Q PORTFOLIO Francisco Pérez Alcántara
Index of contents School projects................ 1 Graphic design works...... 23 Industrial Design............ 27 Contact
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Francisco Pérez Alcántara
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Francisco Pérez Alcántara
LANDSCAPES PRODUCTION: THE WINERY ARCHITECTURAL DESIGN II, ETSA SEVILLE, YEAR 2003/2004
The project is based on two basic elements: boxes and walls. These walls try to put in order and to position the space. They penetrate into the ancient buildings of the winery in different ways. The boxes have intrinsic qualities and many sizes, but at the same time they 9
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show the content of the different parts of the winery. It is a game where they can’t do without each other. Together they build a complete tour through the wine-producing complex. (Produced in collaboration with B. Olea Villoslada, José A. Pavón González y M. Páez García)
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KEY
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1. Reception
10. Main room
2. Toilets
11. Watching room 2
3. Showing room
12. Room for events 13. Office rooms
4. Conference room 11
5. Smell room 6. Bottled room 7. Entrance of materials 8. Exit of materials
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9. Vip Cata room
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Francisco Pérez Alcántara
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Situation plan: Sánchez Romate winery, Jerez Section AA’
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Basement floor: office rooms and store Section BB’
EXPOSITION AND OFFICE PAVILLION ARCHITECTURAL DESIGN II, ETSA SEVILLE, YEAR 2003/2004
The building was conceived as a clean geometric volume. In order to catch the attention from the people walking, the prism that flies over the street. Inside this geometric figure
Section CC’
Section EE’
Section DD’
Section FF’
it is developed the exhibitions. The stairs in the showing room are usedfor sitting and watching the projection. Ground floor: showing room and courtyard
There is a double access, from the street and from inside of the building, to the ground floor where all the administrative uses are located.
First floor: exhibition room and toilets
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Francisco Pérez Alcántara
Santa Justa rail station
Kansas City Avenue
FROM THE SCULPTURE TO THE ARCHITECTURE ARCHITECTURAL DESIGN III, ETSA SEVILLE, YEAR 2004/2005
This exercise consists in the reinterpretation of piece of work from a sculptor. Our choice was a No title Palazuelo’s sculpture. In our analysis we highlighted the space between the steel trays… it is a section which is given to be crossed by every kind of flows. The flows of a multi-modal transports exchange building. We located our project near to the Santa Justa rail station in Kansas City Avenue. In a near future it is a measure planned by the government of Seville. KEY: 1a- Main access from the subway entrance / 1b- Secondary access / 2- Multifunctional space / 3- Services and stores / 4- Bus station / 5- Cultural space (exhibitions-
No title, Pablo Palazuelo
theater) / 6- Offices-housing-shopping centre / 7- Subway
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These images are from the constructive process. Work in collaboration with José Antonio Pavón González.
Plan , Longitudinal section , Cross section
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SEVIL L E’S A R C H A EOL OGIC A L M U SE U M E X TE N S I O N PROYECTOS IV, ETSA SEVILLA, CURSO 2005/2006
The project is situated a square behind the museum. It tries to look for the maximum versatility of a box. In order to reach this aim I based my work on: free plan, neutral space, strong technological support and functional space. We add to all these qualities a new concept of “display cabinet”. We approach to consumption spaces through a way to visit the buildings out of pressure. We are talking about minimalism related with obsolete ancient structures and images This
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way of making architecture is the most capable to deal with complicated programs like a s3
modern art museum. It is a light transparent container with a certain sensibility with its
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surrounding area.
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Second floor
KEY 1. Restaurant 2. Snack bar 3. Secondary access s1
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Section 1_s1 s1
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First floor, ground elevantion
Section 3_s3
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SEVILLE’S ARCHAEOLOGICAL MUSEUM EXTENSION ARCHITECTURAL DESIGN IV, ETSA SEVILLE, YEAR 2005/2006
The museum sinks into the ground in order to induce the visitor to the deception. What at first sight seems to be a small room, it becomes a great suitable space for arts exhibition. Underground connection with the Archaeological Museum
The objective is to create a really big hall. It is like an enormous shop window where the visitors could see all the pieces of work displayed in the museum. People are allowed to look around and decide a personal tour for the exhibition. Modern art has a lot of variants so the structure of the building is wide open and has no obstacles.
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4. Meeting point 5. Ticket office and cloakroom 6. Shop
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Section 6_ s6
Section 7_ s7
7. Exhibition space s6
KEY s5
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Ground floor, underground
8. Warehouse 9. Multifunctional space s6
10. 11. Room for activities:
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video, workshop, multimedia system and chill out s4
12. Dressing room
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Section 4_ s4
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Section 5_ s5
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Floor -1, underground
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Residential complex R4
Intermodal station 3 4 5
University unit: departament + restroom + classroom Secretary’s office 6 Leisure space Library Cultural meeting square LOCATION PLAN 1. Nautical infrastructures 2. University 3. Main residential area 4. Sport complex 5. Services and equipment
Showing room Living room Roof access
6. Metropolitan park
Designing process with a working model Preservation of the seaside walk
PRIVATE UNIVERSITY OF ALGECIRAS
ARCHITECTURAL DESIGN, ETSA SEVILLE, YEAR 2004/2005 Reidential complex R3
The university is a place for the transfer of knowledge. Consequently it has the capacity to generate its own culture of space. Moreover it is a great skill
Residential complex R1
to help with the development of a certain region without including the
Equipments
common missions which everybody knew and are attributed to the university: teaching and investigation. These are the four thoughts between city and university: 1- Form adaptation during time of the university program. Residential complex R2
2- The design of a continuous form in constant transformation, under the view of the relation between university, society and urban development. 3- Integration in the urban context, from the juxtaposition to the superposi-
Sport complex
tion and identification between university and town. 4- Generate inside the campus its own activities with the purpose of generating functional autonomy.
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Francisco Pérez Alcántara
CUBE HOUSE: RESIDENCE FOR STUDENTS
FUNDAMENTOS DEL HABITAR, ETSA SEVILLE, YEAR 2006/2007 The program for this house is an invented initiative for students. If you spend your spare
time helping kids and educating them, the government will give you the key for a new residence. Each one of these structures is for 3 or 4 students, with kitchen, dining room, living room and bathroom. Moreover in the basement there is a playroom with a workshop and a warehouse. The building is situated in a 4 meters drop in the level of the ground. It is allowed a double access to the house and a stronger independency of uses between residential and educational.
Underground plan, playground
Basement plan, common space
First floor
Second floor
KEY 1. Playgroung
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2. Warehouse
KEY 4
3. Taller
8. Studio 10
4. Meeting room 7
5. Dinning room 6. Kitchen
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room 8
7. Living room
Section aa’
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10. Bedrooms 11. Terrace
Section bb’
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9. Toilet and dressing
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Section cc’
Section dd’
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Francisco Pérez Alcántara Alison y Peter Smithson Masterplan
Wallpaper de Lene Toni Kjeld
EVOLUTION IN THE CONFIGURATION OF A NEW WEAVE Frame expanding Images from the Feria de Abril from Seville Municip
al sport
s facilliti
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inuat
frame
ess
to th e riv
ersid e
Cont
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Acc
Front from the Feria in the XIX The feria in its origins was a camp where it used
From the typical iconography of the polka-dots,
Improving the generation of new public spaces and communications we
La nueva ordenación de la feria es en esencia
to trade with cattle. Nowadays it still looks likes
we find most of the keys of the development of
would finish with this sort of NO TOWN. The ground is an activated element
una superposición de capas de distintos materi-
more or less as it used to be, however its use
this ephemeral town.
where the directions and shape of the frame come from the interaction with
ales, texturas vegetales y colores.
has changed radically toplace for leisure.
Neolaster Studio project
the environment. Gigon & Guyer archeological park
KEY 1. Resting space
EVOLUTION IN THE AGRUPATION OF HUTS 1.
2. Tenis court
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3. Open air concerts 4. Summer cinema 3.
The aperture of a hollow in the middle of the block of huts creates a double facade and an internal park.
We are now talking about a new model of hunt with a chaotic organization. It
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is a new open model to the possibility of different uses.
N EW FA IR GR O U N D OF ALCALA DE GUADAIRA
KEY
ARCHITECTURAL DESIGN V, ETSA SEVILLE, YEAR 2006/2007
The evolution is a bigger
This exercise makes us reflect on the hackneyed and obsolete model of ephemeral
dilation which permits a major
town. The festivals in the south of Spain take place in strategic spaces of the cities. They
variety of uses and contents.
are often used only few weeks every year. The idea presented in the workshop was to
GROUP OF HUNTS AND NEW HUNT MODEL
1. Portable toilet 4. 3.
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Hunt
Common hunt
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think about a new model of hunt that hasn’t been revised since the XIX century.
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2. Kitchen unit
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create a park that has the possibility to turn into a festival or similar. Moreover we had to
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3. Facade unit 4. Warehouse unit
Francisco Pérez Alcántara
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Francisco Pérez Alcántara
Vertical section through hunt facade
Expansion of the fairground to a urban concept
Acrilic miniwave perforated panel b
Municipal cleaning park
Verticals with a spike UVR (40mm diameter)
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Collar (160mm diameter) Crossbeam UH 200 (40x60 with changeable lengh)
KEY
Municipal swimming pool
1. Hunt
Municipal sports center
2. Kitchen space 3. Toilet space 4. Crossing space
section
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1. 3. 1. San Juan waterwheel
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Parking 1.
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Funfair Benarosa waterwheel
1. Group of hunt’s conic perspective
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3.
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Francisco Pérez Alcántara
Heliotropo Center of Arts ground floor, restoration of the ancient fabric of hats Sánchez & Roche Inocentes street
et Maravillas stre
t
as stree
Clavellin
Graphic analysis of the old quarter of Seville + Project situation
Difussion of the handicrafts workshop + Center situation
HELIOTROPO CENTER OF ARTS
FINAL PROJECT, ETSA SEVILLA, YEAR 2007/2008 The start point for this project was the consideration which the urban plan of the Historical Centre of Seville is like a capillary with axis in two directions. The project want to allow the cross communication and generate a public space inside the Infantes street
block. As a result it is possible to adequate the ground floor from all the residence buildings for the handicraft activity. What we try to do with the program of this Promotion and Information office Multiple uses space Installations room Toilets Bar/Restaurant Shop Complementary space of the center
center is to centralize all the handicrafts workshops disseminated through all the old part of town. The role of the Heliotropo Center of Arts is to administer the artists, so they could be more efficient and competitive in the market.
Maravillas street
et
Heliotropo stre
Castellar street
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PARKLIFT
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Longitudinal section BB'
Technical management office (Tutor advice) Center management office Exhibition space Nursery of companys Installations room Toilets Warehouse/Archive
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A'
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Heliotropo Center of Arts first floor
Image from the fabric’s inside (Techinical Office)
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Cross section AA'
Nursery of companys Installations room Toilets
Heliotropo Center of Arts second floor
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Present image from the inside (Exhibition space)
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Francisco Pérez Alcántara
LOGOTYPES DESIGNED FOR DIFFERENT PROYECTS FROM THE SCHOOL
COMPETITION FOR A GRAPHIC ELEMENT THAT REPRESENTS THE FIGHT AGAINST THE GENDER VIOLENCE / JULY 2006
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CASA CUBO Logotype produced for the exhibition and Sanchez Romate offices.
Logo developed for the student residence
María Carmen García Xxxxxx xxx xxxxx
CONTRA LA VIOLENCIA DE GENERO
CONTRA LA VIOLENCIA DE GENERO
igualdad
igualdad
CONTRA LA VIOLENCIA DE GENERO
Xxxxx xxx xxxx xxx xxx x Xxxxx xx xxx xxxx Tel: 954 22 36 69 Fax: 954 22 36 65 Email: sdghetyiudhjkyue.es www.kjdhfwuiojns.es
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DESING OF IDNETITY CARD, STATIONERY AND ACCESORIES.
D AD DA R SS II D V EE R U N II V UN
PP RR II V VA AD DA A D D EE
Francisc
SS A A R R I I C C E E G A A LL G
o Pérez Alcántara PIV taller C
LOGOTYPES DESIGN JUNE 2002 / SEPTEMBER 2008
Identity made for the Algeciras Private University in the workshop of Architectural Design IV
In architecture despite the creation of new habitat and spaces, it CONTRA LA VIOLENCIA DE GENERO
igualdad
is very important the way of drawing and represents them graphically. The drawing and the construction are two forms of giving personality to the work of architecture. We could recognize the authority of a building not only from a photo also from the way it is drawn. In my work I always try to go one step further creating specific images for each project and program. This is not just a
CHA Image developed for the Archeologycal Museum extension
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hobby, I truly feel admiration for the graphic design.
Identity made for the Heliotropo Arts Center
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Francisco Pérez Alcántara cAaC
SEVILLE’S CAAC MERCHANDISING
cAaC
RESTRICTED COMPETITION / PÉREZ ESCOLANO Y ASOCIADOS / JANUARY 2006 The bases for this competition were to update all the material that were sold in cAaC
the Centro Andaluz de Arte Contemporáno from Seville.
centro andaluz de arte contemporáneo
The aim of our project was to develop a new image younger and colorful. It was based on the elements, images and landscapes of the localization of the centro andaluz de arte contemporáneo
centro andaluz de arte contemporáneo
centro andaluz de arte contemporáneo
museum: the ancient Cartuja Monastery of Santa María de las Cuevas. Consequently the orange trees, olives, archaeological rests and so on, are the inspiration for the objects that will be show at the shop near to the most impor-
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Book marks
tant works of arts from Andalucía.
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Mobile phone colored belt
T-shirts
Ornament color shields
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Que Arte!
centro andaluz de arte contemporáneo
Ce nt ro An dal uz de Ar te Conte m p orán e o
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Ce nt ro An dal uz de Ar te Conte m p orán e o
Ce nt ro An dal uz de Ar te Conte m p orán e o
Ce nt ro An dal uz de Ar te Conte m p orán e o
Ring notebook A7 size cAaC
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centro Andaluz de arte Contemporáneo
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Eraser
centro andaluz de arte contemporáneo
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centro andaluz de arte contemporáneo
Centro Andaluz de Arte Contemporáneo
Notebook for sketches A6 size
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centro andaluz de arte contemporáneo
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Color cups
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c BMaterial handbag, size: 310x240 mm
Ring notebook with perforated cover and colored paper back A5 size
centro andaluz de arte contemporáneo
Centro Andaluz de Arte Contemporáneo
Graphite pencil
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Francisco Pérez Alcántara
WORK IN PROGRESS
CENTRAL SAINT MARTINS / MASTER INDUSTRIAL DESIGN / 2009-2011 I really feel that studying at Saint Martin would encourage my passion to learn
as well as further my resolution to work in industrial design. I wish to broaden my horizons to a higher level on this subject. I would like to have a different perspective on what I have learned during the past years. I want to move to a new and different kind of work much more creative, contemporary and advanced either in architecture and design. A graduate degree of study would provide me with an excellent education as well as the preparation that is necessary to confront my challenges and objectives, which are working in a studio with international relevance and projects in different fields of design.
Solar panel
Leds screen
Recruitment project for Central Saint Martins. Charity ladder.
Design Against Shoplifting: VHung. Vending machine for accessories
Games Workshop, Generation 2.0. New concept for 3D printed toys. INDEX 1 2 3 4
1. Structure of stain steal curved and united to the others to form the rails where the cylinder packaging roll. / 2. Cylinder packaging made of acrylic and plastic with the gods inside classified
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by type, size and colour. / 3. Transparent acrylic surface, with a film inside that reflex as a mirror. / 4. Control panel and personal card lecture. / 5. Vending collector.
Pieze of work for the exhibition Get Connected.
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Francisco Pérez Alcántara
Contact Fancisco Pérez Alcántara Architecture graduated by The School of Architecture of Seville (E.T.S.A.S) in 2008
+44 (0)7538882783 Flat 16, Coleridge House B r o w n i n g S t r e e t , Wa l w o r t h SE17 1DG London UK curro@Q2xRo.com For further information visit http://q2xro.com/