INDEX
ABOUT////////////////////////////////////////////////////////////3 NAGASAKI & DEJIMA/////////////////////////////////////7 KNOWLEDGE CENTER///////////////////////////////////////9 AGRAMONTE TANATORIUM//////////////////////////13 TOKYO REPLAY CENTER////////////////////////////////17 ZOOLOGIC MUSEUM3//////////////////////////////////21 HAND DRAWINGS/////////////////////////////////////////27 GRASSHOPPER/////////////////////////////////////////////29
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JOﾃグ PEDRO FERREIRA
ABOUT 1988
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Name: Joao Pedro Vieira da Costa Ferreira Date of Birth: 1988/01/29 Contact Info: Adress. Estrada da Circunvalacao 13970 4460-286 Senhora da Hora Portugal E-mail. mail@joaopedroferreira.com Mobile. (+351)969767445 website. www.joaopedroferreira.com
CURRICULUM VITAE Education: 2007-2013. Faculdade de Arquitectura da Universidade do Porto Integrated Master’s in Architecture Course 2006-2007. dARQ - FCT - Universidade de Coimbra Architecture Course, first year 2007. Japanese Course - Faculdade de Letras da U.P. second grade 2000-2006.British Council
Workshops: 2013. Future Traditions - GDP: Generative Design Process 2013. Arquibio - Architecture and Biology Network
Certifications: 2007. Nihon Kanji Noryoku Kentei Shiken/Japan Kanji Aptitude Test Grade 10 - Score: 142/150 2005. First Certificate in English - University of Cambridge ESOL Score: A
5 Work: 2014. Internship at paula santos | arquitectura 2013-2014. Colaboration with SJGS Architects 2013. Webmaster at GATENGEL, Lda. (engeneering company) 2003-2008 (Summer Job). CAD Drafter at GATENGEL, Lda.
Skills: Autodesk AutoCAD Rhinoceros (2D/3D; Grasshopper; Vray Rendering) Sketchup (2D/3D; Vray Rendering) Adobe Creative Suit/Cloud (Photoshop; Illustrator; InDesign; After Effects; Dreamweaver) MS Office Assembling and Configuring Computers Hand Drawing Apple OSX and MS Windows OS knowledge and experience Hobbies: Music Production Photography Graphic/Web Design Fishing
MASTER S THESIS
NAGASAKI AND DEJIMA 2013
Abstract English The intention of this master`s dissertation is to analyze the influence of the Portuguese in the urban development of Nagasaki and Dejima. To serve as a counterpoint, the urban structures used in Japan until the arrival of the Portuguese were also studied, namely the imperial cities, which follow an orthogonal planning, and the feudal cities, which are developed in an irregular way but mirror its social hierarchy and the city`s need of defense. The comprehension of the characteristics of the Portuguese settlements in the East, very similar to those in the north of Africa, was also necessary. To better understand these characteristics and the relations among its public, military and religious buildings, two case studies were chosen, Malacca and Macau, as these were the two settlements with the strongest commercial relationship with the Nagasaki port. Finally, the formal analysis of the urban structure of Nagasaki and its buildings suggest a strong influence of the Portuguese in its urban layout. The same cannot be seen in Dejima, which, even though it suffered from a strong foreign influence throughout the years, does not show any specifically Portuguese mark.
日本語
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本稿は、長崎と出島の都市計画において、ポルトガル人の存 在による影響について分析を試みることを目的としている。 対照比較として、ポルトガル人が到着するまでの日本で用い られていた都市モデル、 とりわけ、直交する街路を基本とす る帝都市、不規則な形態でありながら社会階級と都市守衛 の必要性を映し出す封建都市、 これらの都市を考察した。 ま た、 アジアにおけるポルトガル人の都市居住地の特徴が、北 アフリカにおけるそれと非常に類似していると理解する必 要があることも分かった。更に、 これらの特徴および、公共建 築・軍事施設・宗教施設の相互関係について、 より深く知識を 深めるため、マカオとマラッカを調査対象として選択した。 と いうのも、 これら２都市は、長崎の港とより強い商業関係を持 っていたからである。 終わりに、ポルトガル人追放前の長崎 の都市構造および建築物の形態を分析したところ、それらの 設計に対するポルトガル人の影響は非常に濃いと推測され る。 しかしながら、出島においては、その他西洋の国々の影響 を長期に渡って受けてはいるが、ポルトガル人の影響を受け た痕跡は全くないものと思われる。
ACADEMIC WORK
KNOWLEDGE CENTER 2010/2011
scale 1:4000 The goal of this project was to create a Knowledge Center, a cross between a library, a study/work building - always connected with the student world - and the Cultural Center, where art is always a the biggest factor through its exhibition areas and the auditorium and multi-purpose room, in a site surrounded by an academic environment, stone walls that contain it and dense vegetation. Defined by 3 large platforms in steps with its boundaries parallel to the first tower of Faculdade de Arquitectura da Universidade do Porto (FAUP), the neighbor building, this building was drawn in such a way that it’s impact would be minimized an doesn’t interfere with the pre-existing natural surroundings, and, at the same time, that it keeps its status of an important building.
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top plan
scale 1:1000
3rd floor plan
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2nd floor plan
1st frool plan
scale 1:1000
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STUDENT COMPETITION
AGRAMONTE T ANA TORIUM 2011
scale 1:2000 Team: Jo達o Pedro Ferreira / Ruben Santos / Rui Reis Death, as many factors in society, varies immensely according to each cultural background, and if some cry or see it as the ending of a line, others celebrate it and face it as the beginning of a new cycle. As such, an architectural intervention that intends to be absent of religious connotation, has to capture the essence of these farewell rituals in an universal way, carrying in its architectural language this subject in the multiple approaches of mankind itself. In this way, the building was developed in two pieces, joined in the Farewell Room, the largest and most important element of the program, as the place for the final moments with the loved ones, intending to create with this the exception in the form and, at the same time, define the entrance.
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top plan
scale 1:1000
2 4 3 1
5 5 5 7 6
interior plan 1. farewell room 2. florist 3. administration 4. cafeteria 5. mourning room 6. meditation room 7. storage
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scale 1:1000 sections
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STUDENT COMPETITION
TOKYO REPLA Y CENTER 2012
scale 1:1000 Team: Jo達o Pedro Ferreira / Nelson Coelho / Ruben Santos The site is in a densely constructed area, where the technocratic language of neon lighting and omnipresent advertising prevail. Trying to contradict that aspect, our proposal is based on a simple shape, a tilted cork box that intents to subvert the vertical mass-construction logic of Tokyo. We were trying to convey a natural appearance to the building and this is the main reason for the choice of cork for the facades, being the other reason its great performance as an insulating and sound proofing material. The facade, for natural lighting of the interiors, is also perforated with the image of a cherry blossom tree, one of Japan`s national symbol, representing also peace and tranquility. In the interior contrasting with the very rigid, geometrical morphology of the divisions, the stairway develops as a ribbon, ascending freely to the skies, as a metaphor of the fun times people will have in Tokyo`s newest equipment.
9th Floor - bar+kitchen
8th Floor - multipurpose hall
7th Floor - shop
6th Floor - shop
18 bar+kitchen multipurpose hall
5th Floor - karaoke rooms
videogames+movies shop manga+anime shop karaoke rooms auditorium 4th Floor - karaoke rooms
3rd Floor - karaoke rooms
2nd Floor - auditorium
1st Floor - reception
scale 1:1000
eastern elevation
northern elevation
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western elevation
southern elevation
scale 1:1000
sections
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ACADEMIC WORK
ZOOLOGIC MUSEUM3 2006/2007
The objective of this work was designing a zoologic museum in a 10m3 cube. As the minimum animals it should accommodate was 5, I decided to deconstruct the cube in 5 volumes that recreate the cube, making this a work of geometric play of staircases and rooms, much like a Escher drawing, with a course you could take entering the first room on the ground floor to the left and following the staircases` and rooms` movement. To make the movement of the course even more dramatic, I designed some windows that create voids between the volumes of the rooms, giving the sensation that the building is not holding onto anything.
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scale 1:200
1st room plan
2nd and 3rd room plan
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4th and 5th room plan
top view plan
scale 1:200
eastern elevation
northern elevation
western elevation
southern elevation
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sections
ACADEMIC+PERSONAL WORK
HAND DRA WINGS 2007-2013
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WORKSHOP+PERSONAL WORK
GRASSHOPPER 2013
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©2014 João Pedro Ferreira
www.joaopedroferreira.com