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Behind the tape: Get the details right in your crime fiction

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Going to market

Going to market

wellcomecollection.org) in London is an excellent place to research them. It holds historical and contemporary books, artworks, archives and manuscripts relating to medicine and health. To find out what ’ s available, use Wellcome Collection ’ s search engine at https://wellcomecollection.org/ collections.

The London Museums of Health and Medicine (http://medicalmuseums.org) are also fascinating places to visit. It ’ s a network of over twenty museums, each museum specialising in a different aspect of healthcare and medicine, such as dental heritage, eyecare, mental health care and the real story of Florence Nightingale. There are also other museums in other parts of the country that hold historical material, including the Thackray Museum of Medicine (https://thackraymuseum.co.uk) in Leeds and Surgeons ’ Hall Museums (https:// museum.rcsed.ac.uk) in Edinburgh. Do an online search to find more medical museums and archives.

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Subjective experiences Personal experiences, whether as a patient, carer or health professional, can enliven both fiction and nonfiction writing. If you don ’ t have a particular experience yourself, you could interview someone who has. You could contact people with specific conditions through dedicated charities and support groups and find health professionals through professional associations.

When you ’ re interviewing people about their experiences, always treat them with utmost sensitivity. Health and illnesses are subjective matters, and everyone ’ s experience of them is different. Also, the interviewee may feel embarrassed or have reservations about confidentiality and anonymity so always respect their wishes. Good luck with your research!

Critical thinking

It can be difficult, not just for laypeople but also for medical professionals, to determine what information is reliable. Understanding scientific processes and taking an evidencebased approach are the first steps in the journey of critical thinking. To improve your skills, explore Ben Goldacre’s writing (www. badscience.net), for example, by reading his books Bad Science and Bad Pharma. He specialises in unpicking the misuse of science and statistics which will help you gain a deeper understanding of what to look out for when doing health-related research.

Behind the tape

Expert advice to get the details right in your crime fiction from serving police officer Lisa Cutts

If you have a query for Lisa, please send it by email to lisacuttsenquiries@ gmail.com

QAn adult daughter finds her old father dead by hanging in his garden shed.

She calls the family doctor – he is old – he calls the police then attends the suicide site.

Police cars attend and they find an old man hanging and dead.

What then would the procedure be?

Would they confirm from the doctor a self-inflicted suicide?

Would the police then leave for the family to deal with it? William Starkey via email

AThe police would still deal with the death as a sudden death, ensuring that nothing untoward has happened. Even though the father appears to have taken his own life, the body would still be examined for other injuries and a post mortem later carried out. Toxicology may show, for example, that he had taken drugs or been drugged. It would be some time before the scene would be released as the police would want to check for any signs of a burglary or disturbance, again, in case there was more to it than first appears. They would also try to determine what, if anything, had triggered him to take his own life. A report has to be prepared for the coroner and it needs to contain background information on who the deceased was, a family breakdown and any physical or mental health issues, gambling addictions, alcohol or drug abuse or anything else which may be relevant to his death.

There must be some basic inquiries carried out and formal identification made of the deceased. The identification would most likely be carried out by the daughter, although if there was any doubt over his identity, a basic search in the house should put that to rest. She might be misleading the police for some reason over who the deceased is or the events prior to his death.

The police wouldn’t allow the family doctor to make any official cause of death, although an officer would take a statement from him as he has attended, knows the family and has medical knowledge. The police would also arrange for the body to be removed via an undertaker.

Enter online at www.writers-online.co.uk or by post, with the ref code in the address, to: Writing Magazine Competitions (Ref Code xxxxx), Warners Group Publications, West Street, Bourne, Lincolnshire PE10 9PH. Remember to add a front sheet with full contact details and the name of the competition you are entering (see Rule 3)

To enter:

• Holiday short story competition (see p27)

For holiday short stories, 1,5001,700 words; entry fee £7.50, £5 for subscribers; closing date, 15 October.

Ref Code: Sep22/Holiday • Love Short Story Competition (see p27)

Short stories with a ‘love’ theme, 1,500-1,700 words; entry fee £7.50, £5 for subscribers; closing date, 15 September.

Ref Code: Aug22/Love

• Free verse competition (see p56)

Free-verse poems, up to 40 lines; entry fee £7.50, £5 for subscribers; closing date, 15 September.

Ref Code: Aug22/free • First-person short story competition (see p62)

For first-person short stories in any genre, 1,500-1,700 words; free entry, subscribers only; closing date, 15 October. Ref Code: Sep22/First

How to enter

Competition Rules

1 Eligibility

All entries must be the original and unpublished work of the entrant, and not currently submitted for publication nor for any other competition or award. Each entry must be accompanied by an entry form, printed here (photocopies are acceptable), unless stated. Open Competitions are open to any writer, who can submit as many entries as they choose. Entry fees are £7.50, £5 for subscribers. Subscriber-only Competitions are open only to subscribers of Writing Magazine. Entry is free but you can only submit one entry per competition.

2 Entry Fees

Cheques or postal orders should be payable to Warners Group Publications or you can pay by credit card (see form).

3 Manuscripts

Short stories: Entries must be typed in double spacing on single sides of A4 paper with a front page stating your name, address, phone number and email address, your story title and word count and the name of the competition. Entries will be returned if accompanied by sae. Electronic entries should be a single doc, docx, txt, rtf or pdf file with the contact details, etc, on p1, and your story commencing on the second page. Poetry manuscripts: Entries must be typed in single spacing with double spacing between stanzas on single sides of A4. Entrant’ s name, address, telephone number and email address must be typed on a separate A4 sheet. Entries to poetry competitions cannot be returned. Electronic entries should be a single doc, docx, txt, rtf, odt or pdf file with the contact details, etc, on p1, and your poem on the second page. All manuscripts: Receipt of entries will be acknowledged if accompanied by a suitably worded stamped and addressed postcard. Entrants retain copyright in their manuscripts. You are advised not to send the only copy of your manuscript. Enclose an sae if you want your manuscript to be returned.

4 Competition Judging

Competition judges will be appointed by Writing Magazine and the judges ’ decision will be final with no correspondence being entered into.

5. Notification

Winners will be notified within three months of closing date after which date unplaced entries may be submitted elsewhere. Winning entries may not be submitted elsewhere for twelve months after that date without permission of Writing Magazine who retain the right to publish winning entries in any form during those twelve months

Competition Entry

I am enclosing my entry for the.......................................

......................................................... ............................. Ref code .....................................and agree to be bound by the competition rules

TITLE..................................................................................

FORENAME.......................................................................

SURNAME.........................................................................

ADDRESS...........................................................................

POSTCODE........................................................................

EMAIL................................................................................

I’m happy to receive special offers via email from Warners Group Publications plc

TELEPHONE (INC. AREA CODE) ...............................................

Tick here if you wish to receive our FREE monthly e-newsletter

ENTRY FEE (please tick one) £7.50 £5 for subscribers Free entry (subscriber only competition)

I enclose my entry fee (cheques/postal order payable to Warners Group Publications) OR I wish to pay my entry fee by: Maestro Delta Visa Access Mastercard

CARD NUMBER ................................................................

VALID FROM........................EXPIRY DATE .....................

ISSUE NUMBER.................................................................

SECURITY NUMBER..........................................................

CARDHOLDER NAME ......................................................

Competition Entry

I am enclosing my entry for the.......................................

.................................................. ..................................... Ref code ................................................ and agree to be bound by the competition rules

TITLE..................................................................................

FORENAME.......................................................................

SURNAME.........................................................................

ADDRESS...........................................................................

POSTCODE........................................................................

EMAIL................................................................................

I’m happy to receive special offers via email from Warners Group Publications plc

TELEPHONE (INC. AREA CODE) ...............................................

Tick here if you wish to receive our FREE monthly e-newsletter

ENTRY FEE (please tick one) £7.50 £5 for subscribers Free entry (subscriber only competition)

I enclose my entry fee (cheques/postal order payable to Warners Group Publications) OR I wish to pay my entry fee by: Maestro Delta Visa Access Mastercard

CARD NUMBER ................................................................

VALID FROM........................EXPIRY DATE .....................

ISSUE NUMBER.................................................................

SECURITY NUMBER..........................................................

CARDHOLDER NAME ......................................................

Your essential monthly round-up of competitions, paying markets, opportunities to get into print and publishing industry news.

Imagine all the contracts...

Win a Faber publishing contract in the The Imagined Futures Prize 2022 contest for YA science fiction.

The Imagined Futures Prize is a brand new prize from Faber for science fiction novels or short story collections aimed at young adult readers by UK writers.

The winner will receive a Faber publishing contract with a £15,000 advance. The second prize is a publishing contract with a £8,000 advance and the third prize is a contract with a £5,000 advance.

To enter, send the first 10,000 words of an unpublished novel or short story collection that can loosely be defined as science fiction, plus a 500-word synopsis. Writers entering the competition may be agented or unagented, and unpublished or previously published.

Entry is free.

The closing date is 9 September.

Website: www.faber.co.uk/journal/imagined-futures-prize/

Prize pot for poets

The annual National Poetry Competition from The Poetry Society is one of the world’ s most prestigious prizes for unpublished poems.

The first prize is £5,000. There are second and third prizes of £2,000 and £1,000, and further commended poets will each get £200. This year ’ s judges are Greta Stoddart, Jason Allen-Paisant and Michael Symmons Roberts.

Enter original, unpublished poems up to forty lines.

The entry fee for the first poem is £7, and £5 for subsequent entries in the same submission.

The closing date is 31 October.

Website: https://npc.poetrysociety.org.uk/

Get brooked in

The Oxford Brookes 2022 International Poetry Competition is inviting entries in two categories: Open and EAL.

The competition is for original, unpublished poems in English by poets anywhere in the world, up to 50 lines. The open category is for all poets, and the EAL category is for poets for whom English is an additional language.

Winners in both categories will each receive £1,000. Runners-up each get £200. This year ’ s judge is Caroline Bird.

The entry fee is £5 for each of the first three entries and £4 for each subsequent poem.

The closing date is 31 August.

Website: www.brookes.ac.uk/research/units/hss/centres/poetry-centre/

Grand new poetry prize

The Patricia Eschen Prize for Poetry 2022 is a brand new poetry competition from Morrab Library and the Dennis Myner Trust.

The inaugural Patricia Eschen Prize for Poetry is an international, free-entry competition inviting entries of original, unpublished poem on any theme.

There are categories for adults and children. In the adult category, there is a first prize of £1,000, a second prize of £500 and a third prize of £300. In the children ’ s category the prizes are £150, £100 and £50. The competition will be judged by Katrina Naomi and Penelope Shuttle.

Each entrant may submit one poem.

The closing date is 30 September.

Website: https://morrablibrary.org.uk/poetryprize/

DO IT DIGITALLY

The New Media Writing Prize 200 is inviting entries for this year ’ s digital storytelling awards.

The New Media Writing Prize is awarded annually for interactive new media writing – storytelling that is created specifically to be consumed via a PC or Mac, or a handheld device (ie tablet or smartphone) or online. Entries may be fiction or non-fiction, including novels, short stories, poems, documentaries, or transmedia works. Interactivity must be a key component and the judges will be looking for innovative use of digital media to create an involving narrative.

This year ’ s award is in the following categories: • The Chris Meade Memorial UK New Media Writing Prize: £1,000 • The Opening Up Award: £500 • The Digital Journalism Award: £500 and free membership of the FIPP • The Writing Magazine Student Award: a year ’ s WM sub or creative writing course, closing date 20 December.

Each entry should include an active access code or URL to the work.

Entry is free.

The closing date is 25 November.

Website: https://newmediawritingprize.co.uk/

ONLINE LIFESTYLE MARKET Inside Inside Hook

Gary Dalkin

Bonnie Stiernberg, managing editor at US website Inside Hook, has tweeted, ‘If you ’ re a person who writes about TV shows (specifically takes/ essays/thinkpieces, not weekly episodic reviews or listicles), you should send me some pitches. ’ Inside Hook describes itself as ‘ the go-to news and luxury lifestyle recommendation platform for the affluent, on-the-go gent. ’ By this they mean that successful men don ’ t have the ‘ time to sift through the mountain of information out there ’ , so the platform does it for them, dutifully scouring the globe to find ‘ the most timely, important news, information and luxury lifestyle intel’ .

Recent TV features have included, ‘Enough With All the Multiverse Stories Already ’ , ‘What ’ s With All the Dancing on TV Nowadays?’ , and ‘Is “Prestige TV” Over?’ The site also covers US-centric news, and the usual lifestyle sections from food and drink to travel and sport, relationships to technology, health and fitness, arts and entertainment.

Check out some recent TV features at www.insidehook. com/category/sections/arts-entertainment/television. The site is very US-focused, but always needs pitches, so there ’ s no deadline.

Payment is $350-$400 for 1,000 words. Contact Bonnie Stiernberg by email at bstiernberg@insidehook.com.

OPENING ACCESS TO PRIZES

The Society of Authors has launched a new fiction prize to reward positive representations of disability and chronic illness in literature.

The new ADCI (Authors with Disabilities and Chronic Illness) award has been founded by author Penny Batchelor and publisher Clare Christian. Penny and Clare are campaigners for better representations of disability in publishing and improved accessibility for disabled and chronically ill writers.

The ADCI Award launches this month and is open to authors with a disability or chronic illness, and will be given to novels that include a disabled or chronically ill character or characters.

The winner will receive £1,000 and two runners up will each get £500.

Applicants will need to apply online and provide digital or hard copies of their novels.

The closing date is 31 October.

Website: https://writ.rs/ADCIPrize

All about the Benjamin

Benjamin Franklin House Literary Prize 2022 is inviting entries.

The annual competition is for fiction and non-fiction by writers aged 18-25.

Writers entering the prize are asked to explore the contemporary relevance of a quotation from Benjamin Franklin. The 2022 quote is:

‘The Eyes of other People are the Eyes that ruin us. If all but myself were blind, I should want neither fine Clothes, fine Houses nor fine Furniture. ’ Letter to Benjamin Vaughan, 1784.

There is a first prize of £750 and a runner-up prize of £500. Winning entries will be published on the Benjamin Franklin House website.

Enter original, unpublished fiction or non-fiction between 1,000 and 1,500 words.

Entry is free. Each writer may submit one entry.

The closing date is 31 October.

Website: http://benjaminfranklinhouse.org/education/literaryprize/

Memoirs are made of this

The Bridport Memoir Award 2022 is a new competition from the Bridport Prize.

The Bridport Memoir Award is an international prize for unpublished memoir manuscripts. The first prize winner will receive £1,500 and a year ’ s mentoring from The Literary Consultancy. The winner will also be offered a consultation with AM Heath literary agency and with an editor from John Murray. The runner-up will receive £750 and a full manuscript assessment from The Literary Consultancy, and three highly commendeds will each receive £150 and a 15,000-word manuscript assessment from TLC. The judge is Cathy Rentzenbrink.

Memoirs do not need to be complete to be entered. To enter, send between 5,000 and 8,000 words plus a 300-word overview. Longlisted writers will be asked to provide 15,000 words and shortlisted authors will be asked for 30,000 words.

Writers entering the Bridport Memoir Award must be unrepresented and not under contract to a traditional publisher for a memoir. Writers who have published other kinds of books, eg poetry or a novel, may enter.

The entry fee is £24. The closing date is 30 September.

Website: https://bridportprize.org.uk/

The Wasafiri Essay Prize is for innovative critical essays on international contemporary literature. It is intended to reward scholarship by early-career researchers.

The winner will receive £250 and their essay will be published in Wasafiri.

Enter original, unpublished essays between 5,000 and 8,000 words on a subject within the field of international contemporary literature (published since 1965).

Entrants should have been awarded a PhD no more than eight years before the closing date.

Entry is free. The closing date is 12 September.

Website: www.wasafiri.org/wasafiri-essay-prize/

Literature matters

FLASHES

The 4thWrite Short Story Prize 2022 from The Guardian and 4th Estate invites entries from unpublished writers of colour. The winner will receive £1,000 and a one-day publishing workshop at 4th Estate.Their story will be published on The Guardian’s website. Enter original, unpublished short stories up to 6,000 words.The closing date is 14 August.

Website: www.4thestate. co.uk/2022/06/ prize-2022/

Songbook is a new weekly podcast celebrating music writing from music imprint White Rabbit Books. Each episode will feature journalist, author and broadcaster Jude Rogers and a special guest in conversation about a particular music book. The first season’s guests include Vashti Bunyan, Ian Rankin, Brett Anderson and Adelle Stripe, and the music has been written by David Holmes.

‘Oftentimes you think writing a certain scene is going to be so monumental and important, and you start to write it, and it falls flat because you’ve built it up so much in your mind. I always try to remind myself that what makes something interesting are the small human details and moments, not the grand sweeping gestures. ’

Alexis Landau

Muswell Press is a UK ‘ proudly independent publisher of great books, both fiction and non-fiction ’ , according to editors, Sarah and Kate Beal. They are committed to ‘ editorial excellence, high-quality production and marketing their books with flair ’ . Check out the website and their list as well as the guidelines.

Submissions are open for contemporary fiction, crime, travel, biography and memoir. They also have an LGBTQI list which republishes classic works of queer literature together with new work. Please note that

‘From time to time we may need to close submissions while we catch up with reading. Always check the website before submitting. ’

For fiction, novels must be over 50,000 words. Submit the completed manuscript. Non-fiction proposals

UK BOOK MARKET Muswell’ s off

PDR Lindsay-Salmon

should include an outline of the book plus a minimum of three chapters. Email submissions ‘in a word file with a note of word count, a short synopsis and a cv/biography ’ to: info@muswell-press.co.uk

Response time is around four months. Rights and royalties are discussed with a contract.

Website: https://muswell-press. co.uk

Festival competitions

Original poetry and flash fiction are invited for the Allingham Arts Festival competitions which have a deadline of 16 September. The winners in each section will receive €300 and along with the second and third place winners will be invited to read their work at the Festival, 2-6 November, in Ballyshannon, Co Donegal.

You must be over the age of eighteen on 2 November to enter and no submission should have been published online, digitally or in print before the same date.

Poetry should be a maximum forty lines and no more than five poems should be entered. Flash fiction should be no more than 700 words and a maximum of five pieces may be submitted.

The entry fee is €5 for each poem or flash fiction piece and entries must be made separately for each section. Both online and postal entries will be accepted before the deadline of 23.59pm on 16 September. A separate application form should be completed for each poem or flash fiction entry.

Postal entries must be typed/printed and submitted with a cover letter stating your name, telephone number, postal and email addresses and the number of entries being made. Cheques should be made payable to Allingham Festival. As no entries will be returned keep a copy/copies.

Submit online via the website: www. allinghamfestival.com/fiction-poetrycompetitions

Details: Allingham Poetry (or Flash Fiction) Competitions, c/o A Novel Idea, Castle Street, Ballyshannon, Co Donegal, FG94 HK8W, Republic of Ireland New York based Theatre Three invites playscripts of a maximum forty minutes from around the world for their 24th Annual Festival of One Act plays.

Submissions should not have been produced although plays which have received staged readings are eligible. Adaptations and children ’ s plays are not wanted. Plays should have a maximum cast size of twelve and settings should be simple or suggested. There are no restrictions on stage play format and no limit on the number of submissions you may make although if submitting more than one they should be made in the same email.

Selected plays will be presented for ten performances on Theatre Three ’ s Second Stage at the Ronald F Peieris Theatre in winter-spring 2023 and the playwrights will each receive a $125 stipend, a standard Dramatists ’ Guild approved contract and copies of playbills, flyers, articles, reviews and a link to all publicity and production photographs. For those who are able to attend the theatre you are invited to come along to rehearsals and performances and there are four complimentary tickets available for any performance.

Submit your play before 30 September as a pdf document along with a cover sheet showing your name, address, telephone number and email address. You can include an optional short synopsis and you may also submit a resume/ CV as a separate attachment in the same email.

Email to: Jeffrey@theatrethree.com

Website: www.theatrethree.com/oaf.html

Gain a USA performance for your short play

UK NON-FICTION MARKET Revamp, rebrand

Tina Jackson

Chiselbury Publishers rebranded in 2021 to reflect the way it has evolved beyond its initial aims.

‘Our titles now range from memoirs, biographies and history books, to contemporary and historical novels, ’ said managing director Stuart Leasor. ‘We have just published Seaton ’ s Orchid, the latest work from Chips Hardy, the writer of the award-winning TV series Taboo. ’

Chiselbury Publishing was originally established as James Leasor Publishing in 2011 to make the works of James Leasor available to new and old readers.

‘James Leasor had been one of the bestselling and most prolific British authors of the second half of the 20th century, writing over fifty books ranging from thrillers and historical novels to histories and biographies, ’ said Stuart. ‘However none were available as ebooks and the few in print had legacy contracts with publishers who had little interest in them. We were then approached by leading journalist Dominic Midgley to see if we could make the bestselling biographies that he had written with Chris Hutchins on Roman Abramovich and Sir James Goldsmith available as well. ’

This marked the beginning of a change in approach for Chiselbury.

‘We have since been approached by other authors wanting us to publish new and previously published works and so we have rebranded as Chiselbury to reflect our new profile, ’ said Stuart. ‘Since our rebrand in 2021 we have been adding a number of new authors to the line up, with more in the pipeline for 2022. ’

Stuart wants to establish Chishelbury as a destination publisher for interesting titles. ‘I hope to continue to expand and help more authors who might have been wrongly rejected by other publishers achieve their aims. I hope that Chiselbury will become known for continuing to publish interesting and readable books. ’

Chiselbury Publishing titles reflect a variety of interests. ‘A good title for us is something that I would like to read myself!’ said Stuart. ‘I don ’ t think that there is set formula or type of book. Our four most recent books show the range: from Seaton ’ s Orchid, a historical novel, and BloodLine, an alternate [sic] Scottish history thriller by Nick Bastin, to The Early Plantagenets by Alan McLean, a sort of horrible histories for adults, through to two memoirs of wartime heroes, Not Enough Said by Duke Sell and, our most recent title, The Man Under the Radar, by Linda Nissen Samuels. ’

Last year Chiselbury published four new books and four new editions of previously published books. ‘In total we have 46 titles available, ’ said Stuart. ‘To date we have published two new works in 2022 with another two nearing issue in the next month or so. I expect that we will have done about ten this year in total. ’

Writers interested in being published by Chiselbury should send an introduction to themselves and their work in the first instance. ‘Initially I would like a brief synopsis to see whether the work is something that we would be interested in, ’ said Stuart.

Chiselbury publishes in print and ebook and pays royalties.

Website: www.chiselbury.co.uk

Just their type

Qwerty is the University of New Brunswick’ s graduate student-run literary magazine, and the editorial team publish ‘innovative poetry, fiction, and visual art from emerging and established artists alike. ’ Currently the team are seeking submissions of work which demonstrates a mastery of writing craft, primarily literary fiction and fine art, but they ‘have no qualms with publishing genre fiction that subverts convention ’ , and they like ‘ experimental work

that inverts tradition in pursuit of innovative storytelling ’ .

No reprints or multiple submissions but simultaneous submissions are reluctantly accepted with the usual proviso. For fiction and creative non-fiction, submit no more than 5,000 words, for poetry up to six pages, through the website: www.qwertyunb. com

Response time is 6-12 months. Payment is

Not-so-quick flash

The 2023 Bath Novella-in-Flash Award is inviting entries.

The Award, which comes under the umbrella of the Bath Flash Fiction Award, is given for novellas between 6,000 and 18,000 words that are comprised of flash fictions or very short stories. Each flash should be no longer than around 1,000 words.

The winner will receive £300. There are two runners-up prizes of £100, and each winning novella will be individually published and each author will receive five copies. The Novella Award judge is John Brantingham.

The entry fee is £16. The closing date is 15 January 2023.

Website: www.bathflashfictionaward.com/

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