The Daily Telegraph, December 2021
Curve is one of the UK’s leading producing theatres. We believe everyone who lives, works or learns in our city should have access to great theatre. Each year over 1 million people engage with Curve through performances and projects at our home in Leicester, across the UK and internationally.
Under the leadership of Chief Executive Chris Stafford and Artistic Director Nikolai Foster, Curve has developed an international reputation for producing, programming and touring a bold and diverse programme of musicals, plays, new work and dance. All of this is presented alongside a dynamic mix of community engagement, artist development and learning programmes, which firmly places audiences, artists and communities at the heart of everything we do.
We produce work under our Made at Curve banner, distinctive for its high quality production values, recognised by audiences for our originality and desire to entertain.
Curve-originated productions frequently tour the UK and are seen in London’s West End. In 2023, our productions of Grease and The Wizard Of Oz played London’s Dominion and Palladium theatres respectively and Curve scored a hat trick when 42nd Street travelled to London and visited Sadler’s Wells. On Your Feet! (London Coliseum), Sue Townsend’s The Secret Diary Of Adrian Mole Aged 13¾ – The Musical (The Ambassadors Theatre), White Christmas (Dominion Theatre) and Sister Act (Eventim Apollo Hammersmith & Dominion Theatre) have all recently flown the flag for Leicester in London.
Other recent Made at Curve productions and co-productions include: Evita; The Owl Who Came For Christmas; Frantic Assembly’s Metamorphosis; Ride – A New Musical; Frantic Assembly’s Othello; the ‘masterpiece’ (The Times) new UK production of Billy Elliot The Musical (winner of Best Musical Production at the UK Theatre Awards and Best Regional Production at the WhatsOnStage Awards); Finding Home – Leicester’s Ugandan Asian Story At 50; the ‘world class’ (Daily Telegraph) A Chorus Line; Beautiful –The Carole King Musical (and on UK tour); Akram Khan’s The Jungle Book (and on UK and international tour); Tennessee Williams’ Cat On A Hot Tin Roof (and on UK tour); The Music Of Andrew Lloyd Webber; acclaimed streamed productions of The Color Purple and the ‘game-changer’ (The Telegraph) Sunset Boulevard; Giles Andreae and Guy Parker Rees’ Giraffes Can’t Dance; West Side Story; Hanif Kureishi’s My Beautiful Laundrette; John Osborne’s The Entertainer; the WhatsOnStage Award-winning ‘Best Regional Production’ of Alice Walker’s The Color Purple (and on UK tour) and the world-premiere of Dougal Irvine’s adaptation of Riaz Khan’s Memoirs Of An Asian Football Casual.
Curve is a registered charity and this supports our work with people of all ages and backgrounds, enabling them to access, participate in and learn from the arts, nurturing new and emerging talent and creating outstanding, award-winning experiences. Ensuring our theatre is fully accessible, egalitarian, and celebrating people from all backgrounds is paramount to our success and the ethos which underpins the entire organisation. The relationship between artists and audiences is brought together by the extraordinary architecture of our unique home.
Welcome to our theatre, a theatre for all.
Chris Stafford Chief Executive Nikolai Foster Artistic Director
Photography by Ellie Kurttz
‘Curve has become a powerhouse of musical theatre’
THE TIMES
Chris and Nikolai featured in the top 20 of
‘Curve is one of our strongest regional venues and a big producer of commercial musicals. It clearly cares about its audiences, and not just the ones in Leicester.’
THE STAGE
Our curved facade is made from 1,192 tonnes of steel and 46000m2 of glass. Designed by Rafael Viñoly (1944-2023) our building houses three unique auditoria:
THEATRE
Traditional proscenium arch, 60 fully automated fly bars & flexible pit and sub stage. One of the largest stages in the UK, seats 965.
STUDIO THEATRE
A fully automated studio space, with large playing area. Recently upgraded and seats 314.
STUDIO
A fully flexible space, with automated bleacher seating for up to 90.
The 965 and 370 seat auditoria can also be transformed into an epic arena, seating 1500 in a variety of configurations.
We have five large rehearsal spaces, two with full-height rigging facilities, a state-of-the-art recording studio, on-site wardrobe facilities and an in-house marketing team who handle all our press and marketing needs.
MUSIC BY ANDREW
DIRECTED BY NIKOLAI FOSTER
ORCHESTRATIONS BY DAVID CULLEN AND ANDREW LLOYD WEBBER
BASED ON ORCHESTRATIONS ORIGINALLY BY ANDREW LLOYD WEBBER
BY ARRANGEMENT WITH THE REALLY USEFUL GROUP LTD
LYRICS BY TIM RICE
LLOYD WEBBER
SET DESIGNER MICHAEL TAYLOR MUSICAL SUPERVISOR STEPHEN BROOKER MUSICAL DIRECTOR BEN VAN TIENEN CHOREOGRAPHER ADAM MURRAY COSTUME DESIGNER EDWARD LINDLEY LIGHTING DESIGNER JOSHIE HARRIETTE SOUND DESIGNER ADAM FISHER WIGS, HAIR AND MAKE-UP DESIGNER SAM COX CASTING DIRECTOR KAY MAGSON CDG & OLIVIA LAYDON
Photography by Marc Brenner
Curve’s Christmas Family Show
Adapted by Chandni Mistry Director Cara Nolan
Music Jude Taylor
Lyrics Jude Taylor and Chandni Mistry
Choreography and Movement Director Stacey McCarthy
Set, Costume and Puppetry Designer Abby Clarke
Lighting Designer Jonathan Payne
Sound Designer Angel Rossell
Casting Director Kay Magson CDG The
Inspired by a true story!
NATIONAL TOUR
Based on the book by John Hay & Garry Parsons MADE at CURVE
For
©
Parsons 2022
Children’s Books
Owl Who Came
Christmas
John Hay and Garry
Macmillan
‘We came to see it today with our school. The children truly loved it. Great performance!’ Audience Member
‘We came to see this yesterday. Brilliant cast, lovely story. My three year old grandson loved it! Highly recommend’ Audience Member
‘Like watching a magical three dimensional picture book come alive’
‘Christmassy feel good show for the whole family... perfect introduction to the theatre’ Whats Good To Do
Poppy Jo & Me
Photography by Ellie Kurttz
,
SADLER’S WELLS
NATIONAL TOUR AND CANADA
Adam Garcia Ruthie Henshall
Josefina Gabrielle
Nicole-Lily Baisden
Les Dennis
‘breath-taking tap dance routines’ East Midlands Theatre
‘An immaculately delivered five-star delight.’
‘Sends you off into the night, full of the joy.’
WhatsOnStage
Photography by Johan Persson
LONDON PALLADIUM AND NATIONAL TOUR
‘It’s sheer theatrical wizardry and far too good to miss’
‘There’s no place like Curve for delivering big epic theatre’ Beyond The Curtain
‘Sumptuous
WhatsOnStage
new
production’ Daily Mail
by
Photography
Marc Brenner
DIRECTOR NIKOLAI FOSTER CHOREOGRAPHER LUCY HIND
MUSICAL SUPERVISOR & MUSICAL DIRECTOR GEORGE DYER
SET DESIGNER MICHAEL TAYLOR COSTUME DESIGNER EDD LINDLEY
LIGHTING DESIGNER BEN CRACKNELL SOUND DESIGNER ADAM FISHER CASTING DIRECTOR KAY MAGSON CDG CHILDREN’S CASTING DIRECTOR JO HAWES
BEST MUSICAL PRODUCTION
BEST REGIONAL PRODUCTION
‘Impressive
‘A
‘An
flat-out masterpiece’ The Times
‘A
electric new production’
Guardian
The
production’ Broadway World
WhatsOnStage
show stopping’
Telegraph
relevant’
Stage Photography by Marc Brenner
must see’
‘Simply
The
‘Powerfully
The
Curve, Theatre Royal Bath Productions and Mayflower Theatre, Southampton present
NATIONAL TOUR
BOOKBYDOUGLAS McGRATH
WORDSANDMUSIC BY GERRY GOFFIN & CAROLE KING & BARRY MANN & CYNTHIA WEIL
DIRECTORNIKOLAIFOSTER
ORCHESTRATIONS BY STEVE SIDWELL,
ADAPTED BY SARAH TRAVIS
MUSICALSUPERVISOR SARAH TRAVIS SET DESIGNER FRANKIE BRADSHAW CHOREOGRAPHER LEAH HILL COSTUME DESIGNER EDD LINDLEY LIGHTING DESIGNER BENCRACKNELL SOUND DESIGNER TOM MARSHALL ONSTAGE MUSICAL DIRECTOR DAN DE CRUZ
CASTINGDIRECTORKAYMAGSONCDG
ORIGINALLY PRODUCED ON BROADWAY AND IN LONDON BY PAUL BLAKE, SONY/ATV MUSIC PUBLISHING AND MIKE BOSNER.
‘Outstanding’
REVIEWS HUB
‘Wonderful’
WEST END BEST FRIEND
‘It’s hard to believe that you are not listening to the real King singing’
WHATSONSTAGE
‘Mesmerising’
BROADWAY WORLD
‘Phenomenal’
BEYOND THE CURTAIN
Photography
by Ellie Kurttz
SADLER’S WELLS, AND NATIONAL TOUR Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc. A CHORUS LINE is presented by arrangement with Concord Theatricals Ltd. on behalf of Tams-Witmark LLC. www.concordtheatricals.co.uk Conceived, Originally Directed & Choreographed by MICHAEL BENNETT Music by MARVIN HAMLISCH Lyrics by EDWARD KLEBAN Co Choreographed by BOB AVIAN Book by JAMES KIRKWOOD NICHOLAS DANTE ‘WORLD-CLASS’ THE TELEGRAPH
‘An irresistible revival’
The Guardian
‘An
explosive new production’
British Theatre
‘Supremely slick’
The Independent
Photography by Marc Brenner
MUSIC BY ANDREW LLOYD WEBBER
LYRICS BY TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN
DIRECTED BY NIKOLAI FOSTER
ASSOCIATE DIRECTOR LEE PROUD DESIGNER COLIN RICHMOND MUSICAL DIRECTOR MATTHEW SPENCER-SMITH MOVEMENT DIRECTOR – YOUNG ENSEMBLE MEL KNOTT LIGHTING DESIGNER BEN CRACKNELL SOUND DESIGNER TOM MARSHALL CASTING DIRECTOR KAY MAGSON CDG FILMING CROSSCUT MEDIA
BY SPECIAL ARRANGEMENT WITH THE REALLY USEFUL GROUP
‘A joyful celebration of Andrew Lloyd Webber.’
‘The perfect invitation back to the theatre’
WEST END BEST FRIEND
‘Glorious’
MUSICAL THEATRE REVIEW
‘Brilliant tribute’
THE REVIEWS HUB
‘Nikolai Foster’s stripped-back but inventive production is full of riches’
THE GUARDIAN
by Ellie Kurttz
Photography
BASED UPON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE BOOK BY MARSHA NORMAN MUSIC & LYRICS BY BRENDA RUSSELL, ALLEE WILLIS & STEPHEN BRAY
THE COLOR PURPLE in concert is presented by special arrangement with Theatrical Rights Worldwide LTD, www.theatricalrights.co.uk
THE COLOR PURPLE was produced on Broadway at the Broadway Theater by Oprah Winfrey, Scott Sanders, Roy Furman and Quincy Jones. The world premiere of THE COLOR PURPLE was produced by the Alliance Theatre, Atlanta, Georgia.
Photography by Pamela Raith
‘Director Nikolai Foster uses his home venue with both visual and artistic flourish’
WHATSONSTAGE
‘Theatre has gone digital this year as never before, but the best has been left to last’
THE TELEGRAPH
‘The best-streamed event I have seen this year’ BRITISH THEATRE
Photography by Marc Brenner
WEST SIDE STORY Based on a conception of JEROME ROBBINS Book by ARTHUR LAURENTS Music by LEONARD BERNSTEIN Lyrics by STEPHEN SONDHEIM Entire Original Production Directed and Choreographed by JEROME ROBBINS Originally produced on Broadway by Robert E. Griffith and Harold S. Prince by arrangement with Roger L. Stevens Performed by arrangement with Music Theatre International (Europe) Limited Director NIKOLAI FOSTER Choreographer ELLEN KANE Se Designer MICHAEL TAYLOR Costume Designer EDD LINDLEY Musical Supervisor SARAH TRAVIS Lighting Designer GUY HOARE Sound Designer TOM MARSHALL ight Director KEV McCURDY Casting Director KAY MAGSON CDG
Originally produced on Broadway by Robert E. Griffith and Harold S. Prince by arrangement with Roger L. Stevens. Performed by arrangement with Music Theatre International (Europe) Limited
Director NIKOLAI FOSTER Choreographer ELLEN KANE Set Designer MICHAEL TAYLOR Costume Designer EDD LINDLEY Musical Supervisor SARAH TRAVIS Lighting Designer GUY HOARE Sound Designer TOM MARSHALL Fight Director KEVIN McCURDY Casting Director KAY MAGSON CDG
‘To be a mere spectator feels exhilarating. We must hope for a tour, or a West End transfer’
THE INDEPENDENT
‘Stylish & intimate’
THE GUARDIAN
‘Nikolai Foster’s superb production’
THE SUNDAY TIMES
‘Thrilling, exhilarating’
THE TELEGRAPH
‘Pretty, gritty & bright’
THE TIMES
Photography by Ellie Kurttz
A THEATRE NATION PARTNERSHIPS PRODUCTION, PRODUCED BY CURVE
NATIONAL TOUR
Includes original music by PetBoysShop
A PLAY BY HANIF KUREISHI
BASED ON HIS SCREENPLAY
DIRECTOR NICOLE BEHAN
ORIGINAL PRODUCTION BY NIKOLAI FOSTER
Photography:
Ellie Kurttz from the 2019 production.
‘A powerful and heartening experience’
SUNDAY EXPRESS
‘An iconic movie sharply reimagined’
THE GUARDIAN
‘A washing wonderland’
WHATONSTAGE
‘A classy show’
THE
‘Kureishi’s new version comes up sharply’ OBSERVER
Photography by Ellie Kurttz
DAILY
MAIL
WEST END AND NATIONAL TOUR
Photography by Ellie Kurttz
‘Dazzling, joyous and brilliantly performed’
THE STAGE
‘A spectacular, polished and elegant work of art’
LONDONTHEATRE1
‘Nikolai Foster’s glorious revival’
THE TELEGRAPH
‘Pure escapism with a homespun vibe and West End quality’
THE TIMES
Photography by Catherine Ashmore
A FRANTIC ASSEMBLY PRODUCTION, CO-PRODUCED WITH CURVE
‘Urgent, abrasive and thrilling’
THE GUARDIAN
NATIONAL TOUR
‘A fierce re-imagining of Shakespeare’s tragedy, tense and highly watchable.’
THE TIMES
‘A pulsating production that hurls Othello well and truly into our times.’
THE INDEPENDENT
‘Frantic Assembly breathe new life into Shakespeare’s tale... in Scott Graham’s pulse-racing production.’ TIME OUT
Photography by Tristram Kenton
WORLD PREMIERE
Adapted for the stage by Dougal Irvine from the book by Riaz Khan
Directed by Nikolai Foster Set & Costume Designer Grace Smart Lighting Designer Charlotte Burton
Composer & Sound Designer Tasha Taylor Johnson Casting Director Kay Magson CDG
A drama based on the real-life fashions, fights and faith of a former Baby Squad hooligan.
WINNER BEST PRODUCTION ASIAN MEDIA AWARDS
‘An intense, passionate and relevant play’
LONDONTHEATRE1
‘High-energy, relevant and thought-provoking’
THE REVIEWS HUB
‘Magnificently conceived’
THE GUARDIAN
Photography by Ellie Kurttz
THE TONY® AWARD-WINNING MUSICAL COMES TO LEICESTER A CURVE AND BIRMINGHAM HIPPODROME CO-PRODUCTION NATIONAL TOUR BASED UPON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE BOOK BY MARSHA NORMAN MUSIC & LYRICS BY BRENDA RUSSELL, ALLEE WILLIS & STEPHEN BRAY DIRECTOR TINUKE CRAIG DESIGNER ALEX LOWDE MUSICAL SUPERVISOR & MUSICAL DIRECTOR ALEX PARKER ORCHESTRATOR MARTIN HIGGINS CHOREOGRAPHER MARK SMITH LIGHTING DESIGNER JOSHUA PHARO SOUND DESIGNER TOM MARSHALL CASTING DIRECTOR KAY MAGSON CDG THE COLOR PURPLE was produced on Broadway at the Broadway Theater by Oprah Winfrey, Scott Sanders, Roy Furman and Quincy Jones. The world premiere of THE COLOR PURPLE was produced by the Alliance Theatre, Atlanta, Georgia. THE COLOR PURPLE is presented through special arrangement with Theatrical Rights Worldwide, 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com PROJE CTS
‘A glorious, immensely moving celebration of triumph over adversity’ THE STAGE
‘A musical with heart, spirit and soul’ THE GUARDIAN
‘Simply beyond beautiful’ EAST MIDLANDS THEATRE
Photography by Manuel Harlan
BOOK, MUSIC & LYRICS LESLIE BRICUSSE DIRECTOR NIKOLAI FOSTER
CHOREOGRAPHER STEPHEN MEAR DESIGNER MICHAEL TAYLOR MUSICAL SUPERVISOR & ORCHESTRATOR SARAH TRAVIS MUSICAL DIRECTOR NEIL MACDONALD LIGHTING DESIGNER BEN CRACKNELL SOUND DESIGNER TOM MARSHALL ILLUSION CONSULTANT SCOTT PENROSE CASTING DIRECTOR KAY MAGSON CDG
PRESENTED BY CURVE IN ASSOCIATION WITH MICHAEL HARRISON AND DAVID IAN
‘Scrooge will still melt your heart’
THE TELEGRAPH
‘A lavish and technically accomplished revival of Leslie Bricusse’s warm-hearted musical’
THE STAGE
‘Scrooge is right on the money with a generous dose of seasonal cheer’
THE TIMES
Photography by Pamela Raith
ADAPTER
DAVID WOOD
DIRECTOR
JULIA THOMAS
DESIGNER
MORGAN LARGE
LIGHTING DESIGNER
JACK WEIR
SOUND DESIGNER
DAVID GREGORY
COMPOSER
TASHA TAYLOR-JOHNSON
NATIONAL TOUR A CURVE AND ROSE THEATRE KINGSTON PRODUCTION
www.roalddahl.com www.davidwood.org.uk
Artwork © Quentin Blake Used by arrangement with A P Watt at United Agents
‘A marvellous concoction’
MAIL ON SUNDAY
‘An outstanding adaptation of Roald Dahl’s anarchic children’s classic’ THE STAGE
‘It’s loads of fun down on this farm’ THE TIMES
Photography by Manuel Harlan
NATIONAL TOUR
WINNER BEST REGIONAL PRODUCTION WHATSONSTAGE AWARDS
WINNER BEST MUSICAL MANCHESTER THEATRE AWARDS
‘Foster crams this colourful world with enough detail to make it feel alive’
THE TIMES
‘A wonderful show’
WHATSONSTAGE
‘Nikolai Foster’s sumptuous production delivers on a level of sheer aural and visual spectacle’
THE STAGE
Photography by Manuel Harlan
A CURVE & THEATRE ROYAL BATH PRODUCTION
First presented by Lewenstein-Delfont Productions Ltd. and H.M. Tennent Ltd. at the Queen’s Theatre, London on 5th March 1969.
‘The darkest of dark comedies, staged with panache, wit and comic precision’ THE DAILY MAIL
‘Nikolai Foster’s wicked revival is deliciously risqué’
THE DAILY MAIL
‘Staged with farcical top spin by Nikolai Foster’ MAIL ON SUNDAY
Photography by Catherine Ashmore
WEST END, UK AND INTERNATIONAL TOUR JIM JACOBS & WARREN CASEY BOOK, MUSIC & LYRICS BY Grease’ is presented through special arrangement with Theatrical Rights Worldwide, 1180 Ave. of Americas, Suite 640, New York, NY 10036 www.theatricalrights.com director
•
•
& musical supervisor
•
•
director
hoare • sound
sebastian frost • casting director kay magson CDG
nikolai foster
designer colin richmond
orchestrator
sarah travis choreographer nick winston
assistant choreographer ryan lee seager
musical
neil macdonald lighting designer guy
designer
‘This production has glamour and grit’
THE TIMES
‘The one that you want this season’
THE TELEGRAPH
‘Grease is most certainly the word’
WHATSONSTAGE
‘A spectacularly staged musical bursting with energy’
THE STAGE
Photography by Manuel Harlan
NATIONAL AND INTERNATIONAL TOUR
A CURVE AND ROSE THEATRE KINGSTON PRODUCTION Artwork © Quentin Blake Used by arrangement with The Random House Group Limited
ADAPTOR DAVID WOOD DIRECTOR NIKOLAI FOSTER
‘This is playful inventive stuff that will charm the grown-ups and have children cheering with delight’ WHATONSTAGE
‘Gleefully grotesque storytelling’ THE GUARDIAN
‘Outstanding children’s theatre’ THE STAGE
Photography by Catherine Ashmore
A CURVE & BIRMINGHAM REPERTORY THEATRE PRODUCTION
‘Lively, fun and hugely amusing’ WHATSONSTAGE
‘Light as soufflé and never earnest: Wilde would be delighted’ THE TIMES
‘A refreshing revival of Oscar Wilde’s classic comedy’ THE STAGE
Photography
by Creative By Wren
Music byAlan Menken
Lyrics by Book by
Douglas Carter Beane
Glenn Slater Cheri Steinkellner & Bill Steinkellner
Based on the Touchstone Pictures Motion Picture “Sister Act” written by Joseph Howard Presented by arrangement with JOSEF WEINBERGER LIMITED on behalf of MUSIC THEATRE INTERNATIONAL of New York
IT’S THE MOST JOYFUL SHOW I’VE SEEN ALL YEAR, BAR
WEST END AND NATIONAL TOUR
Additional Book Material
The Sun HALLELUJAH! A HEAVENLY REVIVAL” The Independent
NUN.”
‘Enormously entertaining’ THE EXPRESS
‘Explodes with energy – a wild and wonderful new production’ THE STAGE
‘A heavenly hit show’ THE DAILY MAIL
Photography by Manuel Harlan
WEST END A CURVE PRODUCTION
‘Unpretentiously charming’
THE GUARDIAN
‘Mole comes up trumps’
THE DAILY TELEGRAPH
‘A lively, evocative pleasure’
THE TIMES
Photography by Pamela Raith
In addition to our celebrated and critically acclaimed Made at Curve productions, we regularly collaborate with the world’s leading theatre makers and producers, launching shows of all scales from our iconic, world-class production base in the heart of Leicester.
Cameron Mackintosh, the Royal Shakespeare Company, the National Theatre, Akram Khan, Michael Harrison, David Ian & Crossroads, ROYO, Jamie Wilson and Matthew Bourne all regularly produce work out of Curve.
Leicester has undergone a renaissance in recent years; the opening of Curve in 2008 brought internationally recognised productions to the city, as well as providing a new home with first class production facilities and marketing expertise for local community groups and artists. Curve is situated in Leicester’s Cultural Quarter, the home for the creative industries, including an independent cinema, film production and new media companies. Leicester also hosts a number of festivals each year, including the UK’s biggest Comedy Festival and the Diwali celebrations – the largest outside India –attracting over 35,000 people. All of this together makes Curve and Leicester an energising and inspiring production hub to make work. With a population of around 400,000, Leicester is the tenth largest and most culturally diverse city in the UK, with a history stretching back 2,000 years. The surrounding counties of Leicestershire and Rutland are home to almost 700,000 people, meaning Curve’s audiences are truly representative of contemporary Britain.
Only one hour away from London by train and well connected to the entire UK from our Midlands base, Curve Leicester is firmly established as one of the UK’s top production hubs for artists, audiences, theatre makers and producers.
1 War Horse National Theatre, Photo © Ellie Kurttz
2 Matilda Royal Shakespeare Company, Photo © Manuel Harlan
3 Les Misérables Cameron Mackintosh, Photo © Michael Le Poer Trench
4 Come From Away
Photo © Craig Sugden
5 Romeo+Juliet Matthew Bourne/New Adventures, Photo © Johan Persson
6 Miss Saigon Cameron Mackintosh, Photo © Cameron Mackintosh Limited
1 2 3
4 5 6
Photo © Ellie Kurttz
