Godsil_Dissertation_Building Worlds-Timbre in Music for Cinema

Page 116

Works cited Abbate, Carolyn. “Sound Object Lessons.” Journal of the American Musicological Society 69, no. 3 (December 1, 2016): 793–829. Adorno, Theodor W., and Hanns Eisler. Composing for the Films. New ed. London: Continuum, 2007. Altman, Rick. Sound Theory, Sound Practice. London: Routledge, 1992. Audissino, Emilio. John Williams : Music for Films, Television, and the Concert Stage, 2018. ———. John Williams’s Film Music : Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style. The University of Wisconsin Press, 2014. Bartek, Steve. Interview with Steve Bartek. Interview by Daniel Godsil, March 7, 2019. Bingen, Stephen. Orchestral Recording Techniques, August 15, 2020. BMI. Multi Award-Winning Composer Alexandre Desplat Speaks Candidly With Jon Burlingame – Part 1. Accessed July 6, 2021. https://www.youtube.com/watch?v=cT30CByZP8w&t=297s. Bratby, Richard. “‘Darmstadt Taught Me How to Compose’: Ennio Morricone Interviewed.” The Spectator World. Accessed July 6, 2021. https://spectatorworld.com/book-andart/darmstadt-ennio-morricone-interviewed/. Bril, Jacques. A cordes et a cris : origines et symbolisme des instruments de musique. Paris: Clancier-Guanaud, 1980. Buckton, David. Star Wars: Music by John Williams. BBC, 1980. Burns, Kevin. Empire of Dreams: The Story of the Star Wars Trilogy. 20th Century Fox, 2004. By Cynthia Gorney. “Ben Burtt.” The Washington Post (1974-Current File), 1984, D1. Campbell, Joseph. The Hero with a Thousand Faces. 1st Princeton, Bollingen pbk. Princeton, N. J.: Princeton University Press, 1972. Chion, Michel. Audio-Vision : Sound on Screen. New York: New York : Columbia University Press, 1994. ———. Sound : An Acoulogical Treatise. Durham : Duke University Press, 2016. Cogan, Robert. New Images of Musical Sound. Cambridge Mass: Publ. Contact international, 1998. Colombo, Emanuele. “The Miracle of Music: A Conversation with Ennio Morricone.” Journal of Jesuit Studies 3, no. 3 (June 8, 2016): 475–83. https://doi.org/10.1163/22141332-00303007. Cooper, David S.. Bernard Herrmann’s Vertigo : A Film Score Handbook. Westport: Greenwood Press, 2001. Day-O’connell, Jeremy. “Speech, Song, and the Minor Third An Acoustic Study of the Stylized Interjection.” Music Perception: An Interdisciplinary Journal 30, no. 5 (2013): 441– 62. https://doi.org/10.1525/mp.2013.30.5.441. Dolan, Emily I. The Orchestral Revolution : Haydn and the Technologies of Timbre. Cambridge: Cambridge University Press, 2013. Dolby History: 50 Years of Innovation. “Dolby History: 50 Years of Innovation,” May 15, 2015. www.dolby.com/about. Falconer, Tim. “Everything We Can’t Describe in Music.” Hazlitt, April 15, 2016. https://hazlitt.net/feature/everything-we-cant-describe-music.

112


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.