Chun Yin Jeremy Yu Portfolio- Jan 2014 by Chun Yin Jeremy Yu Architecture

_Master of Architecture

CHUN YIN JEREMY YU Architecture Portfolio 01 Projects

02 Resume

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| Profile Picture |

| Overview |

DESIGN ETHOS

My design ethos is driven by a consistent philosophical approach and it is my aim to create specifically detailed buildings that are intimately connected to context and function. Design by Challenges I believe real creativity is born by designing through constraints and challenges. Prescribing the right design solution to problems, adding value for the client and delights to our built environment. Revolution + Resolution. While a designer must embody a revolutionary vision, I also believe that high quality design results from the entirity of the design process and from taking a holistic approach. It is important for me to strive for the best in every aspect of a buildingâ&#x20AC;&#x2122;s design including its architecture and structure as well as its environmental, social and economic impact such that a masterpiece is created as the synthesis of concept, beauty and function. The following selection of work shows my development as a designer and hints towards future directions. I present my final year projects from both my Part 1 and Part 2 courses at University of Bath, a selection of work that I have completed during professional placement as well as a series of pieces from other creative pursuits. Studying architecture demands an active interest and constant awareness of contemporary design and cultural contexts. I hope you enjoy reading my portfolio and Thank you very much in advance for your attention. Your sincerely, Chun Yin Jeremy Yu

June 2013 2

Content

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Projects 01

MArch RIBA Part 2 University

Sauna Ahtola Helsinki 2030 | Master Plan Pulse | Dance School In London

02 BSc RIBA Part 1 University projects

OURANOS | The Herschel Planetarium and Astronomy Camera Obscura | Bristol Film Institute Harbour House 03 Placements

Harper Downie Feilden Clegg Bradley Studio Baumschlager Eberle

04 National Competition and ther projects

NEW 1916 The Centenary Chapel, Dublin RIBA architecture photography competition 2012 NEW Shelter International Architectural Design Competition NEW Housing in the Private Rental Market Ideas Competition Arcus | Threshold Installation Project

05 Personal

Resume

01.0_

Projects

Part 2

Helsinki

Ahtola

| Period |

2010 September

A National Monument

| Task |

Design - Diploma project for Master

| Type/Program |

Leisure - Public Sauna

| Area |

5124 sqm

The client’s brief is to design a National Monument dedicated to the Finnish Culture of the Sauna. Ahtola’s vision is to provide the best sauna experience that shall foster a sense of physical and psychological well-being amongst both its bathers and the residents of the city.

| Site Location |

Telekkaranta, Helinki

A New Social Focus for the Area With the redevelopment of the West Harbour Area in Helsinki the focus of the city’s urban energy is shifting westwards. Ahtola’s location will therefore see it serve, increasingly, as a new social focus bridging the gap between the old city’s centre and the new development and promoting a new sense of urban cohesiveness in Helsinki’s increasingly diverse population. As a public sauna it will be composed of a range of facilities such as 4 sauna chambers, immersion pools, hot baths, public swimming pools and a community centre. The Public Sauna Revival

‘So let’s build a sauna there! Not the usual semi-civilised travesty of the old Finnish sauna, but a cultural sauna, a national monument, the first of its kind in the budding Finnish civilisation.’ - Alvar Aalto 1925

Exterior Perspective

The tradition of the Public Sauna has been a characteristic part of Finnish society for generations but in the past decades has seen its popularity decline To bring about a renaissance in the use of Public Sauna is seen as an important part in the preservation of traditional culture in an increasingly homogenous global society. Ahtola is to be the social focus that brings the habit of public sauna back into daily life of the city.

Projects

Part 2

Helsinki

Architectural Diagrams

[Academic use only]

Projects

Part 2

Helsinki

Interior visuals

Ahtola Projects

Part 2

Helsinki

Public Sauna Proposal, Helsinki

SECOND FLOOR PLAN

8 10

Key

KEY

1 - Arrivaal lounge - Arrival lounge 2 1- Hortus Concluses ( Main relaxation areas) - Hortus Conclusus (Main relaxation areas) 3 2- Sauna/Smoke sauna chambers 3 - Sauna/ Smoke sauna chambers 4 4- Relaxing calming space space - Relaxing caliming - Immersion Cold pool) Plunge pool) 5 5- Immersion pool (pool Cold (plunge - baths Hot Baths 6 6- Hot 7 - Potassim mineral Bath 7 8- Potassium Bath - Group mineral sauna relaxation room 8 9- Group sauna relaxation - Treatment room room - Disable Toilet 9 10 - Treatment room 11 - Garden 10-12Disable Toilet - Fire escape staircase 11- Garden

5 8

6 3

10 9

4 3

5 4

7 1

12- Fire escape staircase

FIRST FLOOR PLAN

6 3

2 10

KEY

11 12

- Immersion pool (Cold plunge pool) - Hot bath - Potassium mineral bath 8 - Treatment rooms 9 - Winter garden (Unisex) 10 - Lift and lounge Vertical ciculation core - Main relaxation 11 - Disable - Sauna rooms toilet 12 - Storage - Relaxing 13 - Firecalming escapespace staircase

1 2 3 4 - External Pool 5 - Immersion pool ( Cold plunge pool) 6 - Hot baths 7 - Potassium mineral Bath 8 - Treatment rooms 9 - Winter garden ( Unisex) 10- Lift and vertical circulation core 11- Disable toilet 12- Storage

5 6

7 Key

- Main Relaxation lounge - Sauna rooms

3 - Relaxing calming space FIRST FLOOR PLAN 4 - External pool

5 2

1 2

7 3

GROUND FLOOR PLAN

13- Fire escape staircase KEY 10

1 2 3 4 5 6 7 8 9 10

9 4

External exhibition spaces/Multipurposes spaces Main entrance Foyer Reception Fitness suite Cafe The Finnish Sauna Society Office Office meeting room Toilets Storage

GROUND FLOOR PLAN

1 6 1

Key 1 - External exhibition spaces 2 - Main entrance 3 - Foyer 4 - Reception 5 - Fitness suite 6 - Cafe 7 - The Finnish Sauna Society Office 8 - Office meeting room 9 - Toilets 10- Storage

BASEMENT BASEMENT PLANPLAN 4 12 KEY

Key

1 2

7 8

10 13

1 7 2

8 9 11 4 5

- Leisure pool - Female changing room

1 3- Leisure pool - Male changing room 2 4- Female changing room - Washing room - 6changing lanes main 3 5- Male roomswimming pool 13mx25m 6 - Outdoor natural swimming pool 4 7- Washing room - Pre-swim showers 5 8- 6 -lanes main swimming pool 13m x 35m Toilets - First aid swimming room 6 9- Outdoor natural pool - Pool ventilation plant room 7 10 - Pre - swim showers 11 - Water treatment plant room 8 12 - Toilets - Boilers/ plant room - Pool side stoage 9 13 - First aid room - Lift and vertical circulation 10-14Pool ventilation plant room 11- Water treatment plant room 12- Boilers/plant room 13- Pool side storage 14- Lift and vertical circulation

Exploded Isometric plans

Projects

Part 2

Helsinki

Detailed sectional perspective

Structural Strategy Diagrams

[Academic use only]

Detailed section

Projects

Part 2

Helsinki

EXTERNAL FACADE

PERFERATION UNIT DETAILS

COURTYARD FACADE

Facing layer, 150mm lime pozzolan concrete with post consumer bottle glass Steel ties @ 300 c/c Damp proof membrane 200mm insulation Vapour barrier Support layer, 250mm reinforced concrete

Glass block at both ends of the channel Metal channel (reflective on inside to carry light through wall) Thermal break.

Facing layer, 150mm reinforced lime pozzolan concrete with post consumer bottle glass, machined smoothed layer on the outside. Steel ties @ 300 c/c Layer of vegetation, substrate in quilted pocket insert into facing layer of the facade. Damp proof membrane 200mm insulation Vapour barrier Support layer, 250mm reinforced concrete, machine smoothed layer on the inside.

Projects

Part 2

Helsinki

Ahtola is designed for longevity: materials and construction that will last and be adaptable in the future. The proposal is whole life sustainable, with passive measures of integrated design to give a low operational energy, therefore, with minimised running cost. LOW OPERATIONAL ENERGY The Operational strategy of Ahtola is defined by 4 key ideas.

REUSE

RECOVER

REUSE - Minimise the area heated, artificial lighting required, ventilation needed.

- Reuse + Recover heat Energy from the waste thermal energy of the Sauna and pool water.

WOOD PELLETS [Academic use only]

- Conserve, high thermal mass, with concrete skin and floors, brick core and the swimming pool at the basement level is embedded within the ground. The design minimises heat loss through the fabric, and high thermal mass reduces temperature fluctuations. The internal environment of Ahtola is controlled.

CERTIFIED HYDRO ELECTRICITY (WINTER ONLY)

- Provide heating for the building and sauna sustainable sources.

from

Projects

Part 2

Helsinki

RAIN WATER / SNOW FALL FILTRATION + OXYGENATION

HABITAT POND

OUTDOOR NATURAL POOL

WATER FROM THE LANDSCAPE IS HEATED AND DISPERSED TO THE INDIVIDUAL POOLS

OUTDOOR NATURAL POOL RENGERATION AREA

Level difference creates pressure for water to fun through filter

Ahtola - water cycle diagram

1 RAIN WATER

2 3 4 5 6

Regeneration zone

Plunge Pool

To prevent the water collected in the plunge pool from becoming stagnant. it is circulated with an external body of water filled with oxygenating plants separated from the reed bed.

Functional Diagram of Filter Basin 1.Reed and other water plants 2.Water cover 500 cm 3.Plant roots prevent filter clogging 4.Level difference creates pressure for water to run through filter. 5.Sand filter 80cm 6.Coarse gravel in drainage layer 7.Drainage pipes 8.Pool Water

01.1_

Projects

Part 2

Helsinki

Helsinki 2030

| Period |

2012 Octorber - December

| Task |

Design - Diploma project for Master

| Type/Program |

Masterplan

| Area |

- sqm

| Site Location |

Jätkäsaari , Henarssari and Telakkaranta

An urban renaissance for Helsinki The relocation of the cargo ports to the outskirts of the city in 2008 has released large quantites of land (orange) for development within the inner city of Helsinki. In my team’s ‘Helsinki 2030’ report, we proposed an alternative masterplan for the West Harbour development which we feel addresses the flaws in the city council’s current proposal. In contrast to the current proposals, we believe that the layout West Harbour Redevelopment should be a continuation of the city’s grid, that would both respect the urban grain of the existing centre and permit the extension of Boulevadi. In this way, we believe that the West Harbour would become an integrated district of the city and not an isolated appendage with the spine-route of Boulevadi unifying the whole and providing a quick and direct link.

Land released for development

My team’s proposed masterplan sees the proposed new extension of Boulevadi as an urban living room. It shall be a place that will support the continual development of an urban culture in the new district to allow it to make a full contribution to the cultural infrastructure of Helsinki. In addition, we believe that the new district should draw heavily from the principles of a garden city through the provision of generous and bio-diverse green space to bring the rus-in-urbe.

163

Projects

Part 2

Helsinki

West Harbour Facts - Total Area 200 ha - Residents 30,000 - Jobs 20,000 - Tram ride 5 minutes from the city centre - A seaside trail nearly 16 kilometres - Completed by 2030 - Land Area 100 ha - Residents 17,000 - Jobs 6,000 - Parks 20 ha - Completed by 2025

Hernesaari The shipyard operations have withdrawn to a smaller area by the Hietalahti basin. The shipyard will exist at Hernesaari area till the end of 2012, after which Hernesaari is released for buildings. The plans for Hernesaari include residence for 4,500 persons, a shore park, two small boat harbours, and berths for cruise ships as well as a heliport. The public transport for Hernesaari will be realised with trams.

Issue: Discontinue green spaces

Issue: Bottle neck access routes

Solution: Widen the interface

Solution: Extend Boulevadi

Solution: Extend the city grid

Solution: mix use development

Solution: Rus-in-urbe

Solution: Courtyard typology building blocks

Proposed Development

Issue: Non city specific layout J채tk채saari, Hernesaari 76

Masterplan solution diagrams

Proposed Access Routes

J채tk채saari and Hernesaari 86

Projects

Part 2

Helsinki

‘Helsinki 2030 ’Proposed Urban Courtyard Block Perspective

128

Projects

Part 2

Helsinki

The project is inspired by the unique urban block typology of Helsinki, manipulating form and aggregation of cultural buildings to develop a city centre that has the capacity to be iconic but also integrate into the city fabric.

Dense, diverse, evolving and full of people. living and working, meeting and sleeping, growing up and making things. fostering evolution and multiple authorship.

â&#x20AC;&#x2DC;Helsinki 2030 â&#x20AC;&#x2122;Proposed Urban Courtyard Block

129

Projects

Part 2

Helsinki

Grey water treatment It is our intention to integrate the grey water treatment system with the biodiversity courtyard so that we can clean and conserve water.Potable water has high embodies carbon and a large proportion of potable water is consumed in flushing the toilet. Through integrating large grey water treatment system in urban master planning scale, we hope to halt the unsustainable use of water in todayâ&#x20AC;&#x2122;s city.

Masterplan envrionmental strategy16

Projects

Part 2

Helsinki

Envac Services managing your automated waste collection system

nvac Services

ur automated waste collection system

Vacuum waste collection systems A sustainable vacuum waste collection systems will be installed across our proposed master plan. The installation of a vacuum waste collection systems means our proposed master plan will have the capacity to handle the growing volumes of waste that generate by residence within our master plan in years to come. The system offers both hygiene financial and environmental benefitsMaster for the residence of Telakkaranta + Underground plan for the west Jatkasaari Development. harbour development

The Finnish capital is the world first city The hard bedrock make underground 2) Emptying _ When the control system senses that it is time to 1)Disposing_Users throw their waste

3) Collection station_Waste at the collection station is sucked

empty the inlets, Envac’s fan system is initiated and a vacuum into the inlets. Here, the bags are to develop an underground master Helsinki possible, it allows the city

through a cyclone, where it is separated from the transport air.

It then falls down into a compressor where it is compressed

is created in the pipe network. A supply air valve is opened

stored temporarily above a closed

from the inlets to the waste collection station. The storage

then emptied at regular intervals.

in ordercollection to allow air into the pipe system to transport waste to create storage valve. All full inlets are plan and the waste and planners huge infrastructure,

and fed into a sealed container. The transport air is released via a flue after having passed through a series of cleaning filters and silencers.

services systemvalves (diagram that putting asemptying the coal storage beneath theabove) inlets are then opened one by one. Thethings such Automatic is governed by waste bags fall down into the underground network and are a computerised control system in the we are proposing underneath our west facilities, the city’s district heating and sucked away to the waste collection station at speeds of up waste collection station. which is it

to 70kph and will over distances as long the waste system ,serves and linked to the inlets via a harbour developments be part of as 2km from cooling things that don’t have inlets.

154

network of underground pipes.

the city’s sub terrain world.

to been seen underneath the ground.

Due to the inherent geographic restric-

The cost of tunnelling is relatively inex-

tions of Helsinki, being located on a

pensive and putting industrial facility

peninsular and surround by sea on

underneath the surface helps free up

three sides as well as to avoid urban

land above for more profitable pur-

sprawl and maintain the low rise city-

pose, such as real estate development

scape. Helsinki is taking advantage

so it makes sense in land economic

of its natural advantage resources to

term. Today, there are hundreds of

expand, the shallow bedrock under-

undeground facilities and our pro-

neath the ground.

posal is one of the many more that are

152

planned in Helsinki .

155

Masterplan envrionmental strategy17

01.2_

Projects

Part 2

London

PULSE

| Period |

2012 Design Studio 5.1 (14 weeks)

| Task |

Design - Project for Master

| Type/Program |

Dance School in London

| Area | | Site Location |

- sqm Spa Green Garden, Lonon

Soft silk Butterfly. White dancer glides gracefully as city music plays. The brief of this project is to design a dance school in the Spa Green Park, Angel, in London. The school would be comprised of a range of top quality facilities including five dance studios, their associated support facilities, auditorium and a bio-diverse allotment for the wider community. The design concept is inspired by rhythmic movements and emotional expressions in dancing. The notion of rhyme is represented by the multiples strips of concrete fins and the emotion of dance is represented by the interplay of light and shadow within the internal spaces. This dance school proposal brings together the beat of dance meets the beat of the metropolitan city whilst the wavy garden oscillates to this beat and this oscillation eventually forms the body of the dance school.

Dance - Motion - Lines - Fins of concrete

Pulse of Dance meets the pulse of the City. 18

Concept model

Projects

Part 2

London

Initial Sketches

Projects

Part 2

London

Interior visuals

The Pulse Sadler’s Well dance school | London

FIRST FLOOR PLAN Key 1 - Dance Studios 2 - Auditorium + Multi purpose space

GROUND FLOOR PLAN Key 1 - Toilets 2 - Reception 3 - Treatment Room 4 - Common Room 5 - Library 6 - Changing Rooms 7 - Exhibtion space 8 - Auditorium + Multi purpose space 9 - Cafe 10- Bio-diverse Urban Farm, The ‘Ark’ 11 - The Hub 12- Winter Garden

Exploded Isometric plans

Projects

Part 2

London

1 to 10 Elevation and section Black Mild Steel Posts

Detail Design

Projects

Part 2

London

THE OUTER CONCRETE SKIN

THE INNER STRUCTURAL CORES

Structural Strategy

Biodiverse Garden

Ground Floor Plan

4 6

1 2 3 4 5 6 7

Toilets Reception Treatment Room Common Room Library Changing Rooms

8 9 10 11 12 13

Auditorium + Multi purpose space Cafe Bio-diverse Urban Farm, The ‘Ark’ The Hub Dance Studio Winter Garden

Exhibtion space

Section

Projects

Part 2

London

HEAT RECOVERY The stale air is collected at high level, then passes through a heat exchanger before it leaves the building. The heat exchanger recovers the warmth from the stale air and transfer the warmth to the new incoming air or other appliances. By doing so, this significantly minimizes the excessive heat loss that associated with natural ventilation. LIGHT The interplay between the rhythm of light and shadow play a major part in the architecture of the proposal. The main lighting strategy for the dance school is to maximize useful daylight, efficiently making use of this abundant and useful source of ambient energy. All dance studios are lit up with slots of roof light above and glazing at one side.

Projects

Part 2

London

1 :200 Physical Model

OURANOS

IL I STARDUST I FOLDED ALUMINIUM LOUVERSHE FACADE 02.1_

Projects

Part 1

Bath

Conceptual model photo

cture of stardust.

The Herschel Planetarium and Astronomy

- sqm

| Site Location | Alexandra STUDENT I Chun Yin Jeremy Yu

Park, Bath

PROJECT I Garden City - Alienation, Nature + Re-concilation

PROJECT DATE I 26.05.20

licacy and the twinkle quality of the aluminum louvers reinforces the idea of liation mankind with nature, stardust, the most basic ingredient of human ‘I have looked into space humantoward being didheaven before me’ nd the etiolate star. further As visitors climbthan up ever the atower they are William Herschel e into a cloud of stardust and the dapple of light created by the louvers William Herschel’s discovery of the planet Uranus in Bath at 1781 had a significant impact on the view of modern science, astronomy and space exploration. Developed upon the g from afar, thetheme skin ‘ofAlienation URANOS to be-OURANOS smooth| and homogenous project’s and appears reconciliation’ The Herschel Planetarium and Astronomy is dedicated to celebrate Herschel and closer to provide giving out sparklesCentre of light (on a bright sunny the day)work and,of as you get it a venue to reach out to a wider audience, developing the popular appeal of astronomy, reconciliate es texture. Thismankind is because thealienated, folded Aluminum modern with the light pollutedlouvers sky. create a rich texture as the grain of the louver changes with orientation.

the day the aluminum louvsers reflect the surround greenery and the sphere sky above. Instantly, the tower is dissolved and merges with the sky. It is infor the centre visually blended in with the surround environment and the sky.

d aluminium lovers provide a degree of playfulness and lightness to the fahich helps to soften the heroic, formidable gesture of the building. Viewing OS at night, the brushed aluminum louvers absorb and reflect the mild moonnd starlight, combined with the dapple of light giving out from the interior. t instantly merges with the starry night sky.

Concept model

is a building that reveals different thing about itself when viewed from differtance

02 STUDENT I Chun Yin Jeremy Yu

PROJECT I Garden City - Alienation, Nature + Re-concilation

PROJECT DATE I 26.05.2011

Projects

Part 1

Bath

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

VIEW FROM PARK AT NIGHT

011

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY

At night the brushed aluminium profile louvers absorb and reflect the mild moonlight and starlighing and becoming part of the starry niight sky.

Concept detail model

URANOS at night

Concept image

PROJECT I Garden City - Alienation, Nature + Re-concilation

PROJECT DATE I 26.05.2011

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

View from Bath town centre

Viewing from town, the tower of reconcili-

Projects

Part 1

Bath

Diagrams ation is visibly blasting skyward.

Projects

Part 1

Bath

Sectional Perspective

Set in Alexandra park, at the top of Beechen Cliff, fronting on the city centre of Bath. The heroic form of the scheme proposes a reconciliation with the sky while serving as a new icon for the historic city of Bath. The centre comprises a range of facilities including exhibition spaces, a 100 seat planetarium, a 125 seat lecture theatre, a pavilion for the park, an observatory tower and a telescope workshop. The section of OURANOS is arranged in two axes, axial of alienation and axial of reconciliation. Part of the building envelopes the visitors into a â&#x20AC;&#x2DC;caveâ&#x20AC;&#x2122; like environment, embedded into the ground, Anther part of the building is within a tower, compelling the soul upward from the ground. The southern side of the facade is cladded with folded aluminium louvers, the delicacy and the twinkle quality of the louvers reinforces the idea of the reconciliation of mankind with nature, stardust reminding us that we are all the comprised of the same basic materials.

UDENT I Chun Yin Jeremy Yu STUDENT I Chun Yin Jeremy Yu

PROJECTDATE DATE II 26.05.2011 PROJECT 26.05.2011

PROJECT I Garden CityNature - Alienation, Nature + Re-concilation PROJECT I Garden City - Alienation, + Re-concilation

URANOS I THE HERSCHEL PLANETARIUM ASTRONOMY CENTRE URANOSAND I THE HERSCHEL PLANETARIUM

Projects

Part 1

Bath

AND ASTRON

THE RECONCILIATION JOURNEY - ENTRANCE

URANOS is a Dionysus building which charged with emotion and cho raphy, an experiential journey through alienation and reconciliation.

ENT I Chun Yin Jeremy Yu

PROJECT DATE I 26.05.2011

PROJECT I Garden City - Alienation, Nature + Re-concilation

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

ght at the end of the tunnel represents the way to reconciliation. Sunken Exhitions spaces are located at both side of the tunnel. Here, the visitors will learn bout the vastness of the cosmo, our local solar system and the insignificancy of ankind.

URANOS is a Dionysus building which charged with emotion and chorography, an experiential journey through alienation and reconciliation.

The line of passage (highlighed in red) to the centre entrance is aligned with Bath’s summer solstice sunrise angle, so on the summer solstice day (the longest day of the year) the sun will rise behind the dark silhouette of the cone.

STUDENT I ChunI Yin Jeremy Yu STUDENT Chun Yin Jeremy Yu

PROJECT DATE I DATE 26.05.2011 PROJECT I 26.05.2011

PROJECT I Garden City - Alienation, Nature + Re-concilation PROJECT I Garden City - Alienation, Nature + Re-concilation

agmented sky he sunken exhibition spaces are lit up by the skylights at the top of ceiling and the ot above the tunnel wall.

URANOS URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE CEN I THE HERSCHEL PLANETARIUM AND ASTRONOMY

THE JOURNEY

ht at the end of the tunnel represents the way to reconciliation. Sunken ExhiThe pavilion where the café ons spaces is are located at both side of the tunnel. Here, the visitors will learn located would become an out the vastness of the cosmo,toour extended landscape thelocal park,solar system and the insignificancy of nkind. reinforcing the social link with

Awakening experience. At the end of the tunnel, the point where the axis of alienation meets the axis of reconciliation. Visitors arrive at the bottom of the tower void. Visitors start to emerge into dapple of light, the stardust

the centre, its visitor and the park user.

Pavilion

my Yu

PROJECT I Garden City - Alienation, Nature + Re-concilation

PROJECT DATE I 26.05.2011

gmented sky e sunken exhibition spaces are lit up by the skylights at the top of ceiling and the t above the tunnel wall.

4 8

parent north façade creates a sense of flying experience for the climbing toward heaven.

Once the visitors arrived at the top of the stair, they enter onto the ground floor of the tower. The materiality above ground is pristine which set a stark contrast to the ‘cave’ like environment of the sunken exhibition spaces. It is on this floor THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE where the shop, café and an exhibition URANOS space Iare located. The shop and the café are covered by the spin of the tower, forming a greenhouse/ pavilion where park visitors can have direct access into it.

8 5

7 6

Ouranos

Projects

Part 1

Bath

The Herschel Planetarium and Astronomy Centre | Bath

FOURTH FLOOR PLAN Key 1 - Telescope workship 2 - Disable Toilet

THIRD FLOOR PLAN Key 1 - Exhibition space 2 - Disable Toilet / Lift

SECOND FLOOR PLAN Key 1 - Exhibition space 2 - Disable Toilet / Lift

FIRST FLOOR PLAN Key 1 - Exhibition space 2 - Disable Toilet / Lift

GROUND FLOOR PLAN Key 1 2 3 4 5 6

- Cafe - Exhibition Space - Planetarium - External activity space - Shop - Disable Toilet

BASEMENT FIRST FLOOR PLAN Key 1 2 3 4 5 6 7

- Foyer - Reception/Ticket office - Cloakroom - Exhibiton spaces - Temporary exhibition space - Storage - Office

BASEMENT SECOND FLOOR PLAN Key 1 - Lecture theatre 2 - Foyer 3 - Plant room

Exploded Isometric plans

STRUCTURE

STUDENT I Chun Yin Jeremy Yu

PROJECT I Garden City - Alienation, Nature + Re-concilation

PROJECT DATE I 26.05.2011

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

Projects

STUDENT I Chun Yin Jeremy Yu

PROJECT DATE I 26.05.2011

PROJECT I Garden City - Alienation, Nature + Re-concilation

Part 1

Bath

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

DETAIL I ANODISED ALUMINIUM LOUVERS PANEL

01 Rivet joint 02 Folding edge 03 Slotted hole 04 3 mm thick aluminium panel 05 Solar cell film

DETAIL I EXPLODE FACADE DETAIL

1 4 3

PANEL

STUDENT I Chun Yin Jeremy Yu

PROJECT I Garden City - Alienation, Nature + Re-concilation

UNIT

PROJECT DATE I 26.05.2011

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

Fold aluminium louvres

Facade details Secondary steel members are in-

Transparent Double Glazing

Anodise aluminium walkway is in-

Anodised Aluminium lou-

Each aluminium louver is bolt on to a

stalled to provide lateral support for

Panel layer

stalled to provid e access for main-

ver panels

metal frame, this will give stiffness

THE ASSEMBLY OF AN ANODISE ALUMINIUM PANELS

the glazing and louvers against wind

tenance.

load.

400mm threaded rods provide struc-

THIN SOLAR CELL FILM

to the louvers against windload.

The aluminum louvers cover a vast amount of area at the south elevation and it has a feasible opportunity

tural support for the louver panels is chosen because it is Apart from its suitability for the conceptual basis of the scheme, Anodized aluminum Services duct is located around the

to capture the solar energy, energy of our local star to power the building. At URANOS, one face of the

highly durable and rust free. This will significant reduce the maintaining cost of the building. Each Aluminum

perimeter of the floor plate DETAIL I FACADE DETAIL SECTION louver unit would be manufacture, waterjet cut ( including the perforation on one of the faces) and bent into

Aluminum panel will be coated with a transparent thin solar cell film. The aluminum panel itself act as a

the right shape at a factory then transport onto site. Each louver unit will assemble together to form a bigger

substrate for the film. Before the film is applied to the panel, the anodized surface would be treated with a

panel and then anodize on site. Anodizing the aluminum is an electrochemical process which increases the

primer, insulating the film from the aluminum panel so the whole louvers would not become conductive. The 2

thickness of the natural oxide layer on the metal surface.

current generate from the film would link to a wire at the back of the louver and the wire would then follow the structure back to the service duct around the floor plate.

1 5

1 4

FACADE DETAIL

STUDENT I Chun Yin Jeremy Yu

PROJECT I Garden City - Alienation, Nature + Re-concilation

PROJECT DATE I 26.05.2011

Tower Facade Detail section

1 - MAIN STRUCTURE 1 MAIN STRUCTURE Structure encased in prefabricated fibrous plaster column casing/ fire proofing. Structure encased in prefabricated fibrous plaster column casing/ fire proofing. 2 - TRANSPARENT DOUBLE GLAZING PANEL 2 Panel Transparent Double TRANSPARENT DOUBLE GLAZINGGlazing PANEL 6 mm toughened float glass +16 mm argon filled cavity + Transparent Panellaminated glass 2x5 mm Double low Glazing - iron floatPANEL glass +16 mm argon filled cavity + 36 mm - toughened OPAQUE 2x5 mm low - iron laminated glass 2mm aluminium sheet, anodized 50mm mineral3 wool, 0.75mm sheet steel, OPAQUE PANEL galvanised 50mm mineral wool felt, white 1.5mm aluminium sheet anodized 2mm aluminium sheet, anodized 450mm - FOLD ALUMINIUM LOUVRES mineral wool, 0.75mm sheet steel, galvanised 50mm mineral wool felt, white 1.5mm aluminium 400mm threaded rod in 25mm dia sheet anodized Folded aluminium louvers, one face is perforated 4 FOLD ALUMINIUM LOUVRES another face is coated with thin PV film. 5400mm - FLOOR DETAILS threaded rod in 25mm dia 25mm Sandblasted glass with manifestation Folded aluminium louvres, one face is perferated 45mm Metal another face is coatedgrille with thin PV film. . URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

FLOOR DETAILS

STRUCTURE I PLANETARIUM STRUCTURAL STRATEGY

25mm Sandblasted glass with manifesation 45mm Metal grille

Cone Facade details THE CONE ROOF

32 LIGHTTUBE

RETAINING WALL

TUDENT I Chun Yin Jeremy Yu

PROJECT DATE I 26.05.2011

PROJECT I Garden City - Alienation, Nature + Re-concilation

Projects

Part 1

Bath

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

DETAIL I ENVIRONMENTAL DESIGN I FOLDED ALUMINIUM LOUVERS

Building Skin

Architecture Animate internal spaces Solar energy Environmental response

opaque face opaque face Void let in light and view

STUDENT I Chun Yin Jeremy Yu

PROJECT DATE I 26.05.2011

PROJECT I Garden City - Alienation, Nature + Re-concilation

URANOS I THE HERSCHEL PLANETARIUM AND ASTRONOMY CENTRE

The proposed aluminum louvers must satisfy the following conditions.

nvironmental consciousness - Protecting the tower from solar gain.

This innovative solar shading device provides a responsive

Detail i environmental design i folded aluminium louvers - A device that allow view out ( ideally slightly larger than the size of a human head) n its essence, the telescope tower itself is a massive greenhouse in a park and

as a danger of overheated in the peak of summer and one of the challenge is

ENVIRONMENT I GENERATE

ow to stay cool inside. Therefore, it is desirable to implement a strategy which

and controlled solar shading for URANOS and a spectacular

light effect externally and internal. As different angle of the This innovative solar shadingaluminum device provides a responsive faces bounces off light at different angle creatsolar shading for and a spectacular - Aesthetically pleasing in appearance and yet allow certain degree of lightand intocontrolled the interior ing URANOS sparkles of light, different lighting effect. This once again - Provide certain degree of shading at each different orientation

light effect externally and internal. different angle of the echoesAswith the conceptual basis of this project, Stardust. - Capture the solar energy, energy of our local star to power the building. aluminum faces bounces off light at different angle creatThe major power source for space heating and hot water at Uranos is generated using renewable energy source such as the ing sparkles of light, different lighting effect. This once again Biomass wood pellet boiler ( CHP system), Biomass combustion is use to drive a sterling engine to produce electricity, 35KW for echoes with the conceptual basis of this project, Stardust. The design of the louvers at URANOs has satisfied all of the above criteria. he solution for this challenge is to provide external solar shading to minimize the building . In addition, a PV film is coated on each folded aluminum louver that covers the south elevation to harness the light olar gain and this is done by of coour operating a responsive sun excess shadingpower devicegenerated i.e. local star - Sunlight. Any would be store daily in oversized batteries for the use later in the day. The grain of the louver changes with orientation he folded external aluminum louvers into the architectural design of URANOS. night sky

ncourages passive solar gainPower in the generate winter andfrom reduces solar star gain in the sumour local

to animate space as well as satisfying the human psychological need.

mer.

he louvers at URANOS is developed with an awareness that Horizontal louvers

The aluminum louvers has taken a pyramidal form with one of the faces is void to let in

ideal for the South façade as it cut off high level summer sunlight and yet still

light and view into the interior and the rest of the 2 faces act as solar shade. In order to

lows view out. And Vertical Louvers is ideal for East and West Façade as it cuts

response to different condition from different orientation, the tip of the pyramidal louver

ut low level sun light. Again, this rises a design challenge on how to apply this

rinciple and yet response to the conceptual basis.

(distance star)

sun highlighted with red dot can move freely around. For example, if the void needs to be big(local ger to let instar) more light or view, the red dot would move to accommodate the need.

photosynthesis

biomass wood pellet

solar film panel

heating

STUDENT I Chun STUDENT Yin Jeremy I Chun Yu Yin Jeremy Yu

PROJECT I Garden PROJECT City -I Alienation, Garden City Nature - Alienation, + Re-concilation Nature + Re-concilation

28’ telescople

planetarium

interactive exhibition (convey knowledge of cosmo)

batteries

PROJECT DATE PROJECT I 26.05.2011 DATE I 26.05.2011

URANOS I THE URANOS HERSCHEL I THE PLANETARIUM HERSCHEL PLANETARIUM AND ASTRONOMY AND CENTRE ASTRONOMY CENTRE

Energy Diagrams ENVIRONMENT ENVIRONMENT I VENTILATION I VENTILATION

PrevailingPrevailing wind wind

‘I have looked further into space than ever a human being did before me’ William Herschel William Herschel’s discovery of the planet Uranus in Bath at 1781 had a significant impact on the view of modern science, astronomy and space exploration. Developed upon the project’s theme ‘ Alienation and reconciliation’ -URANOS .

SummerSummer

Winter Winter

For the For tower, theall tower, the major all thespaces major such spaces as such the exhibition as the exhibition spaces, spaces, telescope telescope work- workshop would shopbe would naturally, be naturally, single sided single ventilate sided ventilate from thefrom perimeter the perimeter of the tower. of the tower.

For the tower, For thealltower, the major all the spaces major such spaces as the suchexhibition as the exhibition space, telescope space, telescope workshop workshop would be would naturally, be naturally, single sided single ventilate sided ventilate from thefrom perimeter the perimeter of the tower. of the tower.

For the sunken For the part sunken of the partbuilding, of the building, pre coolpre fresh cool airfresh is fedair into is fed the into exhibition the exhibition space space through through the thermal the thermal labyrinthlabyrinth underneath underneath and stack and ventilate stack ventilate out thorough out thorough the sky-the skylight in the light ceiling. in the Alternatively, ceiling. Alternatively, air can ventilate air can ventilate into the into buffer thespace bufferabove spaceand above ventand vent out though out the though top of thethe topstack of the chimney/ stack chimney/ buffer zone buffer of zone the tower. of the tower.

For the sunken For the part sunken of the partbuilding, of the building, pre warm pre fresh warm airfresh is fedair into is fed the into exhibition the exhibition space space through through the thermal the thermal labyrinthlabyrinth underneath underneath and stack andventilate stack ventilate ito the buffer ito thezone buffer zone above and above ventand outvent though out the though top of thethe topstack of the chimney/ stack chimney/ buffer zone buffer of zone the tower. of the tower.

Ventilation Diagrams

02.2_

Projects

Part 1

Bristol

CAMERA OBSCURA

| Period |

2010 Design Studio 4.1 (8 weeks)

| Task |

Basil Spence Competition, University of Bath

| Type/Program |

Film Institute - sqm

| Area | | Site Location |

Bristol floating harbour , UK

A proposal for a film institute on the South harbourside in Bristol, UK. Camera Obscura is a darkened realm for the imagination etoilated with the flickering of image and light. Machine - The building is conceived as an assembly of parts within a neutral container; skin, components, light shafts. The industrial essence of the site is drawn into the building. Light - Light is unusual rather than typical. it decorates, illuminates and decrypts. Time - An experiential route is arranged through light; dark space. The slowing down of the flickering of light inside a projector, uncovering the illusion of the moving images. The Institute comprises of a range of facilities such as exhibition areas, recording studio, editing studios, celluloid cinema and film archive. This group project involving architecture and engineering students, with Chris Paxton and Michal Gryko.

00:13

Competition runner up

Machine The power source, the light source, sprocket holes, projectorsâ&#x20AC;&#x2122; gate and other parts of the mechanism keep light and celluloid moving through the camera and project in the same way that our viscera keep blood and other vital fluids moving through our bodies.

Concept film - Machine, Light and time

Projects

Part 1

Bristol

Flicker â&#x20AC;&#x2DC;The illusion of the moving image is explained by to factors; the fusing of a flickering light, called flicker fusion, and the appearance of motion which is referred to as apparent motion.â&#x20AC;&#x2122;

Time

01:09

00:40

A film unfolds in time and a painting does not. In a film one image follow another, their succession, constructs an argument which becomes irreversible. In a painting all its elements are there to be seen simultaneously.

Time A film unfolds in time and a painting does not. In a film one image follow another, their succession, constructs an argument which becomes irreversible. In a painting all its elements are there to be seen simultaneously.

Light and Shadow plans

Projects

Part 1

Bristol

Internal perspectives

Projects

Part 1

Bristol

Projects

Part 1

Bristol

Projects

Part 1

Bristol

(Far Left) EXTERNAL PERFORMANCE SPACE A space that allows the Camera Obscure to connect with the urban public realm. A green space with landscaped seating looking towards images projected onto the building facade. (Left) Perforated Brick facade (Right) Visitors are guided up a long dark corridor to the main auditorium with a shaft of light at the end to guide them.

Night time habourside elevation

SKIN - BRICK FACADE DETAIL

Projects

Part 1

Bristol

LIGHTSHAFT - MAIN LIGHT SHAFT DETAIL

Primary I section steel column. Gripstay Anchor. 350mm cavity fill Polymer fabric attached to intermediate across beam with clamped fixing insulation. Ibstock Himley Ebony Black Brick single leaf. Ancon Teplo Wall on rod outer skin - polymer fabric with aluminium woven strip. Inner Tie 425mm. skin - diffusive glazing bolted to hollow steel members. Glass panel is removable for maintenance. Hollow section stainless steel members. Floor construction. Perforated metal.

Projects

Part 1

Bristol

Battery Solar Energy

POWER

Hydro Power

Biomass

High Grade Heat

CHP

HEATING

Warm Borehole

Solar Gain Natural Ventilation

Thermal Mass

COOLING

Cool Borehole

ADSORPTION CHILLER

COMPONENT MAIN AUDITORIUM ROOF DETAIL

ENERGY

Floating floor. 100mm sound impact insulation. Composite steel floor decking. Steel truss. Acoustic attenuation material and ducts. Acoustic Absorbent material panels flush with beams. Suspended ceiling. Gray Steel Cladding.

Low operational energy strategy 1. Conserve - Reduced lighting and heating demand. 2. Control - Passive measures help control the internal environment naturally. 3. Generate - Power generated entirely using renewable energy sources. 4. Store - Power stored daily in oversized batteries. Heat energy stored seasonally in the ground. 5. Recuperate - Harness waste high grade heat from projectors, Kitchens and auditoria. Maximise energy.

02.3_

Projects

Part 1

Hong Kong

Harbour House

| Period |

2009 September

| Task |

Design - Design Studio 2.1

| Type/Program |

A young couple house

| Area |

64 sqm

| Site Location |

Victoria Harbour, Hong Kong

External Visual

The brief called for a simple one bedroom house or an architect and his musician wife. We were given the freedom to choose the site and I picked the public seafront promenade at Victoria Harbour, Hong Kong. The house has a protective outer skin made from perforated oxidised steel panels which hinge open to form a brise soleil shutter.

Projects

Part 1

Hong Kong

03.1_

Placement

Part 2

Harper Downie

Harper Downie Architects

| Period |

August 2013 - Present

| Task |

Part 2 placement

| Role |

Architectural Assistant

| Office Location |

London

Portonovi I was part of the design team that did a design proposal for an ultraluxury resort in Montenegro. The development comprise approximately 120 guest rooms, suites and villas, a destination wellness spa and marina catering to super yachts, a luxury beach club, Portonovi Arena and Conference centre, as well as a tennis academy. Spanning 60 acres, the project will also include high-end residences. I was responsible for the development of various facade design options that would provoke further discussion within the design team. All of this was done under the guidance of the senior architect.

Lower Town Blocks Courtyard Visual

Portonovi Masterplan

Placement

1 Bed

Harper Downie

Part 2

1 Bed

2 Bed

2 Bed 4 Bed Duplex 4 Bed3 Duplex 3 Bed Bed Penthouse Penthouse

2 Bed

Living

Kitchen

Living

Bed

Kitchen

Bed

Kitchen

Bed Dressing

Dressing

Bed

Bed Ensuite

Lobby

Ensuite

Dressing

Ensuite

Lobby

Ensuite

Bed Utility

Bed

Kitchen

Kitchen WC

Living

Living Bed

Study

Utility

Bed

Living

Study

Living

Kitchen

Bed

Lobby

Lobby Ensuite

Ensuite Ensuite

Ensuite

Utility

Bed

Utility

Bed

Utility

Ensuite

Bed

Lobby

Kitchen

Lower Town Residential Blocks Elevation (Top) Typical floor plan (Right)

Living Study

Kitchen

Living Study

PORTONOVI / Block East Elev / 628 / 1:100 @ A1 / Oct 2013 PORTONOVI / Typical Floor plan / 628 / 1:100 @ A1 / Oct 2013

03.2_

Placement

Part 1

FCB Studios

Feilden Clegg Bradley Studios

| Period |

|March-August

| Task |

2010, July-December 2011, July-August 2012

RIBA Part 1 placement

| Role |

Architectural Assistant

| Office Location |

London and Bath

Worsley New Hall Competition 2012, 2nd Prize I was part of the competition team that did a design proposal for a luxury hotel on the site of the former Worsley New Hall in Greater Manchester. The hotel is shall comprise over 250 rooms and a range of top quality facilities such as a spa, conference centre, tennis court, sky lounge, bars and restaurant. I was responsible for various tasks, assisted in the drawing up of working drawings and developed a range of design options that would form the basis of further discussion within the design team. All of this was done under the guidance of the senior architect. I also assisted in making the 1:500 final presentation model. Drapersâ&#x20AC;&#x2122; academy I was a member of the design team that was responsible for a new school building at Harold Hill in London. The academy was designed to provide first class educational facilities for 900 pupils in years 7 to 11 and a 200 pupil sixth form. Again, I was responsible for various tasks, assisted in the drawing up of working drawings and developed a range of design options that would form the basis of further discussion within the design team. All of this was done under the guidance of the senior architect. University of Washington, Student Housing I worked on the initial stages on the design of the student housing for the university of Washington. The project brief is to design a new 900 bed student housing complex on its west campus.I was responsible for assisted in the drawing up of working drawings and developed a range of design options that would form the basis of further discussion within the design team.

Worsley New Hall Competition

Draperâ&#x20AC;&#x2122;s Academy

Placement

Part 1

FCB Studios

University of Washington, Student Housing

Draperâ&#x20AC;&#x2122;s Academy

03.2_

Placement

Part 1

B+E

Baumschlager Eberle Hong Kong Office

| Period |

Apr.- Sept. 2009

| Task |

RIBA Part 1 placement

| Role |

Architectural Assistant

| Office Location |

Hong Kong

During my time at Baumschlager Eberle, I worked on many initial residential feasibility studies and two design competitions, the Design Competition for Shenzhen International Energy Mansion as well as the competition for the Shenzhen Literature and Arts Centre. I was part of the team that achieved third place in the Design Competition for the Shenzhen International Energy Mansion in 2009. The brief was to design the headquarters building for the Shenzhen International Energy in Shenzhen, Guangdong, China. - I oversaw the whole competition process from preparing the application documents at the beginning to the submission of the final deliverables. - Throughout the process I was responsible for various tasks, assisted in preparing the working drawings and the sketch up model under the guidance of the senior architect. I also assisted in developing design options for further discussion within the design team. - I attended client briefing meetings and participated in meetings with senior architects and engineers where the proposal was discussed where I took the minutes - I liaised with the competition organiser and co-ordinated with other parties including the landscape architect, model maker and the printing company.

Design Competition for Shenzhen International Energy Mansion

Placement

Part 1

B+E

The competition for the Shenzhen Literature and Arts centre.

04 Competition

01.0_

2013

Dublin

The 1916 Centenary Chapel

| Period |

2013 December

| Task |

Competition - Personal Private work

| Type/Program |

Religious Buildings

| Area |

420 sqm

| Site Location |

St. Paul’s Cemetery, Dublin

The construction of the 1916 Centenary Chapel is to commemorate, in particular the 232 people who died during the 1916 Rising and who are buried in a mass grave on the site in St. Paul’s Cemetery. It is also the client’s intention for the Chapel is to be for all denominations and will primarily accommodate ceremonies held before a cremation. In response to the client’s challenges, the proposed memorial chapel comprises an artificial mound and a thin roof which is supported by a field of 232 closely spaced stainless steel pillars. Seeing from afar, the chapel appears to be like a pavilion sitting respectfully with the adjacent 1916 monument but yet radiating a feeling of permanence and presence within St Paul Cemetery.

Site Plan

ExteriorExterior Perspective Perspective

Competition

2013

Dublin

Sections

04 Competition

2013

Dublin

Architectural Diagrams

Memorial Garden

Chapel Interior visuals

Competition

2013

Dublin

The sky

CHAPEL - AN ARTIFICIAL CAVE

OCULUS

The design of the 1916 centenary chapel takes inspiration from an ancient burial mounds. The spatial sequence of this giant earthwork consists of a series of servant spaces such as toilet, storage circulation spaces around the parameter with a partially buried circular chapel chamber at its centre. One enters through a doorway in the perimeter, walks through the main entrance lobby/ rear lobby and enter the chapel. It is worth noting as mourners gather before the service, they can see the view of the 1916 Monument with Daniel O’Connell Tower in background framed by the main entrance lobby. Inside the chapel, lies on the central is the catafalque, a ceiling containing a central oculars and rings of seats forming the lower part of the inner wall.

ROOF

232 COLUMNS

The introvert nature of the main chapel’s space provides a contemplative, peaceful and meditative setting in which one can concentrate on the centre where the recently deceased lies. Furthermore mourners also have a view to the sky framed by the oculus above as well as the tranquil landscape to the east of the site. The inside turns into outside and the other way around, in the sense that relationship between the landscape and the sky changes. Daniel O’Connell Tower

MEMORIAL GARDEN

PARKING AREA PIAZZA FOYER CHAPEL CHAMBER Sacristy Coffins Storage Area A TYPICAL COLUMN AND ROOF CONNECTION DETAIL. (TOP) EXPLODED ISOMETRIC DIAGRAM (RIGHT)

Mound The morning rising sun

04.1_

Competition

2012

RIBA photography competition 2012

| Period |

May 2012

Overall winner of the RIBA architecture photography competition 2012.

| Task |

RIBA photography competition 2012

| Type/Program |

photography competition

With the theme of Architecture 2012, the RIBA invited images that captured an impression of architecture in whatever form â&#x20AC;&#x201C; from the inspiring to the beautiful and from the intriguing to the bizarre.

| Area |

- sqm

| Site Location |

The British Pavilion, Shanghai Expo 2010

My submission, The British Pavilion, Shanghai Expo 2012 is the overall winning photo and was selected from a short list of ten winning images by judges Morley von Sternberg (architectural and portrait photographer) and Angela Brady (RIBA President). My winning photo has been reprinted as a postcard and sold in the RIBA Bookshops to raise funds for the RIBA Education fund.

Competition

2012

RIBA Digital Photography Competition 2012 Winning photo 55

04.2_

Competition

2013

Japan

Shelter International Architectural Design Competition

| Period |

September 2013

| Task |

Shelter International Architectural Design Competition 2012

| Type/Program |

International competition

| Area |

- sqm

| Site Location |

Tokyo, Japan

The wind swirls through the field of bamboos, each chime plays a new chord as peace passes from ear to mouth to ear. The proposed singing ringing bamboo forest - 竹亭 - is a musical pavilion standing in a park. From far and wide, the pavilion’s profile is visible on the horizon, appearing and disappearing in the mist of trees. Families and friends journey to the park to hear the pavilion sings. The pavilion is constructed of bamboos of varying lengths, hanging down from a bamboo structure. As the wind or one passes through, the different lengths of bamboo plays different chords, perform. Each time you pass through the pavilion, looking out through the forest of bamboo, you will hear a different song. Bamboo chimes-frame-columes + footing detail

Internal Perspective

Bamboo chimes-frame-columes + footing detail

Competition

2013

Japan

Exploded Isometric

RIBA Digital Photography Competition 2012 Winning photo 57

04.3_

Competition

2013

Housing in the Private Rental Market Ideas Competition

| Period |

July 2013

| Task |

Ideas competition

| Type/Program | | Area |

Typologies and neighbourhood arrangements for the private rented development - sqm

| Site Location |

N/A

The proposed development comprises 520 households and provides a total of 918 bed spaces. There are 188 houses and 17 small residential blocks, mostly are 3 storey in height. It has a density approximately 52 dwellings to the hectare, fulfilling government set target, To provide a pluralistic social character within the neighbourhood, the proposal intends to see a various combination of unit types within a cluster. The proposal intends to minimize the buildings footprint and maximise the greenfield and bio-diversed area. To embed residents in the neighbourhood, the proposal envisions the capsule units with giant balconies are organised around these communal shared spaces. The clusters on site are connected by a network of nature trails, taking the residents closer to nature. To encourage communal living, the proposal is drawn on the inspiration from a cluster type of Chinese rural dwelling - Tulout. Each cluster is like a family clan, residents are encouraged to take ownership, responsibility and pride of Neighbourhood arrangements their cluster. URBAN PLANNING DIAGRAMS

TREE BELT - A GARDEN SUBURB

THE COMMON (COMMUNAL LIVING)

NATURE TRAILS

SHARED SURFACE STREETS

HOUSING UNIT, TYPES, SIZES The proposals challenge the standard mix and typologies. The 20sqm units were to be fitted out in the factory, craned into place and plugged into the service core, forming a low rise block.(Potentially, forming a multi storey apartment block in some circumstances). There are severn different unit types. Type G - 5 bedroom house

Type E - 3 bedroom house

Type F - 4 bedroom house

Type B - 2 bedroom apartment

Type D - 2 bedroom house

Type C - 1 bedroom apartment + 2 bedroom apartment

Type A - 1 bedroom apartment

only]

Competition

2013

MODULARITY IN HOUSING - A CAPSULE LIVING The proposal envisions a mass-produced, prefabricated modula housing. A housing that is easy to adapt with allowance to expand and reduce.

‘core’ capsule

SEPARATED ZONE OF SERVICE ELEMENTS

STANDARDISATION OF COMPONENTS + KIT OF PARTS

FLEXIBLE INTERNAL SPACE

RESPONSIVE ARCHITECTURE - ADAPTABILITY AND CHANGE

04.4_

Installation

Arcus

| Period |

2010 September (duration 5 days)

Threshold

| Task |

Design exercise

| Type/Program |

Installation

| Area |

- sqm

Responding to the theme of this week long design exercise, ‘Threshold’, My partner and I chose the university bus stop as our threshold site. Our design intention was to transform the currently unpleasant waiting area into a place that would be enjoyed rather than tolerated.

| Site Location |

University of Bath Bus Stop

We picked wool as our material for its warmth, soft and sensual nature. The strong visual impact of the colours evoke strong emotions and provided an uplifting experience amongst students using the bus stop. It provides a soft, warm layer instead of a cold, hard bench. This is to the benefit of those unfortunate enough to be waiting for a bus on a cold winter’s day and shows that putting a little thought into the details can transform the experience. This group project brought together myself and Green Van Gogh.

Installation

Resume

_05 Resume

CHUN YIN JEREMY YU 余雋彥

Master of architecture

| Personal Infomation | NATIONALITY DATE OF BIRTH SEX

British Citizen + Hong Kong Permanent Resident (permit to enter Mainland China freely) 25.04.1988 Male

MOBILE

+44 (0)7766293756

cyjy1988@gmail.com

SKYPE

cyjy1988

ADDRESS

78 Casby House, Dicken Estate, London, SE16 4SY

WEB LINK http://www.issuu.com/cyjy

| Work Experience | PERIOD OCCUPATION OR POSITION HELD EMPLOYER TYPE OF BUSINESS OR SECTOR RESPONSIBILITY

PERIOD OCCUPATION OR POSITION HELD EMPLOYER TYPE OF BUSINESS OR SECTOR RESPONSIBILITY

August 2013 - Present Part 2 Architectural Assistant Haper Downie Architecture Office During my time at Harper Downie, I was part of the design team for a €500 mllion luxury development in Montenegro. I was responsible for the development of various facade design options that would provoke further discussion within the design team. I assisted in preparing, developing and editing drawings under the guidance of the design architect.

March-August 2010, July-December 2011, July-August 2012 Part 1 Architectural Assistant Feilden Clegg Bradley Studios Architecture Office During my time at Feilden Clegg Bradley (FCB) studios, I worked on a wide range of projects primarily in the education sector. These included work on the preliminarily stages of a student-housing project for the University of Washington in Seattle, a transport interchange for the University of Southampton and two feasibility studies for the London School of Economic and Queen Mary University, London. However, I was especially pleased to be given a substantial level of responsibility on a project for the Drapers’ Academy. In my work with FCB on the project for Drapers’ Academy: - I was responsible for the development of alternate designs that would provoke further discussion within the design team. - I contributed to and assisted in the work of the Project Leader. - I did both the outline and detailed design work for the cafe’s interior, a bespoke bike shed and the school reception. - I attended meetings with the client and contractor. - I worked on the production of drawing packages. - I liaised with various suppliers of building materials and furniture. I was also part of the team that achieved second place in the Worsley New Hall competition 2012.

PERIOD OCCUPATION OR POSITION HELD EMPLOYER TYPE OF BUSINESS OR SECTOR RESPONSIBILITY

April - September 2009 Part 1 Architectural Assistant Baumschlager Eberle Hong Kong Ltd Architecture Office During my time with Baumschlager Eberle: - I was a participant in the team that won third place in the Design Competition for Shenzhen International Energy Mansion. - I was responsible for various tasks including the preparation, development and editing of drawings, 3DModels and images as well as design documents all under the tutorage of the senior architect. - I improved my interpersonal skills and my team working abilities. - I leaned the value of being open towards new ways of working and the importance of continual learning. - I learnt how to prioritise jobs, maintain attention to detail, budget effectively and to work to a deadline. - I gained familiarity with Chinese working practices and how to be confident and effective in a complex working environment. - I recorded the work I did in accordance with RIBA’s requirements as part of my professional development.

Resume

| Education | PERIOD TYPE OF DIPLOMA EDUCATIONAL INSTITUTE DEGREE CLASSIFICATIONS

PERIOD TYPE OF DIPLOMA EDUCATIONAL INSTITUTE DEGREE CLASSIFICATIONS

2011- 2013 Master of Architecture | RIBA Part 2 University of Bath | Department of Architecture and Civil Engineering 2.1 Second Class Honours Upper Division

2007- 2011 BSc (hons) Architecture | RIBA Part 1 University of Bath | Department of Architecture and Civil Engineering 1. First Class Honours

2005 - 2007 A-Level Wallington County Grammar School, London A Level: Chemistry-A, Maths-A, Art-A, Chinese-A AS: Physics -A

| Skill and Competence | MOTHER TONGUE ENGLISH MANDARIN CHINESE

CANTONESE CHINESE Fluent Good

TECHNICAL SKILLS PROFICIENT

BASIC KNOWLDGE PRIZES

Auto CAD MicroStation PowerDraft Google Sketchup Adobe Creative Suite Photoshop, InDesign and illustrator SU Podium Microsoft Office applications Rhino, Revit 2013 ,Vector Work 2013 RIBA Digital Photography Competition 2012 overall winner UK Senior Mathematical Challenge - Bronze Certificate Music: Grade 6 Violin (Issued April 2007) Millennium Volunteers Award Completed Duke of Edinburgh Silver Award

| Referees | Mr Ian Taylor Studio Leader, Feilden Clegg Bradley Studios

e: ian.taylor@fcbstudios.com Feilden Clegg Bradlye Studios Twenty Tottenham Street London W1T 4RF UK

Mrs Jo Hibbert BA (Hons) DIP ARCH RIBA AABC Director of Levitate

e: jo.hibbert@levitate.uk.com Levitate 161 Rosebery Avenue London EC1R 4QX

Professor Alex Wright BSc(Hons) Dip Arch MDesS FHEA ARB University of Bath, Head of the Architecture

e: a.w.wright@bath.ac.uk Department of Architecture and Civil Engineering University of Bath, Bath, BA2 7AY, UK