INTERIOR DESIGNER
2
This book is dedicated to my parents
3
DO LE GIA DAT
+1. 628.202.2493 giadat_1994@yahoo.com
ACADEMY OF ART UNIVERSITY
79 New Montgomery, San Francisco, CA, 94132 DIRECTOR/ Kathleen Valkuchak INSTRUCTOR/ Leonarda Tamayo COURSE/ Portfolio PAPER/ TYPEFACE/ Calibri PHOTOGRAPHY/ Do Le Gia Dat & Google PRINTER/ Chum’s Design
COPYRIGHTS @ 2017 DO LE GIA DAT All rights reserved. No part of this publication may be produced, stored in a retrieval system or transmitted, in any form or by any means, without the written permission of Do Le Gia Dat
BIOGRAPHY Born and raised in Vietnam and with the supports from family, Dat decided to come to San Francisco in 2012 looking forwards to enhance his skills and vision. As a young kid, he has always shown his abilities and interests in arts. His passion towards Interior Design started growing after his connection with Lego. Dat has always found the fascination between human interactions with architecture and design. Thus, he has decided to go after his dreams. Dat always believes that “observation is the best teacher�. With this mind set, his inspirations always come from the people, objects, and events those encounter him. A succesful design must always have two factors, which are functionality and aesthetics. He also believes that a person could never learn enough. Therefore, Dat always sets higher goals for each project he faces.
TABLE OF CONTENTS
6
1
08
2
34
3
88
4
124
5
144
SENIOR DESIGN - Heimerdinger Senior Living Community
RESIDENTIAL DESIGN - Ernie’s House
COMMERCIAL DESIGN - Tetrony Market
NGUYEN XI - Saigonres Plaza Apartment
OTHER INTERESTS
7
1
SOCIAL DESIGN
Heimerdinger Senior Living Community
SITE ANALYSIS
Location: 505 Mission Bay blvd, Mission Bay district, San Francisco, CA 94158 Typography: flat land Hydrology: The ocean is only 2 blocks away, and from the site you can directly see it as there is no building in front blocking the view. Climate: The building will be affected by the southern sun and will have shades on the north side. One reason I have chosen this site is because San Francisco is a well known city for its beautiful climate all around the year with the lowest degree at 50.8*F and the highest at 63.8*F. The site is located in Mission Bay, which is a new developing area in San Francisco. The chosen site is just one block away from the bart station and minutes away from downtown and financial district of San Francisco by car. New apartments have been being built in the area, thus there are alot of amenities around the site such as grocery stores, transportations, restaurants, and etc. The site is also right across the Mission Bay Commons park, which will provide fresh air. The pharmaceutical company is also right across the street, which is a huge benefitial. The entrance to freeway I-280 is only 7 streets away, which gives great access for families to come and visit.
PROGRAM & SITE ANALYSIS
10
9
• • • • • • • • • • • • • •
PROJECT DIAGRAM Front Lobby with reception desk and 4 waiting chairs Dining Room: 500 s.f. minimum Kitchen: 250 s.f. minimum Community Room: 600 s.f. minimum Library/ Reading Room: 300 s.f. minimum Exercise room: 300 s.f. minimum Staff Offices: 300 s.f. Nurse’s office 150 s.f. 8 studio apartments with kitchen, accessible bathroom, closet, and laundry closet for stacking washer/ dryer (2’-9” wide x 3’-2” deep). Unit areas should be 410 s.f. minimum Adequate public restrooms Janitor’s closet Telecom closet Mechanical Room
PROGRAM & SITE ANALYSIS
11
PROGRAM AND ADJACENC
DJACENCY DIAGRAMS ADJACENCY DIAGRAMS
ADJACENCY DIAGRAMS
12
SPACE PLANNING SPACE PLANNING BUBBLE DIAGRAMS BUBBLE DIAGRAMS
BUBBLE BUBBLE DIAGRAMS DIAGRAMS
SPACE PLANNING
BBLE DIAGRAMS
BLOCK DIAGRAMS OPTION 2 OPTION 2
OPTION 1 OPTION 1 OPTION OPTION 11
OPTION OPTION 22
NG OPTION 1
OPTION 2 BLOCK DIAGRAMS OPTION 1 OPTION 1
OPTION 2 OPTION 2
OPTION OPTION 11
OPTION OPTION 22
OPTION 21 OPTION
OPTION 2
BUBBLE & BLOCK DIAGRAMS
13
14
RESEARCH
It is important to keep in mind that this is a Senior Living Community, thus their safety and health are the priorities in my design. Through the site and building analysis, I have a better idea of how the sunlight will affect the building and where or when there will be the most sunlight. With this in mind, I have arranged important rooms towards where the sunlight will get in the most, allowing the seniors to stay more healthy. Seniors behave differently than young adults and kids. Therefore, using universal design and ADA design are crucial to the project. All of my entrance minimum is 5’-0’’with all the ADA clearance in the bathroom for every unit and both floors. I also learned through my research that by giving options for the seniors to choose, they will feel more welcome. Thus I have designed every room differently and allowing them to choose their favorite. I want to create a healthy, and relax community for the seniors as well as be responsible to our environment. Thus, there are many other factors I have considered in my design. All of the materials used in the project are non-toxic and are counted towards LEED certificate. I use alot of recycled materials for my design such as recycled wood floor, and recycled glass. I also incorporate indoor plants in my design, allowing for more fresh air. Air quality plays an important part to maintain seniors health at good level. Thus, having good ventilations and certified materials contribute significantly to my design. I make sure that I dont put any supply air grill in the bathroom and kitchen because I don’t want bad air to flow around the building. Achieving LEED certificate for my project is also a proof to my design safety and healthy. A good selections of materials, furniture, lightings and fixtures must be made so that they count towards my LEED points. When selecting materials, I always look not just for their aesthetics looks, but their sourcing materials, LEED certifications, C2C certification, and Low VOC emission.
Dementia is a disease that causes memory loss (short-term memory), and decreases the ability to think. It is most common found in seniors. The research has shown that one in 3 seniors has Alzheimer’s. It also shows that smaller spaces cause more difficulties for seniors, because there are too much activities going on and they contain too much environmental stimulus. With this in mind, it is important to keep the space simple and easy to remember. There are multiple ways to do so, such as placing an artwork, or hiding unnecessary objects. For seniors with visual difficulties, the brighter the space is the better for them. Their eyesight is worse than middle-aged adults. Therefore, using bright and distinctive colors will help seniors to differentiate objects better. I also focus on wayfinding and circulation in my design. I design my project to have linear and simple circulation. I try to have the main circulations on both floors to have a rectangular shape in the middle with rooms on the ends. A great method for wayfinding is using colors and signs. I have learned that all good designs use their colors very well in terms of aesthetics and wayf nding. Another way for wayfinding is using the floor materials to differentiate different areas.
RESEARCH STATEMENT
14
CONCEPT STATEMENT
How we define beauty is based on our own perspectives and interpretations. It is the artit’s vision that helps him/her to create succesful art and design. Thus, I want to bring something new into my senior housing design. Oscillation is the movement back and forth at a regular speed. It is the repetitive variation of measurements between two or more different states. Oscillation occurs in different systems such as beating human hearts, business cycles in economics, vibrations, and etc. This concept allows me to fully explore new design ideas and creating interesting shapes and textures to my design. I believe this is a good concept for senior housing because I want to bring in new and fresh design ideas for the ederly. It also helps to make the space more remembering for people with Alzaheim disease. When designing for seniors, the priority is their safety and then to make them feel at home. With these thoughts in mind, I believe that by creating replications and smooth objects will highly be a success for this project.
CONCEPT STATEMENT
15
FLOOR PLAN & ELEVATION LEVEL 1 Size: 5450 sq.ft
FLOORPLAN LEVEL 1
16
2' - 0" WOOD CEILING DESIGN
BOARD DESIGN IN BLACK FRAME
WOOD TABLE
1 E3
COMMUNITY ROOM ELEVATION SCALE: 1/2''= 1'-0''
0
5
10
ELEVATION LEVEL 1
17
20
3' - 0"
5' - 1"
6' - 0"
8' - 0"
8' - 11"
10' - 0"
12' - 0"
TRACK LIGHTS
FLOOR PLAN & ELEVATION LEVEL 2 Size: 5450 sq.ft
FLOORPLAN LEVEL 2
18
2' - 5" 1 E1
BAR ELEVATION LEVEL 1 SCALE: 1/2''= 1'-0''
0
5
20
10
8" 4"
2' - 0"
SUSPENDED CEILING AT 10'-0'' AFF
2' - 0"
2' - 3"
2' - 3"
1' - 4"
1' - 4"
1' - 10"
3' - 0"
9" 3"
5' - 10"
2"
1' - 8" 1"
2' - 10"
1' - 10" 12' - 0"
1' - 4"
1' - 11"
1' - 4"
1' - 11"
13' - 1"
2 E2
KITCHEN ELEVATION LEVEL 2 APT 1 SCALE: 1/2''= 1'-0''
0
5
ELEVATION LEVEL 2
19
10
20
CEILING STRUCTURE DESIGN ATTACHED TO CEILING AT 10'-0'' AFF
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 3"
10' - 1"
1' - 5"
5' - 6"
5' - 1"
4' - 9"
7' - 4"
3' - 2"
4' - 8"
8' - 2"
2' - 10"
4' - 4"
6' - 4"
4' - 11"
8' - 6"
7' - 4"
10"
2' - 11"
4' - 6"
4' - 8"
2' - 10"
3' - 0"
12'-0''
3' - 1"
2' - 1"
DROPPED CEILING AT 10'-0'' AFF
1' - 11"1' - 11"1' - 11"1' - 11" 2' - 1" 2' - 7"
3' - 3"
3' - 2"
WOOD CEILING AT 11'-0''
3' - 3"
4' - 7"
5' - 1"
1' - 7"
DROPPED CEILING DESIGN AT 10'' AFF
STAIRS
UP
2' - 0" 1' - 11"1' - 11"1' - 11" 2' - 1" 3' - 3"
3' - 4"
3' - 3"
4' - 10"
-1 "
SYM
DROPPED CEILING AT 10'-0'' AFF
4" 5'
5' - 8"
R
4' - 10"
6' - 0"
ø 8' - 4"
1' - 11"
1' - 11"
5' - 1"
6' - 0"
12'-0''
4' - 7"
3' - 4"
4' - 10"
4' - 10"
4' - 4"
6' - 6"
4' - 11"
3
4' - 5"
2' - 5"
3' - 2"
3' - 2"
6' - 6"
4' - 0"
4' - 4"
4' - 11"
3' - 4"
3' - 2"
2' - 11"
3
4' - 10"
2' - 8"
3 3
3' - 8"
4' - 1"
4' - 9"
5' - 1"
4' - 10"
4' - 11"
1' - 6" 2' - 11"
4' - 8"
2' - 3" 2' - 11" 2' - 0"
4' - 10" 4' - 10"
5' - 10"
1' - 5"
4' - 4"
UP
4' - 10"
2' - 10" 1' - 3" 2' - 11"
4' - 4"
3' - 10"
5' - 9"
3' - 4"
4' - 2"
STAIRS
1' - 9" 5' - 6"
5' - 6"
2' - 9"
5' - 6"
2' - 11"
3' - 4"
12'-0''
3' - 10"
4' - 11"
5' - 0"
7' - 11"
12'-0''
2' - 9"
3' - 4" 3' - 5"
5' - 0"
5' - 5" 19' - 9"
4' - 9"
6'' THICK WOOD PANELS
2' - 6"
4' - 5"
13' - 1"
1' - 1"
5' - 0"
15' - 10"
9" 8"
3' - 6"
9" 9" 9" 9" 9" 9" 9" 9" 9"
1' - 2"
5' - 0"
9"
2' - 11"
4' - 4"
9" 9" 9"
2' - 1" 2' - 2"
3' - 4"
9" 9" 9" 9" 9"
1' - 7"1' - 8"1' - 11" 1' - 1"
10' - 0" 9"
3' - 0" 2' - 2"
4' - 3"
3
8' - 11"
2' - 7"
3' - 5"
4' - 5"
8' - 11"
3' - 4"
' ø6
1' - 10"
1' - 5"
1' - 11"
6' - 6"
2' - 5"
2' - 8"
4' - 3"
2' - 3" 2' - 5"
4' - 1"
6' - 6"
2' - 4"
6' - 4"
2' - 6"
3' - 1"
8' - 2"
6' - 7"
3 3
SUSPENDED DESIGN AT 9'-6'' AFF
2' - 0" 4' - 7"
5' - 6"
3' - 5"
5' - 6"
5' - 10"
1 A1
11"
3' - 8"
2' - 5"
5' - 8"
4' - 0"
5' - 7" 3' - 3"
1' - 4"
5' - 8"
5' - 7"
3' - 5"
5' - 7"
RCP LIGHTING LEVEL 1 SCALE: 1/4''= 1'-0''
0
5
10
20 NORTH
RCP LIGHTING LEVEL 1
20
3' - 5"
5' - 7"
5' - 5"
2' - 10"
6' - 4"
4' - 3"
3' - 10"
2' - 9"
0" -1
1' - 5" 2' - 6"
5' - 11"
3' - 2"
CIRCULAR SOFFIT AT 10'-6'' AFF (FN1)
14' - 0"
3' - 6"
2' - 5" 2' - 2" 2' - 1" 2' - 10"
7"
5' - 5"
2' - 4" 2' - 2" 2' - 1" 2' - 4"
2' - 4"
7' - 3"
5' - 1"
2' - 4"
2' - 4"
7"
3' - 4"
1' - 3"
3' - 5"
9' - 7"
3' - 4"
2' - 0"
2' - 4"
12'-0''
5' - 1"
3' - 7"
4' - 6"
SUSPENDED DESIGN AT 11'-0'' AFF
1' - 2" 2' - 6"
3' - 10"
4' - 6"
5' - 2"
4' - 6"
10"
1' - 4"
4' - 6"
2' - 4"
1' - 3" 14' - 0"
3' - 0"
SUSPENDED CEILING AT 10'-0''
"
7"
9' - 7"
4' - 6"
'-3 R4
2' - 10"
4' - 1"
1' - 1"
4' - 3"
3' - 0"
4"
ELEVATOR
11'-0''
WOOD CEILING AT 11'-0''
3' - 0" 2' - 1" 1' - 10" 3' - 0"
3' - 0"
3' - 6"
6' - 0"
12'-0''
NO
* ALL SWITCHES ARE L * ALL LIGHT DIMENSION AND TO THE EDGE OF WALL * ALL EXHAUST VENT F RESTROOMS.
2' - 8"
5' - 2"
7" 2' - 4"
4' - 10"
3' - 8"
10' - 8"
11' - 4"
8' - 7"
8' - 7"
7' - 11"
6' - 2"
4' - 4"
112 STAFF OFFICE = 300 SQ.F
109
1' - 2"
COMMUNITT ROOM = 710 SQ.F
5' - 1"
3' - 10"
GFCI
WALK IN GFCI COOLER
16' - 5"
5' - 11"
2' - 5" 5" 1 GFCI KITCHEN = 360 SQ.F
105
1
GFCI
4' - 9"
GFCI
1 GFCI
1
STAIRS
GFCI
4' - 7"
1
UP
1
3' - 2"
3' - 5"
1' - 10"
GFCI
1
3' - 3"
1
110.2 M. REST. = 140 SQ.F
GFCI
1' - 6"
9"
3' - 10"
1' - 8"
108 JAN. CLOSET = 40 SQ.F
GFCI
1 GFCI
11" 3' - 1"
106 EXERCISE ROOM = 420 SQ.F
2' - 11"
2' - 6"
1 GFCI
UP
1 GFCI GFCI
7' - 5" 3' - 9"
5' - 1"
9' - 4"
STAIRS
W. REST. = 180 SQ.F
4' - 0"
GFCI 1
4' - 3" 110.1
11' - 9"
111 NURSE OFFICE = 160 SQ.F
1
STORAGE GFCI
14' - 3"
TRASH RM = 90 SQ.F
GFCI
3' - 8"
113
1' - 4"
4' - 4"
2' - 1"
1' - 1"
12' - 9"
3' - 8"
8' - 4"
2' - 6"
7' - 11"
2' - 2" 2' - 3" 1' - 3"
3' - 8"
9' - 9"
4' - 4"
2' - 3"
2' - 3"
3' - 10"
3' - 7" 104
ELEVATOR
S
2' - 0"
MECH. ROOM = 41 SQ.F
103 TELE. ROOM = 43 SQ.F
1' - 5" 3' - 2"
107
4' - 6"
OPEN LIBRARY = 325 SQ.F
102
5' - 2"
16' - 2"
DINING AREA = 500 SQ.F
101
GFCI LOBBY = 200 SQ.F
9' - 4"
9' - 11"
6' - 7"
5' - 5"
7' - 3"
10' - 1"
N
* ALL SWITCHES * ALL MEASUREM
1 A1
RCP ELECTRICAL OUTLETS LEVEL 1 SCALE: 1/4''= 1'-0''
0
5
10
20 NORTH
ELECTRICAL & POWER PLAN LEVEL 1
21
4' - 11"
2' - 2" 4' - 8"
3' - 5"
1' - 6" 4' - 9"
2' - 5"
4' - 9"
3
2' - 9"
2' - 9"
3
3' - 2"
2' - 9"
4' - 1" 3
4' - 3"
3' - 0"
3' - 2"
2' - 9"
SY
6' - 2"
3 3
2' - 9"
9" 5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
4
1 A1
2' - 5"
3' - 7"
3' - 2"
1' - 10"
0
RCP LIGHTING LEVEL 2
22
3' - 0"
2' - 10"
6' - 3"
4' - 2" 7' - 6"
D
1' - 6"
20
5' - 0"
3' - 1"
D
8" 2' - 7"
3
2' - 5" 4' - 9"
10
4' - 5"
3 3
3' - 8"
5
3' - 5"
4' - 1"
3' - 10" 2' - 3" 1' - 4"
RCP LIGHTING PLAN LEVEL 2 SCALE: 1/4''= 1'-0''
4' - 1"
1' - 6" 3' - 4"
4' - 6"
3
2' - 11"
4' - 0"
3
2' - 0" 5' - 0"
3' - 0"
2' - 6" 2' - 10"
2' - 6" 3
3' - 1"
2' - 11"
6' - 1"
4' - 9"
5' - 3"
2' - 11" 2' - 11" 3' - 1"
3' - 2" 3' - 2" 4' - 1"
1' - 3" 3' - 2"
7' - 1"
5' - 6"
3
1' - 5" 2' - 10" 3
2' - 11"
1' - 7" 6"
3' - 7"
3' - 8"
5' - 6" 3' - 8" 9"
2' - 11"
4' - 10"
1' - 8" 3' - 7" 3' - 7"
5' - 4" 3' - 4"
7' - 4"
3' - 6"
3 3
3' - 8"
D
4
6' - 7"
3' - 4"
6' - 7" 5' - 0"
4
1' - 11"
3 3
2' - 8"
2' - 4" 2' - 4" 1' - 5"
4 D
5' - 0"
2' - 6"
4' - 4"
9" 9"
5' - 1"
3' - 3"
3' - 4"
8' - 7"
15' - 0"
1' - 11"
4' - 5"
5' - 0" 4' - 1"
9"
3' - 6"
5' - 0"
2' - 7" 1' - 8"
3
4
0"
2' - 7"
4
3' -
0"
"
5' - 0"
2' - 9"
2' - 9"
R
3'
'-0
4' - 6"
7' - 1"
ø 4' - 8"
R
R3
6' - 7"
8' - 9"
ø 4' - 8"
3' - 2"
3' - 8"
8' - 11"
5' - 0"
ø 4' - 8"
7' - 0"
6" 1' - 1"
5' - 3"
6' - 7"
11'-0''
1' - 9"1' - 8"1' - 5"
4
4' - 7"
5' - 6"
5' - 0"
8' - 5"
5' - 0"
3' - 10"
5' - 0"
3' - 1"
5' - 0"
2' - 11"
4' - 6"
2' - 8"
4' - 4"
3
3
3' - 5"
3' - 4"
3
2' - 2" 2' - 3"
3
2' - 6"
5' - 3"
2' - 7"
2' - 5"
3' - 10"
D
4' - 6"
1' - 4" 3' - 6"
2' - 0" 2' - 4"
2' - 11" 3' - 7"
3' - 5" 3
3' - 9"
D
3 3
2' - 10"
4' - 0"
4' - 9"
1' - 6"
3' - 2"
3
4' - 7"
3' - 3"
SOFFIT AT 8'-0''
3
4' - 8"
2' - 6"
3' - 9"
2' - 11"
3 3
5' - 4"
1' - 1"2' - 2" 2' - 3"
1' - 9"
3' - 2" 1' - 6"
9" 2' - 4" 4' - 0"
2' - 5" 1' - 9"
4' - 7"
4' - 8"
4' - 5"
3' - 2"
5' - 2"
2' - 1"
5' - 2"
NORTH
2' - 4"
4' - 10"
2' - 5"
NO
* ALL SWITCHES AR * ALL LIGHT DIMENS TO THE EDGE OF W *
2' - 2"
GFCI GFCI 1
GFCI
1 GFCI
GFCI
GFCI
GFCI 1 1
GFCI
GFCI
GFCI
GFCI
1
GFCI 1
GFCI GFCI
1
GFCI
2' - 8"
4' - 1" 10' - 5"
13' - 7"
3' - 1"
GFCI
2' - 5"
2' - 7"
GFCI
1' - 5" 2' - 9"
3' - 0"
3' - 0"
GFCI
GFCI
GFCI
GFCI
4' - 0"
5' - 6"
3' - 1"
6' - 0"
1
4' - 1"
GFCI
GFCI
2' - 11"
GFCI
GFCI 1
GFCI
GFCI
2' - 9"
1
17' - 2" 1' - 3"
1
4' - 2" 15' - 7"
GFCI 1
GFCI 1
2' - 8" 1' - 5"
1
9' - 3" 7' - 2"
17' - 2"
4' - 4"
2' - 9"
GFCI
S
5' - 4"
1' - 2"
13' - 7" 1' - 0"
5' - 5"
11' - 2"
GFCI
1' - 6"
12' - 4"
1' - 0"
5' - 4"
1 A1
GFCI
0
5
10
ELECTRICAL & POWER PLAN LEVEL 2
23
2' - 10" 3' - 1"
4' - 10"
3' - 3"
3' - 3" 3' - 8" 6' - 6"
2' - 1" 2' - 11" 1' - 1"
RCP ELECTRICAL OUTLETS PLAN LEVEL 2 SCALE: 1/8''= 1'-0''
GFCI
6' - 9"
1' - 1"
1
GFCI
N
7' - 7"
GFCI GFCI 1
GFCI GFCI GFCI 1 1
GFCI
2' - 7" GFCI
GFCI
GFCI
20
NORTH
GFCI
* ALL SWITCHES * ALL MEASUREM
GFCI
1' - 5"
1' - 11" 2' - 3"
3' - 7"
GFCI
GFCI
1' - 7"
GFCI
1' - 7"
3' - 1"
GFCI
1' - 5"
7' - 9"
2' - 9"
3' - 2" GFCI 1 GFCI
GFCI
2' - 5" 2' - 2"
GFCI
2' - 10"
5' - 11"
GFCI GFCI
2' - 7"
GFCI
3' - 4"
1' - 3"
2' - 4"
10" 2' - 3"
1' - 7"
GFCI
1' - 2"
GFCI
4' - 2"
GFCI
GFCI
SKETCHES
24
SKETCHES
25
26
COMMUNITY ROOM 27
Size: 600 sq.ft Max # of Occupant load: 40 Occupant Load: 15 net
28
DINING ROOM Size: 500 sq.ft Occupant Load: 15 net Max # of Occupant load: 26
FINAL DESIGN
29
EXCERCISE ROOM Size: 400 sq.ft Occupant Load: 50 gross Max # of Occupant load: 8
FINAL DESIGN
30
31
SECOND LEVEL HALLWAY
The beautiful hallway features an open reading area with aesthetic lightings for seniors who like more of a private area than the common library. All doors are painted with different colors for Color Vision Deficient and Alzheimer seniors.
Size: 400 sq.ft Occupant Load: 50 gross Max # of Occupant load: 8
FINAL DESIGN
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STUDIO ROOM
The studio room has open floor plan with hidden bedroom behind the designed wood wall panels. All studios have different layouts to make it more memorable and regconizable for seniors. The beautiful kitchen backsplash helps to emphasize the beauty of this studio.
Size: 400 sq.ft Occupant Load: 50 gross Max # of Occupant load: 8
FINAL DESIGN
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2
RESIDENTIAL DESIGN Ernie’s house
35
PROJECT OVERVIEW
Ernie’s house is located at 13 Wood Street, San Francisco. The condominium consists of three levels for different clients. Each story contains a seperate condominium unit. The building has been owned by the Mariotto Family since its construction in 1955
PROJECT PROGRAM
36
ABOUT THE CLIENT The Mariottos are a three generation extended family. The family occupies the 3rd floor condominium. The 1st and 2nd floor condominiums will be listed for rent to low-income tenants, under a government assisted housing program.
CLIENT OVERVIEW
37
Neighborhood: Laurel Heights Parcel: 1069/041 Stories: 2 Building Area: 4,368 sq.ft Year Built: 1955 Occupancy: R-2
SURROUNDING AMMENITIES
Starbucks Peets Coffee Car Wash Convenient Stores UPS Store Public Storage Restaurants
SITE MAP
38
SITE MAP
Address: 13 Wood Street, San Francisco, CA, 94118
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LEVEL 1
LOW-INCOME TENANTS
LEVEL 1 PROGRAM
40
LEVEL 1 REQUIREMENTS
The 1st Floor unit will be rented through San Francisco’s Section 8 Rental Assistance Program for future low-income tenants. It is important to know that the units require better designs to serve residents who have disabilities. Implementation of the principles of Universal Design and compliance with ADA will be critical.
Level 1- Rental Unit for low income tenant(s) Entry Closet 1 Bedroom 1 Bathroom Laundry Kitchen Dining Area: 4-6 Living Room: 4-6 Office/Work space Storage Linet Closet Circulation
LEVEL 1 PROGRAM
41
ABSTRACT FLOATING
Abstract floating is to create an illusion, but once you have looked at it carefully, you will understand it. Each person has different lifestyles and needs, yet everyone needs space for their privacies, and the 13 Wood Street residential is a perfect place for them. I believe this is a perfect concept to meet the requirements and needs of my clients. This first floor will be an affordable unit. Thus, there will be alot of universal designs and ADA requirements in such a tight space. Floating Abstraction is the solution to this as I will create a space that looks bigger than it is, in order to make the owners/guests more comfortable. Circulation is one of the key requirements for this level 1 design. My design creates a space in which it will be the most comfortable, convenient and eye catching for my clients. The replication of an image makes the space more open and this is what I want my clients to feel. Color pallete plays an important role in a design, and with a great city with great weather, I have chosen a neutral color pallete such as grey and beige. This helps to connect the inside of the house to the outside, making the design harmonious.
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Office Master Bedroom Laundry ADA Bathroom Kitchen Living Room Dining Area
Office Master Bedroom Laundry ADA Bathroom Kitchen Living Room Dining Area
Office Master Bedroom Laundry ADA Bathroom Kitchen Living Room Dining Area
DESIGN DEVELOPMENT
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DESIGN DEVELOPMENT
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Laundry/Storage Kitchen Bathroom
Bedroom Living room Office/work space
FLOORPLAN DESIGN
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12/8/2016
HomeSullivan Fletcher Linen 1Piece Loveseat with Button Tufting in Twilight Blue40E954TBF2BLS The Home Depot
Home / Decor / Furniture / Living Room Furniture / Loveseats Model # 40E954TBF2BLS
Internet #300247261
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Fletcher Linen 1-Piece Loveseat with Button Tufting in Twilight Blue Write the first Review
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Product Overview Brighten up the look of your living room with the Fletcher Loveseat from HomeSullivan. This kitchy take on fun mid century decor features bright solid fabric with button tufting detail. The blonde oak finish legs give the piece a light, airy finish. With its bold yet neutral color, it's easy to accessorize with fun patterns to inspire your space.
Info & Guides Warranty You will need Adobe® Acrobat® Reader to view PDF documents. Download a free copy from the Adobe Web site.
California residents: see Proposition 65 information Wood construction ensures years of durable use
MATERIALS & FUNITURES
http://www.homedepot.com/p/HomeSullivanFletcherLinen1PieceLoveseatwithButtonTuftinginTwilightBlue40E954TBF2BLS/300247261
47
1/2
BATHROOM Size: 104 sq.ft The bathroom features an ADA bathtub & shower with long mounted bathroom countertop that allows wheelchair to go underneath. The big mirror creates a perfect reflection that makes the space looks bigger and cleaner.
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49
KITCHEN
This open kitchen allows easier circulation for the tenants that has direct connection to the backyard for barbeque party if needed. The kitchen is also located next to the garage door for easier trash.
FINAL DESIGN
50
51
FINAL DESIGN
52
LIVING ROOM & DINING ROOM
The floor to ceiling mirror at the dining area acts as a design feature that creates the expansion to the space. The beautiful glass light fixtures hanging from the suspended ceiling is the focus point, which increases the value of the design. Open doors to backyard creates an airy environment for future tenants.
FINAL DESIGN
53
FINAL DESIGN
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FINAL DESIGN
55
LEVEL 2
JASON WITH HIS TWO DAUGHTERS CHLOE AND AIMEE
LEVEL 2 PROGRAM
56
LEVEL 2 REQUIREMENTS
The 2nd Floor unit will also be rented through San Francisco’s Section 8 Rental Assistance Program for low-income tenants. As like the 1st floor unit, the 2nd floor unit will implement the principles of Universal Design and compliance with ADA.
Level 2- Rental Unit for low income tenant(s) Entry Closet 2 Bedrooms with a closet each 2 Bathrooms Laundry Kitchen Dining Area: 4-6 Living Room: 4-6 Office/Work space Storage Linen Closet Circulation
LEVEL 2 PROGRAM
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58
ABSTRACT FLOATING
The concept for level 2 two is also abstract floating but will be using a different design theme as well as color pallete. The insipration of the design will be based on different images as well as the approach to the design. The family needs big space for Aimee’s wheelchair access as well as space for the two young daughters who are active. When creating bigger space, not only to create the illusion, but also needs to focus on he volume. The Elements of Design include the Volume of the Space consists of form and space, position, and orientation. With this thought, I have chosen Herringbone wood floor. This is to create an interesting floor and the feeling of an expanding space. Interesting coffee table is designed based on the Shape ofthe Goblin Shark with two legs supporting horizontal wood table surface. The common area is designed with big empty area. The office wall is folded partition wall, allowing for more Volume of the interior mass.
CONCEPT STATEMENT
59
Office Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area
Office Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area
Office Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area
DESIGN DEVELOPMENT
60
DESIGN DEVELOPMENT
61
Dining Area: 4-6 Living Room: 4-6 Office/Work space Storage Linen Closet Circulation
Entry Closet 2 Bedrooms with a closet each 2 Bathrooms Laundry Kitchen
FLOORPLAN
62
MATERIALS & FURNITURES
63
FINAL DESIGN
64
KITCHEN & DINING ROOM
The Kitchen and Dining room are located near the patio for bigger use of space if needed for parties. Forms and shapes of custom furnitures reflect the design concept as well as providing spaces for ADA.
FINAL DESIGN
65
LIVING ROOM The suspended wall from ceiling helps to create a seperation between the spacious living room and dining area, yet to create an illusion of a bigger space.
FINAL DESIGN
66
FINAL DESIGN
67
FINAL DESIGN
68
BEDROOM Suspended beds from the wall with a small rounded support base and curved shelfs create a nice flow to the room and reflects the design concept.
FINAL DESIGN
69
BATHROOM The modern wood bathroom is shared between the Chloe and Aimee. The bathroom is ADA designed for Aimee.
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71
LEVEL 3
MARIO MARIOTTO AND SIMONA AND FRANK
LEVEL 3 PROGRAM
72
LEVEL 3 REQUIREMENTS
Maria Mariotto is a 45 year old single mom. She lives together with her 16-year old daughter, Simona and her 75 year old father, Frank. Maria operates a home business, so she needs office space for herself and 2 other employees. Maria serves as the landlord for the low-income tenants in the other two units.
Level 3- Maria, Simona, and Frank Entry Closet 3 Bedrooms with a closet each Master bathroom (with direct access) Second bathroom (shared with Simona and Frank) Laundry Kitchen with pantry Dining Area: 6 Living Room: 6 Home office for 3 people Storage Linen Closet Circulation
LEVEL 3 PROGRAM
73
CONCEPT
74
ABSTRACT FLOATING Abstract Floating concept carries out for this level as well. This design however will be targeted for different needs of the clients as well as using different Elements of Design. In order to create a Shape, Lines must be formed first. For me, Texture and Pattern play an extremely important role in this level design. I have learned that in designs, how you treat the changes in surfaces and materials make your design more outstanding. I want to create a smooth flow between the transaction from one surface and from one material to another. For an example, I want to create some furniture and designs that are floating off from the ground in order for people to see underneath and perceives this material and surface transactions. Everything will be open space, but for the bedrooms. This is because Maria loves to cook and have guests coming over, so having a big kichen and common area is a must. The open office will be seperated by folding partition wall allowing for bigger volume of mass when needed. The kichen island is a long horizontal surface, allowing for a great comfort when cooking. All bedooms are placed towards the window, allowing for the most natural light to come in.
CONCEPT
75
Office Master Bedroom Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area
Office Master Bedroom Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area
Office Master Bedroom Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area
BLOCK DIAGRAMS
76
SKETCHES
77
Entry Closet 3 Bedrooms with a closet each Master bathroom (with direct access) Second bathroom (shared with Simona and Frank) Laundry Kitchen with pantry
FLOORPLAN
78
Dining Area: 6 Living Room: 6 Home office for 3 people Storage Linen Closet Circulation
MATERIALS & FURNITURES
79
FINAL DESIGN
80
FINAL DESIGN
81
FINAL DESIGN
82
OFFICE & DINING ROOM The mirror base of the wood shelf creates an interesting effect to the space as if the floor never ends. The long book shelf helps to make a statement to the design as well as to give Maria extra spaces and storage for home office.
FINAL DESIGN
83
The U shape dining table is inspired by the inception model from RUFA- Rome University of Fine Arts. The suspended ceiling stand allows for easier cleaning and even more space for circulation.
FINAL DESIGN
84
FINAL DESIGN
85
FINAL DESIGN
86
FINAL DESIGN
87
Tetrony Market
COMMERCIAL DESIGN
3
ClIENT REQUIREMENTS: - Demonstration Kitchen With Safety of Seats People can participate in - Restaurant Oyster Bar Window Seatings, Table Seatings Pizza Oven Coffee/ Espresso Bar Open for Breakfast, Lunch, Dinner with a late-night menu Upscale Market Prepared Food Produce, Organic Specialties Sushi Charcuterie Wine selection area - Open Kitchen - Manager Office near the loading dock - Breakroom - Employees Locker Room - Walk in Refridgerator - Check out stations - ADA restrooms Mens Womens
CLIENT PROGRAM
90
WithTony 25 Years of experience as premier restaurant concept develRiviera is a restaurant concept developer, opers and owns visionaries, Tony Riviera ownrestaurants many successful restaurants who many successful such such as Maroni’s Pizza, Red Burrito, and Gourmet Pizza. He also as Maroni’s Pizza,and Gourmet Pizza. He founded the Primo Hospitality and is considered as one of the most founded theorganizers. Primo Hospitality. Tony isman and a wellalso known restaurants ALways an ambitious planning to has launch business nationally global thinker, Tony alwayshis been planning to launch his business nationally and internationally.Thus, Thus, Tony Tony isislooking to expand and internationally. looking to so by remodeling market hall in the area located at Mission Bay to expanda his business by bay remodeling a market have high quality foods, classic and classy for young, foodie, hipster. hall in the bay area located at Mission Bay to His specific style is to create a space to be “light, bright, natural, have quality foods, classy for to Tony’s casual, andhigh simple”. The logo also classic places asand an importance young, hipster. His specific to desire and tofoodie, be “charcoal grey, Black or Silver style for theisText”.
create a space to be “light, bright, natural, casual, and simple”. The logo also plays as an importance to Tony’s desire and to be “charcoal grey, Black or Silver for the Text”.
SURROUNDING NEIGHBORHOODS Mission Bay is one of the neighborhoods belong to district 9 of San Francisco. District 9 is known as the most promising developing area. Some of the neighborhoods surrounding Mission Bay are: - South Beach - Yerba Buena - Bernal Heights, - South of Market - SoMA - Potrero Hill - Inner Mission
ACCESSIBLE TRANSPORTATION - Caltrain - Metro Lines - Muni Stations - Taxis Uber Lyft - Highway Entrance: I-80 I-280 - Street ParkingW
SURROUNDING AMMENITIES - Cal Train Station - Asian Art Museum, Via Roma Gallery, etc - Schools: Academy of Arts University, California College of the Arts - AT&T Park, Mission Bay Commons Park - Bakeries: Panera Bread, Focaccia Market and Bakery - Grocery Stores - Gyms - Libaries: Mission Bay Libary - Safeway - Wallgreens - Southern Police Station - UCSF Medical Center - Banks
DEMOGRAPHICS - Mission Bay Neighborhood: 0.842 Squared Miles - Population in 2013 Mission Bay: 6,727 San Francisco/ 2014: 852,469 - Occupation Employment in Mission Bay White Collar: 1,401 Blue Collar: 568 - Number of households: 1,894 - Education Statistics: Bachelors Degree: 933 Graduate Degree: 1,400 High School: 78 - Average Income Median Under 25: $64,722 Median 25-44: $113, 356 Median 45-64: 69, 643
PROGRAM & SITE ANALYSIS
92
Mission Bay Block 2 185 Channel Street San Francisco, CA 94158 Mission Bay was original a natural habitat located in San Francisco. It was said that the Native American tribes had been living here for over 5000 years. In the mid 1800s, this area has been decided to make to be suitable for building, and around 1850, the area was used for shipbuilding and meat production. However, in 1998, it has been anounced for the redevelopment project and decided to be turned into a combination of high end residential and commercial neighborhood.
BUILDING FACTS - Year Built: 2013 - Area: Mission Bay - Zoning: Mixed Use, Residential, School - Zoning District: MB-RA - Occupancy Code: R-2, M, S-1
PROGRAM & SITE ANALYSIS
93
Bottega Louie is both a Patisserie and CafĂŠ, and a full service restaurant located at 700 South Grand Avenue, Los Angeles, CA 90017. Bottega Louie is considered as one of the most well known and crowded desert place in Los Angeles thanks to its beautiful interior design and the best tastes of deserts. In fact, It was named the most well popular restaurant in the United States on Yelp. It is a French patisserie with packaged foods to go, chocolates, and so on. Bottega opened in 2009 and the building Brockman itself just celebrated its 100 years.
CASE STUDY: BOTTEGA LOUIE
94
Bottega Louie is an Italian restaurant and a French Patisserie, thus the design concept is searching for the balance between the Italian, French, and modern interior. When we hear the world Bottega Louie, it immediately gets to our head of a fancy French word, and this is exactly what the Patisseries strives to achieve, a luxury and modern desert place for standards and higher living people. The interior is very bright, with high ceilings and white walls, high tall windows in order for the natural light to come in. Thanks to the beautiful corner location, there is always natural light shining through, making the whole space very clean and bright. When walking in to the building, people will experience the spacy interior. However, the seatings are very close to each other, making it extremely difficult to move around the restaurant.
CASE STUDY: BOTTEGA LOUIE
95
BRANDINGS
Safeway is an American Supermarket that was led by Cerberus Capital Management. Safeway is an upscale commercial space where people can go and buy prepared foods, groceries, etc. Brands that are in safeway are carefully selected so they meet certain requirements. In 2005, Safeway began brand repositioning campaign called “ingredients for life�, which included a redesign logo, new slogan, a website, and using more warm design and lighting.
CASE STUDY: SAFEWAY
96
CIRCULATION
The circulation of this Safeway brand is very linear with parallel aisle food cases. Looking at the floor plan, we can see that on the outside sides of the plan is long rectangular food/product cases and in the middle are little prepared food islands. The open Kitchen is located in the middle of the floor plan. This kitchen is located at both of the entrances so that people can see immediately when they enter. It is good that they have self checkouts and checkout stations near the entrance. This makes people easier to remember where the check outs are as well as to make them exit faster after buying the products.
CASE STUDY: SAFEWAY
97
TETRIS The basic idea of my Design is like Tetris, the arrangement of the objects is the key to a successful Design. An object itself doesnt serve any purpose, do only put together they can be better. Tetris is all about connected objects that are put together in diffferent arrangements to create different forms and shapes. In all of these photos, all different shapes and textures are created by putting different squares together. And by combining different shapes together, we create a design. This concept also matches with the idea of connecting with/providing “for a section of the community that may typically be underserved”, just like the saying “United we stand, divided we fall”. My chosen theme is black and white. Black is always an elegant color, and it contrasts well with all of other light colors and objects such as white, the food, the furniture, etc. On the other hand, using white in my design will create a clean and fresh look to the space, which serves the purpose of Tony’s idea: bright, light, natural, and simple. I believe that black and white Tetris interior design will be appealing to Tony’s targeted customers who are Young, Foodie, Hipster within the community. This is because high income people would like a luxury, not over whelming and especially clean commercial area.
CONCEPT STATEMENT
98
CONCEPT STATEMENT
99
BLOCK DIAGRAMS
100
FINAL SPACE PLANNING
FINAL SPACE PLANNING
DEMONSTRATION KITCHEN
BAR SEATINGS + TABLE SEATINGS
RESTAURANT
UPSCALE MARKET
WALK IN REFRIDGERATOR
DEMONSTRATION KITCHEN Demonstration Kitchen BAR Seating SEATINGS + TABLE SEATINGS Bar + Table Seatings RESTAURANT Restaurant UPSCALEMarket MARKET Upscale WALKin INRefrigerator REFRIDGERATOR Walk BREAKRoom ROOM++Manager MANAGEROffice OFFICE + LOCKERS Break + Lockers RESTROOMS Restrooms CHECKout OUT STATIONS Check Stations WINE SELECTIONS Wine Selections
SPACE PLANNING
101
2
Produce Case
SKETCHES
102
Fresh food Counter
SKETCHES
103
Restaurant Bar
Check out Station
SKETCHES
104
Wine Selection
Restaurant
SKETCHES
105
All products will have Tetrony Logo on it and all these are made out of paper , which contributes to the sustainability world.
BRANDING
106
BRANDING
107
Entrance Demonstraaon Kitchen Brick Wall Desgin
Featured Column
Open Kitchen Restaurant Bar
Entrance
Restaurant
Coffee Bar
Prepared Food Organic Produce
Entrance Meat & Sushi Specialles
Entrance
Manager Office & Break Room Lockers
Men ADA Restroom Check out Staaons Wine Seleccon Area Entrance
Women ADA Restroom
FLOORPLAN
108
CEILING PLAN
109
1
DEMO KITCHEN ELEVATION SCALE: 1/4’’ = 1’-0’’
3
RESTAURANT ELEVATION SCALE: 1/4’’ = 1’-0’’
INTERIOR ELEVATIONS
110
2
COFFEE BAR ELEVATION SCALE: 1/4’’ = 1’-0’’
4
MARKET ELEVATION SCALE: 1/4’’ = 1’-0’’
INTERIOR ELEVATIONS
111
MARKET DESIGN The upscale market is the most important area in the space. Thus, the space needed as well as the design need to be carefully thought out. Linear circulation helps the customers to easier find the products. The checkout and wine selection area are placed towards at the end of the market hall to create better traffic flow. Prepared Food Produce, Organic Specialties Sushi Charcuterie Wine selection area
112
FINAL DESIGN
113
MARKET DESIGN The market displaces variety of foods and products that meet high standards. The food cases specified in design are GM models.
FINAL DESIGN
114
A unique vegetables & Fruit custom shelf that creates an aesthetic composition in the design. The structure of the shelf is inspired by the Tetris.
FINAL DESIGN
115
116
RESTAURANT DESIGN 117
RESTAURANT DESIGN The restaurant features a variety of seatings with an oyster bar and Coffee bar. The coffee area and main retaurant area is sepereated by a custom Tetris wall design. There are window and bar seatings available as well for early morning breakfast and late night snacks. The dramatic pendant lightings help to create a romantic mood for dinner.
118
FINAL DESIGN
119
120
DEMONSTRATION KITCHEN An upscale demonstration Kitchen where people can participate in the cooking lessons as well as there are seatings for audience.
FINAL DESIGN
121
122
DEMONSTRATION KITCHEN The demonstration kitchen has a great view towards the beautiful mission bay area that let the participants enjoy the view during lesson or exhibition.
FINAL DESIGN
123
4
Nguyen Xi
Saigonres Plaza Apartment
PROJECT OVERVIEW
Saigonres Plaza Nguyen Xi is an apartment design in the residential building located at 188 Nguyen Xi street, Ho Chi Minh City, Vietnam. The clients is looking for a new 2 bedroom apartment design. The clients are friends of my parents. Thus, I have an opportunity to design this project. Their concept towards the design is “Westerner mixed with Modern Asian�. The clients are a married couple with one child and are looking to move in as soon as the apartment is finished. As they have good income, the budget is quite flexible and the aesthetics is what they care about.
PROJECT OVERVIEW
126
This project was done in Vietnam. Thus the scale system used was Metrics system. Working with metrics system enhanced my knowledge and developed my skills. It was a rough start at the beginning but with the progress, my skills got better and now I am able to work with both systems. The project dimensions will be showed in Metrics system. Nevertheless, there are translated scales for each Construction Document drawing.
BUILDING ANALYSIS
FACILITIES • • • • • • • •
SITE MAP
128
Cinema Bowling Alley Elementary School Supermarket Gym Restaurants Spas Shopping Mall
SITE MAP
129
FLOORPLAN & SECTIONS
TUONG 3D
515
TUONG 3D
BAN TRANG TRI
(D5)
DINING ROOM SECTION (A2.1) SCALE: 1:25 = 1/2’’ = 1’-0’’
MAT CAT PHONG SINH HOAT CHUNG (A2.1) SCALE: 1:25DESIGN SECTION 130
250 250
70
480
915
50
335
255
50
800
BAN AN (D4)
762
150 250 250 250 250 250 250 250 250 250 250 150
235 235 230
1400
600
3200
600 A1.2
A1.3
800
1600
1450
A1.1
700
700 1180
450 LIVING ROOM
A2.1
1400
700
MAST. BEDROOM
160
150 860
1140
400
TRAN HA THAP 2650
3170
500
900
460
A5.1
860
KE DUNG DO
TU LANH
3000
A4.1
710
500
1600
450
MAY HUT BEP
440
BEDROOM 1
A6.2
920 3410 2850
2000
1600
A3.1
3650
A6.1
850
500
560
KITCHEN
1210
600
2750
DINING ROOM
450
M
S 1850
700
1800 3670
1170
CUA VAO
PRELIMINARY FLOORPLAN SCALE: 1:50 = 1/4’’ = 1’-0’’
DO LE GIA DAT
Owne
PRELIMINARY FLOORPLAN
131
340
1320
1320
560
560
560
1040
1040
950
950
CONG TAC 3-WAY CONG SWITCH TAC 3 CHIEU D
DIMMER CONG TAC DIEU CHINH
380
750
750
750
750
750
1050
750
620
1150
1150
D
1150
278
1150 620
278
872
1390
1267
872
380
1390 1530
CONG TAC
620 1008
1530
D
1050
1780 1267
SWITCHES CONG TAC
664
1200
1780
540
1200
3
CONG TAC 3
3
664
1050
3 D
1200
620 1008
1530
1530
1050
1200
D
540
950
900
900
900
900
950
760
760
340
560
MAT BANG 1372
D
SCALE: 1:5 MAT BANG RCP 320 1372
3
320
3
1150 1150
SCALE: 1:50
770
770
REFLECTED CEILING PLAN SCALE: 1:50 = 1/4’’ = 1’-0’’
DO LE GIA DAT DO LE GIA DAT
REFLECTED CEILING PLAN
132
Owner Owner
Project
CEILING PLAN
REFLECTED CEILING PLAN
133
LIVING ROOM
The mirror creates an illusion of a bigger space than it actually is. This helps to make the dining room more extended. The rectangular wood table acts both as a seperationg for the dining and living room as well as a good funtion for decorations.
135
MASTER BEDROOM
A window view over the beautiful Sai Gon city both during the days and nights from the bed.
FINAL DESIGN
136
A spacious design for a bedroom 1 with a custom make up desk mounted in the corner BEDROOM 1
FINAL DESIGN
137
FINAL DESIGN
138
FINAL DESIGN
139
140
KITCHEN
FINAL DESIGN
141
CONSTRUCTION PROGRESS
142
CONSTRUCTION PROGRESS
143
5
OTHER INTERESTS
146
ELEVATOR AND FURNITURE RENDERINGS Watercolor on Aquarelle Arches paper
147
CHATEAU DE CHENONCEAU Oil on canvas
148
CHATEAU DE CHENONCEAU Oil on canvas
149
STILL LIFE PAINTING Oil on canvas
150
STILL LIFE PAINTING Oil on canvas
151
152
153
THANK YOU To my beloved parents. Thank you for all your supports and encouragements throughout my life. I would not have gotten this far without all the strengths you have given me. No words could describe how grateful I am for all the opportunities and guidances you gave me. To my friends, Thank you for all the countless of hardwork and supports through ups and downs we have gone through together: Vu Hoai Nguyen, Ngoc Nguyen, Dorothy Dong, Kina Truong, and especially my beloved girlfriend Uyen Nguyen. To my teammates, Thank you for all the fun nights we had together and the memories we created which made who I am today: Gustavo Romero, Daniel Cosgrove, Cody Moore, Tomaso Vielmo, and Pepe Lopez
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