D. J. Sparr CONCERTO FOR JAZZ GUITAR AND ORCHESTRA: KATRINA
for guitar soloist and orchestra
(full score)
www.billholabmusic.com
D. J. Sparr CONCERTO FOR JAZZ GUITAR AND ORCHESTRA: KATRINA
Duration: c. 20:00 INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani 3 Percussion 1. Two Tibetan Singing Bowls (high, low), Bass Drum, Vibraphone. Corrugaphone (whirly tube), Egg Shaker. 2. Triangle, Strings of bells, Glockenspiel, Lion’s Roar, congas, Corrugaphone (whirly tube). 3. Crotales (two octaves), 2 suspended cymbals, tuned plastic pipes, sand blocks.
Electric Bass Electric Guitar Hammond Organ Strings “CONCERTO FOR JAZZ GUITAR AND ORCHESTRA: KATRINA” Commissioned by the Arkansas Symphony Orchestra for soloist Ted Ludwig and Conductor Philip Mann. Premiered April 9 and 10th, 2016 by the Arkansas Symphony Orchestra, Ted Ludwig Soloist, and Philip Mann Conductor.
Score is transposed ...in memoriam Hilda Viola Harris...
D.J. Sparr’s Concerto for Jazz Guitar and Orchestra: Katrina is a work that draws as inspiration metaphors from epic poems as a connection to victory in the face of overwhelming odds. Written for Ted Ludwig, a refugee of Hurricane Katrina who now lives in Little Rock, it ties our understanding of a horrific tragedy to the story of the Great Flood. In this tale, the protagonist character—known in different cultures as Ziusudra, Gilgamesh, or Noah—manages to escape the rising floodwaters and find redemption and strength in a new home. Sparr ties the ancient to the modern by mixing element s of ancient Sumerian string music with quotations of John Coltrane’s Giant Steps and Kansas Joe McCoy and Memphis Minnie’s When the Levee Breaks (which was inspired by the Great Mississippi Flood of 1927).
Recalling a conversation between Mr. Ludwig and himself, the composer says:
He described to me the moment he left New Orleans. It was beautiful day. In fact, he said, “one of the most beautiful days you could imagine, but we all knew to get out of there.” That day inspired the opening of the piece. Ringing bells and triangles lead to strings entering playing overlapping chords from Giant Steps. I thought it was an appropriate metaphor for the personal struggle to leave home behind.
The soloist improvises over long sustained chords representing the rising sun and sky, but with elements of rain-drops hovering above and strings of Tibetan bells in the background. Following this is the first articulation of a written out melody, loosely based on When the Levee Breaks. As the work progresses, there is a close association with Noah’s tale: an evocation of floating for long spans and the release of birds to search for land. The conclusion, described in the score as “The Temple of Enki at Erdu,” refers to one of the most important cult centers throughout the history of Mesopotamia, purportedly visited not only by worshipers, but by the deities themselves. In Sumerian mythology, Eridu was the home of the Abzu temple of the water god Enki. Like all the Sumerian and Babylonian gods, Enki began as a local god, who eventually came to share the rule of the cosmos. His kingdom was the sweet waters that lay below Earth. As this is the place where flood myth’s protagonist finally finds his home and strength, so too is it a metaphor for Ted Ludwig finding his home in Little Rock.
*Note by Jacob Wallace
Dedicated with great admiration to Ted Ludwig, Philip Mann, and the Arkansas Symphony Orchestra ...in memoriam Hilda Viola Harris...
CONCERTO FOR JAZZ GUITAR & ORCHESTRA: KATRINA
D. J. Sparr
6
Flute 1
Percussion 1
q=66 Adagio
Flute 2
Oboe 1
Oboe 2
Clarinet in A
Clarinet in A
Bassoon 1
Bassoon 2
Percussion 2
Percussion 3
Electric Organ
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Triangle String of Bells
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hard mallet
2 Tibetan Singing Bowls
Crotales
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triangle beaters
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Electric Guitar
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Violin I con sord, div.
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Violin II
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Viola
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Tibetan Bowls
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26
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use volume knob or volume pedal
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Fl. 1 72
Fl. 2
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C Tpt. 2
Tbn. 1
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B. Tbn.
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con sord.
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76 Fl. 1
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f 2. like an ancient horn call...
f a2. like an ancient horn call...
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C Tpt. 2
Tbn. 1
Tbn. 2
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Cl. 2
f
fl.
Cl. 1
Ob. 2
fl.
Ob. 1
fff
ord.
fff
ord.
sul pont.
sul pont.
fff
ff
ff
20
104 Fl. 1
f
Fl. 2
Ob. 1
Ob. 2
ff
Hn. 1
3
3
Tbn. 1
Tbn. 2
B. Tbn.
mf
E. Org.
sulpont. Vln. I
Vln. II
Vc.
fff
fff
fff
fff
ord.
ord.
f
ord.
fff
f
sul pont.
ff
fff
f
f
fff
fff
f
fff
fff
fff
fff
fff
sul pont.
fff
ord.
fff
fff
ff
3
ff
Vla.
fff
p
3
f
C Tpt. 2
Cb.
C Tpt. 1
Susp.Cym
3
Hn. 4
B. D.
Hn. 3
Timp.
3
Hn. 2
Tba.
f
Bsn. 1
Bsn. 2
ff
Cl. 2
3
3
3
f
3
ff
ff
Cl. 1
ff
f
ff
f
sempre sul pont.,
ff
106 Cadenza Vamp
Fl. 2
106
Ob. 1
Ob. 2
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
B. D.
E. Bass
E. Org.
E. Gtr.
(do not play repeats)
f
p
3
p
3
p
f
mp cresc.
(do not play repeats)
ff possible
mp
pedal
Cb.
mp cresc.
mp cresc.
F Mixolydian
sul pont.
ff
ord. sul pont.
f
f
(do not play repeats)
f
ff
f
ff
f
ff
mf
(accent)
fff
fff
f
sul pont.
sul pont.
ord.
ff
ff
sul pont.
p
n.
ord.
mf
with Ebow
n.
f
f sempre
mp cresc.
superball roll, ad lib. (second repeat and "vamps" only)
f
3
(do not play repeats)
3
p
f
ff
Vc.
Vln. I
Vla.
106 Cadenza Vamp
Vln. II
p
Lion's Roar
Susp.Cym
(do not play repeats)
21
ff
ff
ord. fff
ord.
ff
sul pont.
fff
sul pont.
ff
sul pont.
fff
fff
ord.
22
110 Fl. 1
3
p
Cl. 1
Hn. 3
f
mp cresc.
mf cresc.
3
p
pp
f
p
ord.
ff
ord.
fff
Vc.
fff
Cb. mf
ff
mp cresc.
f cresc.
f cresc.
mf cresc.
f cresc.
f cresc.
f
ord.
sul pont.
fff
ff
ord.
sul pont.
ff
fff
sul pont.
fff
fff
ff
ord.
mf cresc.
f cresc.
p
sul pont.
mf cresc.
mp cresc.
ff
f cresc.
ord.
mf cresc.
ord.
ff
3
mp cresc.
3
mf
f cresc.
mf cresc.
3
mf cresc.
3
3
ff
f
ff
mf cresc.
fff
Vla.
mp cresc.
sul pont. Vln. I
Vln. II
3
ord.
mf cresc.
f
ff
mp cresc.
f
mf cresc.
Susp.Cym
E. Org.
f
3
B. D.
E. Bass
ff
C Tpt. 2
B. Tbn.
f
Tbn. 2
3
p
C Tpt. 1
Tbn. 1
3
Hn. 4
Hn. 2
Tba.
Cl. 2
Hn. 1
ff
3
f
Ob. 2
3
Ob. 1
3
Fl. 2
Bsn. 2
ff
Fl. 1 112
3
f
ff cresc.
3
Cl. 2
Bsn. 1
ff
Bsn. 2
3
ff cresc.
Hn. 4
C Tpt. 1
Tbn. 1
Tbn. 2
ff cresc.
Tba.
E. Org.
p
ff cresc.
p
ff
3
3
3
fff
3
3
fff
3
fff
p
ord.
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
f
ord.
ff
ord.
ord.
sul pont.
sul pont.
ord.
ff
ff
Cb.
sul pont.
fff
fff
sul pont.
ord.
sul pont.
3
ff
ord.
fff
3
fff
fff
fff
fff
3
3
3
23
3
sul pont.
ord.
Vc.
3
p
3
ff
sul pont.
3
fff
ff
ff
3
3
sul pont.
ord.
Vla.
3
ord.
fff
3
ff cresc.
ord. Vln. I
Vln. II
ff cresc.
ff cresc.
ff cresc.
3
3
ff cresc.
f
ff cresc.
3
3
ff cresc.
3
3
3
3
ff cresc.
Susp.Cym
3
3
3
f cresc.
B. Tbn.
B. D.
ff cresc.
E. Bass
3
ff cresc.
f cresc.
C Tpt. 2
f cresc.
f
3
ff cresc.
ff
Hn. 3
Hn. 1 Hn. 2
ff cresc.
Cl. 1
3
Ob. 2
3
ff cresc.
Ob. 1
ff cresc.
Fl. 2
mf
mf
f sul pont.
24
115 Cadenza Vamp
Fl. 1
115
Ob. 1
Ob. 2
Cl. 1
Hn. 1
Hn. 2
Hn. 4
Tba.
f
Susp.Cym
E. Org.
Vln. I
sul pont.
f
Vc.
p
f
sul pont.
ord.
f
mf
sul pont.
ord.
mf
mf
f
mf
mf cresc.
f
f
mf cresc.
p
ff
ord.
ff
ff
(accent)
fff
3
sul pont.
mf
Vla.
3
115 Cadenza Vamp
Vln. II
f
3
DŒ„Š11/C
3
3
mf
3
mf
3
f
E. Gtr.
Cb.
E. Bass
3
mf cresc.
Lion's Roar
3
f
f
B. D.
3
ord.
f
poco sul pont.
fff sul pont.
ord.
fff
ff
sul pont.
fff
ord.
fff
ff
ord. ff
fff
sul pont.
Fl. 1 119
Fl. 2
3
f
Ob. 1
3
3
Cl. 1
3
Cl. 2
Bsn. 1
3
3
Ob. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
Tbn. 1
Tbn. 2
B. Tbn.
p
E. Bass
mf cresc.
mf cresc.
mf cresc.
mf
Vln. I
ff
f
fff
ord.
ord. ff
Cb.
ff
mf cresc.
f
mf cresc.
p
f cresc.
f cresc.
3
fff
ff
ord. sul pont.
fff
ff
f 3
3
3
ff
3
f
ff
f
ff
f
ff
f cresc.
f cresc.
f cresc.
f cresc.
ff
ff
p
f
ff
fff
ord.
sul pont.
fff
ff
sul pont.
fff
sul pont.
sul pont.
fff
3
ord.
ff
fff ord.
f 3
ff
3
p
sul pont.
3
ff
3
f 3
3
f
ff
25
ord.
3
sul pont.
fff
3
ff
ff
f
sul pont.
ff
fff
fff ord.
Vc.
f
ord.
poco sul pont.
sul pont.
Vla.
sul pont. Vln. II
ord.
ff
f
3
3
3
ff
3
3
Susp.Cym
E. Org.
ff
3
Lion's Roar
Tba. B. D.
3
ff
3
Hn. 1 Hn. 2
f
f
f Bsn. 2
ord.
ff
sul pont.
fff
26
Fl. 1
122
3
Fl. 2
Ob. 2
3
Tbn. 2
B. Tbn.
Tba.
B. D. Lion's Roar Susp.Cym
E. Bass
E. Org.
Vln. I
Vln. II
Vla.
ff cresc.
ff cresc.
ff cresc.
ff
ff
ord.
ff sul pont.
ff
Cb.
p
3
ff
fff
fff
fff
Corrugaphone
fff
fff
fff
fff
fff
fff
ff
fff ord.
ff
poco sul pont.
sul pont. ord. ff
fff
ord. sul pont.
ff possible
fff
ff
ord.
poco sul pont.
fff
fff
fff
sul pont. fff
fff
ff possible
heavy, nasty, distorted
fff 3
fff
3
fff
f
fff
fff
f
fff
3
3
3
3
3
fff
3
3
ord. sul pont.
3
3
3
3
3
ff
ff
3
ord.
ff
3
3
3
3
3
ff
3
ff cresc.
Corrugaphone
ord.
fff
ord.
3
3
3
sul pont.
fff
3
cresc.
ord.
Vc.
3
3
3
3
3
ff cresc.
3
cresc.
3
Tbn. 1
cresc.
3
C Tpt. 2
3
3
C Tpt. 1
cresc.
Hn. 4
cresc.
3
ff cresc.
3
cresc.
3
ff cresc.
Hn. 3
3
3
3
Hn. 1 Hn. 2
3
3
ff
Bsn. 2
3
3
Bsn. 1
3
3
Cl. 2
3
3
3
Cl. 1
3
ff
Ob. 1
sul pont.
125
Fl. 1 125
Fl. 2
Bsn. 1
C Tpt. 2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
3
3
dim. second time only
C Tpt. 1
dim. second time only (do not play on repeats)
Hn. 4
play 2x, then rest
Hn. 3
Hn. 1 Hn. 2
Cadenza Vamp
play 2x, then rest
3
3
3
3
3
(do not play on repeats)
3
(do not play on repeats)
f
(do not play on repeats)
(do not play on repeats)
(do not play on repeats)
f
f
f
f
(do not play on repeats)
con sord.
con sord.
con sord.
con sord.
con sord. (harmon)
f
f
con sord. (harmon)
con sord. (straight)
mf
superball roll, ad lib. (only on second repeat and "vamps" only)
27
f
(do not play on repeats)
(do not play on repeats)
f
(do not play on repeats)
f
f
(do not play on repeats)
3
3
3
3
Perc. Perc. Susp.Cym
E. Bass
E. Org.
E. Gtr.
125
Vln. I
Vln. II
Vc.
ff possible
Cb.
F©Œ„Š7/C
Cadenza Vamp
mf
mf
sul pont.
f
sul pont.
ord.
mf
f
mf
mf
f
ord.
mf
mf
f
(accent)
full, fast bow
f
full, fast bow ord. ff fff
ff
full, fast bow ord.
f
28
128
Fl. 1 128
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Hn. 1
Bsn. 2
Hn. 2
Hn. 3
mf
Tbn. 2
mf
Timp.
Perc. Perc. Susp.Cym
E. Bass
E. Org.
E. Gtr.
mf
mf
Vla.
Vc.
Cb.
ff
f
f
f
con sord (straight)
f
mf
f
ff ff
3
3
3
3
3
ff
3
f ord.
3
f
f
con sord (straight)
128
Vln. I
Vln. II
f
f
Tba.
f
B. Tbn.
f
Tbn. 1
f
C Tpt. 2
C Tpt. 1
mf
Hn. 4
ff
Lion's Roar
Bass Drum
ff
big fill!
p
3
f
ff
ff
ff
ff
f
full,fastbow
f
pizz. ff
134 Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Bsn. 1
Hn. 1 Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
Tbn. 1
Tbn. 2
f
mf
B. D.
Lion's Roar Susp.Cym
E. Bass
E. Gtr.
3
3
mf
Vln. II
Vla.
Vc.
Cb.
senza sord.
senza sord.
f
mp
Start big, fade away
gentle
mp
mf
mp
mp
mp
mp
pp
p
ppp
p
p
p
3
p
p
ppp
pp
Triangle String of Bells
mf
p
mf
mf
mf
Vibraphone Vibraphone
p
pp
Vln. I
3
p
f
p
3
mp
29
ppp
3
p
senza sord.
3
f
p
f
p
p
E. Org.
3
3
Tba.
3
B. Tbn.
Timp.
Cl. 2
Bsn. 2
p
ppp
ppp
ppp
ppp arco
30
Timp.
CADENZA
141
Vib.
p
Triangle String of Bells
Susp.Cym
142
Glockenspiel
E. Org.
ppp
p
Crotales
soft mallets
soft mallets
2 Vlns. soli
CADENZA
Vln. I
Vln. II
Vla.
Vc.
2 vln soli. pp
gli altri
pp
3 viola soli.
p
p
Cb.
tutti
3 soli 3 soli 1 soli
3 soli.
inside pizz. outside col legno battuto
p
inside pizz. outside col legno battuto
p
solo
pizz. outside inside col legno battuto
mf
p
pp
p
2 violin soli. pp
pp
Vc.
2 Vlns. soli
142
pp
Eb minor/major over Bb7 (D, Eb F, F#, G, Ab, Bb)
E. Gtr.
soft mallets
p
p
mf
Timp.
152
149
Vib.
3
Glock.
Crot.
E. Org.
E. Gtr.
3
3
Vla.
3
p
3
3
3
3
3 3
3
Vc.
Vc.
Cb.
31
3 3
pp
152
3 3
p
Vln. II
2 Vlns. soli
Vln. I
3
2 Vlns. soli
3 3
E. Bass
32
Timp. 158
Vib.
Glock.
Crot.
E. Bass
E. Gtr.
p
Vln. I
2 Vlns. soli
Vln. II
Vla.
3
Vc.
gli altri
Vc.
p
p
3
3
solo violin
mf
3
solo
mf
3
3
solo
mf
p
p
f
Cb.
let ring
p
ppp
p
ppp
p
ppp
p
ppp
arco
arco
ppp
ppp
ppp
p
f
p
f
f
p
p
p
gli altri
p
gli altri
mf
Vla.
solo, arco
2 Vlns. soli
3
arco
gli altri arco
tutti
p
ppp
ppp
166
Fl. 1 X 166
Fl. 2
X
Ob. 1
X
Ob. 2
X
Cl. 1
X
Cl. 2
X
Bsn. 1
Bsn. 2
Hn. 1
X
Hn. 3
X
Hn. 4
X
C Tpt. 1
X
C Tpt. 2
X
X solo
f
Tbn. 2
X
B. Tbn.
X
Tba.
Timp.
E. Bass
E. Org.
E. Gtr.
X
q=c. 91 Rubato
X
166
X
Vln. I X X
X
X
33
X
X
X
X
Hn. 2
Tbn. 1
q=c. 91 Rubato
Vln. I
X
Vla.
X
Vc.
X
Vc.
XX
Cb.
X
Hn. 2
Hn. 3
In Tempo, silky
con sord (until 263)
con sord (until 263)
Hn. 4
con sord (harmon)
C Tpt. 1
(harmon)
C Tpt. 2
Tbn. 1
p
Tba.
E. Gtr.
Tbn. 2
168 In Tempo, silky
Vln. I
p
Vln. II
p
div.
Vln. II
p
Vla.
Vla.
Vc.
Vc.
Cb.
p
p
p
p
p
p
p
p
p
p
p
con sord (until 263)
Hn. 1
34
168
168
div.
5 5 Cl. 1
178
179 primal
mf
p
p
5
Cl. 2
Vib. B.D.
5
mf
6
hard yarn mallets vibraphone is an extention of the guitar strings Bass Drum=x noteheads p
mf sempre
Congas
Tuned Plastic
Bass
open
mf
E. Gtr.
Vln. I
p sempre
p
f
Vla.
Vla.
Vc.
Cb.
0
0
0
0
4
1
f
f
p p p
pizz., soft (with percussion)
fp
fp
fp
Vc.
179 primal
Vln. II
poco pont. like an ancient instrument...
p
Vln. II
enter with perc.
E. Org.
pipes are an extention of the conga "conga overtones"
mf
p
Bsn. 1
35
fp
fp
36
189
Fl. 1
187
Fl. 2
Cl. 1
Cl. 2
Hn. 1
Hn. 2
Hn. 3
Hn. 4
3
p
p3
6
3
6
3
p
f
p
p
p
f
3
p
f
f
3
f
p
p
p3
f
stopped
f
Congas
Tuned Plastic
Vib. B.D.
E. Org.
E. Gtr.
0
Vln. I Vln. II
Vla.
Vla.
Vc.
Vc.
Cb.
unis. pp
189
p
p
3
arco
p
f
mf
mf
pp
mf
pp
pp
p
pp
p
p
mf
p
pp
pp
pp
pp
mf
pp
pp
pp
p
p
195
Fl. 1
f
Fl. 2
p
Ob. 1
Cl. 2
3
f
6
3
p
Hn. 4
p
p
C Tpt. 1
mf
p
Hn. 3
Tbn. 1
Tbn. 2
Vib. B.D.
p
p
p
Vla.
mf
Vc.
Vc.
Cb.
mf
p
mf
p
mf
p
f
f
Bass
mf sempre
p sempre
mf
p
mf
mf
p
p
mp
mp
mp
203
mp
open
mf sempre
mp
p
Vla.
f
Vln. I Vln. II
3
p
p
p
Congas
E. Gtr.
5
37
f
p
p
mf
E. Org.
p
Tuned Plastic
p
mf
203
6 p f
mf
p
p
C Tpt. 2
f
p
Hn. 2
5
3
p
f
Bsn. 1
Hn. 1
5
p
Bsn. 2
6
p
3
Cl. 1
3
p
pizz., soft (with percussion)
fp
fp
fp
fp
fp
38
204
Vib. B.D.
Congas
Tuned Plastic
E. Org.
E. Gtr.
Vln. I
Vln. II
Vla.
Vc.
Vc.
Cb.
p sempre
0
0
0
0
4
1
p
p
0
p
unis. p
with double bass Cl. 1 p Bsn. 1 213
Bsn. 2 Vib. B.D.
like a pizz.,
mp
Congas
Tuned Plastic
E. Org.
mf
Vln. I
E. Gtr.
p 0
Vla.
0
0
p
Vc.
mf
pizz.
Cb.
p
mf
p p
p p
mf
p
p
Fl. 1
222
Fl. 2
223
Ob. 1
Cl. 1
p
5
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
p
5
pp
p sempre
3
pp
3
p
pp
p sempre
p sempre
3
p
f
pp
39
pp
f sempre
6
pp
stopped Hn. 2
Hn. 3
Hn. 4
Congas
p
p 3
f
f
3
p
f
pp
pp
pp
Tuned Plastic
E. Bass
E. Org.
E. Gtr.
Vln. I
Vln. II
pp
Vla.
Vc.
Vc.
Cb.
223
arco
pp
pp
3
arco
pp
3
p sempre
p
3
6
legato, fluid. tie notes whenever possible
p
arco
pp
div.
solo
p
p
p
p
p
40
Fl. 1 229
Ob. 1
Cl. 1
Cl. 2
Hn. 3
Hn. 4
C Tpt. 2
Tbn. 1
E. Bass
Vla.
Cb.
pp
f sempre
6
p
p sempre
5
5
pp
p
pp
p
pp
p sempre
p sempre
p
3
6
3
3
F©13
6
B6
mp
mp
mp
mp
mf
mf
mf
pp
con sord. (harmon)
p
6
p
p
p
p
p
p
pp
p
harmon mute
mf
mf
p
p
mf
div.
pp
6
p
p
5
stopped
harmon mute
Vc.
Vln. II
Vln. II
E. Gtr.
Vln. I
E. Org.
Hn. 2
Tbn. 2
Bsn. 1
Hn. 1
Fl. 2
Bsn. 2
p
p
6
Fl. 1 234
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
3
p
3
3
p
p
p
Bsn. 2
Cl. 2
3
Cl. 1
p
41
p
p
p
p
p
p
p
Hn. 2
Hn. 3
Hn. 4
C Tpt. 2
Hn. 1
Tbn. 1
pp
Tbn. 2
pp
B. Tbn.
E. Bass
E. Org.
E. Gtr.
6
Cb.
6
Vc.
pp
pp
Vla.
p
Vln. II
pp
p
Vln. I Vln. II
p
6
F©‹7(„ˆˆ9)
6
6
E¨(#9)
Bb7add6b9
f
f
42
241
Fl. 1
240
Fl. 2
Ob. 1
Key Clicks: High, Medium, Low
f possible
Key Clicks: High, Medium, Low
f possible
Key Clicks: High, Medium, Low
f possible
like a pizz.
Cl. 1
Key Clicks: High, Medium, Low
Cl. 2
Ob. 2
Bsn. 1
Bsn. 2
Key Clicks: High, Medium, Low
f possible
p
f possible
mf
mp
mf
Vib. B.D.
mp
Congas
Tuned Plastic
E. Org.
E. Gtr.
Daddb6
Vln. I
f
Vln. II
Vla.
f
Vc.
pizz.
p
f
Cb. f
0
p
mf
p
0
p
241
f
Vln. II
0
p
mf
mf
p
p
To Vln. II
p
p
pizz.
p
pizz.
p
p
mf
p
Fl. 1 248
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Vib. B.D.
Congas
Tuned Plastic
E. Org.
E. Gtr.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
mf
p
f
mf
mp
mp
mp
p
mp
43
mf
mp
mf
44
257
Fl. 1
Fl. 2
Ob. 1
Cl. 1
Cl. 2
Bsn. 1
Hn. 1
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
E. Gtr.
p
mf
tutti
p
5
mf
p
mf
p
p
5
mf
p
mf
f sempre senza sord
f sempre senza sord
f sempre con sord (harmon) f con sord (straight) f senza sord
very slow gliss.
f senza sord
very slow gliss.
f senza sord
very slow gliss.
f senza sord
f
f
Sand Blocks
Sand Blocks
p
263
with cellos 5 p
3
p arco, div.
mf
p
3
p mf arco, div.
fff
p
fff
mf
p
p
ord.
ord.
f sempre
f
ord.
ord.
senza sord
Vln. II
ord.
ord.
p
Vln. I
Cb.
Vc.
Vla.
Vla.
Vib. B.D. Congas
E. Org.
Tba.
Tuned Plastic
B. Tbn.
Tbn. 2
Tbn. 1
Bsn. 2
Hn. 2
Ob. 2
263
mf
p
mf
5
mf
Ob. 265
Cl. 1
5
p
Cl.
mf
Bsn. 1
Bsn. 2
mf
Hn. 1
p
6
p
p
3
mf
mf
p
mf
p
45
p
p
f
p
mf
3
p
5
p
mf
p
5
p
mf
p
mf
5
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
sim.
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Vib. B.D.
E. Org.
E. Gtr.
sim.
f sempre
Vla.
Vc.
mf
mf
Cb.
5
3
p
p
p
arco
p
5
mf
p
3
mf
mf
mf
5
p
5
mf
arco.
5
with vln II
p
p
f
arco
p
5
p
p
Vla.
Vln. II
Vln. I
mf
mf
46
rit.
Fl. 1 270
Ob.
Cl. 1
p
Cl.
p
Bsn. 1
Bsn. 2
mf
mf
p
mf
Tba.
p
mf
p
E. Org.
E. Gtr.
Vln. I
mf
f
mf
Cb.
5 5 5
rit.
5
5
mf
3 6
3
3
3
3
3
3
pp
3
3 3 3
pp
3
pp
6
pp
pp
6
pp
6
pp 5
q=80
3 3 3
6
5
senza sord.
mf
mf
mf
Vc.
mf
Vla.
5
Vla.
5
mf
Vln. II
5
f
5
p
5
p
p
6
mf
To Perc.
Vib. B.D.
p
Tbn. 2
p
p
Tbn. 1
f
5
C Tpt. 2
mf
5
C Tpt. 1
6
Hn. 4
p
6 6 6
Hn. 3
B. Tbn.
5
f
6
Hn. 1 Hn. 2
Ob.
q=80
6
6
6
3
pp
3
3
3 3
3
3
3
pp
3
Guitar: Molto Rubato gli altri: hold tempo Fl. 1 X Fl. 1
X
Ob.
X
Ob.
X
Cl. 1
X
Bsn. 2
X
Hn. 3
X
Hn. 4
X
C Tpt. 1
X
C Tpt. 2
X
Tbn. 1
X
Tbn. 2
X
B. Tbn.
X
Tba.
Congas
S.B.
E. Bass
E. Org.
E. Gtr.
X
X
X
X
XII
Vln. I X
XII
Guitar: Molto Rubato gli altri: hold tempo
5
5
X
f
276 In Tempo
sim.
6
3
6
3
cresc. poco a poco p
Vln. II
X
X
p
p
p
X
X
X
Vib. B.D.
X
Hn. 2
Timp.
X
47
f
X
X
Bsn. 1
Hn. 1
In Tempo
Cl.
276
275
3
6
3
3
3
sim.
6
6
6
6
6
6
6
cresc. poco a poco
Vla.
X
6
poco a poco sul pont.
cresc. poco a poco
Vc.
Cb.
X
X
6
6
6
6
cresc. poco a poco
48
278 Fl. 1
Fl. 1
Ob.
Cl. 1
Bsn. 1
Hn. 1
E. Org.
E. Gtr.
p
p
f
p
p
p
p
f
6
f dim. poco a poco
p
p
p
p
p
Egg Shaker
6
p
f
6
p
f
Sand blocks
p
Congas
S.B.
Hn. 3
Vib. B.D.
Hn. 2
Hn. 4
Cl.
Ob.
pp
Triangle
p
6 6 6
pp
f
molto sul pont. "scratch, electricity"
3 3 3 Vln. I
poco a poco sul pont.
fff dim. poco a poco
3
pp
3
3
molto sul pont. "scratch, electricity"
3 3 3
poco a poco sul pont.
Vln. II
3
fff dim. poco a poco
pp
3
molto sul pont. "scratch, electricity"
3 3 3
poco a poco sul pont.
Vla.
3
fff dim. poco a poco
pp
3
3
molto sul pont. "scratch, electricity"
3 3 3 3 3 3 fff dim. poco a poco
poco a poco sul pont.
Vc.
3
6
6
6
6
6
6
6
6
6
6
6
6
pp
FLUTE: Molto Rubato gli altri: Stay in time Fl. 1 X 283
3
X
X
X
Bsn. 1
X
Bsn. 2
X
Hn. 1
Hn. 3
X
Hn. 4
X
E. Org.
E. Gtr.
X
Hn. 2
S.B.
X
X hold chord until 284 X X
Vln. I
Vln. II
Vla.
FLUTE: Molto Rubato gli altri: Stay in time move to "ord." poco a poco
move to "ord." poco a poco
move to "ord." poco a poco
(molto sul pont, sempre)
Vc.
X
Cb.
X
6
Ob.
3
X
Cl.
3
49
Ob.
Cl. 1
fl.
ff
X
Fl. 1
3 3 5
solo
accel.
50
284
Fl. 1 284
Fl. 1
Ob.
Ob.
Cl. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
E.S.
6
5
f
f
5
5
f
p
p
mp
p
p
p
p
pp
p
p
p
mp
ff 3
f
6 3
6
5 5
p
ff
f
fff
p
p
p
fff
ff
ff
ff
ff
ff
mf
5
ff
6
f
p
5
ff
ff
mp
p
f
senza sord
C Tpt. 2
f
senza sord
C Tpt. 1
ff 3
6 6
Bsn. 2 Hn. 1
ff
5
p
Bsn. 1
p
Cl.
ff
p
p
p
p
p
p
p
p
mp
6 6 6 6 6 6 6 6 6 S.B.
E. Gtr.
E. Org.
ff
mf
p
f
284
6 6 Vln. I
accel.
ord.
6
ord.
Vln. II
6
5
ff
6
6
5
p
Vla.
5
ff move to "ord." poco a poco
Vc.
3
3
p
3 3 sim 3
3
cresc. poco a poco
Cb.
5
p
ff ord.
5
f
3
3
ff
ff
f
Fl. 1 287
Fl. 1
Ob.
Ob.
Hn. 1
5
p
p
ff
p
C Tpt. 2
p
ff
Tbn. 2
B. Tbn.
Tba.
Timp. E.S.
p
ff
ff
p
mf
p
p
p
f
p
f
p
3
p
f
p
f
p
ff
p
f
p
f
p
p
p
p
wood mallets
p
f
p
p
f
p
p
p
f
p
f
p
mf
f
ff
p
p
f
p
ff
ff
3
p
ff
f
ff
f
f
ff
3
3
q=100 3
f
ff
p
ff
3
f
ff
p
ff
Tbn. 1
ff
ff
p
ff
ff
ff
C Tpt. 1
f
5
Hn. 4
6
ff
5
f
p
Hn. 3
ff
ff
6
6
f
3
Hn. 2
ff 3
f
Bsn. 2
Bsn. 1
5
ff
f Cl.
Cl. 1
p
f
ff
f
p
p
S.B. mf
E. Gtr.
Vln. I ff
Vln. II
6
6
p
Vla.
ff
mf
5
3
5
3
ff
p
6
p
6
ff
6
p
6
ff
q=100
6
p
f
ff
6
Vc. Cb.
3
ord.
unis.
3
3
f
3
p
p
51
52
X 290
Fl. 1
290
Fl. 1
X
Ob.
X X
Ob.
Cl. 1 Cl. Bsn. 1
X
Guitar Rubato Orchestra accel.
pp
ff
ff
pp
ff
pp
X
X
X Hn. 1 X
Bsn. 2
X
Hn. 3
Hn. 4
X
X
C Tpt. 2
X X
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
X X X
ff
X
(measured) Timp. X
f sempre
X
Triangle String of Bells
X
S.B.
X
E. Bass
E. Org.
E. Gtr.
X
X X
mimic previous flute solo
X
290
Vln. I X
Vln. II
Vla.
Vc.
3
X
X
X
(measured) heavy spiccato, "a little distorted"
X
(measured) heavy spiccato, "a little distorted"
Cb.
accel.
f
f
f hard mallet, prominent
ff hard mallet, prominent
f hard mallet, prominent
Guitar Rubato Orchestraaccel.
Crotales
Glockenspiel
straight mute
Vibraphone
ff
E.S.
f
f sempre
ff
ff
ff
ff
pp
ff
ff
C Tpt. 1
ff
q=120
ff
Hn. 2
292
accel.
E¨
non div. heavy spiccato, "a little distorted"
f
non div.
f
non div.
f div. 3 cello soli (back stands)-bottom note gli altri-top note
f
f
f
Am7
292 q=120
con sord.
con sord.
D7
f heavy spiccato, "a little distorted" (on 16ths only)
Cl. 1 295
Hn. 1
Hn. 3
Tbn. 1
Vib.
Glock.
Crot.
E. Org.
E. Gtr.
Vln. I
D7
G/A
Bb7
Eb
F#7
Vib.
f
p
D7
3
G
ff
Bb7
f
p
3
ff
p
ff
ff
f
F#7
ff
C#-7
strings cue: Vln. I f f 3 Vln. II Vla. Vc. Cb.
A-7
Ebmaj7#9
f
ff
F-7
f
3
3
53
ppp
pp
pp
B#9
3
3
p
Hn. 4
Hn. 3
B#9
Hn. 2
E. Gtr.
Hn. 1
E. Org.
300
Crot.
Cl. 1
Glock.
f
f
Vc.
Tbn. 1
Vla.
Vln. II
Cb.
Hn. 4
ppp
Hn. 2
f
div.
6
Tbn. 1
Tbn. 2
Hn. 2
Hn. 3
Hn. 4
Timp.
f
Vib.
Glock.
Crot.
E. Org.
E. Gtr.
p
ff
ff
harmon mute
Vla.
Vc.
Cb.
percussion cue
309
p
p
fff
senza sord. fff
fff
fff
Modal over C# 12 measures
senza sord.
p
f
Vln. II
mp
f
Vln. I
Hn. 1
309
306
Cl. 1
54
fff
Crot.
p
E. Gtr.
f
f
f
f
Modal over F 12 measures
p
p
p
f
p
p
p
mp
f
Glock.
321
p
mf
Vib.
314
Timp.
p
f
f
E. Gtr.
Fl. 1 341
Fl. 1
343
Ob.
Cl. 1
Ob.
Cl.
Bsn. 2
Hn. 1
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
Timp.
Vib.
Crot.
E. Gtr.
Vln. II
Vla.
f
Vc.
Cb.
light triangle beater
f
p
f
ff senza sord.
ff
f
pizz.
pizz.
(senza sord.)
p
f
f pizz.
pizz.
mf
ff
ff
ff
con sord. (harmon)
pp
mf
mf
f
mf
f
mf
mf
arco
mf
arco
mf
pp
mf
pp
arco
55
p
arco
mf
p
Strings enter
ff
f
mf f
ppp
f
light metallic sound match timbre of triangle beater on crotales
p
mf f
ff
mp light metallic sound match timbre of triangle beater on crotales
343
f
Vln. I
f
Glock.
E. Org.
f
f
mf
mf
f
mf
mf
f
p
p
f
Modal over A 10 measures
mp
Crot.
f
333
f
Glock.
mf
Vib.
327
Timp.
f
f
arco
f
arco f f
arco
f
56
Fl. 1 350
Fl. 1
Ob.
Ob.
Cl. 1
Bsn. 1
Bsn. 2
mf
f
mf
mf
f
f
f
mf
f
mf
f
mf
357
f
mf
mf
mf
mf
f
f
mf
Tbn. 1
Hn. 1
f
Hn. 2
f
Hn. 3
f
Hn. 4
f
C Tpt. 1
p
con sord. (harmon)
Timp.
f
p
f
p
p
Vib.
Glock.
Crot.
p
Vln. I
E. Gtr.
Vln. II
Cb.
mf
mf
mf
mf
pizz.
pizz. mf
f
p
arco
pp
pp
f
arco
f
mf
f p
357
f
f
f
p
p
arco
pp
arco
p
mf
mf
pizz.
pizz.
Vc.
p
mf
Vla.
p
put stem in mute
mf
mf
mf f
Fl. 1 358
Fl. 1
Ob.
Cl. 1
Cl.
Hn. 3
Hn. 4
f
mf
f
mf f mf f
mf
mf
f
mf
mf f
Hn. 2
f
mf
Tbn. 1
Tbn. 2
Timp. Vib.
Glock.
Crot.
E. Org.
p
p
p
p
con sord. (harmon)
pp
pp p pp p p
pp
p
mf
fff
fff
fff
pp
p
FŒ„Š7
arco
p
fff
mf pizz.
fff
p
pizz.
fff
mf
fff
pp
pp
fff
with hand, closed to open
pp
con sord. (harmon) stem in
mf pizz.
Vc.
pizz. Vln. I
Vla.
with hand, closed to open
Vln. II
p
E. Gtr.
Cb.
C Tpt. 2
p
p
C Tpt. 1
f
CADENZA
mf
Bsn. 1
Hn. 1
mf
Ob.
Bsn. 2
mf f
arco
arco
p
arco
p
ff
ff ff
ff
start soft - big build-up, then abrupt cutoff.
fff
fff
fff
fff
CADENZA
57
58
Fl. 1
Bsn. 2
Vib.
367
Fl. 1
Ob.
Ob.
Cl. 1
Cl.
Bsn. 1
C Tpt. 1
C Tpt. 2
Tbn. 1
Tbn. 2
Timp.
Glock.
Crot.
E. Org.
mf
f
p
p p
p
p
f
mf
f
mf
f
mf
f
mf
f
mf
f
mf
p
p
pp
pp
pp
pp
pp
arco
p
mp
pizz.
mf
pp
pp
pizz.
mf
p
mf
pp
p
mf
pizz.
f
f
f
pizz.
f
f
Cb.
p
p
Vc.
f
Vla.
p
Vln. I Vln. II
mf
pp
f
E. Gtr.
mf
mf
p
mf
mf
mf
arco
p
mp
arco
p
mp arco
p
mp
375 Fl. 1
Ob.
Cl. 1
Hn. 1
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
Crot.
E. Org.
E. Gtr.
Vla.
Vc.
Cb.
pp
mp
mp
p
p
mp
fff
fff
mf
f
mf
mf
f
f
f
fff
fff
fff
f
ppp
fff
put stem in mute
fff
mp
mp
mf
mp
mf
con sord. until end of piece
mp
mp
Vln. I Vln. II
p
Glock.
B. Tbn.
Vib.
pp
59
mp
Timp.
CADENZA
dim.
mp
Tbn. 2
pp
dim.
mp
Tbn. 1
dim.
mp
C Tpt. 2
p
AŒ„Š7
mp
mp
mf
f
non div.
div.
mf
f
mp
mf
f
mp
mf
f
f
fff
fff
fff
CADENZA
go nuts.
fff
start soft - big build-up, then abrupt cutoff.
fff
60
384
Fl. 1 384
Fl. 1
Ob.
Cl.
Bsn. 1
Vib.
Glock.
Crot.
E. Org.
E. Gtr.
mf
f
mf
mf
mf
mf
f
f
mf
f
f
f
mf
f
mf
f
mf
mf
mf
mf
f
mf
mf
p
f
p
p
f
f
f
p
mf
p
Cb.
p
p
Vc.
f
Vln. I p
Vla.
mf
p
384
Vln. II
Bsn. 2
Timp.
Ob.
Cl. 1
pp
pp
pp
mf
mf
pp
pizz.
pizz.
pizz.
mf pizz.
p
p
arco
arco
p
mp
mp
arco
mp
arco
p
mp
pp
pp
pp
391
Fl. 1
Fl. 1
Ob.
Ob.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Vib.
Glock.
Crot.
E. Gtr.
Vln. II
Vln. II
Vla.
Vc.
p
mf
mf
f
f
f
f
f
f
p
p
pizz. mf
f
f
p
mf
pp
f
mf
mp
mp
mp
p
arco
p
pizz.
arco
arco
mp
gli altri.
p
mp
p
mp
3 vla soli (back stands)
arco
p
mp
gli altri.
4 vln soli (back stands)
gli altri.
3 vln soli (back stands)
mp
mf
pizz.
mf
mf
pp
mf
mf
pp
pizz.
pp
p
f
f
mf
mf
mf
mf
mf
61
f
mf
f
mf
mf
mf
p
Cb.
f
p
pp
Vc.
mf
p
Vla.
p
Vln. I
Vln. I
gli altri.
3 vc soli (back stands)
62
398 "The Temple of Enki in Eridu"
Fl. 1 398
Ob.
Cl. 1
Bsn. 1
Bsn. 2
C Tpt. 1 C Tpt. 2
Tbn. 1
Tbn. 2
Tba.
con sord.
p
Crot.
E. Bass
E. Org.
E. Gtr.
dim.
harmon, stem in. wah-wah
stem in. wah-wah
harmon, stem in. wah-wah
p
p
p
p sempre
Solo over bells
F©7
ppp
p
D7
gli altri: inside pizz., outside col legno battuto
p sempre
ppp
p
ppp
ppp
p sempre
gli altri: inside pizz., outside col legno battuto
poco a poco pont.
gli altri: inside pizz., outside col legno battuto
p sempre
B¨7
A‹7
E¨
G
pp
D7
ppp
p sempre
sul pont. (molto)
sul pont. (molto)
ppp
f con sord.
p sempre
poco a poco pont.
f
poco a poco pont.
f
gli altri: inside pizz., outside col legno battuto
p
p
light wooden stick...
sul pont. (molto)
f
p B9
p
p
poco a poco pont.
p
Cb.
p
p
p
Vc.
pp
p
Vc.
p
Vla.
p
Vla.
p
pp
3 Vln. Soli (back)
p
Vln. I
Vln. II gli altri
398 "The Temple of Enki in Eridu"
4 Vln. Soli (back)
p
p
pp
p
dim.
Vib.
dim.
Timp.
Glock.
ppp
sul pont. (molto)
ppp
405
Fl. 1
Cl. 1
Cl.
Ob.
Bsn. 1
Bsn. 2
Hn. 1
p
p
p
Glock.
p sempre
pp
E. Org.
G
E. Gtr.
Vln. I
B¨7
4 Vln. Soli (back)
Vln. II gli altri
Vla.
Vc.
Vc.
Cb.
F‹7
B¨7
(slow)
p wah wah
p
pp
A‹7
G
D7
p
E¨
p
p
pp
B
Vla.
p
p
F©7
3 Vln. Soli (back)
E¨
p
E. Bass
mp
p
63
mp
p
mp
Vib.
Crot.
Tbn. 1
Timp.
Hn. 3
Tba.
p
Ob.
mp
Fl. 1
64
Fl. 1 Fl. 1 Ob. Ob. Cl. 1 412
Cl.
Bsn. 1
Bsn. 2
Hn. 1
p
p
Hn. 3
C Tpt. 2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
p
Glock.
Crot.
pp
p
stem in, no wah
Vln. I C©‹7
F©7
4 Vln. Soli (back)
B
Vln. II gli altri
3 Vln. Soli (back)
Vla.
Vla.
Vc.
Vc.
Cb.
poco a poco ord.
B¨7
poco a poco ord.
poco a poco ord.
F‹7
p
ord.
ord.
p
ord.
tutti arco
p
ord.
p
tutti, arco, div.
mp
mp
mp
p
senza sord.
ppp
tutti, arco div. normale
mp
mf
mf
mf
mf
p p
pp
p p
p
mp
p
tutti, arco div. normale
mp
E¨
pp stem in, no wah
poco a poco ord.
pp
E. Gtr.
pp
p
E. Org. E. Bass
mp
p
mp
p
mp mp
Timp. Vib.
p
C Tpt. 1
Hn. 2
Hn. 4
Fl. 1 418
Fl. 1
Ob.
Ob.
Cl. 1
Cl.
Bsn. 1
Bsn. 2
Hn. 1 Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
mf
Tbn. 1
Tbn. 2
B. Tbn.
Vib.
Glock.
Crot.
mf
ppp
ppp
fff
fff
f
Triangle String of Bells
fff
senza sord
p p
f
fff
fff
fff fff
wah-wah
wah-wah
pp
f
fff
fff fff
fff
fff
fff
fff
f
fff
fff
f
ff
f
f
ff
f
ff
f
f
pp
pp
fff
pp
ff
mf
p mf
E¨
fff
fff
fff
Eb/F/Ab/Bb/C/D
f
f
pp
fff
65
ff
mf
ff
p
B/C#/E/F#/G#/A#
f
2 Tibetan Singing Bowls hard mallet
B
fl.
f
pp
f
f
mf
f
fff f fl.
pp
fff
fff
f
pp
f
fl.
fff
triangle beaters
fff
f
Cb.
f
Vc.
f
Vla.
f
Vln. II
Vln. I
E. Gtr.
E. Org.
f
Timp. Tba.
fff
mf
f
mf
fl.
f
f
f
f
425
Fl. 1
fl.
f
fff
fl.
Fl. 1
Ob.
Ob.
Cl. 1
f
Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 2
B. Tbn.
E. Gtr.
ff
fff
fff
f
fff
fff
f
f
f
f
Vc.
f
ff
mf
p
f
f
G
fff
fff
fff
fff
pp
ff
f
fl.
fff
f
f
fl.
fff
G/A/C/D/E/F#
Vla.
Vln. II
f
fff
ff
ff
f
ff
f
fl.
fff
f
Vln. I
Cb.
fff
Triangle String of Bells
E. Org.
ff
Timp. Tba.
E. Bass
ff
Tbn. 1
Crot.
fl.
f
C Tpt. 2
C Tpt. 1
Tibetan Bowls
f fff f fff fl. f
fl.
pp
f
f
pp
fff
f
f
f
ff
3
f
B/C#/E/F#/G#/A# B
f
f
f
f
fff
fff fff fff
ff
ff
ff
fff
fff
ff
fff
ff
fff
fff
ff ff
pp
f
ppp
Two suspended Cymbals
chord"
"off-key
p
fff
fff
fff
f
fff
abrupt choke
66