DK Dorsa Kheiri BBA, BID
I was born in Iran and grew up in the heritage rich city of Tehran. Everyday walks to school, the grocery store, nearby shopping centre or restaurants would take me past historic structures with ancient Persian Architecture, the air filled with the chirping of birds and the sound of inner city narrow streams. Traditional motifs were an integral part of the culture. There was an abundance of illuminations, calligraphy, poetry, enameling, ceramics, engraving and tapestry everywhere. I remember them to be quite distinct.
Dubai was less than two hours away, but it was far from home. It’s cutting-edge architecture with fascinating modern structures in the middle of a desert was enchanting. Bizarre pace of designing and building evermore glamorous and mesmerizing projects made it seem that every design idea is possible and can be executed. Biggest, Tallest, Fastest, Longest, Most Expensive, Best...
In Canada, yet again everything was different. I learned about a whole different approach to design and architecture which really expanded my horizon. Something that on the other side of the world, people were not really talking about. Sustainability, Sustainability, Sustainability. I learned that my role as a designer is much greater than just creating beautiful spaces for end users. I learned that I can impact the world and even history by creating socially responsive designs, to serve communities, address inequities in society; and respond to climatic, cultural and environmental conditions. Here, we are re-imagining how to design buildings and communities as long-term commitments, embracing it as part of our greater social contract. I am glad to be at the forefront of this evolution.
Dorsa K heiri
INTERIOR DESIGN PORTFOLIO
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APARTHOTEL
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Capstone Project
RESTAURANT
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Third Year Project
RESIDENTIAL
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Second Year Project
RESEARCH PROJECTS
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APARTHOTEL Capstone Project
DK Dorsa Kheiri
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HOTEL
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HOTEL
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CONCEPT The building is an important component of the early commercial fabric that made West Pender one of the prominent commercial streets in Vancouver’s early history. Most of Vancouver’s early newspapers were clustered close to this location, adjacent to the original site of the courthouse.
303 W Pender street was once home to the Morning Star newspaper in 1929. The inspiration behind the concept is the way newspapers are designed and layed out, combining vertical and horizontal columns, grids, headlines and white spaces.
Sq. ft
PARTI DIAGRAM
Sq. ft
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Sq. ft
Pender St.
FIRST FLOOR
-Main Entry -Reception & Lobby -Bar & Lounge -Meeting Room -Event Space -Staff Room
GROUND FLOOR
Hamilton St.
-Wellness & Spa: Massage rooms Himalayan Infrared Salt Sauna Sauna Nail studio Changing room -Yoga/Meditation & Barre Studio -Fitness Centre -Services Area
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SECOND FLOOR GROUND THIRDFLOOR FLOOR
10 Guest Suites Including: -Loft Suite -2 Bedroom Apartment -1 Bedroom Apartment -1 Universally Accessible Suite -Guest Suites -Sitting Area
10 Guest Suites Including: -2 Bedroom Apartment -1 Bedroom Apartment -1 Universally Accessible Suite -Guest Suites -Sitting Area
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HOTEL
DRIFT Bar & Lounge is a destination and an exclusive experience, therefor the entry of the bar is not through the main street but rather through the lobby area to further emphasize that. The waiting area of the bar is vibrant and comfortable. The columns are extended in width and are fashioned with ribbed concrete tiles. The oversized double sided fireplace in the waiting area creates a cozy environment and a beautiful backdrop on both sides, helps maintaining separation while carrying a visual connection from the entrance to the interior of the lounge. The floor to ceiling oval strip mirrors act as visual stimulation by reflecting the inside, outside and the action on the street. 10
FF&E
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HOTEL
The bar design is a literal translation of our concept. It provides guests with an opportunity to experience a moment in history. The design of the countertop is meant to take guest on a trip into history. By placing stacks of old newspapers inside, every seat at the bar offers a different stimulus, engaging guests.
Communal Table
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Bar
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HOTEL
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The goal was to make the space lively and stimulating yet keep that sense of sophistication and elegance.
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HOTEL
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Ground floor is meant to create a multi-sensory journey and a moment of ‘awh’ when the elevator door opens up.
Sense of stillness was created by using undulating curves, soothing tones, simple elements, repetition and consistency of forms throughout.
The ceiling sculpture which is spot lit from above results in a much softer, indirect lighting of the entire space and extends all the way from the elevator door to the entry and reception of the Spa to gravitate the visitors and create a separate experience between the Fitness Centre and Spa. We wanted to have a distinctive transformation and pathway leading guests to the Spa.
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HOTEL
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The interior deploys neutral tone materials and finishes.
Full height slats give a sense of privacy while maintaining a line of sight.
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HOTEL
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Nail Studio
HOTEL
Floating shelves on columns to place items during workout.
Built-in millwork to store mats, exercise balls, kettlebells and other equipments.
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Yoga/Barre/Meditation Studio
HOTEL
Guest Suite ‘Type H’
Guest Suite ‘Type A’
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Guest Suite ‘Type H’
Guest Suite ‘Type A’
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Guest Suite ‘Type A’ Bedroom
RESTAURANT Third Year Project
DK Dorsa Kheiri
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RESTAURANT
PROBLEM STATEMENT: To design a premium casual restaurant based on a spice of your choice.
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RESTAURANT
CONCEPT STATEMENT: Inspired by the most expensive, exclusive and hand harvested spice in the world, Saffron, our restaurant offers customers a glimpse into the ancient world of where saffron comes from; Persia.
Much like the hospitable na encourage our guest to come b them with variety of dining s
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ature of the Persian culture, we back time after time by providing spaces and experiences.
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RESTAURANT
Persian Architecture and Design, inspired the materiality and aesthetics within the space but in a more contemporary manner.
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OPENING HOURS: 12 PM- 1AM LOCATION: 303 W Pender st. Vancouver, BC. V6T 1T3
35+
Working Professionals
M&F 31
RESTAURANT
Pender street
Floor Plan
Entry Bar Zone 1 Zone 2 Zone 3 Zone 4 Private Dining Room
Hamilton street
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Lighting Plan
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RESTAURANT
Exciting
Vibrant
Stimulating
P lush
Our bar is the central focus of the front of the house and is responsible for creating ambiance and visually delivering the promise of the concept. The lush green velvet seatings, pearl mosaic tiles wrapping around the bar counter and lighting fixture that sparkles from behind the rippled glass overhead rack, set the mood right upon entering the restaurant. By placing mercury antique mirror tiles all along the wall behind liquor selection, we not only try to expand the feel of the space, but we also allow guests to have a visual connection to what is going on behind them and help extend their field of vision. This mirror creates a sense of privacy due to its smoky nature, while still allowing guests to scan the room. The Bar is vibrant with the juxtaposition of a mysterious experience. The design has also incorporated soft indirect lighting to elevate customer experience. 34
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RESTAURANT
Exotic
Lush
Uplifting
Engaging
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Rich
Historic
Inviting
Captivating
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RESTAURANT
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Rich
Unexpected
Cheeky
Exquisite
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RESIDENTIAL Second Year Project
DK Dorsa Kheiri
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RESIDENTIAL
PROBLEM STATEMENT: Design a living space that functions as an art gallery/art exhibition.
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RESIDENTIAL
To design a visually ascetic loft, displaying a collection of contemporary paintings and sculptures throughout. The quiet architecture within this living space, use of white, gray concrete and neutral colors, creates a “pure” space that allows for every object to be experienced without distractions. An overall minimalistic design and absence of clutter, makes the house a perfect backdrop for client’s art collection while maintaining visual quality and being mindful of the type, color, and quantity of light provided in a given space or areas.
CONCEPT DIAGRAM Square brackets within a square representing the emphasis and attention that is given to Art works within this residential space.
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Public Semi-Private Private
FLOOR PLAN - Level 1
FLOOR PLAN - Level 2
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FF&E
RESIDENTIAL In this project, Passive House strategies such as Thermal Quality and the Style, Location and Size of Windows as well as Shading were taken into consideration. Interior Layout, Cross Ventilation, Airtightness and Passive Lighting Strategies had to be carefully studied as they are vital to maintaining client’s Art works throughout the house. Paintings, photographs and sculptures each have different safety demands and studying sun exposure and site orientation was a crucial aspect of space planning.
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RESEARCH projectS
RESEARCH PROJECTS
DK Dorsa Kheiri
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ETC. An investigation of the potential of the why not. Through research you will determine a need currently missing in the marketplace
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ETC. ICONIC HOUSE ANALYSIS
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ETC. ICONIC HOUSE STUDY
“GRAY WANTED TO BUILD A HOUSE THAT INTERACTED WITH THE NATURAL ELEMENTS AROUND HER, CAREFULLY STUDIED THE WIND AND THE ANGLE OF THE SUN AT DIFFERENT TIMES OF DAY AND YEAR, AND THIS WAS ABLE TO BUILD A STRUCTURE WITH A CONSTANT EVOLUTION, FOLLOWING THIS RELATION TO THE SUN, WIND, AND SEA. THE STRUCTURE IS RAISED ON PILES, SLENDER WHITE COLUMNS THAT LE CORBUSIER HAD MADE FAMOUS, SPACES THAT FLOW SEAMLESSLY WITH EACH OTHER, AND OUT ON THE TERRACES AND BALCONIES OF THE SPACIOUS ROOMS. IT’S WHITE WALLS, STRONG HORIZONTALITY, DECKS, ITS WINDING RAILING AND SPARSE FURNISHINGS MAKE IT SEEM LIKE A BOAT DOCKED, FLOATING BETWEEN LANDSCAPE AND SEA.” (PARALINE DRAWING OF E.1027)
Eileen Gray
Jean Badovici
CIRCULATION & SOLAR ORIENTATION
ARCHITECT: EILEEN GRAY YEAR: 1926-29 LOCATION: ROQUEBRUNE-CAP-MARTIN, FRANCE
APPLICATION OF CONCEPT
House E.1027
ORIENTATION WINDOW SHUTTERS AWNINGS
FLOOR PLAN
SUMMER KITCHEN
WINTER KITCHEN
TOILET
ORIENTATION STAIRCASE WINDOW TREATMENT
WARDROBE
BATHROOM
HEATER W/C WORKSHOP
LIVING ROOM SHOWER BAR ALCOVE
BEDROOM SERVANT’S ROOM
VISUAL CONNECTIONS VIEWS PHYSICAL CONNECTIONS DOORS OUTDOOR SPACE NUMEROUS CONNECTIONS TO OUTDOOR SPACE
GUEST ROOM
TERRACE
FLOOR PLAN-MAIN
FLOOR PLAN-GROUND
PUBLIC VS. PRIVATE
MORNING SUN
EVENING SUN
MID-DAY SUN
Paths that the inhabitants and guests take Paths of the servants Areas in which people will congregate
SERVED VS. SERVICED
Where people will stop to perform a certain activity
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BY: GABRIELLE, ALEXA & DORSA
DK Dorsa Kheiri BBA, BID
(778) 929-8287 dorsa_kheiri@yahoo.com Vancouver. BC. Canada www.linkedin.com/in/dorsa-kheiri-ca
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