ACADEMIA UNIVERSITY OF MIAMI SOA
CASA do BRAZIL Campos dos Jordaos•Brazil Design IX • Fall 2011 University of Miami School of Architecture A house located on difficult topography not far from the city of Sao Paulo. The structure cantilevers off an existing hill and encapsulates the views of the lake and the valley. The house orientation produces a sequence of spatial moments by manipulating the eastern and western sunlight. A system of louvres coats the kitchen and stairway and creates a linear shadow on the floor - device which reveals a sense of movement and time; the living room and the bedrooms are wrapped with dimmer light for a relaxed atmosphere.
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Sun study
Sun diagram - si te section
Interior Light Study
North Section
East Section - Kitchen & Made’s quarter
West Section - Bedrooms, Living area & Terrace
BROOKLYN CULINARY SCHOOL B r o o k l y n • N e w Yo r k Design X • Spring 2012 ACSA Steel Competition
The project concept stemmed from the notion of growth. Top priority was given to the ability for the structure to meet the needs for future expansion. Using a bar-like shape allots an abundant amount of flexibility within building, while also creating an urban edge along the outstretched periphery of the site. The elongated form provides an expanse ideal for planter space that would be used to grow crops. Using glass walls to create solar heat is an efficient way to reap harvest yearlong, as it is essential for the project’s geographical location. The use of steel is an integral aspect of the project. Its properties make it possible to work in tension as well as in compression, which creates stronger, yet smaller and lighter structural components. Since the design uses a repetitious module, the steel parts are similar to one another; therefore, during production, material waste may be reduced significantly. The life-giving building, in a sense, gives the school the chance to continually generate income. Another important sustainable initiative the urban farm can offer is reduce future costs of shipping products to the location as well as the use of gas for transport. In addition to producing crops on site as a way for the restaurant, as well as the academic portion of the program, to be self-sufficient, it also serves as a medium of interaction with the community. In order for the original concept of growth to succeed, the design of the building must ensure to withstand time by providing for future needs of the project’s program.
E X PA N S I O N T I M E L I N E
1 year
PRESENT MODULE FIVE YEAR ADDITION TEN YEAR ADDITION
10 years
20 years
Modules became evident as an economical way for the structure to expand slowly over time. Each module will hold a space for each portion of the program: teaching kitchens, classrooms, and a lounge space. Above the ground floor, a cat-walk is the main form of circulation between each module, or part. As the building uses the kitof-parts method, when an addition is necessary, the entire module can be ordered piece by piece. Once all the pieces are delivered to the site, assembly can begin and then be hoisted into the desired location.
1. RESTAURANT 2. RESTROOM 3. ADMINISTRATION 4. LIBRARY
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5. LECTURE HALL
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6. BAKESHOP 7. WINE TASTING 8. RECEIVING 9. TRASH 10. KITCHEN 11. CLASSROOM
GROUND FLOOR
12. LABORATORY
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SECOND FLOOR
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SECTION A
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SECTION B
SECTION C
THIRD FLOOR
FALL WINTER
9 AM
12 PM
3 PM
12 PM
3 PM
SPRING SUMMER
9 AM
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1. GREEN ROOF 2. ROOFING SYSTEM
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3. SECONDARY STRUCTURAL MEMBER 4. MODULE 5. CAT WALK
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6. TENSION RODS 7. MAIN STRUCTURAL SYSTEM 4
8. CONCRETE SLAB 9. FOUNDATION SYSTEM 10. CHANNEL GLASS
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ARTISTS STUDIO & RESIDENCE E a s t B a r r e • Ve r m o n t
Design X • Spring 2012 University of Miami School of Architecture Lyceum Competition The site is a granite quarry located in Vermont, the idea for the program is to create a community around the quarry using the natural properties of the site to enhance the abilities & talents of the artists. Spreading out the program around the site enables to fill up the abandon quarry, and with it, bring back the interaction between people to the natural world. The cantilevered structures that greet the contour of the southern edge of the quarry is an attempt to provide minimal destruction to the landscape and allow most studios to receive the soft sunlight coming from the north. Each studio is designed with skylights that stretch the ability to experience the different weather conditions of the site through the curved form that allows different elements to glide down the roof and reduce heavy loads on the roof.
Entry/Educational Pavilion Artist’s Residences
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Artist’s Studios
Sun Filtration - Filigree
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Respect to contour
Circulation
Prevailing W inds
Rain Experience
Snow Experience
Autumn Experience
Educational Pavilion The educational pavilion is meeting the gentle slope of the stone which serves as a ramp down to its entrance. Inhabitants are able to experience different settings the weather brings through the skylights that address the circular roof and let different elements slide off of it. The lower level is delivered with an opening to the west elevation that allows for the prevailing winds to ventilate the space during the summer time.
Educational Pavilion
Memorial Right at the entrance of the educational pavilion one can perceive the memorial, which serves as a well, metaphorically implying the distinction between heaven and earth commemorating those who died for the sake of industry in the quarry.
Memorial entrance
dropping stone down the well - memory
Literature Studio The literature studio is isolated from the rest of the community to avoid interruption of loud noises. It is elevated 5 feet off the ground allowing 360 views to the landscape, telling the story of the place. Its walls are not parallel to each other and at the same time follow a ratio formula (1 x 1.4 x 1.9) of H x W x L which minimize sound reflection in the rooms.
Performing Arts Studio The Performing Arts studio is implying movement in its form where at different weather conditions one can visually perceive the gesture of movement through the different natural elements that are falling on top on the roof. The bridge spanning across from the literature studio is going through the performing arts studio leading down to the residences, landscape, and visual studios another implication of movement.
Landscape &Visual Artists Studio The landscape and visual studios are enjoying the most interesting views of the quarry where the Landscape Artist is provided with a lower level of open air space to be able to interact with nature as the creation of the art work is made and the Visual Artist is provided with a upper level to capture different views of the site.
CASTELLAMMARE Vico Equense•Napoli•Italia Design VII • Fall 2010 University of Miami School of Architecture
This project is one amongst many collaborative master plans executed, with members of the Castellamare Stabbie Archaeological Group, at the University of Maryland in Italy. The design charette focuses on a small coastal town called Vico Equense. The project’s intention was the exploitation of the historic landscape for as a means for cultural and agro-cultural entertainment. The proposed bridge was one of approximately 15 interventions along an old Greco-Roman road. It connects an old Roman suburb with a previous Greek polis at the top of a mountain.
The rhythm steel rods imitate, in an almost mimetic form, the geometries of the surrounding mountains, cloud infested skies, and trees surrounding the site. The river streams under the bridge only during the summer time; during the winter, it gets completely dry. The railing was inspired by the “Austin Texas Bridge� designed by Miro Rivera.
CULTURAL CENTRE 1 5 5 th & B r o a d w a y • N Y C
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Audubon Terrace is a historic landmark situated on 156th Street & Broadway in Upper Manhattan. The project is the result of the demolition of the current school and the client’s desire to build a Hispanic Cultural Centre. The terrace is accessed through a courtyard without a direct connection to the existing building - due to a slight topography change on the site. The new Cultural Centre provides a green courtyard which addresses the existing one on the same floor; the circulation space is designed around a new tree. Solar panels provide 20% of the total building energy. Natural ventilation completes the repertoire of environmental devices; a massive screen, slanted toward the street, catches the wind forces coming from the ocean on the NE of the site.
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Design IX • Fall 2011 University of Miami School of Architecture
Natural ventilation
Circulation diagram
Solar panel system
CAVANELAS Rio de Janeiro•Brazil Design IIX • Spring 2011 University of Miami School of Architecture
A case study of a house originally designed by Oscar Niemeyer, in Brazil, with collaborative landscapes by Roberto Burle Marx; the roof overhangs beyond the exterior walls; it creates shady terraces over the carport and along its longer axis. Niemeyer used curtain walls to provide an undisruptive view to the valley, mountains, and beyond. Two freestanding stonewalls act as a divider between the private and public space. The divider wall extends to the garden and links the interior and the exterior landscape -designed by Roberto Burle Marx. The garden sets the house in frame between its organic and rectilinear shape; one could say that it blurs the lines between cubist European modern architecture (artifice/fake) and modernism in Brazil (nature).
East Elevation
West Elevation
South Elevation
North Elevation
PROFESSIONAL BUSINESS DEVELOPMENT
ADD INC. Miami, Florida•USA Design Coordinator • 2012 - 2013 Mix-use • Residential• Commercial
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MIAMI WALKS URBAN DESIGN MIAMI • FL
ADD Inc concentrates on large-scale projects from commercial to residential developments managing contracts with the largest development firms in Miami and Boston. The following projects are a few of many design work that the ADD team and I delivered on tight schedules and deadlines. Aside from coordinating design work I developed a stronger marketing strategy from the firm with my graphic, animation, and illustration skills. My overall contribution to the ADD family have grown significantly over the year I spent with them, and some of the presented preliminary work below are projects that are still in negotiation to future construction. The team members who shared the hard work with me are Nicholas Spinelli, Jimmy Sinis, Boris Cortes, Arturo Vasques, and the principle Jon Cardello.
BRICKELL BAY-VIEW RESIDENTIAL
MIAMI • FL
270 3RD STREET RESIDENTIAL BOSTON • MA
BELVIDERE RESIDENTIAL TOWER BOSTON • MA
BALTUS RETAIL ALTERATION
MIAMI • FL
P6 RESIDENTIAL TOWER MIAMI • FL
RESIDENTIAL
RETAIL
RESIDENTIAL
ENTERTAINMENT
PUBLIC OPEN SPACE
HOTEL
JACKSONVILLE SHIPYARD
JACKSONVILLE • FL
DESIGN
STUDIO
Beit Hakerem, Jerusalem Phone: 058-4030210 email: barchidesign@gmail.com www.barashidesign.com
ANIE