what i did last week volume 5
Cover artwork: Tulips in Bendigo by Barb Forham Copyright © Aitken, K., Allen, P., Andrews, J., Barnes, B., ... Woodhams, C. (2020)
All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written consent of the publisher.
The City of Greater Bendigo is on Dja Dja Wurrung and Taungurung Country. We acknowledge and extend our appreciation for the Dja Dja Wurrung and Taungurung People, the Traditional Owners of the land. We pay our respects to leaders and Elders past, present and emerging for they hold the memories, the traditions, the culture and the hopes of all Dja Dja Wurrung and Taungurung Peoples. We express our gratitude in the sharing of this land, our sorrow for the personal, spiritual and cultural costs of that sharing and our hope that we may walk forward together in harmony and in the spirit of healing. PMS 1807 RED PMS 432 GREY PMS 142 GOLD
what i did last week volume 5 What I did last week commenced on 23 March 2020 in response to the COVID-19 lockdown and was initiated as a way of supporting wellbeing through arts engagement. The program ran for 32 weeks, until 2 November. It covered the initial lockdown and State of Emergency in Victoria, through the peak of infections and deaths to the easing of restrictions at the end of 2020. (Since November 2020 small virus outbreaks across Australia continue to occur. These have prompted border closures and other restrictions and we are all learning to adapt to a COVID normal life). In the 32 weeks of the program 780 works were received from 174 artists. While the program did not set out to record the COVID-19 experience (there was no set theme or curatorial guidelines), it soon became apparent that the works received were telling part of the story. Some works represented this directly through depictions of masks, viruses or online meetings, while there were a great many images of interiors, pets and reproductions of photos taken on holidays.
When restrictions were lifted there were landscapes and images of plants and nature, and as the program went on it was interesting to see artists experimenting with new techniques and materials. In addition to the variety of subjects and techniques, across the 32 weeks humour, whimsy, reflection and introspection were constant themes. What I did last week reached its peak (in terms of number of works submitted) in week 26 (15-21 September) then dropped until week 31 received only 20 entries. At this point it was decided to stop the regular galleries the following week; by this stage volumes 1 and 2 of the print editions had been produced with each covering 8 weeks. Choosing Week 32 as our final gallery would mean we had two more volumes of eight weeks. While there was a ‘surge’ in applications for week 32 (with 43 works), it was felt that one more gallery was needed as a way of reflecting on people’s COVID-19 experience and the work they had submitted to What I did last week. Many artists (79) took up this final opportunity; bringing the total works received for What I did last week to 859.
what i did last week volume 5
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As with previous weeks and volumes the works in this collection are varied, with some artists returning to or re-exhibiting work they had submitted previously. Of the 79 artists in this gallery, about a quarter had only submitted once previously. It was great to re-connect with these artists. Unlike the previous volumes, there was no accompanying survey – however the anonymous comments, found in this volume, are taken from responses to the previous questions: “Describe your experience of making art during the COVID-19 lockdown” (Vol.1), “How did participating in What I did last Week change how you saw the role of your art in the community?” (Vol.2), “How has your art changed during lockdown?” (Vol.3) and “How has participating in What I did last week affected the way you see the role of art in health/wellbeing?” (Vol.4).
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As What I did last week was initially a way of supporting wellbeing through the arts, one of the questions we asked in the surveys accompanying volumes 1 to 4 was, “Has making art helped you deal with the last 9 weeks”, with participants asked to provide a response between 0, “Not at all” and 100, “Very much”. The responses across the four surveys were quite consistent, with the average response between 79 and 83 and about a third of responses in the range between 90 and 100. The Creative Communities Team has taken great pleasure in engaging with local artists throughout the duration of What I Did Last Week. We thank all those who were involved in creating and sharing and look forward to the next time we can support our creative community through an engaging Arts project.
“Seeing how other people are creatively reacting to these times has been very interesting, enjoyable and thought-provoking.”
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Ainsley McPherson Out of the dark (White charcoal on black paper) 17 November 2020 Finished this in March; it was for the Rotary Art Show at Easter that was cancelled due to COVID-19.
Andre Sardone My busy studio in Mandurang 11 November 2020 This is my busy studio in Mandurang with some of the work I have made in recent months. I will miss the weekly routine of sending in a photo of ‘What I made this week’. Thanks to everyone involved in this great initiative.
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Angela Morrissey
Barb Fordham
The Spice Bearing Women (After Psaroudis) 8 November 2020
Tulips in Bendigo 20 November 2020
This drawing is an appropriation I did of Voula Psaroudis’ Spice Bearing Women composition. The women went to the tomb of Jesus after the Sabbath bearing spices. They were Mary Magdalene, Salome and Mary the mother of James and Joses and the wife of Cleopas (Mark 16:1-8).
Tulips are a sign of Spring, Spring is a sign of Hope, Hope springs Eternal...
Audrey Savage Doorway to Colour 10 August 2020 Inspired by the work of Racheal Jackson (@banyanbridges), Mum & Dad agreed to let me paint my bedroom door. Mum had the idea, Dad helped me sketch the outline and I mixed the paint colours I wanted and did the painting. Every time I see it, it makes me smile.
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Bethany Mansfield Jess it’s only the beginning (Work in progress) 1 November 2020 I’m an oil painter who mixes the world of portrait realism and abstraction together to make something unusual. I mix colours and vibrations into the background which are arising from the person I have painted, bringing a uniqueness and beauty to each person I paint.
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Brad Barnes Untitled
Bridget Finch Jacky Lizard 28 October 2020 This is one of many jacky lizards found on our block and one of the many creatures that kept me busy learning more about photography and native wildlife as I spent more time at home during the past six months. What I did Last Week showcased fabulous local talent and connected me to a community of like-minded people during lockdown.
Bree Galvin Golden Dragon Museum 20 November 2020 The allure of our Chinese Community’s culture and history is celebrated at Bendigo’s Golden Dragon Museum. From fire crackers at Easter to the charm of the ancient statues, Bendigo is definitely one lucky dragon.
“Art is crucial to my mental health and sense of purpose.” 7
Bridie Margaret O’Toole We all live under the same Rainbow (Digital) 5 November 2020 There are many different colours to a rainbow and it wouldn’t be a rainbow without all the colours. We are all equally important.
Carol Woodhams Courtyard in the Alcazaba, Malaga, Spain 21 November 2020 One of the many beautiful courtyards I found on my travels through Spain. The pencil sketch for this painting was drawn some time ago, and I’ve looked at attempting to add the watercolour on numerous occasions over the past 32 weeks! Finally decided to accept the challenge and get it done!
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Catherine Williams Rusty Wire Fence 18 April 2020 I changed my camera settings so that it was focused on the fence and blurred out the background. I was interested in the fence as it is old and rusted. I like taking photos of things that are a bit different and unique.
Cecile Shanahan In a time when people were exploring their own creativity I turned to the creative pursuits of others to help guide me through isolation, lock-downs, restrictions and a life that was stranger than fiction. Books and stories continue to be my solace and saviour; pictured here is a representation of the ones I read in hard copy (spines out) or audio (spines in) from March to Nov, 2020.
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Duffy - Ha Ho Art Muffled Scream & Shut Up And Just Kiss Me! 16 November 2020 These acrylic paintings on identical canvasses, painted at the same time using the same palette on the same easel sum up perfectly the emotional rollercoaster ride of uncertainty & angst of both lockdowns as well as the relief that, finally we are nearing (at least) the end of this pandemic.
Daniel Eltringham Outdoor fireplace (Upcycled discarded railway metal) 1 October 2020 The last and only time that I welded was 25 years ago…until lockdown. This time has provided an opportunity and motivation to learn new skills and create. Metal used for this project was found scattered, rusted and slowly decaying near railway lines.
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David Stephensen 24 virtual choir projects and a silly hat 13 November 2020 Since we couldn’t sing together I decided to join some virtual choir projects. This image shows 24 of the projects over the last eight months and my outfit for a video submitted last week. Fourteen choirs based in six countries and singing in four languages—a musical opportunity beyond my dreams!
Deborah Blake 2020 Reflections 22 November 2020 Reflecting on 2020 a number of words come to mind - COVID-19, iso-projects, restrictions, connecting with family, friends, neighbours, walking, baking, zoom rehearsals/singing, working from home, online meetings, walking & discovering the local area, being aware. Thanks for the opportunity to be in this project.
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Dell Winser My Son Says Call It Steven It’s a huge quilt (212 x 240cm) that I’ve had ready to finish for a while but, in what seems to be the recurring theme for me this year, have only gotten around to it now. I’m really pleased to finally have it on my bed.
Des Lowry High Maintenance (Watercolour) 17 November 2020 This painting is based on a photo taken during a week’s stay in the small town of Buis in France in 2013. When we walked past this house later in the day, we saw that the man up the ladder had succeeded in removing most of the rampant climber from his wall.
Ed Phillips T-Rex 2.0 1 November 2020 What I did last week gave me confidence to go out and draw more. It’s been a fun experience and I hope that it can happen again.
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Ellen Lee Osterfield Nature’s Palette 11 November 2020 Being isolated, unable to visit family and friends or even leave the house, has been so challenging! Unable to see the first flush of Spring wildflowers up close is another thing we’ve all missed out on! I remind myself that even though we don’t see them, the flowers are still blooming and life goes on! Try to see the beauty around you every day!
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Elly Oper Italian Renaissance gown 15 November 2020 After a year of sewing and improving my skills I thought it was only appropriate to come back to the renaissance era. This was made from two bed covers given to me by my grandmother. Picture taken by my brother.
Florence Hodson
Frances Forge
I can see a rainbow 1# 11 November 2020
Red Desert Landscape, Flinders Ranges 21 November 2020
Things are getting easier as our routines are settling back to normal, with restrictions easing, however learning how to be around people and new spaces again is hard. You can have the rainbow without the storm I guess.
Lockdown has inspired me to pick up my paint brushes and paint. With time to spare and travel restrictions in place, there was ample opportunity to practise newly acquired skills and become immersed in watercolour painting (a long-lived ambition). It has been wonderfully calming to be able to paint and create.
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Frankie O
Gail Casey
Swimming to the surface 11 November 2020
Studio
I’m enjoying the freedom to reimagine my work by collaging over the top of my digital art prints. Taking inspiration from Art Nouveau and Ex Libris prints, this mermaid image has reminded me there is growth and development no matter what is happening in the world, just in unexpected directions.
I have appreciated simple home comforts and my ability to be self-contained over the course of this year. Many hours spent working in my studio, getting to know the seasons through my windows, the fall of light across my bench and now the lengthening of the days.
“It was something to look forward to…to see my own and many others’ art in the community.”
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Geraldine Stills Caroline (Coloured pencils) 1 September 2020 The extra time provided by COVID-19 restrictions prompted me to diverge from my usual graphite portraits to colour pencils. I had no idea what a huge learning experience it was to be. Thanks to my daughter’s generosity in allowing me to experiment with her, resulting in my first ever coloured portrait.
Gillian Fallon COVID-19 Trilogy 22 November 2020 A personal reflection on the year of COVID-19, all that it has brought and continues to bring: what was, what is and what will be one day again.
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Glenda Anstey-Sprigg Hidden Magic 1 November 2020 Now that I have returned to work from lockdown I find myself less able to produce art! Using a humble bisque fired pinch pot as a base, this mixed media piece is about the “Hidden Magic” that I find in the quiet spaces of creativity.
Greg Penno After the Fires - Rejuvenation! (Acrylic on canvas) 19 November 2020 This piece is an expression of what occurs after summer bushfires and hopefully we can continue with brighter lives when we can get on top of COVID-19 that has affected the way we live and the ways that we relate to one another.
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Helen Lunt A Walk in the Shallows (Watercolour) 4 June 2020 In Week 7, I submitted a watercolour, ‘Summer’, of three figures walking on a beach. I then revised the painting several times, each time trying to improve the composition. This final version was completed on 4 June.
Iain Wilson
Ian Dodd
Waiting (Acrylic, spray paint,ink on canvas)
Rose 12 September 2020
A further extension on my exploration of stencil, spray paint.
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I completed this sculpture during lockdown on 12th September. It is made from a single block of New Guinea Rosewood.
Isabella Draper My Shoes Recently I have been experimenting with drawing and painting on clothes and I have had some really good pieces turn out and I am enjoying creating unique pieces. Nezuko and Tanjiro inspired shoes. Handpainted with acrylic paints.
Jane Ineson Looking Within, terracotta arrangement in garden 1 April 2020 My COVID-19 experience was about coming home to self, revisiting old practice, connection through nature, finding answers within. I playfully arranged old sculpture pieces into the garden. This online forum gave me a sense of connection to community and helped me honour life drawing which is my foundation art practice.
Jane Coburn Still-life - Untitled (Gouache on watercolour paper) 15 September 2020 I painted this some time ago, but another work was selected ahead of it for WIDLW. I asked my husband to choose the painting for this final Gallery. He’s my “critic & advisor”, so his input has been an important element of my WIDLW experience.
“Participating has confirmed my belief that the arts play a pivotal role in our wellbeing and health.” 19
Janet Bromley
Jeanette Guidi
The Gift of a Feather 10 November 2020
Flourish of flowers 1 July 2020
Many things, crowding in, COVID-19 entwined around all. At last on Country, a breath of fresh air, a sigh, deep listening and healing begins. An old weaving, an eagle’s feather washed to shore. I’m back to old ways of making, listening to my inner voice and my connection to nature.
Painting watercolour flowers has been a fulfilling pastime during these unprecedented times!
Jenny Keown Bob 16 November 2020 About a month ago I decided to have a go at a portrait using pencil. It was relaxing and something I could spend 5 minutes or 2 hours on. This is my first attempt at a face. I enjoyed the challenge and learnt a lot.
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John Willis Jin Turpie One piece anime collage 1 November 2020 Thanks for letting me share my work, and keeping me motivated during COVID-19. Thanks, Jin.
Kate portrait 18 November 2020 This is a photograph of the artist, Kate Stones. Kate is a performer and director of theatre. I have been thinking about the wearing of face masks. I was interested in making a portrait that did not include all of her face.
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Josephine Walsh
Julie Andrews
Spring Gully (Watercolour) 21 November 2020
Roadside 1 1 November 2020
I enjoy watercolour painting with the different techniques one can use.
I am interested in the psychological terrain of the liminal: the in-between space, of the everyday trance, a place for noticing, escaping and contemplation: the move to the world in our heads, the imaginary, and a space from which memories and feeling seduce us.
Josh Brandon Old Toys (Digital Painting) 22 November 2020 Some old toys outside a client’s house a few weeks back, I saw in the pile of old forgotten toys a lostness I’d experienced in lockdown, and yet they sparked childhood memories which brought me joy, I decided I would paint it as a reflection on lockdown.
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Julie Kala Dustin & Buddy 10 November 2020 I was brought up on a dairy farm in NSW. Nothing was a chore as a child on the farm; you wanted any excuse to drive the tractor and work with your parents. I have great memories of playing with my best friend on her farm and this painting is of that friend’s grandson working on his parents farm in Tatura VIC. She now lives in QLD and hasn’t been able to visit her grandchildren in Vic. I think that is what drives us to keep going, knowing we will be able to see those we love soon and can still keep connected to them via photos, virtually or phone calls, or in this case, via a painting to hold close.
Kathryn Harrison 2020 Unmasked Having somewhere to submit a weekly piece of art gave me a lot more drive to draw and improve. It also allowed me to process what was happening. Like all of life, some days were good and some bad. I love that this year seems to have sparked a drive for justice in looking at gender inequalities and black lives matter.
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Kathryn Lehar Lockdown 17 November 2020 It is a collage made from natural materials. The materials used are the bark of the Paper Bark tree and twigs from the Weeping Myrtle.
Katie Canfield Day dreaming 11 November 2020
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Kay Aitken Old work boots (Pencil) 4 April 2020 A reflection on COVID-19 lockdown - I wonder how many people will decide to hang up their boots and cease work after having a taste of rest and the opportunity to do other things?
“This exhibition has helped to reinforce my understanding of the positive impacts of regular arts engagement on mental health and wellbeing.” 25
Kerry Punton
Kristen Beever
View to Mt Roland (Acrylic on canvas) 1 November 2020
Autumn medallion 15 November 2020 Original design. Hand pieced by K Beever, L Morton, T Schroeder and S Crabb. Quilting by Margaret Mew, Quilt Station.
Kheong Sen Lim Corona Isolation 21 November 2020 As restrictions are progressively rolled back in Victoria, there is always hope that we, as a species, will prevail and better times will lie ahead. I thought that the palms in this photograph resemble the coronavirus, ironically isolated from itself, in the backdrop of sunny skies.
Leah Macdonald COVID-19 8 November 2020 This ink and watercolour on paper sketch was completed in response to feelings about the COVID-19 pandemic. While challenging in many ways, the quiet time 2020 has given me to spend in my art studio has been very welcome.
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Lichii Nova 16 November 2020 Hi! Thanks for taking a look at my artwork! :D Woahhh, I can’t believe it’s already the last week of ‘What I did last week’! It was honestly such an amazing adventure, and I can’t wait for the next time they start it up again!
Lilly Skipper Things; works that talk about themselves 11 November 2020 ‘I am the designer of my own catastrophe’ - Joseph Kosuth These things...these things define me. Possess me. Belong to me, hold me, carry my name. Buy, buy, buy, hoard the materialistic, inanimate memories, unused but not discarded. How could I? And how bleak to desire things over people/objects, over skin. The present is irrelevant, but to live?...Is to spend money over time.
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Lucy Hodson Linda Brookes Flamboyant clutter 22 November 2020 I had so much fun painting this Xmas gift for a friend of mine.
I can see a rainbow 2# 11 November 2020 Things are getting easier as our routines are settling back to normal, with restrictions easing, however learning how to be around people and new spaces again is hard. You can have the rainbow with out the storm I guess.
Maddy Lynch Self-portrait 20 November 2020 During lockdown I found myself drawing my friends in pen and decided to also draw myself. I draw myself quite frequently, but usually from what I think I look like in my head, whereas here I have drawn myself as I am, honestly it was quite a strange experience.
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Maree Tonkin Louie the COVID-19 puppy
Mari B-Li Donni Momentary Light 4 November 2020 Momentary Light is part of a series of installations depicting mental health and wellbeing. Here we reflect on dementia where the light seen is a temporary moment unlike the unseen which reflects an eternal life of memory unable to be told.
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Melanie Thoren Self portrait in psychedelic colours (Acrylic paint) 18 November 2020 This time for lockdown has been a time for self-reflection for me (and whether that is a good or bad thing remains to be seen) but what it has been good for is for any form of creativity, and as COVID-19 times recede I’m expecting a huge burst of art to take over. Take that, art haters!
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Michael Hodson A Place to Rest 19 July 2020 For me, this photo taken in the White Hills cemetery, is a good summary of the melancholy of 2020. The park bench is warm and inviting in the rays of the morning sun, while at the same time, cold and lonely, with death looming in the background.
Dr Michael J Leach WFH No. 2 9 November 2020 Michael is a poet and Senior Lecturer at Monash Rural Health, Bendigo. His poems reside in Cordite, the Medical Journal of Australia, and elsewhere. Michael’s debut poetry collection is Chronicity (Melbourne Poets Union, 2020). WFH No. 2 is a sequel to Michael’s piece in week 1 of this exhibition: WFH.
Michael Watson Father (Oil on linen) 30 October 2020 The most inspiring man in my life is my dad. His character and values are those I try to live up to every day, and I am honoured to be his son. As time passes, he inevitably ages and I aspired to capture his essence as accurately as possible to solidify him in my future family history.
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Milton Long Lucy in the sky (without diamonds) (Sterling silver earrings) 16 November 2020 The word “surreal” is often mis-used and certainly over used these days, but this photo really has a surreal feel about it. I’m pleased with the earrings, and particularly pleased with the photo!
Myra Casey Cure 18 November 2020 My two year old pointed me to this last piece for WIDLW. Shadows. Light. Walks. Little seemingly innocuous things that have without a doubt gotten us through lockdowns and family reconfigurations and altogether a tricky year for all. Nature prevails.
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Natasha Joyce Doom-scroll for joy (Digital) 1 November 2020
Olivia Ciancio Elio 18 November 2020 This is just a quick drawing I did in my new sketchbook, on a hot day after school. And I don’t usually draw boys, but this one day I thought I would, and was very surprised! (You can see on the page my little notes about him!) His name is Elio.
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Paul Allen Strange Fruit 9 August 2020 “Strange Fruit” refers to the strange times we are living in. The consequence of our many economic, social and personal choices over many decades have sowed the seeds of our current predicament.
Paul Casey Many Ways All the paintings I did for the “online gallery” were done in this room, only now the outside shade curtain billowing in the wind dominates. So I painted this to remind me of the anticipation each week one has in what the other participants reveal. Such a great learning thing for me in many ways!
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Peter Boyle Sci-Fi and dystopian weapons 31 October 2020 New additions to my little collection of Sci-Fi, dystopian weapons that I have cobbled together from salvaged parts.
Poppy Skipper Masks On 5 November 2020 Since the start of COVID-19 Lockdown, I have become more active with my art, selling it online to give other people happiness during these unpredictable times. During this time though, I have realised the importance of masks, and just how effective they truly are. Using paint pens on a canvas, I am able to express this through my simple drawings of a character I created that is inspired by Keith Haring’s work, a character that consistently appears in my works.
Rohan Phillips Etude 23 November 2020
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Sally Quinn Food for Thought 9 November 2020 We’ve had many anxieties this year. One resulted in me collecting a box of emergency food! Now I have to think about what to do with it all.
Sharon Greenaway My life in miniature 1 July 2020 With lockdown and the worry of COVID-19, I wanted to capture what means much to me, in a miniature form. Family, friends, flora and fauna were my subjects. The miniature library-cum-gallery was the end result. This special piece inspired me to commence a larger miniature gallery which is very much a slow work in progress due to health issues that are colouring my work now.
Sarah Wallace-Smith Saddle for a Throne 20 November 2020 My 2020 works have documented cathartic, ‘In the moment’ actions and responses. A process of layering, play, imagination, and colour.
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Spencer Blum Healing Images 4 September 2020 “Healing Images” is a series about resilience, overcoming past struggles, trauma, external and internal prejudice, and using that experience to positively build your authentic form. More importantly, however, this series is about hope and potential for a less pained self. (Final piece for 3/4 Studio Arts)
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Sue Jeavons Spring garden colours 7 November 2020 The one thing that overwhelmingly signifies my focus during these pandemic months and has benefited body and mind has been gardening. This spring I have a colourful display of roses, iris, poppies, sweet peas and more. The vegetables have also been productive.
Susie Marcroft Counting the days under surveillance During lockdown I collected printed takeaway cups from The Wine Hub, outings that provided human contact. I collaged these with my own renderings inspired by my walks throughout Heathcote. Some sculptural works also emerged in response to interactions with wildlife, and others from my emotional and perceptual responses to the COVID-19 situation.
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Vivienne Holmes Sydney’s first tram I went through old photos and I found this old photograph of Sydney’s first tram. My great grandfather is standing at the front. He was an engineer for a Leeds UK company and he accompanied the first tram to get everything up and running. He didn’t use his return ticket to the UK. Lucky me! I love to see Bendigo’s tram rattling along Pall Mall.
Zoya Makarova Domestic Arts (Spray paint on paper) 10 November 2020 39
“Participating in this program has really helped me feel connected to the local arts community. There is a sense of feeling valued for whatever contribution one makes.”
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what i did last week volume 5 featuring Ainsley McPherson Andre Sardone Angela Morrissey Audrey Savage Barb Fordham Bethany Mansfield Brad Barnes Bree Galvin Bridget Finch Bridie Margaret O’Toole Carol Woodhams Catherine Williams Cecile Shanahan Daniel Eltringham David Stephensen Deborah Blake Dell Winser Des Lowry Dr Michael J Leach Duffy - Ha Ho Art Ed Phillips Ellen Lee Osterfield Elly Oper Florence Hodson Frances Forge Frankie O Gail Casey
Geraldine Stills Gillian Fallon Glenda Anstey-Sprigg Greg Penno Helen Lunt Iain Wilson Ian Dodd Isabella Draper Jane Coburn Jane Ineson Janet Bromley Jeanette Guidi Jenny Keown Jin Turpie John Willis Josephine Walsh Josh Brandon Julie Andrews Julie Kala Kathryn Harrison Kathryn Lehar Katie Canfield Kay Aitken Kerry Punton Kheong Sen Lim Kristen Beever Leah Macdonald
Lichii Lilly Skipper Linda Brookes Lucy Hodson Maddy Lynch Maree Tonkin Mari B-Li Donni Melanie Thoren Michael Hodson Michael Watson Milton Long Myra Casey Olivia Ciancio Paul Allen Paul Casey Peter Boyle Poppy Skipper Rohan Phillips Sally Quinn Sarah Wallace-Smith Sharon Greenaway Spencer Blum Sue Jeavons Susie Marcroft Vivienne Holmes Zoya Makarova