b s e-s
Mercury rules over a person’s intelligence, mentality, analytical skills, reaction, learning, grasping power, central nervous system, body language, and impression.
high density housing
I have a fascination with the relationship between architecture and the mind — how design can influence thoughts and human behavior, and vice versa. As such, I took Mercury — a project whose brief tasked me with creating a highdensity housing scheme that not only housed lowincome and luxury units but also included an aspect of the foster care system and responded to an existing urban housing project — as an opportunity to explore and understand this relationship on a deeper level.
Mercury unifies the new and existing constructions as well as its various types of housing by creating a new hybrid housing typology and by mainting a sense of fluidity throughout every part of the project — where fluidity is defined in this context as the sense of continuity and connectedness afforded by maintaining visual consistency through program organization, circulaiton, and materiality. This sense of fluidity aims to foster a sense of community among residents, and manifests at the city scale, the building scale, the detail scale, and the hyper-detail scale.
Site scale
Connecting the urban fabric on the scale of the city, Mercury prioritizes repositioning the site as a new urban pathway between surrounding neighborhoods in order to rejuvinate the site and create more usable greenspace.
brooklyn DUMBO neighborhood
existing apartment building
landscaping pathways
existing vertical circulation
existing vertical circulation
dormitory-style apartments
existing apartment building
existing apartment building
dormitory-style apartments
new vertical circulation
existing apartment building
brooklyn navy yard neighborhood
existing buildings
The ten unique star-shaped buildings currently on the site are quite well organized on their interiors, but lack interior common spaces. Mercury slides into the “spokes” of the existing buildings by creating pathways and shared spaces.
interwoven public, private, and circulation
above: hybrid typology traditional methods of organizing terrace housing, towers, and openaccess corridors are unable to foster a sense of community because they isolate programs from one another. Mercury hybridizes multiple typologies by interweaving terraces, shared spaces, and circulation and breaking the barries between these.
right: plans and section
Mecrury prioritizes placing people in unique spacial relationship with one another through the hybridization of housing typologies. Vertical and horizontal circulation move people fluidly past one another
level
level 05
level 04
new apartment unit
existing brick wall
brick feature wall
existing apartment unit
steel bar and plate structure allows for hinged brick layout
normal brick construction with modular, altered-face bricks
normal and bar-structure brick hybrid composition experiments
top: brick wall detail the existing brick transitions into the new brick wall through meticulous manipulation of bricks that create an interactive feature.
bottom: brick construction diagrams extensive research on brick composition and diagramming of atypical brick detailing was done to determine a possible composition in Mercury.
Brick as Spacial Figure what would it mean for the materiality of the building to become the vessel for engagement between community members? the intersitial spaces along the pathways between units create opportunities to explore this question.
tactile intimacy
at the scale of the hand, intricate brick glazing offers a surprising smoothness to contrast the typically rough brick. the alternating array of angled bricks provides a playscape to entertain and explore — a reaches their hand up to be greeted by an impression of fingers already present in the brick
interactive pavillion
A question I find is often overlooked in architectual education and discourse is the question of agency: who gets to design? For as much as insitutions claim that design is a “right,” I’ve often found that while experiencing design may be a right, designing is a privilege — a privilege typically granted by socioeconomic status and opportunity.
In the case of Nostalgia, I leaned into the theme of “play” to create an opportunity for anyone to design their own version of the pavillion. By designing the form of each peace after the Tangram — a chilhood toy — users approach with an innate yet unexpected familiarity, allowing them to more freely explore the more developed and complex teconic systems of the pavillion.
a sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.
combining colors
stacking and interlocking
creating transparency
top: formal derivation the pieces of Nostalgia are derived from the Tangram Toy; each of the pieces are formally interrogated with reference to one another.
bottom: methods of play Nostalgia allows users to experimnent with color combinations, stacking and interlocking pieces, and transparency through parts.
top: tectonic assembly
A sample assembly of pieces that illustrates how Tangram pieces can be combined in unexpected ways to create a layered, three-dimensional sculpture that takes advantage of both stacking and interlocking pieces
bottom: tectonic interactions through a three-layer composition, the Tangram shapes can be split apart into a new set of parts that can be rejoined into new wholes by sliding and interlocking pieces.
Exploded axonometric diagram illustrating the composition of pieces that was used for presentation. A white base was created in order to allow for more experimentation with volume and to provide users with a jumping-off point.
Community assembly
While on display, passersby were encouraged to play with Nostalgia and rearrange the pieces however they liked. The arrangement shown was put together by participants.
Transfigure aims to reinvent, reinterpret, and even warp elements of the existing building that create an imposing and grand atmosphere into ones that creates a vibrant, colorful, and welcoming one that nestles gently beside the quiet adjacent neighborhood. This goal is ultimately in service of creating a new home for the LGBTQ museum in New York as part of an addition to the New York Historical Society.
Drawing upong queer history in New York – specifically the culture of ballrooms founded by queer people of color wherin contestants are judged on their ability to emulate or create the illusion, often of a lifestyle unjustly kept from them through
racism and social injustice –we can view the NYHS’s as an assemblage of carefully selected aesthetic elements that create a facade or illusion of grandeur, sophistication, and purity.
To expand this parallel into a formal and aesthetic language for our addition, we look to the Vitruvian understanding of the ionic column as an expression of femininity, wherin the fluting of the shaft is seen as resembling the folding fabric of a dress. This imposition or revealing of a gentle nature in an otherwise imposing form becomes the driving motif of the project.
transform into something more beautiful
Above: Re-composition viewing the existing building as a composition of imposing and “pure” architecture elements, as a facade, we start to question of legacy of those such as Stanford White and allow the significance of queer icons and sotires like The Age of Innocence to take center-stage
right: sketched inversions Initial sketches demonstrate possible inversions of existing ornaments and details. Efforts were made to experiement with color, texture, and scale in order to defamiliarize existing elements and create opportunities implement them in the addition
top: elevation
bottom: skin detial
library + research
conference center
molded gfrp spandrel panel
gfrc panel beyond
molded gfrp spandrel panel
interior wood panel detailing interior wood panel detailing
sheer white curtain typ. on south facade
gfrcp panel w/ gradient color stack joint at centerline of building structure
molded gfrp spandrel panel
perimeter diffuser perimeter diffuser
sloped ceiling sloped ceiling
shading system
interior wood panel detailing
smoke seal firesafing
4” conc. deck w/ hardwood floor finish
molded gfrp spandrel panel
ptd. ext. gyp ceiling ext. rater sprinkler soffit lighting
curved cmu wall
stone finish to match existing condition
new sidewalk at main entrance new ext. drainage
top: interior atrium
bottom: street view
top: section n/s
bottom: section e/w
This Hebrew term and its translation convey the basic idea that a person (or group) is residing, either temporarily or permanently, in a community and place that is not primarily their own and is dependent on the “good-will” of that community for their continued existence.
As the importance of digital presentation and performance in architecture increases alongside the ease of sharing work online, I’ve begun to find joy in discovering and experimenting with unconventional methods of representation. In the case of Sojourn, I wanted to experiment with creating a tectonic langue of arranging and layering images by blurring the lines between physical and digital presentation. As the project brief asked to design a “streeterie” in a highly trafficed urban intersection, I wanted the presentation to capture the atmosphere of the site by combining digitially crafted renderings and construction details with hand-drawn sketches and my own handwriting.
The result is an unconventional poster that toys with the senses — the smell of rain, the texture of paper, and layers of scribbles and peeling stickers that suggest a palimpsest-like history of changes made by passersby.
above: construction detail
Construction of elevated walkway with lighting, structure, and drainage
right: poster design
Blurring digital and physical understandings of architectural representation. The physical properties of the poster and the digital ornament become the tectonic language that situates the information on the page
The Dawn is a new marketplace and urban typology located in Philadelphia’s Callowhill/ Chinatown neighborhood. Through site research that revealed Philadelphia’s past as a verdant wilderness, and the creation of a palimpsest drawing of the neighborhood that layered demolished
buildings, new buildings, and the ghosted outlines of longtorn-down trees, the idea was crafted for a new urban typology that could allow nature to reclaim elements of the built environment that have fallen into disrepair, as well as introduce ample space for community gardening
overgrown discovery rebirth
overgrown discovery rebirth
life float web cracked grid ruined
reconsidered redesigned contrast
overgrown discovery rebirth
overgrowing bursting breaking
existing conditions
The abandoned train tracks and decaying brick illustrate a history unique to urban settings, where technological and societal advancements rapidly leave behind the built environment that’s in plain site.
ai collage
An AI software combines images of existing site conditions with ones of biophilic art. How can new meaning be given to the disuse the site exists in? Each image is described with three terms that communicate its atmosphere or visual qualities. The resulting image is an unexpected reinterpretation of the decaying brick found on the site, and inspired the flourishing and overgrowing aesthetic of the project.
Garden in the city
Dawn prioritizes greating a lush urban green space filled with community gardens and space for community activities, as well as revitalizing the exiting rail park to create a new green pathway through the city.