_ITERATION NO.
73
i am a(n)
architecture student creator perfectionist film writer type A personality leader artist
WORK IN PROGRESS.
DANNY JARABEK / PORTFOLIO +++
p. / 0.0.2
4
I AM A WORK IN PROGRESS
selected works_DANNY JARABEK
p. / 0.0.3
_CONTENTS
00
p. / 1.1.4
p. / 5.1.20
[spring 2020]
[fall 2018]
01 CULACCINO
05 PETRICHOR
p. / 2.1.10
p. / 6.1.22
[fall 2018]
[fall 2019]
02 SACCHARINE
06 DECODED
p. / 3.1.14
p. / 7.1.26
[spring 2019]
[fall 2020/spring 2021]
03 WELTANSCHAUUNG
07 CINEPHILIA
p. / 4.1.18
p. / 8.1.28
[fall 2018]
[spring 2020]
04 BOOLEAN
+++
08 WANDERLUST
p. / 1.1.4
_PROJECT NO.
01
Professor: Henrique Houayek hde@clemson.edu 01.08.20 - 04.24.20 Typology: Civic Project: Academic Partnership: Matt Poet All components completed mutually *AIASC Student Design Competion Award Nominee
I AM A WORK IN PROGRESS
CULACCINO genoa, italy
/ku.la’t͡ːʃi.no/ (noun) a water ring, a mark left on a surface (often wood) by the bottom of a wet glass or vessel Genoa’s longstanding history as a port city invites coastal architecture that acts as a social place of gathering. Between the sea and the mountains, CULACCINO serves the community by providing a place to celebrate Genovese traditions and spark new ideas. The project features open air market space, pop-up restaurants, a culinary school, and terrace views that span the entire city. Utilizing a glulam wood primary structure, the building is a striking example of sustainable building practice to expand its programmatic use as a cultural food hub for the city. The translucent, angular roof structure mimics the mountainous sightlines of Genoa, providing interior shade or external views where necessary. More than just a rest stop, CULACCINO is a place to stay long enough to leave your mark. Whether shopping, eating, or simply enjoying the views, the experience is visually striking, tastefully elegant, and powerfully momumental.
“IT IS IN THE WILD PLACES, WHERE THE EDGE OF THE EARTH MEETS THE CORNERS OF THE SKY, THE HUMAN SPIRIT IS FED.”
51 115 191
178 207 255
163 207 232
-Art Wolfe
163 232 222
_LEARNING GOALS
_PROGRAM
_KEYWORDS
+ navigate foreign site
+ food market
+ translucency
+ collaborate virtually
+ culinary school
+ permeability
+ use resilient materials
+ pop-up restaurants
+ sustainability
+ open event space
+++
191 247 255
178 255 222
culacchino_DANNY JARABEK
CIRCULATION AXES
concept diagrams, section perspective
p. / 1.2.5
PUBLIC PLAZA
ANGULAR ROOF
SOLAR ORIENTATION
EXTERIOR VIEWS
LANDSCAPE
p. / 1.3.6
I AM A WORK IN PROGRESS
The building features an entirely glulam mass timber primary structure to reflect the focus on mirroring the program’s sustainabie food production efforts with its own building practices. In order to apply the conceptual goals of permeability and translucency, the ground level is open air to invite local vendors and artisans to set up temporary market stalls. The ground level also contains a central public plaza with access to outdoor seating and exterior stairways to the upper levels. Promoting translucency, the angular roof is clad in polycarbonate panels over primarily open air spaces and terraces that highlight natural light, energy efficiency, and views of the city of Genoa.
rendering collage
culacchino_DANNY JARABEK
p. / 1.4.7
PROGRAM: _CENTRAL PIAZZA + exterior stairs + restaurant ocean views + glulam roof structure
Greeting: Open Market: Loading Dock: Culinary School: Restaurant: Food Hub: Event Space Terrace:
171 m2 461 m2 128 m2 205 m 260 m2 377 m2 387 m2 2
POLYCARBONATE ROOF PANELS The roofing material is a translucent polycarbonate paneling system that meets the angular roof system. The translucency creates a sustainable impact on the building by reducing energy output to heat and light the space. The translucency provides a muted source of natural light entering the entire building.
537 m2 2,526 m2
GLULAM CLT FRAMING The primary and secondary structure of the building is entirely framed in a laminated wood system that is sustainably preferred in comparison to steel, concrete, or other structural systems. The warm tone of the wood provides an inviting and comforting atmosphere within the spaces, suitable for a community market and food hub.
_FEATURE SPACE + pyramidal glass wall + exposed wood surfaces + creative solar pattern
_MARKET HALL + permeable ground level + material space division + social circulation paths
renderings, exploded axon
PYRAMIDAL GLASS The main, double-height space of the building which serves as a social food hub with pop-up vendor spaces is framed by a pyramidal glass facade system. The system acts as a feature wall for the 10-meter high space, casting brilliant shadows across the space at all times during the day. The space is wrapped by an exterior stairway to continue the feel of an indoor-outdoor building, between programmed spaces and open-air terraces.
p. / 1.5.8
I AM A WORK IN PROGRESS
3
5.9
T.O. ROOF +23.20
9.4
LEVEL 2 +17.30
1.0
14.3
4
4.9
LEVEL 1 +7.90
GRADE +3.00
2
wall section, elevation collage
culacchino_DANNY JARABEK
p. / 1.6.9
FIRST LEVEL // 1:250
SECTION C // 1:250
first (main) level plan, longitudinal section
p. / 2.1.10
_PROJECT NO.
02
Professor: Tim Brown tb2@clemson.edu 11.02.18 - 12.03.18 Typology: Civic Project: Academic Individual
I AM A WORK IN PROGRESS
SACCHARINE north charleston, sc
/’sak(ə)rən/ (adj.) excessively sweet or sentimental Today our urban parks have become some of our most important civic spaces evolving to accommodate a variety of important functions as the primary place for citizens to gather together. Focusing on the principles of civic space, SACCHARINE occupies the Riverfront Park site in North Charleston as an atelier/workshop and exhibition space for community arts programs. The center is aimed at accommodating North Charleston residents of all ages through the arts and education programming conducted by the city. The project highlights developing a dynamic use-program and a resilient design system that employs experimental lightwood framing techniques. Inspired by the sweetgrass basket weaving traditions of Charleston, SC, SACCHARINE takes on a woven organic form reminiscent of the long-standing sentimental traditions of the locality.
“SIMPLICITY, CARRIED TO AN AN EXTREME, BECOMES ELEGANCE.”
237 234 235
96 168 172
24 127 132
-Jon Franklin
238 122 52
_LEARNING GOALS
_PROGRAM
_KEYWORDS
+ begin timber construction
+ art gallery
+ exploratory
+ engage the waterfront site
+ community studio space
+ process
+ take an idea to the extreme
+ pop-up restaurants
+ context
+ open event space
+++
239 145 57
242 190 69
saccharine_DANNY JARABEK
process diagrams, study model
p. / 2.2.11
p. / 2.3.12
north charleston
I AM A WORK IN PROGRESS
city context
site
noise
green
sun path
site diagrams, site section
saccharine_DANNY JARABEK
p. / 2.4.13
circulation core
raised walkway
workshop studios
lightwood waffle structure
public gallery
The raised walkway provides a seamless circulatory path to navigate the second level studio spaces and ample views to overlook the Cooper River in North Charleston’s Riverfront Park. Interacting with the flowing waffle structure and rigid programming that it contains, these three elements of the building act in harmony between organic and linear qualities in order to instill creativity and innovation for its users.
plans, rendering collage, program diagram
p. / 3.1.14
_PROJECT NO.
03
Professor: Brandon Pass bpass@clemson.edu 01.11.19 - 02.01.19 Typology: Research Project: Academic Partner: Juan Contreras All components completed mutually
I AM A WORK IN PROGRESS
WELTANSCHAUUNG berlin, germany
/’velt.än.SHoueNG/ (noun) a particular philosophy or view of life; the worldview of an individual or group Historically, the library has served as a monumental building typology transforming the way people use the built environment. The Berlin State Library is a perfect example of this because it is a building that cannot be separated from its time or place in the heart of Berlin. The task was to research the building and architect and present the findings visually to best display and uncover the architect’s motives behind their design choices. Hans Scharoun built the library with intention of uniting Germany and developing a cultural center in Berlin, reflecting his worldview of unity.WELTANSCHAUUNG is an analysis of the library and its site through historical and contemporary mapping, interior analysis analysis through photograph and collage, and exterior analysis through sketch and digital rendering.
“LEONARDO DA VINCI COMBINED ART AND SCIENCE AND AESTHETICS AND ENGINEERING, THAT KIND OF UNITY IS NEEDED ONCE AGAIN.”
229 195 114
249 221 78
167 213 208
71 134 169
_LEARNING GOALS
_PROGRAM
_KEYWORDS
+ get inside the architect’s head
+ library case study
+ reimagine
+ diversify graphic ability
+ private/pubic reading rooms
+ curiosity
+ interpret archive drawings
+ book storage + community cultural spaces
+++
-Ben Shneiderman
210 49 33
126 26 27
weltanschauung_DANNY JARABEK
p. / 3.2.15
germany
berlin
berlin wall boundary
site analysis
p. / 3.3.16
I AM A WORK IN PROGRESS
1933
1940
1953
1933
1940
1953
1967
1989
2012
1967
1989
2012
site chronology, facade study
weltanschauung_DANNY JARABEK
p. / 3.4.17 Section | S 1:2000
1th floor | S 1:2000
2nd Perspective
Conclusion main reading room open space private/circulation
ground level plan, program diagram, photograph/plan/section
The State Library of berlin is not ordered by strict rules, but by good balance. Spaces flow almost randomly through the building. Space is continious and it seems like space never ends. At the back there is a
serving core. In this core are all main lo- s gistic transport lines of visitors, staff, books s and air. To get to the main reading room, l a route through the core and entrance hall has to be followed, but there is no hard
Served reading spaces
Section, served reading spaces
Transit
Section, transit | S 1:500
p. / 4.1.18
_PROJECT NO.
04
Professor: Tim Brown tb2@clemson.edu 09.24.18 - 10.03.18 Typology: Abstract Project: Academic Individual
I AM A WORK IN PROGRESS
BOOLEAN abstract workshop
/’boolēən/ (adj.) denoting a system of algebraic notation used to represent logical propositions, especially in computing and electronics Similar to Venn diagrams, Boolean operations are fundamentally based on the same concept: two shapes overlap each other in space such that there is a zone of intersection. Within this operation, each shape can be used to carve out of the other. BOOLEAN investigates how this carving technique applies to spatial understanding as architects have used this methodology for a variety of design opportunities dating back to ancient stereotomy. With a particular workflow of physical to digital to physical, the workshop focuses on the transition between analog and digital tooling to achieve design results and visualize potential inhabitable settings.
“DESIGN IS THINKING MADE VISUAL.”
21 17 47
37 31 75
151 139 187
_PROGRAM
_KEYWORDS
+ translate ditigal to analog
+ abstract
+ subtractive
+ visualize habitable space
-Saul Bass
97 89 156
_LEARNING GOALS
+ build physical representation
+++
55 48 105
+ iterative
181 166 204
boolean_DANNY JARABEK
technical drawings, model series
p. / 4.2.19
p. / 5.1.20
_PROJECT NO.
05
Professor: Tim Brown tb2@clemson.edu 08.22.18 - 08.31.18 Typology: Installation Project: Academic Individual
I AM A WORK IN PROGRESS
PETRICHOR clemson, sc
/’pe.trīkôr/ (noun) a pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather In 2011, the Lee III addition to the School of Architecture at Clemson University was completed by alumnus Thomas Phifer. Although the building’s organizational parti is simple and elegant, the practical/ traditional concept of a porch that initially inspired Phifer was lost. The task of this short, fast-paced “esquisse” exploration was to design an entrance canopy for Lee III to protect against rainwater that is insufficiently contained by the current overhead brise soleil. The constraint was a single sheet of paper in order to gain an understanding of folded structure and the relationship between flat sheet material and three dimensional form. PETRICHOR works within this constraint to add a dynamic and practical element to the Lee III facade.
“PERHAPS POETRY IS UNEXPECTED TRUTH. IT LIVES IN STILLNESS. ARCHITECTURE’S ARTISTIC TASK IS TO GIVE THIS STILL EXPECTANCY A FORM.”
237 234 235
96 168 172
-Peter Zumthor
239 145 57
238 122 52
_LEARNING GOALS
_PROGRAM
_KEYWORDS
+ introduce folded plates
+ entrance installation
+ continuity
+ learn iterative process
+ self-supporting canopy
+ transportability
+ apply practical constraints
+++
24 127 132
+ practicality
242 190 69
petrichor_DANNY JARABEK
p. / 5.2.21
The canopy’s design intends to collect rainwater predominantly on one side in order to produce a trickle effect as the water runs down the pleated feature wall. As a self-supporting structure, the canopy is also easily transportable as a continuous folded plate.
digital collage, folding pattern
p. / 6.1.22
06
All components completed mutually
brooklyn, ny
/dē’kōded/ (adj.) the state of being converted (a coded message) into intelligible language The idea and perception of work has yielded many varieties of office designs over the course of history. The studio began by researching the psychology of work and how that can impact the design of an office building. Located in the Gowanus neighborhood of Brooklyn, NY, the studio was posed with the challenge of designing a work space that co-aligned with the post-industrial neighborhood and values of the modern office employee. Designed through Grasshopper scripts DECODED meets these challenges by providing a variety of work environments ranging from coworking floors to private office spaces to leisure and social settings. The building also acts as a community center with a public plaza that can bring together and evolve the neighborhood.
“DESIGN IS SO SIMPLE, THAT’S WHY IT IS SO COMPLICATED.”
+++
. gton St
08.21.19 - 12.04.19 Typology: Office Project: Academic Partner: Hunter Caine
DECODED
Huntin
Professor: David Lee dlee2@clemson.edu
t. Smith S
9th St.
_PROJECT NO.
I AM A WORK IN PROGRESS
191 229 152
-Paul Rand
117 178 22
49 76 11
177 208 232
111 170 209
_LEARNING GOALS
_PROGRAM
_KEYWORDS
+ utilize steel construction
+ coworking space
+ work
+ study optimal office settings
+ private offices
+ constructability
+ focus on physical models
+ business leisure spaces
+ learn Grasshopper coding
+ community hub
40 87 119
decoded_DANNY JARABEK
VOIDS
CIRCULATION
concept diagrams, wall section, model photographs
p. / 6.2.23
PUBLIC SPACE
CENTRAL CORE
TERRACES
PROGRAM
p. / 6.3.24
I AM A WORK IN PROGRESS
LEVEL 10
LEVELS 7-9
INTERNAL PUBLIC COURTYARD
EXTERIOR ESPLANADE VIEW
MAIN ENTRANCE VOID
LEVEL 6
LEVELS 2-5
LEVEL 1
GROUND LEVEL
plan axon, exterior renderings, site plan
decoded_DANNY JARABEK
The building envelope employs a twisted louver system as the outer skin external to the glass curtain wall that conditions and encloses the internal space. The entire building skin is divided into two-foot vertical subsections that contain the dimensions of the louvers as well as the windows and colored panels utilized in secondary facades. By regulating a standard convention for the entire envelope, the design allows for private office spaces to be shaded and leisure spaces to be open based on the designed twist radius of the louvers. The secondary panels provide complete concealment where necessary according to the internal program and are juxtaposed with the triangulated glass atrium at the core of the building Through Grasshopper point attraction scripts, the coding is able to specifically control the revolutions on the louvers, therefore managing the openings and closings informed by the office program. In terms of the physical model, the Grasshopper script was baked in Rhinoceros and converted to a 3D printing program in order to be constructed as part of the wall section model shown. The entire model as well as detail photographs are depicted.
wall section, site model photographs
p. / 6.4.25
p. / 7.1.26
_PROJECT NO.
07
Professor: Henrique Houayek hde@clemson.edu 01.08.20 - 04.24.20 Typology: Drawing Project: Academic Individual
I AM A WORK IN PROGRESS
WANDERLUST genoa, italy
/’wändər,ləst/ (noun) an overwhelming desire to travel During the Spring 2020 semester, I had the opportunity to study abroad through the Clemson Fluid Campus in Genoa, Italy. Though the semester was cut short due to the COVID-19 pandemic, the time I spent in Italy remains one of the most important cultural, architectural, and educational opportunities I have experienced. One of the main components of the curriculum for the semester was experiential drawing by going out into the world to observe and draw. The travel experiences and the drawings that resulted were some of the most influential in my architecture career. Shown here are just a few of the products, in a variety of digital and analog mediums and from a variety of countries and cultures, that resulted from a shortened semester truly consumed by WANDERLUST.
“WE TRAVEL FOR ROMANCE, WE TRAVEL FOR ARCHITECTURE, AND WE TRAVEL TO BE LOST.”
Chiesa di San Pietro, Genoa Italy
+++
-Ray Bradbury
wanderlust_DANNY JARABEK
Windmills | Consuegra, Spain
Forum Skyline | Rome, Italy
p. / 7.2.27
Dancing House | Prague, Czech Republic
St. Paul’s Cathedral | London, England
Colosseum| Rome, Italy
Street Facades | Amsterdam, Netherlands
p. / 8.1.28
_PROJECT NO.
08
Independent 09.27.20 - Present Typology: Cinema Project: Short Films Clemson Reel Dialogue
I AM A WORK IN PROGRESS
CINEPHILIA clemson, sc
/sini’fēliə/ (noun) the term used to refer to a passionate interest in films, film theory, and film criticism As the co-founder and President of Clemson Reel Dialogue, project CINEPHILIA is the realization of a long term passion for film. The club concentrates in critical reception and analysis through meeting 3-4 times a week to discuss films the club votes to watch. Working from an ever-growing watchlist, we have watched over 150 films together as a club, sparking vast evolutions in our understanding of filmmaking, film theory, and film reception. We also developed a production branch that has completed two short films (where I direct photography) with multiple more in the early stages of pre-production. On top of club activites, project CINEPHILIA also encapsulates an ongoing Interdisciplinary Honors research thesis that will exhibit in the Spring 2021 semester. The project titled, Architecture and Cinema: A Curated Timeline of Symbiotic Arts, explores the mutual influence between film and architecture.
“ALL ART FORMS - SUCH AS SCULPTURE, PAINTING, MUSIC, CINEMA, AND ARCHITECTURE - ARE SPECIFIC MODES OF THINKING.”
+++
-Juhani Pallasmaa
MEMORY TRAILS
5 MIN | MYSTERY, THRILLER
Taking place on the trails of upstate South Carolina, a hiker feels he is being stalked as he travels alone. Though he tries to run away from his mysterious past and look for clarity, it seems to follow him the more he tries to run from it, and his search for questions seem not to lie at the end of the trail.
cinephilia_DANNY JARABEK
THE ACTOR
p. / 8.2.29
22 MIN | DRAMA
When a potential actor, played by Silver Tripod award-winning Sean Place, meets with a casting director for a role in Frances Fregoli’s new film, there is more than meets the eye during the interview. In this Charlie Kaufman inspired metadrama, the relationship between an actor and director and what it means to “have a role” takes center stage in Eugene-Rocco Utley’s follow up short.
PARANOIA
TBD | HORROR, MYSTERY, THRILLER
Two friends are on a late night jog through the woods when one of them hears a sound among the trees. He believes they see a figure lurking in the darkness so they continue on jogging. While friend one believes the other is just being paranoid, it becomes apparent that this dark figure is following them, and a race out of the woods ensues.
SERENDIPITY
TBD | DRAMA, FANTASY
In this experimental debut from director Danny Jarabek, the nature of human interconnectedness is explored through the lens of a child with a unique ability to view celestial signals. With this knowledge, he is able to challenge the preconceptions of the four dimensions of space and time. What is reality and illusion in the eye of a child is up to the audience to decide.
I AM A WORK IN PROGRESS.
+++
-Danny Jarabek