AMY
DANIELSONS
ARCHITECTURE PORTFOLIO Architecture, Art, Graphic Design
m y
d a n i e l -
AMY DANIELSONS LEED Green Associate
ACADEMIC WORK C O N TA C T
daniela8@mail.uc.edu 513.478.6946
M.ARCH, University of Cincinnati Cincinnati Ohio, 2014 EDIBLE
URBANISM 2013 - 2014 WEBSITE
amydanielsons.com
ONLINE
University of Cincinnati M a s t e r ’s T h e s i s
PORTFOLIO
http://issuu.com/ danielsons/docs/ danielsons_ portfolio_issuu
LOWER PRICE HILL GARDEN SHED
Oct 2013 - June 2014 Lower Price Hill Cincinnati, Ohio G R A D U AT E A S S I S TA N T
August 2012 - May 2014 University of Cincinnati
CRANBROOK WELLNESS CENTER
August 2011 - May 2012 University of Cincinnati Graduate Studio
B.ARCH, Miami University Oxford Ohio, 2011
Exploring how diverse, community-oriented food spaces have the potential to foster a social atmosphere and reconnect people with the culture of food in a society which continues to devalue its significance.
Proficiency: Adobe Creative Suite Photoshop Illustrator InDesign Dreamweaver Lightroom Premier
Designed a food district in Covington, Kentucky within six formerly vacant lots to stimulate urban mixing and community engagement.
Autodesk AutoCad Revit
Designed and built an 8’ x 8’ garden storage shed for the Lower Price Hill Community School. Managed 24 volunteers during construction. Fundraised $1,300 in materials including a $1,000 grant through Keep Cincinnati Beautiful and finished within the budget.
Computer Modeling Sketchup Kerkythea Artlantis Render
Instructed 22 students in the fundamentals of architectural drawing and computer skills, constructed in-class demonstrations and facilitated project critiques, graded assignments, and collaborated in the development of weekly lessons. Designed a spa and wellness center as an addition to Eliel Saarinen’s Cranbrook Campus in eastern Michigan. Built a 14” x 13” x 6” bay model of the site and programs with basswood and homasote.
To o l i n g Laser Cutter CNC Hand Craft Pencil Watercolor Graphic Design
PROFESSIONAL WORK
CHARITABLE WORK + AWARDS
SCHICKEL DESIGN C O M PA N Y, L L C
Project Manager for the mixed-use renovation of a mid-1800’s building adjacent to Washington Park in Over-the-Rhine.
VETERAN’S CHARITY ART AUC TION
Drafted the schematic design set, supervised interior demolition, and aided in the development of the project budget and schedule.
Baltimore, Maryland
May 2014 - Current May - August 2013 January - May 2011 Architectural Intern
November 2013
PEASLEE PIANO TEACHER
August - Dec 2009 MARKS THOMAS ARCHITECTS
June - Dec 2012 Architectural Intern Baltimore, Maryland
Project designer for the schematic design and construction administration phases or the SEED Ohio and Maryland Schools. Responsible for submittal review, on-site construction management, and presentation to SEED School clients. Developed digital perspectives for the adaptive reuse of a historic warehouse in Baltimore utilizing Revit and Artlantis Render software.
Dec 2011 March 2012 Architectural Intern
Collaborated in Revit to model a clinical research lab for Cincinnati Children’s hospital . Responsible for the documentation of LEED credits and prerequisites for a urology building in Norwood seeking LEED certification.
Volunteered as an afternoon piano teacher for a low-income school in Cincinnati and helped conduct an end-of-year student recital.
Cincinnati, Ohio HERMAN MILLER VIDEO CONTEST
March 2013 Honorable Mention
P L A C E F R O M S PA C E COMPETITION GBBN ARCHITECTS
Completed a pencil-drawn portrait of NY Jets Corner back Antonio Cromartie. All of the proceeds were donated to the local homeless Veteran’s shelter in Baltimore.
October 2013 Round 1 Finalist
Received an honorable mention for a video depicting “What Makes A Learning Great?” The 2-minute video utilized a series production equipment, a green screen, and Premier.
group Space of film Adobe
The Lower Price Hill Community Shed design was selected as a round 1 finalist in the Place From Space competition. Additionally, the design was featured in an article in the Oyler School Griffin newspaper .
Edited construction documents and helped prepare ASI bid packages.
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a m y
TABLE OF CONTENTS
Academic Projects Edible Urbanism Urban Enclosure
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Cranbrook Spa + Wellness Center
37
Fallingwater: Design
+
Build
Professional Work 45
GBBN Architects
49
Marks, Thomas Architects
53
Schickel Design Company
Creative Work Nyanya
59
Vogue
61
Geisha
63
Antonio Cromartie
65
Jalopy
main
strasse
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05 (above, right) Edible Urbanism: Masters Thesis, University of Cincinnati, 2014. A regenerative food district in Covington, Kentucky seeks to renew the significance of food in peoples’ everyday lives and strengthen the communities’ sense of culture and identity.
UR BA NIS M
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19 (left) Urban Enclosure, 2014, A tool storage shed to benefit a community garden in Lower Price Hill. Cincinnati Ohio.
ED IB LE
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selected works
photo courtesy of kinfolk magazine
27 (above) Cranbrook Spa and Wellness Center, University of Cincinnati, 2011-2012. Folding together structure, environment, construction, and aesthetic to create a journey of subtle discovery .
-a m y
d a n i e l s o n s 45 (left, below) Professional Experience; GBBN 2012, Marks Thomas Architects 2013, Schickel Design Company 2011, 2013, 2014.
57 (left) Hand Media, selections of watercolor and pencil works.
37 (left two) Falling Water Design Build Studio, 2010. An exploration of interactive design with a kinetic structure based on human proportions.
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THESIS: EDIBLE URBANISM 01
PROJECT thesis, university of cincinnati DATE september 2013 - may 2014 LOCATION covington, kentucky
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EDIBLE URBANISM MASTER OF ARCHITECTURE THESIS, UNIVERSITY OF CINCINNATI, 2014
Food is an essential part of our lives that we often take for granted. It has been said that people care about what affects them personally, and nothing impacts people more intimately than the food they consume. How then have we allowed something so essential to our very selves be understood in such a limited and superficial manner, relegating it to a mere commodity?
defining the
FOOD
Edible Urbanism is an exploration of ho ow a related network of food-places Covington, Kentucky can restore e the cultural significance of food in peoples’ daily lives an nd be a contributing factor in the revitalization of urban life. As a German riverside city with 40,000 residents, the city has a dominant fast-food presence and lacks vibrant, people-centered spaces. This th hesis seeks to utilize food as a means to generate urban mixing while strengthening the urban core.
In the past, food had spurred meaningful engagement between people. This was not limited to within the household but was also a defining characteristic of community life. These daily, foodbased engagements led to the development of a specific culture and identity within cities, helping to create a vibrant city life and contributing to a higher number of interactions amongst people in the community. Now, however, with the emergence of the fast food industry and the subsequent ease of food accessibility and general availability, engagement between people, from food, has noticeably changed. It has been reduced from a culturally defining element into an activity centered around fast-paced, artificial experiences and this disconnection has diluted communities’ sense of culture and identity.
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connecting the urban grid
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ad on railro gto & lexin
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social media
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boulevard
celeb rat ion
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site development strategy
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ard boulev
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street
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site a urban agriculture
site b mixed-use commercial
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defining the
FOOD DISTRICT
fostering growth and community engag gag ageme ag em nt thr h ough food
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pike street, covington kentucky
site model
model of food district
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link connecting landmarks, neighborhoods, parks, civic centers, and gathering spaces throughout a network of new and existing pedestrian
TRANSP SING THE GRID
mix dissimilar elements within the urban context by creating shared spaces for interaction and engagement by interspersing a variety of food programs to attract and connect a diverse number of users.
activate underutilized and vacant spaces by directly incorporating people in the process of food growth, preparation, consumption, and recycling.
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4m 1/
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urban fo od d
t rt ic
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FRAMING
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A CONTINUOUS EXPERIENCE
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The intent of the proposed food district is to “design a social condenser, through horizontal congestion.” This concept, described by architect Rem Koolhaas for his entry in the Parc de la Villette competition, is a “layering upon vacant terrain to encourage [the] dynamic coexistence of activities and to generate through their interference, unprecedented events.”
MASTERPLAN thread together a unique urban together a unique urban patchwork through a series of interrepatchwork through lated food amenities, framingaa continuous, yet diverse urban series of interrelated experience. food amenities, framing a continuous yet diverse urban experience.
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KEY 1 mixed use restaurants retail grocery apartments offices
2 commercial restaurants retail brew pub offices
3 brewery district restaurants retail brewery whiskey distillery winery
4 community center playground sports courts garden community hall outdoor stage
5 urban agriculture garden plots edible arboretum greenhouse recycling plots storage sheds
winter win ter scen ce e outs outside ide th thee brew ew pub b
D I S CO V E R PERFORM G AT H E R S T R O LRLE C YC L E SSAA AV VVO ORR E X P LO R E CO N S U M E E N J OY
neighborhood movie night
SIT
PLAZAS + EVENTS
FEAST P L AY D E L I G H T C YC L E
Throughout the food district, a series of plazas will create opportunities for mixing and community engagement using food as the vehicle for social and cultural interaction. As an interconnected series of community-oriented, multi-use spaces, the proposed development will create opportunities for recreation while providing for the community’s basic, everyday needs. The organization of the plazas will be dynamic, subdivided according to the lines created by the
abstraction of Covington’s city grid, and will create a “pinball” effect where multiple food attractions are visible with several paths from which the pedestrian must choose to reach their destination. In this way, people will constantly cross paths, encouraging spontaneous mixing and conversation to occur, thus enlivening the social atmosphere and encouraging a diversity of people and activities throughout the food district.
11 longitudinal site section
PLAZA
design
market
1 farmer’s market EVENT SCENARIOS
ms cafe
grocer y store
section through outdoor courtyard
p food tents
stage
2 market square
3 food trucks brew pub
cafe
4 food festival brew pub
brew pub
cafe
stage
5 private event
cafe
grocer y store
k
CITY GRID
RAILROAD
TRANSPOSING THE
a network of food-centric activities
MAINSTRASSE
PIKE STREET
overlaying the city street grid to create the plaza’s contours
SCOTT BOULEVA MADISON STRE
R IVE GR KIN LIC
RUSSELL STREET
The development of Covington’s haphazard street grid actually contributed to the preservation of the city by developing a natural web of interconnected streets. Within this network, a series of tiny but distinct neighborhoods began to develop. These small communities threaded themselves together through the web of short streets which often crisscrossed through each other and transected the various non-pedestrian thoroughfares such as railroad lines and highways to effectively connect the pocket neighborhoods from a multiplicity of vantage points.
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PLAZA
design initiatives
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ENCOURAGE people to notice and participate in food activities by giving food a central role in the creation of community and identity.
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CREATE a dynamic public square to activate formerly under-used sites within the central business district.
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ENGAGE with the existing cultural districts in Covington to create an interconnected series of community centered places that will continuously activate the city.
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EXPAND the Madison shopping district and stimulate the vitality of the urban core.
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INCREASE opportunities to purchase fresh and local food and provide more options for people working downtown.
plaza development diagrams
15 1 5 view vie i w of of pl plaza za in sum summer mer
model of proposed food district
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COMMUNITY GARDEN SHED 02
PROJECT community garden shed DATE september 2013 - june 2014 LOCATION lower price hill neighborhood, cincinnati, ohio
URBAN ENCLOSURE LOWER PRICE HILL, CINCINNATI OHIO, 2013-2014
CONCEPT The idea to build a garden shed was initially part of a local Cincinnati competition called “Place from Space” which strives to rehabilitate vacant lots and transform them into community assets. Our involvement with this competition and project began while volunteering with Waterfields LLC, a for-profit business, based in Lower Price Hill, which grows and sells microgreens in Cincinnati. While making it to the final competition round, my colleague, Ken Ko, and I were not awarded first place. We decided to pursue a grant to still make the shed possible for the Lower Price Hill community. We were awarded a $1,000 grant from the Keep Cincinnati Beautiful in addition to $300 in private donations. In June 2014 we constructed an 8’ x 8’ shed for tool storage with the help of Boy Scout Troop #817.
construction
shed concept rendering
sequence
completed garden shed
location: Lower Price Hill, Cincinnati Ohio
SHED
design initiatives
1
INCREASE green space by augmenting the output of a community garden on a formerly vacant lot on St. Michael Street.
2
ENCOURAGE healthy lifestyles by adding to the availability of fresh produce while providing a vehicle for education.
3
ENGAGE local residents by providing a hands-on learning space, a landmark to host outdoor educational programs, and a “home base� for volunteer organizations to gather tools and organize people.
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CONNECT with the neighborhood through local programs at the Lower Price Hill Community School, the Imago Earth Center, and Oyler Public School to encourage residents to invest in their neighborhood.
gutter detail
The garden shed design targets three primary functions: gardening storage learning
GREEN LEARNING LAB The north wall has two 9-ft doors, designed to open without a center stud to create an unobstructed opening for easy access. The inside of the two doors are covered with wire mesh to become a learning wall during outdoor education. The shed has plans to be stained and coated with a layer of flat polyurethane so that the exterior walls can become a billboard for the community and a writing wall, as a vehicle for ongoing education and demonstrations. details
COMMUNITY IMPACT Enhancing community-focused spaces contributes greatly to the usability of land in Lower Price Hill. Repurposing vacant lots allows residents to clean up the neighborhood and provide a safe green space for everyone to share. The residents located next to the garden on St. Michael Street, where the shed was built, have commented many times that they love having fresh tomatoes next door and they love seeing the lot used and beautified. Lower Price Hill is fortunate to have a large number of devoted residents who dedicate their building time and talents to buildi up their community. It is their passion and commitment commitme that inspired us to pursue this t project.
site panorama
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WELLNESS 03
CRANBROOK SPA
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PROJECT studio, university of cincinnati DATE august - december 2011, january - may 2012 LOCATION eliel saarinen’s cranbrook campus, bloomfield hills, michigan
spa + wellne The design intent of the l nature or abbout thhe true structura a
aling little d cleanly detailed, reve an ple sim is r rio te ex e man body. Th wness of the , accentuated by the ra pus is grounded in the hu ed m at Ca br k le oo ce br is an bly Cr m at se er s cent posed and as ive. contrast, structure is ex In . ing ild bu e from an inner perspect th rld of wo am ide ts rogr ou e th of s framing snapshot personal, purposefully
6 CRANBROOK CRA CR CRAN C RA RA RAN AN NBROO BR BR BRO RO ROO OOK SPA SPA + WELLNESS SP WEL W WELL EELL EL L NESS NE NES N ESS ES E S dio t i ve , fit ne ss stu sec tio n p e r s p e c
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SPA + WELLNESS CRANBROOK CAMPUS, UNIVERSITY OF CINCINNATI, 2012-2013
The health and wellness center is designed as a hypothetical addition to Eliel Saarinen’s Cranbrook Campus in eastern Michigan. The design is a synergy of environment, structure, and construction into a single composition. This design was explored in two stages over a one-year period.
KEY 1 RECEPTION/LOBBY 2 REST ROOMS 3 DRESSING ROOMS 4 MECHANICAL 5 MESSAGE THERAPY 6 STUDIO
initia ini tia iall conc ia conc on n ept mo odel dell off fitne de ness ne ss stu ss studio st t dio dio, east ast vi view ew ew
site plan
CONCEPT - STAGE 1 The design responds to an intended but imperceptible site axis. The facade references Saarinen’s metrical uniformity, concluding in a chaotic disintegration of order, mirroring the disruptive affects of the site axis in relation to the campus.
CONSTRUCTION The building consists of two primary layers: an inner semi-transparent box enveloped by a denser slatted facade. A contrast between the lighter interior liner and the darker exterior wrapper is expressed on the southern facade of the studio as the glass box extends beyond the wooden wrapper and creates a dialog with the axis it parallels. Connections within the inner layer of the studio space are subtle, subduing the structure to evoke a light and transient space unobstructed by construction joints structural and details. The construction of the exterior wrapper is similarly masked by the day lighting louvers. It is only through the interplay of light between the two layers that the silhouette of the true structure can be glimpsed. initial conc ncept model of fitness studio, north view
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31 stage 1, fitness studio model
CONCEPT - STAGE 2 The experience of the spa and wellness center is a journey of self discovery that is exemplified within the building’s structure and programmatic composition. From the outside, the massing is simple and the structure is concealed. Yet, once inside, the building begins to disentangle itself and reveal its inner anatomy.
[re]treat yourself
The building pulls apart at the intersection of the two major site axis to reveal the wellness center’s primary entrance. Inside, all three levels are connected by a central, open atrium, capped by a linear skylight which slices through the building from east to west. The configuration of the hot and cold pools, located below ground, mirror the skylight’s linear contours. On the ground floor, a series of semi-private rooms flank the atrium, housing activities such as a welcoming lounge, the fitness studio, massage rooms, men and women’s changing areas, and shower rooms. cafe
preliminary studio panoramic site section
upper atrium
site model
The location of the fitness studio marks the crossing of the site’s primary and second axis. The massing responds to their collision by thrusting the fitness studio outward from the building along the approximate intersection of these site lines. The north facade of the studio looks out onto a series of reflection pools and the entrance path. This exterior configuration allows for privacy while emitting uniform daylight from the north. Inside, the studio projects slightly into the central atrium, cantilevering over the pools below and extending upward to the third floor, separating the cafe from a small meditation space and private residence rooms.
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SHALLOW CONCRETE POOL DRAINAGE PIPE FOR WATER RECIRCULATION
3/4” DRAINAGE MAT DAMPPROOFING MEMBRANE 15” CONCRETE FOUNDATION
4” PERFORATED DRAINAGE PIPE SEALANT AT EXPANSION JOINT 6” CONCRETE SLAB 1/2” RADIANT TUBES STONE SLAB FINISH FLOOR
fitnesss studio section
STRUCTURE RE Perpendicular to the secondary site axis, the structure is exposed as if the building were sliced open, revealing the simplicity of its structure. The studio’s construction is truthfully expressed as an ephemeral inner layer supported by a series of trusses wrapped by horizontal wooden louvers on the east and north facades.
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FALLINGWATER DESIGN BUILD 04
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PROJECT design + build studio, miami university DATE may 2010 - july 2010 LOCATION fallingwater house, mill run, pennsylvania
FALLINGWATER DESIGN + BUILD STUDIO, MIAMI UNIVERSITY , 2010
JAPANESE JOINERY
Falling Water Design Build Studio
exploring the human form through a study of organic
In the summer of 2010, I explored how human proportions can encourage interaction with architecture by designing a kinetic shelter. Located adjacent to Frank Lloyd Wright’s Fallingwater House in Mill Run Pennsylvania, the structural members are an intensification of the traditional finger joint, inspired by the tangled complexity of the surrounding forest members.
architecture based on a creative modification of the traditional finger joint, design becomes an interactive
Each piece is intertwined to create a dynamic structure as the seat gently reclines to accept the human figure resting against it.
kinetic structure. part-to-whole there is a natural relationship between what created by nature and what is conceived in the mind. Through the construction of organic architecture, this becomes a reality.
propos pro po pos o ed os d bus b s sh bu shelt elltterr for elt fo or Fa Falli llllingw ngwate aterr grou ate rounds nds ds
roof study
finger joint
cor orne ner fingeer join o t deta aill
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CONCEPT Abstracting the rigidity of pristine geometry. A degeneration of form, once delicately assembled and figuratively shaped, now disassembled simplifying the complexity to bring forth the essence of the piece.
breaking the box a process of non-process
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PROFESSIONAL WORK
PROJECTS GBBN, Cincinnati OH Marks, Thomas Architects, Baltimore MD Schickel Design, Cincinnati OH
GBBN ARCHITECTS INTERN, CINCINNATI OHIO, 2011 - 2012
CINCINNATI CHILDREN’S HOSPITAL Focused within the spectrum of healthcare design, I helped model a multi-story interior stair and experimented with parametric family components to shade the glass facade encasing the stairwell utilizing Revit software. Additionally, I used AutoCAD and Revit to build a toposurface into the model.
THE UROLOGY GROUP | LEED DOCUMENTATION I was responsible for the documentation of several LEED credits and prerequisites for a new urology building in Norwood seeking LEED certification.
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GBBN ARCHITECTS
Additionally, I edited construction documents and helped prepare ASI bid packages for the urology building.
PROJECTS cincinnati children’s hospital, gbbn architects the urology group, gbbn architects POSITION architectural designer, student intern DATE december 2011 - march 2012 LOCATION cincinnati, ohio
**all images courtesy of GBBN Architects** ren re eenderrin iing ng g of of Lo oca cat ation i T, Ch io Child ild dren r ’s Hos Hospit p al pit
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**all images courtesy of GBBN Architects** r derring of Locat ren ation ion T, Children ren’s ’s Hos Hospit pital a
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1
I modeled a multi-story interior stair and experimented with parametric family components to shade to shade the glass facade encasing the stairwell.
I utilized Revit’s model-in-place component to implement the curtain wall panels along the building’s primary entrance.
3 I used AutoCad and Revit to build a toposurface into the model.
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MARKS, THOMAS ARCHITECTS INTERN, BALTIMORE MARYLAND, 2012
**all images courtesy of MTA.** exteriorr ren render de ing, 111 Light Street
SEED SCHOOL Baltimore, Maryland + Cincinnati, Ohio PROJECT ROLE I was a project designer during the schematic, design development, and construction administration phases of the SEED Ohio and Maryland Schools.
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MARKS, THOMAS ARCHITECTS
I was responsible for drafting one of the dormitories in Revit and documented the construction process during site-visits and preliminary construction management roles. Additionally, I presented elements of the design package to the SEED School clients.
111 LIGHT STREET Baltimore, Maryland PROJECT ROLE PROJECTS seed school of maryland, mta architects seed school of ohio, mta architects 111 light street apartments, mta architects POSITION architectural designer, student intern DATE june 2012 - december 2012 LOCATION baltimore, maryland
As a project designer during the schematic design phase, I used Revit and Artlantis Render to create a series of exterior perspectives.
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**all images courtesy of MTA.** Illust Ill usttrat ra ion of o pr p opo oposed sed ed en entry tryy, 1111 Lig i ht Str Street eet et
SEED School Ohio, Proposed Gymnasium
SEED School Ohio, Proposed Dormitory A
51 111 Light Street, Proposed Renovation
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SEED School Ohio, Proposed Dormitory A
SCHICKEL DESIGN INTERN, OVER-THE-RHINE, CINCINNATI OHIO, 2011, 2013, 2014 EXTERIOR MASONRY WALL
WOOD JOIST
BAKERY LOFTS Over-the-Rhine Neighborhood, Cincinnati Ohio
SUBFLOOR SLEEPER
I collaborated with a second designer to draft construction documents for the redevelopment of a former bakery in Overthe-Rhine into nine apartment units.
EXTERIOR LIMESTONE CORNICE
FINISH FLOOR TO UNDERSIDE FINISH CEILING 9’-10” FINISH FLOOR TO UNDERSIDE JOIST 9’-11 1/4”
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SCHICKEL DESIGN COMPANY
I was the project manager for the schematic and design development stages of a former fine violin shop in the historic Over-the-Historic neighborhood of Cincinnati. The design re-imagined the three-story federal style building constructed in the mid-1800’s into a mixed-used configuration including a commercial ground floor with a second floor residence and an office space on the third floor.
11’-11”
1400 ELM Over-the-Rhine Neighborhood, Cincinnati Ohio
PROJECTS bakery lofts 1400 elm price hill arts + event center POSITION project manager, student intern architectural designer, student intern DATE may - july 2014 may - august 2013 january - may 2011 LOCATION cincinnati, ohio
wall section, 1400 Elm
PLASTER CEILING CUT OUT FOR TIE ROD PLASTER WALL
**all images courtesy of Schickel Design Company** interior photograph of a completed unit at bakery lofts
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**all images courtesy of Schickel Design Company** Illustration of an evening black tie event
**all images courtesy of Schickel Design Company** Illustration of an afternoon neighborhood activity
**all images courtesy of Schickel Design Company** Illustration of an evening wedding
INCLINE ARTS AND EVENT CENTER East Price Hill, Cincinnati Ohio As a project designer for the pre-development and feasibility study of a former Masonic Lodge in East Price Hill, I was responsible for the renderings, designed the project graphics including the design and printing for the final research book, coordinated marketing information, and presented our research during several client meetings.
The former Lodge is located in East Price Hill, a neighborhood on the west side of Cincinnati. The historic building, designed by Hannaford and Sons in the early 1900’s, has been proposed to be redeveloped as a cultural arts and event center with a focus on community activities.
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NYANYA 01
NYANYA 2012 8.5 x 11” pencil
VOGUE 02
VOGUE 2012 8.5 x 11� watercolor and colored pencil
GEISHA
GEISHA 2012
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8.5 x 11� watercolor and colored pencil
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ANTONIO CROMARTIE
ANTONIO CROMARTIE
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2012 8.5 x 11” pencil
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JALOPY 05
JALOPY 2009 8.5 x 11” pencil
AMY
DANIELSONS
|
THANK
YOU