Essays by
Dieter Buchhart Andrew Blauvelt Ben Sutton Carlo McCormick Bill Powers
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Photograph taken in 2013 of primed wood panel (48 x 48 in. (121.9 x 121.9 cm)) in kraft paper on two plastic gallon-sized paint containers in the studio, used as source image for Blank Painting (2017)
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Untitled (with color calibration chart held by photographer), 2016, digital print on canvas, 30 x 22 in. (76.2 x 55.9 cm)
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Squeegee Trophy (2005-2007), 2011, used squeegees, wood, and brass plate, 34.75 x 28 x 10 in. (88.3 x 71.1 x 25.4 cm)
Squeegee Trophy (2008-2010), 2011, used squeegees, wood, and brass plate, 25.75 x 28 x 10 in. (65.4 x 71.1 x 25.4 cm)
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Closed System Painting (Language Slows Thought), 2014, oil and acrylic on wood panel, 48 x 36 in. (121.9 x 91.4 cm) with ten silkscreens, each: acrylic paint residue and photo emulsion on polyester monofilament screen with polyurethane adhesive and polyethylene tape attached to aluminum frame, 36 x 25 in. (91.4 x 63.5 cm) and 16 x 12 in. (40.6 x 30.5 cm), overall dimension: 98 x 104 in. (248.9 x 264.2 cm)
Closed System Wall Painting (Flourishes), 2014, site-specific acrylic on wall, 48 x 48 in. (121.9 x 121.9 cm) with ten silkscreens, each: acrylic paint residue and photo emulsion on polyester monofilament screen with polyurethane adhesive and polyethylene tape attached to aluminum frame, 36 x 25 in. (91.4 x 63.5 cm) and 16 x 12 in. (40.6 x 30.5 cm), overall dimension: 98 x 109 in. (248.9 x 276.9 cm)
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The Maker Doesn’t Want It. The Buyer Doesn’t Use It. The User Doesn’t See It., 2016, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm)
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#metadata, 2016, installation view, Kohn Gallery, Los Angeles
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Exit to Exist, 2016, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm) Opposite Page: Detail
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The Meaning of Meaning, 2016, diptych, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm) each, 84 x 120 in. (213.4 x 304.8 cm) total
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It’s a Thing, 2016, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm) Opposite Page: Detail
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Dark Energy, 2017, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm) Opposite Page: Detail
Opposite Page: Black Hole (Fluorescent Yellow, 1), 2008, acrylic on canvas, 72 in. (182.9 cm) dia. installed with adhesive vinyl on wall
Black Holes, 2011, installation view, Phillips de Pury & Company, New York
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Aesthetic Comfort, 2008, installation view, Cincinnati Art Museum, Cincinnati
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Ocular Evidence, 2017, installation view, Quint Gallery, San Diego
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Ocular Evidence, 2017, installation view, Quint Gallery, San Diego
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Signals Painting #5, 2016, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm)
Signals Painting #7, 2016, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm)
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Signals Studio Views (3D, 1B, 6A, 2C), 2016, acrylic on linen, 30 x 22 in. (76.2 x 55.9 cm) ea.
Signals Studio Views (5A, 3C, 4D, 7A), 2016, acrylic on linen, 30 x 22 in. (76.2 x 55.9 cm) ea.
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Signals (Wig) Studio View, 2016, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm)
Signals (Medusa) Studio View, 2016, acrylic on linen, 84 x 60 in. (213.4 x 152.4 cm)
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