The Journey of Design
Darren KunTing Lin
BMW LIFESTYLE 4S SHOP IN SHOP STORE Client: BMW China Designing Firm: Syncform design for Architecture Position: Project Designer Size: 4 different size of store Responsibility: Research, Concept development, design development, render supervision, leading junior designer, report to director. This system has been developed to meet the growing customer requirements as well as to satisfy a change in customer behavior over the last years. It’s about creating an emotional lifestyle product world inside of a dealership byoptimizingthe product presentation in a premium boutique environment. An expansion to fields of expertise and competence beyond the core product improves the customer experience and satisfaction and helps to strengthen the brand image. Designer Director: Ricky Lee & Sua Song Junior Designers: Michael He, Mei Bai Rendering Team: Out Source
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Define Boundry
Define Boundry
Define Boundry
Fold to Volume
Fold to Volume Cut to Circulate
Adding Volume
Define Boundry
01 Define boundary 确定边界
Fold to Volume
02 Fold into volume 折叠成体量
Cut to Circulate
03 Cut to circulate 裁剪增加空间流动性
Fold to Space
04 Fold to space 折叠确定空间
Adding Volume
05 Give a volume 增加容量
Emphasis the Entrance
06 Emphasis the entrance 强调入口
DESIGN STRATEGY Fold to Volume Cut to Circulate
Fold to Space
Emphasis the Entrance
Location and Visibility within the dealership The BMW Lifestyle shop is placed so as to be clearly visible for the customer. A possible location would be in a central position in the customer area along the customer flow, such as next to a BMW brand space with adjoining seating. Or preferred as part of the customer lounge on the second floor/ mezzanine floor where thecustomers find time to have a closer look at the BMW lifestyle products in a relaxing environment. The concept is aimed at rising attention through large scaled visuals, smart illumination forproduct highlighting as well as an eye-catching strip light framing the entrance.
Cut to Circulate
Fold to Space
Fold to Space
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照片 照片 wall wall type type code code
A-1L A-1L
Shop Shop Size Size
Large approx.130sqm approx.130sqm Large
商店尺度 商店尺度
130平米组合方式 130平米组合方式
A-2 A-2
A-3 A-3
Item Item
Wall Wall shelve shelve
Bike Bike Wall Wall Display Display
Wall Wall shelve shelve
品名 品名
墙壁展示 墙壁展示
自行车展示墙柜 自行车展示墙柜
墙壁展示 墙壁展示
Dimension（mm) Dimension（mm) 尺寸 尺寸 Quantity Quantity 数量 数量
BB
C-1 C-1
D-1 D-1
E-1 E-1
*Show Case,Low*Show Case,Low*Show Case,high Case,high Wall Wall Closet,Small Closet,Small changing changing room room *Show 壁柜,小 壁柜,小
更衣室 更衣室
*玻璃展柜-矮 *玻璃展柜-矮
*玻璃展柜-高 *玻璃展柜-高
FF
*ICS, *ICS, low low
*ICS, *ICS, high high
*主体玻璃-矮 *主体玻璃-矮
*主体玻璃-高 *主体玻璃-高
W4800X H3500 H3500 XX W2400X W2400X H3500X H3500X W1600X W1600X H3500X H3500X W2400X W4800X W682X H1480 H1480 XX W682X W2400X H3500 H3500 XX W1400X W1400X H3500 H3500 XX W682X W682X H1787 H1787 XX W1000X W1000X H1480 H1480 D 800 800 D 700 700 D 400 400 D D D D 682 682 D 600 600 D 1000 1000 D 682 682 D D D D
W1000X W1000X H2120 H2120
**POS POS,mannequins ,mannequins**POS POS,mannequins ,mannequins *POS,人体模型 *POS,人体模型
*POS,人体模型 *POS,人体模型
Bike Bike display display
Island Island display display
自行车 自行车
中岛展示台 中岛展示台
W2400X W2400X H3500 H3500 XX W2400X W2400X H3500 H3500 XX W3200X W3200X H180 H180 XX W1600X W1600X H660 H660 XX D D D D D 800 800 D 800 800 D 1150 1150 D 600 600
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A-1L A-1L
A-2 A-2
A-3 A-3
A-4 A-4
BB
C-1 C-1
C-2 C-2
D-1 D-1
D-2 D-2
E-1 E-1
E-2 E-2
FF
FF
Visul Visul Ref. Ref.
照片 照片 wall wall type type code code
Shop Shop Size Size
Extra Extra Large Large approx.200sqm approx.200sqm
商店尺度 商店尺度
200平米组合方式 200平米组合方式
Item Item
Wall Wall shelve shelve
Bike Bike Wall Wall Display Display
Wall Wall shelve shelve
品名 品名
墙壁展示 墙壁展示
自行车展示墙柜 自行车展示墙柜
墙壁展示 墙壁展示
Dimension（mm) Dimension（mm) 尺寸 尺寸 Quantity Quantity 数量 数量
*Show Case,Low*Show Case,Low*Show Case,high Case,high Wall Wall Closet,Small Closet,Small Wall Wall Closet,Big Closet,Big changing changing room room *Show 壁柜,小 壁柜,小
壁柜,大 壁柜,大
更衣室 更衣室
*玻璃展柜-矮 *玻璃展柜-矮
*玻璃展柜-高 *玻璃展柜-高
*ICS, *ICS, low low
*ICS, *ICS, high high
*主体玻璃-矮 *主体玻璃-矮
*主体玻璃-高 *主体玻璃-高
W4800X W4800X H3500 H3500 XX W2400X W2400X H3500X H3500X W1600X W1600X H3500X H3500X W2400X W2400X H3500 H3500 XX W3200X W1400X H3500 H3500 XX W682X W682X H1480 H1480 XX W682X W682X H1787 H1787 XX W3200X H3500 H3500 XX W1400X W1000X W1000X H1480 H1480 D D D D D D D D D 800 800 D 700 700 D 400 400 D 600 600 D 1000 1000 D 682 682 D 682 682 D 600 600
W1000X W1000X H2120 H2120
**POS POS,mannequins ,mannequins**POS POS,mannequins ,mannequins *POS,人体模型 *POS,人体模型
*POS,人体模型 *POS,人体模型
Bike Bike display display
Island Island display display
自行车 自行车
中岛展示台 中岛展示台
W2400X W2400X H3500 H3500 XX W3200X W2400X H3500 H3500 XX W2400X W3200X H180 H180 XX W1600X W1600X H660 H660 XX D D D D D 800 800 D 800 800 D 1150 1150 D 600 600
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A-1L A-1L
A-2 A-2
A-3 A-3
A-4 A-4
A-5 A-5
BB
C-1 C-1
C-2 C-2
D-1 D-1
D-2 D-2
E-1 E-1
E-2 E-2
FF
FF
Visul Visul Ref. Ref.
照片 照片 wall wall type type code code
PURE / LUXURY/QUALITY / UNIQUENESS
DESIGN CONCEPT SYSTEMATIC / IDENTIFICATION - The idea for the space arrangement starts from the lego module. it could achieve the smart design method in three-dimensional space from small to large, from easy to complex as its combination. PERMEABILITY / CONNECTIVITY - Also, Lifestyle shops will have a different condition from each dealer-shop, the design has been focused to creat the flexibility in terms of the entrance location and its accessibility, while keeping their own system. COHERENCE / CONTIUNOUS - As a design language, we propose the intergrated wall system which could be combined with different requried programs such as storage, wall shelve, basic ICS shelve, basic showcase, mannequins, etc. 6
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MATERIALS & ATMOSPHERE PURE / LUXURY Highly reflected white surface and stainless steel will provide pure and luxury atmosphere. Adding light oak veneer for the furniture and fixture will give warm and tender flavor for the space. QUALITY / UNIQUENESS Barrisol light strip for the main entrance edges and semi transparent wall layers reveal the depth of space as well as the high quality shop image. 8
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03.2.1 Wall Type A-1L 墙 类型 A-1L
White Back Painted Glass 白色背板喷漆玻璃
Super Clear Glass 超白玻璃
Mirror Finished Stainless Steel 镜面不锈钢
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Glowing Text 发光压克力
Hairline Stainless Steel 拉丝不锈钢
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THE JIANG HOUSE Client: Mr. Jiang Designing Firm: Moodease Studio Position: Junior Designer Size: 600 sq. m (Architecture) 2800 sq. m (Landscape) Responsibility: construction management and furniture selection. The Jiang house is a vacation villa located in I-Lan county where is about an hour drive from Taipei city. The Jiang house is an architecture and interior project that only use wood and glass as materials. As part of my daily task, I coordinate the construction team, design team and technical team to make the on project is on the right schedule. Due to our client is an antique furniture collector, one of our job is helping him to select furniture that fits with this project from his large number of furniture collection. Senior Designer: Morphy Wang Project Manager: Leo Lee Construction Team: Jun-Yi Carpenter Co.
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FURNITURE SELECTION The task we had for furniture selection is a bit different from the normal process due to our client is an antique furniture collector. Our client has gigantic collection of wood furniture, sculpture and artwork around the world with variation of different color and bread of wood. To differentiate the hierarchy of architecture, interior space and furniture, We came out of the strategy of choosing furniture and is dark color with more of the classical language. With that strategy, even all these furnitures are from different cultures it can still blend into the interior space and create the harmonized atmosphere. 14 14
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WALL & PIPE SYSTEM The major difference between wood architecture and reinforced concrete architecuture is the density of walls. Not liking reinforced concrete wall, wood wall has hollow space between the finished surface and stud. Pipeline needs to be designed in a way that it will not be blocked by studs and joists. 16
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WATERPROOF PROTECTION The primary concern of restroom is waterproofing ability and ventilation, specially when the space is mostly constructed by wood. Using wood as primary materials can bring several benefits, such as the smell of wood, quality texture and it continuously releases phytoncide . However, wood is very sensitive to change of humidity and can be easily deformed by this factor. Therefore, waterproof protection is the first concern in restroom. Because wood is very sensitive to humidity and water leaking is the major problem in restroom, Therefore we apply four layers of waterproof protection. The first layer is 10 mm waterproofing concrete board. The green PU layer goes to the second. The third layer is the brown FRP layer. Finally, the stone tiles go ontop of FRP. In this way, even if water goes through the first and second layers, it will not damage the structure. 18
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LANDSCAPE & VEGETATION Taiwan is an island that is strongly influenced by Japanese culture due to 50 years of colonization. Therefore, Japanese style of landscape becomes a symbol of wealth and prestige. We took the elements of white sand and stone plates from traditional Japanese landscape to create the boundary between walkable and unwalkable space as well as the solid and void space. 20
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SIDA COURTYARD CLUBHOUSE Client: SIDA/StarTimes Designing Firm: RSP Consultants Beijing Co.,Ltd Position: Junior Designer Size: 658 sq. m (Interior) Responsibility: Background research, concept development, design development,render supervision tender drawing, tender reviews and construction supervision. This project is located in the headquarter of StarTimes that is designed by RSP Beijing. Based on the client's request we design this club house as traditional Chinese Siheyuan yet staying simple and avoiding over decorative architectural language. Due to this club house is serving their visitants from Africa, we uses some African elements, such as traditional African masks and traditional African textile, within the space to show the love and respect for them. The most important participation of mine in this project is going through the stage of tender review and have weekly basis meeting in a very formal way. Designer Director: Pok Siew Fatt Senior Designer: Clarence Chia Construction Team: Cheng Xiang Zhong Hao 22
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TRADITIONAL CHINESE ARCHITECTURE Traditional Chinese architecture, just like other traditional architecture, has very strict rules of proportion, structure, symmetry, pattern, texture, color and materials for designers to follow. To design a simplified interior space yet maintain the flavor of traditional chinese architecture, it is essential to understand the principle of traditional chinese architecture elements. After studying and understand the rules of traditional chinese architecture, we find out that back in the ancient china, there are only craftsmen instead of the architects. They design architecture from detail but not overall concept. Since Scholars are well-known for educating people to be honour men instead of being someone who can do whatever it takes to make money, We decide to apply the concept of traditional chinese academy in this project in hope this can show a little bit of different perspective to people nowadays. 24
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DESIGN STRATEGY After deciding to apply the concept of traditional chinese academy, we take the idea of chinese calligraphy and ink painting and abstract it as a frame to frame out each interior walls without too much decoration to keep its simplicity. As a club house, it should show a certain level of luxury feeling to impress our guests, for the reason we choose red wood as material the major material and red color to add the flavor of chinese culture. Different from modern Western designs usually focus on overall concept, this project has drown out attention to detail, such as how do two materials meet together, how do two patterns fit together and so on.
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FURNITURE SELECTION To obtain the simplicity, the furniture that is choosen follows the principle of 1. Minimum decoration - all the chinese furniture has horse legs, skinny waist, most likely no decoration at all. 2. Colors and materials - redwood, Budinga, for all the wood part and red fabric for textile 3. Because most of the guest to live in this club house will be their clients from Africa so we have added some African elements in it. 28
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TOLIET DESIGN Toilet is designed in western style as our client required. To maintain the same principle of the design scheme, no complex decoration nor loud colors are applied in this design. Only neutral colors such as white, black, light brown, cream color is used. All the furniture and accessories are simple design as well. 30
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CHANGBAISHAN VACATION RESORT Client: Zhonghong Group Designing Firm: RSP. Consultants Beijing Co.,Ltd Size: 4.8 Hectare Position: Junior Designer Responsibility: Research, interior design, furniture and decoration selection, render supervision. Changbaishan Vacation Villa development is a huge real estate development in Changbaishan area which includes of high-end wooden villas, modern apartments, flats, a convention center, a event hall and a kindergarden. The surrouding environment includes a water system, whcih provides the possibility of summer activity and Changbai Mountian for winter ski. This project scope includes master planning, architecture design, landscape design and interior design. Designer Director: Pok Siew Fatt Senior Designer: Bertrand Li Intermediate Designer: Zhao Yuan, Zhuang JingHu,Xing Ying Rendering Team: Liu Si Yuan, You Gou Feng
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DESIGN STRATEGY Due to the fantastic location of the plot, which contents a water system that provides fresh water and a series of mountain with countless trees for fresh air, it is perfect for developing a vacation district that provides relaxation and awesome environment to urban people. To maximize the advantage of the site, we take the concept of traditional Chinese Feng Shui saying - "fù yin bào yáng" to remain to a balanced stage of body and mind. To execute this concept, we set our front entrance toward to the water system and our back entrance facing to the mountain. The event Hall is placed in the center of this district to connect all the other functions and link everybody together with a major landscape garden toward to the front gate.
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INTERIOR DESIGN To matching the overall image of the Scandinavia wooden houses, the interior space of the villa and apartment is design to have nordic elements with modern language. Some of the essential element is the fireplace and deer specimens on wall. Most of the furniture is picked with modern and simple language to demostrate the simple life style that the CHANGBAISHAN Resort provides. 36
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LANDSCAPE DESIGN Since this vacation resort is set as an all year around resort, the landscape is designed to have different views with different atmosphere in four different seasons. Due to the extreme weather condition in winter, evergreen trees are essential to maintain the green and life feeling of this resort. Broadleaf trees are added after ensuring the site will stay green in the winter to give more flavor from season to season. During summer the whole site will look very green and gradually shift to yellow and red when autumn comes. Finally, Sakura trees are planted to bring the pink freshness during spring time and become one of the attraction for tourists to visit.
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K-TOUCH MASTER PLAN Client: TIAN YU/ K-Touch Mobile Designing Firm: RSP. Consultants Beijing Co.,Ltd Position: Junior Designer Size: L.A:77,662 sq.m T.F.A:311,200 sq.m F.T.A:2.5 Parking Space:2,130 Responsibility: Research, Concept development, design development, render supervision. K-Touch master plan contents a headquarter building includes research lab, office and retail department for Chinese local mobile phone company. Besides that it also has one business hotel, one conference center, two employee dormitories and thirteen office building for sale. The site is located in Yizhuang, which is the south east side of beijing, that is planned as a China Silicon valley by the Chinese government with other supporting programs, such as commercial area for everyday shopping, residential area for employees who work in the surrounding suburbs and CBD. Designer Director: Pok Siew Fatt Senior Designer: Clarence Chia Intermediate Designer: Zhao Yuan, Zhuang JingHu,Xing Ying Rendering Team: Liu Si Yuan, You Gou Feng
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CONCEPT DEVELOPMENT The concept of this project is to design a self sustain village that can satisfy people's needs and provide different aspects of life style from other district in Beijing. To achieve this goal, one of our strategy to differentiate this project from others is to maximize our green area and bring the nature ecosystem to our everyday life. After satisfying our need for natural environment, the second concern is to consider the relationship between office, residential, commercial and gathering space. Since this is a commercial development, the first goal is always to maximize the client's benefit, yet remain all the essential programs. We come out the solution of opening up the center gathering area to the basement and place the conference center and part of commercial area on the basement so it does not occupy the total floor area. 42
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DESIGN STRATEGY Maximizing the green area is not just about planting trees on the outdoor ground floor. To change the stereotype of garden and the life style of modern Chinese, We bring garden and greenary to the rooftop and the middle of buildings. This allows users have more visual and physical contact with natural environment. To mimic the natural environment, we take a step further by releasing the skyline of the whle campus with rooftop graden. This approach helps visitors to associate themselves with natural typography, such as hill and mountain. For each office building, we have place the center core on the north wall, by doing this it allows the buildings to have maximun natural light and the biggest and the most flexible interior space to use and design. 44 44
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LANDSCAPE DESIGN To giving the hierarchy of the central landscape, we move the headquarter from the right hand side to the central axis, so when visitors enter the campus they can sense the primary architecture element is the headquarter. To add more layer into this landscape design and also for opening up the basement, we drop down the central garden and add water to soften the environment. Finally, we apply sky garden in the middle of all the buildings to link the roof garden with central courtyard to harmenized the whole environment.
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BEIJING HUAFAN FACADE DESIGN Client: HuaFan Group Designing Firm: Syncform design for Architecture Position: Intermediate Designer Size: 49,453.66 sq.m Responsibility: Facade Design & Development. render supervision, meeting with client, Schematic design drawing. The project is located in Beijing FengTai District Dian Chang Road economic development zone, on plot 34M2. The total site area is 19,911.85sqm and the building GFA is 49,453.66sqm (above ground is 39,823.7sqm). the phase one is about 18,848.88m2, the phase two is about 30,604.78m2 (above ground is about 20,974.82m2), the site ratio is 2.0, the building density 40.19%, the green coverage is 15.03%, the No. of parking bays is 188, the building high is 28.95m, the external facade is made of light gray lacquer. Designer Director: Ricky Lee & Sua Song Junior Designers: Michael He, Mei Bai Rendering Team: Ning Yeng Wei
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No. 7
Phase one / 一期
No. 8
Phase two / 二期
No. 6
DESIGN STRATEGY This project contents three buildings of phase 2, which are no.6 - an internal use scientific lab, no. 7 - a office building for sell, and no. 8 - a hotel. The goal is to maintain calm and historical feeling so it can fit into the surrounding environment, yet adding modern atmosphere by inserting metal boxes. 50
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THE MAGNIFIER CENTER Client: School Studio 6 Project Size: 7,330 sq. feet Lexicon: SCULPTURE: A work of art that is produced by carving or shaping stone, wood, clay, or other materials. MONOLITH: A large single upright block of stone, especially one that was shapes into a column OBJECT: Anything that has a fixed shape or form, that you can touch or see, and that is not alive The agenda of this residency program is to establish an institute that is able to increase the possibility to expand the vision of the well-known contemporary sculptors through interaction and collaboration between public and other artists. The agenda can be achieved through four major ways. 1. To create a sculpture like architecture that has different perception between interior and exterior. 2. Increasing the possibility of observation. 3. Adding interacting programs. 4. Negotiation and communication. School: Woodbury University, Los Angeles, USA Instructor: Joshua Stein
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Claes Oldenburg & Coosje Van Bruggen
Antony Gormley A British contemporary sculptor. His works usually involves with human figures that interact with space with all kind of scale..
American contemporary sculptors. Their works focus on enlarge scales of everyday items to change people’s stereotype.
Richard Deacon
Richard Serra
A British abstract sculptor. His works often alluded to anatomical functions with fluid form.
An American minimalist sculptor known for working with large-scale assemblies of sheet metal. His works site-specific works challenge viewers’ perception of their bodies in relation to interior spaces and landscapes.
DESIGN STRATEGY The Design strategy of the Magnifier Center is inspired by the Seattle Public Library designed by OMA. It starts with analyze and find out the relationship between each program. While finding out the relationship between each programs, it automatically creates the basic overall form. Basement Public& Admin
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1st Floor Interaction
2nd Floor Artists
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EXTERIOR MASS & INTERIOR SPACE After researching about sculpture, the element that catch my interest the most the that sculptor is an art form that trying to find out the relationship of space, the space of solid, the space of void, the space that is created by the sculpture, the space within another space and so on. Therefore, creating an sculpture like architecture becomes the direction of this project. The advan tage of this direction is to 1. Helping sculptors to think how are they going to design and display their artwork in a such strong and impacting form. 2. Through providing different perception between interior and exterior space, it can inspired sculptors to see the spatial relationship from different perspectives. 60
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A
C
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C
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B B
B
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B
1st Floor plan A
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2nd Floor plan A
OBSERVATION POCKET & TENTONIC SYSTEM Taiwan is an island that is strongly influenced by Japanese culture due to 50 years of colonization. Therefore, Japanese style of landscape becomes a symbol of wealth and prestige. We took the elements of white sand and stone plates from traditional Japanese landscape to create the boundary between walkable and unwalkable space as well as the solid and void space. 62
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