Daniel Wilson 07875 305 665 d.wilson@leeds.ac.uk 2010-2014 – University of Leeds (PhD) Music, Composition Grade gained: In progress 2009-2010 – University of Leeds (MMus) Music, Composition Grade gained: Distinction 2006-2009- University of Leeds (BA) Joint Honours, Music and English Grade gained: 2:1 Conference Papers Filthy Turd: Beyond Auditive Unpleasantness, ‘Noise, Affect, Politics’ conference, University of Salford, July 2010. Bound[aries]: an Investigation of Sadomasochistic Imagery in Merzbow’s ‘Music for Bondage Performance’, The “Unacceptable” conference, Macquarie University, Sydney, Australia, April 2011. Publications ‘Bound[aries]: an Investigation of Sadomasochistic Imagery in Merzbow’s Music for Bondage Performance’, Scan: Journal Media Arts Culture, 2011, <http://scan.net.au/scan/journal/display.php?journal_id=161> [accessed 05/07/11]. ‘Filthy Turd: Beyond Auditive Unplesantness’, in Resonance: Noise and Musics, Godard, Halligan, and Hegarty eds (London: Continuum, 2013). [forthcoming]
Performances GLI.TC/H Track (tape and video), GLI.TC/H, December 2010, Chicago, IL. Synaesthetics (tape), Pansy Press Installation, Leeds Art Gallery, March 2012 Even The Insects Sleep (dancer and electronics), Leeds Light Night, Yorkshire Dance, October 2012 Residencies/Private Lessons Roche Continents 2011, Salzburg, Austria (in association with Salzburg Festival) Private lesson with Pierluigi Billone and session with Ensemble Interface, Adria, Italy, 2013
Referee (supervisor) Professor Martin Iddon Head of School School of Music University of Leeds Leeds LS2 9JT West Yorkshire +44 (0)113 343 2583 m.iddon@leeds.ac.uk