R a r e B o o k s L t d

from Saatchi Fair 2023

FORTY-TWO

BRYAN, Margaret A compendious system of astronomy, in a course of familiar lectures, In which the Principles of that Science are clearly elucidated, so as to be intelligible to those who have not studied the Mathematics: also trigonometrical and celestial problems, with a key to the ephemeris, and a vocabulary of the terms of science Used In The Lectures, Which latter are explained agreeably to their Application in them. By Margaret Bryan.

London: printed, by H.L. Galabin, Ingram-Court, Fenchurch-Street, for J. Wallis, NO. 46, and Wynne and Scholey, NO. 45, Paternoster-Row, 1799. Second edition.

Octavo. Pagination xxxviii, [2], 415,[1] 17 engraved plates, of which 3 folding. Contemporary mottled calf, gilt, rebacked, red morocco label, corners restored, text and plates foxed and water-stained, some pencil markings to margins.

Provenance: engraved armorial bookplate to pastedown and inscription to title page (“C. L. Prince / Uckfield / 1843”) of Charles Leeson Prince (1821-1899). He had a medical practice at Uckfield, but retired in 1872 to create an observatory and pursue his interest in astronomy and meteorology. He was an early pioneer of photography, kept meteorological observations and published several works on astronomy and had a fine library. He was a Fellow of the Royal Meteorological and Astronomical Societies.

¶ Margaret Bryan suffered the fate of so many women, not just of her era but throughout most of history: in the words of ODNB, “Little is known about her life” – this despite her running several schools in London and Margate at the turn of the 18th century. That they were schools for girls may partly explain the obscurity surrounding her biography. But, as ODNB also records, she was “a noted early example of a woman teaching natural science to other women”.

This is the second edition of Bryan’s first book, A Compendious System of Astronomy, based on her lecture notes and first published in 1797. In her preface, she is at pains to disclaim any originality and expresses the hope that “those whose extensive learning and liberality lead them to judge impartially” will prove themselves superior to “the false and vulgar prejudices of many, who suppose these subjects too sublime for female introspection, (ascribing to mental powers the feebleness which characterizes the constitution)” and will bestow “their avowed patronage” upon Bryan’s sincere efforts, “acknowledging truth, although enfeebled by female attire”. The preface ends with an endorsement from one such learned liberal, the mathematician and educator Charles Hutton.

The book’s engraved frontispiece is another piece of careful positioning on Bryan’s part: she is pictured sitting among her instruments, holding the viewer’s gaze, as does one of her two daughters standing next to her. The twin spheres in which Bryan moves – the domestic and the scientific – are thus combined. Her trajectory may have left few biographical traces, but this portrait symbolises her trailblazing contribution to the scientific education of women.

£1,650 Ref: 8147 opportunity to see the original intentions of its compiler who has clearly planned her layout in advance. Sadly, Elizabeth Craven died at the age of 25, leaving many eloquently empty pages.

[CRAVEN, Elizabeth (née Skipworth) (1679-1704)] Late 17th-century culinary manuscript “The Lady Cravens Receipt-Booke”.

[Coome Abbey? Circa 1697-1704]. Folio (text block: 307 x 200 x 15 mm). [8 (title and index)], approximately 30 text pages, and over 130 blank pages. Contemporary panelled calf, neatly rebacked.

Watermark: Arms of Amsterdam (similar to Haewood 346-369, which he variously dates between 1670s and the 1710s); countermark: MHG interlinked. This combination is not in Haewood, but he does record a similar interlinked MHG in combination with a Fleur-de-lis (Haewood 1656, circa 1684).

Provenance: Title page reads “The Lady Cravens Receipt-Booke”. Unusually large armorial bookplate to paste-down of “The Right Honble William Lord Craven Barron Craven of Hamstead Marshall”, with the motto “Virtus in actione consistii”.

Dating The Manuscript

Elizabeth styles herself “The Lady Craven” on the title page, so the manuscript must have been written sometime between the date of her marriage in 1691 and her death in 1704. One useful piece of evidence is the several mentions of “Lady Bridgman” in the manuscript – a reference to a relative by marriage who only started using that title in 1702, which narrows the dates our manuscript to the period 1702-4. This strongly suggests that the manuscript was commenced shortly before Lady Craven died and would explain the large number of unused pages.

Arrangement

Lady Craven begins her compilation with a six-page index and then carefully arranges her recipes into four sections, each of which is separated by around 20 pages.

The first section (pp.1-7) contains 27 recipes for cakes, puddings and other sweet dishes including “To Candy Oranges Mrs Hudlestone”, “To make Comfitts”, “to Make Pistacho Cream”, “To preserve Pippins In Jelly: Mrs R”, “To make Silibubs”, “To Make Orang Cakes”, “Lady Anderson – To Make Fruite Biskett”, “The Spanish Cream”, “To Make Cloutted Cream”, “To Make Almond Cakes”, “Mrs Hudlestone – To Make Clear Cakes”, “To Make Cassia”, “To Make Pippin Marmelet R”, “To Make Lemond Cream”, “Lambert: To preserve Goodberry White”

The second section begins at p.55 and is represented by a single placeholder: presumably to have marked the beginning of a group of cordials and other medicaments.

After another 20 or so pages, Lady Craven created the third section, which begins with around 43 savoury dishes, but then pivots back to cakes and puddings. This shift from savoury to sweet occurs midway through a large group of recipes attributed to “Lord Craven”, so the explanation for such a disruption so soon after she began the book seems to be simply that she continued her task of copying a batch without stopping to consider the order of things. Regardless, these recipes make for interesting reading. While many are for traditional fare (“To Salt Hams – Lady Bridgman”, “Lady Duncombe – To Ragow Pidgions”, “Lord Craven’s For a Haunch or Shoulder of Venison”, “Lord Craven’s To Boyle a Legg of Mutton”), vegetables make unusually frequent appearances for an early-modern cookbook: these include “Lady: D: To Make a Ragow of Musheroms”, “Lady: Db: To Make Pottato Pye”, “To keep Artichoakes for fricaseys”, “French Beanes to keep all ye year”, and “To Dress Mushrooms”.

Following another gap of 22 blanks, Elizabeth moves to dairy produce, with directions “To Make the Angelote Chese”, “To Make a Winter Cheese”, “Make little straw Cheeses”, “Make a Slipe Coat=Cheese”, “To Make Summer Cheese”, and so on.

Ingredients And Instructions

The Cravens are obviously wealthy enough to afford sugar in different forms (“good loaf sugar”, “double refined sugar”, “brown sugar”, “sack-sugar”, ffine sugar”), along with a multitude of other ingredients that include “oranges”, “Lemonds” “Carroway seeds”, “Pistachos”, “Almonds”, “Aprecock kernalls”, “Candid Eringo Roots”, plenty of meat and fish, and – as indicated above an uncommonly healthy range of vegetables. The grandly named “Beef Royall” indulges in both the specific and the casual, calling for the addition of “truffles, pestatia=nutts” and specifically, “portugall=pease” but concluding vaguely that it may be garnished with “Carrotts Lemonds, & wth else you thunk fitt”.

The methods of preparation, too, indicate a certain level of resource, whether in time, equipment or fiddliness. To “Salt hams”, the “Lady Bridgman” recommends that it be “hung up in ye Chimney to dry but not to be blake a month or six weeks will dry it”; and the recipe for “Peloe” requires “2 loynes of mutton [...] some Cubbebs, cloves, large Mace, & whole pepper, & a handfull of shallots”, seasoning and “2 pound of Indian rice”, all of which are to be cooked “for 3 hours” in “a pan that can be close riveted down that no steam can get out” – then take “a fatt fowle very handsomely boyle’d” and “put it in ye midle”

The sweet side of things is represented by the likes of “Chocolett Cream”, which mixes cream and “one spoonfull of chocolet, & ye yolks of 2 Eggs & the white of one, then sweeten to your taste, let it boyle up [...] serve when it is cold”. We assume they cooked with chocolate fairly frequently, judging by the deployment of the eponymous “Chocolet pot”. Also on offer is a recipe “To Candy Orang fflowers in Rocks”, in which the mononymic “Baines” instructs the reader “to set it to boyle to a candy height [...] with a spoon, & heap it in Rocks, on glass plates, & so let it stand till t’is all dry candy’d in ye bason, or break it in lumps which you like best”

Then there is the exotic and slightly baffling “To Dress Indian Birds Nest”, which we have not been able to trace elsewhere, but which advises that “before you boyle them doe not forgett to Cutt them Small Otherwayes they will Look Like tow and by Consequence Loathsom”.

Connections And Cuisine

Lady Craven’s liberal use of attributions in these recipes evokes a web of social connections; and her background confirms it. In 1697, Elizabeth Skipworth (1679-1704) married William Craven, 2nd Baron Craven of Hampsted Marshall (1668-1711) to become Lady Craven. They appear to have had four children: William Craven, 3rd Baron Craven of Hampsted Marshall (17001739) and Fulwar Craven, 4th Baron Craven of Hampsted Marshall (1700-1764), Robert Craven (1703-1715) and John (1704-?). John’s birth is recorded the same year as his Elizabeth’s death, so it is plausible that both mother and son died during or near the time of childbirth.

The Skipworths and Cravens were both wealthy, influential, land-owning families whose alliance through marriage would have been advantageous to both sides, and also branched out to other families, extending their power and influence. The ostensibly simple act of exchanging receipts forming part of the complex social web that helped maintain the threads that bound these families together and maintained their hold on power and influence. Several of their connections are traced in this manuscript. “Lady Bridgman”, for example, who provides methods “To Preserve Almonds” and “To Salt Hams”, was an acquaintance via Elizabeth’s sister-in-law Mary Dashwood, whose sister, Susanna Dashwood (c. 1685-1747), married Sir Orlando Bridgeman,

2nd Baronet, FRS (1649-1701) in 1702 to become Lady Bridgman. Other prominent names include “Lady Anderson” (To Make Fruite Biskett”), “Lady Duncomb” (a.k.a “Lady: Db:”, “Lady D:”) who provides at least seven recipes, including “To Dress Ealls a la Matelote”, “a Ragow of Musheroms”, and “To Make Oyster Loaves”

Closer to home is a “Mrs Skipwith” (sharing Elizabeth’s birth name) who knows how “To Order Bacon Like Wesfalia”, and, closer still, “Lord Craven”, who provides no fewer than 30 recipes, mostly arranged together (as mentioned above) as if copied out at the same time. These are arranged alongside lesser-known figures such as a “Mrs R”, “Lambert” (who can “Make Nuns Bisketts” or “Rattafia Cakes”) and “Baines” who, besides “To Candy Orang fflowers in Rocks” (above), also knows how to “Make rattefea Cakes”. The use of initials and untitled surnames suggest these were perhaps servants. The abundant peppering of names of eminent persons in early books often acts as a form of social display, but Lady Craven herself had nothing to prove: she came from a prominent family, so it seems likely that her mentions of titled relations are present more as a matter of record than a self conscious flaunting of family connections. Although, for quite tragic reasons, the book does not appear to have had much practical use, it nonetheless offers an unusual glimpse of the ordering and rapid disordering of early-modern cookbooks. The blank sections between Elizabeth’s bursts of culinary ambition give this volume an unintended flavour of poignancy.

£5,750

Ref: 8141

Lady Craven's family tree, which includes details of her children: https://www.ancestry.co.uk/family tree/person/tree/119332615/person/372037331956/facts

[PALMER, Samuel] Early 19th century manuscript ciphering, scrap and gardening notebook

[Cira 1800-20]. Quarto (195 x 160 x 25 mm). 170 leaves (of which approximately 40 pages are in manuscript text or calculations and 68 pages of printed scraps), a few leaves excised. Contemporary green vellum. Watermark: Britannia, letters MB beneath.

Inscription to pastedown reds

“Samuel Palmer His Book”

¶ This Georgian green vellum stationer’s notebook began as the schoolboy Samuel Palmer’s ciphering book, around the beginning of the 19th century. Palmer seems to have decided he no longer needed these notes and has repurposed the volume into a scrapbook and horticultural notebook.

Many of the scraps have been pasted directly over the earlier mathematical exercises, showing how Palmer’s requirements and concerns may have altered with maturity. They have been cut from printed texts, including journals and newspapers. Clippings include articles on fashion (“Female Fashions for April”), reports of crime (John Kent was tried of assaulting, with intent to kill”, “A most barefaced robbery”, “Human Flesh market”, “A Bailiff Outwitted”), auctions (“Dr Parr We have authority to state that there is no truth in the report, of the valuable Library of this celebrated man being shortly brought to the hammer”), the arts (“Chatham Garden Theatre, This evening, Dec 10, will be presented the Comedy of The Wonder”, “New Opera called the Saw Mill”), sport (“Warwick Races”), travel (“Margate-Eclipse steam Packet”) and other newsworthy events (“Death of Lindley Murray, the Grammarian”, “Remarkable Capture of a Hare”, “Defeat of the Royalists in Peru by Bolivar”).

Palmer has flipped the volume to incorporate manuscript recipes (“Receipt for the White Scale”, “A Method of Raising Mushrooms”, “Receipt for growing Potatoes in Winter”) and notes on horticulture, including lists of plants (“List of Vines”, “List of the Bulbs sent from Town”) memoranda on work carried out (“Shifted Pines Succession 26 February 1821 [...] cut cucumbers, Planted out Melons”) and descriptions of varieties of pine trees (“the Silver Striped Pine”, “the Queen Pine”).

£450 Ref: 8123

[SPERLING, Mrs] Manuscript book of recipes and remedies.

[Circa 1799-1815]. Oblong octavo (190 x 117 x 23 mm). Scraps pasted to front paste-down. [6, index] 177 numbered pages (included rear paste-down), a few newspaper cutting pasted in. Contemporary half calf, rubbed and worn., joints split Watermark: Fleurs-de-lis; J Whatman 1794. Inscription to front paste-down: “Mrs Sperling’s receipt book began about the year 1799”.

¶ This recipe book, belonging to a “Mrs Sperling”, takes the unusual format of an oblong octavo. The volume contains culinary recipes (written in multiple hands) as well household recipes and medical remedies. There are also a few culinary cuttings from newspapers which have been pasted in alongside the copied recipes.

Several of the culinary recipes are written for the “the poor” (“A Haggis for the poor”, “Cheap dish for the poor” p.45, “another cheap dish”), giving the impression that Sperling may, at least some of the time, have been cooking for others who were less fortunate. Some recipes are attributed (“Mrs Colville”, “Lady Charlemont”), but very few to specific publications, an exception to this being “Receipts for the Poor taken from The Cottage dialogues of Mary Leadbeater”.

Also included are a range of culinary recipes such as “Cheese on Toast”, “Chicken & Rice”, “Oyster Sauce”, “Milk Lemonade” and “Buttered Tart”. The volume has clearly seen action: some recipes have been crossed through, presumably where Sperling has found them unsatisfactory; others have small adjustments and notes added (“Instead of Turmeric and Keyanne Pepper, add two large tea spoonful of curry powder”) which further suggest that the volume was consulted frequently. Some recipes, in both the index and the pages, have been marked with “X” or “O” – probably to signify a pattern of usage (perhaps to indicate those to be shared with others). The latter half of the volume mainly contains medicinal remedies (“For a Cancer”, “Violets for coughs”, “Epilepsy”) and household recipes (“Wash Balls”, “Cleaning Linen by Steam”, “to die green”).

Five

CORYATE, Thomas (approximately 1577-1617). [Coryats crudities; hastily gobled vp in five moneths trauells in France, Sauoy, Italy, Rhetia co[m]monly called the Grisons country, Heluetia aliàs Switzerland, some parts of high Germany, and the Netherlands; newly digested in the hungry aire of Odcombe in the county of Somerset, & now dispersed to the nourishment of the trauelling members of this kingdome.

[London: printed by VV[illiam] S[tansby for the author], anno Domini 1611]. FIRST EDITION.

Quarto. Pagination [196], 364, [23], 366-393, [23], 395-398, 403-655, [51] p., 4 engraved plates (3 folding: Clock, Stupendious Vessell, Amphitheatre of Verona), single plate present together with a copy of the same scene from the 1776 edition (both trimmed to plate edges and mounted), full-page sunburst woodcut of the Prince of Wales’ feathers, engraved portrait on p.496, text engraving of a dragon on Bbb3 verso, errata leaf at end. Text clean, a few small tears to margins very neatly repaired. Note: lacks the additional engraved title page, which is supplied in facsimile. Bound in 19th century morocco, rubbed and some wear, all edges gilt. [STC, 5808; Keynes, Donne 70; Pforzheimer 218].

¶ Thomas Coryate was perhaps one of the earliest models for our modern notion of ‘an Englishman abroad’ – well-connected, intrepid, learned, curious, foolhardy and often insensitive, Coryate travelled extensively, taking in continental Europe, Turkey, Persia and India. He often absorbed these environments at great length and made influential friends, before capping his archetype of the blithe British adventurer by dying of dysentery in Gujarat.

Coryats Crudities was the product of his first journey, in 1608, through France and Italy to Venice (en route becoming possibly the first of his countrymen to discover two Italian ‘innovations’, the table fork and the umbrella), then homewards via Switzerland and Germany. Written as a spur to his peers to broaden their outlook by undertaking such travels (anticipating the Grand Tour), the book “contains illustrations, historical data, architectural descriptions, local customs, prices, exchange rates, and food and drink, but is too diffuse and bulky […] to become a vade-mecum” (ODNB). The collector Carl Pforzheimer summarized both Crudities and its author when he remarked: “There has probably never been another such combination of learning and buffoonery as is here set forth”.

Coryate sought testimonials from fellow writers to include in the first edition of Crudities; the contributors of these mostly mock-heroic verse included Ben Jonson, John Donne, John Harington, Michael Drayton and other luminaries of the ‘Mermaid Tavern’ set of which he was also a member.

£3,500 Ref: 8103

DOWNING, J. A treatise on the disorders incident to horned cattle, comprising a description of their symptoms, and the most rational methods of cure, founded on long experience. By J. Downing. To which are added, receipts for curing the gripes, staggers, and worms in horses; and an appendix, containing instructions for the extracting of calves.

[Stourbridge]: Printed and sold at Stourbridge. Sold also by T. Hurst, Messrs. Longman and Rees, Paternoster-Row; and Messrs. Rivington, St. Paul’s Church-Yard, London, 1797. Reissue of the first edition, published the same year. Octavo. Pagination xii, 131, [1], xiv (misnumbered ziv), [4] p. Lacking the half-title. Numerous blanks bound in at the end, with manuscript remedies to 14 pages. Modern half calf, marbled boards, endpapers renewed, some marks and browning to text.

¶ Downing’s treatise contains details of symptoms and treatments for diseases in cattle, together with a small number of remedies for maladies in horses. Of its over 250 listed subscribers, many are local to Stourbridge or Worcestershire generally, from where the author hailed. Many were presumably landowners, yeomen or people otherwise directly concerned with farming, but the list also includes professions such as surgeon and druggist, and of course booksellers.

Whichever of these groups our scribe belongs to, they have augmented the work into the 19th century, adding some 31 recipes and remedies (variously from 1803 to 1840) including “For Black Water in Cattle”, To Prevent Calves Striking”, “For a Gargett in a Cows

Elder”, “To take A kell of a Horses Eye”, “Diuretic for inflam’d Legs, on a Horse”, and “To prevent Sheep from striking”. Most simply list ingredients and quantities, but there are short notes (“the eye to be rub’d twice pr Day”), and some more detailed instructions like: “The Beast should be bled freely and milked quite clean. [...] If it should so happen to be milked more than once [...] it destroys the effect of the medicine [...] though the Udder appears full, yet it should gradually diminish without any injury to the beast.” Among all the practical remedies for animals, they’ve allowed themselves some indulgence, judging by “To make Punch Ice”

[WRIGHT, Rev. Thomas (c.1775-1841); PAXTON, Jonas] Claydon Rectory. Valuable and carefully selected library of upwards of 1,200 volumes, and other effects, of the late Rev. Thomas Wright, to be Sold by Auction, by Jonas Paxton. On the Premises, at Claydon aforesaid. [Claydon Rectory, Buckinghamshire. Circa 1841]. Slim quarto (193 x 162 x 4 mm). There are 21 sheets (plus a sliver of one sheet) of two octavo printed catalogues. These sheets have been trimmed and pasted to the versos of quarto stationer’s book. The title of one of the catalogues has been trimmed and pasted to the front cover, with details of the date of the sale added in manuscript.

¶ This unrecorded library catalogue chronicles the sale of the books of a largely little-known country parson. As such, it nicely reflects the reading or at least collecting tastes of literate and once-important local figures whose profiles dwindled posthumously to near anonymity, but who, through their acquisitive habits, contributed to the preservation and shaping of the wider culture and the formation of our collective memory.

The Bibliophile

Thomas Wright was born circa 1775, the eldest son of Thomas Wright, a London merchant. As so often for the period, his mother’s name is not recorded. He was educated St. Paul’s School, London before matriculating at Pembroke College, Cambridge in 1794 (B.A. 1798; M.A. 1801). He was ordained deacon in 1798 (London), subsequently becoming rector of Otton Belchamp, Essex (1807-11), and of Little Henny (1811-20) before attaining the living as vicar of Middle and East Claydon, Buckinghamshire in 1820 until his death in 1841. Venn notes that he was the “Father of Thomas (1827)”. There are several possible matches for his marriage, but we have been unable to confirm the name of his wife or the date of their marriage with any degree of certainty. What we do know is that she predeceased him, since he requests in his will that he be “buried in the same grave as my beloved wife at Steeple Clayton”.

The Books

His books, however, seem to have left more of a trace in the “valuable and carefully selected library of upwards of 1,200 volumes” which lists 414 lots. The majority are individually lotted books, which usually include author’s name, title, date and very brief details (“Dryden’s Juvenal, 1713”, “Donne’s ditto [i.e. ‘LXXX Sermons’], folio, 1640”), while some lower-value items are grouped into titles of two or three (e.g. “27 Levizac’s French Grammar, hf. bd., Clef de Levizac’s 2 copies, and Boyer’s Dictionary, bd.”), and others of apparently nominal value do not justify naming (“School books”, “Ditto”).

The collection has been grouped into nine categories arranged in the following order: “Novels, Books for Children, &c.” (125); “Works in Modern Languages Grammars, &c.” (26-43, plus one added in manuscript: “*43 Cobbetts Grammar”); “Works on Gardening, Botany, &c” (44-50); “Classics, School Books, &c” (51-104, although 54 is recorded as “no lot”); “Hebrew Works” (105); “Works on Law” (106-121); “Works on Divinity, Sermons, &c” (122-254*, this latter and six others extra lots are marked with an * or added in manuscript);

“Miscellaneous” (255 410); and “Odd Volumes or Imperfect Books” (411-414). The numbering is continued in manuscript to 431. These sundry lots include “Odd Books” (415-6), and five lots (427-31) of “Miscellaneous books” which were all bought by a “Mr Road” for “1.3.0”, and the others (417 -26) are left blank.

As the above list indicates, pride of place is given to novels and children’s books, although it is not certain that this reflects a value judgment by the auctioneer: of these first 25 lots, several are bundled up together (e.g. Lina, 2 vols. hf. bd. & Almoran and Hamet, bd.”, “11 More’s Tales, bd. Depping’s Entertainments hf. bd. Frend’s Evening Entertainments and Evening Amusements, hf. bd.” simply with “Ditto”. Books which warrant a single-entry name include “6 Rasselas and Dinarbas, bd”, “Shelton’s Don Quixote, 4 vols”, and “17 Gil Blas, translated by Smollett, 4 vols. bd.”

Wright kept several books on languages including Welsh, Italian, and French. The last of these is reflected in some of his books, but to judge from his collection, he preferred works in Latin or English.

Unsurprisingly for a man of the cloth, there are many theological books. These range from influential 17thcentury works like “Pearson on the Creed” in “2 vols. hf. bd”, “Butler’s Analogy” and “Taylor’s Holy Living and Dying, bd., and Pilgrim’s Progress, bd” (these latter lotted together), and important works from the 18 Theology” and “Wilberforce’s View”, through to contemporary authors such as Hannah More (here represented by “on St. Paul”, “Christian Morals”, “Moral Sketches”, and “Bible Rhymes”).

The “Miscellaneous” books encompass works of literature (including “293 Pope’s Odyssey, 5vs. bd. Ditto Iliad, 6 vols. bd. Ditto Works, 9 vols bound”, “294 Shakespeare, with notes, 8 vols. bd.”, and “329 Works of Rabelais, 1694”), travel books (“267 Maundrell’s Journey, Bingley’s Voyagers and ditto Travellers”, “283 Salame’s Algiers, bd”, “”286 Voyage to China, by M’Leod, hf. bd”), and scientific works (280 Plurality of Worlds, Fontenelle”, “325 Treatise in the Globes, 1639”, “358 Lavoisier’s Chemistry”). And Wright would have taken his place in the pantheon of the great and good recorded in “327 Graduati Canatbridgienses ab anno 1639 ad 1824”.

The Auctioneer

We are confident that this was the auctioneer’s retained copy. As noted in the physical details above, it was collaged together from at least two printed copies of the catalogue and then mounted into a book to allow the scribe to record in manuscript the buyer’s names, the prices paid, and several other crucial details. These include manuscript notes such as “5 Lots of Miscellaneous works to be inserted as Lots 427, 428, 429, 430 & 431” – and the ‘clincher’ is the record of several instances of the buyer having settled their invoice (several lots are marked “Paid” or “Pd” next to the purchaser’s name).

Jonas Paxton was an auctioneer based in Bicester, Buckinghamshire. From this rural market town, he held sales of farms and farmland as well as household dwellings and contents. The earliest record of his name as an auctioneer was in 1838, with the announcement in Jackson’s , of a sale to be held in Bicester. However, the earliest record for Paxton in library holdings is a catalogue for a sale held in 1849 (Particulars & conditions of sale of freehold and copyhold estates at Blackthorn and Fritwell in the County of Oxford). His son appears to have joined the firm around 1854, and Paxton senior sometimes worked in partnership with George Castle (library holdings record various combinations of Jonas, his son, and Castle). The early catalogues were often printed by “E. Smith and Son, printers and booksellers”.

As noted above, the earliest library holding for a Paxton sale catalogue is 1849. Although he travelled as far as Cambridgeshire on occasion, all his other sales were for land, dwellings, or house contents; this sale, therefore, not only marks his earliest recorded sale catalogue, but suggests a remarkably intrepid debut, involving as it did the taking on and cataloguing of a library as a stand-alone sale and conducting it in situ at Claydon Rectory.

The Buyers

The most voracious buyer was a “Mr Elliott”, who secured 107 lots – over a quarter of the total sale. Given the sheer quantity and range of his purchasing, we would assume he was a dealer. “Mr Rowsell” picked up 36 lots (again wide-ranging), and several buyers bought in the high teens to early twenties. A cluster of bidders secured around a dozen lots each, including a “Mr Child” who bought John Donne’s sermons for “7s”, along with several other books. After that, the purchases tail off into small amounts or even single books. Whether they were unsuccessful or highly focused in their buying is difficult to say at this distance, but a few are certainly worth drawing attention to. Paxton himself appears to have bought lot 17, “Gil Blas, translated by Smollett, 4 vols. Bd.”, for “3s” .

Paxton’s close colleague “Smith Printer” bought nine lots, including “297 Dictionary of Arts and Sciences, 8vs” for “15s” as well as Hind’s Arithmetic, Moore’s Juvenal, Edinburgh Dispensatory (342-344), and several others, so was perhaps selling books from his premises in Bicester as well as printing, among other things, Paxton’s sale catalogues. The scribe has prewritten “Mr” before each entry, but lot 35 (“Italian Pocket Dictionary and Zotti’s Italian Grammar”) has been amended to “Miss” followed by “Elliston” who paid “4s 6d” – an unusual, early record of a woman purchasing at auction.

The 1,200-plus volumes recorded in this sale catalogue offer a window onto the rich cultural and literary landscape of a rural clergyman in the early 19th century. Wright’s vocation may (or may not) have secured him eternal glory, but in the temporal realm, it was his passion for books that has left the clearest traces of his earthly existence.

£2,650 Ref: 8152

ROWLANDS, Samuel (1570?-1630?). Two editions of ‘The Famous History of Guy Earl of Warwick. Written by Samuel Rowland’

London: printed for G. Conyers, at the Gold-Ring in Little-Britain, [1680?];

London: printed for G. Conyers, at the Golden-Ring in Little-Britain, [1701?].

Octavo. Pagination 79, [1, adverts] (woodcut vignette to title page and 8 woodcuts in text); 30, [2, adverts] (woodcut vignette to title page and 7 woodcut vignettes in text). [ESTC, R218418 and T184950]. ESTC note to the latter: “NUC suggests [1690?].

G. Conyers active 1686-1712.” However, the advertisements include 19 books, some of which do not appear to be listed in ESTC, but those that do date to circa 1700-5 which supports the slightly later date.

18th-century half calf, marbled boards, rubbed and worn but sound. Title page to the 1680 edition torn at fore-edge with loss of a triangular section approximately 50 mm vertically diminishing to 25 mm into the woodcut image and a small hole (10 x 5 mm) to the upper section of the woodcut.

Provenance: inscription to verso of the 1701 edition: “Richd Paly his Book Stall not this Book for ffeear of Shame Over this there is my Name Mdcclviii”. The woodcut image has been crudely copied through in ink wash, probably by Paly. Ownership bland-stamp to first text leaf of Francis Henry Cripps-Day (1864-c.1945), antiquary, lawyer, and author of books on armour and pageantry.

Page from an old bookseller’s catalogue pasted to rear endpaper with address at its head: “66. Great Russell St., London, W.C. 1 Facing the British Museum” – probably that of James Tregaskis, who was, according to the British Museum website, a “Major London book dealer (1850-1926)” who “worked as printer in London until 1889 when he went to work in the bookshop of his wife, Mary Lee Bennett (1854?-1900) at 232 High Holborn, or “Caxton Head”, which became ‘J & M.L. Tregaskis’. In 1915 the Caxton Head moved to Great Russell St. […] His son from his second marriage to Eveline Belwood Davis (1877-1948), Hugh Frederick Beresford (1905-1983) helped run the firm with his father and it became ‘James Tregaskis & Son’”.

The catalogue clipping includes a reference to the similarly titled The heroick history of Guy Earl of Warwick. Written by Humphrey Crouch. ESTC records four editions of that work and observes that “The woodcuts are the same as those used in the 1635 edition of “The famous historie of Guy earle of Warwick” by Samuel Rowlands (a different work)”.

All editions are extremely rare: ESTC records 16 between 1609 and 1701, mostly only one or two copies of each (the two exceptions being the 1667 and 1689 editions which are represented by three copies each). Indeed, the two editions bound together here are no exception: ESTC locates 2 copies of the 1680 edition (British Library and Columbia University) and 2 of the 1701 edition (National Library of Scotland and the Bodleian).

¶ Two extremely rare editions of Rowlands’ poem The Famous History of Guy Earl of Warwick are here bound in one volume – a curious choice with no evident motivation. This was one of many renditions of the Guy of Warwick legend, so rooted in English folklore that the figure of Colbrand the giant, whom Guy slays in the narrative, is mentioned in two of Shakespeare’s plays (Henry VIII and King John).

The poem is also a notable sidenote to the vogue for ‘Turk plays’ largely launched by Christopher Marlowe’s Tamburlaine – a wave of dramatic renditions that included the anonymous The Tragical History, Admirable Atchievments and various events of Guy earl of Warwick. In these works, as in Rowlands’ verse retelling of the legend, as Annaliese Connolly remarks, “English conceptions of Anglo-Ottoman relations in the sixteenth century are superimposed on the medieval depiction of English or European crusaders and their Saracen enemies”

Samuel Rowlands was chiefly known as a satirist, and his earliest work in this vein became a succès de scandale after copies of his first two satires were publicly burned. He also published a handful of pious works, including The betraying of Christ (1598) (described by ODNB as “a somewhat sententious biblical paraphrase”); and The Famous History which was entered in the Stationer’s Register in 1608 and went through a number of editions during the 17 century, all of which are rare.

£2,750 Ref: 8149

TANNER, John (approximately 1636-1715) The hidden treasures of the art of physick; fully discovered. In four books. Containing 1. A physical description of man. 2. The causes, signs and cures of all diseases incident to the body. 3. The general cure of wounds, tumors and ulcers. 4. A general rule, for making all kind of medicines; with the use and nature of distilled waters, juyces, decoctions, conserves, powders, electuaries, plaisters, &c. To which is added three necessary tables. 1. Sheweth the contents of the four books. 2. Explaineth all the terms of art which are used in physick and chyrurgery. Explaining the nature and use of simples what they are, and where they grow. A work whereby the diligent reader may, without the help of other authors, attain to the knowledge of the art above-named. The third edition, with additions. By John Tanner, student in physick and astrology.

London: printed by John Streater, and are to be sold by George Sawbridge, at the Bible on Ludgate-Hill, 1672. Octavo. Pagination [14], 324, [22] p. first leaf is blank. [Wing, T137A; Heirs of Hippocrates, 601]. Contemporary sheep, rubbed and worn with loss to corners, spine chipped.

¶ This is an early example of the production of medical texts for a popular readership. John Tanner, who held a licence from the College of Physicians and practiced in London in the mid-to-late17th century, first published this volume in 1656 (subsequent editions in 1659, 1667, and 1672), with a preface in which he describes how he “collected, out of the Works of most of the Ancient and Modern Physitians now extant among us, this Compendium or Abridgment of Physick”. The majority of the contents, he assures the reader, are “confirmed by the Probatum est of my own Experience”, and are intended not as “competition with the Works of so many more grave and Learned Rabbies; but for the good of those that want such helps, and are unacquainted with the Latine Tongue” – these including “industrious Students”, “People void of Learning, and of mean Capacities”, and “Ladies and Gentlewomen who are wont to tend to their poor

Tanner begins with “A Physical Description of down of human anatomy, before launching into the panoply of diseases affecting it. He then turns to the treatment of wounds, tumours, ulcers and fractures, and concludes with “The Faculty and Natural Operation of most of the Compound Medicines now in use amongst us […] together with a general Rule for the making of all such kind of Medicines”. Fittingly for a popular text, Tanner includes a glossary and a table of simples to aid the finding and using of medicinal plants.

£500 Ref: 8100

PHILIPS, Katherine (1631-1664) Poems by the most deservedly admired Mrs Katherine Philips the matchless Orinda. To which is added Monsieur Corneille’s Pompey & Horace, tragedies. With several other translations out of French. London: printed by J[ohn]. M[acock]. for H. Herringman, at the sign of the Blew Anchor in the lower walk of the New Exchange, 1669. Second edition. Folio. [36], 198, [8], 124, [2] p. : port. [Wing, P2034]. engraved portrait frontispiece, small hole, C1-2 & E1-2 with marginal hole just touching affecting odd letter, previous owner's late 18th/early 19th century copious manuscript notes in an academic hand to early blanks, one or two notes in margins, scattered spotting, occasional marginal staining, contemporary calf.

¶ Katherine Philips was one the most celebrated poets of the 17th century and a contemporary of Aphra Behn, Margaret Cavendish and other women writers and poets who flourished after the English Civil War. Born into a largely puritan family but developing royalist sympathies for a time, she married James Philips (c.1624-1674), a supporter of parliament who served as MP under both Cromwell and Charles II; some of her poetry shows her navigating the tricky terrain between their contrasting (albeit both moderate) political outlooks, sometimes defending her husband against his critics and distinguishing “her own ‘follies’ and ‘errours’ in loyalty to the dead monarch [Charles I] from her husband's views” (ODNB).

Philips is perhaps best known for her poems celebrating friendship – an interest she also pursued by establishing a close literary circle of associates, to whom she assigned coterie names (she herself famously took the name ‘Orinda’). Her reputation has survived into the 21st century, with renewed interest thanks to feminist scholarship.

This is the second edition of a posthumous collection first published in 1667, which, along with her poetry and translations, included fulsome tributes (“the honour of her Sex, the emulation of ours, and the admiration of both”) that nevertheless betrayed the patronising tone characteristic of the age: her close friend and frequent correspondent Charles Cotterell (whom she gave the coterie name ‘Poliarchus’) wrote of her poems that “there are none that may not pass with favour, when it is remembered that they fell hastily from the pen but of a Woman”.

£1,500 Ref: 8120

[CAMPBELL, John]. Manuscript entitled ‘Anecdotes relative to the Island of Jersey 1767’ and early ciphering book.

[Jersey. Circa 1770-79]. Quarto (195 x 160 x 12 mm). Dos-a-dos. Foliation Island of Jersey: [1, title and blank], 28 leaves (55 text pages); [Ciphering book]: 23 (several leaves excised, 39 pages of calculation and text). The two sections are separated by five blank leaves. Contemporary limp vellum, several slash marks to covers, amateur repairs (brown paper stuck to paste-down), horizontal cut to first three leaves of the ciphering section, neatly repaired.

¶ The Corn Riots of 1769 were a watershed moment in the history of Jersey, prompting a loosening of the semi-feudal conditions under which the Lemprière family had held sway over the island. Charles Lemprière and his brother Philippe had a monopoly of the judicial and legislative arms of government – Charles as Lieutenant Bailiff, Philippe as Receiver-General. The protests were centred on the repeal of a law banning the export of grain, which was seen as a ruse to create scarcity and thus increase the price of wheat; many Jersey landowners – foremost among them the Lemprières – stood to gain since the rents from their tenants were payable in wheat.

The acts of resistance that followed included the raiding by local women of a ship loaded with corn for export and an enmasse disruption of a Court session in which the protesters laid out their demands. Among these demands were that the price of wheat be lowered, tithes be reduced, and a range of oppressive fines and seigneurial rights be abolished. The Lemprières took their case to the Privy Council, prompting an investigation and, ultimately, the appointment of Colonel Rudolph Bentinck as Lieutenant-Governor. The ban on exporting crops was reinstated, and a Code of Laws in 1771 divided judicial and legislative powers between the States of Jersey and the Royal Court, ending the Lemprières’ monopoly.

This manuscript is a copy by “Ph: Carteret. R.N / Trinity” (as inscribed to the front free endpaper) of an extremely rare, printed book, Anecdotes relative to the Island of Jersey 1767, which describes events leading up to the unrest of 1769. Whether Carteret copied the text from another manuscript or from the published book remains unsettled. It was published anonymously in Southampton in 1773 at Southampton, and ESTC records only one surviving copy, at the British Library (Citation No: T92621). Among this handwritten copy’s points of interest is Carteret’s attribution of the previously anonymous work to “Col: John Campbell then Commander in Chief in the Island”.

From reading the text we learn that as commander in chief John Campbell played an active role in proceedings and had first -hand knowledge of events. He would have been ideally placed to report on them as, unlike most of the participants, he does not appear to have had any vested interest in the outcome and could provide something like an objective eye on proceedings.

Philip Carteret (1733-96), a naval officer and explorer, was probably somewhat less objective. During a forced hiatus from the navy as a result of some bruising disputes with the Admiralty over the dilapidated state of a ship he commanded, Carteret returned to his native Jersey in 1770 to succeed his father as the seigneur of Trinity, “joining the rebels against the Lemprière family’s hold over the island” (ODNB). But why might he have wanted to make a copy of Campbell’s book –and why write it in an old ciphering book rather than start with a new, blank volume?

A possible answer to both questions lies in Carteret’s own situation between 1770 and 1779 (the period during which we assume the manuscript was written, since he left Trinity to take up command of another ship in 1779). According to the ODNB, Carteret left the navy in 1770 “with his health ruined and with scant reward from the Admiralty”, and moreover “he was left on half pay.” Since Trinity is known to have played an active role in the rebellion against the Lemprières, he may have wanted to find confirmation of a belief he already held about the Lamprières’ grip on power; or he may simply have wished to study the document in order to understand the situation better. In any case, it is exactly the kind of political text that would have engaged a man who had himself lately suffered from the heavy hand of aggressive authority. As to his use of his old schoolboy ciphering book, simple impecunity may well account for this decision.

His handwritten, contemporary copy of a very rare printed book speaks to the degree of feeling he – in common with his fellow islanders have felt about the situation; and his attribution of the work to John Campbell, which we have no reason to doubt, rescues a firstperson account of the events concerned from anonymity.

£1,750 Ref: 7896

Twelve

[RESTORATION SAMMELBAND] A collection of 12 rare 17th-century works, many relating to wine. London: 1690-91. Quarto. Later full sheep, rubbed and worn.

¶ This sammelband could almost be said to recreate the lively, argumentative atmosphere of a Restoration coffee house. It begins as a showcase for the work of the satirist Richard Ames (1664?-1692), whose comic poems included several on the subject of drinking and socializing: his Search after Claret sequence, contained here, laments “the declining quality of the claret served in London taverns” (ODNB), and elicited a parodic riposte, also featured here. But the collector of these works clearly had more than roistering on their mind: also included is the playwright Thomas D’Urfey’s political satire The Weesils a Satyrical Fable (concerning the furore over clergyman William Sherlock’s refusal to pledge an oath of allegiance to William and Mary), along with two works in response.

The sense of conversations and arguments raging within these covers is further amplified by the final three pamphlets. The first of these, Robert Gould’s A Satyrical Epistle to the Female Author of a Poem, call’d Silvia’s Revenge, &c. By the Author of the Satyr against Woman, is actually a riposte to a riposte, since Sylvia's Revenge, or, A Satyr Against Man (sadly not included here) was actually Richard Ames’ answer to one of Gould’s misogynist satires. The theme is continued with New Satyr Against Women and concludes with Ames’ more conciliatory

The Pleasures of Love and Marriage, a Poem in Praise of the Fair Sex. In requital for The folly of love, and some other late satyrs on women

All in all, the lively Restoration culture of disputation and public exchanges of fire on a range of topics is well represented in this sammelband, which appropriately also features Edward Ward’s pamphlet School of Politicks or the Humours of a Coffee House.

R a r e B o o k s L t d

Next Article

FORTY-TWO

Dating The Manuscript

Arrangement

Ingredients And Instructions

Connections And Cuisine

Ref: 8141

Five

The Bibliophile

The Books

The Auctioneer

The Buyers

Twelve

CONTENTS:

More articles from this publication:

FORTY-TWO

FORTY-ONE

FORTY

THIRTY-NINE

THIRTY-SEVEN

THIRTY-SIX

THIRTY-FOUR

THIRTY-THREE

THIRTY

This article is from:

Saatchi Fair 2023