Selected Works by Daniel Yontz

Selected Works Daniel Yontz Knowlton School of Architecture

Gas Station (x) Intersection

Living Cities Competition

Instructor: Curtis Roth

Administrator: Green Cities/Metropolis Magazine

Spring 2016, G1 studio project

Fall 2014

Page 4-15

(to be added)

Golden Parametric Hostel

The Wall

Instructor: Ben Wilke

Fall 2015, G1 studio project

Fall 2015

Page 16-29

(to be added)

Imprint Mausoleum

Theatre Parking

Instructor: Ben Wilke

Instructor: Curtis Roth

Fall 2015, G1 studio project

Spring 2016

Page 30-39

(to be added)

Designing for Culture

The Floating Bar

Client/Advisor: Design Local/Kyle Ezell

Instructor: Bart Overly & Rob Livesey

Spring 2016, OSU Real Estate Grant

Fall 2016

Page 40-55

(64-83)

GHST Chess Set

Itâ&#x20AC;&#x2122;s All In the Details!

Instructor: Ben Wilke

Instructor: Beth Blostein & William Fleming

Fall 2015, G1 studio project

Fall 2015-Spring 2016, Contructions 1 & 2, and Systems 1

(56-63)

(84-89)

24-Hour Competitions

DMZ - Korean Bath House

Administrator: Ideas Forward

Administrator: Arch Out Loud

Winter 2014, Spring 2015, Summer 2015

Spring 2017

(to be added)

Gas Station (x) Intersection AN EXAMINATION OF THE GAS STATION AND IT’S FUTURE Instructor: Curtis Roth Spring 2016, G1 studio final review project (6 week duration) AIA Student Finalist LAND RECLAIMATION Intersections of highways or more major roadways have always been a contentious issue in our cities. They break up neighborhoods, compartmentalize or displace people, add persistent and unwanted noise, and they’re expensive. The intersections are particularly contentious because they use such an enormous ammount of land, wasting the majority of it to unused space.

Gas stations are ubiquitous throughout America but few are icons,

Although land reclaimation wasn’t paramount to the studios focus, redesigning the intersection to fit into a building-size footprint, and connecting the lost space via a park, could bring our cities closer together.

The final design re-envisioned the site and its use of land to be in one

rather they’re often a collection of parts; a canopy, pumps, columns, store, tarmac, and tanks. This assembly never leads to uniqueness, and over time gas stations have homogenized to a standard. Unlike the current state of the gas station, there is a history of prominent architects making their mark through a dynamic and unusual gas station. The task throughout the studio was to design a gas station that would live on, and adapt to an unknown future. A future that would likely be without conventional fuel injected cars, or the continued use of the finite fossil fuels.

compact building, consisting of a series of turn radii and spiral lifts that not only allow the major intersection to take place on a much smaller footprint, but also allow for the future autonomous vehicles to fill up with gasoline as they transition from one highway to another. The design also examines a future where vehicles can enter buildings, have zero emissions, and engage our cities in creative, new, and remarkable ways.

Perspective from S. High Street

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Large axonometric of the site, with an infill of buildings reclaiming the lost area. Axonometric taken from South Eastern view.

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Complete Pedestrian Circulation

Entry Loops

Transitional Loops

Gas Station

Complete Vehicular Circulation

Exploded Circulation Spirals [Tornado/Thermal in middle [Rising]]

Gas Station [Fill Track]

[Outer Spirals/Descent]

The currect condition requires excessive

New Autonomous vehicles are able to be smalller and more

stoping distances, expansive merging lanes and disjoints the

compact, not only in design but also in use. The vehicles can slow,

existing or future residents residents

stop, and transition in unison. This building is designed with this new fleet of cars in mind.

Traditional highway to highway exchange

Reclaiming Land from expansive highway exchanges

Compact Vertical Transition + Gas Station [designed for autonomous vehicles]

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Large Axonometric of the site taken form the North Eastern viewpoint. The designs shows a living city right up to the interstate exchange with High Street.

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Plan view of Site

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Perspectives, street level from N. High (top), and from i270 (bottom).

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132’

120’

108’

96’

84’

72’

60’

48’

36’

24’

12’

0’

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WHAT HAPPENS NEXT?

What happens when itâ&#x20AC;&#x2122;s not just one intersection? When itâ&#x20AC;&#x2122;s not just and interstate meeting a busy road? What happens when the primary motivation isnâ&#x20AC;&#x2122;t land reclaimation, but rather a larger paradigm shift? What happens when technology changes, and autonomous vehicles are the norm? When vehicular ownership is almost non-existent? When no more parking lots or garages are required? What happens when vehicles become electric and emit no CO2? When vehicles can enter and exit buildings as easily as people? How radical of a change could there end up being on our cities? These are some of the ideas raised in this project, and even more raised at the final review. The idea of converting our cities to accomodate vehicles in a new way. Where buildings become part of the vehicular transit system, and pedestrians, cyclists, vehicles, and any other mode of transportation are intrinsically combined, moving in perfect concert with one another. What would our cities look like? Would it bring people closer together, or further apart? How could this radical change manifest itself? and what would our future cities look like once it did?

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Golden Parametric Hostel A HOSTEL DESIGNED FOR DE-RESOLUTION Instructor: Ben Wilke Fall 2015, G1 studio project (2.5 week duration) MORE PARAMETRICS! The wavey nature of the facade was created with dots and lines that determined the length, shape, and angle of the louver. The iterative process was attempted many times on each individual face the outer hostel. The facade and hostel design would have inevitably been aided by a longer project duration, but the timeline restricted the design process to a break-neck pace, and forced the final design decisions to happen quickly.

The hostel was a brief project concerned with both the living requirements of the visitors, and the concept of de-resolution. In other words, the design should reflect some nebulous idea of what lies beneath. The design plays a game with the veiwer from the street, explicitly mirroring the lower building it rests upon, then ridding itself from the connection via the dramatic gold-leafed louver system. This project was created through using parametric software, and specifically, the software was used to design the louvers to aid in privacy in sections of the hostel like the bedrooms and baths, while opening up in the more shared public spaces. The louvers not only alter in angle and openess, but they also vary in length to achieve the unique public and private spaces. The interior spaces are almost modular in design, intentionally adverse to their glossy, ever-changing facade treatment.

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Longitudinal Section of the Golden Hostel.

Transverse Section of the Golden Hostel.

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View of the hostel from the alley adjacent to Pacemont Rd. The hostel design is created to activate previously unused or underused spaces in the area. To the left is a site plan of N. High St. showing the hostel building and its relationship to the neighboring Clintonville buildings.

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Rendering showing some of the dining space and outdoor space of the hostel. The view is looking out toward High St. and Pacemont corner.

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Rendering showing the Pacemont Street view of the building, including the arched entry to the elevator and stairs to the hostel.

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This spread consists of images taken of the physical model, built at 1/8â&#x20AC;? : 1â&#x20AC;&#x2122; scale. The images were then set against a real sky, and include highly saturated people to display the unusual space that could be inhabited on N. High Street, and the relative closedness or openess of the golden louvers. The model is a combination of 3-D printing on Stratasus and MakerBot printers, laser cutting, ink printing, spray paint, and hand-crafting foam core model.

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The above image shows primarily the facade treatment which balances the public and private area in the hostel.

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Plans of floors 3 and 3.5 (top), and 4 and 4.5 (bottom). Floor plans show the smaller indoor and bedroom space, and larger communal spaces on each floor.

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Imprint Mausoleum DESIGNING A CONTEMPORARY MAUSOLEUM Instructor: Ben Wilke Fall 2016, G1 studio project (3 week duration)

REMEBERING THE LOST The contemporary design tries to bring your loved ones to life via interactive walls storing images, sounds, text and more from the loved ones buried or cremated on the site. These touch sensitive walls are powered by way of PV cells on top, and additional electricity, if needed. They provide an interactive place where people can revisit their loved ones in a way many wish to, through recorded audio, video, still images, letters to visitors, and some additional medias.

The design of the mausoleum was created to mimic the Vietnam Memorial designed by Maya Lin. Instead of an open wound in the Earth, The Imprint Mausoleum was created to look as though it was a large fingerprint into the ground, displacing the neighboring soil. The varied pavers seen on the gentle slope towards the primary interior burial space are meant to embody the actual individuality on everyoneâ&#x20AC;&#x2122;s fingers, thus serving as a complicated smorgasbord as you decend to the private indoor space, where preparation rooms, funeral services, and burial units and urns run along the wall. The design allows for a variation in public and private grieving spaces including four private rooms to keep families and loved ones together, and a closer density of walls barriers as you decent to give off the feeling of privacy. The decent is a light slope and the visitors enter through the wall of the actual mausoleum. The burial spaces at the rear of the mausoleum let you directly insert the deceased into the earth.

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Planview of Imprint Mausoleum plan 1â&#x20AC;&#x2122;:1/16â&#x20AC;?

Plan view without cut showing the site from an direct aerial view. The patchwork is best displayed from this view, showing the unique print left on the ground.

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Plan Cut of Imprint Mausoleum plan 1â&#x20AC;&#x2122;:1/16â&#x20AC;?

Plan view cut showing interior private rooms, preparation space, burial units, and ceremony area.

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LONGITUDINAL SECTION Section 1’:1/16”

Longetudinal section displaying the gentle slope that leads visitors into the Earth. The main ceremony space contains skylights the brightens up the below-ground space.

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TRANSVERSE SECTION Section 1’:1/8”

The transverse section shows the entry via the wall, and section that tricks the eye into thinking its a forced perspective.

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TRANSVERSE SECTION Section 1’:1/8”

The transverse section shows the burial plots within the wall, the meeting space, prep rooms, skylights, and the walkways inside each wall.

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PARALLEL PROJECTION

Axonometric looking from the South West Union Cemetery - Columbus, OH

The axonometric shows the slope into the Earth, the primary wall, the opposite sloping private rooms, the interactive mini-walls and you descend, and the intricate patchwork of pavers.

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River

Lush Rustic

Hills

River

rous

Nature

ble

Music

Brick

Nature Music

Curvy

Brick

Sunny Generous

nable

ting

Durable

timeless

Solid

Hard

Sustainable

clay

Arresting

mud

Nature

red

RIVER

matte

Brick Youthful Little Bigness inventiveness accepting

ible

fresh

accessible

inspired

Spirited Electric

Catchy

Youthful

ric

Uplifting

Little Bigness

Harmonious

inventiveness

Zestful adventurous vital

accepting

rous

casual good natured

Youthful

gracious

Little Bigness accessible

inventiveness

Spirited

accepting

patient joyful Open-hearted

Electric

Sunny

Zestful

thful Bigness

tiveness

Generous

adventurous

Durable

vital

arresting

epting

Sustainable Arresting

accessible Spirited Electric Zestful adventurous vital

Sunny Generous Durable arresting Sustainable Arresting Hills

accessible accessible Spirited Electric Zestful adventurous vital

Spirited Electric Zestful adventurous vital

Leafy Natural Lush Rustic Curvy

accepting

Electric

cheerful

Zestful

flowing

Peaceful

adventurous

Peaceful

flowing

vital Youthful Little Bigness Youthful

inventiveness

Little Bigness

accepting

inventiveness fresh

accessible

inspired

Spirited

accepting

Catchy

Youthful

Uplifting

Little Bigness

Harmonious

inventiveness

Spirited

Leafy

Electric

Natural

Zestful

Lush

adventurous vital

River Nature Music Brick

Zestful adventurous

Designing for Culture accepting

vital

HOW TO CREATE BUILDINGS THAT REPRESENT THE PEOPLE

accessible

Hills

Electric

accepting

Curvy

myriad of previously identified terms from the residents to create a

patient

cohesive new building that can be welcomed into the community, fresh

joyful

because the community defined what was used to create it.

inspired

would likely Uplifting be unwelcomed), and making something that could be rallied around. Athenians overwhelmingly said that nature, hills, their river, and various Harmonious other natural or sustainble things were paramount to their city. With that in

Sunny

mind, the McDonaldâ&#x20AC;&#x2122;s was aimed to be unlike most fast food buildings, having a Generous low EUI (Energy Use Index) and a small footprint, with ample outdoor space.

Durable arresting

The housing project was perhaps more successful, and despite using fewer

terms from the book to aid in its creation, the finished product still celebrated Sustainable

Arresting

much of what is distinctly Athens. It uses a courtyard and shares outdoor space in substitution of a traditional front yard. The open plan, large pitchedroof, unusual operable windows, and unique private spots within the house make it perfect for student housing that could be accessible to all.

Natural Lush

River

Open-hearted

The project wasCatchy focused on primarily creating a McDonaldâ&#x20AC;&#x2122;s (something that

Leafy

Hills

good natured gracious

Whether people accept it or accepting not, the built environment plays an enormous roll on how others view the place you may call home. The book aims to allowing a less strict planning code in substitution of designing with what residents claim most encapsulates their culture and people.

inventiveness

casual

(2.5 month duration, part time)

First things first, the project was an expirement. The designs use a

inventiveness

Little Bigness

Spring 2016, OSU Grant Project

Rustic ESSENCE OF ATHENS Essence of Athens, a strategic plan for economic enhancement and community competitiveness was a previously award-winning book, designed to allow residents of Athens, Ohio to identify what was most important to their community Youthful and claim their culture as a future plan for the built Little Bigness environment.

Youthful

Client/Advisor: Design Local / Kyle Ezell

Rustic Curvy

Hills River

chee

Nature

flo

Music

Peac

Brick

Nature Music Brick

Sunny Generous Durable

timeless

Solid

Hard

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ITâ&#x20AC;&#x2122;S A MESS!! - PROCESS SKETCHES

The design sketches were numerous. All-in-all, there was somewhere around 200 sketches from Clint Calhoun (landscape architect) and myself throughout the duration of the project. The project required more of an emphasis on process because the thatâ&#x20AC;&#x2122;s ultimately the element The Essence of Athens book was created to change, the outcome of the built environment would simply be the by-product of redefining the rules to create great places. The sketches in the background are all focused on the housing project. The prompt was to create a housing option that would be enjoyable to residents while exemplifying a long list of identifiers in the Athens book. The new design is playful, relatively cheap, exemplifies sustainable or resilient building strategies, contains lots of light, redefines the average yard, and embodies the color palette of Athens. Although, the house was fashioned as a small, single page project in a future publication, the design process was more rewarding for this prompt, and inevidably created something more rich.

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100

Union Street

200

Union Street

Site Plan of the McDonald’s proposed. The designed building is a lighter grey, while the existing structures are in black. The (not really) incoming McDonald’s wouldn’t remove or displace any existing buildings or parks.

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The above rendering is from the interior of the McDonaldâ&#x20AC;&#x2122;s as one would enter from Union Street. The playful curved booths are intended to offer more private spaces, while benching and open tables are offered outside, on the roof, and in the glass cylinder.

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The renderings on this page show the large, light-filled cylinder that eclipses the roof plane and offers a route up to the rooftop garden. The second rendering shows the large concrete wall on the western side of the building. That wall is created to do multiple uses, including store heat, offer a backdrop for movies and screenings, and give structure to the secondary means of rooftop egress.

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ITâ&#x20AC;&#x2122;S A MESS!! - PROCESS SKETCHES

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The above rendering shows a lineup of newly designed student housing, along with the large courtyards. This project had no site, and therefore had to be versitile on the sometimes generous slopes of Athens, Ohio.

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The exterior shot of this rendering is showing a covered entry and a somewhat undefined courtyard space. The building is relatively tall in height given that its only two floors, and the windows are also raised to allow light to enter, but retain privacy if there are passersby.

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Vaulted Ceiling

Skylight Ribbon Window Bathroom Bedroom Bedroom Elevated Platform Railing

Covered Entry Commonspace Kitchen Bedroom Bathroom

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Unusual perches, reading spaces, open stairs, built-in shelving, and interior windows offer a more contemporary living for students.

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Interior images of the commonspaces in the house.

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GHST Chess Set DESIGNING NEW PIECES FROM A NEW SILHOUETTE Instructor: Ben Wilke Fall 2016, G1 studio project Partner: Alex Nyktas (3 week duration) THREE-WAY CHESS Not only were we charged with building a chess set that embodied a character, in this case, the ghost from the game Pac-Man, but we had to craft a three person chess board that operated withing the original rules of the game. We solved this problem by adding one additional line to each sets point of entry. In total, this added 24 additional spaces on the board, but allowed play to resume as normal. Milled circles indicate spaces that can be occupied by the pieces, solid lines represent straight moves (i. e. rook moves), and dashed lines indicate diagonal moves. Being that it is a three-way board, traditional directional play required a more clear distinction.

Chess is a very old game, with many varying sets of pieces, but still contains conventional playing styles, strategies, and set relationships. The GHST designed set was crafted to encapsulate the ghost from the game Pac-Man, all the while retaining the rules governing traditional chess pieces. At its core, the pieces should be capable of being identified almost instantly. A player should instinctively know which is the pawn, knight, queen, et cetera. The various pieces use differing identifiers for distinguish themselves from one another, and to connect themselves to the quintessential/ idyllic design. The pieces range in height while maintaining the basemiddle-top relationships. While the pawn is primarily defined via its height, the knight and bishop maintain directionality, and the rook, queen, and king preserve the top of the original pieces. Ultimately, the project was well received, however the jurors were more explictly interested in the possibility of mass production of the designs by way of the initial concept of interlocking profiles. In hindsight, perhaps displaying the process models may have distracted from the final designs.

GHST

An iconography of parts, bases and profiles. Initially, these pieces A1

A24

Q25

E24 G27

A26

P25

M10

P17

C54

N24 created P1 A33 L26 P26 were as two profiles, that could joinA1together, interlocking

to make a three dimensional chess piece. Several fabrication attempts were made to make the interlocking profiles, but ultimately due to tolerances, fit, studio requirements, and simply some moments we enjoyed, we ended up printing the chess set as whole pieces. The chess set was accompanied by a three-way chess board of our own creation.

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A27

R45

N10

K51

A28

P28

N10

R50

Q49

A24

Q25

E24 G27

GHST - Pawn

A26

P25

M10

P17

C54

GHST - Rook

N24

A33

GHST - Knight

L26

P26

GHST - Bishop

A27

R45

N10

K51

GHST - Queen

A28

P28

N10

R50

GHST - King

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Q49

GHST - Pawn

GHST - Rook

GHST - Knight

GHST - Bishop

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GHST - Queen

GHST - King

The above image shows the chess pieces without the milled, threeplayer board. The pieces are designed in profile, and therefore are structured to be non-directional, with exception of the knight and bishop that arenâ&#x20AC;&#x2122;t symmetrical.

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The Floating Bar COMPREHESIVE HOUSING PROJECT IN FRANKLINTON Instructors: Rob Livesey & Bart Overly Fall 2016,Comprehensive Studio Partners: Patrick Small & Brent Hall (3 month duration) FRANKLINTON BRAND Franklinton is unique, it has branded itself as the art capital within the state capital. Its cheap rent, and expansive space just accross the river from the city center poised it to become the ideal spot for burgeoning makers and artists. The Franklinton brand is driven by young people and young entrepreneurs. Businesses like Orange Barrel Media, Land Grant, Rehab Bar, and co-ops like The Idea Foundry, 400 West Rich and more are growing in propularity on the west side. These youthful businesses have encouraged an excitement and added development in the area.

The site was initially described as a sliver to the river. A series of narrow blocks that led from the Scioto River on the North side, down to West Chapel Street on the South. The Floating Bar took the studios thin slice and made it even more narrow. The site was split in two, making a bar scheme for the housing half, and a landscape grid on the other. The bar is more more than just housing, it contains anemity spaces below, above, and within. It has a large series of different unit typologies, leading with the two bedroom skip-stop systems on the top and bottom, single units sandwiched in the bar, and penthouses on top, along with three major towers, two at Broad Street, and one at the river. In addition to the varied units, it has punches into the bar offering communal balconies, and remedying the distrubution of unit types. Beneath the bar the hardscape rises and falls to provide circulation under and over streets and rail lines along with retail space inside the lifted or subtracted shapes. Lastly, the site demands the bar stretch North and South, leaving itâ&#x20AC;&#x2122;s long edges to the East and West. The fenestration of these sides is also varied. The West is far deeper (at two feet in depth) and more frequent, while the Eastern side is shallower and more open, displaying the city skyline in full view.

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â&#x20AC;&#x2122;

120

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CHARACTERISTICS OF GROUP age

New Beret

22 - 32

gender

Uses The Word Existential Far Too Often

70% female

ethnicity

white

income

$15 - 35,000

occupation

...Doesn’t Know What Existential Means

Academic Scholarship

Majored In Art History Only Watches Woody Allen Movies

not what she wants

marital status

single

disabilities

commute

minimal

education

graduate school

household residents

1- 2

values

social responsibility, curiousity, creativity, potential

Myers-Briggs

INFP

political views

Owns A Type Writer

Only Wears Brand-less Clothes

SHE LIVES IN A PACKED APARTMENT WITH FIVE OTHER HIGHER ED. STUDENTS

progressive

leisure activities

writing, painting, cooking, designing

desires

to be authentic

social activities

bar with friends, volunteering, community garden

CHARACTERISTICS OF GROUP age

Get Psyched Mix

Benches 265

28 - 45

gender

white, asian, hispanic

income

$40 - 70,000

occupation

Consumes 5000 Calories A Day

Bro Tank

Works Out In Jeans

management (lower)

marital status

single

disabilities

more than other personas

commute

moderate

education

bachelor’s

household residents

Rides His Bike To Work

teamwork, personal growth, self-respect

Myers-Briggs

ENTP

political views

moderate

leisure activities

lifting, swimming, cooking, cleaning

desires

Size 10

to get to the next level

social activities

age

Lost His Hair In 1983

High School Football Star

60% female white, hispanic, black

income

$70 - 110,000

occupation

Eats Three Big Macs A Day

production (of product or document)

marital status

married, single

disabilities

Professional Welder

Embarrassed He Drives A Honda Odyssey

commute

significant to moderate

education

associate’s, vocational school

household residents

3- 4

values

Builds Furniture

Favorite Overalls

team sports, volunteering, church

20 - 40

gender ethnicity

Drives A Honda Odyssey

WAKE UP, PUMP UP! HE WORKS OUT IN SMALL REPS AT HOME THROUGHOUT THE DAY. OCCASIONALLY ADMIRING HIMSELF IN THE MIRROR

1- 2

values

Skips Leg Day

PARKOUR!

30% female

ethnicity

family, loyalty, work, contribution

Myers-Briggs

HAVE TO MAKE A QUICK TRIP TO THE BANK BEFORE BUYING TAKING THE WIFE OUT ON A HOT DATE.

ISFJ

political views

LONG DAY OF WORK SO THE BAR IS CALLING MY NAME.

less important

leisure activities

TV, family events, walking

desires

to be comfortable

social activities

bar with coworkers, children’s school events

CHARACTERISTICS OF GROUP age

New Haircut

Going To Yard Sale

gender

black, white

income

$55 - 80,000

marital status

Has A Cat

...Wants A Dog

Collects Antique Soap Dispensers

disabilities

Camera Shy

analyst (any sector) married, divorced second most of persona

commute

minimal to moderate

education

bachelor’s to grad school

household residents values

...Sells Them On Etsy

80% male

ethnicity

occupation

Owns a Garage… Doesn’t Have Room For His Car

35 - 55

1- 4 curiousity, facts/data, passion, potential

Myers-Briggs

ENTP

political views

liberal

leisure activities desires social activities

LOOKING FOR SOME SOLID DEALS TODAY. HAVE TO BUILD THE COLLECTION.

reading, walking, yard sales, traveling to find the value in everything neighborhood leagues, book club

CHARACTERISTICS OF GROUP age

PBR Cap

Won A Corncob Eating Competition

gender ethnicity income occupation marital status

Farmer’s Tan

Lost His Watch

Brews His Own Beer

Grows Organic Tomatoes

disabilities

corporate (established) married beginning sight / hearing loss

bachelor’s

household residents

political views leisure activities

social activities

$70 - 110,000

minimal

desires

Daniel Yontz

white

education

values

Owns A Truck

40% female

commute

Myers-Briggs

Working Boots

40 - 65

2 contribution, routine, tradition ESFJ conservative sleep, cooking, gardening to create a Home OSU games, facebook, church

FERNS FOR SALE.

SHE STARGAZES AT THE SCIOTO, CONNECTING TO THE COSMOS

SHE STUDIES EPISTIMOLOGY SO SHE CAN SHOW OFF AT COCKTAIL PARTIES

SHE CAN ALWAYS BE FOUND IN THE LIBRARY. SECRETLY, HER FAVORITES ALL IN YOUNG ADULT LITERATURE

SHE GOES TO THE SCULPTER PARK TO RESET HER MIND

SHE ATTENDS OPEN MIC NIGHT AT THE BEAT POETRY STREET ARTIST FEST SHE UBERS AND RIDE SHARES AROUND THE CITY

HE RAVES UNTIL THE MORNING. CLAIMING “WORK HARD, PLAY HARD!”

HE SWIMS AS A CHANGE OF PACE, AND TO TAKE THE STRESS OF HIS BONES

HE WORKS OUT AT THE GYM RELIGIOUSLY!!!!

HE’S A P.E. TEACHER, COACHING YOUTH BASKETBALL ON THE WEEKENDS HE SHOPS FOR JUICE AND PROTEIN SUPPLIMENTS TO MAKE HIS FAMOUS SHAKES

HE BIKES TO AND FROM WORK EVERYDAY TO GET THE JUICES FLOWIN’

FLYING FISHING 101: ATTEMPTING NOT TO INJURE PARTNER WHILE CASTING THE LINE.

SATURDAYS ARE FOR WORKING ON THE OLE PILE OF JUNK.

SLICES FINGER ON TABLE SAW. INSERT FOUL LANGUAGE HERE.

Local Produce

Candles

Kettle Corn

WHY DO I BUY OLD CARS THAT I HAVE NO IDEA ON HOW TO FIX?

BUCKETS!

ONE MAN’S TRASH IS ANOTHER MAN’S TREASURE.

THESE PLANTS MIGHT HIDE THE SMELL OF OLD CARDBOARD BOXES

ANTIQUES, POTTERY, AND USED JUNK IS MY KINDA SHOPPING. ANTIQUES

POTTERY

USED JUNK

IMA GONA SMASH SOME STUFF!

GONE FISHING.

BEST SPOT IN THE CITY. MOOOOOO!

WHO WANTS SOME STREET MEAT?

MIGHT I SUGGEST OUR FARMER’S IPA.

FRESH LOCAL FOODS Local Produce

Candles

Kettle Corn

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PLAY FREE BIRD!

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