Around

Page 1

Dafina Zeqiri Nushi

AROUND For Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb, Percussion,Piano, String quintet (vln.I,vln.II,vla.,vc,cb.)


2

AROUND Largo

Dafina Zeqiri Nushi

55''

Flute

Clarinet in Bb

Horn in F

Trumpet in Bb

Bongos

p

Oboe

Bassoon

senza misura

 

 

 



p

 

mp

 

 Hi-Hat  right hand Wood Block   left hand

Violin I

 p

Suspended Cymbal ( large )

Piano

 4.



   

 

pp

simile ( gliss. from left to right side with wire brush )

gliss.

pp

playing inside the piano

s.t.



 

Viola

Violoncello Contrabass



pp

gliss.



pp s.t.

Violin II

simile ( roll on with wire brush )

 3.  2.  1.

pp

pp s.t.

  pp

 


poco accel.

3

Moderato 3'20''

Bsn.

f

10

12

      

3

ff



      

gliss.

with triangle beater from bell to rim, holding with hand, so after gliss. immediatly leave it sound

       

     

5

3

ff

ff

3

 

    

 s.p. Vln. I 

gliss.

fp

Vln. II

s.p. gliss. fp

Vla.

s.p. gliss. fp

Vc.

 f

Cb.

5

ff

3

ff

5

ff

    

 7  S.Cym.    ff

Pno.

f

   

 Hn.  Tpt.

             

        

 

 f

       10

       10

 f

           12

              

f

12

5

        


4

10   Hn. 







Tpt.



3

Bongos

            with hands 

 

ff

S.Cym.

Hi-Hat

 

Pno.

Vln. I

ff

f

  

 



  

      ord.                 

 

15

             

ff

ord.

Vln. II

Vla.

Vc.

ord.

         ff

Cb.

 ff

11

      11

            14

ff

ff

12


5 13              Fl.   f

10

             

Ob.

f

9

           

Cl.

         

f

Bsn.

10

f

 Hn. 

   

 

 



   

 

 

   

   

Tpt.

Bongos

Hi-Hat

3

  

Pno.

3

 Vc.

ff

 

  

   



5

          

3 3

 

 

 

 

         7

f

Cb.

        f

6

  

  


6

Fl.

 

Bongos

   

13

9

f

  



       





 Hi-Hat  

5

f

    

 Hn.  Tpt.

      

f

  

       

f

 



S.Cym.

16

Vln. I

Vln. II

   

 

f

     

         

        

              12

    

9

f

Vc.

  Cb.    f

f

5

 

15

f

Vla.

       

     

Pno.

15

f

 

Cl.

Bsn.

 

Ob.

             



 

       

    9

   

       

  


7

Andante highest note of the instrument (no definite pitch)

18

 Fl.  

chromatic

fff

 

Ob.

fp chrom.

fff  Bsn.   fff  Hn.  

chrom.

chrom.

Bongos

  

fff

Pno.

Vln. I

chrom.

 

fff

  

Vln. II

fff

fff

Vla.

Vc.

fff

ss . gli

 

 

fff

    

 

   

mf

 mf

3

mf

     

p

3

gliss.

fp

. gliss

fp

gliss.

fp

gliss.

fp

gliss.

fp

>flutando >

>flutando >

>flutando >

10

f

strike with hand on the higher strings of piano

>flutando >

f

f

 

mf

>flutando >



ffff

9



f

  

    

p



mf

   



   

p

5

ffff

mf

p



gliss. in white keys

       

p

fp



fff

Cb.

fp

fff

S.Cym.

fp chrom.

key slaps with air and in continuance to be repeated the same rhythm

p

fp

fff

Tpt.

fp

fff

Cl.

gradually disappearing sound

gradually disappearing sound

gradually disappearing sound

gradually disappearing sound

gradually disappearing sound

11

f





 mf




8 21

 Fl.

Ob.

Cl.

Bsn.

Hn.

Tpt.

Bongos

W. Bl.

 



5

playing with drum sticks on the rim

  

with two drum sticks

mf

         

15

3

   

 

f

   

 

 Vc. playing behind the bridge

 

    

    

   

mf

(the notes with line in a middle indicates: play and strike together

Cb.

with bow tip on belly and sring)

mf

   


9 24

 Fl.

Ob.

Cl.

Bsn.

Hn.

Tpt.

W. Bl.

Vln. I

Vln. II

Vla.

    

mf

  



 

 

 f

pizz.    mf

Vc.

   

 

f

   

                     

         Cb.        7

f

mf

                mf  f                                  13

f

7


10

26

 Fl. Ob.

Cl.

Bsn.

Hn.

Tpt.

   3

6

Bongos



W. Bl.





 

f

 

         

3

 3          Vln. I             5

          f   

Vln. II

Vla.

Vc.

Cb.

6

3

           

gradually goes on the bridge

 3               

 

mf

3

 

mf

gradually goes on the bridge

                                 mf    3

 

 

10

      

 

   

3

  


11

29

 Fl.

Ob.

Cl.

Bsn.

Hn.

Tpt.

Bongos

Pno.

 

 

  ff

   ff 

  

to strike with wood stick or pencile on the strings

f

 ff 

ff

                                          col legnoord.                         Vln. I  f

      col legno    ord.        

Vln. II

f

Vla.

Vc.

Cb.

12

                      f

f


12

Fl.

  f

                       

f

                                     

Ob.

Cl.

Bsn.

                    

f

     

f

Bongos

Pno.

      ff 3

 

  

                             ff

31        Vln. I      f

         

Vln. II

   ff

                     



ff



f

col legno ord.

Vla.

f

   3

Vc.

ff strike with hand on body of instrument

Cb.

  



ff

3

ff

ff




33

Fl.

    f

 

Ob.

                                

 

f

Bongos

 

                        mf                   mf

         Cl.                 f               Bsn.          f   5     Hn.            f    7           Tpt.     f

13

     ff  

                

mf

mf

                   

   mf      mf

 

         f         

  f f

Pno.

Vln. I

 

 

    ff 

Vln. II

     ff

Vc.

       f                     mf                       

                           mf                     mf                      mf

Vla.

Cb.

     ff

mf


14 35

 Fl.  f

12 legatissimo

  

Ob.

                

          

legatissimo

    

     



f

10

                legatissimo

Cl.

Bsn.

legatissimo



f legatissimo

f

legatissimo

Tpt.

 



f

f

Vla.



  

 

Vc.



   



 sol pont. legatissimo Cb.    f

7





5

 



    

 7

   

10

         

              

 6

sol pont. legatissimo

f

6





11

5

9

sol pont. legatissimo

f

 

12

sol pont. legatissimo

       

5

 sol pont. legatissimo       Vln. I     

Vln. II

11

7





f

    

5

7

5

 Hn.  

                       

6

f

15





6

5



7







7

6

    







 6




15

  36                                Fl.       

13

Ob.



                        

13

12

Cl.

Bsn.

Hn.

Tpt.

Vln. I

          

      

Vln. II

7

7

7

                      







 

 

  

 













 

  



                            

13

                               15

 

    

 



 



 



       



7

  

7

7

5

6

      

7

Cb.



7

         

Vc.

5

6

12

Vla.

6

                

6





  

5



 6

 


 

16 37

Fl.

 

ff

Ob.

Cl.

                  

  mf

11

13

9

10

11

9

10

                        

ff

  ff

10

mf

3

8

           

mf

               9

               Bsn.                         ff   mf    Hn.  ff   Tpt.   ff

Bongos

S.Cym.

Pno.

  ff 

 mf





9

    mf  ff        gliss. Vln. I  mf ff       gliss. Vln. II   ff   mf  liss. Vla.  g ff mf    Vc.  gliss. ff      mf  Cb.  gliss.  ff

mf

9

                               

 

10


17 39                                Fl.  f

12

14

12

13

11

12

                         

Ob.

f

                           

Cl.

f

Bsn.

                        f

Bongos

Vln. I

11

  

f

  f

Vln. II

f

Vla.

f

Vc.

f

Cb.

11

                          f

Pno.

10

 f

13


18

                                 Fl.  40

                                  15

ff

Ob.

15

14

ff

                                      ff                               14

13

Cl.

Bsn.

 Hn. 

3

ff

Tpt.

  

 

ff

Bongos

Pno.

Vln. I

  

ff

  

ff

  ff

Vln. II

Vla.

ff

ff

Vc.

ff

Cb.

13

12

ff

ff

  



 





  

7



 9

  



  


Largo 19

3'25''

41

Fl.

 

 

sffp

Ob.

sffp

Cl.

sffp

Bsn.

sffp

 Hn. 

sffp

Tpt.



sffp

Bongos

S.Cym.

Pno.

Vln. I

sff

  sff

 

  

Vln. II

 

sff

sffp

  

sffp

Vc.

sffp

Cb.

 

 

sffp

Vla.

gliss. s.p.

sffp

gliss.

pp s.p.

 

 

pp

 

s.t.

gliss.

 

 

s.t.

gliss.

 

s.t.



 

pp

gliss.


20

   Fl.  45

sound with the air simultaneously

gradually just the air

until disappear air

pp

Cl.

Hn.

0



Ob.

gradually just the air

pp





pp

key slaps with air

  



pp

Tpt.

Bongos

S.Cym.

  

  



pp

simile ( roll on with wire brush )

pp





simile ( gliss. from left to right side with wire brush )

gliss.

pp

s.p.

Vln. I

gliss.

 

  

s.p.

gliss.

Vln. II

Vla.  

  

s.p.

 

 

glissando - gradually goes behind the bridge

  


21

50

 Ob. 

until disappear air

 0

Cl.

Hn.

Tpt.

Bongos

S.Cym.

gradually just the air



until disappear air

 0

 

 

Pno.

 

0

pp

 Vln. I 

Vln. II

  

Vla.  

glissando - gradually goes behind the bridge



 

glissando - gradually goes behind the bridge

  

molto rit.

ppp


22

56

 Hn.

ppp

Tpt.

Bongos

S.Cym.

Vln. I

ppp



ppp



ppp

0

 0

0

 

0

 

molto rit.

ppp

Vln. II

molto rit.

ppp

Vla.



disappearig sound, moving with bow towards tailpiece

>

finnish slowly with bowhair on the tailpiece

 0

61

 Vln. I 

Vln. II



disappearig sound, moving with bow towards tailpiece

>

finnish slowly with bowhair on the tailpiece

0

disappearig sound, moving with bow towards tailpiece

>

finnish slowly with bowhair on the tailpiece

0


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