Dat Do Portfolio

Page 1

INTERIOR DESIGNER


2


This book is dedicated to my parents

3


DO LE GIA DAT

+1. 628.202.2493 giadat_1994@yahoo.com

ACADEMY OF ART UNIVERSITY

79 New Montgomery, San Francisco, CA, 94132 DIRECTOR/ Kathleen Valkuchak INSTRUCTOR/ Leonarda Tamayo COURSE/ Portfolio PAPER/ TYPEFACE/ Calibri PHOTOGRAPHY/ Do Le Gia Dat & Google PRINTER/ Chum’s Design

COPYRIGHTS @ 2017 DO LE GIA DAT All rights reserved. No part of this publication may be produced, stored in a retrieval system or transmitted, in any form or by any means, without the written permission of Do Le Gia Dat


BIOGRAPHY Born and raised in Vietnam and with the supports from family, Dat decided to come to San Francisco in 2012 looking forwards to enhance his skills and vision. As a young kid, he has always shown his abilities and interests in arts. His passion towards Interior Design started growing after his connection with Lego. Dat has always found the fascination between human interactions with architecture and design. Thus, he has decided to go after his dreams. Dat always believes that “observation is the best teacher�. With this mind set, his inspirations always come from the people, objects, and events those encounter him. A succesful design must always have two factors, which are functionality and aesthetics. He also believes that a person could never learn enough. Therefore, Dat always sets higher goals for each project he faces.


TABLE OF CONTENTS

6


1

08

2

34

3

88

4

124

5

144

SENIOR DESIGN - Heimerdinger Senior Living Community

RESIDENTIAL DESIGN - Ernie’s House

COMMERCIAL DESIGN - Tetrony Market

NGUYEN XI - Saigonres Plaza Apartment

OTHER INTERESTS

7



1

SOCIAL DESIGN

Heimerdinger Senior Living Community


SITE ANALYSIS

Location: 505 Mission Bay blvd, Mission Bay district, San Francisco, CA 94158 Typography: flat land Hydrology: The ocean is only 2 blocks away, and from the site you can directly see it as there is no building in front blocking the view. Climate: The building will be affected by the southern sun and will have shades on the north side. One reason I have chosen this site is because San Francisco is a well known city for its beautiful climate all around the year with the lowest degree at 50.8*F and the highest at 63.8*F. The site is located in Mission Bay, which is a new developing area in San Francisco. The chosen site is just one block away from the bart station and minutes away from downtown and financial district of San Francisco by car. New apartments have been being built in the area, thus there are alot of amenities around the site such as grocery stores, transportations, restaurants, and etc. The site is also right across the Mission Bay Commons park, which will provide fresh air. The pharmaceutical company is also right across the street, which is a huge benefitial. The entrance to freeway I-280 is only 7 streets away, which gives great access for families to come and visit.

PROGRAM & SITE ANALYSIS

10

9


• • • • • • • • • • • • • •

PROJECT DIAGRAM Front Lobby with reception desk and 4 waiting chairs Dining Room: 500 s.f. minimum Kitchen: 250 s.f. minimum Community Room: 600 s.f. minimum Library/ Reading Room: 300 s.f. minimum Exercise room: 300 s.f. minimum Staff Offices: 300 s.f. Nurse’s office 150 s.f. 8 studio apartments with kitchen, accessible bathroom, closet, and laundry closet for stacking washer/ dryer (2’-9” wide x 3’-2” deep). Unit areas should be 410 s.f. minimum Adequate public restrooms Janitor’s closet Telecom closet Mechanical Room

PROGRAM & SITE ANALYSIS

11


PROGRAM AND ADJACENC

DJACENCY DIAGRAMS ADJACENCY DIAGRAMS

ADJACENCY DIAGRAMS

12


SPACE PLANNING SPACE PLANNING BUBBLE DIAGRAMS BUBBLE DIAGRAMS

BUBBLE BUBBLE DIAGRAMS DIAGRAMS

SPACE PLANNING

BBLE DIAGRAMS

BLOCK DIAGRAMS OPTION 2 OPTION 2

OPTION 1 OPTION 1 OPTION OPTION 11

OPTION OPTION 22

NG OPTION 1

OPTION 2 BLOCK DIAGRAMS OPTION 1 OPTION 1

OPTION 2 OPTION 2

OPTION OPTION 11

OPTION OPTION 22

OPTION 21 OPTION

OPTION 2

BUBBLE & BLOCK DIAGRAMS

13

14


RESEARCH

It is important to keep in mind that this is a Senior Living Community, thus their safety and health are the priorities in my design. Through the site and building analysis, I have a better idea of how the sunlight will affect the building and where or when there will be the most sunlight. With this in mind, I have arranged important rooms towards where the sunlight will get in the most, allowing the seniors to stay more healthy. Seniors behave differently than young adults and kids. Therefore, using universal design and ADA design are crucial to the project. All of my entrance minimum is 5’-0’’with all the ADA clearance in the bathroom for every unit and both floors. I also learned through my research that by giving options for the seniors to choose, they will feel more welcome. Thus I have designed every room differently and allowing them to choose their favorite. I want to create a healthy, and relax community for the seniors as well as be responsible to our environment. Thus, there are many other factors I have considered in my design. All of the materials used in the project are non-toxic and are counted towards LEED certificate. I use alot of recycled materials for my design such as recycled wood floor, and recycled glass. I also incorporate indoor plants in my design, allowing for more fresh air. Air quality plays an important part to maintain seniors health at good level. Thus, having good ventilations and certified materials contribute significantly to my design. I make sure that I dont put any supply air grill in the bathroom and kitchen because I don’t want bad air to flow around the building. Achieving LEED certificate for my project is also a proof to my design safety and healthy. A good selections of materials, furniture, lightings and fixtures must be made so that they count towards my LEED points. When selecting materials, I always look not just for their aesthetics looks, but their sourcing materials, LEED certifications, C2C certification, and Low VOC emission.

Dementia is a disease that causes memory loss (short-term memory), and decreases the ability to think. It is most common found in seniors. The research has shown that one in 3 seniors has Alzheimer’s. It also shows that smaller spaces cause more difficulties for seniors, because there are too much activities going on and they contain too much environmental stimulus. With this in mind, it is important to keep the space simple and easy to remember. There are multiple ways to do so, such as placing an artwork, or hiding unnecessary objects. For seniors with visual difficulties, the brighter the space is the better for them. Their eyesight is worse than middle-aged adults. Therefore, using bright and distinctive colors will help seniors to differentiate objects better. I also focus on wayfinding and circulation in my design. I design my project to have linear and simple circulation. I try to have the main circulations on both floors to have a rectangular shape in the middle with rooms on the ends. A great method for wayfinding is using colors and signs. I have learned that all good designs use their colors very well in terms of aesthetics and wayf nding. Another way for wayfinding is using the floor materials to differentiate different areas.

RESEARCH STATEMENT

14


CONCEPT STATEMENT

How we define beauty is based on our own perspectives and interpretations. It is the artit’s vision that helps him/her to create succesful art and design. Thus, I want to bring something new into my senior housing design. Oscillation is the movement back and forth at a regular speed. It is the repetitive variation of measurements between two or more different states. Oscillation occurs in different systems such as beating human hearts, business cycles in economics, vibrations, and etc. This concept allows me to fully explore new design ideas and creating interesting shapes and textures to my design. I believe this is a good concept for senior housing because I want to bring in new and fresh design ideas for the ederly. It also helps to make the space more remembering for people with Alzaheim disease. When designing for seniors, the priority is their safety and then to make them feel at home. With these thoughts in mind, I believe that by creating replications and smooth objects will highly be a success for this project.

CONCEPT STATEMENT

15


FLOOR PLAN & ELEVATION LEVEL 1 Size: 5450 sq.ft

FLOORPLAN LEVEL 1

16


2' - 0" WOOD CEILING DESIGN

BOARD DESIGN IN BLACK FRAME

WOOD TABLE

1 E3

COMMUNITY ROOM ELEVATION SCALE: 1/2''= 1'-0''

0

5

10

ELEVATION LEVEL 1

17

20

3' - 0"

5' - 1"

6' - 0"

8' - 0"

8' - 11"

10' - 0"

12' - 0"

TRACK LIGHTS


FLOOR PLAN & ELEVATION LEVEL 2 Size: 5450 sq.ft

FLOORPLAN LEVEL 2

18


2' - 5" 1 E1

BAR ELEVATION LEVEL 1 SCALE: 1/2''= 1'-0''

0

5

20

10

8" 4"

2' - 0"

SUSPENDED CEILING AT 10'-0'' AFF

2' - 0"

2' - 3"

2' - 3"

1' - 4"

1' - 4"

1' - 10"

3' - 0"

9" 3"

5' - 10"

2"

1' - 8" 1"

2' - 10"

1' - 10" 12' - 0"

1' - 4"

1' - 11"

1' - 4"

1' - 11"

13' - 1"

2 E2

KITCHEN ELEVATION LEVEL 2 APT 1 SCALE: 1/2''= 1'-0''

0

5

ELEVATION LEVEL 2

19

10

20


CEILING STRUCTURE DESIGN ATTACHED TO CEILING AT 10'-0'' AFF

5' - 0"

5' - 0"

5' - 0"

5' - 0"

5' - 3"

10' - 1"

1' - 5"

5' - 6"

5' - 1"

4' - 9"

7' - 4"

3' - 2"

4' - 8"

8' - 2"

2' - 10"

4' - 4"

6' - 4"

4' - 11"

8' - 6"

7' - 4"

10"

2' - 11"

4' - 6"

4' - 8"

2' - 10"

3' - 0"

12'-0''

3' - 1"

2' - 1"

DROPPED CEILING AT 10'-0'' AFF

1' - 11"1' - 11"1' - 11"1' - 11" 2' - 1" 2' - 7"

3' - 3"

3' - 2"

WOOD CEILING AT 11'-0''

3' - 3"

4' - 7"

5' - 1"

1' - 7"

DROPPED CEILING DESIGN AT 10'' AFF

STAIRS

UP

2' - 0" 1' - 11"1' - 11"1' - 11" 2' - 1" 3' - 3"

3' - 4"

3' - 3"

4' - 10"

-1 "

SYM

DROPPED CEILING AT 10'-0'' AFF

4" 5'

5' - 8"

R

4' - 10"

6' - 0"

ø 8' - 4"

1' - 11"

1' - 11"

5' - 1"

6' - 0"

12'-0''

4' - 7"

3' - 4"

4' - 10"

4' - 10"

4' - 4"

6' - 6"

4' - 11"

3

4' - 5"

2' - 5"

3' - 2"

3' - 2"

6' - 6"

4' - 0"

4' - 4"

4' - 11"

3' - 4"

3' - 2"

2' - 11"

3

4' - 10"

2' - 8"

3 3

3' - 8"

4' - 1"

4' - 9"

5' - 1"

4' - 10"

4' - 11"

1' - 6" 2' - 11"

4' - 8"

2' - 3" 2' - 11" 2' - 0"

4' - 10" 4' - 10"

5' - 10"

1' - 5"

4' - 4"

UP

4' - 10"

2' - 10" 1' - 3" 2' - 11"

4' - 4"

3' - 10"

5' - 9"

3' - 4"

4' - 2"

STAIRS

1' - 9" 5' - 6"

5' - 6"

2' - 9"

5' - 6"

2' - 11"

3' - 4"

12'-0''

3' - 10"

4' - 11"

5' - 0"

7' - 11"

12'-0''

2' - 9"

3' - 4" 3' - 5"

5' - 0"

5' - 5" 19' - 9"

4' - 9"

6'' THICK WOOD PANELS

2' - 6"

4' - 5"

13' - 1"

1' - 1"

5' - 0"

15' - 10"

9" 8"

3' - 6"

9" 9" 9" 9" 9" 9" 9" 9" 9"

1' - 2"

5' - 0"

9"

2' - 11"

4' - 4"

9" 9" 9"

2' - 1" 2' - 2"

3' - 4"

9" 9" 9" 9" 9"

1' - 7"1' - 8"1' - 11" 1' - 1"

10' - 0" 9"

3' - 0" 2' - 2"

4' - 3"

3

8' - 11"

2' - 7"

3' - 5"

4' - 5"

8' - 11"

3' - 4"

' ø6

1' - 10"

1' - 5"

1' - 11"

6' - 6"

2' - 5"

2' - 8"

4' - 3"

2' - 3" 2' - 5"

4' - 1"

6' - 6"

2' - 4"

6' - 4"

2' - 6"

3' - 1"

8' - 2"

6' - 7"

3 3

SUSPENDED DESIGN AT 9'-6'' AFF

2' - 0" 4' - 7"

5' - 6"

3' - 5"

5' - 6"

5' - 10"

1 A1

11"

3' - 8"

2' - 5"

5' - 8"

4' - 0"

5' - 7" 3' - 3"

1' - 4"

5' - 8"

5' - 7"

3' - 5"

5' - 7"

RCP LIGHTING LEVEL 1 SCALE: 1/4''= 1'-0''

0

5

10

20 NORTH

RCP LIGHTING LEVEL 1

20

3' - 5"

5' - 7"

5' - 5"

2' - 10"

6' - 4"

4' - 3"

3' - 10"

2' - 9"

0" -1

1' - 5" 2' - 6"

5' - 11"

3' - 2"

CIRCULAR SOFFIT AT 10'-6'' AFF (FN1)

14' - 0"

3' - 6"

2' - 5" 2' - 2" 2' - 1" 2' - 10"

7"

5' - 5"

2' - 4" 2' - 2" 2' - 1" 2' - 4"

2' - 4"

7' - 3"

5' - 1"

2' - 4"

2' - 4"

7"

3' - 4"

1' - 3"

3' - 5"

9' - 7"

3' - 4"

2' - 0"

2' - 4"

12'-0''

5' - 1"

3' - 7"

4' - 6"

SUSPENDED DESIGN AT 11'-0'' AFF

1' - 2" 2' - 6"

3' - 10"

4' - 6"

5' - 2"

4' - 6"

10"

1' - 4"

4' - 6"

2' - 4"

1' - 3" 14' - 0"

3' - 0"

SUSPENDED CEILING AT 10'-0''

"

7"

9' - 7"

4' - 6"

'-3 R4

2' - 10"

4' - 1"

1' - 1"

4' - 3"

3' - 0"

4"

ELEVATOR

11'-0''

WOOD CEILING AT 11'-0''

3' - 0" 2' - 1" 1' - 10" 3' - 0"

3' - 0"

3' - 6"

6' - 0"

12'-0''

NO

* ALL SWITCHES ARE L * ALL LIGHT DIMENSION AND TO THE EDGE OF WALL * ALL EXHAUST VENT F RESTROOMS.


2' - 8"

5' - 2"

7" 2' - 4"

4' - 10"

3' - 8"

10' - 8"

11' - 4"

8' - 7"

8' - 7"

7' - 11"

6' - 2"

4' - 4"

112 STAFF OFFICE = 300 SQ.F

109

1' - 2"

COMMUNITT ROOM = 710 SQ.F

5' - 1"

3' - 10"

GFCI

WALK IN GFCI COOLER

16' - 5"

5' - 11"

2' - 5" 5" 1 GFCI KITCHEN = 360 SQ.F

105

1

GFCI

4' - 9"

GFCI

1 GFCI

1

STAIRS

GFCI

4' - 7"

1

UP

1

3' - 2"

3' - 5"

1' - 10"

GFCI

1

3' - 3"

1

110.2 M. REST. = 140 SQ.F

GFCI

1' - 6"

9"

3' - 10"

1' - 8"

108 JAN. CLOSET = 40 SQ.F

GFCI

1 GFCI

11" 3' - 1"

106 EXERCISE ROOM = 420 SQ.F

2' - 11"

2' - 6"

1 GFCI

UP

1 GFCI GFCI

7' - 5" 3' - 9"

5' - 1"

9' - 4"

STAIRS

W. REST. = 180 SQ.F

4' - 0"

GFCI 1

4' - 3" 110.1

11' - 9"

111 NURSE OFFICE = 160 SQ.F

1

STORAGE GFCI

14' - 3"

TRASH RM = 90 SQ.F

GFCI

3' - 8"

113

1' - 4"

4' - 4"

2' - 1"

1' - 1"

12' - 9"

3' - 8"

8' - 4"

2' - 6"

7' - 11"

2' - 2" 2' - 3" 1' - 3"

3' - 8"

9' - 9"

4' - 4"

2' - 3"

2' - 3"

3' - 10"

3' - 7" 104

ELEVATOR

S

2' - 0"

MECH. ROOM = 41 SQ.F

103 TELE. ROOM = 43 SQ.F

1' - 5" 3' - 2"

107

4' - 6"

OPEN LIBRARY = 325 SQ.F

102

5' - 2"

16' - 2"

DINING AREA = 500 SQ.F

101

GFCI LOBBY = 200 SQ.F

9' - 4"

9' - 11"

6' - 7"

5' - 5"

7' - 3"

10' - 1"

N

* ALL SWITCHES * ALL MEASUREM

1 A1

RCP ELECTRICAL OUTLETS LEVEL 1 SCALE: 1/4''= 1'-0''

0

5

10

20 NORTH

ELECTRICAL & POWER PLAN LEVEL 1

21


4' - 11"

2' - 2" 4' - 8"

3' - 5"

1' - 6" 4' - 9"

2' - 5"

4' - 9"

3

2' - 9"

2' - 9"

3

3' - 2"

2' - 9"

4' - 1" 3

4' - 3"

3' - 0"

3' - 2"

2' - 9"

SY

6' - 2"

3 3

2' - 9"

9" 5' - 0"

5' - 0"

5' - 0"

5' - 0"

5' - 0"

5' - 0"

4

1 A1

2' - 5"

3' - 7"

3' - 2"

1' - 10"

0

RCP LIGHTING LEVEL 2

22

3' - 0"

2' - 10"

6' - 3"

4' - 2" 7' - 6"

D

1' - 6"

20

5' - 0"

3' - 1"

D

8" 2' - 7"

3

2' - 5" 4' - 9"

10

4' - 5"

3 3

3' - 8"

5

3' - 5"

4' - 1"

3' - 10" 2' - 3" 1' - 4"

RCP LIGHTING PLAN LEVEL 2 SCALE: 1/4''= 1'-0''

4' - 1"

1' - 6" 3' - 4"

4' - 6"

3

2' - 11"

4' - 0"

3

2' - 0" 5' - 0"

3' - 0"

2' - 6" 2' - 10"

2' - 6" 3

3' - 1"

2' - 11"

6' - 1"

4' - 9"

5' - 3"

2' - 11" 2' - 11" 3' - 1"

3' - 2" 3' - 2" 4' - 1"

1' - 3" 3' - 2"

7' - 1"

5' - 6"

3

1' - 5" 2' - 10" 3

2' - 11"

1' - 7" 6"

3' - 7"

3' - 8"

5' - 6" 3' - 8" 9"

2' - 11"

4' - 10"

1' - 8" 3' - 7" 3' - 7"

5' - 4" 3' - 4"

7' - 4"

3' - 6"

3 3

3' - 8"

D

4

6' - 7"

3' - 4"

6' - 7" 5' - 0"

4

1' - 11"

3 3

2' - 8"

2' - 4" 2' - 4" 1' - 5"

4 D

5' - 0"

2' - 6"

4' - 4"

9" 9"

5' - 1"

3' - 3"

3' - 4"

8' - 7"

15' - 0"

1' - 11"

4' - 5"

5' - 0" 4' - 1"

9"

3' - 6"

5' - 0"

2' - 7" 1' - 8"

3

4

0"

2' - 7"

4

3' -

0"

"

5' - 0"

2' - 9"

2' - 9"

R

3'

'-0

4' - 6"

7' - 1"

ø 4' - 8"

R

R3

6' - 7"

8' - 9"

ø 4' - 8"

3' - 2"

3' - 8"

8' - 11"

5' - 0"

ø 4' - 8"

7' - 0"

6" 1' - 1"

5' - 3"

6' - 7"

11'-0''

1' - 9"1' - 8"1' - 5"

4

4' - 7"

5' - 6"

5' - 0"

8' - 5"

5' - 0"

3' - 10"

5' - 0"

3' - 1"

5' - 0"

2' - 11"

4' - 6"

2' - 8"

4' - 4"

3

3

3' - 5"

3' - 4"

3

2' - 2" 2' - 3"

3

2' - 6"

5' - 3"

2' - 7"

2' - 5"

3' - 10"

D

4' - 6"

1' - 4" 3' - 6"

2' - 0" 2' - 4"

2' - 11" 3' - 7"

3' - 5" 3

3' - 9"

D

3 3

2' - 10"

4' - 0"

4' - 9"

1' - 6"

3' - 2"

3

4' - 7"

3' - 3"

SOFFIT AT 8'-0''

3

4' - 8"

2' - 6"

3' - 9"

2' - 11"

3 3

5' - 4"

1' - 1"2' - 2" 2' - 3"

1' - 9"

3' - 2" 1' - 6"

9" 2' - 4" 4' - 0"

2' - 5" 1' - 9"

4' - 7"

4' - 8"

4' - 5"

3' - 2"

5' - 2"

2' - 1"

5' - 2"

NORTH

2' - 4"

4' - 10"

2' - 5"

NO

* ALL SWITCHES AR * ALL LIGHT DIMENS TO THE EDGE OF W *


2' - 2"

GFCI GFCI 1

GFCI

1 GFCI

GFCI

GFCI

GFCI 1 1

GFCI

GFCI

GFCI

GFCI

1

GFCI 1

GFCI GFCI

1

GFCI

2' - 8"

4' - 1" 10' - 5"

13' - 7"

3' - 1"

GFCI

2' - 5"

2' - 7"

GFCI

1' - 5" 2' - 9"

3' - 0"

3' - 0"

GFCI

GFCI

GFCI

GFCI

4' - 0"

5' - 6"

3' - 1"

6' - 0"

1

4' - 1"

GFCI

GFCI

2' - 11"

GFCI

GFCI 1

GFCI

GFCI

2' - 9"

1

17' - 2" 1' - 3"

1

4' - 2" 15' - 7"

GFCI 1

GFCI 1

2' - 8" 1' - 5"

1

9' - 3" 7' - 2"

17' - 2"

4' - 4"

2' - 9"

GFCI

S

5' - 4"

1' - 2"

13' - 7" 1' - 0"

5' - 5"

11' - 2"

GFCI

1' - 6"

12' - 4"

1' - 0"

5' - 4"

1 A1

GFCI

0

5

10

ELECTRICAL & POWER PLAN LEVEL 2

23

2' - 10" 3' - 1"

4' - 10"

3' - 3"

3' - 3" 3' - 8" 6' - 6"

2' - 1" 2' - 11" 1' - 1"

RCP ELECTRICAL OUTLETS PLAN LEVEL 2 SCALE: 1/8''= 1'-0''

GFCI

6' - 9"

1' - 1"

1

GFCI

N

7' - 7"

GFCI GFCI 1

GFCI GFCI GFCI 1 1

GFCI

2' - 7" GFCI

GFCI

GFCI

20

NORTH

GFCI

* ALL SWITCHES * ALL MEASUREM

GFCI

1' - 5"

1' - 11" 2' - 3"

3' - 7"

GFCI

GFCI

1' - 7"

GFCI

1' - 7"

3' - 1"

GFCI

1' - 5"

7' - 9"

2' - 9"

3' - 2" GFCI 1 GFCI

GFCI

2' - 5" 2' - 2"

GFCI

2' - 10"

5' - 11"

GFCI GFCI

2' - 7"

GFCI

3' - 4"

1' - 3"

2' - 4"

10" 2' - 3"

1' - 7"

GFCI

1' - 2"

GFCI

4' - 2"

GFCI

GFCI


SKETCHES

24


SKETCHES

25


26


COMMUNITY ROOM 27

Size: 600 sq.ft Max # of Occupant load: 40 Occupant Load: 15 net


28


DINING ROOM Size: 500 sq.ft Occupant Load: 15 net Max # of Occupant load: 26

FINAL DESIGN

29


EXCERCISE ROOM Size: 400 sq.ft Occupant Load: 50 gross Max # of Occupant load: 8

FINAL DESIGN

30


31


SECOND LEVEL HALLWAY

The beautiful hallway features an open reading area with aesthetic lightings for seniors who like more of a private area than the common library. All doors are painted with different colors for Color Vision Deficient and Alzheimer seniors.

Size: 400 sq.ft Occupant Load: 50 gross Max # of Occupant load: 8

FINAL DESIGN

32


STUDIO ROOM

The studio room has open floor plan with hidden bedroom behind the designed wood wall panels. All studios have different layouts to make it more memorable and regconizable for seniors. The beautiful kitchen backsplash helps to emphasize the beauty of this studio.

Size: 400 sq.ft Occupant Load: 50 gross Max # of Occupant load: 8

FINAL DESIGN

33



2

RESIDENTIAL DESIGN Ernie’s house

35


PROJECT OVERVIEW

Ernie’s house is located at 13 Wood Street, San Francisco. The condominium consists of three levels for different clients. Each story contains a seperate condominium unit. The building has been owned by the Mariotto Family since its construction in 1955

PROJECT PROGRAM

36


ABOUT THE CLIENT The Mariottos are a three generation extended family. The family occupies the 3rd floor condominium. The 1st and 2nd floor condominiums will be listed for rent to low-income tenants, under a government assisted housing program.

CLIENT OVERVIEW

37


Neighborhood: Laurel Heights Parcel: 1069/041 Stories: 2 Building Area: 4,368 sq.ft Year Built: 1955 Occupancy: R-2

SURROUNDING AMMENITIES

Starbucks Peets Coffee Car Wash Convenient Stores UPS Store Public Storage Restaurants

SITE MAP

38

SITE MAP

Address: 13 Wood Street, San Francisco, CA, 94118


39


LEVEL 1

LOW-INCOME TENANTS

LEVEL 1 PROGRAM

40


LEVEL 1 REQUIREMENTS

The 1st Floor unit will be rented through San Francisco’s Section 8 Rental Assistance Program for future low-income tenants. It is important to know that the units require better designs to serve residents who have disabilities. Implementation of the principles of Universal Design and compliance with ADA will be critical.

Level 1- Rental Unit for low income tenant(s) Entry Closet 1 Bedroom 1 Bathroom Laundry Kitchen Dining Area: 4-6 Living Room: 4-6 Office/Work space Storage Linet Closet Circulation

LEVEL 1 PROGRAM

41


ABSTRACT FLOATING

Abstract floating is to create an illusion, but once you have looked at it carefully, you will understand it. Each person has different lifestyles and needs, yet everyone needs space for their privacies, and the 13 Wood Street residential is a perfect place for them. I believe this is a perfect concept to meet the requirements and needs of my clients. This first floor will be an affordable unit. Thus, there will be alot of universal designs and ADA requirements in such a tight space. Floating Abstraction is the solution to this as I will create a space that looks bigger than it is, in order to make the owners/guests more comfortable. Circulation is one of the key requirements for this level 1 design. My design creates a space in which it will be the most comfortable, convenient and eye catching for my clients. The replication of an image makes the space more open and this is what I want my clients to feel. Color pallete plays an important role in a design, and with a great city with great weather, I have chosen a neutral color pallete such as grey and beige. This helps to connect the inside of the house to the outside, making the design harmonious.

42


43


Office Master Bedroom Laundry ADA Bathroom Kitchen Living Room Dining Area

Office Master Bedroom Laundry ADA Bathroom Kitchen Living Room Dining Area

Office Master Bedroom Laundry ADA Bathroom Kitchen Living Room Dining Area

DESIGN DEVELOPMENT

44


DESIGN DEVELOPMENT

45


Laundry/Storage Kitchen Bathroom

Bedroom Living room Office/work space

FLOORPLAN DESIGN

46


12/8/2016

HomeSullivan Fletcher Linen 1­Piece Loveseat with Button Tufting in Twilight Blue­40E954TBF­2BLS ­ The Home Depot

Home / Decor / Furniture / Living Room Furniture / Loveseats Model # 40E954TBF­2BLS

Internet #300247261

HomeSullivan

Fletcher Linen 1-Piece Loveseat with Button Tufting in Twilight Blue Write the first Review

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Product Overview Brighten up the look of your living room with the Fletcher Loveseat from HomeSullivan. This kitchy take on fun mid century decor features bright solid fabric with button tufting detail. The blonde oak finish legs give the piece a light, airy finish. With its bold yet neutral color, it's easy to accessorize with fun patterns to inspire your space.

Info & Guides Warranty You will need Adobe® Acrobat® Reader to view PDF documents. Download a free copy from the Adobe Web site.

California residents: see Proposition 65 information Wood construction ensures years of durable use

MATERIALS & FUNITURES

http://www.homedepot.com/p/HomeSullivan­Fletcher­Linen­1­Piece­Loveseat­with­Button­Tufting­in­Twilight­Blue­40E954TBF­2BLS/300247261

47

1/2


BATHROOM Size: 104 sq.ft The bathroom features an ADA bathtub & shower with long mounted bathroom countertop that allows wheelchair to go underneath. The big mirror creates a perfect reflection that makes the space looks bigger and cleaner.

48


49


KITCHEN

This open kitchen allows easier circulation for the tenants that has direct connection to the backyard for barbeque party if needed. The kitchen is also located next to the garage door for easier trash.

FINAL DESIGN

50


51


FINAL DESIGN

52


LIVING ROOM & DINING ROOM

The floor to ceiling mirror at the dining area acts as a design feature that creates the expansion to the space. The beautiful glass light fixtures hanging from the suspended ceiling is the focus point, which increases the value of the design. Open doors to backyard creates an airy environment for future tenants.

FINAL DESIGN

53


FINAL DESIGN

54


FINAL DESIGN

55


LEVEL 2

JASON WITH HIS TWO DAUGHTERS CHLOE AND AIMEE

LEVEL 2 PROGRAM

56


LEVEL 2 REQUIREMENTS

The 2nd Floor unit will also be rented through San Francisco’s Section 8 Rental Assistance Program for low-income tenants. As like the 1st floor unit, the 2nd floor unit will implement the principles of Universal Design and compliance with ADA.

Level 2- Rental Unit for low income tenant(s) Entry Closet 2 Bedrooms with a closet each 2 Bathrooms Laundry Kitchen Dining Area: 4-6 Living Room: 4-6 Office/Work space Storage Linen Closet Circulation

LEVEL 2 PROGRAM

57


58


ABSTRACT FLOATING

The concept for level 2 two is also abstract floating but will be using a different design theme as well as color pallete. The insipration of the design will be based on different images as well as the approach to the design. The family needs big space for Aimee’s wheelchair access as well as space for the two young daughters who are active. When creating bigger space, not only to create the illusion, but also needs to focus on he volume. The Elements of Design include the Volume of the Space consists of form and space, position, and orientation. With this thought, I have chosen Herringbone wood floor. This is to create an interesting floor and the feeling of an expanding space. Interesting coffee table is designed based on the Shape ofthe Goblin Shark with two legs supporting horizontal wood table surface. The common area is designed with big empty area. The office wall is folded partition wall, allowing for more Volume of the interior mass.

CONCEPT STATEMENT

59


Office Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area

Office Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area

Office Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area

DESIGN DEVELOPMENT

60


DESIGN DEVELOPMENT

61


Dining Area: 4-6 Living Room: 4-6 Office/Work space Storage Linen Closet Circulation

Entry Closet 2 Bedrooms with a closet each 2 Bathrooms Laundry Kitchen

FLOORPLAN

62


MATERIALS & FURNITURES

63


FINAL DESIGN

64


KITCHEN & DINING ROOM

The Kitchen and Dining room are located near the patio for bigger use of space if needed for parties. Forms and shapes of custom furnitures reflect the design concept as well as providing spaces for ADA.

FINAL DESIGN

65


LIVING ROOM The suspended wall from ceiling helps to create a seperation between the spacious living room and dining area, yet to create an illusion of a bigger space.

FINAL DESIGN

66


FINAL DESIGN

67


FINAL DESIGN

68


BEDROOM Suspended beds from the wall with a small rounded support base and curved shelfs create a nice flow to the room and reflects the design concept.

FINAL DESIGN

69


BATHROOM The modern wood bathroom is shared between the Chloe and Aimee. The bathroom is ADA designed for Aimee.

70


71


LEVEL 3

MARIO MARIOTTO AND SIMONA AND FRANK

LEVEL 3 PROGRAM

72


LEVEL 3 REQUIREMENTS

Maria Mariotto is a 45 year old single mom. She lives together with her 16-year old daughter, Simona and her 75 year old father, Frank. Maria operates a home business, so she needs office space for herself and 2 other employees. Maria serves as the landlord for the low-income tenants in the other two units.

Level 3- Maria, Simona, and Frank Entry Closet 3 Bedrooms with a closet each Master bathroom (with direct access) Second bathroom (shared with Simona and Frank) Laundry Kitchen with pantry Dining Area: 6 Living Room: 6 Home office for 3 people Storage Linen Closet Circulation

LEVEL 3 PROGRAM

73


CONCEPT

74


ABSTRACT FLOATING Abstract Floating concept carries out for this level as well. This design however will be targeted for different needs of the clients as well as using different Elements of Design. In order to create a Shape, Lines must be formed first. For me, Texture and Pattern play an extremely important role in this level design. I have learned that in designs, how you treat the changes in surfaces and materials make your design more outstanding. I want to create a smooth flow between the transaction from one surface and from one material to another. For an example, I want to create some furniture and designs that are floating off from the ground in order for people to see underneath and perceives this material and surface transactions. Everything will be open space, but for the bedrooms. This is because Maria loves to cook and have guests coming over, so having a big kichen and common area is a must. The open office will be seperated by folding partition wall allowing for bigger volume of mass when needed. The kichen island is a long horizontal surface, allowing for a great comfort when cooking. All bedooms are placed towards the window, allowing for the most natural light to come in.

CONCEPT

75


Office Master Bedroom Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area

Office Master Bedroom Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area

Office Master Bedroom Bedroom 1 Bedroom 2 ADA Bathroom Kitchen Living Room Dining Area

BLOCK DIAGRAMS

76


SKETCHES

77


Entry Closet 3 Bedrooms with a closet each Master bathroom (with direct access) Second bathroom (shared with Simona and Frank) Laundry Kitchen with pantry

FLOORPLAN

78

Dining Area: 6 Living Room: 6 Home office for 3 people Storage Linen Closet Circulation


MATERIALS & FURNITURES

79


FINAL DESIGN

80


FINAL DESIGN

81


FINAL DESIGN

82


OFFICE & DINING ROOM The mirror base of the wood shelf creates an interesting effect to the space as if the floor never ends. The long book shelf helps to make a statement to the design as well as to give Maria extra spaces and storage for home office.

FINAL DESIGN

83


The U shape dining table is inspired by the inception model from RUFA- Rome University of Fine Arts. The suspended ceiling stand allows for easier cleaning and even more space for circulation.

FINAL DESIGN

84


FINAL DESIGN

85


FINAL DESIGN

86


FINAL DESIGN

87



Tetrony Market

COMMERCIAL DESIGN

3


ClIENT REQUIREMENTS: - Demonstration Kitchen With Safety of Seats People can participate in - Restaurant Oyster Bar Window Seatings, Table Seatings Pizza Oven Coffee/ Espresso Bar Open for Breakfast, Lunch, Dinner with a late-night menu Upscale Market Prepared Food Produce, Organic Specialties Sushi Charcuterie Wine selection area - Open Kitchen - Manager Office near the loading dock - Breakroom - Employees Locker Room - Walk in Refridgerator - Check out stations - ADA restrooms Mens Womens

CLIENT PROGRAM

90


WithTony 25 Years of experience as premier restaurant concept develRiviera is a restaurant concept developer, opers and owns visionaries, Tony Riviera ownrestaurants many successful restaurants who many successful such such as Maroni’s Pizza, Red Burrito, and Gourmet Pizza. He also as Maroni’s Pizza,and Gourmet Pizza. He founded the Primo Hospitality and is considered as one of the most founded theorganizers. Primo Hospitality. Tony isman and a wellalso known restaurants ALways an ambitious planning to has launch business nationally global thinker, Tony alwayshis been planning to launch his business nationally and internationally.Thus, Thus, Tony Tony isislooking to expand and internationally. looking to so by remodeling market hall in the area located at Mission Bay to expanda his business by bay remodeling a market have high quality foods, classic and classy for young, foodie, hipster. hall in the bay area located at Mission Bay to His specific style is to create a space to be “light, bright, natural, have quality foods, classy for to Tony’s casual, andhigh simple”. The logo also classic places asand an importance young, hipster. His specific to desire and tofoodie, be “charcoal grey, Black or Silver style for theisText”.

create a space to be “light, bright, natural, casual, and simple”. The logo also plays as an importance to Tony’s desire and to be “charcoal grey, Black or Silver for the Text”.


SURROUNDING NEIGHBORHOODS Mission Bay is one of the neighborhoods belong to district 9 of San Francisco. District 9 is known as the most promising developing area. Some of the neighborhoods surrounding Mission Bay are: - South Beach - Yerba Buena - Bernal Heights, - South of Market - SoMA - Potrero Hill - Inner Mission

ACCESSIBLE TRANSPORTATION - Caltrain - Metro Lines - Muni Stations - Taxis Uber Lyft - Highway Entrance: I-80 I-280 - Street ParkingW

SURROUNDING AMMENITIES - Cal Train Station - Asian Art Museum, Via Roma Gallery, etc - Schools: Academy of Arts University, California College of the Arts - AT&T Park, Mission Bay Commons Park - Bakeries: Panera Bread, Focaccia Market and Bakery - Grocery Stores - Gyms - Libaries: Mission Bay Libary - Safeway - Wallgreens - Southern Police Station - UCSF Medical Center - Banks

DEMOGRAPHICS - Mission Bay Neighborhood: 0.842 Squared Miles - Population in 2013 Mission Bay: 6,727 San Francisco/ 2014: 852,469 - Occupation Employment in Mission Bay White Collar: 1,401 Blue Collar: 568 - Number of households: 1,894 - Education Statistics: Bachelors Degree: 933 Graduate Degree: 1,400 High School: 78 - Average Income Median Under 25: $64,722 Median 25-44: $113, 356 Median 45-64: 69, 643

PROGRAM & SITE ANALYSIS

92


Mission Bay Block 2 185 Channel Street San Francisco, CA 94158 Mission Bay was original a natural habitat located in San Francisco. It was said that the Native American tribes had been living here for over 5000 years. In the mid 1800s, this area has been decided to make to be suitable for building, and around 1850, the area was used for shipbuilding and meat production. However, in 1998, it has been anounced for the redevelopment project and decided to be turned into a combination of high end residential and commercial neighborhood.

BUILDING FACTS - Year Built: 2013 - Area: Mission Bay - Zoning: Mixed Use, Residential, School - Zoning District: MB-RA - Occupancy Code: R-2, M, S-1

PROGRAM & SITE ANALYSIS

93


Bottega Louie is both a Patisserie and CafĂŠ, and a full service restaurant located at 700 South Grand Avenue, Los Angeles, CA 90017. Bottega Louie is considered as one of the most well known and crowded desert place in Los Angeles thanks to its beautiful interior design and the best tastes of deserts. In fact, It was named the most well popular restaurant in the United States on Yelp. It is a French patisserie with packaged foods to go, chocolates, and so on. Bottega opened in 2009 and the building Brockman itself just celebrated its 100 years.

CASE STUDY: BOTTEGA LOUIE

94


Bottega Louie is an Italian restaurant and a French Patisserie, thus the design concept is searching for the balance between the Italian, French, and modern interior. When we hear the world Bottega Louie, it immediately gets to our head of a fancy French word, and this is exactly what the Patisseries strives to achieve, a luxury and modern desert place for standards and higher living people. The interior is very bright, with high ceilings and white walls, high tall windows in order for the natural light to come in. Thanks to the beautiful corner location, there is always natural light shining through, making the whole space very clean and bright. When walking in to the building, people will experience the spacy interior. However, the seatings are very close to each other, making it extremely difficult to move around the restaurant.

CASE STUDY: BOTTEGA LOUIE

95


BRANDINGS

Safeway is an American Supermarket that was led by Cerberus Capital Management. Safeway is an upscale commercial space where people can go and buy prepared foods, groceries, etc. Brands that are in safeway are carefully selected so they meet certain requirements. In 2005, Safeway began brand repositioning campaign called “ingredients for life�, which included a redesign logo, new slogan, a website, and using more warm design and lighting.

CASE STUDY: SAFEWAY

96


CIRCULATION

The circulation of this Safeway brand is very linear with parallel aisle food cases. Looking at the floor plan, we can see that on the outside sides of the plan is long rectangular food/product cases and in the middle are little prepared food islands. The open Kitchen is located in the middle of the floor plan. This kitchen is located at both of the entrances so that people can see immediately when they enter. It is good that they have self checkouts and checkout stations near the entrance. This makes people easier to remember where the check outs are as well as to make them exit faster after buying the products.

CASE STUDY: SAFEWAY

97


TETRIS The basic idea of my Design is like Tetris, the arrangement of the objects is the key to a successful Design. An object itself doesnt serve any purpose, do only put together they can be better. Tetris is all about connected objects that are put together in diffferent arrangements to create different forms and shapes. In all of these photos, all different shapes and textures are created by putting different squares together. And by combining different shapes together, we create a design. This concept also matches with the idea of connecting with/providing “for a section of the community that may typically be underserved”, just like the saying “United we stand, divided we fall”. My chosen theme is black and white. Black is always an elegant color, and it contrasts well with all of other light colors and objects such as white, the food, the furniture, etc. On the other hand, using white in my design will create a clean and fresh look to the space, which serves the purpose of Tony’s idea: bright, light, natural, and simple. I believe that black and white Tetris interior design will be appealing to Tony’s targeted customers who are Young, Foodie, Hipster within the community. This is because high income people would like a luxury, not over whelming and especially clean commercial area.

CONCEPT STATEMENT

98


CONCEPT STATEMENT

99


BLOCK DIAGRAMS

100


FINAL SPACE PLANNING

FINAL SPACE PLANNING

DEMONSTRATION KITCHEN

BAR SEATINGS + TABLE SEATINGS

RESTAURANT

UPSCALE MARKET

WALK IN REFRIDGERATOR

DEMONSTRATION KITCHEN Demonstration Kitchen BAR Seating SEATINGS + TABLE SEATINGS Bar + Table Seatings RESTAURANT Restaurant UPSCALEMarket MARKET Upscale WALKin INRefrigerator REFRIDGERATOR Walk BREAKRoom ROOM++Manager MANAGEROffice OFFICE + LOCKERS Break + Lockers RESTROOMS Restrooms CHECKout OUT STATIONS Check Stations WINE SELECTIONS Wine Selections

SPACE PLANNING

101

2


Produce Case

SKETCHES

102


Fresh food Counter

SKETCHES

103


Restaurant Bar

Check out Station

SKETCHES

104


Wine Selection

Restaurant

SKETCHES

105


All products will have Tetrony Logo on it and all these are made out of paper , which contributes to the sustainability world.

BRANDING

106


BRANDING

107


Entrance Demonstraaon Kitchen Brick Wall Desgin

Featured Column

Open Kitchen Restaurant Bar

Entrance

Restaurant

Coffee Bar

Prepared Food Organic Produce

Entrance Meat & Sushi Specialles

Entrance

Manager Office & Break Room Lockers

Men ADA Restroom Check out Staaons Wine Seleccon Area Entrance

Women ADA Restroom

FLOORPLAN

108


CEILING PLAN

109


1

DEMO KITCHEN ELEVATION SCALE: 1/4’’ = 1’-0’’

3

RESTAURANT ELEVATION SCALE: 1/4’’ = 1’-0’’

INTERIOR ELEVATIONS

110


2

COFFEE BAR ELEVATION SCALE: 1/4’’ = 1’-0’’

4

MARKET ELEVATION SCALE: 1/4’’ = 1’-0’’

INTERIOR ELEVATIONS

111


MARKET DESIGN The upscale market is the most important area in the space. Thus, the space needed as well as the design need to be carefully thought out. Linear circulation helps the customers to easier find the products. The checkout and wine selection area are placed towards at the end of the market hall to create better traffic flow. Prepared Food Produce, Organic Specialties Sushi Charcuterie Wine selection area

112


FINAL DESIGN

113


MARKET DESIGN The market displaces variety of foods and products that meet high standards. The food cases specified in design are GM models.

FINAL DESIGN

114


A unique vegetables & Fruit custom shelf that creates an aesthetic composition in the design. The structure of the shelf is inspired by the Tetris.

FINAL DESIGN

115


116


RESTAURANT DESIGN 117


RESTAURANT DESIGN The restaurant features a variety of seatings with an oyster bar and Coffee bar. The coffee area and main retaurant area is sepereated by a custom Tetris wall design. There are window and bar seatings available as well for early morning breakfast and late night snacks. The dramatic pendant lightings help to create a romantic mood for dinner.

118


FINAL DESIGN

119


120


DEMONSTRATION KITCHEN An upscale demonstration Kitchen where people can participate in the cooking lessons as well as there are seatings for audience.

FINAL DESIGN

121


122


DEMONSTRATION KITCHEN The demonstration kitchen has a great view towards the beautiful mission bay area that let the participants enjoy the view during lesson or exhibition.

FINAL DESIGN

123



4

Nguyen Xi

Saigonres Plaza Apartment


PROJECT OVERVIEW

Saigonres Plaza Nguyen Xi is an apartment design in the residential building located at 188 Nguyen Xi street, Ho Chi Minh City, Vietnam. The clients is looking for a new 2 bedroom apartment design. The clients are friends of my parents. Thus, I have an opportunity to design this project. Their concept towards the design is “Westerner mixed with Modern Asian�. The clients are a married couple with one child and are looking to move in as soon as the apartment is finished. As they have good income, the budget is quite flexible and the aesthetics is what they care about.

PROJECT OVERVIEW

126


This project was done in Vietnam. Thus the scale system used was Metrics system. Working with metrics system enhanced my knowledge and developed my skills. It was a rough start at the beginning but with the progress, my skills got better and now I am able to work with both systems. The project dimensions will be showed in Metrics system. Nevertheless, there are translated scales for each Construction Document drawing.


BUILDING ANALYSIS

FACILITIES • • • • • • • •

SITE MAP

128

Cinema Bowling Alley Elementary School Supermarket Gym Restaurants Spas Shopping Mall


SITE MAP

129


FLOORPLAN & SECTIONS

TUONG 3D

515

TUONG 3D

BAN TRANG TRI

(D5)

DINING ROOM SECTION (A2.1) SCALE: 1:25 = 1/2’’ = 1’-0’’

MAT CAT PHONG SINH HOAT CHUNG (A2.1) SCALE: 1:25DESIGN SECTION 130

250 250

70

480

915

50

335

255

50

800

BAN AN (D4)

762

150 250 250 250 250 250 250 250 250 250 250 150

235 235 230


1400

600

3200

600 A1.2

A1.3

800

1600

1450

A1.1

700

700 1180

450 LIVING ROOM

A2.1

1400

700

MAST. BEDROOM

160

150 860

1140

400

TRAN HA THAP 2650

3170

500

900

460

A5.1

860

KE DUNG DO

TU LANH

3000

A4.1

710

500

1600

450

MAY HUT BEP

440

BEDROOM 1

A6.2

920 3410 2850

2000

1600

A3.1

3650

A6.1

850

500

560

KITCHEN

1210

600

2750

DINING ROOM

450

M

S 1850

700

1800 3670

1170

CUA VAO

PRELIMINARY FLOORPLAN SCALE: 1:50 = 1/4’’ = 1’-0’’

DO LE GIA DAT

Owne

PRELIMINARY FLOORPLAN

131


340

1320

1320

560

560

560

1040

1040

950

950

CONG TAC 3-WAY CONG SWITCH TAC 3 CHIEU D

DIMMER CONG TAC DIEU CHINH

380

750

750

750

750

750

1050

750

620

1150

1150

D

1150

278

1150 620

278

872

1390

1267

872

380

1390 1530

CONG TAC

620 1008

1530

D

1050

1780 1267

SWITCHES CONG TAC

664

1200

1780

540

1200

3

CONG TAC 3

3

664

1050

3 D

1200

620 1008

1530

1530

1050

1200

D

540

950

900

900

900

900

950

760

760

340

560

MAT BANG 1372

D

SCALE: 1:5 MAT BANG RCP 320 1372

3

320

3

1150 1150

SCALE: 1:50

770

770

REFLECTED CEILING PLAN SCALE: 1:50 = 1/4’’ = 1’-0’’

DO LE GIA DAT DO LE GIA DAT

REFLECTED CEILING PLAN

132

Owner Owner

Project


CEILING PLAN

REFLECTED CEILING PLAN

133


LIVING ROOM

The mirror creates an illusion of a bigger space than it actually is. This helps to make the dining room more extended. The rectangular wood table acts both as a seperationg for the dining and living room as well as a good funtion for decorations.


135


MASTER BEDROOM

A window view over the beautiful Sai Gon city both during the days and nights from the bed.

FINAL DESIGN

136


A spacious design for a bedroom 1 with a custom make up desk mounted in the corner BEDROOM 1

FINAL DESIGN

137


FINAL DESIGN

138


FINAL DESIGN

139


140


KITCHEN

FINAL DESIGN

141


CONSTRUCTION PROGRESS

142


CONSTRUCTION PROGRESS

143



5

OTHER INTERESTS


146


ELEVATOR AND FURNITURE RENDERINGS Watercolor on Aquarelle Arches paper

147


CHATEAU DE CHENONCEAU Oil on canvas

148


CHATEAU DE CHENONCEAU Oil on canvas

149


STILL LIFE PAINTING Oil on canvas

150


STILL LIFE PAINTING Oil on canvas

151


152


153


THANK YOU To my beloved parents. Thank you for all your supports and encouragements throughout my life. I would not have gotten this far without all the strengths you have given me. No words could describe how grateful I am for all the opportunities and guidances you gave me. To my friends, Thank you for all the countless of hardwork and supports through ups and downs we have gone through together: Vu Hoai Nguyen, Ngoc Nguyen, Dorothy Dong, Kina Truong, and especially my beloved girlfriend Uyen Nguyen. To my teammates, Thank you for all the fun nights we had together and the memories we created which made who I am today: Gustavo Romero, Daniel Cosgrove, Cody Moore, Tomaso Vielmo, and Pepe Lopez

154


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