Claudia Wrzecionek - Architecture Portfolio

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C L AU D I A WR Z EC I O N E K Undergraduate Architecture Portfolio


C L A U D I A

W R Z E C I O N E K

6 4 7 . 27 2. 7 680 c w r zec i o ne k@ r yerson.ca 9 5 2 B ri ga nti ne Ave., M ississauga O N L5C 2 Y 6

L i nkedIn: https : //w w w. l i nkedi n. co m / in/ cl a udi a - wrzeci o nek /

Education

Competitions

09/2015 - Present R y e r s o n U n i v e r s i t y | To r o n t o , O N Bachelor of Architectural Science

09/2017 - Timber Fever Design-Build Competition - 4-day design-build project with a team of architecture/ engineering students

09/2011 - 06/2015 Cawthra Park Secondary School | Mississauga, ON Visual Arts Major i n Regional Arts Program + Specialist High Skills Major in Arts & Culture + Honour Roll

Work Experience 0 5 / 2 0 1 8 - P r e s e n t ( 1 2 - M o n t h C o - o p Te r m ) B u i l d i n g S c i e n c e Te c h n o l o g i s t a t P i n c h i n L t d . - Performed building condition assessments & audits - Created detailed reports and AutoCAD drawings - Regular site meetings with clients and contractors 05/2016 - Present Art Instructor at Visual Arts Mississauga - Summer camp and weekend instructor - Guest speaker for university portfolio pre p classes 0 6 - 0 8 / 2 0 1 4 ( C o - o p Te r m ) Maintenance Services at Peel District School Board - Created basic AutoCAD drawings - Organized and archived documentation

Affiliations 02/ 2018 AIAS Mentor - Assisting two 1st/2nd year students 09/2017 - 2018 Freedom By Design Member 09/2015 - 2018 AIAS Member

Languages English - Native Polish - Native French - Basic

Te c h n i c a l S k i l l s 3D Modeling & Render: Revit 2017/ 2018 + BIM Rhinoceros 5.0 V- ray Sketch-Up

Graphic Presentation: Adobe InDesign CC Adobe Illustrator CC Adobe Photoshop CC AutoCAD 2016

Crafting: Physical model making Laser cutting Woodworking Hand sketching / painting


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Wood-Works Research Cabin

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C(r)ave Restaurant

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To r o n t o A c a d e m y o f P e r f o r m i n g A r t s

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Diagrid Distillery

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Diagrid Distillery - Part 2 (Partner)

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Work at Pinchin Ltd.

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Timber Fever Design-Build Competition 2017

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Personal Artwork


Wood-Works Research Cabin Evergreen Brick Works, Toronto Year 1 Semester 2 Situated loosely in a large field, the concept relies on an orthagonal organization of spaces that creates a comfortable study space for the botanist client, within the contrasting natural landscape. The building is divided up into a work area and live area, as well as a transitional space that defines the boundaries of the two. This ensures a balance in their experience and use of the cabin. The selective bay windows signal important views out into the studied landscape, vegetation and continued open space.

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LIVE

WORK

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Interior Render of Workspace

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West-East Section

South Elevation

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C(r)ave Restaurant Nathan Phillips Square, Toronto Year 2 Semester 1

This restaurant design acts as a connection of the home and the city. It connects certain points on the Nathan Phillips Square site, including: the pond, as the history, the stage, as the culture, and the City Hall, as Toronto itself. The chef’s restaurant, located at the northwest corner, is then the home in comfort of its surrounding environment.

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New City Hall

Osgoode Hall

Peace Garden

East Elevation

Peace Garden

Osgoode Hall

New City Hall

The cave-like form is a play on our natural instincts, and serves as a carving out of the city into a protective and ambiguously familiar environment; here, the senses are experienced naturally.

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Section Perspective W-E

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Toronto Academy of Performing Arts Church St. and Shuter St., Toronto Year 2 Semester 2

This project depicts the movement and flow of the city in relationship to the art of dance. The building acts as a living organism, exposing the elements of structure and the movement of user bodies through the fluid facade. The skin of this building is composed of 3 “faces�, which are: translucent, opaque and transparent. The composition of these skins controls the views, as well as the amount of natural light that fall into the spaces.

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West-East Section Perspective

From the street level, those passing by are able to see the silhouettes of the performers in some elevations, while others provide a clear view into the space thus eliminating any boundaries between the artist and the viewer; both are limitless and ambiguous in a way. This concept is supported by the interior of the building as well, where the studio spaces are placed behind glass on the inside and outside of the building, while the theatre and residential floors are more private from the interior, and requiring special access.

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Dalhousie St.

Church St.

Shuter St.

Site Plan

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Ground Floor Plan

Floor 2


Courtyard Render

The idea behind the various open spaces and intentional repetition, or breakage of, is that the users could break out into dance at any point. The building mimics their flexibility by allowing itself to be transformed into a performance space.

Floors 4-8

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Experiential Section

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West Elevation

South Elevation

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Diagrid Distillery Mill St. and Trinity St., Toronto Year 3 Semester 1 This project aims to exhibit the program of the existing heritage and new distillery buildings, conceptually imitating the form of a whisky glass, as a gesture to the final step of the distilling process. This mass reinforces its presence on the site, within the historic Distillery District, and invites a fresh educational and experiential approach to the distilling process. On the south facade, the carved form works to pull people into the heart of the building, while maintaining the existing historic facade; to the north, this broken glass form is repeated in both buildings to form a larger public space for user-distillery interaction.

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Trinity St. Mill St.

Site Plan

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Section Perspective W-E

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Ground Floor Plan

Second Floor Plan

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South Elevation

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West Elevation

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Section Perspective N-S

Section Perspective N-S

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Diagrid Distillery - Part 2 (Redesign with Partner) Mill St. and Trinity St., Toronto Year 3 Semester 2

With the extruded cylindrical form mimicking a whisky glass, the distilling program is presented as a wholesome start-to-finish experience revealing its program through glimses of the central and dynamic broken-glass body. The idea of protrusion and extrusion are expressed in the engagement between the diagrid form and the existing historic south tower, which is revived through these actions. Their relationship suggests a flow between old and new, and the concept of a whisky glass intersecting that from which it is made.

EXTERIOR RENDER

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Curtain Wall - Typical Floor

W-E Section Perspective

Extensive Green Roof

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 

UP  

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    

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UP  

 



1st Floor

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N-S Section Perspective

  

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 

UP





 

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  

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2nd Floor

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䷰䧰䳰䳰⃰台哰⻰

29 哰勰䧰仰䧰哰姰⃰台哰⻰

僰䇰勰䳰䧰䇰䷰䗰仰哰⃰台哰⻰


South Elevation

North Elevation

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Work at Pinchin Ltd. Building Science & Sustainability (BSS) Group During my term, I have been able to attend regular site visits with Senior Technicians and Project Managers to observe and take note of progress on various projects. This work includes performing Building Condition Assessments, Energy and Accessibility Audits, Envelope Investigations and more, involving fire and life safety, structure, exterior and interior aspects. The following is an example of a new-construction project where I was able to attend monthly site walk-throughs with the client to discuss and review progress on site.

Photo 1 - Steel framing noted to be installed in designated residential units.

Photo 2 - View of interior finishes being installed on lower levels.

Photo 3 - View of work on lower roof atop building.

Photo 4 - View of progress on adjacent tower.

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A6 A6

A1

ALL MEASUREMENTS ARE APPROXIMATE. CONTRACTOR MUST CHECK AND VERIFY ALL DIMENSIONS AND JOB SITE CONDITIONS AND REPORT ANY DISCREPANCIES TO THE APPROPRIATE AUTHORITY PRIOR TO COMMENCING CONSTRUCTION.

A1

2470 Milltower Court, Mississauga, ON, L5N 7W5 pinchin.com │1.855.PINCHIN

A2

A2

PROJECT NAME

BUILDING CONDITION ASSESSMENT

A6

A6 A6

A3 A3

A2 A1

A4 A4

A6

LEGEND

LEAK

STACK

A4

A3

GENERAL NOTES PERTAINING TO DRAWINGS:

NOTE:

Remarks No Date

CONSULTANT:

PROJECT LOCATION

DRAWING NAME

FIRE STATION NO. 97 MARKHAM, ONTARIO

SCALE PROJECT NO.

1:150 REVIEWED BY: DRAWN BY:

MA CW

DRAWING NO. DATE

A1 06/05/2018

DATE

STACK

LEAK

Remarks

ROOF PLAN

CONDITION ASSESSMENT

06/05/2018

CW

DRAWN BY:

06/05/2018 219332

DATE PROJECT NO.

CW

DRAWING NAME DRAWN BY:

PROJECT NO.

MA

A1

DRAWING NO.

MA

REVIEWED BY:

A1 1:150

DRAWING NO. SCALE

ROOF PLAN

REVIEWED BY:

FIRE STATION NO. 97 SCALE MARKHAM, ONTARIO 1:150 219332

PROJECT LOCATION

BUILDING DRAWING NAME

MARKHAM, PROJECT NAME

FIRE STATION NO. 97 ONTARIO

2470 LOCATION Milltower Court, Mississauga, ON, L5N 7W5 PROJECT pinchin.com │1.855.PINCHIN

BUILDING CONDITION ASSESSMENT

PROJECT NAME

2470 Milltower Court, Mississauga, ON, L5N 7W5 pinchin.com │1.855.PINCHIN

CONSULTANT:

No Date

ALL MEASUREMENTS ARE APPROXIMATE. CONTRACTOR MUST CHECK AND VERIFY ALL DIMENSIONS AND JOB SITE CONDITIONS AND Remarks No Date REPORT ANY DISCREPANCIES TO THE APPROPRIATE AUTHORITY PRIOR TO CONSULTANT: COMMENCING CONSTRUCTION.

NOTE:

GENERAL NOTES PERTAINING TO DRAWINGS:

ALL MEASUREMENTS ARE APPROXIMATE. CONTRACTOR MUST CHECK AND VERIFY ALL DIMENSIONS AND JOB SITE CONDITIONS AND REPORT ANY DISCREPANCIES TO THE APPROPRIATE AUTHORITY PRIOR TO COMMENCING CONSTRUCTION.

NOTE:

LEGEND

STACK

LEAK

LEGEND

These drawings were created for a portfolio of Building Envelope Investigations on heritage buildings. The buildings were reviewed in detail, tested for areas of leakage and structural deterioration, and then reported. GENERAL NOTES PERTAINING TO DRAWINGS:

219332

ROOF PLAN

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Timber Fever Design-Build Competition 2017 This project, programmed as a reading room, was designed by our team of architecture and engineering students to imitate the arrangement of book spines lined up side by side. These strong vertical elements are then expressed through the play of light. Inspired by our given objects, 2 styrofoam heads, the 2 separate spaces act as a flexible barrier allowing several users to experience the space at once, whether individually or by interacting.

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Personal Artwork

“Taste I”

“1997”

“Nikini”

China Marker

Acrylic paint, Tissue paper

35 mm Film Photograph

“Taste II”

China Marker

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