Portfolio of Dasong W Selected Works |
2012-2018
CONTENT
1.3 Floating Urban Bio-Mass 1.2 Swarming History
01 -
Design Project
1.1 Pavilion Hyper-Fluidics 2.2 GH-Python & Other Testing Prototype
02 -
Coding & Prototyping
2.1 Java(Processing) - Multi-Agent System 3.2 Printing Tectonics
03 -
Architectural Robotic 04 -
Other Works
3.1 UR10 - Foam Carving
1.1 PAVILION | HYPER-FLUIDICS FLUIDIC VERTEXING MORPHOLOGY | RETRIEVABILITY OF SURF INDUSTRY | 2020 TOKYO OLYMPIC Design Studio: Surf Pavilion Tutor: Igor Kebel, Eriko Watanabe Type: Group Academic Project Location: Ichinomiya, Japan Duration: Feb. - Jul. 2018 Grade: 90 / 100 High Distinction
| DESIGN MANIFESTO |
Since the concept of “Flow Space” being introduced in Architecture through Barcelona Pavilion by Mies van der Rohe in 1929, the pursuit of fluidity, continuity and dynamics towards spatial experience dramatically changed the definition of architectural configuration in the last 100 years. However, the term of “flow” or “fluidics” literally comes from natural phenomenon. And surfing is the only and most remarkable sport that integrates human with natural phenomenon to create an extraordinary dynamic spatial experience. Surfing represents our ancestor’s wisdom of observing nature and interacting with nature.
In our “Pavilion Hyper Fluidics” project, we doubt about the design process of architecture whether could be an emerging process directly comes from the observing and abstracting of nature phenomenon. We challenge the architectural spatial experience whether could be hyper-fluid and hyper-free just as a surfer surfing in white squall. In terms of form finding process, the project is inspired by two images. The first image is a drawing by Mr Charles Victor, a French adventurer and writer in 1855. And this image is the first image to describe the early emergence of surfing. As explained before, we believe the spirit of surfing is mainly on how human observe, conquer or interact with nat-
ural phenomenon. Similarly, the second drawing by Leonardo da Vinci also tries to translate the natural liquid flowing and turbulence phenomenon into artistic Creation. The materialization concept of the project also directly comes from the research on surf industry. As known, 90% percent of the surfboards are made of foam, but most of them would be recycled after use and would cause serious pollution to the coastal eco-environment. The idea of the project is to recycle the foam from surfboard worldwide and re-use them as high-performance material for the construction of the new pavilion.
| ENCODE NATURE |
| SURFING SUSTAINABILITY |
01. Attracting Flowing Behavior
02. Horizontal Vertexing Behavior
Materialization Concept
03. Vertical Vertexing Behavior
04. Random Behavior
| DESIGN MANIFESTO |
Proposed Constructing Process
| FORM TESTING PROCESS |
| GNERATING PROCESS |
| STEP-BY-STEP GENERATING|
|FIRST FLOOR PLAN|
GROUND FLOOR 1. SPONSOR EXHIBITION 2. CAFE & SHOP 3. STAFF
1. Multi-Functional Hall 2. Outdoor Cafe - Tourists 3. Exhibition Corridor 4. Multi-Functional Seminar Space 5. Robotic Showcase 6. Surfer Changing Room 7. Surfer Rest Zone 8. Outdoor Cafe - Surfers 9. Bleachers 10. Skate Park 11. Surfing Memory Square 12. Main Entrance 13. Podium 14. Beach
4. EPS RECYCLE EXHIBITION 5. ROBOT EXHIBITION Skating Park
6. ATHLETES CHANGING ROOM
9
10
7. ATHLETES REST ZONE 8. OUTDOOR CAFE 9. SEATINGS 5
10. SKATING PARK
4 3 History of surfing industry Exhibition/sculpture Plaza through time line
Podium
1
2 9 6 7 8 Skating Park
10
STAFF
LOCAL & TOURISTS
ATHELETES
2F PLAN
West Elevation
South Elevation
East Elevation
1.2 SWARMING HISTORY Design Studio: Fabricating History Tutor: Ben Milbourne Type: Individual Academic Project Location: Medini, Malaysia Duration: Sep. - Nov. 2017 (Half Semester) Grade: 83/100 - High Distiction
|CONCEPT|
Beginning with the concept, the whole thinking behind the project comes from the 2014 Venice Biennale. With a delicate dome and a typical modern ceiling under it, the contradiction of historical and contemporary is presented in quite an unexpected way. When looking back to the developing process of architectural history, from Ancient Greek, Gothic, Baroque... to Modernism, Post-Modernism, Deconstructivism and digital design tendency, the new-born architectural style always willing to fully replace the previous, which leads to a quite intermittent developing process. However, what if the developing is an overlapping process instead of fully replacement?
|GENERATING PROCESS|
|PLAN|
|SECTION & ELEVATION|
|PERSPECTIVES|
|SECTION|
| INITIAL PROPOSAL OF SWARMING HISTORY |
1.3 FLOATING URBAN BIO-MASS: Superior "Secondary Eco-System" Tutor: Chie Fuyuki Type: Group Academic Project Location: Beijing, China
Duration: Aug. 2016 (5 days Intensive) Collabration: Fengjiao Ge, Lin Zhang Contribution: Team Leader
Developing process of urban is never a process which we only look forward. Sometimes, we need to look back. The concept of this project is to discuss the siginificance of wild ecosystem to the problems of modern cities. Our city will definitily not transform into wildness, but the method is important. And we need to integrate the superiority of wildness to make our city better.
|LOCATION|
|BACKGROUND|
|CONCEPT|
|SYSTEM & ELEMENT|
|SITE RESPONSE|
|PARAMETER & OUTCOME|
|STRUCTURE|
|DETAILED TECHNIQUE - ECO PLATFORM|
|DETAILED TECHNIQUE - ECO-TENTACLE|
2.1 JAVA(PROCESSING) MULTI-AGENT SYSTEM - 3D SWARMING OF NATURAN SURVIVALT System: Multi-agent System + Iso-Surface Platform: Processing + Grasshopper Type: 3D Swarming Class: Agent + Hunter + Vertexer + Leader
2.1 JAVA(PROCESSING) MULTI-AGENT SYSTEM - SWARMING ALONG MESH System: Multi-agent System Platform: Processing + Grasshopper Type: 3D Swarming Class: Agent + MeshReader
2.1 JAVA(PROCESSING) MULTI-AGENT SYSTEM - 2D SWARMING OF NATURAL SURVIVAL System: Multi-agent System Platform: Processing Type: 2D Swarming Class: Agent + Hunter + Vertexer
2.1 JAVA(PROCESSING) MULTI-AGENT SYSTEM - OTHER SWARMING PROTOTYPE System: Multi-agent System Platform: Grasshopper Nursery/Quelea Type: 3D Swarming
2.2 GH-PYTHON - RECURSIVE ARC-TREE System: Branch + Recursive Platform: Grasshopper Python
2.2 GH-PYTHON - FITTED SURFACE System: Nurbs-Surface Controling Platform: Grasshopper Python
2.2 GH-PYTHON - MESH SUBDIVISION System: Recursive Subdivision Platform: Grasshopper Python
2.2 EVOLUTIONARY ALGORITHM - GALAPAGOS vs OCTOPUS System: Genetic Algorithm(Single Objective & Multi-Objective) Platform: Grasshopper Galapagos & Octopus
2.2 OTHER TESTING PROTOTYPE(MAYA MODELING)
3.1 UR10 - FOAM CARVING
|SIMULATION|
|SCRIPT & GENERATING PROCESS|
|TOOL INSTALLATION|
|DETAILS|
|CARVING PANELS|
Robotic Carving Process Video: https://vimeo.com/241198337
3.2 PRINTED TECTONICS(WIP) |GEOMETRY OPTIMIZAITON|
|PRINTING TEST|
OTHER WORKS: DESIGN PROJECT
"ONE WITH THE BIRDS" WILD CHILD BAMBOO HOTEL PROJECT
CONVERTING MILAN: CURING THE URBAN SCAR
Type: Professional Project of PENDA Status: Construction Completed Location: Ayampe, Ecuador Duration: Sep. - Dec. 2016 Collabrator: Chris Precht(Leader), Veit Burgabacher
Type: Academic Urban Design Project (Group Work) Tutor: Beate Niemann(HS-Wismar) Location: Scalo Ferroviario, Milan Duration: Oct.2013 - Mar. 2014 Grade: 1.0/1.0(Full Mark in German Evaluation System)
OTHER WORKS: DESIGN PROJECT
PASSIVE LAB
WANDERING IN POST-INDUSTRIAL ERA
Type: Academic Project of Sustainable Design Technology Tutor: Martin Wollensak Location: Hamburg, Germany Duration: Oct.2013 - Jan. 2014 Grade: 1.3/1.0
Type: Academic Urban Design Project Tutor: Ling Zhu (SJZU) Location: Shenyang, China Duration: Mar.2012 - Jul. 2012 Grade: Distinct Graduation Project of the Year(SJZU)
OTHER WORKS: PHOTOGRAPHTY