Chloe Smith Interview -‐ Illusion -‐ Willing ‘suspension of disbelief’ (i.e. you choose to believe in the illusion) -‐ one con@nuous soundtrack – no other film/TV show has done this it is because it is LIVE TV -‐ Sound is integral to holding together the illusion of the film/TV (but also the MEANING and MOOD) -‐ Helps audience understand – i.e. it is the best it is the best way to put across the meaning so we fully understand
Chloe Smith Interview • She says ‘we cant provide you with a running commentary’, cuts to him in the louder/ aggressive tone ‘I’m not asking for a running commentary, I’m asking for a statement/ fact of when you were told – • inflec@ons (told/fact) – to make clear what is important in the conversa@on – what he wants to know. • ‘You were told to day clearly’ – focused on her because they thought Paxman was done talking – and she goes to speak, but adds last insult.
Chloe Smith Interview • Followed by sarcas@c ques@on – ‘Before or aYer lunch’ – beliZling as he is frustrated that he isn’t ge[ng the answer he wants. • Con@nues to interrupt her because she’s repea@ng the same answer so the interview becomes a baZle between them – WHEN were you told – reitera@ng to the audience. • ‘Some point over the last few weeks they HAD told you they changed the policy’ – inflec@on • FARCE – number of @mes he keeps asking the same ques@on – unrealis@c out of control.
Chloe Smith Interview • ‘Is it HARD to defend a policy…’ – voice raises as he is being patronises, to which she replies slightly off cuff almost trying to play the ‘game’ differently – aZacking/ deflec@ng. • She starts to use inflec@ons in order to make her points, ‘You CAN…’, ‘good FAITH’ – defending • Tone – overall how feeling and way it is – i.e. Hodges – melancholy and sarcas@c • Pitch – the way it sound – high voice low voice – inflec@ons.
Chloe Smith Interview • ‘You’re choosing not to tell us’ ‘It’s an aggregate figure and what’s important’, ‘Fine you’re choosing not to tell us’, ‘No it’s an aggregate figure’ , then he sighes – this show a ‘@reless’ baZle – frustrated. • Becomes scathing – beyond frustra@ng exasperated. • ‘The PLAN overall has not CHANGED’ inflec@on – pitch changes