Dan Pyzer-Knapp a 10 Oakroyd Close, Potters Bar, Hertfordshire, EN62EW e danpyzerknapp@gmail.com t (+44)7800910797
University of Edinburgh (Edinburgh College of Arts) Master of Architecture (MArch) - Distinction Master of Arts with Honours Architecture MA(Hons)Architecture - First Class
Sample Portfolio
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Catching Slips The Temporal City
Mumbai is a city that is constantly growing and evolving. The current city developments chose to disregard this landscape of constant adaptation in favour of boundaries and a tabula rasa approach to urbanism. Mumbai is infact a city in flux, a city of temporal landscapes. The cycles of this range from the metropolitan development, to the Monsoon seasons, and also down to the building and body scale of registering daily activity and rhythms of the city. It is through the Maidan that we experience this most. The temporal landscapes of Mumbai are the enzymatic territories of the city, with architecture and activity feeding off them. As such, it is important to understand the Maidan as part of this greater understanding of the city, and that the city is not static and defined by lines drawn around land-ownership plans.
Dan Pyzer-Knapp Sample Portfolio
Historic Overlays
Areas of perpetual change are illustrated through an inconsistency of lines, where they do not match up. In our opinion, these areas have become vague. When compared to the major docks, where the lines match to a much higher degree of accuracy these areas of blurred edge stand out. It is these vague areas that we are particularly interested in. They define the edge of the coast, but not with the same impact as the docks, whose specificity of purpose and definition are much clearer to see.
MArch (2013-15) “Catching Slips� - Mumbai
understanding the loss of specificity
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Maidan
Maidan
Maidan
Maidans are a specifically India entity; an open space within the City that allows for the breakdown of all social barriers, a space to be appropriated that has elastic potential to flux outwith its constraints, and importantly, a space that can be “soaked” both literally during the Monsoon, allowing the environment of the city to refresh, or metaphorically in a socio-political sense with its activity and temporal occupation.
The historic Maidans are full of cricket. Cricket has an inherent measure.
The beach, with its improvisational qualties, and its elastic space, refers back to our understanding of Maidan as somewhere that allows for social activity, exchange, and the removal of social barriers, as well as the dynamism of activity and event.
the temporal ground of Mumbai
The Maidan condition in Mumbai is no longer found regularly in the city. What is called “Maidan” no longer holds the qualities which make it such an important aspect of the city. Those found in the city are historicised, fenced and highly regulated. Such formalisation is opposite to the conditions that the Maidan seeks. As such, the Beach is one of the few remaining conditions in the city that truely represents the Maidan, primarily due to its social connatations. The beach, with its constant fluctuating edge, improvisational qualties, and its elastic space refers back to our understanding of Maidan as somewhere that allows for social activity, exchange, and the removal of social barriers, as well as the dynamism of activity and event.
cricket as measure
22yards between the stumps Playing area width of 3.66m Width of the Stumps as 228.6mm It is through these measures that the Maidan can be scaled, and order can be made from the chaos of multiple games occuring simultaneously. Even though the village is one of the original fishing villages of Mumbai, the main open space is used purely for cricket. The Edge of the village has been re-appropriated as two cricket pitches, the Edges themselves re-defined by the use of old fishing nets. This is the major communal space within the village, and offers spatial relief from the dense housing, and is used by everyone in the village in some way. The net provides a temporal yet definite edge, with the major artery of the city in Cuffe Parade on one side, and the housing and coast to the other.
the Beach as a Maidan
This improvisational quality is the ability to play cricket on a beach, using driftwood as a bat, or flying kites in a festival, or selling fish caught earlier in the day. It is these activities that allow the Maidan to be an elastic space at the beach, spreading out further into streets and alleys around the temporal edges. It is the beach’s ability to accomodate these improvisations and social exchanges, absorbing both traces of activity but also the monsoon rain, that show it as Mumbai’s promordial Maidans, and the ground of Mumbai itself. The activities of the beach as a Maidan, a place for unregulated exchange and social interactions, can be broken down into a process. At Machhimar Nagar, this can be broken down into six parts
Dan Pyzer-Knapp Sample Portfolio
Drawing Maidan
The beach condition at Machhimar Nagar Transaction - the movement of pieces into the Maidan as a transaction across the edge of the box.
This process is not totally accurate representation of the physical built environment of Mumbai. However, it shows the relationships between the different elements and territories in a three dimensional form. The inaccuracies allow for the blurring of some edges, the overlapping of certain elements and the shifting terrain of the beach to be taken into account.
The gradients and territories of the activity are mapped out into the new Maidan box to register these traces.
MArch (2013-15) “Catching Slips� - Mumbai
The following pages document the process of transaction transferring the pieces into the surface of the sand, leaving traces of these actions themselves as well as the traces of the activity which is being drawn into the sand.
Drawing the relationships found at Machhimar Nagar in Colaba as part of the understanding beach as Maidan.
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02 Catching Slips
architectural propositions of Agency Maidan Having tested the Edge conditions of an architectural insertion into the Urban fabric of the Mumbai, the architecture of Agency Maidan is placed into the city to re-engage and catalyse the Maidan condition. Through a programme related to Sand - the material of the Maidan - a thickened yet permeable architectural edge in applied to the city, activating the In-between spaces, and reacting with Terrain Vague. Programmatic considerations also look to address the misuse of sand in the building industry in Mumbai by preserving and elevating its importance in a visual manner and as an architectural tectonic.
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Permeable Programmed Edge Piece Ground Floor. 1st Floor and Roof Plans
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Programme of Agency [Maidan] Laboratory Plans 1-200 Permeable Programmed Edge Piece
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0 Sample Store (see Basement Plan) 1 Thickened Edge Threshold 2 Administration Offices 3 Water Testing Lab 4 Water Store 5 Slow Sand Fliter 6 Monsoon Research Laboratory 7 Inhabited Edge Threshold 8 Toilets 9 Changing Room 1 10 Changing Room 2 11 Cricket Viewing Platform
First Floor
1 Thickened Edge Threshold 2 Administration Offices 3 Water Testing Lab 4 Water Store 5 Slow Sand Fliter 6 Monsoon Research Laboratory 7 Inhabited Edge Threshold 8 Toilets 9 Changing Room 1 10 Changing Room 2 11 Cricket Viewing Platform
12 Lecture Theatre 13 Teaching Workshop 14 Staff Room 15 Sand Testing Laboratory 16 Sand Store
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Dan Pyzer-Knapp
Sample Portfolio MArch (2013-15) “Catching Slips” - Mumbai 7
Thickening the Permeable Maidan Edge Section a-a 1-200 9
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Programmatic arrangements Emphasising Architecture of Maidan Edge and e Preciousness of Sand Section B-B Long Section 1-500
1-200 mphasising Architecture of Maidan Edge tching (Sand Programme) Slips (Allowing Movement through) nt Elevation 200
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The Architecture of Maidan
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Anchoring the Tempora 1 Wooden Platform 2 Anchor Piece Wall Buil
Responding to the Mon 3 Slow Sand Filter Monsoon Laboratory 4 Brass Cladding Skin 5 Steel Frame
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Building Scale
Using architecture to define and thicken the edges of the Maidan, and creating a programme of Maidan through Agency [SAND]
Tectonic of Age Exploded Isometric 1-200
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Sand Laboratory 9 Brass Cladding Build-up 10 Glazing System 11 Sand Store
Educating about the Maidan 12 Brass Cladding Build-u 13 Metal Cladding Shado
hickening the Permeable Maidan Edge Relationships across the tion a-a Short Section 1-500 200
Maidan from the Labs
Temporal Pieces 14 Wooden Walkway Buil
mphasising Architecture of Maidan Edge and e Preciousness of Sand tion B-B 200
Front Facade treatments - elevating the Sand Emphasising Architecture of Maidan Edge Catching (Sand Programme) Slips (Allowing Movement through) Elevation 1-500
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The Architecture of Maidan Building Scale
Using architecture to define and thicken the edges of the Maidan, and creating a programme of Maidan through Agency [SAND]
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Utilising the Material of the Maidan
Monsoon Laboratory 4 Brass Cladding Skin 5 Steel Frame
Educating about the Maidan 12 Brass Cladding Build-up 13 Metal Cladding Shadow Gap
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Temporal Pieces 14 Wooden Walkway Build-up
Inhabited Edge 7 Inhabited Edge Wall Build-up 8 Glazing System
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Sample Portfolio
Responding to the Monsoon Cycle 3 Slow Sand Filter
Sand Laboratory 9 Brass Cladding Build-up 10 Glazing System 11 Sand Store
Dan Pyzer-Knapp
Anchoring the Temporal Ground 1 Wooden Platform 2 Anchor Piece Wall Build-up
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Sand Laboratory
Holding Lightly
The Sand Laboratory is elevated up from the inhabited edge that sits on the ground floor below it.In order to do this, a series of steel detail uplift columns are required.
The Timber walkways around the building are temporary structures. They are the measure of the space, like the stumps are the measure of the cricket pitch.
Uplift Detail - structure
They are design to reflect the thesis, and are catching the material of the Maidan and raising it up about the ordinary ground of Mumbai. 1 Existing wall 2 Pressure Pad 3 Steel Clip 4 Screws 5 I-beam 6 Holding Panel 7 Pressure Pad 8 Primary Steels
Temporary Structures
They are held together using a series of steel brackets and slings which allow for the timbers to be placed together, and easily replaced as they wear over time with the traces of the re-appropriation and activity that surrounds them. 1 Concrete Plinth Base 2 Steel Cap and shaft 3 Timber to Timber Sling joint 4 Concrete wall 5 Timber to Concrete Sling joint 6 Timber beam
Dan Pyzer-Knapp Sample Portfolio
Catching Slips Brass door details
The doors are on runner, which, over time polish up the brass floor plate.
Over laying stills from the animation identifies this detail as a gestural equivalent to the fisherman fixing his net at Macchimar Nagar in Colaba.
Photographs
Identifying how the architecture of the agency helps to define Open space, and how it relates to the other buildings on the site as part of the wider Set of Enzymatic Territories.
MArch (2013-15) “Catching Slips� - Mumbai
This detail acts as a register of trace of daily activity. As such, these doors are placed at the key programmatic areas, especailly those related to Maidan or Sand.
1:200 Model
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Anchors The first part of the construction process is thebuilding of the in-situ concrete anchor pieces.
Undercladding Undercladding is applied to the frameworks to create exaggerated shadow gaps for the metal skins.
Platforms Next, the platforms are constructed, also as in-situ concrete, but with a set back to allow for timber decking to be applied.
Metal Cladding Skin Finally regarding the building construction, the metal skin cladding panels are applied.
Inhabited Edge Once the levels have been completed, framework for the the pre-cast concrete panels are built, and the roofing behind the parapets is applied. At this point, the building is usable.
Glazing Glazing, and its framework are added, making the laboratories controlled and water tight. At this point, the building is fully functional and can be handed over the the users.
Frames The additive architecture is now constructed, starting with the wooden walkway to the rear entrance. Then the steel frames are built for the Monsoon research laboratory, and the uplifts for the sand laboratory
Timber Walkway Timber walkways between the other buildings on the site are the last aspect to be constructed. The timber sizing is related directly to the width of a set of cricket stumps, allowing for reappropriation of the walkways in many different manners.
Dan Pyzer-Knapp
Sample Portfolio MArch (2013-15) “Catching Slips” - Mumbai 13
Emphasising Architecture of Maidan Edge Catching (Sand Programme) Slips (Allowing Movement through) Front Elevation 1-200
Social Housing Roof Plan drawing 1-1000
The social housing relates to the Social condition of the Maidan. It is designed to be read as an urban block, directly in juxtaposition to the surrounding towerblocks. The housing breaks away from the grain of the city, pulling into the open space to create a relationship with the Laboratory and Glass workshop thus defining the new Maidan. Its connection to the edge of the site exists as ground works, and small edge pieces. These are designed to be open for re-approriation, creating new flexible spaces. They are also disgned to catch and store some monsoon rainfall, due to subtle and gentle sloping to two pools (one fron and one rear).
Thickening the Permeable Maidan Edge Section a-a 1-200
Social Housing The repeated flat module is design for off-site construction. This minimises theamount of sand required - substituting it for recycled glass - and also speeds up the construction process. The Stair coresand Lift shaft provide the anchor elements, with steel frames and metal meshes allowing for a natural cross ventilation through the flats to occur.
The ground floor and first floor have an inserted piece. This is a communal space with direct connection to the Maidan, and is intended to be used for the drawing of the Mandala - hence the viewing platform on the first floor.
Emphasising Architecture of Maidan Edge and e Preciousness of Sand Section B-B 1-200
Dan Pyzer-Knapp Sample Portfolio
Social Housing and Cricket Pavilion Ground, 1st, 2nd, 3rd, 4th Floor Plans (Originally 1-500) Social Housing Section and Elevation (originally 1-500) MArch (2013-15) “Catching Slips” - Mumbai 15
Glass Recycling Centre and Workshop Roof Plan drawing 1-1000
Sand is the material of the Maidan. By recycling glass, sand equivalents can be produced to replace sand in the building industry. The recycling centre embeds the machinary into the anchor walls. The process is linear, and as such, there are a series of trolleys, that, like the doors in the laboratory, are on brass runners, polishing the brass as they are used. These gestures of movement along the process are part of the gestures of Maidan - in creating more sand, and preserving the material of the Maidan The glass production requires a 50:50 ratio of sand to water. As such, the glass produced is a measure of the Monsoon in production - the water filtered by the slow sand filters on the Maidan are used only for glass production, creating annual fluctuations in relation to the Monsoon temporal landscape.
Glass Recycling Centre and Workshop Ground Plan 1-500 The edge ground works connect the lab back to the main Maidan, in a similar way that the housing does. The Cold-shop for the glass workshop sits on the groud floor, along with admin offices, staff common room, and the plant for the furnance.
Dan Pyzer-Knapp Sample Portfolio
The first floor houses the Hot Shop Glass workshop. Here the furnance is used to melt the premixed sand to turn it into molten glass, before it is shaped and formed into the final product. The workshop is a self-supporting steel shell, lifted up about the ground floor roof in a similar fashion to the sand laboratory. It is naturally ventilated through the folded opening in the roof.
MArch (2013-15) “Catching Slips� - Mumbai
Social Housing First floor and Roof Plan 1-500
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1-200 Model
Describing Buildings and Set of Enzymatic Territories The model starts by exploring the ground of the city. Using the lazer cutter - a digital equivalent of sand blasting - the grain of the city is revealed. The existing territories and the grain of the city relate the the static Mumbai Development Plan and the tabula rasa approach to Urbanism the city employs. The the temporal ground potential of the Maidan is also revelaed in the same fashion. Within the model this ground is a different material - opalescent perspex. This is back lit to create a special glowing condition. The three Agencies - Glass workshop and recycling centre, social housing, and testing labs - are built in the same fashion as previous models. The anchor pieces are built up in layers, akin to its construction as insitu concrete. The brass shows the metal cladding pieces identifying the Sand related programmes.
Dan Pyzer-Knapp
Sample Portfolio MArch (2013-15) “Catching Slips” - Mumbai 19
Mandala
drawing temporality The Sand Mandala is a Buddhist tradition which involves the creating and destructing of mandalas, or intricate religious based diagrams, made from coloured sand. The ritualistic destruction of a completed mandala symbolises the transitory nature of material life. The mandala is drawn using a special metal device called a chak-pur. The ritualistic scraping along the serated edge of the pipe creates a metallic grinding sound, rather like the monotous chanting that normally accompanies the Mandala drawing. The destruction of the Mandala is an important aspect is showing the temporality of both the drawing and the life that it symbolises. The sand is brushed into the middle in a specific order, and then collected into a jar. The jar is then tipped into running water, where it is released back to nature. This action symbolises the ephemerality of life and the world.
The drawing of the Mandala for the Maidan is about mapping the activity of the Maidan. The majority of the activty centre around cricket, and the open spaces between the building. The movement of people between the Agencies is also an important aspect, as well as the movement between the sites and the beaches. The destruction of the Mandala is an important aspect is showing the temporality of both the drawing and the life that it symbolises. The sand is brushed into the middle in a specific order, and then collected into a jar. The jar is then tipped into running water, where it is released back to nature. This action symbolises the ephemerality of life and the world. The gestures from drawing the relationships of the Maidan are an integral part of this understanding of this temporal fluxing ground.As such rather than using deities to order the destruction of the Mandala, it is these gestures that are used to push the sand across Mumbai, allowing for traces of the activity to be caught and registered through the architecture across the SET.
Dan Pyzer-Knapp
Sample Portfolio MArch (2013-15) “Catching Slips” - Mumbai 21
03 Exhibition
Edinburgh College of Arts, Sculpture Court Caught between Edges The project is exhibited so the viewer is positioned between solid edge pieces, creating an individual Maidan in the exhibition space, viewing the Maidan condition modelled within. Crosses are placed on the floor at the same scale as the model (1-200), to align with the grid that goes across all scales of the project - 50 ha - to show the bureaucratic legislation regarding sand mining. Calibrating Maidan By considering the Sculpture Court as Maidan, the space is understood and ordered through the measure of cricket.
D7 - Film and Animation Book 1 - Archives Book 2 - Building Book Book 3 - Design Report M1 - Drawing Maidan Cast
Calibrating Maidan
Crosses mark 50ha Grid at 1:200 in relation to the bureaucratic regulation of Sand in Mumbai
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By considering the Sculpture Court as Maidan, the space is understood and ordered through the measure of cricket.
Book3
Book2
Sample Portfolio
North
M2 - 1-200 SET Model BP1 Sand and Water Laboratory AS1 Workers Accommodation AS2 Cricket Pavilion FP1 - Glass Workshop FP2 - Glass Recycling
Dan Pyzer-Knapp
D3 - Drawing Maidan Situation Relationships D4 - Agency MAIDAN Territories D5 - BLG Drawing Sheet (BP1 Sand and Water Laboratory) D6 - Exhibition Drawing
CATCHING SLIPS
Drawing Key: D1 - TLML Banner Drawing (Temporal Landscapes of Mumbai) D2 - SET Banner Drawing (Gestures and Activity of the Maidan)
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Caught between Edges 1-20
The project is exhibited so the viewer is positioned between solid edge pieces, creating an individual Maidan in the exhibition space, viewing the Maidan condition modelled within
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MArch (2013-15) “Catching Slips� - Mumbai
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04 Work in Practice
3DReid Ltd, Edinburgh Office
At 3DReid I worked within the Retail, Schools and Offices teams as well as the Urban Regeneration team. I have been involved in projects varying in scale and complexity, from feasibility through to construction stage, including various competition bids. On these jobs, the software used ranged from AutoCAD and Photoshop, to InDesign, Sketch-up and Podium rendering software, as well as hand drawn sketches. I was also heavily involved in presentation material, and conceptual diagram developments. The following pages outlines a few projects from my time at 3DReid working on some Office, Residential and Retail projects, from feasibility, to planning, and to construction.
Dan Pyzer-Knapp Sample Portfolio 25
This project is a speculative office block in Edinburgh. Still in its initial design phase, I was involved in the drawing up and modelling of basic massing options for the vacant site. In line with planning policy for the site - as part of a consented masterplan - it was important to generate a scheme that afforded a large degree of public realm within an 18m wide primary route through the site to the canalside. In order to meet the clients brief regarding rentable floorspace (GIA), the massing looked to maximise the full site. However, the client also wished for a phased design which could be built as the demand for office blocks increased. The use of atria was enhanced in line with Grade A office ratings.
Professional Practice Examples
Freer Street, Edinburgh Speculative Office Design (and updates to proposed site Masterplan) Value: ÂŁ5million approximate
Dan Pyzer-Knapp Sample Portfolio
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Notes
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EXTENT OF PLANNING APPLICATION WORKS
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STANTON MOOR BUFF SANDSTONE RAINSCREEN CLADDING; 50 CLEAR CAVITY; TOP HATS; BRACKETS AND RAILS IN ACCORDANCE WITH LAKESMERE SPECIFICATIONS AND DETAILS. 80MM KOOLTHERM K12 RIGID INSULATION BOARD ON TOP OF 50MM KOOLTHERM K12 RIGID INSULATION BOARD; 12.5 CALCIUM SILICATE BOARD; 150 METSEC METAL STUD; 500 GAUGE VAPOUR CHECK; 2 LAYERS 15MM SOUNDBLOC BOARD (BROKEN BONDED) . MAX U-VALUE TO BE 0.27W/M²k
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PRE-WEATHERED NORDIC BRASS CLADDING BY AURUBIS; 32L1000 TRAPEZOIDAL LINER PANEL; BRACKET AND VERTICAL RAIL; HORIZONTAL TOP HAT; 12.5MM PARTICLE BOARD; 150 METSEC METAL STUD; 500 GAUGE VAPOUR CHECK; 2 LAYERS 15MM SOUNDBLOC BOARD (BROKEN BONDED) MAX U-VALUE TO BE 0.27W/M²
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DO NOT SCALE FROM THIS DRAWING
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DETAILS OF ANY EXISTING STRUCTURES HAVE BEEN REPRODUCED IN GOOD FAITH FROM ARCHIVE DRAWINGS AND SURVEY INFORMATION PROVIDED BY OTHERS
PROPOSED SECTION A-A EXTENT OF PLANNING APPLICATION WORKS
KAWNEER AA540 THERMALLY BROKEN ALUMINIUM FRAMED DOUBLE GLAZED WINDOWS TO PROVIDE U-VALUE OF 1.8W/m²K ALL GLAZING BELOW 800mm TO BE TOUGHENED IN ACCORDANCE WITH BS 6262. ALL OPENING LIGHTS TO BE FITTED WITH100MM RESTRICTOR. FIFTH FLOOR CURTAIN WALLING - KAWNEER AA 100 THERMALLY BROKEN ALUMINIUM FRAMED DOUBLE GLAZED WINDOWS TO PROVIDE U-VALUE OF 1.8W/m²K ALL GLAZING BELOW 800mm TO BE TOUGHENED IN ACCORDANCE WITH BS 6262. ALL OPENING LIGHTS TO BE FITTED WITH100MM RESTRICTOR. NON VISION GLAZING PANELS - NON-VISION SPANDREL GLAZING: OUTER LAMINATED CERAMIC COATED GLASS OUTER, ALUMINIUM SHEET INNER.COLOUR TO BE AGREED. FRAMEWORK & FLASHINGS TO BE POWDER COATED TO STANDARD RAL COLOUR (RALTBC) WINDOWS TO ACHIEVE A MINIMUM U-VALUE OF 1.8W/M2K. ALL OPENING LIGHTS TO BE FITTED WITH100MM RESTRICTOR.
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ALL DRAWINGS SHOULD BE READ IN CONJUNCTION WITH THE RELEVANT ARCHITECTURAL, STRUCTURAL, MECHANICAL & ELECTRICAL SPECIFICATION
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ALL DIMENSIONS SHOWN ON THIS DRAWING ARE TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO COMMENCEMENT OF MANUFACTURE
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FOR ALL EXTERNAL BUILDING WORKS, GRADIENTS, DRAINAGE & SURFACING, REFER TO STRUCTURAL ENGINEER'S DRAWINGS
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FOR DETAILS OF ALL PRIMARY, SECONDARY AND SUB STRUCTURES, REFER TO THE CONSULTANT STRUCTURAL ENGINEER
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FOR DETAILS OF ALL MECHANICAL, ELECTRICAL & ABOVE GROUND DRAINAGE, REFER TO THE CONSULTANT ENGINEERS
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PROPOSALS REMAIN SUBJECT TO PLANNING APPROVAL
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PROPOSALS REMAIN SUBJECT TO BUILDING CONTROL APPROVAL
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THIS DRAWING IS INTENDED TO OUTLINE DESIGN INTENT ONLY. THE DETAIL DESIGN OF ALL COMPONENTS IS TO BE AGREED WITH THE AGREED SUPPLIER IN ACCORDANCE WITH THE PROFILES SHOWN ON THE DRAWING AND THE PERFORMANCE CRITERIA OUTLINED IN THE SPECIFICATION
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THE DETAIL DESIGN OF ALL ELEMENTS THAT FORM PART OF THE CLADDING SYSTEM IS TO BE FINALISED BY THE SPECIALIST SUB-CONTRACTOR IN ACCORDANCE WITH THE REQUIREMENTS OF THE ARCHITECTURAL DRAWINGS AND SPECIFICATIONS
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THE CONTRACTOR SHOULD DEVELOP AND CONFIRM PROPOSALS FOR CLEANING, MAINTENANCE AND REPLACEMENT OF ALL COMPONENTS IN ORDER TO SAFEGUARD THE SYSTEM WARRANTY.
PROPRIETARY EXHAUST VENT - COLOUR TO MATCH ADJACENT FIELD EXISTING BALUSTRADE MADE GOOD NEW BALUSTRADE TO MATCH EXISTING 22mm RENDER ON RENDALATH SYSTEM; 50x50 TREATED VERTICAL BATTENS; BREATHER MEMBRANE; 80mm KOOLTHERM K15 RIGID INSULATION BOARD ON TOP OF 70mm KOOLTHERM K15 RIGID INSULATION BOARD; 18WBP PLY; 150 METSEC METAL STUD; 500 GAUGE VAPOUR CHECK; 2 LAYERS 15mm SOUNDBLOC BOARD (BROKEN BONDED) U-VALUE TO BE 0.27W/m²K KAWNEER THERMALLY BROKEN ALUMINIUM FRAMED DOORS TO PROVIDE U-VALUE OF 1.8W/m²K ALL GLAZING BELOW 800MM TO BE TOUGHENED IN ACCORDANCE WITH BS 6262
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PROPOSALS REMAIN SUBJECT TO CO-ORDINATION WITH MAINTENANCE ACCESS AND BIRD DETERRENT SYSTEMS.
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STEEL DOORSET BY ACCENTHANSEN OR EQUAL AND APPROVED - RAL COLOUR 7032. DOOR SIZES TO SUIT EXISTING STRUCTURAL OPENINGS WHERE APPLICABLE- TO BE SITE CHECKED. IRONMONGERY SUPPLIED BY DOOR MANUFACTURER.
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DETAILS OF ALL SUPPORT SYSTEMS, BRACKETS AND FIXINGS TO THE PRIMARY STRUCTURE ARE TO BE DEVELOPED IN ACCORDANCE WITH THE STRUCTURAL ENGINEER'S REQUIREMENTS.
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NEW GALVANISED MILD STEEL HANDRAIL TO BE PAINTED
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THE CONTRACTOR IS TO ENSURE THAT ALL CLADDING SYSTEM INTERFACE DETAILS ARE CO-ORDINATED SO THAT THE RESULTING ENVELOPE CAN BE TESTED FOR COMPLIANCE WITH CWCT REQUIREMENTS FOR AIR TIGHTNESS AND INTEGRITY.
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ALL PLASTERBOARD JOINTS TO BE TAPED AND SEALED. ALL JOINTS BETWEEN COMPONENTS TO BE ROBUSTLY SEALED IN ACCORDANCE WITH BSRIA RECOMMENDATIONS
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GALVANISED MILD STEEL FLAT BAR BALUSTRADE TO BE PAINTED
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2 COATS SANDTEX HIGH COVER SMOOTH MASONRY PAINT TO EXISTING PLANT ROOM. ALL SURFACES MUST BE SOUND, SUITABLY DRY AND FREE FROM ANYTHING THAT WILL INTERFERE WITH THE ADHESION OF THE MATERIALS TO BE APPLIED. PAINT TO BE APPLIED IN ACCORDANCE WITH THE MANUFACTURER'S RECOMMENDATIONS. PRODUCT REFERENCE: HIGH COVER SMOOTH COLOUR:MIDSTONE
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Do not scale from this drawing. All dimensions to be checked on site prior to construction and any discrepancies reported to the Architect. Copyright reserved.
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GALVANISED MILD STEEL FLATBAR GATES WITH AUTOMATED ENTRY MECHANISM AND LOCKS
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150MM WIDE GRP PLANKS FIXED TO GALVANISED SUB-FRAME IN ACCORDANCE WITH MANUFACTURER'S INSTRUCTIONS. COLOUR TO MATCH PLANT ROOM CLADDING.
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3D BRUSHED STAINLESS STEEL SIGN COLOR: PANTONE COLOR TBC (TO MATCH ARTISAN BRASS CLADDING
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3DReid 36 North Castle Street, Edinburgh, EH2 3BN.
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t : +44 (0)131 225 4040 f : +44 (0)131 225 4747 w : http://www.3dreid.com
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Elliot House, Edinburgh Student Residential Conversion to existing office building Value: £2million approximate This project started as a feasibility for converting an existing office building in part of the Conservation zone in Edinburgh’s city centre. Work was done on modelling various options in Sketch-up to create visualisations and diagrammatic massing models for planners, as well as plan, section, and elevational treatments as part of the conversion. I was involved in this project up to the submission of the planning application, and the building is currently on-site, nearing completion.
Professional Practice Examples
30.00m
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2nd (3) FFL = 143.835 + 13.845
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6000
6000
6000
6000
6000
1500
Parapit FL = 152.535 + 22.545
4 3600
3rd (4) FFL = 147.435 + 17.445
6000
7
1
5
1
1
1
7
1
4 3600
Roof (5) FFL = 151.035 + 21.045
6000
5 4 5
4485
1st (2) FFL = 139.350 + 9.360
4 5
MEZZ (1) FFL = 134.385 + 4.395
1
1
1
2
4
4965
1
2
2
2
2
5
H&M THORNTONS
4395
GROUND (0) FFL = 129.990 + 0.000
THREE
3
3
8
8500
8500
3
3
8
8
8
8500
8500
8500
3rd (4) FFL = 147.435 + 17.445
3600
1500
Parapit FL = 152.535 + 22.545
2nd (3) FFL = 143.835 + 13.845
3600
Roof (5) FFL = 151.035 + 21.045
8500
8
3
5 4
1
1
1
5 4 2
2
2
5
2
MARKS & SPENCER
4
MARK SPEN
5
4485
1st (2) FFL = 139.350 + 9.360
4 5 4
4965
MEZZ (1) FFL = 134.385 + 4.395
5
BASEMENT (-2) FFL = 122.975 - 7.015
1
1
6
3
4000
LOWER GRD (-1) FFL = 125.990 - 4.000
3015
GROUND (0) FFL = 129.990 + 0.000
4395
4 1
6
3
1
6
3
2
5 4
SIGNAGE
SIGNAGE 3
PHASE 2 FACADE WORKS
8
2
2
2
1. 2.
Fully perforated CNC machined HI-MACS panel [Colour: Arctic White]
2
Back routed CNC machined HI-MACS panel [Colour: Arctic White]
3
4
5
Sample Portfolio
1
Dan Pyzer-Knapp
DO NOT SCALE FROM THIS DRAWING DETAILS OF ANY EXISTING STRUCTURES HAVE BEEN REPRODUCED IN GOOD FAITH FROM ARCHIVE DRAWINGS AND SURVEY INFORMATION PROVIDED BY OTHERS 3. ALL DRAWINGS SHOULD BE READ IN CONJUNCTION WITH THE RELEVANT ARCHITECTURAL, STRUCTURAL, MECHANICAL & ELECTRICAL SPECIFICATION 4. ALL DIMENSIONS SHOWN ON THIS DRAWING ARE TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO COMMENCEMENT OF MANUFACTURE 5. FOR ALL EXTERNAL BUILDING WORKS, GRADIENTS, DRAINAGE & SURFACING, REFER TO STRUCTURAL ENGINEER'S DRAWINGS 6. FOR DETAILS OF ALL PRIMARY, SECONDARY AND SUB STRUCTURES, REFER TO THE CONSULTANT STRUCTURAL ENGINEER 7. FOR DETAILS OF ALL MECHANICAL, ELECTRICAL & ABOVE GROUND DRAINAGE, REFER TO THE CONSULTANT ENGINEERS 8. ALL PROPOSALS REMAIN SUBJECT TO PLANNING APPROVAL 9. ALL PROPOSALS REMAIN SUBJECT TO BUILDING CONTROL APPROVAL 10. THIS DRAWING IS INTENDED TO OUTLINE DESIGN INTENT ONLY. THE DETAILED DESIGN OF ALL COMPONENTS IS TO BE AGREED WITH THE AGREED SUPPLIER IN ACCORDANCE WITH THE PROFILES SHOWN ON THE DRAWING AND THE PERFORMANCE CRITERIA OUTLINED IN THE SPECIFICATION ------------------------------------------------------------------------------------------------------------PLEASE NOTE, DRAWINGS SUBJECT TO COORDINATION EXERCISE WITH STRUCTURAL, MECHANICAL & ELECTRICAL ENGINEERS' LAYOUTS
Low iron structurally glazed shopfront
Rimex cladding system on Kingspan Benchmark Karrier panel [ColourTex Black Prism] Insulated glazed unit
Insulated glazed unit spandrel with translucent glazing to form lightbox
7
Rimex cladding system on Kingspan Benchmark Karrier panel [Granex]
8
HI-MACS window surround [Colour: Arctic White]
D
R
AF
T
6
KS & NCER
Hight Street and Moor Street ProposedStore, Elevations Primark Birmingham
Retail Value: £60million approximate
3DReid This project is a speculative store in Birmingham - potentially one of the largest in the UK. I was involved in this project from concept design and feasbility to pre-planning. 36 North CastlePrimark Street EH2 3BN The design worksEdinburgh as a city scale developement due to the size of the block. Diagrams were produced in both 2D and 3D to convince both the client and the planners of the feasibliity of the site, T 0131 225 4040 F 0131 225 4747 as well as potentialW for signage and routes through the building - as part of the new city masterplan. www.3DReid.com This project was converted into a REVIT model, to be completed via BIM set-up with the engineers and store fit-out designers.
17.07.14
Dra 3DR ### AR SK308
DPK NDP
#
29
140150 1:200@A1
Professional Practice Examples
PRIMARK BIRMINGHAM FLAGSHIP PAVILIONS CENTRE