibile directly on the fingerboard close to your le hand

U w- ™ Vc.

?b ˙

piu tasto

˙

W

˙

w

U W

pp poco a poco morendo tasto possibile directly on the fingerboard close to your le hand piu tasto

U Cb. ¢& b W ‹ pp-

˙˙ poco a poco morendo

w

˙ W

U w

˙ April 21, 2015 Brooklyn, NY

3. When Our Hands Are Alone Appendix

(version for live voices) 88

Sweet and gentle q = 60 Flute

° 4 &b 4 w —

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

al niente To Ob.

Cor Anglais

4 &b 4 —œ

Clarinet in Bb

4 &b 4 —w

Œ

Ó

al niente

al niente

? 4–<b>˙ Bassoon ¢ b 4

Ó al niente

° 4 Horn in F & b 4

∑

∑

∑

∑

? 4 ¢ b4

∑

∑

∑

∑

Trombone

p tender, affetuoso

3 3

° 4 Voice & b 4

∑

Ó

Œ

‰ œ œ œ

œœœ œ œ œ œ œ œ

when our hands are a - lone

Œ

Ó

œ

they o -pen, like fa - ces p tender, affetuoso

3 3 1

4 &b 4

∑

∑

Ó

Œ

‰ œ œ œ

œœœ

œ œ œ œ œ

when our hands are a - lone

they o pen, like

Aux Voices p tender, affetuoso

3 2

b4 ¢& 4

∑

∑

∑

Ó

Œ

‰ œ œ when our

(l.v.)

Piano

4 &b 4 w – ww – —w — ?b 4 ∑ 4

∑

∑

∑

∑

∑

∑

{

Sweet and gentle q = 60 senza sord. molto tasto poco vib.

0

Violin

° b4 & 4 œ œœ ˙- ™

œ

p

mp like a harmonium senza sord. molto tasto poco vib.

Viola

4 &b 4 Œ

˙˙ ™™ -

˙- ™ Violoncello

p

œ-

pp

p

mp

œ

˙˙ ™™ -

œ

p

p

˙- ™

w-

p

p

œ œœ ˙- ™

p p like a harmonium molto tasto poco vib.

?b 4 Π4

˙˙ ™™ -

mp

w-

œœ

˙- ™

œ

p

˙˙ ™™ -

œ

pp

œœ

˙- ™ mp

like a harmonium molto tasto poco vib.

Contrabass

˙- ™

4 ¢& b 4 w‹ p

œ p like a harmonium

˙™ wp

œ p

32 92

∑

∑

∑

∑

Fl.

° &b

&b

∑

∑

∑

∑

C. A.

&b

∑

∑

Cl.

Πw o

Ó

œ p

Bsn.

Hn.

Tbn.

Voice

? ¢ b

∑

∑

∑

w o

° b &

∑

∑

∑

∑

? ¢ b

∑

∑

∑

∑

° b &

∑

∑

Œ ˙™

œ

Ó

œ

mm

3

3

3 1

&b œ

Œ œ

fa - ces

Œ

3

‰ œ œ œ

œœœ

œ œ œ œ œ œ œ Œ

when our hands are a - lone

Œ

they o pen,like fa - ces

‰ œ œ œ

œœœ

when our hands are a - lone

œ œ œ œ œ they o pen, like

Aux Voices hum

3 3 2

¢& b œ

œœœ

hands are a - lone

Vln.

° b & œp

Vla.

Vc.

&b œ

œœ

˙- ™

Ó

∑

œ

˙™

they o pen, like fa - ces

mm

œ

˙˙ ™™ -

œ

p

p

˙- ™

w-

?b œ

¢& b w‹ p

Œ

mp

p

Cb.

œ œ œ œ œ œ

œœ

˙˙ ™™ -

œ- œœ ˙- ™

pp

p

mp

˙- ™

œ

˙˙ ™™ -

œ

p

p

˙- ™

w-

p

p

mp

œ

p

˙˙ ™™ pp

œœ

˙- ™ mp

˙™ w-

p

when our

œ

˙™ œ

‰ œ œ

p

œ p

33

F 96

° &b

∑

∑

∑

∑

Fl.

&b

∑

∑

∑

∑

C. A.

Cl.

&b

bœ

œ J œ

Œ Ó

œ

œ J œ

w

3 3

Bsn.

w o ? œ ¢ b

œ o p p

w o

Œ Ó

œ Œ

Ó

∑

p

p

con sord.

Hn.

° b &

w

?

∑

œ

∑

Œ Ó p

o con sord.

?b

Tbn.

w ∑

∑

∑

¢ o

mp

3 3

° Voice & b

bœ ∑

œ œ

œ

œœ

œ œ œ

is no shore

to their op - en - ing

∑ ere

hum

œ œ Ó

hum

3

3

3 1

& b ˙™

3

‰ œ œ œ

mm

œ œ œ œ œ œ œ œ ˙™

when our hands are a - lone

‰ œ œ œ

they o pen, like mm

œœœ œ œ œ œ œ

when our hands are a - lone they o pen, like

Aux Voices hum hum

3

3 3

2

¢& b œ

œ œ œ œ œ œ œ œ ˙™

3

‰ œ œ œ

hands are a - lone they o pen, like mm

œœœ

when our hands are a - lone

œ œ œ œ œ ˙™

‰ œ œ

they o pen, like mm

when our

F Vln.

° b & œp

Vla.

Vc.

&b œ

œœ ˙ ™ mp

˙˙ ™™ -

œ

p

p

˙- ™

w-

?b œ p

Cb.

¢& b w‹ p

œ

˙˙ ™™ -

œ-

pp

p

mp

œ

œœ ˙ ™ mp

œœ ˙ ™ -

œ

˙˙ ™™

˙˙ ™™ -

œ

œœ ˙ ™

p

p

˙- ™

w-

p

p

œ

p

˙™ œ

˙™ w-

p

mp

p

œ p

34 100 sim.

Flute Fl.

bœo

° &b

œo

œ J œ

∑

œ J œ

o w

bœ œ J œ o 3

3 3

o

œ œ J œ 3

p

C. A.

&b

Cl.

&b

∑

bœ

œ J œ

∑

œ

œ J œ

∑

bœ

œ J œ

w

3

∑

œ

œ J œ

3 3

3

o

o p

Bsn.

? ¢ b

Hn.

°? w b o

p

∑

∑

∑

œ Œ

∑

w o

Ó

œ Œ

? œ ¢ b

w Œ

Ó

p

p

Tbn.

w

œ

Ó

Œ

w o

Ó

o p p

3 3

° bœ Voice & b

œ ere

œ

œ

œœ

œ œ œ

œ œ

is no shore

to their op - en - ing

Ó

∑

∑

3

3 3

3

3 1

&b œ

œœœ

hands are a - lone

3

bœ œ œ œ œ œ they o pen,like

œ ere

œ

bœ œ œ œ œ œ œ œ œ œœ œ œ

œ œœœ

œœ

œ œ œ

is no shore

to their hands are a - lone

they o pen,like

ere is no shore to their

Aux Voices

3 3 3 2

¢& b w

œ

mm

œœœ hands are a - lone

bœ œ œ œ œ œ they o pen, like

œ ere

œ

œ

œœ

œ œ w

is no shore

to their mm

0

Vln.

° b & œp

œœ ˙ ™

œ

˙˙ ™™

mp

œ

Ó

œœ ˙ ™

˙

p al niente III 0

Vla.

&b œ

˙˙ ™™

œ

p

p

œœ ˙ ™

œ

mp

Ó

˙˙ ™™

˙˙

p al niente

˙- ™ Vc.

?b œ

˙- ™

w-

œ

œ Œ

p

p

Ó

p al niente

Cb.

¢& b w‹ p

˙™ œ

∑ w-

p

p al niente

35

G 104

, Fl.

° w &b

bœ

œ J œ

œ

œ J œ

bœ

œ J œ

w

3

œ

œ J œ

3 3

3

o

o

p

p

Oboe

b˙ C. A.

&b

∑

˙ w ∑ p

bœ Cl.

œ J œ

&b

œ

œ J œ

bœ

œ J œ

w

3

œ

œ J œ

w

3 3

3

o

o p

Bsn.

Hn.

? ¢ b

p

∑

∑

°? w b

∑

∑

∑

∑

Ó

∑

œ Œ

Ó

p

Tbn.

o ? œ ¢ b

Œ

w o

Ó

p

œ Œ p

f very expressive, full voice

Voice

° b &

œ œ™ J

bœ ™ ∑

∑

œ J

w

ere

3

3 3

bœ 1

œ

&b w mm

ere

œ

3

bœ œ

œ œ œ

œ œ

œ œ

is no shore

to their op - en - ing

œ œ

œ

Ó ere

œ œ

œ œ

is no shore

to their

œ œ™ J

œ J

Aux Voices

3

3 3

b bœ 2

œ

¢& ere

œ

3

bœ œ

œ œ

œ œ œ œ œ

is no shore

to their op - en - ing

œ œ

bœ ™

œ

Ó ere

œ œ

œ

œ

is no shore

to

their

ere

G ∑

∑

∑

∑

Vln.

° b &

&b

∑

∑

∑

∑

Vla.

Vc.

?b

con vib.

b˙ ˙ ∑

∑

∑ & p espress., balance with oboe

Cb.

¢& b ‹

∑

∑

∑

∑

36 108 Fl.

° w &b

bœ

œ J œ

œ

bœ

œ J œ

œ J œ

w

3

œ

œ J œ

3 3

3

o

o

p

p

b˙ Ob.

b˙ ˙

˙ w

&b p

w p

, b bœ Cl.

œ J œ

&

œ

, bœ

œ J œ

œ J œ

w

3

œ

œ J œ

w

3 3

3

o

o p

Bsn.

? ¢ b

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

°?

Hn.

b

Tbn.

? ¢ b

Voice

° b bœ ™ &

œ œ™ J

w

ere

3

œ ere

w

3

3 1

œ J

ere

3

bœ &b

œ œ™ J

bœ ™

œ J

œ

3

bœ œ

œ œ

œ

œ

is no shore

to

their

œ ere

œ

3

bœ œ

œ œ

œ œ

is no shore

to their

œ œ™ J

œ J

œ ere

œ

œ

œ œ œ

œ œ

œ

is no shore

to

Ó œ their op - en - ing

Aux Voices

3 3

bœ ™ 2

˙ ¢& b

Ó

bœ ˙

œ œ

Ó

ere

ere

œ œ

œ œ

is no shore

to their

° b &

∑

∑

∑

∑

Vln.

&b

∑

∑

∑

∑

Vla.

b˙ Vc.

˙ &b w

w ∑ p

Cb.

¢& b ‹

∑

∑

œ

∑

∑

37 attacca

112 Fl.

° w &b

bœ

œ J œ

œ

œ J œ

w ∑

bbbb

∑

bbbb

3 3

o p

p

To C. A. Ob.

&b

∑

∑

∑

, b bœ Cl.

œ J œ

&

œ

œ J œ

bœ

œ J œ

w

3

œ

œ J œ

3 3

3

o

o p

Bsn.

bbbb

w

? ¢ b

p

∑

∑

∑

∑

bbbb

∑

∑

∑

∑

bbbb

∑

∑

bbbb

œ œ œ œ ˙™

bbbb

œ œ is no shore

to their ope - n - ing

°?

Hn.

b

? ¢ b

∑

∑

Tbn.

° Voice & b

∑

∑

3 3

bœ

œ ere

œ

œ

3 3 1

bœ &b

œ ere

œ

œ

œ œ œ

œ œ

œ œ

is no shore

to their op - en - ing

Ó

∑

∑

bbbb

∑

bbbb

Aux Voices

3 3

bœ 2

œ œ œ ¢& b

œ œ œ œ

œ œ œ œ œ

is no shore

to their op - en - ing

Ó

op - en - ing

ere

œ Ó

° b &

∑

∑

∑

∑

bbbb

Vln.

&b

∑

∑

∑

∑

bbbb

Vla.

&b

∑

∑

∑

∑

Vc.

¢& b ‹

∑

∑

∑

∑

Cb.

?

bbbb

bbbb & ‹

attacca