APPROACHING ALI A Chamber Opera in One Act Music: D.J. Sparr Libretto: Mark Campbell and Davis Miller Based on the novel The Tao of Muhammad Ali by Davis Miller Commissioned by Washington National Opera Full Score Printed 12/16/2014
www.billholabmusic.com
D. J. Sparr APPROACHING ALI Duration: c. 60:00 Cast Davis Baritone. Caucasian. A man on the brink of middle age, in every way, Davis is a writer who finds inspiration in an impromptu visit with his boyhood hero. Muhammad Ali Bass-Baritone, African-American, late 40s, but seems older. The Champ is in semi-retirement, suffering from the early stages of Parkinsons’ Disease, but still exhibits the fire that made him The Greatest. Odessa Clay Soprano. African-American. Mother of Muhammad Ali, a vibrant woman in her early 70s, but seems decades younger. Young Davis Boy Soprano. Caucasian. The twelve-year old version of Davis, tormented at an early age by bullying because of his physical stature and confused about his mother’s premature death. Roy Miller Tenor. Caucasian. Davis’s father, late-20s. A kind father doing the best he can to help Young Davis through being bullied and his wife’s death. Sara Miller Mezzo-Soprano. Caucasian. Davis’s mother, late-20s. Time
The story jumps around in time between 1964 and 1989. Set
Two playing areas: the larger one—just a table and chairs—represents the Clay living room (and a kitchen beyond); the other playing area is marked by a single chair. This second playing area is transitory, representing scenes in the present and the past. The first playing area is in the present and fixed. A few set pieces may be added and projections employed to heighten the drama—but those should be abstracted to contrast with the relative straightforwardness of the story.
INSTRUMENTATION Flute/Pic Clarinet/Bass Clarinet 2 Percussion Synthesizer Violin I Violin II Viola Cello Double Bass
Score is transposed
based on the novel "The Tao of Muhammad Ali" by Davis Miller
APPROACHING ALI
Mark Campbell and Davis Miller
D. J. Sparr
q=58
Bass Clarinet in Bb
p
Vibraphone
bowed
mf
bowed
Crotales
Percussion
Synthesizer
pppp
Violoncello
Contrabass
ppp
ppp
poco ponticello
poco ponticello
ppp
ppp
mf
p
mf bowed
mf
ord.
©2014 D. J Sparr www.djsparr.com Printed 12/16/2014
p
ord.
ord.
p
p
mf
p
ord.
poco ponticello
pppp
poco ponticello
ppp
Viola
Sound: Reed Organ
Violin I Violin II
mf
bowed
p
p
p
2
10
Fl.
B. Cl.
Vib.
pp
mp
f
f
p
pp
p
mf
p
f
p
f
p
f
f
very hard mallets
mf
p
very hard mallets
mf
p
Cb.
q= c.152
p
p
Vc.
Vln. I
Vla.
p
mf
Vln. II
p
Metal
Synth.
f f
3
16 Fl.
B. Cl. Vib.
Metal
Synth.
Vln. I
Vln. II
Vla.
Vc.
4
Fl. 21
ff
B. Cl. ff
Vib.
Metal
Synth.
ff
3
3
Vln. I ff 3 Vln. II ff 3
Vla.
ff
Vc.
Cb.
5 26
Fl.
B. Cl.
3
Vla.
Vc.
Cb.
3
Vln. I
Vln. II
3
3
Synth.
3
3
3
6
arco
p
Sound: 2600 Sine
3
6
mf
3
p
6
[Lights up on Davis sitting in the second area in a car. He has a pile of magazines in his lap. He is slightly agitated.]
Fl.
30
fff
B. Cl. fff
Vib.
hardmallets
mp
mp
p
3
f
3
p
let ring
Crotales - unless bowed, always use triangle beaters... let ring
Crot.
f
Synth.
Davis
mp
mp
f
Vln. I fff
Vln. II
Vla.
Vc.
mp
f
Cb. fff
Drove
a - round
mf
mf
fff
3
mf
Long
3
e - nough
p
fp
fp
fp
pizz
f
[He starts to rise; stops.]
Here goes
3 3
mp
mp
(synthesizer should be in the background of texture, just a taste...)
35 Fl.
p
B. Cl.
p
f Davis
a - round
3
f
3
f
Drove
p
p
Synth.
7
3
Long
e - nough
mp
Can't back
down
Stalled too
f
long
3
Vln. I mf 3
Vln. II
3
mf
Vla.
3
mf
Vc.
Cb.
mf
mf
mf
pizz.
mp
8
3 Fl. 39
Perc.
3
p
B. Cl.
3
3
p
3
6
p
6
two sus. cymbals
pp mf
Synth.
Davis Here goes 3 Vln. I
sp
3
Vln. II
Vla.
Vc.
3 p
Cb.
[He mimes turning off the ignition and setting a parking brake.]
3
3
3
3
3
mf
arco
p
44 Fl.
B. Cl. fff Vib. fff
mf
Metal
Suspended metal bell plate
Crot. splash Perc.
Congas
Crotales
Synth.
Davis
pp
Vln. I fff Vln. II
What
could
f
3
Vla.
Vc.
Cb. fff
fff
3 -
fff
fff
p
hap
6 6
with mallets
3 3
p
mf
pp p
3
pp
pp
mf
pp
pen?
pp
pp
pp
9
10
51 Fl.
fff
B. Cl.
fff
Metal
Perc. Congas
mf
with mallets
Synth.
Davis
Vln. I
He
slams the door in my face
Vla.
Vc.
fff
fff
mf
(with Davis)
p
3
What
could
f
3 hap
-
fff
fff
Cb.
fff
fff
fff
fff
fff
fff
Vln. II
p
fff
arco
fff
pen?
Fl. 57
B. Cl.
3
Perc.
Davis
Vln. II
Vla.
3
pp
pp
pp
mf
mf
fff
pp
Cb.
pp
fff
Vc.
pp
pp
Vln. I
6 6
Synth.
p
Metal
Congas
3
p
11
p
He slams the door in my face After knocking me on my can.
fff
fff
fff
fff
fff
12 62
Fl.
B. Cl.
Metal
Perc. Congas
Synth.
Davis
fff
Vla.
Vc.
Cb.
fff
p
fff
fff
fff
fff
mf
fff
fff
Vln. II
fff
Vln. I
fff
fff
3
What
could
f
3
hap
-
p
pen?
13
68
Synth.
Davis
71 Fl.
p
B. Cl.
3
p
p
Crot.
Synth.
f Davis
I
im
Vln. I p not
Vln. II
Vla.
Vc.
who
-
ag
-
ine him
p p
fp
fp
Or,
He's
pp
f
pp
ill. Very ill -- sick. No longer himself. Sad.Pitiful Like you read in all the rags.
to
f
f
mf
be
He's
Vc.
3
3 3
14
76 Fl. 3
p
B. Cl.
p
3
p
Vib.
Metal
Synth.
Davis
[Like a fan:]
Vln. I Vln. II
Vla.
Vc.
pizz
Cb.
f
p
hard mallets
mf
mf
3
mf
mp
Ah
3
3
-
-
-
3
3
A
3
3
3
p
3
3
3
3
arco
p
80 Fl.
B. Cl.
Metal
Synth.
Davis
Vla.
Vc.
fff
mf
mf
fff
-
-
-
-
-
3
fff
fff
fff
fff
fff
li!
fff
fff
p
fff
fff
Cb.
fff
6
6
3
Vln. I
Vln. II
Perc. Congas
15
fff
fff
fff
fff
fff
16 Fl.
85
B. Cl.
Metal
Congas
Synth.
Perc.
mf mf
fff
fff
fff
Davis
A
-
-
li!
Vln. II
Vla.
Vc.
Cb.
fff
fff
A - li
fff
fff
mf
fff
[Like an experienced adult:]
Jes - us,
mf
fff
mf
mf
fff
mp
Vln. I
The Great - est. The Great - est!
fff
fff
fff
fff
fff
Fl. 91
B. Cl.
Metal Perc.
Congas Synth.
Davis
Vln. I Vln. II
fff
Vla.
Vc.
Cb.
mf
mf
mf
fff
fff
fff
fff
fff
3
p
fff
mf
mf
mf
If it weren't for you I'd like - ly be dead
fff
fff
17
p
3
[This can be addressed directly to the audience.]
p
Not
the
f
3 first
time
I
fff
fff
p
fff
fff
fff
p
18
Fl. 97
B. Cl.
Vib.
p
3
Synth.
3
mp
3
the
past
his
p
3
moth
mf
3
p
er's
house
3
3
f
3
3
p
f
f
3 first
time
p
p
-
p
mp
mp
Cb.
Not
Vln. I
Vc.
drove
Vla.
Davis
Vln. II
3
f
p
Fl. 104
B. Cl.
Vln. I
Vla.
f
Cb.
3
mp
I
knew
3
he
was
mp
there
3
p
mf
3
p mp
p
3
f
3 3
p
Vc.
3
p
Davis
Vln. II
p
Synth.
19
p
20
109 Fl. 3
B. Cl.
Vib.
3
Synth.
Davis
Vla.
Vc.
Cb.
3
But,
Vln. I
Vln. II
3
to - day
is dif - ferent
3
3 3
3 3
3
Fl. 113
B. Cl.
Vib.
Davis
Vln. II
To - day
is not
the same
Cb.
p
[More resolved.] p
Drove
p
p
fp
3
p
p
Vc.
3
fp
3
Vla.
floating
p
pp
3
floating
pp
Vln. I
p
Synth.
3
21
fp
floating p
22
118
Vib.
3 3
mp
p
3
Synth.
Davis
Vln. II
Vc.
Cb.
mf
mp
Long
floating
p
e - nough
mf
Can't back
down
3 3
p
con sord floating
mf
mp
a - round
con sord Vln. I
mp
mp
mp
floating
mf
mf
126 Fl.
B. Cl.
23
3 Vib.
mf
3
f
Synth.
f Davis
Stalled
too
Vla.
3
long
Vln. I Vln. II
Parked
mf mf
senza sord
senza sord
mf
Cb.
Vc.
f
3
the car
Got
the pen
3 3
f
24
132
Fl.
3
p
B. Cl. p
3
Synth.
Davis Vln. I
Mag - a zines
pp
pp
Got
mf
Vln. II
Vla.
3
p
the cour
3
p
-
3
3
age
3
fp
3
mf 3
mf
fp
fp
mf
Vc.
Cb.
138
Fl.
B. Cl.
Crot.
Synth.
Davis Vln. I
to Clarinet
p Clarinet in Bb
is
3
f
p
now
3
143
pp
Gong
Synth.
ppp
f
Here goes
Davis
3
q=92 Rubato
Crot.
3
p
[Davis leaves “the car,” strides across the stage, raises his hand to knock on a door, turns in fear. Ali opens it and stands there. Davis turns back around and sees him.]
Fl.
pp 3
The time
3
mp
p
rit.
25
ppp
f
mp
Here goes
pp
Here...
Sound: Bowed Glass
26 q=54
Perc.
Crot.
Vln. I
misterioso
p
f
5
5
f
5
p
misterioso
misterioso
6
pp
misterioso
pp
mf
mf
p
misterioso
p
p
misterioso
Vln. II
Vla.
Vc.
p misterioso
p
Cb.
p
p misterioso
misterioso
p
p
p
Synth.
5
Metal
p
Cl. Vib.
misterioso
Fl. 146
p
p
f
3
p
3
f
p
3 f
p
148
Fl.
Cl.
Vib.
p
5
f
5
p
f
5
p
5
p
6
pp
mf
Perc.
Synth.
Vla.
Vc.
Cb.
mf
p
p
pp
p
p
p
p
p
Vln. I Vln. II
pp
Crot.
Metal
27
3 f
3
p
f
p
f
3
p
Fl. 150
Vib.
Metal
p
p
5
Perc.
Synth.
Vln. I
Vln. II
Vla.
Vc.
6
5
p
5
p
mf
mf
p
p
f
p
3
3
p
p
p
p
pp
p
f
pp
p
f
5
Crot.
Cb.
Cl.
28
f
p
3
f
p
Fl. 152
Cl.
Vib.
Davis Vln. I
Vla.
Vc.
ff
pp
Vln. II
pp
Synth.
ff
ppp
softest mallets
p
Cb.
in disbelief
mf
Champ
p
p
p
ff
ff
ff
ff
p
29
pp
pp
p
pp
pp
pizz
p
p
p
155
Cl. Vib.
Gong
Perc.
Synth.
Ali
Vln. I
Vla.
Vc.
Cb.
center of gong
5
f
5
5
f
5
pp
6
mf
p
p
[Astonished] 3
p
p
p
p
p
p
p
Come
p
p
p
Vln. II
p
Davis
Fl.
30
on
in
3
Come—?
ppp
ppp
ppp
(measured)
3
31
Crot.
Gong
Synth.
Davis
Vln. I
on
Vc.
pp
5
p
mf
mf
f
5
5
f
5
6
pp
pp
f
mf
mf
p
p
(measured)
p
5
p
6
pp
f
in
pp
5
f
Vla.
5
p
[Finishing the sentence.]
Vln. II
Cb.
f
f
Ali
5
p
Vib.
Cl.
Fl. 158
[Ali makes a gesture for Davis to follow him; he does. He places the stack of magazines on the table and sits. He looks up, smiles, and gestures for Davis to sit; he does. Davis hands him a pen and Ali starts to sign when Odessa enters in an apron, humming.]
p
p
p
p
p
p
p
p
Cl.
Vib.
Metal
Crot.
Perc.
p
Vln. I
Vln. II
Vla.
Vc.
5
5
p
f
5
p
6
pp
mf
pp
f
5
f
6
pp
5
p
5
p
mf
mf
mf
pp
p
p
p
p
p
p
p
mf
p
5
p
Cb.
f
mf
5
p
Synth.
Fl. 160
32
mf
mf
Fl. 163
Metal
Crot.
Perc.
Synth.
Vln. I
Vln. II
Vla.
p
5
5
f
5
6
f
f
5
p
5
mf
6
pp
pp
mf
pp
p p
Cb.
p
p
mf
5
p
pp
5
p
p
Vc.
f
Vib.
5
p
Cl.
33
mf
mf
mf
p
p
p
p
Fl. 165
Cl.
Vib.
Crot.
Synth.
q=66
pp
5
5
pp
p
5
ppp
pp
pp dolce
Vln. II
5
Odessa. Vln. I
p
mf
p
Ahh...
Ahh...
Ooo...
pp dolce
Cb.
pp dolce
Vc.
ppp
pp dolce
Vla.
34
35
3 Odessa.
Vib. 168
3
Crot.
Synth.
Ali
Vc.
Cb.
Ahh...
3
mmm...
[Gesturing with a smile to Odessa.]
mot - her
con sord
Vla.
Ahh..
My
Vln. I
Vln. II
pp
3
n
con sord
bell tone accents
pp
con sord
bell tone accents
n
pp
pp
ppp
bell tone accents
pp
3
3
pp
p
Fl.
Cl.
Vib. Metal
pp
Odessa.
Davis
Vln. II
Vla.
Vc.
Cb.
pp
Ali
Vln. I
Synth.
O - des
I know
Hon - ored
you
pp
Miller
-
are?
p
ler...
p
Dav - is
pp
p
with light mallet p pp
pp
And
pp
sa
-
173
pp
pp
pizz.
36
pizz.
Fl. 177
Cl.
Synth.
Davis
Vln. I Vln. II
Vla.
Vc.
Cb.
mp arco
mp
mind
me.
Just
get - ting sup - per read - y
3
3
arco
3
Don't
3
[To Davis.]
Più mosso (q=c. 96)
3
Odessa.
p
p 3
Vib. Metal
37
38
Fl. 181
Cl.
Synth.
Cb.
3
3
Vln. I
Vc.
Davis
Vla.
p 3
Odessa.
Vln. II
p
Vib. Metal
You
3
want
a
3
3
A
root beer?
[As if it’s a surprise.]
root?
yes maam, please I would
Synth.
3
Odessa.
3
Ali
Vln. I
Vla.
Vc.
pp
Dav - is Mil- ler?
Mil - ler
Vln. II
Dav - is,
or
Dav - is
3
3
ppp
ppp
Mil - ler?
(almost spoken)
Two last names?
senza sord.
senza sord.
senza sord.
Cb.
pizz
pizz
Davis
mmm...
Metal
Vib.
[Odessa exits.]
185
39
arco
arco
ppp
ppp
40
189
Fl.
Cl.
p
p
5
5
Synth.
pp
f
6
5
p
mf
p
p
Vln. II
p
Vla.
p
p
Vc.
p
Cb.
p
6
p
p
[Ali smiles slyly and starts to autograph. He doesn’t look up.] Ali Vln. I
mf
p
let ring
Crot.
pp
5
let ring
Vib.
f
q=66
p
pgentle 3
You
have
3
f
p
3
f
p
3
f
p
(solo) ppp
arco
ppp
Cl.
Vib.
Metal
Perc.
Vla.
Cb.
face
Kind
good
pp
p
(play 16ths in tempo, then fermatta)
Bass Clarinet in Bb
p
mf
p
6
p
p
p
6
p
p
5
f
(almost spoken)
p
5
5
p
p p
Vc.
f
a
Vln. II
Ali Vln. I
5
p
let ring
Synth.
p
Fl. 192
41
3
f
p
3
f
p
3
f
p
Fl.
Vib.
Crot.
W.Ch.
5
p
pp
pp
6
Vc.
Cb.
mf
pp
mf
p
6
mf
His
left
6
f
Wind Chimes & Strings of Bells mp
mf under viola
5
p
f
with cello + bass
p
Vla.
5
p
p
Vln. II
6
Davis
5
q.=60 To Picc.
Synth.
Vln. I
f
B. Cl.
195
42
hand shakes
His
p
f
p
f
mf
mf
197
Vib.
Metal W.Ch.
Odessa.
2
ppp
Vln. I Vln. II
Vla.
Vc.
Cb.
put on weight He's
2
2
ppp
2
pp
p [offstage, entering] 2 2
Ahh...
slow - er now
pp
2
Davis eyes are worn He's
mp
pp
pp
pp
p
but e - ven so
2
p
pp
2
Ahh...
2 p pp
Synth.
with Davis
B. Cl.
43
q=60
Ooo....
e - ven so
44
B. Cl. 202
Vib.
3
B. D.
With rute or hot rods
mf
ppp
3 Synth.
3 Odessa.
Davis
Vln. I
Vln. II
mf
Vla.
mf
pp
3
3
pp
mf
pp
45 [Odessa has entered with two bottles of root beer. Davis suddenly blurts out his feelings.]
q=80 subito
Piccolo Picc. 204
B. Cl.
Synth.
mp
p
p
f
mp
Davis
Vln. I
f
Champ
you
changed
my
life
when I was just
Cb.
mf
mf
mf
Vc.
ff
mf
Vla.
mf
Vln. II
f
Sound: Reed Organ
ff
ff
a
ff
ff
arco
mf arco
mf
46
208 Picc.
mf
B. Cl.
p
Perc.
mf
f
f
be-lieve
that I could do an-y
ff
thing
mf
Cb.
ff
ff
thing
mf
ff
An - y
mf
ff
mf
Vc.
Vln. I
Vla.
you made me
mf
Davis kid
p
f arco
mf
Vln. II
Synth.
mf arco
mf
arco
mf
Picc. 212
B. Cl.
mf
Synth.
Vln. I
Vla.
Vc.
Cb.
ff
f
an - y
one
mf
one
mf
ff
mf
arco
ff
ff
An - y
that I could be
ff
at all.
Davis
Vln. II
f
p
mf
Perc.
47
mf arco
mf
48 Picc. 215
B. Cl.
Perc.
Synth.
Vln. I Vln. II
Vla.
Vc.
Cb.
mp
[Backing off a bit:]
at all
This is a story,
It is a stor - y a
I wrote it in college.
ff
ff
ff
q=40 accel.
f
mf
pp
Davis
[Davis opens one of the magazines to the story.]
ff
ff
ff
arco
mf
arco
mf
49 q=80 A tempo
B. Cl. Vib.
Crot.
mf
f
bout
Ali
changed
mf
mf
mf
Cb.
Life?
Vln. I
Vc.
f
my
f
p subito
p subito
p subito
f
p subito
f
p subito
5
f
5
To Bb Cl.
6
pp
pp
p
mf
To H-bells.
mf
p
ff
p
con sord
6
p
p
f
p
f
p
pp
Sound: Bowed Glass
how you
(Ali cuts off davis before he can complete "Life")
Vla.
p
Davis
Vln. II
f
Synth.
q=66
Picc. 220
p
p con sord
p
n
50 223
Vib.
Metal
q=84
softest mallets possible
Ali
Vln. II
Vla.
Vc.
pp
pp
Cb.
your stor - y
n
p
con sord
fp
n
con sord
p
fp
fp
fp
fp
fp
con sord
p
I first became a serious Muhammad Ali watcher in late 1963.
read me
Vln. I
Davis
mounted: softest mallets possible
Synth.
[Davis reads (spoken);]
229
Vib.
Metal
Davis Vln. I
(10) (11)
(8) (9) (10) (11) (4)
I'm still watching him and now I hear he's going to try to make a comeback.
That year I was a small and sickly ten-year-old and he was golden and twenty-one and was preparing....
Vc.
Cb.
... and was preparing to meet Sonny Liston for the first time. I recall . . .”
All of this makes me remember the first time I saw him and all the things that followed.
Vla.
(9)
Vln. II
(8)
(4)
Synth.
51
52
q=72
Vib.
Metal
239
[Davis notices that Ali has nodded off. Odessa sees Davis’s dismay. She sets the root beers on the table.]
Synth.
f pp 3 3 3 p whisper-like Odessa. Don't
wor - ry
He does that a lot now Just falls as- leep Then all of a sud - den He wakes up, Like noth - ing hap - pened
Vln. II
Vla.
Vln. I
Vc.
53
240
Vib.
Metal
warm pp
ppp
Sound: Gt. Feedback
senza sord
was a
warm p
pp
child
p
pizz
senza sord warm
senza sord warm
p
when he
normal voice p
pp
Vc.
Vln. I
Cb.
medium mallets
Synth.
Odessa.
q=110 (h=55)
bef- ore
p
he could walk
54 Fl.
Cl.
247
Vib.
Vln. I
Vln. II
pp
pp
Vla.
Cb.
Vc.
bef- ore
p
pp
Odessa.
p
Synth.
(solo-like, warm)
he could crawl
I
knew.
senza sord pizz warm
p
senza sord
when he
pizz warm
p
was a
child
pizz
p
Fl. 254
55
Clarinet in Bb (solo-like, warm)
Cl.
Vib.
Synth.
p
Vln. I
Vln. II
Vla.
Vc.
Cb.
Odessa.
as - leep
on his
back
bef- ore
he could crawl
I
56
262
Vib.
Synth.
mp
Odessa.
Vln. I
Vla.
Vc.
Cb.
such an un - us
Vln. II
knew.
Sara.
-
tried to talk
so
hard
u - al child
57 268
Vib.
Synth.
Vln. I
-
fp
Vla.
Vc.
Cb.
Vln. II
us
-
used to jab
-
ber
p
ne - ver could
so
p
p
u - al child
-
such an un
fp Odessa.
Sara.
58
274
Vib.
[Lights dim and come up on the second playing area. Sara Miller sits in the chair propped up with a pillow. She is deathly ill. Young Davis fidgets at her feet.]
Synth.
f Odessa.
sit
Sara.
[Patiently.] f
Sit
still,
Vla.
Cb.
arco
p
why don't you read
p
to me
while we wait for the
p espress.
Vc.
Dav - is
arco
still
Vln. I
Vln. II
p
59 281
Vib.
Synth.
Y. Davis
Sara.
all I got is
Vc.
Cb.
Sup - er - man
Su - per - man is fine
Vln. I
Vla.
car
Vln. II
pizz
pp
pizz
p espress.
arco
60 286 Fl.
3
p
Cl.
Vib.
Synth.
3
pp
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
3
3
3
3
3
months
old.
I
bent ov - er
him in his
crib
arco
3
mf Odessa. Sara.
Six
3
p
61 290 Fl. 3
Cl.
3
3
pp
3
ppp
Odessa.
Vib.
Synth.
Bent
Vln. I
Vln. II
Vc.
down
Vla.
Cb.
arco
low
And he rose up right then
and he stretched his
lit - tle
pizz
pizz
mp
mp
mp
62 296
Fl.
Cl.
Vib.
Synth.
Vln. I
Vc.
Cb.
up
mp
mp
arco
do
Gon - na
6
high
3
mp
mp
3
p
mp
p 3
arms
Vla.
Odessa.
Vln. II
with cello pizz.
some - thing
mp
arco
p
mp
f
63
Fl. 300
Cl.
Vib.
Synth.
f 3
Odessa. f
Vln. II
f
f
Vc.
Cb.
mp
be
3
mf
3
Gon - na
f
Vla.
good
Vln. I
some
-
thing
3
f
big
mp
f
mp
mp
f
3
mp
3
f
f
64 Fl. 304
Cl.
6
Vln. II
Vla.
Vc.
Got - ta
3
mp
some
p
be
mp
3
3
p
Cb.
6
mp
Odessa. Vln. I
p
Vib.
Synth.
bo
-
dy,
p
p
-
65 Fl.
Cl.
Vib.
309
Synth.
Odessa.
p espress.
p espress.
pp
p
3
Some body -
Sara.
[To herself while Young Davis mimes reading.] p
Don't know what's wrong with me
doc - tors don't know
no one knows
Vln. II
Vla.
Cb.
pizz
p
66 Fl. 315
Cl.
Odessa.
poco accel.
p
Vib.
Synth.
p
B. D.
p
let ring
with Rute or Hot Rods
ppp
He rose up high
p Sara.
Just can't seem to get well
can't
get
he rose up
fast
and
well
Vla.
Vc.
Vln. I
Vln. II
Cb.
p
67 Fl.
324
Cl.
B. D. Congas
Synth.
Vln. I
(forte articulatin after "in the mouth)
fppp
Odessa.
Vln. II
he
punched me in
the mouth In the mouth! His own mother! Knocked both my front teeth
con sord
con sord
p
arco con sord
Cb.
Vc.
p
Vla.
out Knocked both my
f
p
arco
con sord
p
68 327
Vib.
B. D.
Congas
Synth.
front
Sara. Vln. I
teeth
pp
f
ff
OUT!
f
Vc. f
ff
f
ff
ff
ff
p
-
li
my lit - tle
p
bab - y
boy
boy!
A
arco
-
my
beaut - i - ful lit - tle
p
-
p
p
A
p
Look at my lit - tle
f
Vla.
q=110
Odessa.
Vln. II
arco
p
p
69 334 Fl.
Cl.
Vib. p
Synth.
-
boy
li
my
beaut - i - ful bab - y
mp
p
boy!
That's
when
I
knew that he'd be some
mp
hope he'll be al - right
I
Vc.
p subito
Vla.
p
Vln. I
Vln. II
mp
pp subito
p
mp Odessa. Sara.
p
p
p
arco
p
70 Fl. 341
Odessa.
Cl.
Vib.
Synth.
bod - y
God,
I
Vln. I
Sara.
Vln. II
Vla.
Vc.
p
hope he'll be al - right
mp
when I
That's
knew
Meno mosso
p
p
pp
Some - one
please
Some -one has been watch - ing
watch
71 349
Fl.
Cl.
Vib.
Odessa. ov
Sara.
ov
Vln. I Vln. II
Vla.
Vc.
Cb.
Synth.
-
-
q=120 (h=60)
er
him
er
him
3
o
-
please
-
mp
mp
er
3
-
f
f
ver
ov
mp
senza sord
3
-
watch
senza sord
f
mf
3
f
senza sord
3
him
o
him
O
-
ver
-
ver
f
f
f
pizz (loud, vibrate, sustain as possible)
ff
f
with cello pizz.
f
arco
f
72 Fl. 355
Cl.
Vib.
Synth.
3
f Odessa.
6
Vc.
Cb.
an
pizz (loud, vibrate, sustain as possible)
ff
an
seems like
mp
mp
3
f
Vla.
6
f
Vln. II
him
Vln. I
him
Sara.
3
please
-
3
f
-
gel's
tak -
watch
ov -
arco
f
f
73
359
Fl.
f
Cl.
3
3
Vib.
Synth.
Odessa.
-
Vla.
er
Vc.
care of him
and
o
-
ver,
keeps
o
3
safe
ver
f
f
him
him
6
-
f
Cb.
3
3
Vln. I Vln. II
- ing
Sara.
pizz
mp
mp
74 363
Fl.
Cl.
Vib.
Synth.
Odessa.
3
seems like
an
an
Vln. I
-
3
-
gel's
3
3
3
3
e
-
-
ing
please
one
3
ver
watch
watch
ov
-
-
o -
er
e -
Cb.
Vc.
Some
Vla.
6
Sara.
Vln. II
arco
f
pizz
mp
75 Fl. 367
Meno mosso
3 6 3 Cl.
Vib.
Synth.
f Odessa.
ver
o
f Vln. I
Vln. II
f
Vla.
Vc.
Cb.
-
ver
-
ver
him
all
the
af - ter
him
all
the
p
p
p
time
Look
mp
pp
Look -ing af - ter
p
-
-
o
w. flute
p
- ver
Sara.
w. cl.
time
76 374 Fl.
[Roy Miller has entered.]
Cl.
Vib.
Synth.
Odessa.
q=110
pp
p
(mm)
Sara.
(mm)
Roy
Vln. I Vln. II
Vla.
Vc.
Cb.
p
There goes my lit - tle
Am - bu - lance
is
here
Thanks
for watch - ing o - ver your moth - er
for
me
p
p arco
p
arco
p
77 Fl.
378
Cl.
Vib.
p
Sara.
Vln. I
Vla.
Vc.
Synth.
boy
Vln. II
Cb.
my
beaut - i - ful lit - tle
p
pp
Please
see he'll be al -
p
pizz p
mp
pp subito
boy
p
78 Fl. 386
Cl.
Vib.
mp
p
Perc.
Sara.
Vln. I
right
Vln. II
Vla.
mp
Synth.
see he'll be al - right
p
p
ppp
p
arco
p
Please
p
pp
Vc.
79 [Lights dim on the second playing area and the Millers. With a start, Ali is brightly awake. He has forgotten that he was being read to.]
Fl. 395
Cl.
Vib.
mf
Vln. I Vln. II
Vla.
Vc.
mf
mf
mf
5
pp
pp
Sound: Bowed Glass
f
p
5
5
p
p
p
p
p arco
p
6
p
mf
mf
p arco
p
f
p
p p
f
arco
5
(percussion bells)
Cb.
mf
p
Synth.
p
Perc.
W.Ch.
Crot.
q=96
3
f
p
3
f
80 Vib.
Gong
W.Ch.
B. D.
Synth.
Odessa.
bell strings, wind chimes
401
f
[Conspiratorially to Davis as she exits,]
What'd I say?
Ali
Vln. I
To Miller f
lieve
in mag - gic?
No.
3
f
p
Vc.
-
Mag - ic tricks?
Vla.
p
Cb.
Be
Vln. II
Davis
pizz
pizz
81
Crot.
W.Ch. Synth.
ppp
pp
Davis
Vib.
pp
407
p
Mimicking, but not sure if he should...
Not since I was
Vln. I
Mag
Vla.
Vc.
arco
pp
Cb.
-
arco
pp
-
-
pp
-
pp
Vln. II
pp
-
-
(c)
f
f
gic
f
-
f
f
pizz
pizz
Ali
ten
82 412
Fl.
Cl.
Vib.
q=100
Crot.
5
f
5
f
pp
mf
mf
Wind Gong
ppp
pp
5
6
pp
5
Davis
p
p
Perc.
Synth.
(n)
Ali
Vln. I
Vln. II
Vla.
Vc.
Cb.
f jovial
What
p ff p 3
p
p
3
f
3
f
p arco
3
make
f p
p arco
I
3
if
this
3
3
p
mf
3
p
pp
p
pp
f
p
f
p
Fl. 414
Cl.
Gong
f
6
6
p
Perc.
6
6
p
f
Synth.
Ali
Vln. I
Vln. II
Vla.
rise
up
Vc.
Cb.
p
f
p
ff ff
ff
ff
ff
light sprinkling of high percussion instruments ringing bells, etc... ad lib
and sit there?
f
high
f
83
84
Fl. 419
6
6
p
f
6
Vib.
Crot.
Cl.
let ring Perc.
Synth.
Davis
pp
6
p
f
mp
ppp
3
Not much of a be - liev - er these days,
Ali
Then
Vln. I Vln. II
will you
be
ieve? -
ppp
ppp
Vla.
Vc.
Cb.
pp
-
f
p
f
p
ff
ff
f ff
pp
ppp
ff
ff
Fl.
85
422
5
p
f
5
Cl. 5 5
p
Vib.
Crot.
6
pp
let ring
Perc.
mf
pp
Synth.
Davis
pp
Wind Gong
mf
pp
f
let ring
Champ.
Ali
What
3 3 Vln. I
p
3
p
3
p
Vla.
f
p arco
Vc.
Cb.
ff
Vln. II
3
3
f
p
p
if
I make
f
p
f
p
up
high
this
f
p
rise
f
p
f
p
f
p
p
p
3
mf
3
p
p
86 Fl. 425
Cl.
Gong
Vln. I
Vln. II
Vla.
Vc.
Cb.
6
p
mp
light sprinkling of high percussion instruments ringing bells, etc... ad lib
f
p
Float there And
ff
f ff
f
f
Davis
Ali
6
Synth.
p
Perc.
6
6
f
p
(comical undulation)
spin?
ff
ff
ff
429
Fl.
Cl.
Perc.
Synth.
Vln. II
will you
be
- ieve? -
ppp
ppp
Vla.
pp
Vc.
Cb.
pp
6
p
f
mp
f
[Davis rolls his eyes and smiles.]
-
f
p
f
p
f
ff
ff
ff
ppp
87
6
pp
6
6
p
Wind Gong
Then
Vln. I
Davis
Ali
ppp
ff
ff
Perc.
88
432
Synth.
Ali
Vln. I
ppp
What
p
Vln. II
if
f
Vc.
make
this
rise
p
f
p
ppp
I
ppp
Vla.
f
p
up
high
f
p
f
f
p
f
p
f
p
p
p
Cb.
p
Fl.
435
Cl.
Gong
p
Vln. II
Vla.
Vc.
Cb.
f
pp
mp
p
light sprinkling of high percussion instruments ringing bells, wind chimes etc... ad lib
(comical undulation)
there
spin?
Then
ff
f
p
p
f
ff
ff
Float
f
f
f
Ali
Vln. I
6
6 6
Synth.
6
p
Perc.
89
ff
ff
90
Fl.
440
Cl.
Perc.
Synth.
Davis
Vla.
p
pp
f
6
p
to Bass Clarinet 6 6
6
pp
f
mp
pp
pp
then I will be
Ali make the pen sign it?
Vln. I
Then
will you be
- ieve?
-
ppp
Vln. II
ppp
Vla.
Vc.
Cb.
pp
pp
f p
ff
f
p
f
ff
ff
ppp
ff
ff
91
[While Ali performs a pseudo-invocation, lights come up in the second playing area. Roy Miller and Davis are dressed up and at Sara Miller’s funeral. Roy Miller holds his son as he tries not to weep.]
p
ppp
Perc. p
Synth.
pp sempre
Davis
pp
ppp
p
ppp
p
p
mp
ppp
mf
ppp
p
ppp
p
f
q=152
Vib.
let ring
flutter
Fl.
accel.
444
lieve
Vln. I
pp
Vln. II
pp
Vla.
p
(senza sord sempre)
pp
p
p
mp
mp
mp
f
f
f
92
Fl. 451
Vib.
q=48 Ali: Looking at the stack of magazines.
To Picc.
mf
Sound: Reed Organ
pp
Synth.
Y. Davis
ppp
Perc.
Piccolo ord.
mp
f Rise up mom
Ali
Vla.
Vc.
Cb.
p
a - rise
Vln. I Vln. II
f
a - rise
n
n
n
mp
mp
p
f
I com - mand
you
ppp very soft...an extention of boy soprano's voice con sord
con sord
drone
ppp very soft...an extention of boy soprano's voice
93 Picc. 457
Synth.
f Y. Davis Rise up
Ali
now
f
I com - mand
ppp
Vla.
Vc.
f
ppp
p
it so
f
ppp
p
Make
so
p
May you
Cb.
you
ppp
f
Make it
Vln. I
Vln. II
no lon - ger
mf
mf
not earth -
ppp
ppp
94 Picc. 464
Perc.
Synth.
Y. Davis
Ali
bound
-
pened
ppp
-
rise
ppp
ghost
Cb.
Show us
this
a - rise
p
p
this ain't true
Vc.
Vla.
Show us
A
ppp
mp
Vln. I
Vln. II
ne - ver hap
This
-
p espress.
p espress.
95 471
Picc.
Perc. B. D.
Y. Davis
ain't
Ali
Synth.
q=132
To Fl.
Cb.
ppp
p
pp
laughing
senza sord
p
p
Ap - ril fools
mp
true
Vc.
A - rise
Vla.
ppp
senza sord Vln. I Vln. II
[Lights down in second playing area. Of course, the stack of magazines does not rise. Ali laughs.]
f
f
96 [Ali jabs playfully at Davis. Davis jabs back tentatively and gently. They play-box a little. ]
B. D. 476
Synth.
Ali
I had you
Ad - mit it
q=50
q=132
480 Congas
accel.
congas- with mallets. Like a boxing "speed bag" 6
Synth.
6
6
6
6
6
6
6
Ali
I had you!
q=50
accel.
q=132
Congas
483
B. D.
6
Synth.
6
6
Davis
6
6
6
6
6
O-K
O-K
I ad - mit it
97 B. Cl. 487
q=50
accel.
very hard mallets
very hard mallets
6 6 6 6 6 6 6 6 B. D.
Metal
Congas
Davis
Synth.
Vib.
q=132
fp
And
Vc.
Cb.
Vla.
Vln. I Vln. II
f
f
f
f
f
then I see
senza sord
ff senza sord
ff
98 B. Cl. 492
Bass Clarinet in Bb
Vib.
Metal
Synth.
Vc.
Cb.
Vln. I
Vla.
f
Davis
Vln. II
fp
f
A
sud
-
den flash
f
Of
what he was
fp fp
fp
ff
fp
ff
ff
(arco)
(arco)
f
f
pizz, with an edge..
f
fp
fp
f
f
f
ff
ff
99 B. Cl. 498
Vib.
Metal
Synth.
Davis
Vln. I fp
Vln. II
Vc.
f
he
The
Mag - ic's there
fp
The
ff
ff
f
ff
Cb.
f
f
is
ff
fp
Vla.
what
Of
fp
fp
p
fp
p
fp
ff
fp
f
f
ff
f
f
f
f
100 B. Cl. 504
f Davis cra - zy
joy
Vln. I ff
The
ff
fp
Vln. II
ff
Vla.
ff
Vc.
fp
f
f
f
softest mallets
softest mallets
mp
mf mf
I
fp
saw
when
ff
same
mp
Synth.
Cb.
Vib.
Metal
rit.
p
ff
p
mf
I
was
ten...
mf dolce
mf dolce
arco
p
p
p
mf dolce
mf dolce
mf dolce
arco
101 B. Cl. 510
q=79
n.
ppp 6
6
Synth.
Vln. II
Vla.
pp
pp
pp
pp
Cb.
p
mp dolce
poor fath - er
pp
pp
(4)
(4)
There I
was
mp
mp
My
pp
Vc.
6
pp
Davis Vln. I
6
ppp
mp dolce
Vib.
Metal
arco mp
102 B. Cl. 516
Vib.
Metal
Synth.
(12)
e=e.
q.=111
(8)
(8)
(12)
Davis
Vln. I
Vln. II
Scraw - ny
four - foot ten only seventy pounds,
Vc.
Cb.
Vla.
And bul - lied bey - ond
f
bel - ief,
Not
eat - ing
pp
103 Fl.
ff Perc.
B. Cl.
Flute
fp
f
524
pp mf
Congas
Synth.
ff
pp
mf
fp
f
pp mf
ff
mf
fp
f
f
fp
Cb. fp
ff
Sick - ly
f ff
f
f
ff
ff
f
ff
ff
f ff fp
Vc.
mf
Vln. I
Vla.
fp
Davis
Vln. II
ff
ff
fp
ff
f
fp
f
f
ff
ff
f
Flun - king school
fp
fp
ff
fp
f
fp f
ff
ff
No
f
fp
fp
friends
ff
ff
ff
f
ff
f
ff
104 Fl.
fp
B. Cl.
Perc.
Congas
Synth.
pp mf
mf
fp
ff
ff
fp
Cb.
fp
ff
a
ff
Not
f ff
ff
-
ff
f
ff
f
f
f
p
-
ly
ff
ff
ff
fp
ff
fp ff ff
fp
mf
f
ff
ff
pp
Lone
f
ff
fp
fp
fp
fp
mf
fp
ny
f ff
ff
ff
f
pp mf
fp
Vc.
fp
Vln. I
Vla.
ff
Davis
Vln. II
530
fp
ff
ff
q.=76
536 rit.
B. Cl.
p
e.=e
105
q=79 intimate
p
softest mallets
Vib.
Metal
ppp 6
Synth.
ppp
Davis Glued to the
T-V
pp
and plain par - a - lyzed with grief
p
Vla.
Vc.
Cb.
p
p
p
mp dolce
And
Vln. II
6
Vln. I
p
6
softest mallets
6
pp
pp
mp
mp
mp
106 B. Cl. 539
Vib. 6
Metal
Synth.
6
6
6
6
6
6
Davis
Vln. I
Vln. II
Vla.
Vc.
Cb.
still
he
tried
Oh,
how he tried
107 543
Vib.
Metal
Perc.
q=63
Vln. II
Vla.
Vc.
6
p
6
6
ppp
ppp
sound: Harmonica
6
l.v. al niente
p dolce espress.
No home - work son?
ppp
Don't know what
ppp
ppp
Cb.
ppp
Roy Vln. I
ppp
Synth.
[Young Davis doesn’t respond.]
(4)
to say
more weight on open strings, less weight to moving notes, Moving notes at same time as double stops are just little flicks of the finger- more “off the cuff.”
p dolce espress.
con sord.
p dolce espress.
108 Roy
548
Vln. I
Vln. II
that
p dolce espress.
Vc.
Cb.
has - n't been said
Your
teach - ers com - plain
you've ben sleep - ing in class
554
Synth.
Roy Vln. I
3
pizz
con sord
Can't say I'm sur - prised
3
p dolce espress.(bluegrass)
Vc.
Vla.
Con - sid -'ring your grades
Vln. II
Cb.
Flunk - ing Phys.
p
pizz
arco
arco
p dolce espress.
109 560
Roy Vln. I
Synth.
sound: Harmonica
Cb.
Synth. 566
Vln. II
Vla.
Vc.
pizz Cb.
work - ing so much
southern drawl
with me
But we
Roy mom not a - round
Vln. I
same volume as a single violin
know it's been hard
I
Vc.
p
Ed.?
Vla.
Vln. II
Your
got - ta make chan - ges
we
got
to
make
senza sord
arco
p
pizz.
110 572
Synth.
Roy
chang
p
Vln. I -
Vln. II
Vla.
Vc.
Cb.
es
We
to
make
p
got
chang
-
es
And
577
Synth.
Roy
Vln. I
Vln. II
Vla.
Vc.
I
Cb.
to
p
p
want
help
con sord
you
We
got
f
f
f
f arco
f
to
make
111 Cl. 583
Perc.
Synth. Roy chang
[Davis doesn’t respond.]
p
-
es
Won't youplease let me help you
Vln. I
p
Vln. II
p
p
Vla.
Vc.
Cb.
p
p
Triangle
pp
Dav -
vis?
Dav -
pizz
pizz
p
is?
"quartet sound"
"quartet sound"
p
112 [Exasperated, Roy Miller leaves. Young Davis mimes switching the channel on the TV. He looks away. He switches the channel again. Davis watches in sadness.]
Fl. 589
Cl.
Tri.
Synth.
Vln. I
Sound: 2600 Sine
pp
Percussion
Vla.
Vc.
Cb.
senza sord
arco "quartet sound"
p
"quartet sound"
pp
p
Vln. II
p
113
595
Fl.
Cl.
Vib.
Synth.
Y. Davis
Vln. I
pp
bowed
pp
bowed
pp
mf
pp
No way out
No way out
p
Vln. II
Crot.
q=c. 48 Largo (stark...vacant, dangerously depressed)
con sord
p
p
p
0
Vla.
ppp
Vc.
Cb.
con sord
ppp
ppp
114
Synth.
Vln. I
Aint no use
Vln. II
Vc.
ppp
Cb.
a little faster...
to try
Ought to leave
run
a - way
p
con sord
p
pp
p
Vla.
Hurts
pp
pp
pp
Y. Davis
pizz.
Far from school
Far
from home
senza sord
p
senza sord
p
pizz.
pp
arco p
Vib. Crot.
q=c. 56 (Larghetto)
602
Cl.
p
p
p
ppp
115
f
Perc.
Congas
Synth.
Dis
fff pizz
fff
Vla.
ff
f
Vc.
fff pizz
Cb. fff
a little faster... mf
Where I'm not
ff
arco, molto ponticello
p
ord.
ff
p ord.
pp pizz.
pp
Kicked and punched
p
p
pizz.
p
ord.
Beat - en up
pp
ord.
ppp ff arco, molto ponticello
ppp
Find a place
ppp ff molto ponticello
pizz
- ap pear arco, molto ponticello
pp
Vln. I pizz
f
pp
pp
f
Y. Davis
Vln. II
Crot.
f
Metal
p
Vib.
Cl.
q=c. 66 (Adagio)
608
p
p
ppp
116
Cl. 614
Vib.
Metal
pp
Perc.
Vln. I
Stuffed
in loc - kers
pp
pizz
f
Pushed
down stairs arco, molto ponticello
ppp
molto ponticello
fff pizz
fff
ff
f
Names that hurt
p
ord.
pp
ord.
arco, molto ponticello
ppp
Called bad names
fff
ff pizz
Vc.
p
fff pizz
Vla.
f
Vln. II
f
Y. Davis
f
Synth.
Cb.
Congas
Crot.
ff
ff
arco, molto ponticello
p ord.
mf
p
ord.
ppp
ff
pp
619
Cl.
q=c. 80 (Andante)
pp
Vib.
Crot.
117
alittle faster... Y. Davis
Vln. I mf
Vln. II
a
lot
Ug
Vla.
Cb.
p
p
the time
And
so loud
pizz.
All
ly names
Vc.
mf
pizz.
-
p
p
Hurt
p
mp
Synth.
p
p
ppp
118 623
Cl.
Metal
Perc. Congas
q=c. 112 Moderato aggressivo
p
f
f
f
all I can arco, molto ponticello
ppp
pizz
arco, molto ponticello
fff
ff
ppp molto ponticello
f
pizz
fff pizz
fff
ppp
arco, molto ponticello
p
fff
All
I
p
ppp
fff
fff
p
fff
p
hear
ppp
hear
fff
Vln. I
Cb.
They are
f
f
p
pizz
Vc.
f
faster!
Vla.
f
Y. Davis
Vln. II
p
Synth.
119 Cl. 629
Vib.
Metal
f
Crot.
Perc.
Congas
f
f
Vln. I
Vln. II
p
ppp
fff
p
ppp
ppp
fff
fff
fff
All
hear
p
f
p
f
I
f
fff
Vc.
All
fff Vla.
fff
p
Y. Davis
Synth.
p
mf
I ord.
hear
p
p
p
fff
p
p
ord.
ord.
120 635
Cl.
p
Vib.
Crot.
Synth.
mf
p sempre
p
f Y. Davis
can't
know
mp
sul pont., legato, connected (with an edge)
f
Vla.
mp
poco pont f
mp
f
tell
him
mp arco
Cb.
arco
Vc.
Can't
(with an edge) sul pont., legato, connected Vln. I
Vln. II
Dad
f
mp
mp
639
Cl.
121
Vib.
Crot.
Synth.
I'm
a
p
-
shamed
and
he's
too
sim 0
Vln. II
p
Y. Davis
Vln. I
0
0
0
p
Vla.
p
Vc.
mp
p
Cb.
poco pont
p
122
Cl. 642
rit.
Vib.
Crot.
Synth.
Y. Davis
With
sad
-
out
Vc.
Cb.
Vla.
mom
Vln. I Vln. II
con sord, ord.
con sord
con sord
123 647
Cl.
q=112 (Moderato...pensive) pp
Vib.
Crot.
Synth.
mp p
Y. Davis
No
Roy
Davis
Vln. I
ord.
mp
Vc.
way
out
can
I
help
And
How
he
you?
ppp
Cb.
How
p
Vla.
p
124 Cl. 651
Vib.
Crot.
Synth.
pp
p
p
Y. Davis
No
Roy
Davis
way
out
Ain't no use
Please
me
help
let
p
Vla.
Vc.
ppp
Cb.
Da
How
he
you
tried
Vln. I
p
tried
p
ppp
125 Cl.
Vib.
657
Crot.
Perc.
Hurts
vis?
Roy
Davis
Bless
Vla. Vc.
pp
pp
Synth.
Y. Davis
Bass Clarinet [Davis reaches up to switch it again, and becomes mesmerized by the screen. The music intensifies. Davis even smiles, slightly, for the first time. Miller looks on.] in Bb
to
him
he
How
pp
pp
pp
try
Da
pp
pp
-
vis?
tried
126
Fl.
665
B. Cl.
q=111
fp
Perc.
fp
ff
pp
pp
pp
fp
f
pp
pp
ff
Davis
fp
Vla.
Vc.
ff
Then
senza sord Vln. I Vln. II
(senza sord)
senza sord
f
ff
f
f
ff
he ap - pears
fp
fp
ff
ff
ff
f
f
fp
fp
f
ff
f
fp
f
f
fp
f
ff
f
f
fp
ff
fp
Pow - er - ful and fast
ff
fp
senza sord
ff
Sound: Reed Organ
Synth.
Cb.
ff
pp
Congas
ff
ff
Fl. 671
fp
B. Cl.
Perc. Congas
ff
f
ff
f
ff
On
fp f ff Vln. II Vln. I
fp
f
ff
f
fp
f
fp
f
ff
f
ff
f ff ff
the screen
like
fp
fp
f
ff
f
ff
fp
ff
f
ff
f
ff
Davis
Cb.
Vc.
fp
Synth.
Vla.
127
fp
f
f
a big bolt of light - ning
And
fp
f
fp
f
fp
fp
f
fp
fp f fp
fp
ff
ff
f
fp
f
fp
128
Vib.
Metal
Synth.
Vla.
Vc.
Cb.
hardest mallets
f
hardest mallets
f
this pu - ny kid
Vln. II
Davis
Vln. I
q=126
676
is
mf
mf
mf
mf
mf
ff
trans - formed
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
129 Vib.
683
Metal
Synth.
Davis
Ali
Vln. I
Vln. II
Vla.
Vc.
130 B. Cl. 690
[Ali unfreezes and enters the second playing area; he sings with all the force of his youth.]
rit.
Vib.
Metal
Synth.
Davis
Ali
Vln. I Vln. II
Vla.
Vc.
q=80
mf
ff
I'm young
mf
mf
mf
mf
131 Fl.
697
B. Cl.
Vib. Metal
Synth.
Davis
mf
Ali Vln. I
I'm young
mf
f
and hand - some
mf
mf
legato
I'm young and hand - some and fast...
Vla.
Vc.
Vln. II
legato
f
132 Fl. 701
B. Cl.
mf
mf
Vib.
Metal
Synth.
Davis
Ali
of
Vln. II
Vla.
legato
f
ff
the play - ful - ness of A - li
mf
A
-
I'm young and hand - some
on the strings, pushing through
on the strings, pushing through
f
on the strings, pushing through
f
li
mf
I'myoung
Vln. I
Cb.
A - li
mf
The speed
Vc.
pizz
mf sempre
on the strings, pushing through
133 706 Fl.
B. Cl.
Synth.
Davis
The
Ali
Vc.
grace
of
A - li
the
maj - e- sty
of A - li
ff
Vla.
the beaut - y
3
Vln. II
of A
I'm young and hand- some and fast
Vln. I
Cb.
3
3
134 711 Fl.
Vib.
B. Cl.
ff
mf
Metal
mf
Synth. Davis li
Ali
A
Vla.
Vc.
Cb.
li
burs - ting in - to the sky
-
burs - ting in - to life
I'm young and hand - some and fast and pret - ty
Vln. I Vln. II
3
3
135 B. Cl. 716
Vib.
mf
Metal
Synth.
3
Davis
Vln. I
3
3
3
Vln. II
Vla.
Vc.
Cb.
young and hand - some and fast and pret - ty
mf
f
mf
f
mf
f
mf
I'm
and a - way from my past
Ali
f
f
mf
f
arco
3
136 Fl. 720
B. Cl.
Vib.
Metal
Synth.
Davis
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
mf
f
He's
gon - na float
f
pizz
mf sempre
mf
f
mf
mf
mf
mf
be beat!
Ali
and can't pos - sib - ly
mf
f
I'm
137 Fl. 725
B. Cl.
rute or hot-rods. x=side of drum
p
Synth.
Davis
Ali
Vc.
Cb.
mf
He's gon na float
gon - na float
I'm
3
gon - na float like a but - ter - fly
Vla.
Vln. I Vln. II
3
mf
3
B. D.
I'm gon - na float
3
3
arco
f
138
729 Fl.
B. Cl.
B. D. Synth.
Y. Davis Ali
mp
Vln. II
Vla.
Vc.
Cb.
p
p
Your
Your hands can't hit what your eyes can't see
ff
fp
I'm gon - na sting like a bee
Vln. I
fp
q=152 (subito)
[Davis slowly joins in the chant. As he does, he begins to move around and spar.]
pizz
pizz
fp
fp
p p
fp
fp
139
735
Fl.
B. Cl.
p
p
p
p
B. D. 3
Synth.
3
Y. Davis hands can't hit what your eyes can't see
Ali
Vln. I
(...soft...so we can hear p Young Miller join Ali...)
3 Your hands can - not pos - sib - ly
3
Your hands can't hit what your eyes can't see
Your hands can - not pos - sib - ly
3
Vc.
Your hands can't hit what your eyes can't see
Vln. II
Cb.
3
p
p
p
p
140 Fl. 741
B. Cl.
Perc. B. D.
Congas
Synth.
Y. Davis hit what your eyes can't
see f
Ali hit what your eyes can't
Vla.
Vc.
Cb.
fff
fff
mf
fff
fff
fff arco
fff fff fff arco
fff
fff fff fff
fff
A rooster crows only when it sees the light
fff
ad lib. with inflections
arco
fff
mf
see
Vln. I Vln. II
fff
fff
fff mf
fff
Put him in the dark and he'll never crow
I have
fff
fff fff fff
fff
141 Fl.
747
B. Cl.
B. D. Congas
Y. Davis
fff
ppp
fff
ppp
f
(have fun with this in a playful "Ali" fashion)
Ali
seen the
Vln. I
Vln. II
Vla.
light and I'm crow
-
the
light
and I'm crow
-
pp
sul pont.
pp
sul pont.
pp
arco
fff
pp
sul pont.
fff
Cb.
I have seen
sul pont.
fff
Vc.
ing
fff
fff
(mimicking Ali)
142 Fl. 754
B. Cl.
[From the other playing area, Davis joins in, euphorically.]
Perc.
B. D.
pp
Synth.
Ali
Cb.
f
ord.
Vc.
mf
mf
ff
ff
I don't have to be what youwant me to be p
I don't have to be what youwant me to be p
f
ord. Vla.
f
ord.
I don't have to be what youwant me to be
ord. Vln. I Vln. II
f
ing
Davis
Y. Davis
f
mf
ff
mf
ff
mf
ff
mf
ff
pizz
f
143 Fl. 760
B. Cl.
Perc.
Y. Davis
ppp
Synth.
pp
f
I don't
Davis
Ali
Cb.
have to
be
f
fp
p
who you want
me to
be
p
fp
f
mf
mf
ff
ff ff
I don't p bright
have to
I don't have to be what you p bright
I don't have to be what you
mf
Vc.
mf
Vla.
Vln. I Vln. II
ppp
B. D.
mf
mf
pp
ff
ff
ff
ff
ff
144 Fl. 766
B. Cl.
fp
p
fp
p
fp
fp
p
fp
fp
p
fp
Perc.
B. D.
Y. Davis
be
ff
ff
Ali
Vla.
Vc.
Cb.
ff
who you
want
me to
be
don't
I
I
I
I
have to
be
don't have to be what you want me to be
f
fp
don't have to be what you want me to be
don't have to be what you want me to be
don't have to be what you want me to be
p
ff
want me to be
Vln. I Vln. II
want me to be
fp
Davis
fp
Synth.
p
fp
fp
arco
145 Fl.
771
B. Cl.
Perc. p
B. D.
Congas Y. Davis
p
fp
p
fp
Ali
Vln. II
Vla.
fp
pp
pp
p
don't
have
to
be
fp
Ahh!
f
f
f
Vc. Cb. f
p
mf
who
you
mf
want
Rum - ble young man
p
p
Ahh!
Ahh!
Vln. I
rum - ble
p
Rum - ble young man
fp
f
Davis
p
rum - ble
Ahh!
f
f
146 Fl. B. Cl.
Perc.
776
fp
fp
p sempre
B. D. fp
Y. Davis
Davis
Ali
Vla.
Vc.
Cb.
I
fp
fp
p
p
fp
p
fp
fp
p
fp
have
to
be
who
you
want
me
to
don't
Rum - ble young man Rum - ble young man Rum - ble young man Rum - ble young man
Rum - ble young man Rum - ble young man Rum - ble young man Rum - ble young man
Vln. I Vln. II
p sempre
p
p
mp
p
mf
mp
mp
mf
mf
f
f
f
ff
ff
ff
147 Perc. 781
mf
B. D. mf
Congas
Y. Davis
q=60 accel.
fp
mf
f
mf
fp
f
pp
pp
be
Davis
Ahh!
Ali
Ahh!
148 q=152
Fl.
787
B. Cl.
q=60 accel.
B. D. fp
Congas
f
p
mp
fp
Synth.
pp
Davis
f
pp
p
mp
p cresc.
Rum - ble young man Rum - ble young man Rum - ble young man
Ali
p cresc. Rum - ble young man Rum - ble young man Rum - ble young man
Vla.
p
Vc.
Cb.
mf
p
mp
p
mp
mp
mf
mf
149 794
Fl.
q=152
f
B. D.
B. Cl.
h=q=82 Maestoso
fp
Congas fp
Synth.
Y. Davis Davis
Ali Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
ff
f
ff I
f
don't
have to
be
who
you
want
me to
be
Ahh!
Ahh!
with pedal bass drum
f
f
f
f
f
f
f
f
150
800
Fl.
B. Cl.
Vib.
Metal
B. D.
Congas
[Boxing Match Applause Audio Cue]
Vln. I
Vln. II
Vc.
Cb.
Vla.
6
6
6
f
f
f f
And
f
very hard mallets
very hard mallets
ff
p
f
ff
Y. Davis Davis
6
6 6 6 6
Synth.
q=132
ff fp ff ff fp
so
I trained
151
Bass Clarinet 805 in Bb
B. Cl.
Vib.
Metal
Synth.
f
Davis
fp
f
And
how
I trained!
My
f
fp
My
jab
legs got strong
Vln. I
fp
fp
Vln. II
fp
(arco)
Vc.
pizz
Cb.
ff
(arco)
Vla.
ff
fp
fp
f
fp
fp
fp
fp
fp
f
ff
fp
ff
fp
fp
fp
f
mf
mf
152 B. Cl. 812
Vib.
Metal
Synth.
f Davis
got
quick.
My
chest filled out
fp
Got
f my
black
belt
Vln. I
ff
Vln. II
ff
ff
ff
Cb.
Vla.
Vc.
fp
p
fp
p
ff
fp
ff
fp
p
p
p
mf
mf
mf
p
ff
ff
p
p
mf
mf
mf
153
rit.
817
B. Cl.
To Cl.
q=120
softest mallets
softest mallets
Vib.
Metal
Synth.
Davis
Went
Vln. I ff
Vln. II
Vc.
Cb.
mp
back to school
fp
mp
mf
fp
mf
To
learn
to
write
ff
mf
arco
p
p
mf
mf
mf
p
mf
mf
real - ly
mf
p
ff
to
p
fp
ff
Vla.
mf
p
p
p
p
p
154 824
Vib.
3 pp
3 Sound: 2600 Sine
Synth.
Davis
p
write
Vla.
Vc.
I
Vln. I
Vln. II
Cb.
p
p
p
p
pizz
p
155 Fl. 829
p
q=152
3 Vib.
pp
Synth.
3
Davis
got
some - where
No
Vln. I
Vln. II
Vla.
Vc.
con sord
Cb.
Once
I was strong
long - er scared
con sord
p
p
3
For
p
p
3
p
156
3
Vib. 834
Synth.
For once
I
felt
proud
3
mp arco
Cb.
mp
Vib. 840
Vln. I Vln. II Vc.
mf
mf
Vln. II
Vc.
Cb.
I was
3
some - bo - dy
3
Vln. I and Then
3
3
3 Then,
3
Davis
For once
3
Synth.
3
Davis
I got lost
3
3
Vib. 847
157
3
ppp
pp 3
Synth.
Davis
I got lost
Vc.
3
p
Went off 3
pp
p
3
Vln. II
falsetto
3
Vln. I
Cb.
pp
Vib. 854
pp
pp
pp
3
p
p
3
p
3
Synth. Davis course Fell be=hind Vln. I 3
Commitments...Car Payments...Insurance
Vln. II Vc. Cb. 3
3
3
3
158 Vib.
861
Davis
3
A nine - to - five
Cb.
Mort
Vln. I 3 3 Vln. II Vc.
3
3
Synth.
mf espress.
gage
Do - ing what'sright
What's
ex -
3
p
senza sord.
Vib. 868
3
Davis
3 Vln. I
oec
Vc.
-
ted
[Ironically quoting:]
I
don't have to be what you want me to be senza sord.
159
q=60 accel.
B. D.
Congas
Synth.
Davis
q=152
873
6
6
6
6
ff
6
6
6
6
ff
Andweeks go by
With - out writ - ing
a sing - le word
q=60
q=152
B. D.
878
6
accel.
6
6
6
ff
Congas
6
Synth.
Davis
6
6
6
ff
Not one.
Weeks,
months.
160 882
Fl.
Cl.
Vib.
Metal
Perc.
B. D.
Congas
q=152
Synth.
Vln. I Vln. II
Vla.
Vc.
Cb.
accel.
Davis
q=60
6 6 6 6 ff
6
6
6
6
ff
q=54
pp Clarinet in Bb
pp softest mallets
ppp
ff
Sound: Bowed Glass
p
p
Not one.
senza sord
p senza sord
ff
And
ff
ff
senza sord
p senza sord
ff
p (arco)
p
ff
161
Fl. 886
Gong
p
p
5
5
pp
Davis
sud - den - ly it's years
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
p
pp
pp
p
p
pp
p
p
p
p
p
p
p
p
p
5
p
f
5
p
center of gong
f
pp
Synth.
Vib.
Cl.
To Picc.
6
mf
162 889
Metal
Perc.
p
Synth.
I'l
Vln. I
Vln. II
3
tell
you
a
sec
Cb.
mf
-
ret
f
p
3
ppp
Vc.
mf
3
ppp
Vla.
ppp
Ali
f
p
3
f
p
163
891
Synth.
Davis
[Not believing his ears]
Ali
I'm
Vln. I
gon - na make a come
-
3
3 3
A
come
-
-
back?
back
I'm
ppp
Vln. II
ppp
Vla.
ppp
Vc.
Cb.
pp
164 Gong
B. D.
893
"Ali Bomaye"
ppp
Davis
Synth.
You
Vc.
ser - i - ous?
gon - na make a come - back
Cb.
896
B. D. Congas
Synth.
Tim
pp
Davis
Ali
It would
be
a
Vc.
it as
6
They'd
6
6
mir - a - cle
fect
Cb. see
ing's per -
accel.
-
Ali
a mir - a - cle
6
165 Fl. 898
B. Cl.
B. D.
Congas
q=112
Synth.
Piccolo
mf
f
mf
[Ali starts to get worked up about the idea. He dances around the room, jabbing then throwing combinations of punches.]
6
6
6
Sound: Reed Organ
Davis
Ali
shaft of mallets, ad lib accents
p
3
f
f
Vla.
Vc.
Yan - kee Stad - i- um
Vln. II
Cb.
IV III
f
f mf
f
Mil - lions
f fp fp
Bil - lions
fp
f
Vln. I
And Quick as that
6
3
p
3
166 Picc. 902
B. Cl.
Congas
Davis
Vla.
3
on
Big - ger
than
the res
fp
fp
He's
his feet
-
su - re - ction
Vc.
Watch - ing!
Vln. I Vln. II
f
He's
Cb.
3
Synth.
Ali
3
fp
167 Picc. 905
B. Cl.
Congas
Synth.
bound - ing - a - round
Ali
And
me
Vc.
Cb.
3
The Quar - dru - ple Great - est of
fp fp
trip - le hook off a jab
fp
Vla.
fp
the room
Vln. I Vln. II
(4)
Davis
168
Picc. 909
B. Cl.
Congas
Davis
f
Ali
All
Vln. I Vln. II
Vla.
Vc.
Cb.
It's
not
fp
fp
A
Times!
fp
blur of up - per - cuts
fp
It's
fp
too late
Right lead that kayoed Foreman!
(8)
Synth.
913
Picc.
B. Cl.
Congas
Davis
Vln. I
Cb.
ne
-
blows
fp
p
A line of tracers in the night
at mor - tal - i - ty
ver too late
fp
Vc.
rit.
Vla.
Vln. II
All
Ali
Synth.
169
I'm gon na
rise
is
his work
gon - na rise up
fp
fp
fp
up
fp
This
170 Picc. 917
B. Cl.
Synth.
p
p
Davis
This
Ali
Vla.
Vc.
p
Cb.
molto
molto
mp
art
p
molto
molto
molto
Do you
be - lieve?
ff
ff
mp
f
And
f
p
ff
p
ff
p
ff
f
p
ppp
Piccolo
a - gain
Vln. I Vln. II
his
p sempre
p is
q=80
p
Picc. 922
B. Cl.
Synth.
I
Ali Vln. I
Vla.
Vc.
Cb.
f
be - lieve
p
Davis
Vln. II
171
Do you
be - lieve?
f
f
f
f
172
926 Picc.
mf
B. Cl.
p sempre
Vib. Synth.
f
p arco
I
Ali
do
you
Vln. I
p
pp
Do you
Cb. p
p
pp
be - lieve?
p
mp
be - lieve
ppp
pp
f
f
p
mp
And
Vc.
mf
p
Davis
Vla.
Vln. II
f
f
be - lieve?
f
f
pp
173
Picc. 930
B. Cl.
Synth.
mf
p sempre
Vib.
I
Vln. I
do
you
mp
f
p
f
p
be - lieve
be - lieve
p
f
f
p
f
p
f
mf
p
Cb.
f
pp
p
Ali
Vc.
And
Vla.
Davis
Vln. II
p
f
f
p
p
174 934
Picc.
B. Cl.
pp
p
Vib.
Perc.
Synth.
ppp
Vln. II
I
Cb.
f
be - lieve
A - pril fools
p
p
Vc.
mp
q=88
f
pp
p
f To Cl.
p
Vla.
mf
To Flute
And
Vln. I
Davis Ali
f
f
f
f
f
175 Gong 939
pp
Synth.
Davis
You know
[Miller, familiar with the quote, finishes it.]
[Ali and Davis Laugh]
Ali
...It's the peb - ble in your shoe
it is - n't the moun - tains a - head to climb that wear you
out. ...It's the peb - ble in your shoe
Fl. 942
Vib. Gong
let ring
pp let ring
Synth.
Davis You're still
a great man,
Champ
Does
pp
all
the gos - sip
hurt
you?
945
Ali
There's
i - gno - rant peop - le
ev - ery - where
e - ven e - du - ca - ted peop - le
can be
ig - no -
176
Fl.
946
Cl. Gong
Bo - ther you
Ali
that you're a great
man
pp
pp
Davis
not al - lowed to be great?
Spoken: Wha-wha-whacha mean, "Not allowed to be great?
rant
Cb.
arco, with gongs
p
p
948
Gong
pp
Cb.
p
Synth. Davis
I mean the things you care most about
The things we see as Muhammad Ali
They've been tak
-
en
a - way
q=66
Fl. 949
Cl.
Flute
p
p
5
5
p
Odessa. Ali
p
p
p
p
p
Vc.
p
Cb.
mf
p
p
pp
p
p
Vla.
mf
Vln. I Vln. II
p
p
5
Bass Clarinet in Bb
6
Sound: Bowed Glass pp
p
Synth.
pp
Crot.
f
5
[Ali sings gently. Odessa enters and sets up the table; she hums with Ali, leaving for the kitchen and returning.]
Vib. crotales
f
177
pp
You don't
ques - tion
p
Ahh...
God.
bell tone accents
pp
bell tone accents
pp
178 Vib.
952
Crot.
Synth.
Odessa.
Ali
3
Cb.
E
Vln. I
Vc.
p
Vla.
pp
-
very - thing hap - pens for
3
Ahh
Mmm
3
Mmm...
bell tone accents
Vln. II
pp
Ooo..
3
a reas
-
on
bell tone accents
pp
bell tone accents pp
bell tone accents
pp
mp
As
mp
179 957
Vib.
Crot.
3
Synth.
pp
Odessa.
3
Ali
hard
Vln. I
Vln. II
Vla.
as
it is
to
E
3
mp
3
Mmm
be - lieve
Mmm
-
very - thing hap -
pens
pp
pp
Vc.
p
Cb.
180
960
Vib.
Crot.
Synth.
3
Ali Vln. I
Vln. II
Vla.
3
a reas
-
p
You
be - ing here
to-
p
Vc.
p
p
on
pp
Cb.
Mmm
for
n
[Odessa leaves for the kitchen]
Mmm
Odessa.
p
p
p
p
181 965
Vib.
q=69
Crot.
Synth.
f
day
p
There's a reas - on for that
Me meet - ing
mf
Vla.
Cb.
Vln. II
Vc.
Ali
Vln. I
q=72
you
mf
There's a reas - on for that
182 B. Cl. 969
Vib.
q=80
Ali
Cb.
on - ly get - ting wis
-
er
Vc.
mf
Theworld's
Vln. I
too
Vla.
Synth.
Vln. II
with Ali
p
Crot.
q=82
It
on - ly goes
mp
mp
mp
mp
mp
B. Cl.
183
974
Vib.
mf
Synth.
for -
Vln. II
Vla.
Vc.
ward
As
round
pp
pp
p
p
p
p
pp
p
Ali
Cb.
Crot.
Vln. I
pp
pp
it spins
The
p
p
p
p
p
184
979
B. Cl.
Vib.
Crot.
q=84
Ali
world's
Vln. I p
Vla.
bowed
on - ly get - ting
wi - ser
mp
ppp
mp
ppp
p
mp
bowed
mf
wi - ser
on - ly get - ting
mp
ppp
p
on - ly get - ting wis - er
p
p
Cb.
mp
p
Vc.
Davis
Vln. II
p
And mf
pp
p
p
pp
pp
mf
it on - ly goes
p
pp
185 983
B. Cl.
Vib.
Ali
for
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
ppp
bowed
sound: reed organ
-
q=108
bowed
Synth.
Crot.
Davis
accel.
May - be not fast e - nough
moves
for - ward
And it moves
ward
p
ppp
p
p
ppp
p
fp
pp
f
pp
pp
pp
day
f
day
e - very
fp
e - very
for - ward
ppp
f
f
f
186 990
B. Cl.
Vib.
f Davis THIS is hap 'ning - for
a
Ali Vln. I
a
p subito
Vla.
p subito
Vc.
p subito
reas - on
p subito
Vln. II
reas - on
f
THIS is hap 'ning - for
mp
p
bowed
Synth.
Cb.
bowed
Crot.
f
All D's open
f
mf All D's open
f
mf All D's open
f
mf
f
fp
fp
fp
fp
187
B. Cl. 997
Ali
Vln. I
Vln. II
Vla.
Vc.
Cb.
B. Cl.
fp
fp
p
1004
q=82
Ali Vln. II Vla. Vln. I
Vc.
Cb.
fp
fp
fp
fp
188 Ali 1010
Vln. II Vla. Vln. I
Vc.
Cb.
fp
fp
Ali 1016
Vln. I
Vln. II
Vla.
Vc.
Cb.
fp
fp
fp
fp
189
1021
B. Cl.
Vib.
Crot.
Odessa.
p
bowed
p
bowed
mp
E - very - thing hap - pens
Davis
THIS is hap 'ning - for a
Vln. II
Vla.
Vc.
f
THIS is hap 'ning - for a
fp Cb.
fp
mp
reas - on
Ali
Vln. I
f
E - very - thing hap - pens
mp
reas - on
E - very - thing hap - pens
pp
f
f
p
pp
f
p
pp
pp
p
f
p
190 1028
Vib.
Crot.
Synth.
Odessa.
for a reas - on
Davis
In - clu - ding this chil - i
q=66 ppp
ff
So,
please
let's
eat
for a reas - on
Ali
for a reas - on
Vln. II
Vla.
Vc.
Cb.
Vln. I
191 Vib. 1035
3
Crot.
ppp
Synth.
Odessa.
3 3
sweetly, but firmly
mp
I'm sure she will un - der - stand.
Davis
Vln. I
Vln. II
con sord
Vla.
Oh,
I can't.
n
Sit
I told my wife I'd be home at...
con sord
con sord n
bell tone accents
pp
bell tone accents
pp
pp
bell tone accents
ppp
pp
Vc.
Cb.
192
Vib.
ppp
3
Crot.
Synth.
Ali
Cb.
3
3
You
got
pp
Two
3
Vc.
pp
3
Vla.
pp
Vln. I Vln. II
3
Odessa.
Davis
1039
pizz
pizz
They know
p
kids?
p
3
me?
3
p
p
193 Vib.
Metal
1044
ppp
Davis
pp
Synth.
pp
The three - year - old punch - es at the set e - very time I play yourfights
Ali
Vla.
Vc.
Cb.
Whydon't you bring them o ver here Sun -
Vln. I
Vln. II
tone accents bell
pp
bell tone accents
pp
pp
arco
arco
194
1047
Fl.
B. Cl.
3
p
3
3
Odessa.
3
We
Davis
Ali
had bet - ter be
sure
To
lock
that
rhi
-
3
no - ce - rous out back
day?
pp
Vc.
Cb.
Vla.
up
A
Vln. I Vln. II
3
Vib.
Synth.
3 3
pp
195
poco accel.
1051
Clarinet in Bb
Vib. 3
3
B. Cl.
Synth.
Davis
rhi - no - cer - ous?
p cresc.
Ali Vln. I Vln. II
Vla.
Vc.
Cb.
A
gift
from
Zai
3 3
f
-
re
pp
fff
cresc.
pp
pp
cresc.
cresc.
p
p
f
f
196
[Ali, Odessa and Miller laugh and dig into their food. The music swells. Lights down on the first playing area and up on the second. Miller returns to his car.]
q= c.152
Rubato Vib. 3 f sus. cymbal. Perc.
1055
ppp
Synth.
[Ali, Odessa smile; Miller laughs.]
mp
3
Odessa.
pp
floating 3
p
p
p
sound: 2600 sine
f
Vibraphone floating
A - pril fools
Davis
A - pril fools
Ali
Vla.
3 ff 3
Vc.
p
Vln. I Vln. II
p
ff
ff
Cb.
A - pril fools
ff
ff
floating
p
floating 3
p
floating p
197 3 3 Vib.
let ring hard mallets
1061
Crot.
3
mp
p
let ring hard mallets
mp
Synth.
mp
mp
mf
3
pp
3 3 Vln. I 3 mf
mp
3
Vln. II
mf
mp
Vla.
floating
mp
Vc.
Cb.
mp
arco floating
mp
mf
mf
pp
198 1069 Fl. Vib.
Crot.
Synth.
Davis
p
mp
mp
3
f
Feel it pulse 3 Vln. I 3
Vc.
Cb.
Lift
ppp
the pen
p
f pizz
f
Cl.
Synth.
3
Vln. II
Cb.
p
f
3
the page
p
mp
f
mp arco
p
mp
f
3
Fill
Vc.
p
Davis
Vln. I
p
1074 Fl.
f
f
1079 3 Fl. Cl.
Crot.
p
Synth.
Davis
p
199
it flow
Vln. II
p
Vla.
f
p
Vc. Cb.
p
p
1084 Fl. 3
Vib. pp Crot.
p
pp
3
3
p
let all notes ring
let all notes ring
Vln. I 3 Let
rit.
3 3 Synth. Davis Tap your past Vln. I 3
200 1088 3 Synth. Davis
q=69 Rubato
3 Vln. I
Re - move the peb - ble from the shoe
senza sord.
Shake out all the rocks
Fl. 1092
3
q= c.152
p
Vib. Crot.
Synth.
Davis Vc.
all the boul - ders
from the
shoe
ppp
ppp
pp
let ring
mp
mp
mp
1097 Fl.
B. Cl.
p
p
f Davis
Write
3
3
3
3
mp
mp
it down
mf
f
Vln. I mf 3 Vln. II 3 mf Vla.
3
Vc.
p
Synth.
let ring
Vib.
Crot.
201
mp
202
Fl. 1101
B. Cl.
pp
Vib.
Crot.
Synth.
mf
p
3
mp
3
mp
f
3
p
p
f
3
mp
WRITE
f 3 f 3 3
pp
it down
Vln. I p Vln. II p Vla.
p
pp
mp
p
Write
Cb.
let ring
f Davis
Vc.
p
p
pizz. p
1106 Fl.
mf
B. Cl.
Synth.
3
pp
3
mf pp
it...
3
3
3
Davis
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204
Sara Miller escorts Young Davis on, pats him on the head and indicates that he should join Davis in the car. Young Davis runs and sits in the seat next to Davis. Davis smiles at Young Davis. They drive.
Fl. 1110
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