Croquis #4 - For the unknowns

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For The Unknowns

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For The Unknowns

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Idex Page 1 Page 3 Page 30

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Mou Hoo

A hand work a day keep doctors away

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Mou Hoo

A hand work a day keep doctors away

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hhuuaazzii

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duduhavebicycle

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(hitlike)

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(hitlike)

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(hitlike)

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92

F


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davidbaillot.com

the key opens something, but I don't know what... it could be something still in

from the viewpoint of those concerned about all those words I listed above.

England (made in England) or with me here but I don't know.

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Sun Min Kang

Nothing, or my routine, there are six images in a paper. The images were photographed from 2007 to 2009. And I took the photo in my house.

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naonao

Page 66 Michael Eddy

This image is from an ongoing series of pictures I have been taking whenever I see

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a globe or a graphic representation of the globe out in public. As an image it often

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semiotically stands in for "globalism," "international," "the world" but most often "big business."

But I always focus my picture on Nova Scotia, where I am from (which

happens to be a very identifiable shape protruding out into the Atlantic Ocean. I take

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Anouchka Van Driel Perhaps "compassion" is better out of context and in reverse...

delight in seeing how the place I come from becomes all distorted, or in many cases (like the attached picture from a schoolyard in Shandong) goes missing entirely,

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whenever the whole world is being visualized. It happens to be a fairly marginal place

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Page 90 Page 72 Page 73 Page 75 (Elaine W. Ho) Page 76 Edit:

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Design:

Page 78 Special thinks to

ayrtbh, CROQUIS and all contributors

croquis 4

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Mar. 2012 / ISSUE 4

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For The Unknowns

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Maxwell Anderson

London, from my new series called Stop Making Sense.

Zachary Bishop

Mudlark. I found this in the mud on the banks of the Thames near waterloo bridge. I

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have no idea what it is, it looks funny and its old. It sits in my bookcase of curiosities.

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Copyringht Š 2012 by CROQUIS


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