Volume 6 Issue 2
March-April 2013
Library Matters
The official newsletter of the Dearborn Public Library dearbornlibrary.org THIS ISSUE’S QUOTE
M E L C A T
S E R V I C E N O W A V A I L A B L E F O R L I B R A R Y U S E R S
To be interested in the changing seasons is a happier state of mind than to be hopelessly in love with spring.
Dearborn Public Library users now have access to MeLCat, a state-wide resource sharing system composed of many Michigan public and academic libraries that have agreed to share their materials. MeLCat allows users to search and request items that are not available in the Dearborn Public Library system.
—George Santayana
Registered Dearborn Public Library card holders may use the MeLCat resource sharing system. The patron’s library account must be in good standing. Users are responsible for the following:
IN THIS ISSUE Classics Revisited
2
Children’s Programs
3-4
Teen Programming
4
Computer Workshops
5
Music We Love
6
Book Review
8
Library Hours
9
Keeping library account contact information up-to-date. Email notifications will be sent regarding MeLCat transactions; therefore, a current email address is required. Picking up and returning MeLCat items at the Circulation Desk of the Henry Ford Centennial Library. MeLCat items may not be returned in the drop box or to branch libraries. Paying late fees, damage or replacement reimbursement fees for incidents that occur while the material is in their possession. All requests for materials are performed on the MeLCat web page (www.mel.org). Patrons may search MeLCat on a public access computer or from home to initiate an interlibrary loan request. Patrons can search, place requests, renew, review account status and cancel requests prior to the items shipping. The MeLCat help page offers detailed assistance for all of these transactions. A request can be placed by accessing the Me LCat Statewide Database at www.mel.org and clicking on MeLCat. Select the search criteria (keyword, author,
title or series title), type in the information and click the Find It button. A list of materials matching the request will appear. Click on a title for more information. When you’ve found your item, click on Get This for Me! Select Dearborn Public Library as your home library and enter your name (first name followed by last name, or last name, first name; it works either way) and library card number and click the Submit button. At this time, only books that are not available in the Dearborn Public Library system are requestable through MeLCat. Audio-visual material (DVDs CDs,) and journals or magazines are not available through MeLCat. The standard loan period is three (3) weeks. The average time for processing and shipping is five (5) to ten (10) working days. There is an option of requesting one (1) three-week renewal (from the date renewed); however, there is no guarantee that a MeLCat item will be renewed as the owning library of the item sets the renewal policy. Patrons are notified by email when an item is available for pick-up at the Circulation Desk at the Henry Ford Centennial Library. Material will be held for five (5) days. Ple ase contact the HFCL at (313) 943-2330 if you have any further questions or need any help with this exciting new service!
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C L A S S I C S
R E V I S I T E D
C O N T I N U E S
A T
The free book discussion group “Classics Revisited” is currently ongoing at the Henry Ford Centennial Library, 16301 Michigan Ave. All sessions are open to the public and no registration is required. Sessions will take place on the third Wednesday of each month through the month of May from 7:00-8:00 p.m. in the Ford Collection Room. Multiple copies of each work are available for checkout at all library branches. If interested, reserve your copy today! Further information on each book and its author is also available through the Literature Resource Center database via the Online Resources page on the library’s website, dearbornlibrary.org. The schedule of readings is as follows:
SPRING 2013
March 20: A Moveable Feast by Ernest Hemingway Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s.
April 17: My Life and Work by Henry Ford Help us acknowledge the 150th birthday of Henry Ford with this discussion of his autobiography. The lessons of Henry Ford, one of America's greatest business innovators, are as fresh and vital today as they were in 1922, when this extraordinary book was first published.
May 15: The Arabian Nights: Tales from a Thousand and One Nights – anonymous (trans Burton, intro A.S. Byatt) Full of mischief, valor, ribaldry, and romance, The Arabian Nights has enthralled readers for centuries with its tales that have entered into the popular imagination.
F O L D
B O O K
S A L E S
The regular monthly book sales sponsored by the Friends of the Library Dearborn (FOLD) will be held on the following upcoming dates: Wednesday, March 6 Wednesday, April 3 Wednesday, May 1 The sales will continue to take place in the lobby of the Henry Ford Centennial Library from 9:30 AM to 6 PM.
C O N T I N U E
H F C L
Volume 6, issue 2
Page 3
M A R C H - A P R I L
All programming listed below will take place at the Henry Ford Centennial Library Participants arriving more than 5 minutes after the scheduled program time will not be admitted. Due to space limitations, strollers may not be allowed inside the program room or the auditorium. Children must be the required age on or before the first date of the program. Residents and cardholders are given p r e f e r e nc e . I n d i v id u al s w i t h disabilities who require special accommodations, auxiliary aids, or services to attend or participate in these programs should contact their local library or TDD 313-943-2193. Reasonable advance notice is required.
STORYTIMES Pajama & Stuffed Animal Storytime (All Ages) Thursday, March 7, 6 p.m. Bring your favorite stuffed animal or doll (or 2nd favorite to avoid tears!) for a sleepover at the library. Listen to some bedtime stories, then we’ll tuck the animals in a nd say goodnight. Come back after 2 p.m. on Friday, March 8 to pick them up and find out what the animals did during the night. Note: only the stuffed animals will be spending the night-not the children!
Space is limited. Registration begins February 21.
C H I L D R E N ’ S
Mother Goose Storytime (Ages 6-24 months) 9:35 a.m. OR 10:45 a.m. Babies and toddlers are invited to their first literature experiences along with songs, fingerplays, and movement. One caregiver per child is recommended. Space is limited. Registration required. Fridays, March 8, 15, 22 Registration begins February 22. Fridays, April 12, 19, 26 Registration begins March 29. Tot Time (Ages 2-3 years), 10:30 a.m. Children with a caregiver are invited for stories, songs, and fun. Space is limited. Registration required. Thursdays, March 14, 21, 28; April 18, 25 Registration begins February 28. Preschool Storytime (Ages 3-5 years), 2 p.m. Join us for fun stories, fingerplays, and a craft. Caregivers must remain in the library. Space is limited. Registration required. Thursdays, March 14, 21, 28; April 18, 25 Registration begins February 28.
CRAFTS Tween+ Craft (Grades 4+) First Saturday of the month, 2 p.m. Space is limited. Registration Required.
P R O G R A M S March is Reading Month! Saturday, March 2 Join us to make a bag and bookmark to help you through the month. Registration begins February 16. Recycled Paper Bowl Saturday, April 6 Gear up for Earth Day with an eco-friendly bowl to keep catch your odds and ends. Registration begins March 23. Third Thursday Crafts (All ages), 11 a.m.—7 p.m. Drop-in craft. Younger children may need adult assistance. Crafts available while supplies last. Thursday, March 21 Spring has sprung! Drop in and make a beautiful butterfly to celebrate. Thursday, April 18 Celebrate Earth Day (April 22) by joining us for a fun recycled craft!
EVENTS Annual Bookmark Contest (Grades 1-5) March 1-28 Stop by the children’s reference desk to find out how you can create a bookmark and enter this year’s contest. Deadline for all entries is March 28. Easter Egg Hunt (All Ages) Friday, March 22, 3:30 p.m. We’ll have colorful eggs hidden in the youth services area filled with treasures of all sorts. No registration. continued on next page
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M A R C H - A P R I L
Pocket Poems (Grades K+) April 1-30 Celebrate National Poetry Month by sharing a short poem with us. Memorize and tell us an old favorite or pick up a new poem from the library, memorize it and return to share it with the Youth Services staff. All sharers will get a small token. One poem sharing per day.
C H I L D R E N ’ S
P R O G R A M S ,
Spring Break-Fest
Children’s area & a movie in the auditorium. No registration. Space is limited. No Strollers please. Arthur and the Invisibles Saturday, March 16 (2006, PG, 94 min.) Curious George Saturday, April 20 (2006, G, 86 min.)
LET’S GO TO THE MOVIES Third Saturday of the Month 1:30 p.m. craft/2 p.m. movie. Join us for a craft in the
M A R C H - A P R I L
T E E N
C O N T ’ D
No school? No worries! We’ll have things to do all week long! Space may be limited. Monday, April 1, All Day: April Fools’ Joke Day (all ages); No registration. Tuesday, April 2, 2 p.m.: Phineas and Ferb Fun (all ages); Registration begins Mar 19. Wednesday, April 3, 2-4 p.m.: Scrap Craft (all ages); No registration. Thursday, April 4, 2-4 p.m.: Video Gaming & Board Games (all ages); No registration. Friday, April 5, 3 p.m.: Superhero Shindig (grades K-5); Registration begins Mar 22.
P R O G R A M M I N G
TAG—Teen Advisory Group (Grades 6-12) Voice your opinion! Help us plan teen programs, recommend books, and earn volunteer hours. No registration. Thursday, March 14, 6:30 p.m. Monday, April 8, 6:30 p.m. Teen Tech Week (Grades 6-12) “Check in at your library” for geeky fun! No registration. Monday, March 11, 3:30 p.m.—Wii Dance Tuesday, March 12, 3:30 p.m.—Pac Man Frames Craft Wednesday, March 13, 3:30 p.m.—Wii Play Check out the new Teen Zone blog: http://dearbornteens.blogspot.com Canvas Button Art (Grades 6-12) Thursday, April 18, 6:30 p.m. Celebrate poetry month and Teen Lit Day by creating a one of a kind piece of art! Registration begins April 4.
Volume 6, issue 2
B A S I C
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C O M P U T E R
W O R K S H O P S
Basic computer workshops continue at the Henry Ford Centennial Library with classes scheduled from through April. All sessions listed below take place in the Computer Training Room at Henry Ford Centennial Library and are free of charge. Interested patrons can visit or call the Reference Desk at (313) 943-2330 to register during the appropriate registration dates listed below.
C O N T I N U E
Intro to E-Mail 10 AM-12 PM
A T
H F C L
Friday, April 5 Registration: Mar. 28-Apr. 3
Intro to Microsoft Word Friday, April 12 10 AM-12 PM Registration: Apr. 5-10 Intro to Microsoft Excel Friday, April 19 10 AM-12 PM Registration: Apr. 12-17
Basic Computer Workshops Basic Computers 10 AM-12 PM Internet Basics 10 AM-12 PM
Friday, March 15 Registration: Mar. 8-13 Friday, March 22 Registration: Mar. 15-20
L U C K Y D A Y D V D C O L L E C T I O N A T H F C L The Dearborn Public Library is pleased to announce the addition of a new collection at Henry Ford Centennial Library: the "Lucky Day" collection. Get the latest DVD releases without waiting on long reserve lists! There is a $2 fee to check out a Lucky Day collection DVD, and it can be checked out for 2 days. A patron can check out up to three Lucky Day titles at once; three Lucky Day titles can be checked out for $5. There are no holds or renewals allowed on Lucky Day movies, and the regular overdue fine of $2 per day applies to each DVD returned late. The Lucky Day collection is located right next to the Circulation desk at HFCL. Stop in today and see if it's your lucky day to get the hot title you've been waiting for!
S M A R T
M O N E Y @ L I B R A R Y
Y O U R
The Dearborn Public Library and DFCU Financial have teamed up to offer free financial seminars! In “Debt-Free Living,” scheduled for Tuesday, March 12 from 6:30-8 PM at the HFCL auditorium, you will learn how to develop and use a budget to anticipate future expenses while positioning yourself to live on less income. Attend the seminar and receive a free folder packed with useful information on how to get out (and stay out) of debt. If you’re interested, please ask about the other seminars in this series: “Pre-Retirement Wealth Builder” on April 6 and “Post-Retirement Wealth Retention” on May 11. To register for any of the seminars, visit the Henry Ford Centennial Library Adult Reference Desk or call 313-943-2330.
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M U S I C
W E
E s s a y s
b y
L O V E l i b r a r y
s t a f f
o n
t h e i r
f a v o r i t e
s o u n d s
The Mamas & The Papas:
After signing with Dunhill, the band got to work on writing
“Monday, Monday” and So Much More…
Papas are known for.
By Sarah Kalmoni
songs and producing the harmony vocals that became the trademark style which defined what The Mamas & the Wikipedia further notes, “the
band's first single, "Go Where You Wanna Go", was released in 1965, failing to chart. However, the second single, "California Dreamin'", was released later in 1965 and quickly peaked at number 4 in the US, while in the UK, it peaked at number 23. The band's debut album, If You Can Believe Your Eyes and Ears, was released in early
Two men. Two women. Harmonies and innovative upbeat
1966 and became the band's only number 1 album on
music. And what do you get when you put it all together?
the Billboard 200. The third and final single from their
The Mamas & the Papas, of course! The Mamas & the
debut was "Monday, Monday", which became the band's
Papas began their musical journey around 1965. John
only US number 1 hit. The song brought the band
Phillips and Denny Doherty started out as two different
international success when it peaked at number 3 in the
folk bands known as The Mugwumps and The New
UK Singles Chart and the first number 1 in the Spanish
Journeymen, but decided to form a new group, along with
Los 40 Principales chart.”
John’s wife, Michelle Phillips.
Cass Elliot was the last
person to join the band. John was reluctant at first about
As with any band on the rise, there are many obstacles
Cass joining because of her large size, thinking it might
that can sometimes stand in the way of the band’s next
affect the band’s image in the music industry. He was
step in their career. Eventually it was discovered that
later convinced to give Cass a chance. The band moved to
Doherty and Michelle Phillips had an affair. It happened
the United States Virgin Islands, running out of money.
while they were working on their second album, The
They eventually gambled enough money to fly back to
Mamas & the Papas.
New York City. There’s an interesting story behind how
Somer, and with the advice of their record label, Dunhill
the band came up with their new name. On one particular
Records, the band decided to fire Michelle Phillips on June
evening, while they were watching TV, they came across
4, 1966. Lou Adler’s girlfriend, Jill Gibson, was chosen to
Hells Angels, who were guests on a talk show. According
replace Michelle. Adler was the producer of their album.
to Wikipedia, one of their members said "Now hold on
“Gibson was already a singer/songwriter who had
there, Hoss. Some people call our women cheap, but we
performed on several Jan and Dean albums. Although
just call them our Mamas." Cass stood up and said,
Gibson was not known as a strong singer, she learned to
"Yeah! I want to be a Mama!" Michelle joined Cass; they
sing Michelle's parts within three weeks while the band
danced around, chanting "We're the Mamas! We're the
was in London. There was always a discrepancy as to who
Mamas!" After a couple of minutes, John and Denny
actually sang for Michelle’s parts. “Rock Historian Greg
looked at each other and shrugged. "The Papas?" From
Russo says studio records show Michelle had already
this point on, shortly after signing a five-album contract
recorded six songs for the second album with the group in
with Dunhill Records, they referred to themselves as The
April
Mamas and The Papas.”
1966,
including
After seeking an attorney, Abe
the
singles
"I
Saw
Her
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Volume 6, issue 2
M U S I C
W E
L O V E ,
c o n t ’ d
Again" (inspired by the Doherty-Phillips affair) and "Words
Cass Elliot went on to make three albums with hit singles
of Love." Gibson recorded with John, Cass and Denny in
“Make Your Own Kind Of Music” and “It’s Getting Better.”
July and early August 1966. Michelle was asked to rejoin
She made guest appearances on The Carol Burnett Show,
the group by the end of August and went right into the
Match Game ’73, The Mama Cass Television Program
studio, while Gibson was let go and received an
and Don’t Call Me Mama Anymore. While promoting her
undisclosed payment for her part. Producer Lou Adler
solo act in London, tragically, Cass died of a heart attack
states in the book Go Where You Wanna Go that Gibson
on July 29, 1974. The night before she died, Michelle
sang on "maybe six songs", but Michelle re-recorded them
Phillips spoke to
when she returned. In the same book, Michelle Phillips is
Cass
quoted as saying that she does not know for sure who is
phone. Cass was
singing on the second album, that she and Jill both
really
recorded many of the same songs. Phillips says only
because she was
Engineer Bones Howe and Producer Lou Adler know for
receiving standing
sure who was on the final record.”
ovations her
The Mamas & the Papas went on to record three more albums, and appeared on The Monterey International Pop Festival and The Ed Sullivan Show. They had some chart-
on
the
excited
during
performanc-
es. Michelle felt that Cass was really happy before she passed away. Her funeral was attended by all her former band mates, including Lou Adler, her former producer.
ing success with the singles, “Look Through My Window”, “Dedicated To The
The Mamas & the Papas were inducted in the Rock &
One
I
Love”,
Roll Hall of Fame in 1998. They leave behind a legacy
“Creeque
Alley”
that will never be forgotten. Although they were only
and cover versions
together for about four years, they made music that has a
of “My Girl” and
lasting impression. When I play one of their albums, it
“Dancing In The
feels like I am going back in time, thinking about the
Street”. After their
beach, summertime, love, dancing and having fun. Their
appearance on The Ed Sullivan Show in September 1967,
harmonies are beautiful, soothing, and their music is
they announced that they were taking a break and would
easy to listen to. So this is an invitation across Michigan,
record later on.
While embarking on a vacation in
where there’ll be laughing, singing, music, swinging, and
England, Dunhill Records threw a party for The Mamas &
dancing to The Mamas & the Papas music! Check out
the Papas. Cass Elliot was talking to Mick Jagger, and
one of their fabulous CDs If You Can Believe Your Eyes
John Phillips made an insulting comment about her
And Ears, Hits Of Gold, and Greatest Hits available at
appearance in front of everybody. Cass, hurt and upset
Henry Ford Centennial or Bryant today!
by John’s comment, left the party and decided to quit the group. Because of the contract binding the band for five albums, Cass came back and to finish recording the last album. After the completion of the final album, and with poor charting results, everyone decided to pursue solo careers.
Source: http://en.wikipedia.org/wiki/ Mamas_and_the_Papas
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B O O K
R E V I E W :
Who I Am by Pete Townshend Review by Jason Stanley Most rock-n-roll memoirs take the usual route of rock excess to the point where the text itself is immersed in the filth. Pete Townshend, guitarist and songwriter for rock legends The Who, takes the high road by examining his own personal life while at the same time acknowledging the lifestyle in a literary sense in his new memoir Who I Am. The main story of the memoir is of a sensitive, brilliant artist who finds himself caught up in the success of his band and the rock lifestyle that comes with it. Townshend traces his life story in his memoir by beginning with his family history. He looks back on his family heritage by examining the ancestry of his parents. Townshend also writes candidly about his childhood and various relatives. Everything, however, is not very sunny. At the core of his story is a childhood trauma that would provide both creative material and personal turmoil later in life. Townshend handles this particular subject with great candor and sensitivity. He also chronicles how he took steps towards healing himself by helping others. The title is an engrossing read throughout, but it picks up great speed with the formation of The Who. Once there, the life beats and legends of The Who come right after the other: jamming with John Entwistle, meeting Roger Daltrey, formation, meeting Keith Moon, naming the band, “My Generation,” the Holiday Inn incident, Tommy, Woodstock, Lifehouse, “Baba O’Riley,” guided meditation, rock-n-roll excess and debauchery only possible in the 1970s, Keith Moon’s death, a
W H O
I
A M
less-than-heartfelt attempt at carrying on, and, ultimately, disillusion and disbandment. I feel that the book, while still engrossing, lost some momentum once The Who disbanded. Tales of excess, mid-life crises and infidelities do begin to take their toll, and not just on Townshend, either. However, several surprises are presented. Before reading this memoir, I had no idea that Townshend did a stint as a book editor, or that the animated film The Iron Giant was based on a solo album of his, which in turn was based on a children’s book. I was also surprised to read Townshend write positively about Woodstock, which The Who have long been quite dismissive of in the past. What I wasn’t surprised to read was that Townshend, who’s had a long term love-hate relationship with The Who, has wanted to leave the band since their second album. With all these surprises and personal twists and turns, Pete Townshend’s Who I Am doesn’t allow itself to be dragged down with the rock excess that is typical of most memoirs. Instead, it rises above and becomes an engrossing read by offering an introspective look inside the life of one of rock’s greatest architects.
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L I B R A R Y A D M I N I S T R A T I O N A N D I N F O R M A T I O N
DIRECTOR Maryanne Bartles
L I B R A R Y
H O U R S
The libraries are now open for regular hours according to the schedule below. Please note holiday closures .
DEPUTY DIRECTOR
Henry Ford Centennial Library
Julie Schaefer
16301 Michigan Ave. (313) 943-2330 Mon-Thurs
9:30-8:30
LIBRARY COMMISSION
Friday
9:30-5:30
Saturday
9:30-5:30
CHAIR
Sunday
1-5
Marcel Pultorak VICE-CHAIR Nancy Zakar
Branch Libraries Monday Wednesday
12:30-8:30 10:30-5:30
Tuesday
Thursday 12:30-5:30
SECRETARY-TREASURER
Friday CLOSED
Jihan Ajami Jawad
Saturday 12:30-5:30
Ryan Lazar David L. Schlaff
Sunday
12:30-8:30
CLOSED
The library will be closed on the following holidays:
Sally Smith Antonia Straley Robert Taub
Friday-Sunday, March 29-31 www.dearbornlibrary.org
VISION STATEMENT “The Dearborn Public Library fosters the spirit of exploration, the joy of reading, and the pursuit of knowledge for all ages and cultures starting with the very young.” MISSION STATEMENT “The Dearborn Public Library provides a broad range of effective, courteous, quality services and a balanced collection of materials for the educational, informational and recreational needs of the community.”
Library Matters March-April 2013 Layout, writing and editing by Jeff Lelek with staff contributions as credited
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