Feb/March 2023

Page 44

CHRISTINA BINKLEY

KOBE WAGSTAFF

CAT DAWSON

Christina Binkley writes about the business of culture with a big dose of fashion and smidgeons of tech, art, and the gambling industry. She co-hosts the podcast Hot Buttons, which explores the ethics and sustainability of fashion on a changing planet, and is editor-at-large of Vogue Business as well as a contributor to WSJ Magazine, and The New Yorker. She is the author of the New York Times bestseller Winner Takes All, and shared in a group Pulitzer prize for coverage of 9/11. “Bruce Weber is a legend in photography and in fashion—one of a handful of creative people whose work has helped define the era in which they worked,” Binkley says. “I was curious about why he was so obsessed with a longforgotten Italian photographer Paolo Di Paolo, and his answers revealed more than I anticipated.”

Kobe Wagstaff’s work is rooted in fluidity. The artist is dedicated to photographing the things they want to learn more about—most recently, the societal construction of gender. Their work, defined by its sense of simplicity and harmonious blend of color and composition, has captured subjects for the Brooklyn Academy of Music, The Elder Statesman, and this magazine. Wagstaff shot two editorials in this issue, a portfolio of eight Hollywood talents “at the beginning of their legacy, coming into the fold of their artistry,” and wunderkind Marsai Martin.

Cat Dawson is an academic, critic, entrepreneur, and Andrew W. Mellon Postdoctoral Fellow who writes about the intersection of culture, technology, and aesthetics. They regularly publish scholarship and criticism and have lectured at leading institutions including Smith College, the University of Pennsylvania, and Harvard University. Dawson’s first book, Monumental: Race, Representation, Redress, will be published by MIT in 2024. For this issue, they surveyed the contemporary film festival landscape. “When Netflix started, the DVDs came in envelopes, signaling a shift,” they say. “But the envelopes were just the first step of a massive change in how we consume content.”

Writer

Photographer

RACHEL CARGLE Writer

Rachel Cargle is an Ohio-born, Brooklyn-based writer and entrepreneur. She is the founder of multiple organizations, including The Loveland Group, a constellation of social enterprises dedicated to Black and QTBIPOC culture; The Loveland Foundation, which offers free therapy to Black women and gender nonconforming individuals; and Elizabeth’s Bookshop & Writing Centre, a space that amplifies the work of writers who are often excluded from traditional canons. Cargle’s writing has appeared in Atmos Magazine and The Cut, and she is a contributing columnist at CULTURED. Her debut book, A Renaissance of Our Own: A Memoir & Manifesto on Reimagining, will be released this May with Ballantine. “I’m thrilled to be in thought and conversation with such dynamic artists,” she says of the young actor and activist Marsai Martin, whom she profiled in this issue. “The chance to witness humanity through art is a deep honor.” 42 culturedmag.com

Writer / Art Historian

CHRISTINA BINKLEY, PHOTOGRAPHY BY HARPER RUBIN; RACHEL CARGLE, PHOTOGRAPHY BY LELANIE FOSTER

CONTRIBUTORS


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Gucci ArtLab is more than just a place to refine and road test new designs—it’s a dedicated think-tank and research lab devoted to the brand’s sustainability efforts.

3min
pages 165-167

MATTAFORMA

7min
pages 152-161

AGENCY —AGENCY

1min
page 151

ESTUDIO FLUME

1min
page 150

MINJAE KIM

1min
page 149

LIMBO ACCRA

3min
pages 147-148

LADI’SASHA JONES

1min
page 146

COOKING SECTIONS

1min
page 145

INTERVAL PROJECTS

3min
pages 143-144

POCKETS OF OUR OWN UNIVERSE

12min
pages 134-141

In the lobby of MoMA for the past few months, a huge

8min
pages 132-133

The artist Jim Shaw’s

8min
pages 124-128, 130-131

KELSEY ASBILLE

1min
pages 120-121, 123

HAVANA ROSE LIU

2min
pages 116, 118-119

QUINTESSA SWINDELL

2min
pages 112-115

JACK DYLAN GRAZER

1min
page 110

MAKING HOLLY WOOD THEIR OWN

3min
pages 104-106, 108-109

Kid Cudi by to be Vulnerable

7min
pages 90-91, 93-94, 96, 101-102

Social Networking

4min
page 82

The Butterfly Effect

6min
pages 78, 80-81

Hidden Treasures

2min
pages 76-77

Wanting, Love, and Loss

5min
pages 74-75

Ballet, Pig Farming, and Art-Making

5min
pages 72-73

Encounters with Endlessness

4min
pages 70-71

Close-Knit

1min
pages 66, 69

This Time Tomorrow

1min
page 64

Empathy in Bronze

1min
page 62

Still Waters Run Deep

1min
page 60

Lost and Found

1min
page 58

The Truth Comes Out

4min
pages 54, 56

LETTER EDITOR from the

1min
page 52

CONTRIBUTORS

1min
pages 46, 48

CONTRIBUTORS

1min
pages 44, 46

CONTENTS

1min
pages 42, 44

CONTENTS

2min
pages 36-37, 40

Gucci ArtLab is more than just a place to refine and road test new designs—it’s a dedicated think-tank and research lab devoted to the brand’s sustainability efforts.

3min
pages 165-167

MATTAFORMA

7min
pages 152-161

AGENCY —AGENCY

1min
page 151

ESTUDIO FLUME

1min
page 150

MINJAE KIM

1min
page 149

LIMBO ACCRA

3min
pages 147-148

LADI’SASHA JONES

1min
page 146

COOKING SECTIONS

1min
page 145

INTERVAL PROJECTS

3min
pages 143-144

POCKETS OF OUR OWN UNIVERSE

12min
pages 134-141

In the lobby of MoMA for the past few months, a huge

8min
pages 132-133

The artist Jim Shaw’s

8min
pages 124-128, 130-131

KELSEY ASBILLE

1min
pages 120-121, 123

HAVANA ROSE LIU

2min
pages 116, 118-119

QUINTESSA SWINDELL

2min
pages 112-115

JACK DYLAN GRAZER

1min
page 110

MAKING HOLLY WOOD THEIR OWN

3min
pages 104-106, 108-109

Kid Cudi by to be Vulnerable

7min
pages 90-91, 93-94, 96, 101-102

Social Networking

4min
page 82

The Butterfly Effect

6min
pages 78, 80-81

Hidden Treasures

2min
pages 76-77

Wanting, Love, and Loss

5min
pages 74-75

Ballet, Pig Farming, and Art-Making

5min
pages 72-73

Encounters with Endlessness

4min
pages 70-71

Close-Knit

1min
pages 66, 69

This Time Tomorrow

1min
page 64

Empathy in Bronze

1min
page 62

Still Waters Run Deep

1min
page 60

Lost and Found

1min
page 58

The Truth Comes Out

4min
pages 54, 56

LETTER EDITOR from the

1min
page 52

CONTRIBUTORS

1min
pages 46, 48

CONTRIBUTORS

1min
pages 44, 46

CONTENTS

1min
pages 42, 44

CONTENTS

2min
pages 36-37, 40
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